• Photos from American Society of Landscape Architects's post
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    "Ecological restoration in the public realm creates vibrant and adaptive landscapes that strengthen our civic fabric while supporting biodiversity" Jennifer Dowdell, ASLA, Biohabitats The ASLA Biodiversity and Climate Action Committee has organized a nine-part webinar series: Biodiversity and Climate Action 101 for Landscape Architects. Register for the last webinar -- Restoring to What? Addressing Biodiversity in the Era of Climate Change -- on December 16 at 1 PM EST. Join Jennifer; Claudia West, ASLA, Phyto Studio LLC; and Martha Eberle, ASLA, PLA, Andropogon. This webinar is free for ASLA members and $50 for non-members. It offers 1.0 PDH (LACES/HSW). The webinar series is underwritten by Landscape Forms. Register today: https://bit.ly/4fYf5wXImage Credit: Wharf Floating Wetlands, Washington, D.C., UNC Chapel Hill Battle Grove Stream Restoration, and Jennifer Dowdell / Biohabitats Inc.
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  • Photos from Architectural Designs - House Plans's post
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    What do you think of this Festive Farmhouse?We will always love with this stunning build of Plan #52269WM by our client in Oregon! 2,796 Square Feet 3-4 Bedrooms 4 Baths 3 Car Garage 84'-0" Wide x 58'-4" DeepHead to www.architecturaldesigns.com/52269WM to see the floor plans & photos!
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  • The Auditor Generals Report, Part 1: The cost of privatizing Ontario Place
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    This article is part of a four-part series examining findings from the Auditor Generals Report, released on December 3, 2024. Future parts will be posting in the coming week.On Tuesday, December 3, 2024, Ontarios Auditor General released its 2024 report, including a 117-page long analysis of the Ontario Place Redevelopment, on Torontos waterfront. The projectwhich includes a stadium-sized waterpark and spa by Austrian developer Therme, and expanded concert venue by LiveNationhas elicited public concern related to its privatization of public space, environmental impacts, and procurement process. The planned redevelopment is also linked to the closure of the Ontario Science Centre, which the government plans to replace with a half-sized facility at Ontario Place.The Auditor Generals office noted that the public cost of the Ontario Place redevelopment has ballooned from when the call was launchedlargely because key costs were not included in assessing the submissions. While initially, the government anticipated spending $335 million to $424 million preparing the site, the total tally for the project currently amounts to over $2.237 billion in taxpayer dollars.Where did the extra $1.8 billion in costs come from? This bill includes the much-discussed parking garage. In the governments lease with Therme, the Province has agreed to construct a 1,800-spot parking garage, with 1,600 spots reserved for Thermes use. Its lease with LiveNation includes 1,200 parking spots. While the initial plans anticipated a 5-storey below-grade parking garage under the new Ontario Science Centre pavilion, the cost for this structure was estimated by Infrastructure Ontario to come in at over $1.3 billion dollars. The two currently preferred options are priced, respectively, at over $280 million and over $400 million.The cost of a new Ontario Science Centre has gone up nearly $400 million. This results largely from additional scope changes. Those big-ticket items were, in my assessment, known but deliberately omitted from the initial business case. They include building a tunnel-and-bridge connection to the Pods, the construction of a basement level with loading dock, and the need for excavation and structural foundation work. The new cost estimates suggest that even in the Provinces faulty business case, the scales would now be tipped in favour of the cost-effectiveness of retaining and repairing the existing Science Centre, rather than replacing it with a new one.More costs arise from an increase to the costs of demolition on the West Island, and increase in costs for restoring the Pods and Cinesphere. The Auditor General notes that the original contract for repairs to the heritage structures was awarded via an RFP, but that when the work was delayed, the work was transferred to another contractorwithout an open procurement, and at a cost of $64 million, in addition to the $32.9 million already paid to the first contractor. That same second contractor was also sole-sourced for the contract for the West Island demolition, at a cost of $40.4 million (up from an initial estimate of $5-10 million).The Province will also be on the hook for higher costs of site servicing and site preparation, including contributing over $20 million to the Therme shoreline and public realm, and over $60 million to relocate a two combined sewer outflows, one of which impacts Thermes planned beach, and the other of which is expected to conflict with proposed underground construction.According to the Auditor General, the government has spent $8.5 million on legal fees, related in part to the controversy elicited by advancing redevelopment plans that are not based on meaningful public consultation.The biggest part of the added expenses is an increase to the costs of public realm developmentover $500 million for parks, paths, roads, facilities, and landscape, at Ontario Place, up from an estimate of $50 million in 2021. This is, says the