Antipatharians, or black corals, are named for their jet-black skeletons, but they can actually be quite colorful. Photo by ROV SuBastian Among Newly Discovered Ocean Species, a Baby Colossal Squid Is Filmed for the First Time May 16, 2025 NatureScience Kate Mothes An archipelago in the South Atlantic known as the South Sandwich Islands is home to some of the most remote landmasses in the world. Uninhabited except for occasional scientific research, their volcanic makeup highlights the geological and ecological diversity of this part of the world, and we still have much to learn. Schmidt Ocean Instituterecently completed a 35-day trek on the Falkorto the remote island chain and discovered new hydrothermal vents, coral gardens, and what researchers suspect to be entirely new species. During this expedition, the team also confirmed the sighting of a juvenile colossal squid, capturing one on film for the first time. “Colossal squid are estimated to grow up to 23 feet in length and can weigh as much as 1,100 pounds, making them the heaviest invertebrate on the planet,” the institute says, noting the significance of the documentation because the animals have only ever been found dead, after they’ve washed ashore or been eaten by predators. “Little is known about the colossal squid’s life cycle, but eventually, they lose the see-through appearance of the juveniles,” says a statement. “Dying adults have previously been filmed by fishermen but have never been seen alive at depth.” This recent expedition forms part of the Nippon Foundation–Nekton Ocean Census program, the largest initiative working to expedite the discovery of ocean life. During the voyage, the team weathered tropical storm-force winds with hurricane-level gusts, 26-foot waves, icebergs, and a subsea earthquake. Ocean Census scientists focused on discovering new species, documenting corals, sponges, sea urchins, snails, sea stars, and benthic ctenophores—commonly called comb jellies or sea gooseberries. The team will announce the exact number of new species later this year after taxonomic experts verify their findings. This is the first confirmed live observation of the colossal squid, Mesonychoteuthis hamiltoni, in its natural habitat. Photo by ROV SuBastian “The 35 days at sea were an exciting rollercoaster of scientific discovery, the implications of which will be felt for many years to come as discoveries filter into management action,” says Dr. Michelle Taylor, head of science and expedition principal investigator for the Ocean Census. She adds, “This is exactly why the Ocean Census exists—to accelerate our understanding of ocean life before it’s too late.” See more on the Schmidt Ocean Institute’s website. A sea cucumber recorded at 649.45 metres at Saunders East, in waters measuring +0.51°CA “ping pong” spongeis documented on a seafloor bank west of South Georgia Island This isopod was found during a dive at 470 metres depth at Saunders East, with a water temperature of +0.54°CA vibrant grouping of coral, documented on Humpback Seamount A nudibranch observed at 268 metres on the eastern side of Montagu Island, where temperatures hovered at +0.35°CA Brisingid — a type of deep-sea starfish — perches on a ledge among many brittle starsat a site east of Saunders Island Basket stars, a type of echinoderm, are abundant on seamounts and rocky outcroppings; ROV pilots recorded this observation at 673 meters during a dive on a bank west of South Georgia Island A crustacean from the Antarcturidae family found at 331.61 metres at Saunders East, where the temperature measured +0.5°C, seen here perched on a sea pen Research Vessel Falkorconducts studies off the South Sandwich Islands, including a site close to Montagu Island. The South Sandwich Islands area is extremely active volcanically Previous articleNext article #among #newly #discovered #ocean #species

OpenAI has introduced Codex, a cloud-native software engineering agent integrated into ChatGPT, signaling a new era in AI-assisted software development. Unlike traditional coding assistants, Codex is not just a tool for autocompletion—it acts as a cloud-based agent capable of autonomously performing a wide range of programming tasks, from writing and debugging code to running tests and generating pull requests. A Shift Toward Parallel, Agent-Driven Development At the core of Codex is codex-1, a fine-tuned version of OpenAI’s reasoning model, optimized specifically for software engineering workflows. Codex can handle multiple tasks simultaneously, operating inside isolated cloud sandboxes that are preloaded with the user’s codebase. Each request is handled in its own environment, allowing users to delegate different coding operations in parallel without disrupting their local development environment. This architecture introduces a fundamentally new approach to software engineering—developers now interact with an agent that behaves more like a collaborative teammate than a static code tool. You can ask Codex to “fix a bug,” “add logging,” or “refactor this module,” and it will return a verifiable response, including diffs, terminal logs, and test results. If the output looks good, you can copy the patch directly into your repository—or ask for revisions. Embedded Within ChatGPT, Accessible to Teams Codex lives in the ChatGPT interface, currently available to Pro, Team, and Enterprise users, with broader access expected soon. The interface includes a dedicated sidebar where developers can describe what they want in natural language. Codex then interprets the intent and handles the coding behind the scenes, surfacing results for review and feedback. This integration offers a significant boost to developer productivity. As OpenAI notes, Codex is designed to take on many of the repetitive or boilerplate-heavy aspects of coding—allowing developers to focus on architecture, design, and higher-order problem solving. In one case, an OpenAI staffer even “checked in two bug fixes written entirely by Codex,” all while working on unrelated tasks. Codex Understands Your Codebase What makes Codex more than just a smart code generator is its context-awareness. Each instance runs with full access to your project’s file structure, coding conventions, and style. This allows it to write code that aligns with your team’s standards—whether you’re using Flask or FastAPI, React or Vue, or a custom internal framework. Codex’s ability to adapt to a codebase makes it particularly useful for large-scale enterprise teams and open-source maintainers. It supports workflows like branch-based pull request generation, test suite execution, and static analysis—all initiated by simple English