Nelson Atkins Museum of Art design competition shortlist news!https://www.e-architect.com/america/nelson-atkins-museum-of-art-design-competition-shortlist#nelsonatkinsmuseum #Missouri #architecture #architects #usaNelson Atkins Museum of Art design competition shortlist news, Kansas City, MO, USA - six finalist architecture teams through to the second stage of the international contest for vibrant space to host new creative, immersive and energizing experiences

This isnt your typical retail store. CASETiFYs new flagship, designed by Crosby Studios, in Seoul combines art, technology, and self-expression across five stories of interactive installations. Dive into the vibrant world of CASETiFYfrom sci-fi vibes on the travel floor to Instagram-worthy moments on the rooftop. #CASETiFY #CrosbyStudios #Architecturehttps://bit.ly/3Oe8EtpThe five-story creative hub mixes art, technology and self-expression.

Specialized solutions redefine architecture! From durable metal, custom wood doors, to fast-track wood ceilings, discover how specialization fuels innovation. #Architecture #DesignInnovation #Construction #Sponsored #ZondaMediaIntelDiscover how three manufacturers are redefining industry standards to meet the growing demands of architects, interior designers, and builders.

The six finalists vying for the chance to design an expansion of the Nelson-Atkins Museum of Art in Kansas City have been selected ahead of next springs winner announcement.The first stage of the competition, which we announced last month, attracted 182 entries from 30 different countries on six continents. The museums selection committee expanded the shortlist from five to six teams in recognition of their designs excellence. The finalists will next visit the museum for a detailed introduction before they begin working on concept designs over the next three months.The six lead firms for the expansion are:Kengo Kuma & Associates (Tokyo)Renzo Piano Building Workshop (Genoa)Selldorf Architects (New York)Studio Gang (Chicago)Weiss/Manfredi Architecture (New York) WHY Architecture (Los Angeles)

The historic Houston Astrodome could soon receive a $1 billion revival courtesy of Gensler.Plans for Vision: Astrodome from the Astrodome Conservancy called for the erection of four new smaller structures inside the stadium. An arching internal pedestrian boulevard comparable to the New York High Line then interjects itself as an elevated connector to the adjoining NRG Stadium and NRG Center venues.Image courtesy Astrodome ConservancyOfficially a 450,000-square-foot plan that will rejuvenate the facility (at one point known as the "Eighth Wonder of the World") into a retail and entertainment destination for Houstonians, the endeavor is being supported by favorable results from the Conservancy's 2020 public engagement survey.Image courtesy Astrodome ConservancyIf approved, the 86% majority of Harris County residents will get their wish in the form of the retail, office, cultural, hospitality, other commercial, and food/beverage offerings lining the selection of redeveloped spaces...