Auditor General, directly linked to the governments decision to act as master developer for the site. But this was not pre-determined: in the Auditor Generals analysis, seven of the 10 comprehensive site-wide submissions from the Call for Development included a design for the public realm, three of which included a provision to pay for the public realm. Her offices report also notes that Seven included a parking solution, three of which included a provision to pay for parking.In deciding to select participants responsible for developing parts of the site (Therme, Live Nation, and corcreo), rather than the full realm, the Province was also deciding to bear these extra costs. However, no estimates of the cost of this work were prepared or presented to key decision makers. There will be additional costs to maintain and operate these spaces.This $2.237 billion in investments would, in theory, be offset by revenues from Therme. However, as the Auditor General has pointed out, the $1.1 billion in rent payments that the Province has cited is in nominal dollars, over a 95-year period. The present valuethat is the concept of todays dollars being worth more than tomorrows dollars because of inflationmeans that these rent payments, today, are only worth about $163 million.Zooming out, it is worth taking a moment to consider the implicit promise of privatizing large sections of Ontario Place. Such a move was objectionable to many critics, but the government held fast to the idea that it would result in substantial savings to taxpayersmaybe even, some might have expected, a free ride, or close to it. As it turns out, a privatized Ontario Place is not free: in addition to giving away this waterfront land, the Ontario Place Redevelopment puts Ontario taxpayers on the hook for over $2 billion.The post The Auditor Generals Report, Part 1: The cost of privatizing Ontario Place appeared first on Canadian Architect.
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  • Northcrest Unveils Winners of Beyond the Tarmac Open Call
    www.canadianarchitect.com
    Credit: AltohelixNorthcrest Developments has announced the winners of their inaugural Beyond the Tarmac Open Call that took place this past spring, which marks a milestone in the transformation of the cultural identity of the former Downsview Airport site in north Toronto.Back in April, Northcrest launched a call for artists, creatives, programmers and event producers to reimagine parts of YZDs taxiway600 metres of the tarmac that leads to the 2-kilometre runwayadjacent to airplane hangars.Following an enthusiastic response to the call for submissions, three projects have been selected to bring art experiences to the heart of the YZD site in 2025.The winning installations, Runway Rivers by local artist John Notten, Street Art by One Day Creates, and Wonderful by Reset x RebuildTO, will be designed to attract locals and tourists, while creating spaces for social interaction, learning, and exploration.The Beyond the Tarmac installations are a cornerstone in our vision to make YZD a hub where culture, art, and community seamlessly intersect, said Mitchell Marcus, executive director of site activation and programming, Northcrest Developments. As we transform a place for airplane manufacturing into a place for people, our hope is that we can open our doors to the citys most creative minds to bring ideas to life that couldnt happen anywhere else, turning our industrial landscape into a vibrant place of creativity. This open call is one of the ways that we can ensure that we reach the broadest possible group of creators with a platform for them to dream and funding to have those dreams realized.Credit: John NottenRunway Rivers by John Notten, which will be launching next June, was inspired by Torontos lost rivers. Runway Rivers will offer visitors an interactive experience where they can float on canoes along painted pathways on the tarmac. This installation aims to combine art with history and geography, and offers a playful yet educational journey that explores the environmental significance of Toronto. John Nottens art installations have been showcased across Ontario, including in the Toronto Nuit Blanche program.Credit: One Day CreatesStreet Art by One Day Creates will be launching next July. This event will showcase some of Canadas top street art talent alongside international artists making their Canadian debut. It will also provide an inclusive space to experience the energy and creativity of street art in a new context.Credit: + AIWonderful by Reset x RebuildTO will be launching next April, and aims to blend cutting-edge audio technology with storytelling to create an immersive experience that takes visitors on an audio-guided adventure through one of the Hangars at the YZD site. Through a combination of 2D and 3D visual elements, visitors will be able to take a journey through an imaginative playground, and engage with each other and the immersive elements.The Beyond the Tarmac installations will open to the public in spring and summer 2025. Northcrest envisions the Beyond the Tarmac program as a recurring initiative. Over the years, the program will continue to invite artists to YZD to imagine new art installations, community events, and public art initiatives as the development evolves.In 2025, alongside the Beyond the Tarmac installations, YZD will host a variety of activations, including seasonal and ongoing art installations, recreational activities, and community events.The post Northcrest Unveils Winners of Beyond the Tarmac Open Call appeared first on Canadian Architect.
