Remedy Entertainment has a history of being experimental with genre favorites like Alan Wake 2 and Control, but largely sticking to the (comparatively) safe waters of premium single-player games. Now Remedy is using the setting of Control as a launching pad for a live service co-op shooter called FBC Firebreak, their first crack at an online co-op game about contending with The Oldest House following a new lockdown.Producing an online live service game these days is an increasingly risky business that many developers have struggled with. A key factor is that playing a live service game and keeping up with the content and other players is time-consuming—and only so many games can operate within that space at a given time. With that, the developers at Remedy Entertainment have built their take on an online live service game that not only allows players to tune the activities to match their pace, but also offer a way for players to take in as much as they want when they want.In a chat with Game Developer, game director Mike Kayatta explained that Remedy is expanding the 'Remedy Connected Universe' further, while also building an online co-op game that's all about getting players right into the action and progressing at their own pace—all to build a sustainable live service that can attract players without plenty of time on their hands, and how they're ensuring players who don't have a lot of free time won't feel left behind.Related:An online game built around the player's scheduleIn FBC Firebreak, squads of 3 players are tasked with completing various missions within The Oldest House—the extradimensional office building from the original Control—using jerry-rigged equipment and weapons to contain rogue Objects of Power or halt the invasion of the otherworldly monsters known as the Hiss. FBC Firebreak stands out in the live service space by providing more surreal objectives, like a mission called "Paper Chase," where players hunt supernatural sticky notes.According to Kayatta, FBC Firebreak and its first-person, co-op-driven gameplay have been long brewing at Remedy. The concept itself stretches back to the original's conceit of contending with a setting that's actively working against players."One of my favorite pieces of Control concept art is of an FBC employee trying to play a game of pool, but the floor has shifted one end of the table just enough to ruin his game. This is pretty much how we think about the Oldest House in FBC: Firebreak," said the game director. "It's a powerful and mysterious building, yes, but there's also a certain level of canonical 'grounded absurdity,' it produces that's perfect for our type of experience."Related:Image via Remedy Entertainment."But even aside from those tonal opportunities, the House's shifting and unknowable nature, and the fact that it can connect to other dimensions, gives us all the room we'll ever need to do what's best for Firebreak without violating what makes Control, Control."On the surface, the concept of FBC Firebreak recalls similar efforts from other developers attempting a stand-alone multiplayer game based on a single-player experience, another example being the upcoming Elden Ring: Nightreign. What makes FBC Firebreak particularly interesting is that it's not only leveraging the weirdness of the Control setting, but it's also an online game that seeks to remedy (pun intended) a growing problem with live-service games. Simply put, there's never enough time to play all the games out there while meeting the investments they expect from players.Kayatta stated that FBC Firebreak was all about removing the familiar pain points and sense of FOMO found in online games. To them, the Control spin-off aimed to be a game that players could play "on their terms, and not on the games."Related:Amusingly, Kayatta said the team at Remedy took inspiration from their own busy schedules as game developers, studying the pace of how they kept up with modern online games.FBC Firebreak lets players set their own progression paceThe developers of FBC Firebreak seek to solve the live-service dilemma with two solutions. First, all players can unlock key weapons and upgrades for their Crisis Kits (the game's take on class types), all from playing the game's set of missions and collecting resources. As players rank up their Requisitions—the game's take on the unlock system—they can spend points to unlock whatever they like, which includes new weapons, kit upgrades, and other add-ons to modify their loadouts.The second solution, and most interesting to FBC Firebreak's structure, is the customizable objectives and encounter difficulties. Before each job, the team leader can tune the enemy variety and spawn rate to different intensity levels while also setting the number of objectives needed to clear the mission.This means players can can have a mission with limited objectives but high enemy frequency, presenting a one-stage encounter with an onslaught of enemies. Conversely, they can customize the same mission to have a larger set of objectives, but with a lower frequency of enemies, making it more of an atmospheric, task-focused mission that culminates in a boss encounter.Image via Remedy Entertainment."With a multiplayer game, it's important to consider how your game slots into people's lives," he said. "In co-op, especially, friend groups are stepping in with an unpredictable set of needs: How experienced is each group member? How much time do they have? Are they treating the game session like a phone call, where they just want something to do in the background while talking about something personal?""And you can't solve this for a player forever because the same person who wants to zone out one night for thirty minutes sometimes turns around and wants to hyper-coordinate for two hours the next night. This goes back to putting the game on the players' terms instead of ours; we wanted to give you those controls so that Firebreak can meet you where you are on any given day."FBC Firebreak's approach to challenge and tuning of the experience is flexible by design, which feels like an oddity among other games that push players towards timed battle passes or monthly events.According to Kayatta, building the game's structure and more flexible approach to progression was all about removing potential barriers that so many other live service games have, to provide an online game that players of whatever time investment can get something out of. Remedy axed other popular live service features like dense statistics (think damage, buff, and debuff percentages) because it made players care about "min-maxing and tracking metas.""That in turn, can create barriers to people who don't want to be pressured into thinking about anything that's not directly in front of them," he said.It's an unconventional strategy to drive retention by asking players for less engagement, but Kayatta said targeting those busy everyday players will be key to FBC Firebreak's success."We just wanted to make a game that players without a lot of time could enjoy, which feels like it describes a lot of gamers these days," he concluded. "Some people lose their time to work or to their kids. Others are among the hundreds of incredible games destroying their backlogs. Some poor suckers, like me, lose time to both.""Too many games ask too much of their players, especially in the multiplayer space."