prompts. Over time, it learns the nuances of the repository it works in, leading to better suggestions and more accurate code synthesis. Broader Implications: Lowering the Barrier to Software Creation OpenAI frames Codex as a research preview, but its long-term vision is clear: AI will increasingly take over much of the routine work involved in building software. The aim isn’t to replace developers but to democratize software creation, allowing more people—especially non-traditional developers—to build working applications using natural language alone. In this light, Codex is not just a coding tool, but a stepping stone toward a world where software development is collaborative between humans and machines. It brings software creation closer to the realm of design and ideation, and further away from syntax and implementation details. What’s Next? Codex is rolling out gradually, with usage limits in place during the preview phase. OpenAI is gathering feedback to refine the agent’s capabilities, improve safety, and optimize its performance across different environments and languages. Whether you’re a solo developer, part of a DevOps team, or leading an enterprise platform, Codex represents a significant shift in how code is written, tested, and shipped. As AI agents continue to mature, the future of software engineering will be less about writing every line yourself—and more about knowing what to build, and asking the right questions. Check out the Details here. All credit for this research goes to the researchers of this project. Also, feel free to follow us on Twitter and don’t forget to join our 90k+ ML SubReddit. Asif RazzaqWebsite |  + postsBioAsif Razzaq is the CEO of Marktechpost Media Inc.. As a visionary entrepreneur and engineer, Asif is committed to harnessing the potential of Artificial Intelligence for social good. His most recent endeavor is the launch of an Artificial Intelligence Media Platform, Marktechpost, which stands out for its in-depth coverage of machine learning and deep learning news that is both technically sound and easily understandable by a wide audience. The platform boasts of over 2 million monthly views, illustrating its popularity among audiences.Asif Razzaqhttps://www.marktechpost.com/author/6flvq/A Step-by-Step Guide to Build an Automated Knowledge Graph Pipeline Using LangGraph and NetworkXAsif Razzaqhttps://www.marktechpost.com/author/6flvq/Google DeepMind Introduces AlphaEvolve: A Gemini-Powered Coding AI Agent for Algorithm Discovery and Scientific OptimizationAsif Razzaqhttps://www.marktechpost.com/author/6flvq/Rime Introduces Arcana and Rimecaster: Practical Voice AI Tools Built on Real-World SpeechAsif Razzaqhttps://www.marktechpost.com/author/6flvq/A Step-by-Step Guide to Build a Fast Semantic Search and RAG QA Engine on Web-Scraped Data Using Together AI Embeddings, FAISS Retrieval, and LangChain #agents #now #write #code #parallel

At a glanceExpert's Rating Pros Excellent full-color night vision Sharp 3K video resolution Smart motion detection with human and vehicle filtering Cons No included microSD card No AI-driven features beyond basic smart detection Our Verdict The Annke NightChroma NC500 is a rock-solid budget camera that delivers sharp, full-color surveillance–including at night–and smart detection where it counts. Price When Reviewed This value will show the geolocated pricing text for product undefined Best Pricing Today If you’re in the market for a budget-friendly security camera that doesn’t skimp on nighttime clarity, the Annke NightChroma NC500 is worth a look. This wired 3K PoEcamera captures full-color video even in total darkness, something you don’t typically get at its modest price point. That combination of sharp imaging and vivid night vision makes it an appealing option for DIYers setting up their own security systems–especially those who are also looking for a local networked storage option–as well as homeowners looking to add reliable coverage without blowing their budget. The Annke NightChroma NC500 doesn’t try to dazzle with extras; it focuses on doing the basics really well, and that’s what makes it such a strong buy. Design and features The Annke NC500 is available in both bullet and turret styles; I tested the bullet version. It has the no-nonsense look of a classic security camera—long and cylindrical, with a sturdy mounting bracket that makes it easy to aim exactly where you need coverage. The housing is made of aluminum and feels solid and well-built, with an IP67 weatherization rating that protects it against dust and rain. It can also operate in extreme temperatures, with an operating range of -22 degrees Fahrenheit to 140 degrees F.Whether it’s scorching summer heat or a winter freeze, the Annke NC500 is built to hold up outdoors. The compact bullet-style camera supports Power over Ethernet, meaning power and a network connection are supplied by a single cable, simplifying outdoor installations. Michael Ansaldo/Foundry Beneath its rugged exterior, the camera is more impressive than its price might suggest. It captures video with 3K resolution, providing a significant leap in detail over standard 1080p. That’s especially useful for identifying faces, license plates, or small movements at a distance. But what really sets this camera apart from the competition at this price is its low-light performance. The Annke NC500 uses a large f/1.0 aperture and a backside-illuminatedimage sensor, both of which help it gather more light after dark. Combined with Annke’s Acme Color Night Vision technology, the camera can deliver full-color footage even in near-total darkness. A built-in soft supplement light discreetly activates in 0 lux conditions, boosting low-light performance without the harsh glare of a spotlight or the grayscale fallback of infrared night vision. Other useful features include a built-in microphone for audio capture and support for local storagemeans both data and power travel over the same ethernet cable, simplifying wiring and delivering added flexibility as to where you install the camera–you’re not limited to locations near an electrical outlet. As long as you have a PoE-capable ethernet switch or a PoE injector you can use with your existing switch or roouter, one cable from your router or NVRis all it takes to power the camera and get it online. The NC500 is designed to work seamlessly with Annke’s own NVR systems; if you’re using a third-party recorder, you’ll want to confirm compatibility before purchasing. The Annke Vision app has a spare, intutitive design that makes it easy to control the camera and customize its settings. Michael Ansaldo/Foundry Once connected, setup