The Video Game History Foundation has decided to keep the legacy of the game Myst alive, which sounds like a big deal for some people. They’ve managed to put together this archive that has over a hundred hours of footage about the game. I guess that’s interesting if you’re into that sort of thing. It’s all about the development of video games in the ’90s, a time when things were… well, different. So, yeah, the Myst archive is supposed to be this treasure trove of historical content. It contains all sorts of videos and information that might appeal to game developers or fans from back in the day. But honestly, do you really want to dive deep into a hundred hours of footage? Seems like a lot of time to just watch people talk about games that most of us played ages ago. I mean, Myst was a classic, no doubt. It had those puzzles that made you think, or maybe just made you frustrated. But now, with all these new games out, who has the energy to go back and relive those moments? I suppose some people find nostalgia in it. Maybe it’s a chill way to spend a weekend, but it also seems like a lot of effort to get through all that archival stuff. The foundation’s effort to preserve this part of gaming history is commendable, I guess. They’re trying to keep the memory of how games were developed alive. But, really, how many of us are going to sit through hours of archival footage? It’s like they’re saying, “Hey, look at all this old stuff!” and I’m just sitting here thinking, “Okay, cool. But… I could also just take a nap.” Anyway, if you’re into video game history or Myst in particular, this archive could be worth checking out. Just don’t expect it to be super exciting. It’s more of a slow-paced journey into the past rather than an adrenaline rush of new content. But hey, if that’s your thing, go for it. I’ll just be here, doing… well, not much. #VideoGameHistory #Myst #GamingArchive #90sGames #Nostalgia

Honestly, I’ve been thinking about those notification settings on the Switch 2 lately. You know, the ones that are supposed to enhance your gaming experience or whatever. Sometimes, I just want to play without being bombarded by notifications. It’s like, do I really need to know what everyone is doing all the time? Sure, I get that some people enjoy staying connected and knowing all the latest updates from friends. But when you’re deep into a game, the last thing you want is a ping interrupting your epic quest. I guess that’s where tweaking those notification settings comes in. You could turn off some notifications or even reduce the number you receive. That might help keep the distractions to a minimum. But honestly, it’s a bit of a hassle to go through all those settings. I mean, who has the energy for that? Just thinking about it makes me want to take a nap instead of adjusting my Switch 2. Anyway, I know it’s probably a good idea to customize the notifications for a better experience. But sometimes, I feel like I’d rather just let things be. A few less notifications might make it easier to dive into a game without losing focus. But hey, if you’re like me and can’t be bothered, that’s fine too. At the end of the day, it’s all about finding that balance. You don’t want to miss out on important updates, but you also don’t want your game time interrupted. So, maybe just do whatever feels right for you. Or don’t. It’s all the same, really. #NintendoSwitch2 #NotificationSettings #GamingExperience #Distractions #GameTime

What a world we live in when scientists finally unlock the secrets to the axolotls' ability to regenerate limbs, only to reveal that the key lies not in some miraculous regrowth molecule, but in its controlled destruction! Seriously, what kind of twisted logic is this? Are we supposed to celebrate the fact that the secret to regeneration is, in fact, about knowing when to destroy something instead of nurturing and encouraging growth? This revelation is not just baffling; it's downright infuriating! In an age where regenerative medicine holds the promise of healing wounds and restoring functionality, we are faced with the shocking realization that the science is not about building up, but rather about tearing down. Why would we ever want to focus on the destruction of growth molecules instead of creating an environment where regeneration can bloom unimpeded? Where is the inspiration in that? It feels like a slap in the face to anyone who believes in the potential of science to improve lives! Moreover, can we talk about the implications of this discovery? If the key to regeneration involves a meticulous dance of destruction, what does that say about our approach to medical advancements? Are we really expected to just stand by and accept that we must embrace an idea that says, "let's get rid of the good stuff to allow for growth"? This is not just a minor flaw in reasoning; it's a fundamental misunderstanding of what regeneration should mean for us! To make matters worse, this revelation could lead to misguided practices in regenerative medicine. Instead of developing therapies that promote healing and growth, we could end up with treatments that focus on the elimination of beneficial molecules. This is absolutely unacceptable! How dare the scientific community suggest that the way forward is through destruction rather than cultivation? We should be demanding more from our researchers, not less! Let’s not forget the ethical implications. If the path to regeneration is paved with the controlled destruction of vital components, how can we trust the outcomes? We’re putting lives in the hands of a process that promotes destruction. Just imagine the future of medicine being dictated by a philosophy that sounds more like a dystopian nightmare than a beacon of hope. It is high time we hold scientists accountable for the direction they are taking in regenerative research. We need a shift in focus that prioritizes constructive growth, not destructive measures. If we are serious about advancing regenerative medicine, we must reject this flawed notion and demand a commitment to genuine regeneration—the kind that nurtures life, rather than sabotages it. Let’s raise our voices against this madness. We deserve better than a science that advocates for destruction as the means to an end. The axolotls may thrive on this paradox, but we, as humans, should expect far more from our scientific endeavors. #RegenerativeMedicine #Axolotl #ScienceFail #MedicalEthics #Innovation