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Remedy hopes FBC: Firebreak can defeat the "predatory" live-service trap - with help from small budgets, Game Pass, and PS Plus "It's very much about spreading the risk." Image credit: Remedy News by Chris Tapsell Deputy Editor Published on May 14, 2025 I am quietly optimistic about FBC: Firebreak, Remedy's upcoming co-op, PvE Control spin-off. Having played a couple of hours of it, particularly towards the end of my time, as the systemic complexity began to compound, its coming together at the last minute almost feels like a strength, as I wrote in our big FBC: Firebreak preview. But naturally at a time when live-service, multiplayer-only games - particularly ones from studios known for the purely single-player output - are hardly the most popular pitches in the world, there is plenty of scepticism out there. Speaking to game director Mike Kayatta, lead designer Anssi Hyytiäinen, and PR director Thomas Puha, however, the sense was - maybe predictably - that the studio remained bullish. They gave a few reasons. "For me, at least one element there in that conversation is always the predatory practices in player retention," Hyytiäinen explains. Instead of battle passes, daily objectives and the like, for instance, Firebreak has a somewhat old-school approach of a set of upgrades to your weapons and kits, and a set of unlockable perks, both earned through the main loop of playing rounds of the game, collecting resources and spending them on said unlocks. FBC: Firebreak gameplay trailer.Watch on YouTube As Hyytiäinen puts it, Remedy has intentionally aimed to make it something you can dip in and out of, "the session lengths are short - we're almost thinking: we don't have time to play games ourselves, what kind of game would we like to play that doesn't need to be sucking us in? You know when you lock in, you have 12 phases of stuff that has happened, that just reading through that is already your time gone for the night?" Kayatta makes similar noises, describing the studio's inspiration in Left 4 Dead (along with many others), as a case of looking back and saying, "Wow, wasn't that game great - but also from the perspective of nostalgia, like: wasn't it great when you could kind of buy a game, and it might be supported over time, but ultimately, I can pick it up and put it down? And I can enjoy that game on my own terms, and not on the game's terms. Because it feels like so many things that tried to come for Left 4 Dead went in the opposite direction, where they're like, "Oh here's the fun gameplay - oh yeah but: battle passes and seasons!"" "I'm not saying all those things are always evil..." "I'm not saying all those things are always evil," he adds, "it's not true. But ultimately, it is something that starts to try to tell you how to engage, and not just like, when you're in the game, but actually when you're out of the game, when do you come back to the game? How often do you need to play the game? Check in, do this, do that." The inspiration instead, he says, "is more of a meta inspiration to say: what if we came back and we said, let's just focus on making a game that people like, and if they only play it for an hour a week and then they need to step away for six months, what if that was okay? What if it's okay that they go play other stuff? What if we built a game and a mandate - and a product, even, on the business level - around this idea that that's actually okay for a multiplayer game, and just get it in people's hands?" The natural follow-on there is Remedy's decision to put Firebreak immediately onto Xbox Game Pass and PlayStation Plus. I asked Kayatta whether that helped take the pressure off a little, amongst the wider, tougher context of similar multiplayer games - most notably the high-profile failure and ultimately pulling from sale of Sony's Concord - having some difficult launches. "From a wider industry perspective, obviously, there's always the question of: is it cannibalising sales? But of course, it's not like people put things on Game Pass for free either," Kayatta says. "I wouldn't call it a safety net for us," he adds, in that "games can't just survive exclusively by trying to be available in one service or another service." Still, he notes that Game Pass and PS Plus were both "a very welcome partnership". "We never used 'games-as-a-service', 'live-service' with this game, very consciously," adds PR director Thomas Puha, during a separate conversation. "The connotation of those games is, you know, it's gonna be 'battle pass' this, Call of Duty, Destiny, all these things that were so far