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  • Animated Short Film: ESCAPE
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    Animated Short Film: ESCAPEThis video is a course case study we created for the UE5 Aesthetic Creation Full Process Course Series. The vfx, lighting, characters and scenes in the video were all created in UE5.https://adapt.one/editorial/link/272/Animated+Short+Film%3A+ESCAPE/
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  • CGI is so good, it's BORING
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    CGI is so good, it's BORINGAnimation Hustle discusses Moana 2 behind the scene production and the amazing people behind it.https://adapt.one/editorial/link/271/CGI+is+so+good%2C+it%27s+BORING/
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  • Wikipedia picture of the day for December 5
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    The fall of man is a term used in Christianity to describe the transition of the first man and woman from a state of innocent obedience to God to a state of guilty disobedience. The doctrine of the Fall comes from a biblical interpretation of Genesis, chapters 13. At first, Adam and Eve lived with God in the Garden of Eden, but a serpent tempted them into eating the fruit from the tree of the knowledge of good and evil, which God had forbidden. After doing so, they became ashamed of their nakedness and God expelled them from the Garden to prevent them from eating the fruit of the tree of life and becoming immortal. The narrative of the Garden of Eden and the fall of humanity constitute a mythological tradition shared by all the Abrahamic religions. The fall of man has been depicted many times in art and literature. This 1828 oil-on-canvas painting, titled Expulsion from the Garden of Eden, by Thomas Cole (18011848), is now in the collection of the Museum of Fine Arts in Boston, United States.Painting credit: Thomas ColeRecently featured: Cinnamon tealMangosteenThe Book of Fixed StarsArchiveMore featured pictures
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  • On this day: December 5
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    December 5: Krampusnacht in parts of Central EuropeHenry Knox's noble train of artillery1456 The first of two major earthquakes struck the Kingdom of Naples, killing up to 70,000 people.1775 American Revolutionary War: Continental Army colonel Henry Knox arrived at Fort Ticonderoga in New York to arrange the transport of 60tons of artillery (depicted) to support the siege of Boston.1807 Napoleonic Wars: British ships began a raid on Griessie after the Dutch captain refused a British demand for surrender.1918 National Guards and Sokol volunteers protested in Zagreb, leading to an armed clash with regiments of the Home Guard and former Common Army.1958 Britain's first motorway, the Preston By-pass, opened to the public.Sigismund Rkczi (d.1608)Yjir Motora (b.1858)Priscilla Jana (b.1943)Neil Druckmann (b.1978)More anniversaries: December 4December 5December 6ArchiveBy emailList of days of the yearAbout
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  • Maxon releases ZBrush for iPad 2025.2
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    html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd"Originally posted on 8 November 2024, and updated for ZBrush for iPad 2025.2.Maxon has updated ZBrush for iPad 2025.1, the new tablet edition of ZBrush, its industry-standard digital sculpting software.ZBrush for iPad 2025.1 introduces more features from the desktop edition, including support for bitmap textures, UV layouts, displacement maps and surface noise, plus new options for customizing the toolbars.ZBrush for iPad 2025.2 adds GoZ support for Cinema 4D, making it possible to send data to the 3D animation and motion graphics software in a few clicks.ZBrushs core functionality, repacked in a UI designed for use on a touchscreen deviceReleased earlier this year, ZBrush for iPad is a much-anticipated tablet edition of digital sculpting software, widely used in concept art, game development and visual effects.It includes the core functionality from the desktop edition, including over 200 of the most popular sculpting brushes.Other key features include dynamic tesellation system Sculptris Pro, plus DynaMesh for true clay-like sculpting, and Live Boolean modeling.The tablet edition also includes ZBrushs Dynamics toolset for simulating cloth, and applying soft-body dynamics to sculpts.For texturing sculpts, users get 3D painting toolset Polypaint.New texturing options from the desktop edition, including texture map and UV controlsZBrush for iPad 2025.1 extends those texturing options considerably, since the update adds the Texture Map, UV Map and Displacement Map sub-palettes from the desktop edition.The new tools make it possible to apply bitmap textures to sculpts, convert Polypaint data to textures for export, UV unwrap models, and import models with an existing UV layout.Maxon has also