Lars Wingefors, the CEO of Embracer Group, is stepping into the role of executive chair to "focus on strategic initiatives, M&A, and capital allocation." This move is both alarming and infuriating. Are we really supposed to cheer for a corporate leader who is shifting gears to prioritize mergers and acquisitions over the actual needs of the gaming community? It's absolutely maddening! Let’s break this down. Embracer Group has built a reputation for acquiring a myriad of game studios, but what about the quality of the games themselves? The focus on M&A is nothing more than a money-hungry strategy that overlooks the creativity and innovation that the gaming industry desperately needs. It's like a greedy shark swimming in a sea of indie creativity, devouring everything in its path without a second thought for the artistic value of what it's consuming. Wingefors claims that this new phase will allow him to focus on "strategic initiatives." What does that even mean? Is it just a fancy way of saying that he will be looking for the next big acquisition to line his pockets and increase his empire, rather than fostering the unique voices and talents that make gaming a diverse and rich experience? This is not just a corporate strategy; it’s a blatant attack on the very essence of what makes gaming enjoyable and transformative. Let’s not forget that behind every acquisition, there are developers and creatives whose livelihoods and passions are at stake. When a corporate giant like Embracer controls too many studios, we risk a homogenized gaming landscape where creativity is stifled in the name of profit. The industry is already plagued by sequels and remakes that serve to fill corporate coffers rather than excite gamers. We don’t need another executive chairperson prioritizing capital allocation over creative integrity! Moreover, this focus on M&A raises serious concerns about the future direction of the companies involved. Will they remain independent enough to foster innovation, or will they be reduced to mere cogs in a corporate machine? The answer seems obvious—unless we challenge this trend, we will see a further decline in the diversity and originality of games. Wingefors’s transition into this new role is not just a simple career move; it’s a signal of what’s to come in the gaming industry if we let executives prioritize greed over creativity. We need to hold corporate leaders accountable and demand that they prioritize the players and developers who make this industry what it is. In conclusion, the gaming community must rise against this corporate takeover mentality. We deserve better than a world where the bottom line trumps artistic expression. It’s time to stop celebrating these empty corporate strategies and start demanding a gaming landscape that values creativity, innovation, and the passion of its community. #GamingCommunity #CorporateGreed #GameDevelopment #MergersAndAcquisitions #EmbracerGroup

Apple has been up to something again, I guess. They made a custom iPhone camera for the new 'F1' movie. Not sure why, but it seems they mounted this thing on Formula One cars for actual races. It's supposed to capture some racing scenes, or whatever. The camera uses an iPhone sensor and the A-series chip. Sounds fancy, but honestly, I don’t really care that much. I mean, sure, iPhone cameras are decent, but are they really necessary for F1? I can imagine the whole setup being a bit over the top. I guess it’s nice for filmmaking or whatever, but it feels like just another way to show off. They probably think this will make the racing scenes look super cool or something. But again, I wonder if anyone will actually notice or appreciate it while watching fast cars whiz by. Feels like a lot of fuss for something that might not even make a big difference. So, long story short, Apple is trying to be all innovative with this custom iPhone camera for the ‘F1’ movie. It’s on actual cars, and they think it will enhance the racing scenes. I don’t know, man. Sounds like something to make headlines, but will it really change anything? Maybe it will just be another tech gimmick. Anyway, that's all I got. Not much else to say about it, really. Just another day, another tech move that feels kinda unnecessary. #Apple #F1 #iPhoneCamera #MovieTech #RacingScenes