from that." "[It's] a very contested market - but then everything is contested..." Puha adds, too, that the studio is aware it's "a very contested market - but then everything is contested. There's tons of games. It's not like there isn't a contest with single-player games, I mean we're up against, you know, Sony heavy-hitters... there's no point in trying to build something where you've got to be playing every day, because then the machinery we've got to build here is not something we could even afford - so what's the point?" According to Puha, the studio's other backstop here, meanwhile, is its shift in approach towards making multiple games at once, which Remedy's been doing since 2016. "It's very much about spreading the risk," he says, "you can see it's near impossible to survive with making a single game and then hoping that it, against all odds, does phenomenally well, and you get some money out of it. Part of our business model is that we work on multiple things, and we've said we try to ship something every year." The last point the team is keen to make is that FBC: Firebreak has been made with a significantly tighter budget than what you might consider some of its multiplayer competitors. "Of course, not just taking crazy risks by doing massive budgets and so on" is also a factor, as Puha puts it. "Of course we need this game to do well, but then we have realistic expectations." The team is still only around 50 developers strong, for instance - Control's team, by comparison, was in the low hundreds. "It's not like a 200-person, five-year dev cycle." To Kayatta, FBC: Firebreak's director, it also just comes back to the reasons why it exists in the first place. "I think there's a lot of cynicism around multiplayer games," he says. "And I think there's double cynicism about multiplayer games that come from, traditionally, single-player studios. And obviously I feel that - I mean I'm also a gamer. "But at the end of the day, one thing that is quite nice about working on this project here is that I know - because I live it every day - that this did not come from any amount of cynicism. It has just come from passion and creative people have been given a license to say, you know, what is fun? What do we just want to do? What's interesting?" This article is based on a press event at Remedy's headquarters, for which it assisted with travel and accommodation.

Minutes into my mission, I'm having second thoughts. Gunning down a dozen zombie-like enemies is a lot for a lowly office worker in the Federal Bureau of Control. At first, it's hard to have faith in my gear -- a backpack water jug with a cannon for drenching enemies. But then my fellow FBC squad mate (a secretary or middle manager, I forget which) uses his kit to zap all the soaked foes at once. With our third coworker slamming their wrench into anything that moves, we barely manage to fix up some broken fans before sprinting for the elevator as the doors close on the enemy horde.Welcome to FBC Firebreak. Media got a chance to play the game for a few hours in an online preview ahead of its release on June 17. Six in-game years after the events of Remedy Entertainment's seminal 2019 game Control, the FBC headquarters is still partially occupied by the otherworldly Hiss invaders. But the brave workforce of the FBC has stepped up, and as one of the agency's rangers or secretaries or middle managers, it's up to players to drive them out of the offices. FBC Firebeak is a departure for Remedy as its first game built to be multiplayer rather than its decades of single-player adventures. But the studio's newest title is a smaller-scope "AA" game, unlike the flagship AAA releases like Alan Wake II, Control and its other prior hits. However, Firebreak's $40 price tag (or $50 for the deluxe edition) that matches its more modest scope will be welcome to players reeling from the sticker shock of $80 games coming from Nintendo and Microsoft.In my preview, I could see how Remedy is attempting to blend its signature style of weird, funky gunplay into a multiplayer setting, and mostly succeeds. There's a lot of character to the world it's built, and players will likely enjoy taking on the role of supernatural emergency responders as a change of pace from the gunplay-heavy squad shooters they know. But diehard fans of the studio's storytelling-heavy approach will have to adjust to the new game's fast co-op pace.And they'll have to get used to its difficulty, because FBC Firebreak is hard.I'll give you an example: My two squad mates -- one of whom was CNET video editor Sean Booker --  and I dropped into one of the three