is handled through the Annke Vision app, which offers a relatively smooth user experience. You can view live footage, play back recorded video, adjust camera settings, and set up motion detection alerts. The motion detection feature allows you to fine-tune sensitivity levels, helping reduce false alarms from wind-blown trees or passing cars. In terms of performance, the NC500 punches well above its weight. Its night-vision capabilities are particularly strong—footage is captured in full color and is impressively clear even when the ambient light drops to near zero. This gives it a significant edge over traditional IR-based night-vision cameras, which often revert to grainy black-and-white imagery when operating in full darkness. During my testing, the camera maintained sharp image quality in both rainy and bright conditions, and the sturdy build showed no signs of stress during a spring downpour. The onboard microphone also did a decent job picking up conversation, handy for capturing more context in your recordings. This review is part of TechHive’s in-depth coverage of the best home security cameras. The camera’s smart detection capabilities are a clear step up from basic motion alerts. It can distinguish between people and vehicles, which helps cut down on false alarms from things like swaying branches or neighborhood pets. In my testing, motion alerts were timely and mostly accurate, with only the occasional missed detection or unnecessary ping. You can tweak sensitivity and set motion zones in the app to further reduce noise, making the alerts more useful and less disruptive. Should you buy the Annke NightChroma NC500? The Annke NC500 doesn’t try to dazzle with extras; it focuses on doing the basics really well, and that’s what makes it such a strong buy. You get sharp video, reliable full-color night vision, and motion detection that’s smart enough to tell a person from a passing car. That’s more than enough to stand out in a crowded budget security camera market. #annke #nightchroma #nc500 #review #standout

Monster Closet Games is a small studio with big ambitions – and the experience to match. Most of the core team has been in the industry for 20-plus years, and they’ve worked on a number of gaming’s biggest franchises, from Assassin’s Creed and Prince of Persia to Far Cry and Halo. They’re currently developing an online multiplayer title codenamed Project Shrine, with plans to launch on PC and current-gen consoles.“High-level, it’s a third-person co-op dungeon raider,” says Monster Closet CEO Graeme Jennings. “You and your group get together, build synergies between your characters, and raid dungeons for treasure. It’s about working together as a team.”Teamwork is at the heart of Monster Closet’s approach to game development, and the studio plans to stay tight-knit and focused. “I’d rather have 40–50 developers who love working together, who love the way we work, and who build great games because of that,” says Jennings. “I have a genuine belief that great teams, with the right tools, can build great games.”Monster Closet’s artists and developers are used to working with a powerful tech stack of proprietary solutions. Starting over from scratch meant this wasn’t an option, so in the first few months, the team carefully curated a toolchain that would scale with their ambitions.For Project Shrine, Monster Closet is accelerating production with Unity’s engine-agnostic DevOps solutions and automations, including Unity Version Control for source control and Backtrace for error tracking. We interviewed Monster Closet’s lead online programmer, Patrice Beauvais, and CTO, Thomas Félix, to learn about what they’ve been creating and how they built a tech stack designed to scale.What did you consider when you started building your tech stack?Thomas Félix: A few of us have had different experiences with live games, and we wanted to have a solid DevOps foundation that could support that in the long term. Even though GAASis not at the core of our game, we wanted to make sure we had a powerful tech stack that would help us release and iterate quickly.We all had experience with Perforce, but we’re not necessarily big fans – it works well enough, but we had been doing things that weren’t really meant to be done with it. We were also looking at Git as a solution, but then we found Unity Version Control.On paper, Unity Version Control mixed the great approach you get with something like Git, but also something much more powerful like Perforce to manage data. We were seduced by Unity Version Control’s task branch workflows; after about six months of evaluations, we decided to give it a try. At that time, we were around six or seven people. Because the team was growing slowly, it was a nice, smooth ramp-up. We’re now at around 43 team members, and so far, so good.What was your process for testing this version control system?Patrice Beauvais: For us on the tech side, we didn’t want to have half our project on Git and half on Perforce. We know how much of a burden it is to have to use and maintain two different source code management tools – it’s common with live service games where the online systems and game data aren’t necessarily fully integrated.And a team of your size just couldn’t support that type of approach – the fact that Unity Version Control can facilitate both of those workflows is helpful?Patrice Beauvais: Totally.What kinds of problems have you encountered previously using two different version control systems?Thomas Félix: In game development, you always need to build customizations for the tools you use, no matter how good they are. Unity Version Control is a great example – even though it works well, we still found ways we wanted to tailor it to our workflows. If you have to support two source control systems, you double that work, which is always painful. Someone who’s good with Git might not be as familiar with Perforce, and vice versa. Training people takes twice as long.Patrice Beauvais: For me, the worst part is integrating data between two different version control systems. If you’re using Perforce but your data library is stored in Git, that data will need to go back into Perforce, so the two need a way to interface. Even though there are many solutions, these interactions aren’t really meant to happen, and sometimes you lose the project history. A bigger team can make it work, but I’m not going to spend six months building a solution to migrate data from Git to Perforce.It sounds like your team has used many different version control systems over the years. What are the benefits and challenges of some of the solutions you’ve explored?Thomas Félix: Let’s start with Perforce – it’s super resilient, it manages data very well, and it’s not that complex for nontechnical team members. You don’t find that anywhere else, really, except with Unity Version Control. On the other hand, the big monorepos you see in Perforce aren’t really suitable for game development – fast integration, multiple branches, that kind of thing. You can manage with Perforce, but it’s far from ideal, especially if you want to build a robust CI/CD pipeline.Patrice Beauvais: Git’s UI is great for programmers, but I probably wouldn’t ask an artist to work with it. It’s not ideal for managing large files and data, and it doesn’t support locks natively very well, yet.Thomas Félix: Unity Version Control is a better solution in many regards – the UI is tailored for content creators, so it’s great for usability. We see Unity Version Control as the perfect marriage of Git and Perforce.Programmers usually want to be in Git, and you can get pretty much the same workflows in Unity Version Control. For nontechnical content creators, it’s easy to submit their data, which solves one of the biggest problems teams run into with source control.Data loss is the worst thing that can happen to us. Code is easy to handle in every source control solution, but data is always tricky. We cannot afford to lose work, and each mistake made on the data side means paying for it a thousand times later on. We try to be very, very careful with that. With Unity Version Control, it’s a win for both our programmers and content creators.Do you have any best practices you can recommend for maintaining build integrity?Thomas Félix: For a small company like ours starting out, we knew we couldn’t afford to have broken builds because we submitted bad data or code to the main branch.With Unity Version Control, we never work in the main branch. We’re always in control of it, it’s always stable, and the mergebot actually does most of that work for us. That really resonated with us when we were trying it out, and it’s one of the first things we put in place, even when we were just five people working on the main build. It’s worked really well: The main branch is almost never down, and it’s been like that for almost two years now.How does Unity Version Control handle speed when working with large files and switching between branches and workspaces?Thomas Félix: In terms of task branches and switching back and forth, that works well, too. It takes a bit of time for people to get used to this workflow – task branches are a new concept to many people, and it’s maybe not as fluent immediately for artists as it is for programmers.That being said, every week – not every day – we do catch small problems through mergebots and our CI/CD processes, but they never enter the main branch or break the build. It takes a bit of time to get used to, but working in one branch will always be quicker than working across two – not by much, but if you step back and look at your pipeline as a whole, you start to realize it’s a much, much better way of working. At least for us, as a small-to-medium-sized company, it’s perfect.So there’s a culture and learning change you have to make to move to continuous deployment, but it seems like you’re saying you’ve already caught a lot of bugs or other potential issues before they even hit main.Thomas Félix: Totally. I would never go back to one-branch development. A team like us just can’t afford to spend days debugging or fixing problems that hit main.When we interviewed Apocalypse Studios, they discussed the “culture shift” that task branch workflows can require. They were using Perforce before Unity Version Control and talked a lot about branches versus streams. What’s your take on that?Thomas Félix: Branches and streams are quite different to me. If Unity Version Control didn’t exist, we could probably build something around streams and try to get the same thing going, but it would be complex and error-prone. In Unity Version Control, it’s much easier and much safer, because branching is what it’s built for.In Perforce, streams are the equivalent of tasks. If you’re super technical, you can make it work, but I would never put that in the hands of artists. With Unity Version Control, currently we have more than 1,000 branches – most of them are archived, and we have about 10–15 open at any given time. I’m not sure I’d like to have 1,000 project branches in Perforce.What challenges do you anticipate as you move further along in development? What challenges have you faced already?Patrice Beauvais: As we mentioned, people aren’t immediately used to the task branch way of working. For artists, it’s really new to them, so we’re careful to explain how it works and why we’re doing it.Thomas Félix: That’s true. People weren’t resistant to it or anything, but it’s definitely a cultural switch. Anyone looking to switch to Unity Version Control, like we did, needs to take that into account. It’s a better way of working, but you have to be willing to think outside the box. We started fresh, from pretty much nothing – no office, no infrastructure, and a very small team – so it was a little easier for us than it might be for other studios. Building your infrastructure in the cloud sounds cool, but it comes with challenges in terms of iteration time, costs, setup, security…. In the end it’s a win, but it took us some time to get a reliable workflow up and running.You’re also using another of Unity’s engine-agnostic solutions: our verified solutions partner, Backtrace. Can you tell us what your error tracking pipeline looks like?Thomas Félix: We use Backtrace to track every single bug in most of our applications – the first ones, obviously, being the game and the Editor. We mentioned before that we built some tools around Unity Version Control – Backtrace is integrated there, too.It didn’t take long to set it up, and it gave us access to some top-class tools, dashboards, and workflows. We were able to get a lot of the things we had in place at previous companies up and running pretty easily. After being operational for around six months, we already had visibility on all the crashes in the game, the Editor, and our tools. It wasn’t something I expected to get so early when starting a new studio, to be honest.Patrice Beauvais: It’s a super good tool. At Ubisoft, I worked on a proprietary solution like Backtrace for two or three years. Backtrace is really feature-forward – it’s even faster than what I was working on, and was easy to implement. Again, we did add our own customizations for custom data, and worked to integrate it with our server, which is on Linux.Thomas Félix: We were