Why does the world of animation, particularly at events like the SIGGRAPH Electronic Theater, continue to suffer from mediocrity? I can't help but feel enraged by the sheer lack of innovation and the repetitive nature of the projects being showcased. On April 17th, we’re promised a “free screening” of selected projects that are supposedly representing the pinnacle of creativity and diversity in animation. But let’s get real — what does “selection” even mean in a world where creativity is stifled by conformity? Look, I understand that this is a global showcase, but when you sift through the projects that make it through the cracks, what do we find? Overly polished but uninspired animations that follow the same tired formulas. The “Electronic Theater” is supposed to be a beacon of innovation, yet here we are again, being fed a bland compilation that does little to challenge or excite. It’s like being served a fast-food version of art: quick, easy, and utterly forgettable. The call for diversity is also a double-edged sword. Sure, we need to see work from all corners of the globe, but diversity in animation is meaningless if the underlying concepts are stale. It’s not enough to tick boxes and say, “Look how diverse we are!” when the actual content fails to push boundaries. Instead of celebrating real creativity, we end up with a homogenized collection of animations that are, at best, mediocre. And let’s talk about the timing of this event. April 17th? Are we really thinking this through? This date seems to be plucked out of thin air without consideration for the audience’s engagement. Just another poorly planned initiative that assumes people will flock to see what is essentially a second-rate collection of animations. Is this really the best you can do, Montpellier ACM SIGGRAPH? Where is the excitement? Where is the passion? What’s even more frustrating is that this could have been an opportunity to truly showcase groundbreaking work that challenges the status quo. Instead, it feels like a desperate attempt to fill seats and pat ourselves on the back for hosting an event. Real creators are out there, creating phenomenal work that could change the landscape of animation, yet we choose to showcase the safe and the bland. It’s time to demand more from events like SIGGRAPH. It’s time to stop settling for mediocrity and start championing real innovation in animation. If the Electronic Theater is going to stand for anything, it should stand for pushing boundaries, not simply checking boxes. Let’s not allow ourselves to be content with what we’re served. It’s time for a revolution in animation that doesn’t just showcase the same old, same old. We deserve better, and the art community deserves better. #AnimationRevolution #SIGGRAPH2024 #CreativityMatters #DiversityInAnimation #ChallengeTheNorm

Laptops are everywhere, and for CAD work, you really just need something that runs the software without crashing. So, there are these three laptops that are supposedly perfect for CAD. They’re on sale, which is nice, I guess. But honestly, who has the energy to care that much about discounts? The first one is just a standard model, nothing fancy. It has a decent processor and enough RAM to handle basic CAD tasks. It’s probably fine for most people, though I can’t say it’s exciting. The screen is okay, I mean, it shows things. So, if you need to do some drafting, it might get the job done. But really, it’s just another laptop. Then there’s the second option, which is slightly better, I think. It has a bit more power, which might make it more suitable for heavier CAD applications. But honestly, if you’re just sketching out ideas, do you really need that? The battery life isn’t terrible, but you’ll probably still find yourself looking for an outlet halfway through the day. Lastly, there’s the third laptop, and it’s kind of a mixed bag. It’s got some features that are nice, like a touchscreen or whatever. But again, who actually uses that? The performance is solid if you’re into that sort of thing. But if you’re just doing the basics, you might not even notice the difference. So, yeah, these three laptops are marked as perfect for CAD. They’re discounted, which might be a reason to look at them. But honestly, if you’re not super into CAD or just need something to get by, any random laptop will probably do. Just pick one, and let’s move on with life. #CAD #Laptops #DiscountedPrices #TechBoredom #ProductRecommendations

Zuzana Licko, a name that should be celebrated as a pioneer of digital typography, is instead a glaring reminder of how the past can be romanticized to the point of absurdity. Yes, she designed some of the first digital typefaces for Macintosh in the '80s and co-founded Emigre, but let’s not pretend that her contributions were flawless or that they didn’t come with a slew of problems that we still grapple with today. First off, we need to address the elephant in the room: the overwhelming elitism in the world of typography that Licko and her contemporaries helped propagate. While they were crafting their innovative typefaces, they were simultaneously alienating a whole generation of designers who lacked access to the tech and knowledge required to engage with this new digital frontier. The so-called "pioneers" of digital typography, including Licko, set a precedent that continues to dominate the industry—making it seem like you need to have an elite background to even participate in typography discussions. This is infuriating and downright unacceptable! Moreover, let’s not gloss over the fact that while she was busy creating typefaces that were supposed to revolutionize our digital experiences, the actual usability of these fonts often left much to be desired. Many of Licko's creations, while visually striking, ultimately sacrificed legibility for the sake of artistic expression. This is a major flaw in her work that deserves criticism. Typography is not just about looking pretty; it’s about ensuring that communication is clear and effective! How many times have we seen products fail because the font was so pretentious that no one could read it? And don’t even get me started on Emigre magazine. Sure, it showcased some brilliant work, but it also became a breeding ground for snobbery and elitism in the design community. Instead of fostering a space for all voices, it often felt like a closed club for the privileged few. This is not what design should be about! We need to embrace diversity and inclusivity, rather than gatekeeping knowledge and opportunity. In an era where technology has advanced exponentially, we still see remnants of this elitist mindset in the design world. The influence of Licko and her contemporaries has led to a culture that often sidelines emerging talents who bring different perspectives to the table. Instead of uplifting new voices, we are still trapped in a loop of revering the same old figures and narratives. This is not progress; it’s stagnation! Let’s stop romanticizing pioneers like Zuzana Licko without acknowledging the problematic aspects of their legacies. We need to have critical conversations about how their work has shaped the industry, not just celebrate them blindly. If we truly want to honor their contributions, we must also confront the issues they created and work towards a more inclusive, accessible, and practical approach to digital typography. #Typography #DesignCritique #ZuzanaLicko #DigitalArt #InclusivityInDesign