missions available to us. We each picked a gun and one of three equipment backpacks, each offering unique tools that work best when combined -- a key way the game encourages teamwork. We set the mission to normal difficulty, and out we went. Remedy EntertainmentThe mission (or "job" in Firebreak talk) we chose was Paper Chase, wherein our squad is tasked with cleaning up a plague of supernatural Post-it notes. Like other areas of FBC headquarters, the offices we explored -- faithfully recreated with '60s shag rugs and retro decor from 2019's Control -- had been warped by the invading Hiss, making things even stranger. That meant we weren't just fighting Hiss-possessed FBC workers clawing and shooting at us -- we also had to gun down humanoid golems made of Post-its.Our third squad mate dropped out due to GPU compatibility issues, so our CNET twosome cleared out gobs of Post-its haunting the office floor, all while getting slammed with unending hordes of enemies. We ran out of bullets pretty quickly. My colleague Booker had a mechanic's kit with a mean wrench he could swing around -- it also let him repair gadgets scattered around the level faster. Meanwhile, my backpack water blaster did little more than stagger enemies, relying on a one-two combo with the shock kit carried by our now-dropped-out squad mate.With my weak melee and frequent deaths, Booker and I barely made it back to the elevator to finish the job. For the rest of our preview, we stuck to the easiest difficulty. The equipment kits, called Crisis Kits, come in three varieties (left to right): Jump Kit with shock area attacks, Fix Kit with a wrench and deployable turret and Splash Kit with a water cannon and healing humidifier. Remedy EntertainmentSquad up or die tryingTechnically, you can drop into a "job" all by your lonesome, but I wouldn't recommend it. They're built to be challenging for three people, and I can attest how it's a difficult enough experience with two, even on an easier setting. Four-person squads just weren't balanced, as Remedy developers previously told me, which made sense as I fought tooth-and-nail through narrow hallways, roomy offices and spacious mines that would've felt crowded with more than two other teammates.There are other tools at your disposal to take into jobs, like grenades, deployable equipment to use with your backpack kit and a rechargeable super ability (which we didn't get far enough along to tinker with) -- all gradually unlocked as you level up. Decked out in more gear, we stood a better chance of withstanding hordes of enemies. When I slammed down a jug filled by my water backpack that sprayed healing in a radius around it, we withstood waves of foes that had previously wiped us out.But we still weren't eager to tip the difficulty back up to normal, and how much players struggle may be a make-or-break point for Firebreak's player experience. It's a balance that could be tweaked in many ways before the game comes out in June, from enemy health and behavior to kit effectiveness and ammo availability. Remedy reinforced that the preview we saw was a work in progress, so I'd expect some tinkering to come, but the game walks a tricky line in encouraging (and borderline requiring) cooperation through its unique mechanics and tasks while allowing player flexibility -- after all, the strangers filling your online co-op squad will come in a variety of skill levels and attitudes.In its current state, getting swamped by wave after wave of Hiss while feeling my kit's inadequacy is a bit worrisome. The game shows promise with its unique setting, gameplay and niche in the multiplayer shooter space -- one that favors weirdness and intriguing mechanics over sweaty gunplay. Remedy EntertainmentCo-op in the Alan Wake universeAs the FBC Firebreak developers explained in our briefing before the preview, the game was designed with three core pillars. The most obvious of those was on display when we booted up the game: there should be as little standing between players booting up the game and getting to the action. No cutscenes, plot diversions or dense dialogue to get in the way of jumping into a job.That leads to the game's second pillar: every player gets the same content -- no progression roadblocks or paid DLC to split up a squad. For the $40 entry fee, players will get whatever the Firebreak developers introduce to the game -- which at the moment are two additional jobs coming sometime after the game's launch. This ties into one of my main annoyances during the preview: progression felt too slow to unlock enough items that made me feel effective in the field. It makes sense