quite impressed by the time it took to set up Backtrace. Two or three days and we were already receiving crashes, so we decided to move forward.What did you do to ensure the process of implementing Unity Version Control went smoothly?We’ve shipped a lot of big games, and we try to use that experience to think about how we can apply it in new contexts. That’s why we ended up going with Unity Version Control, and with Backtrace as well. The tricky part is making sure we don’t invent problems we don’t have – we’re not a 1,000-person studio anymore!We’re always trying to find a balance between how we leverage our experience while reminding ourselves that we’re not trying to build the next big AAA game. We still want to make something great, and to do that, we need the best workflows – and Unity Version Control fits perfectly.What was your process for testing this version control system?Thomas Félix: The tricky part was making sure we could put it in the hands of artists, both in terms of the UX and data integrity. We worked with several artists on the team to make sure they understood how to use it. It was really important to us to nail data management for our project. The more people we added to the team, the better the feedback we got – people were happy, and we knew we were onto something.How are you using Unity Version Control’s Gluon workflow for artists?Thomas Félix: We do use Gluon, but for something else, what we call the raw data – data that’s not tied to the engine. Let’s say you’re an artist and you’re modeling a mesh: You’re using the raw data, the source file, in something like Blender. This doesn’t have to reach the engine; only the data you export from it does. This data is managed in a task branch, but we manage the source files in Gluon.These files can be really heavy – character artists using tools like Zbrush can generate files that are 2, 3, 4 GB per asset, if not more. You don’t want programmers having to sync 1 TB worth of original character meshes, so we manage those in Gluon using partial workspaces. Character artists only synchronize character files, modelers will only synchronize model files, and it’s the same for audio, textures, and so on. It’s all stored in a separate repository, away from the task branch workflow.So, to recap, you’re using Gluon for scenarios where you’re working with huge files so someone doesn’t have to download the whole repo – they can just use a partial workspace.Thomas Félix: Exactly. It’s an archived version of the original data, so we don’t use task branches for that. We don’t need to have a task branch for those materials, as long as creators submit their latest work every once in a while.What advice do you have for smaller studios looking to scale up and tackle ambitious projects, like you’re doing?Thomas Félix: That’s a good question. From day one, you need to know where you want to go. For us, we started with a small team, and we knew we wanted to grow, but we didn’t want to scale to 1,000 employees – even 200 isn’t our goal. We made many decisions – decisions that we’re really happy with! – that we might not have made if we had different ambitions.Building your infra in the cloud does make it easy to scale – just be careful, because it can cost you an arm and a leg. Always try to be in control of your workflow. If something doesn’t work, do the work to understand why. Make sure you have strong foundations, basically.Looking to optimize your game development pipeline? Get started with Unity DevOps, built to work with any engine. #aaa #vets #share #advice #setting

Drop it like it's notDrop Duchy is a deck-building, Tetris-like, Carcassonne-esque puzzler The game layers tile dropping onto worker placement, and stacks up nicely. Kevin Purdy – May 16, 2025 7:30 am | 2 Credit: The Arcade Crew Credit: The Arcade Crew Story text Size Small Standard Large Width * Standard Wide Links Standard Orange * Subscribers only   Learn more When my colleague Kyle Orland submitted Tetrisweeper for a list of Ars' favorite 2024 games not from 2024, I told him, essentially: "Good for you, not for me." I'm a pedestrian Tetris player, at best, so the idea of managing a whole different game mechanic, while trying to clear lines and prevent stack-ups, sounded like taking a standardized test while baking a three-layer cake. And yet, here I am, sneaking rounds of Drop Duchyinto lunch breaks, weekend mornings, and other bits of downtime. Drop Duchy is similarly not just a Tetris-esque block-dropper. It also has you: Aligning terrain types for resources Placing both your troops and the enemy's Choosing which cards to upgrade, sell, and bring into battle Picking between terrain types to leave behind Upgrading a tech tree with achievements Picking the sequence of battles for maximum effectiveness Drop Duchy is a quirky game, one that hasn't entirely fused together its various influences without some seams showing. But I keep returning to it, even as it beats me to a pulp on Normal mode, based on decisions I made five rounds ago. It feels like a medium-deep board game, played at triple speed, with someone across the table timing you on how fast you arrange your tiles. Your standard roguelite deck-builder, Tetris tactics, worker placement game Drop Duchy launch trailer. Allow me to try to describe what is happening in Drop Duchy, ignoring entirely the idea that there is some kind of plot. You start off with three buildings and your enemy's buildings that you must place, mixed into a pile of terrainin Tetris-like shapes. Filling a horizontal line gives you resourcesfrom that line but does not clear it. If you build up a big area of plains on your board, you can drop your "Farm" piece in the middle, and it converts those plains into richer plains. Put a "Woodcutter" into a bunch of forest, and it harvests that wood and turns it into plains. Set down a "Watchtower," and it recruits some archer units for every plains tile in its vicinity, and even more for richer fields. You could drop a Woodcutter next to a Farm and Watchtower, and it would turn the forests into plains, the Farm would turn the plains into fields, and the Watchtower would pick up more units for all those rich fields. That kind of multi-effect combo, resulting from one piece you perfectly placed in the nick of time, is what keeps you coming back to Drop Duchy. The bitter losses come from the other side, like realizing you've leaned too heavily into heavy, halberd-wielding units when the enemy has lots of ranged units that are strong against them. Or that feeling, familiar to Tetris vets, that one hasty decision you made 10 rows back has doomed you to the awkward, slanted pile-up you