In a world that often feels like a desolate desert, the long-awaited release of Crimson Desert hangs in the air like a mirage, tantalizing yet unattainable. I find myself lost in this vast expanse of anticipation, where hope and despair intertwine, leaving me to grapple with the bitter taste of longing. It’s been a journey through the shadows, with each passing day deepening the sense of solitude that envelops me like a heavy cloak. The ambition behind Crimson Desert is staggering, yet it feels almost cruel. Each announcement, each slight hint of progress, ignites a flicker of hope within me, only to be extinguished by the weight of reality. The relentless waiting has become a companion—a reminder of everything that feels just out of reach. I thought that passion would carry me through, but instead, it has morphed into a haunting echo of disappointment. As November approaches, I cannot help but feel the pangs of excitement mingling with a gnawing fear—what if this time, the promise of a breathtaking adventure is yet another illusion? I yearn for the immersive worlds that games like Crimson Desert promise to deliver, yet here I am, isolated in my thoughts, grappling with the stark contrast between the vivid landscapes I dream of and the barren reality of my own existence. Life often feels like an endless cycle of waiting, like standing on the precipice of a great cliff, peering into the abyss below, wondering if I’ll ever leap into the unknown. If Crimson Desert can finally break through the silence, will it be the salve for my aching heart, or will it become yet another reminder of dreams that fade like footprints in the sand? With every delay, I feel the walls closing in, my solitude deepening. The vibrant characters and epic tales seem to mock me from afar, as I navigate this emotional desert of my own making. The excitement of gaming is supposed to unite us, to share adventures and forge connections, but here I stand—alone with my thoughts, yearning for a release that might bridge this chasm of isolation. As I wait, I cling to the hope that Crimson Desert will emerge as a beacon of light in this endless night, a reminder that even in the deepest despair, there can be moments of joy. Until then, I will continue to wander this barren landscape, heart heavy with longing, eyes searching for that elusive horizon where dreams finally touch reality. #CrimsonDesert #GamingCommunity #Loneliness #Hope #WaitingGame

So, there’s this thing called the Franck-Hertz experiment. It’s one of those physics experiments that people rave about, but honestly, I don’t get why. It was done way back in 1914, and it’s supposed to explain how energy comes in these “packets” called “quanta.” Sounds fancy, but like, does it really change anything? They say this experiment marked the start of quantum physics, which I guess is important for some. It’s all about those little particles and how they behave. If you’re into that sort of thing, you might want to look into doing a DIY version of the Franck-Hertz experiment. Apparently, it’s not too hard and you can even do it at home. But let’s be real, who has the energy for that? You just set up a tube with some mercury vapor and run some voltage through it. Then you measure the current and see how it changes as you adjust the voltage. It’s all about those energy levels and how electrons bounce around. But, like, I don’t know how many people are actually excited to do this. Maybe if you’re a physics enthusiast, it’ll be fun for you. But if you’re like me and prefer to just scroll through your phone or binge-watch a show, then this sounds like a lot of work for not much payoff. I mean, who really wants to dive into the intricacies of quantum physics when there are so many other things to do—like anything else? So, if you’re curious about the Franck-Hertz experiment and want to try it yourself, go ahead. Just know that you might end up feeling a bit underwhelmed. Science can be cool, but sometimes it feels like a chore, especially when it’s all about tiny particles that you can’t even see. Anyway, that’s my take on it. If you’re still interested in quantum physics after this, good for you. I’ll just be over here, probably napping or scrolling through social media. #FranckHertz #QuantumPhysics #DIYScience #PhysicsExperiment #Boredom