if Remedy wants a longer progression runway to keep players coming back -- for new equipment, better weapons and more cosmetics to outfit their Firebreak workers.The last pillar was the one I saw the least of -- mainly because we didn't see much of the game: that FBC Firebreak delivers action and moments found "only in Control." From the preview, this bore out in the reliance on kit equipment over guns -- even without my third squad mate following up with an electricity blast, I discovered my water gun could stagger enemies when charged up, leaving my other squad mate to batter them with his wrench. This mixes in a dose of absurdity with the frenetic terror of Hiss hordes. Remedy EntertainmentIn practice, FBC Firebreak feels like a mixture of Left 4 Dead and Ghostbusters, which is a fun and funky blend that shakes up the tired squad shooter genre. But its focus on quickly moving players in and out of jobs leaves little room for the kind of secret-hunting and lore-digging that defined past Remedy games. To that end, it's tough to imagine whether the studio's diehard fans will embrace Firebreak's loops running the same missions without heavy storytelling, let alone standout moments like Control's Ashtray Maze or Alan Wake II's We Sing musical sequence. Firebreak's developers previously told me they don't believe those memorable moments really fit in a multiplayer game, especially if it means forcing players to relive them repeatedly. They're probably right, but it means the new game will need to rely on emergent moments born from unpredictable, often ridiculous situations -- the kind of had-to-be-there memories that help a game stand out.With no more of FBC director Jesse Faden's story until Control 2, and no required story content in Firebreak, the new game seems poised to truly stand on its own. And without any detail on how Firebreak ties into the greater Remedyverse storyline shared across the studio's games, or how much lore it has tucked away waiting for players to discover, Firebreak will sink or swim based on how fun it is to run around as an office drone saving your workplace with wild gadgets and guns. A lot of that remains to be seen.  Watch this: I Attended the Public Nintendo Switch 2 Experience

News Clair Obscur: Expedition 33 Dev Says a Nintendo Switch 2 Port “Could be Interesting” French studio Sandfall Interactive could be open to bringing its acclaimed JRPG to Nintendo's upcoming next-gen platform, its CEO says. Posted By Shubhankar Parijat | On 14th, May. 2025 Clair Obscur: Expedition 33 has emerged as one of the biggest critical hits of the year, surpassing what had already been high expectations in the lead up to its release, though it seems like developer Sandfall Interactive and publisher Kepler Interactive may still have more plans in store for the JRPG.  Spotted by Nintendo Life, in a recent interview with YouTube channel mistermv, when asked about whether Expedition 33 could make its way to the upcoming Nintendo Switch 2 at some point, though Sandfall Interactive CEO Guillaume Broche expectedly didn’t offer any concrete details, he did suggest that it was certainly a possibility. “Yeah, it’s definitely something that could be interesting,” Broche said. Clair Obscur: Expedition 33 has been a huge success already, having sold over 2 million units worldwide in under two weeks, so it wouldn’t be surprising to see Sandfall and Kepler Interactive looking to capitalize on that success by capturing a substantial audience on Nintendo’s platform as well. Hopefully, it turns into something concrete at some point.  Clair Obscur: Expedition 33 is available on PS5, Xbox Series X/S, and PC. Read our review of the game through here. Tagged With: Elden Ring: Nightreign Publisher:Bandai Namco Developer:FromSoftware Platforms:PS5, Xbox Series X, PS4, Xbox One, PCView More DOOM: The Dark Ages Publisher:Bethesda Softworks Developer:id Software Platforms:Xbox Series X, PS5, PCView More Death Stranding 2: On the Beach Publisher:Sony Developer:Kojima Productions Platforms:PS5View More Amazing Articles You Might Want To Check Out! Hogwarts Legacy Trailer Shows Switch vs Switch 2 Graphics Comparison WB Games' open world action RPG will be a launch title for the Nintendo Switch 2 when the console releases wor... Clair Obscur: Expedition 33 Dev Says a Nintendo Switch 2 Port “Could be Interesting” French studio Sandfall Interactive could be open to bringing its acclaimed JRPG to Nintendo's upcoming next-ge... The Super Mario Bros. Movie Sequel Could be Titled Super Mario World Nintendo, Universal, and Illumination's next Super Mario movie could be named after the beloved 1991 2D sidesc... The Wait for Grand Theft Auto 6’s Next Trailer is Going to Feel Excruciatingly Long GTA 6's newest trailer was a great one, but it has left us wanting more- which we're not getting for a while y... The Texas Chain Saw Massacre Winds Down Support, Won’t Receive Any More DLC The next big patch arrives this month, but the asymmetrical multiplayer title will remain playable and purchas... Ninja Theory May Have Teased Next Project With Blurry Photo In a recent photo on its Instagram account, Ninja Theory has seemingly teased a new project that has a vibran... View More