find yourself in now. Except that lines don't clear in Drop Duchy, and the game's boss battles specifically punish you for running out of good places to put things. There's an upper strategic layer to all the which-square-where action. You choose branching paths on your way to each boss, picking different resources, battles, and trading posts. Every victory has you picking a card for your deck, whether military, production, or, later on, general "technology" gains. You upgrade cards using your gathered resources, try to balance or min-max cards toward certain armies or terrains, and try not to lose any one round by too many soldiers. You have a sort of "overall defense" life meter, and each loss chips away at it. Run out of money to refill it, and that's the game. Again: It is not a Tetris clone Every run is a new set of cards that you upgrade, sell, reserve for certain terrain conditions, or wonder why you picked it. The Arcade Crew Every run is a new set of cards that you upgrade, sell, reserve for certain terrain conditions, or wonder why you picked it. The Arcade Crew Upgrading cards is almost always worth it—unless you need to replenish your overall defense. The Arcade Crew Upgrading cards is almost always worth it—unless you need to replenish your overall defense. The Arcade Crew Every run is a new set of cards that you upgrade, sell, reserve for certain terrain conditions, or wonder why you picked it. The Arcade Crew Upgrading cards is almost always worth it—unless you need to replenish your overall defense. The Arcade Crew The path you choose to encounters and trading posts makes a difference in Drop Duchy. The Arcade Crew The path you choose to encounters and trading posts makes a difference in Drop Duchy. The Arcade Crew See that river on the right, the one that would look great if only it could be connected? Welcome to this game. The Arcade Crew See that river on the right, the one that would look great if only it could be connected? Welcome to this game. The Arcade Crew The path you choose to encounters and trading posts makes a difference in Drop Duchy. The Arcade Crew See that river on the right, the one that would look great if only it could be connected? Welcome to this game. The Arcade Crew Drop Duchy feels, moment to moment, triumphalist and unfair, but that is its intended rogue-ish nature. Where I see issues with the game beyond that is in the little stuff. The game plays well on a Steam Deck or other handhelds, but if you have any issues with reading small text on a small screen, Drop Duchy is unforgiving. Many of the buildings look very similar, and the icons and text can be quite small. I feel the most for folks with extensive Tetris experience and muscle memory. Drop Duchy uses some non-standard pieces, like single, double, and three-square corners. And while line clearing is almost always rewarded, it can also work against you, like if an enemy's fort fits a slot, but also grants it lots of troops from the surrounding terrain. Drop Duchy can sometimes feel unbalanced, sometimes a bit unfair. Its bosses will typically require multiple runs before you figure out the right multi-round strategies. The game's many, many mechanics make this a title where I wouldn't blame someone for running the Tutorial round more than once. But, like golf, home repair, or setting up a server, the few times you get a round, or just a line, perfectly right can erase all the hard lessons you had to endure before. I keep finding things in Drop Duchy that seem impossible to overcome, and then I come right back and try it a different way. I think this title will get a few balance fixes, but even before those, it's a good run. Listing image: The Arcade Crew Kevin Purdy Senior Technology Reporter Kevin Purdy Senior Technology Reporter Kevin is a senior technology reporter at Ars Technica, covering open-source software, PC gaming, home automation, repairability, e-bikes, and tech history. He has previously worked at Lifehacker, Wirecutter, iFixit, and Carbon Switch. 2 Comments #drop #duchy #deckbuilding #tetrislike #carcassonneesque

Join our daily and weekly newsletters for the latest updates and exclusive content on industry-leading AI coverage. Learn More The importance of databases to modern enterprise AI operations cannot be overstated. Data helps to train and ground AI, and multiple research reports show that without proper data, AI efforts tend to fail. With trends like vibe coding and agentic AI, it’s also increasingly important to have database technology that can be spun up as needed in a serverless approach to modern development efforts. In that environment, it should come as no surprise that databases are a particularly valuable commodity.  This week, that fact was on display with Databricks‘ acquisition of privately held serverless PostgreSQL startup Neon, which was founded in 2022. The deal is reportedly valued at a staggering billion, which is shocking given that barely two years ago, the company raised million in a series B round of funding. What is also particularly interesting is that Databricks itself is a data vendor, with its data lakehouse platform. At various points in the company’s history, it has positioned itself as an alternative to traditional databases, providing a data lake structure where users can make queries. So what was missing, and why did Databricks need to spend a billion dollars? What does it mean and say about what enterprise AI really needs? Functionally, it’s all about meeting developers’ needs to build agentic AI applications. According to Neon, over 80% of the databases created on its platform were created by AI agents. What is serverless PostgreSQL and why does it matter? While Neon is a startup, the core database technology that it’s based on is not new. PostgreSQL is one of the oldest and most established open-source database platforms, dating back to 1996. It’s a relational database technology, meaning it has tables and rows alongside extremely stable features that organizations have trusted for decades. The core open-source PostgreSQL database is now updated in a yearly release cadence. The most recent stable update was PostgreSQL 17, which debuted in Sept. 2024. As an open-source technology, PostgreSQL has enjoyed broad adoption and contributions. At one point, it was often compared to other proprietary relational database options, including Oracle as an alternative option. In 2025, though, PostgreSQL stands on its own. DB-Engines currently ranks PostgreSQL as the fourth most popular database in use today, behind Microsoft SQL Server, MySQL and Oracle. The state of PostgreSQL 2024 report from Timescale identifies the open-source database’s rising prominence as the database of choice for AI applications. The database’s well-established and understood nature and broad availability are among the numerous factors that make it attractive. PostgreSQL on its own is just the database, though. Running it as a serverless offering is an operational and deployment activity. The promise of any serverless database is ease of operations. Rather than requiring a dedicated database deployment that continually runs with dedicated resources, serverless is spun up on demand as needed. It’s a deployment option that is particularly attractive to developers as a way to build applications quickly. AI-based development is even more appealing as databases can be built and deployed programmatically. The serverless PostgreSQL landscape has a lot of vendors Every cloud hyperscaler has some form of PostgreSQL service and has for years.  