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Architects: Want to have your project featured? Showcase your work throughArchitizerand sign up for ourinspirational newsletters.Imagine a table covered in large sheets of tracing and drafting paper. Pencils, markers and a set of rulers, of all shapes and sizes, are scattered along its surface. Vast amounts of masking tape hold in place overlapping drawings and images. An architects desk lamp illuminates the work surface, shedding light to the rubber crumbs, pencil shavings and smudges unavoidable traces of hand drawing that reveal a different type of (architectural) practice, a practice of making.Located in Barcelonas historic center, the Flores & Prats Architects is not exactly a typical architectural workspace. It lacks the cleanness often found in contemporary firms, where open-plan spaces are inhabited with large tables, used for arranging iMacs in an orderly manner in addition to housing the occasional desk plant. Instead, this particular studio is split into a series of (domestic) rooms, where models are stuck on the walls and ceilings, drawings spill out of cupboards, and tables on wheels are always in a state of wonderfully curated mess. View this post on InstagramA post shared by Flores & Prats (@floresyprats)Flores & Prats was founded in 1998 by Eva Prats and Ricardo Flores and combines design and constructive practice with academic activity. The studio looks at research as a driving tool for architecture, producing countless projects open to public interpretation and critical thinking. The practice is internationally recognized; it has been awarded countless prizes throughout the years and its work has been exhibited in monographic and collective exhibitions, while their first monograph book Thought by Hand. The Architecture of Flores & Prats offers insights into their unique method of working.Describing the Flores & Prats studio feels quite romantic in todays context. It is reminiscent of an era where the architect was viewed less like a producer and more as a sceptic, with hand drawing being a tool for inquiry as well as communication. As a result, when considering the lack of technology in the studios process, my question is: How do they do it? How are they able to not only survive in such a fast paced world but actually thrive in it without taking advantage of technologys benefits? View this post on InstagramA post shared by Flores & Prats (@floresyprats)Eva Prats and Ricardo Flores are huge advocates of hand drawing and by extent model making. According to them, analogue practices are inherently slow, allowing room for imagination and uncertainty, crucial ingredients for making responsive architecture. By abandoning the immediate precision required when using todays software, the hand is free to explore and flow through a range of ideas, rather than focus on resolving a single one. It becomes a way of thinking.Still, the studios drawings are quite unique, deviating from the rules of technical drawing, and merging scales, mediums, views and most importantly intent in a single page. Heavily influenced by their time with Enric Miralles, both Eva Prats and Ricardo Flores incorporate multiple aspects of a project in a single drawing. Through a single blueprint (as they call it) they are able to observe and record a space through time, superimposing different surveys, which especially in their older projects such as Sala Beckett and the Casal Balaguer directly inform the design. Additionally, in their later work, collaborative projects such as Edificio 111, required a different type of superimposition, where the blueprint acted as a container and testing of ideas, incorporating diverse opinions and expertise, fitting every contribution onto the page. View this post on InstagramA post shared by Flores & Prats (@floresyprats)Flores & Prats recent exhibition as part of La Biennale di Venezia 2023, titled Emotional Heritage and curated by Lesley Lokko, opens up discussions around unfinished drawings, models and films. The exhibition material was arranged on four tables: The open condition of the ruin; The right to inherit; Drawing with time; and The value of use, which look into memories, civil and moral values and stories that reside within abandoned buildings and reveal the invisible social relationships that operate within them. Once again, hand drawing is crucial in this process, recording the buildings temporal dimensions, the spatiality of ruins, the accumulation of cultural elements (doorframes, windows, tiles, scrapes of plaster) and, finally, the pressures of ownership. View this post on InstagramA post shared by Flores & Prats (@floresyprats)I am aware that I have barely scratched the surface on the studios methods and processes. However, one thing is abundantly clear: it all starts with a table. For Flores & Prats, the table becomes a surface for interaction, collaboration and inquiry, where drawings that describe so much more than the form and the construction of a building can occur. A place, where time slows down and projects develop beyond the given timelines and demands of the assignment. Even though it is not easy to ignore the pressures and demands of the contemporary architectural field, the Flores & Prats studio has proven the benefits of testing out more and producing less for the built environment, taking the time to truly explore the makings of inhabited space.Architects: Want to have your project featured? Showcase your work throughArchitizerand sign up for ourinspirational newsletters.Featured Image: ARCH.architecture, FLORESPRATS-SALABECKETT-62408-PH 04 Old and new window connecting the Bar with the Vestibule photoAdriGoula, CC BY-SA 4.0The post The Rigor of Making: Inside the Barcelona Studio of Flores & Prats Architects appeared first on Journal.

A new functional art structure by A+A+A now sits in the park to celebrate Afro-Caribbean and Latin heritage. Urechi Oguguo, a Brooklyn artist, made the beautiful paintings that appear on the tiny building that can accommodate a range of programs.A new functional art structure by A+A+A in Tompkinsville Park on Staten Island celebrates Afro-Caribbean and Latin culture. Urechi Oguguo, a Brooklyn artist, made the beautiful paintings that appear on the structure, which cna support a variety of programming.

Though Elizabeth Street Garden has been granted a stay pending a ruling in the Appellate Court, the garden faces ongoing uncertainty. Community members and volunteers continue the fight to preserve the outdoor sculpture gallery and its distinctive place in the community.In October, Elizabeth Street Garden received an eviction notice and the likelihood of housing development planned for the site seemed imminent. The ruling was later amended to pending and the garden has been granted a stay until the case is revisited in February 2025.