The Texas Chain Saw Massacre game will no longer be supported as studio reaches "natural creative end" The game will remain listed on storefronts Image credit: Gun Interactive News by Samuel Roberts Editorial Director Published on May 14, 2025 Developer Gun Interactive is winding down work on asymmetric multiplayer horror game The Texas Chain Saw Massacre, with the game no longer receiving any future content or support after May 2025. The reasoning, given by the studio in a message to players, is that it feels it's "seen The Texas Chain Saw Massacre fully realised". The game was released in August 2023. "This means that there will be no more DLC, balance updates, or bug fixes, after our upcoming May patch," read the message. "You can still expect a few more patches in the future in order to transition towards peer-to-peer matchmaking." Unlike some licensed games which disappear from digital stores once live-service support has been discontinued – Marvel's Avengers, for example – The Texas Chain Saw Massacre will remain available. "The Texas Chain Saw Massacre will still be playable and is NOT being delisted from store fronts," continued the message. "Our community team will continue to interact with our players as we continue to celebrate The Texas Chain Saw Massacre with all of you who love this game just as much as we do." The move has led to review-bombing from some Steam users. According to Steam Charts, concurrents in the game peaked at 1,677 in April. Gun Interactive made its decision-making process clear at the end of the statement. "As a creative studio, it’s imperative to communicate that we’ve seen this vision through to the natural creative end." The studio also teased that work on its next project is ongoing, saying it's "ready to continue to do what we do best… make your favorite horror games".

A former Call of Duty developer is wondering the same thing you are: if the franchise — which has released 21 mainline installments since 2003 — has run out of ideas. “It’s almost like The Simpsons — it’s been around so long that it feels like they’ve run out of ideas at times. It kind of wandered into left field,” Chance Glasco told an Oklahoma news station on Monday. Glasco is one of the founders of Infinity Ward and helped co-create the franchise with 2003’s Call of Duty. There’s a chance Glasco worked on your favorite COD game; Infinity Ward was responsible for series standouts like Call of Duty 4: Modern Warfare and Modern Warfare 2. “I wouldn’t say it peaked at Modern Warfare 2, but that was probably the best game we made,” Glasco said. While the series may or may not have peaked with MW2 (though anyone who misses running around with a silenced UMP45 might say it did — *raises hand*), there’s no arguing the Call of Duty of today is massively different than the Call of Duty of prior hardware generations. You may look at Squid Game and Teenage Mutant Ninja Turtles crossovers and think they’re cool, but longtime players might see them as signs the annual franchise is running out of steam in the “fresh gameplay ideas and innovation” department. Glasco clearly shares some of that sentiment. Call of Duty: Black Ops 6 is the latest entry in the franchise, and it being the sixth BLOPS should tell you all you need to know about whether Call of Duty is running out of ideas or if that even matters. Consider: the game had the best launch for the series, and was, of course, the best-selling game of 2024. Perhaps the most innovative Call of Duty has been is with the free-to-play Call of Duty: Warzone. The battle-royale gameplay was a slight shift from the series’ classic multiplayer gameplay, and launching in March 2020 certainly helped boost its popularity. And yet. “These days, I don’t play much outside of Warzone,” Glasco said. You and plenty others, Glasco. Just like people are still going to watch The Simpsons, regardless of its varying levels of quality, people are still going to play whatever Call of Duty launches this fall. Regardless of its quality — or innovative ideas.