Google has multiple offerings, including AlloyDB, Microsoft has Azure Database for PostgreSQL, while AWS has Amazon RDS for PostgreSQL and Amazon Aurora. Each of them also has some flavor of serverless offering, that is, a database available on demand. Numerous smaller vendors exist, including Timescale, EDB and NetApp Instaclustr. In fact, nearly two years ago, Databricks acquired serverless PostgreSQL vendor bit.io, which was also an early rival of Neon. As it turns out, the goals and capabilities of bit.io are quite different from Neon. “Together with the Neon team, we look forward to building the most developer and AI-agent-friendly database platform,” Phil Shin, senior director of corporate development and ventures at Databricks, told VentureBeat. “In contrast, the bit.io acquisition was not actually about Postgres but targeting developer experiences, especially in the trials and self-service process.” Shin added that the bit.io acquisition had a big impact on Databricks’ seamless signup experience.  How serverless PostgreSQL fits into the enterprise database landscape While Neon has only been around for a few years with its serverless PostgreSQL implementation, commercial vendor EDB has been in business since 2004. EDB has a series of its own commercially supported PostgreSQL offerings. Matt Yonkovit, VP of Product for EDB, told VentureBeat that the acquisition of Neon is a strong vote of confidence in Postgres as a foundational technology for AI and analytics.  “It reinforces what we’ve long believed: Postgres is increasingly central to modern data stacks,”  Yonkovit said. “Serverless is a great fit for dev/test environments and for quickly jumpstarting AI projects—but as those use cases scale, enterprises need the performance, compliance, and control of a sovereign platform.” Yonkovit noted that serverless is well-suited for short bursts and smaller workloads. It can scale up and down quickly or shut off entirely when idle, which significantly reduces costs associated with compute, power and storage. However, in his view, there are tradeoffs. “A significant challenge with serverless is that sovereign data management can become messy because you can’t control where the data is processed unless you have a well-restricted pool of resources,” Yonkovit said. The power of serverless PostgreSQL for agentic AI Neon’s serverless PostgreSQL approach separates storage and compute, making it developer-friendly and AI-native. It also enables automated scaling as well as branching in an approach that is similar to how the Git version control system works for code. Amalgam Insights CEO and Chief Analyst Hyoun Park noted that Databricks has been a pioneer in deploying and scaling AI projects.  “One of the big challenges in AI is managing the storage and compute associated with the data,” Park told VentureBeat. “Each of these needs will be increasingly hard to predict in an agentic world where end-user prompts and requests may quickly lead to unexpected demands in storage or compute to solve the problem. Park explained that Neon’s serverless autoscaling approach to PostgreSQL is important for AI because it allows agents and AI projects to grow as needed without artificially coupling storage and compute needs together. He added that for Databricks, this is useful both for agentic use cases and for supporting the custom models they have built over the last couple of years after its Mosaic AI acquisition.  What it means for enterprise AI leaders For enterprises looking to lead the way in AI, this acquisition signals a shift in infrastructure requirements for successful AI implementation. Data is critical for AI; that’s not a surprise. What is particularly insightful, though, is that the ability to rapidly spin up databases is essential for agentic AI success. The deal validates that even advanced data companies need specialized serverless database capabilities to support AI agents that create and manage databases programmatically.  Organizations should recognize that traditional database approaches may limit their AI initiatives, while flexible, instantly scalable serverless solutions enable the dynamic resource allocation that modern AI applications demand.  For companies still planning their AI roadmap, this acquisition signals that database infrastructure decisions should prioritize serverless capabilities that can adapt quickly to unpredictable AI workloads. This would transform database strategy from a technical consideration to a competitive advantage in delivering responsive, efficient AI solutions. Daily insights on business use cases with VB Daily If you want to impress your boss, VB Daily has you covered. We give you the inside scoop on what companies are doing with generative AI, from regulatory shifts to practical deployments, so you can share insights for maximum ROI. Read our Privacy Policy Thanks for subscribing. Check out more VB newsletters here. An error occured. #billion #database #bet #what #databricks