added the desktop editions Surface Noise feature, for applying procedural noise to sculpts: one nice change in the tablet edition is the option to use photos from the iPad camera as a source of surface noise.Workflow and interface improvementsUI and workflow improvements include the option to add any control from the software to the customizable bottom toolbars, not just brushes, materials, texture and alphas.The Apple Pencils roll feature is now supported for changing values on the four main brush sliders, and tooltips are displayed on hover on devices that support the Pencils hover feature.The iPad edition also now supports the same set of languages as the desktop version, with the update adding localizations in Chinese, French, German, Japanese, Korean and Spanish.Updated 4 December 2024: Maxon has released ZBrush for iPad 2025.2.The update adds GoZ support for Cinema 4D, making it easier to send sculpts to the 3D animation and motion graphics software, as in the desktop edition of ZBrush.In addition, the software now includes ZSpheres templates for Female, Male and Hand mannequins.Price and system requirementsZBrush for iPad is compatible with iPadOS 17.0+ requires an iPad with a A12 Bionic chip or later.The base app is free, but is export-disabled. Access to the full feature set requires a paid subscription, which costs $9.99/month or $89.99/year.ZBrush for iPad is also included in subscriptions to the desktop edition of ZBrush, which now cost $49/month or $399/year.Read an overview of the new features in ZBrush for iPad on Maxons websiteRead a full list of new features in ZBrush for iPad in the App StoreHave your say on this story by following CG Channel on Facebook, Instagram and X (formerly Twitter). As well as being able to comment on stories, followers of our social media accounts can see videos we dont post on the site itself, including making-ofs for the latest VFX movies, animations, games cinematics and motion graphics projects.
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  • Check out Substance 3D Modelers new Primitives system
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    html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd"https://www.cgchannel.com/wp-content/uploads/2024/10/241023_Substance3DModeler115_Primitives.mp4Originally posted on 23 October 2024, and updated for Substance 3D Modeler 1.17 .Adobe has introduced a new Primitives workflow to Substance 3D Modeler, its VR sculpting tool.Substance 3D Modeler 1.15 moved the feature, which makes it possible to assemble complex hard-surface models from 3D primitives, out of beta and into the stable release.Substance 3D Modeler 1.17 makes further UI and quality-of-life updates.Sculpt organic and hard-surface models in VR using a virtual clay workflowSubstance 3D Modeler is a SDF-based tool that lets users sculpt both organic and hard-surface models in virtual reality, or in desktop mode using a mouse and keyboard.Workflow combines elements of sculpting and Boolean modelling, with users able to build up forms with virtual clay, then join or cut into them with Boolean operations.You can find more details in this story on Substance 3D Modeler 1.0.Substance 3D Modeler 1.15: new Primitives workflow for hard-surface assetsSubstance 3D Modeler 1.15, released in October 2024, moved the new Primitives workflow to the stable release.The functionality released in beta in May makes it possible to assemble complex hard-surface models by performing Boolean operations on 3D primitives.Since the beta, Adobe has added six new Combine modes to primitives Inset, Extrude, Groove, Tongue, Repel and Avoid making it possible to create a wider range of models.A new Blending type selector makes it possible to choose between smooth or chamfered blending.Substance 3D Modeler 1.17: Further quality-of-life updatesTo that, Substance 3D Modeler 1.17 the next stable version of the software: there was no Substance 3D Modeler 1.16 makes further UI and workflow improvements.The most important parameters, the Width and Depth sliders, have been moved to the top of the Combine mode parameters, and have been assigned non-zero default values.In addition, pasted and duplicated primitives are now added after the lowest selected object in the hierarchy.Price and system requirementsSubstance 3D Modeler 1.17 is compatible with Windows 10+, and these VR headsets.It is available via Substance 3D Collection subscriptions, which cost $49.99/month or $549.88/year. Perpetual licences are available via Steam, and cost $149.99.Read a full list of new features in Substance 3D Modeler in the release notesHave your say on this story by following CG Channel on Facebook, Instagram and X (formerly Twitter). As well as being able to comment on stories, followers of our social media accounts can see videos we dont post on the site itself, including making-ofs for the latest VFX movies, animations, games cinematics and motion graphics projects.
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