Are you looking to try your hand at multiplayer game development in Unity? For the past year, we’ve been launching new products and features to flesh out our Multiplayer suite of tools to support the creation of multiplayer games spanning all genres and platforms – from dedicated hosting to friends list management to in-game voice chat.However, connecting all the dots into a tech stack that you can use to build the multiplayer game of your dreams can be confusing. That’s why we’re showcasing six recent YouTube video tutorials from community content creators that cover Unity's multiplayer tools. From Code Monkey’s in-depth tutorials to Dapper Dino’s expert insights, each video provides a wealth of knowledge and inspiration for game developers.Let’s dive in.Samyam is a YouTube creator who focuses on game development tutorials for indies. In this video from March 18, Samyam introduces you to Netcode for GameObjects (NGO), one of Unity’s proprietary networking libraries, and shows how to leverage the package alongside Unity Transport to build a simple multiplayer game.Samyam’s video includes a helpful overview of high-level multiplayer terminology before diving into the tech, so this is a great place to get started.Check out the video to see:An introduction to high-level multiplayer terminologyHands-on work with NGO 1.2.0 and Unity TransportA simple game setup to integrate with hosting and matchmaking servicesCode Monkey is a professional indie game developer who creates YouTube content about Unity and C# gamedev.In this recent video, Code Monkey covers how to run dedicated game servers with Game Server Hosting (Multiplay) from Unity Gaming Services (UGS). He walks through:An introduction to Game Server HostingMaking a dedicated server build of your gameUploading your server to the cloud on the Unity DashboardGetting your game servers online for playersUnity’s Matchmaker is a smart, rule-based matchmaking system that plugs easily into the Unity game engine. Dapper Dino walks you through how to integrate Game Server Hosting (Multiplay) and Matchmaker into any game powered by Netcode for GameObjects, using one of his existing projects (which you can access here) to show how to host your game and provide matchmaking for players.Check out Dapper Dino’s full video to learn how to:Access the Unity dashboardSet up your serversSet up MatchmakerTest the servicesIn this follow up to his first video in our roundup, Code Monkey covers how to add matchmaking to multiplayer games and define rules with as much or as little complexity as you want. He addresses how Matchmaker is integrated with Game Server Hosting to get your game online, as well as how to sort players into matches.A major benefit of this tutorial is Code Monkey’s explanation of the different rule sets you can explore within Matchmaker to set up skill-based, geography-based, or platform-based matchmaking (or other combinations) to optimize your player experience.Code Monkey has even made the project files available for viewers. Explore how it all works together to build a live multiplayer game by pressing play below.Tarodev, another popular YouTuber who makes game dev tutorials, walks viewers through getting started with NGO in this video. In the video you’ll learn:How to get started with NetcodeThe difference between server and client authority (and when to use each)How to write performant network codeHow to use NetworkVariable and INetworkSerializableAbout cheap multiplayer interpolationWhat ServerRPC and ClientRPC areTricks to make your multiplayer game feel greatIf you’re looking for an end-to-end video guide to multiplayer development in Unity, this is the tutorial for you. In this six-hour YouTube course, Code Monkey walks through the full experience of building a small multiplayer game in Unity – from networked gameplay to integrating live services.The video builds on Code Monkey’s previous course on making a singleplayer game in Unity and converting that tutorial project into an online-ready multiplayer experience. The video covers:Setting up Netcode for GameObjectsNetworking your gameplayHandling player joins and disconnectsIntegrating LobbyHosting with RelayExploring Game Server Hosting (Multiplay), Matchmaker, and Voice and Text Chat (Vivox)Multiplayer debuggingWhat else do you want to see tutorials on in the future? Let us know in the Unity multiplayer forums or on our multiplayer Discord. Happy creating!

