• The Best Hidden-Gem Etsy Shops for Fans of Farmhouse Style

    Becky Luigart-Stayner for Country LivingCountry Living editors select each product featured. If you buy from a link, we may earn a commission. Why Trust Us?Like a well-made quilt, a classic farmhouse aesthetic comes together gradually—a little bit of this, a touch of that. Each addition is purposeful and personal—and isn’t that what home is all about, really? If this type of slowed-down style speaks to you, you're probably already well aware that Etsy is a treasure trove of finds both new and old to fit your timeless farmhouse aesthetic. But with more than eight million active sellers on its marketplace, sometimes the possibilities—vintage feed sacks! primitive pie safes! galvanized grain scoops!—can quickly go from enticing to overwhelming.To better guide your search for the finest farmhouse furnishings, we’ve gathered a go-to list of editor-and designer-beloved Etsy shops which, time and again, turn out hardworking, homespun pieces of heirloom quality. From beautiful antique bureaus to hand-block-printed table linens, the character-rich wares from these sellers will help you design the farmhouse of your dreams, piece by precious piece. Related Stories For Antique AmericanaAcorn and Alice Every good old-fashioned farmhouse could use some traditional Americana to set the tone, and this Pennsylvania salvage shop offers rustic touches loaded with authentic antique allure. Aged wooden wares abound, as well as a grab bag of cotton and burlap feed sacks, perfect for framing as sets or crafting into footstool covers or throw pillows. For French Country TextilesForest and LinenThere’s nothing quite like breezy natural fabrics to make you want to throw open all the windows and let that country air in while the pie cools. Unfussy and lightweight, the hand-crafted curtains, bedding, and table linens from these Lithuanian textile experts have a classic understated quality that would be right at home in the coziest guest room or most bustling kitchen. Warm, welcoming hues range from marigold yellow to cornflower blue, but soft gingham checkers and timeless French ticking feel especially farm-fresh. Our current favorite? These cherry-striped country cafe curtains. Becky Luigart-Stayner for Country LivingVintage red torchons feel right at home in a farmhouse kitchenFor Rustic RugsOld New HouseWhether or not you’re lucky enough to have gorgeous wide-plank floors, an antique area rug or runner can work wonders for giving a room instant character and warmth. This fifth-generation family-run retailer specializes in importing heirloom hand-knotted carpets dating back to the 1800s, with a focus on traditional designs from the masters in Turkey, India, Persia, and more. Their vast variety of sizes and styles offers something for every aesthetic, with one-of-a-kind patterns ranging from distressed neutrals to chain-stitched florals to ornate arabesques. For Pillows and ProvisionsHabitation BohemeIn true farmhouse fashion, this Indiana shop has curated an enticing blend of handcrafted and vintage homewares that work effortlessly well together. A line of cozy hand-stitched linen pillow coverssits prettily alongside a mix of found objects, from patinated brass candlesticks and etched cloisonné vases to sturdy stoneware crockery and woven wicker baskets. For Elegant Everyday DishwareConvivial ProductionSimple, yet undeniably stunning, the handcrafted dinnerware from this Missouri-based ceramist is designed with durability in mind. Produced in a single, time-tested shade of ivory white glaze, these practical stoneware cups, bowls, and plates make the perfect place settings for lively farm-to-table feasts with friends and family. Beautifully balancing softness and heft, each dish is meant to feel comfortable when being held and passed, but also to look attractive when stacked upon open shelving. For English Country Antiques1100 West Co.This Illinois antiques shop is stocked with all manner of versatile vintage vessels culled from the English countryside, from massive stoneware crocks to charming little escargot pots. Their collection of neutral containers can be adapted for nearly any provincial purpose, but we especially love their assortment of old advertising—from toothpaste pots to marmalade jars and ginger beer bottles galore—for a nice little nod to the quintessential country practice of repurposing what you’ve got. Brian Woodcock/Country LivingPretty English ironstone will always have our heart.For a Cozy GlowOlde Brick LightingConstructed by hand from cord to shade, the vintage-inspired lighting produced by this Pennsylvania retailer is a tribute to the iconic quality and character of old American fixtures. Nostalgic design elements include hand-blown glassand finishes ranging from matte black to brushed nickel and antique brass. To create an authentic farmhouse ambiance, check out their gooseneck sconces, enameled red and blue barn lights, and milky white striped schoolhouse flush mounts. For Enduring ArtifactsThrough the PortholeThe weathered, artisan-made wares curated by this California husband-and-wife duo have been hand-selected from around the globe for their time-etched character. From gorgeous gray-black terracotta vases and rust-colored Turkish clay pots to patinated brass cow bells and rustic reclaimed elm stools, each item is a testament to the lasting beauty of classic materials, with storied sun-bleaching and scratches befitting the most beloved, lived-in