May 16, 2025Ravie LakshmananHardware Security / Vulnerability Researchers at ETH Zürich have discovered yet another security flaw that they say impacts all modern Intel CPUs and causes them to leak sensitive data from memory, showing that the vulnerability known as Spectre continues to haunt computer systems after more than seven years. The vulnerability, referred to as Branch Privilege Injection, "can be exploited to misuse the prediction calculations of the CPUin order to gain unauthorized access to information from other processor users," ETH Zurich said. Kaveh Razavi, head of the Computer Security Groupand one of the authors of the study, said the shortcoming affects all Intel processors, potentially enabling bad actors to read the contents of the processor's cache and the working memory of another user of the same CPU. The attack leverages what's called Branch Predictor Race Conditionsthat emerge when a processor switches between prediction calculations for two users with different permissions, opening the door to a scenario where an unprivileged hacker could exploit it to bypass security barriers and access confidential information from a privileged process. Intel has issued microcode patches to address the vulnerability, which has been assigned the CVE identifier CVE-2024-45332. "Exposure of sensitive information caused by shared microarchitectural predictor state that influences transient execution in the indirect branch predictors for some Intel Processors may allow an authenticated user to potentially enable information disclosure via local access," Intel said in an advisory released on May 13. The disclosure comes as researchers from the Systems and Network Security Groupat Vrije Universiteit Amsterdam detailed a category of self-training Spectre v2 attacks codenamed Training Solo. "Attackers can speculatively hijack control flow within the same domainand leak secrets across privilege boundaries, re-enabling classic Spectre v2 scenarios without relying on powerful sandboxed environments like eBPF," VUSec said. The hardware exploits, tracked as CVE-2024-28956 and CVE-2025-24495, can be used against Intel CPUs to leak kernel memory at up to 17 Kb/s, with the study finding that they could "completely break the domain isolation and re-enable traditional user-user, guest-guest, and even guest-host Spectre-v2 attacks." CVE-2024-28956- Indirect Target Selection, which affects Intel Core 9th-11th, and Intel Xeon 2nd-3rd, among others. CVE-2025-24495- Lion Cove BPU issue, which affects Intel CPUs with Lion Cove core While Intel has shipped microcode updates for these defects, AMD said it has revised its existing guidance on Spectre and Meltdown to explicitly highlight the risk from the use of classic Berkeley Packet Filter. Found this article interesting? Follow us on Twitter  and LinkedIn to read more exclusive content we post. SHARE     #researchers #expose #new #intel #cpu

In a saturated beauty market where "clean" and "science-led" are often tossed around as buzzwords, new skincare brand Kind Atoms stands out by actually delivering on both. London design studio Run For The Hills was brought on to bring the brand's story, identity and debut product to life, and the results are nothing short of stunning. Rooted in tradition and realised with scientific rigour, Kind Atoms draws inspiration from its founders' South Asian heritage. Disheartened by the lack of effective yet gentle skincare for sensitive skin, the team looked inwardto childhood memories of natural remedies: turmeric, saffron, amla, and honey passed down through generations. Blending these time-honoured rituals with cutting-edge cosmetic chemistry, the founders – who also happen to be trained scientists – have created a brand that doesn't just trade on nostalgia. It builds on it. The result is a skincare brand that's kind in every sense of the word. To help bring their vision to life, the team tapped creative studio Run For The Hills, known for its work across branding, interiors and art direction. Co-founder and creative lead Chris Trotman steered the creative direction, designing a visual identity that balances the old with the new, the natural with the technical. At the heart of the branding is a bespoke serif logotype and an elliptical atomic logomark, nodding to the fusion of science and nature. "We designed the logo to be timeless and elegant," Chris explains. "Intentionally to feel more premium than the product's price point might suggest, offering skincare lovers a pleasantly unexpected touch of luxury." The same approach carries through to the packaging design. The brand's first product, The Atomic Moisturiser, comes in a sleek matte green bottle, embossed with delicate gold lettering and topped with a satisfying twist mechanism. Housed in a matching green box finished with gold typography, it's designed to feel luxurious but never exclusionary. True to its name, Kind Atoms aims to make high-quality skincare more accessible. The debut product is priced fairly, ensuring that the tactile unboxing experience and elevated visuals don't come at the cost of inclusivity. It's a clever balance, delivering aesthetic polish without drifting into elitism. The visual identity leans into earthy tones, like mustard yellow, deep green, cream, and charcoal black, offering warmth and grounded sophistication. "Every element from the bespoke logotype to the rich, earthy colour palette reflects our ethos of fusing nature with science," say co-founders Jusna Ali and Roxanna Maani. "Run For The Hills instinctively understood our vision, translating it into a design language that feels both timeless and modern." That clarity of vision extended into the launch campaign, which Run For The Hills art directed. The brand photography avoids overly stylised gloss in favour of an organic, tactile feel. Products were shot against softly coloured paper backdrops and paired with natural props like bark and olive branches foraged from local parks and gardens. "For the product shoot, we wanted to fully embrace the brand's deep connection to nature," says Chris. "We gathered props straight from our surroundings – wood stumps and bark from the park, olive branches from our garden – to bring an organic, authentic feel to the imagery." Real women—friends of the founders—were used as models, adding an extra layer of authenticity to the visuals. The brand's aesthetic is natural and elegant, one that feels deliberate and thoughtful without trying too hard. To complete the launch, Run For The Hills also designed and developed Kind Atoms' Shopify-powered website. A clean, scrollable layout allows for immersive storytelling, layering parallax visuals with generous negative space. The result is a minimalist yet engaging digital experience that foregrounds the brand's values: calm, clarity, and care. The Atomic Moisturiser may be the first product, but it sets the tone for a brand that promises to expand with care. While rooted in personal experience and cultural memory, Kind Atoms is looking ahead, creating products that are not only scientifically sound but also beautifully considered. In a category often dominated by extremes, with clinical minimalism on one end and chaotic maximalism on the other, Kind Atoms occupies a quietly confident middle ground. It doesn't shout, doesn't posture and shows what's possible when you take the time to do things properly. #ancient #rituals #meet #modern #science