News Hogwarts Legacy Trailer Shows Switch vs Switch 2 Graphics Comparison WB Games' open world action RPG will be a launch title for the Nintendo Switch 2 when the console releases worldwide on June 5. Posted By Shubhankar Parijat | On 14th, May. 2025 The Nintendo Switch 2 is set to launch with a couple of some pretty major heavy-hitting games in under a month’s time, but at the same time, its launch lineup is also going to boast several third party ports and re-releases. One of those is going to be Hogwarts Legacy, for which a new gameplay trailer has been uploaded to offer glimpses of how much better its visuals are on the Switch 2 compared to the Switch.  The trailer showcases a number of shots of the game, showing both indoor and outdoor environments, and the difference is, quite frankly, massive. From the lighting and the reflections to the density and detail in the environments and the draw distances, the open world action RPG is looking like a significant technical and graphical leap over the game’s Nintendo Switch version. Check out the comparison gameplay trailer below.  Hogwarts Legacy is available on PS5, Xbox Series X/S, PS4, Xbox One, Nintendo Switch, and PC, and launches for Nintendo Switch 2 on June 5.  Tagged With: Elden Ring: Nightreign Publisher:Bandai Namco Developer:FromSoftware Platforms:PS5, Xbox Series X, PS4, Xbox One, PCView More DOOM: The Dark Ages Publisher:Bethesda Softworks Developer:id Software Platforms:Xbox Series X, PS5, PCView More Death Stranding 2: On the Beach Publisher:Sony Developer:Kojima Productions Platforms:PS5View More Amazing Articles You Might Want To Check Out! PS5 Hits 77.8 Million Units Shipped Worldwide The console shipped 2.8 million units worldwide in the final quarter of the 2024-25 fiscal year, with total sh... Hogwarts Legacy Trailer Shows Switch vs Switch 2 Graphics Comparison WB Games' open world action RPG will be a launch title for the Nintendo Switch 2 when the console releases wor... Clair Obscur: Expedition 33 Dev Says a Nintendo Switch 2 Port “Could be Interesting” French studio Sandfall Interactive could be open to bringing its acclaimed JRPG to Nintendo's upcoming next-ge... The Super Mario Bros. Movie Sequel Could be Titled Super Mario World Nintendo, Universal, and Illumination's next Super Mario movie could be named after the beloved 1991 2D sidesc... The Wait for Grand Theft Auto 6’s Next Trailer is Going to Feel Excruciatingly Long GTA 6's newest trailer was a great one, but it has left us wanting more- which we're not getting for a while y... The Texas Chain Saw Massacre Winds Down Support, Won’t Receive Any More DLC The next big patch arrives this month, but the asymmetrical multiplayer title will remain playable and purchas... View More

News PS5 Hits 77.8 Million Units Shipped Worldwide The console shipped 2.8 million units worldwide in the final quarter of the 2024-25 fiscal year, with total shipments for the FY at 18.5 million units. Posted By Shubhankar Parijat | On 14th, May. 2025 Sony has shared updated sales figures for the the PlayStation 5 in its most recent quarterly fiscal report, and the console now stands at 77.8 million units shipped worldwide as of March 31, which was the end of FY 2024-25. That’s up from 75 million worldwide shipments as of the end of 2024. In the final quarter of the FY, running from January to March, Sony shipped 2.8 million units of the PS5 worldwide (down from 4.5 million shipped in Q4 of the previous fiscal year), while total shipments for the console across the entirety of the FY arrived at 18.5 million units worldwide (down from 20.8 million units in the previous FY). Though hardware sales saw a year-on-year decline, PlayStation did gain ground in terms of software sales. PS4 and PS5 collectively sold 76.1 million software units in Q4 of FY 24-25 (up from 72.6 million in Q4 of FY 23-24). Total software sales for the FY stood at 303.3 million units, up from 286.4 million units the previous fiscal year. Tagged With: Elden Ring: Nightreign Publisher:Bandai Namco Developer:FromSoftware Platforms:PS5, Xbox Series X, PS4, Xbox One, PCView More DOOM: The Dark Ages Publisher:Bethesda Softworks Developer:id Software Platforms:Xbox Series X, PS5, PCView More Death Stranding 2: On the Beach Publisher:Sony Developer:Kojima Productions Platforms:PS5View More Amazing Articles You Might Want To Check Out! PS5 Hits 77.8 Million Units Shipped Worldwide The console shipped 2.8 million units worldwide in the final quarter of the 2024-25 fiscal year, with total sh... Hogwarts Legacy Trailer Shows Switch vs Switch 2 Graphics Comparison WB Games' open world action RPG will be a launch title for the Nintendo Switch 2 when the console releases wor... Clair Obscur: Expedition 33 Dev Says a Nintendo Switch 2 Port “Could be Interesting” French studio Sandfall Interactive could be open to bringing its acclaimed JRPG to Nintendo's upcoming next-ge... The Super Mario Bros. Movie Sequel Could be Titled Super Mario World Nintendo, Universal, and Illumination's next Super Mario movie could be named after the beloved 1991 2D sidesc... The Wait for Grand Theft Auto 6’s Next Trailer is Going to Feel Excruciatingly Long GTA 6's newest trailer was a great one, but it has left us wanting more- which we're not getting for a while y... The Texas Chain Saw Massacre Winds Down Support, Won’t Receive Any More DLC The next big patch arrives this month, but the asymmetrical multiplayer title will remain playable and purchas... View More