Minimalism in black-and-white photography is about stripping away distractions and focusing on simplicity, using negative space, clean lines, and isolated subjects to create a powerful visual impact. In a world where complexity often reigns, minimalist photography stands out by embracing simplicity. Heres how you can use the principles of minimalism to craft striking black-and-white images that resonate. Understanding minimalism in photographyMinimalist photography aims to convey a clear message with as few elements as possible. This approach emphasizes the importance of composition, light, and subject placement. In black-and-white photography, minimalism becomes even more potent because theres no color to rely on, so every detail, shadow, and texture must contribute to the overall impact.Simplicity is keyAt its core, minimalism is about reducing the scene to its most essential elements. Whether its a lone tree in a vast field or a single architectural line, the goal is to focus attention on the subject without distractions. Embracing negative spaceNegative space, or the empty area around your subject, plays a significant role in minimalist photography. By giving your subject plenty of room to breathe, you draw the viewers eye directly to it, enhancing its importance within the frame. In black-and-white photography, the use of negative space can create a sense of calm, isolation, or contemplation, depending on how you frame it.Composition techniques for minimalismMinimalist photography relies heavily on strong composition. Without the complexity of multiple elements or colors, the arrangement of the subject within the frame becomes paramount.Rule of thirdsWhile minimalism often leans toward simplicity, the rule of thirds is still an effective compositional guideline. Placing your subject off-center within the frame can create a sense of balance and flow. The surrounding negative space becomes a complementary element to the subject.Symmetry and balanceMinimalism and symmetry go hand in hand. Symmetrical compositions in black-and-white photography can create a sense of order and tranquility. Whether its a reflection in water or a perfectly centered subject, symmetry adds to the overall simplicity and elegance of the image. Leading linesUsing leading lines can guide the viewers eye directly to your subject, enhancing the minimalist effect. Look for strong, simple lines in architecture, landscapes, or even shadows that draw attention to the focal point of your composition. Light and shadow in minimalist photographyIn black-and-white minimalism, light and shadow are your primary tools for adding depth and contrast to an otherwise simple image. The way you use light can turn a basic composition into something extraordinary.Harsh light for bold contrastStrong, directional light can create sharp contrasts between light and dark areas, which works particularly well in minimalism. The stark contrast between black and white emphasizes the simplicity of the scene and brings focus to the shapes and lines within the frame. Soft light for subtletySoft, diffused light can also be effective in minimalist black-and-white photography. This type of light reduces harsh shadows, allowing for a more gentle, understated composition. Use soft light when you want to highlight subtle textures or create a sense of calm and tranquility.Silhouettes for impactSilhouettes are a powerful tool in minimalist photography. By shooting against a bright background, such as the sky or a well-lit wall, you can turn your subject into a simple, dark shape that stands out boldly against the lighter background. This high-contrast approach strips the subject down to its most basic form, creating a striking visual impact.Choosing the right subjectIn minimalist photography, your choice of subject plays a critical role. It needs to be visually interesting on its own, as there are no other elements to distract or complement it.Isolated subjectsLook for isolated subjects that stand alone in their environment. A single tree in a field, a person walking along a deserted street, or a lone building against the sky are all examples of minimalist subjects. The simplicity of these compositions forces the viewer to focus entirely on the subject, amplifying its importance. Abstract formsMinimalism often blurs the line between reality and abstraction. By focusing on simple shapes, patterns, or textures, you can create abstract compositions that invite the viewer to interpret the image in their own way. In black-and-white photography, the absence of color allows abstract forms to stand out more clearly, making them ideal for minimalist compositions.Maximizing negative spaceNegative space isnt just emptyits an essential part of your composition. The space around your subject can evoke a sense of isolation, loneliness, or peace, depending on how you use it.Balance between subject and spaceWhen incorporating negative space into your composition, the key is balance. Too little negative space, and the image can feel cramped or cluttered; too much, and the subject may get lost. Finding the right balance ensures that the subject remains the focal point while the surrounding space complements it. Creating tension with spaceNegative space can also be used to create tension in your image. By positioning the subject in one corner or at the edge of the frame, you create a sense of unease or imbalance. This can add emotional depth to your minimalist composition and make it more thought-provoking. Techniques for minimalist black-and-white photographySlow down and simplifyWhen approaching minimalist photography, take your time. Slow down, observe your surroundings, and look for simple compositions. Its easy to overcomplicate a shot, but with minimalism, less is always more.Shoot in monochrome modeMany digital cameras allow you to shoot in black-and-white mode, which can help you see your compositions in terms of light, shadow, and contrast without the distraction of color. While you can always convert to black and white in post-processing, shooting in monochrome mode can help you visualize the final image more clearly. Minimalism in black-and-white photography is a celebration of simplicity. By focusing on clean compositions, strong lines, and the interplay of light and shadow, you can create powerful images that speak volumes without saying too much. The key to success in minimalist photography is restraintletting the subject and the space around it do the talking.Not on 500px yet? Click here to learn about Licensing with 500px.The post Minimalism in monochrome: Less is more appeared first on 500px.