rooms. For Winsome Wall ArtEugenia Ciotola ArtThrough graceful brushstrokes and textural swirls of paint, Maryland-based artist Eugenia Ciotola has captured the natural joy of a life that’s simple and sweet. Her pieces celebrate quiet scenes of bucolic beauty, from billowing bouquets of peonies to stoic red barns sitting in fields of wavy green. For a parlor gallery or gathering space, we gravitate toward her original oils on canvas—an impasto still life, perhaps, or a plainly frocked maiden carrying a bountiful bowl of lemons—while her stately farm animal portraitswould look lovely in a child’s nursery.For Time-Tested Storage SolutionsMaterials DivisionFunction is forefront for this farmhouse supplier operating out of New York, whose specialized selection of vintage provisions have lived out dutiful lives of purpose. Standouts include a curated offering of trusty antique tool boxes and sturdy steel-clad trunks whose rugged patina tells the story of many-a household project. Meanwhile, a hardworking mix of industrial wire and woven wood gathering baskets sits handsomely alongside heavy-duty galvanized garbage bins and antique fireplace andirons.For Pastoral PrimitivesComfort Work RoomFull of history and heritage, the old, hand-fabricated furnishings and primitive wooden tools in this unique Ukrainian antique shop are rural remnants of simpler times gone by. Quaint kitchen staples like chippy chiseled spoons, scoops, and cutting boards make an accessible entry point for the casual collector, while scuffed up dough troughs, butter churns, washboards, and barrels are highly desirable conversation pieces for any antique enthusiast who’s dedicated to authentic detail. Becky Luigart-Stayner for Country LivingAntique washboards make for on-theme wall art in a laundry roomFor Heirloom-Quality CoverletsBluegrass QuiltsNo layered farmhouse look would be complete without the homey, tactile touch of a hand-pieced quilt or two draped intentionally about the room. From harvest-hued sawtooth stars to playful patchwork pinwheels, each exquisite blanket from this Kentucky-based artisan is slow-crafted in traditional fashion from 100% cotton materials, and can even be custom stitched from scratch to match your personal color palette and decorative purpose. For a classic country aesthetic, try a log cabin, double diamond, or star patch pattern. For Hand-Crafted GiftsSelselaFeaturing a busy barnyard’s worth of plucky chickens, cuddly sheep, and happy little Holstein cows, this Illinois woodworker’s whimsical line of farm figurines and other giftable goodiesis chock-full of hand-carved charm. Crafted from 100% recycled birch and painted in loving detail, each creature has a deliberately rough-hewn look and feel worthy of any cozy and collected home. For Open-Concept CabinetryFolkhausA hallmark of many modern farmhouses, open-concept shelving has become a stylish way to show that the practical wares you use everyday are the same ones you’re proud to put on display. With their signature line of bracketed wall shelves, Shaker-style peg shelves, and raw steel kitchen rails, the team at Folkhaus has created a range of open storage solutions that beautifully balances elevated design and rustic utility. Rounding out their collection is a selection of open-shelved accent pieces like bookcases, benches, and console tables—each crafted from character-rich kiln-dried timber and finished in your choice of stain.Related StoryFor Antique Farmhouse FurnitureCottage Treasures LVThe foundation of a well-furnished farmhouse often begins with a single prized piece. Whether it’s a slant-front desk, a primitive jelly cabinet, or a punched-tin pie safe, this established New York-based dealer has a knack for sourcing vintage treasures with the personality and presence to anchor an entire space. Distressed cupboards and cabinets may be their bread and butterbut you’ll also find a robust roundup of weathered farm tables, Windsor chairs, and blanket chests—and currently, even a rare 1500s English bench. For Lively Table LinensMoontea StudioAs any devotee of slow decorating knows, sometimes it’s the little details that really bring a look home. For a spot of cheer along with your afternoon tea, we love the hand-stamped table linens from this Washington-based printmaker, which put a peppy, modern spin on farm-fresh produce. Patterned with lush illustrations of bright red tomatoes, crisp green apples, and golden sunflowers—then neatly finished with a color-coordinated hand-stitched trim—each tea towel, placemat, and napkin pays homage to the hours we spend doting over our gardens. For Traditional TransferwarePrior TimeThere’s lots to love about this Massachusetts antiques shop, which admittedly skews slightly cottagecorebut the standout, for us, is the seller’s superior selection of dinner and serving ware. In addition to a lovely lot of mottled white ironstone platters and pitchers, you’ll find a curated mix of Ridgeway and Wedgwood transferware dishes in not only classic cobalt blue, but beautiful browns, greens, and purples, too.Becky Luigart-Stayner for Country LivingPretty brown transferware could be yours with one quick "add to cart."For Folk Art for Your FloorsKinFolk ArtworkDesigned by a West Virginia watercolor and oils artist with a penchant for painting the past, these silky chenille floor mats feature an original cast of colonial characters and folksy scenes modeled after heirloom textiles from the 18th and 19th centuries. Expect lots of early American and patriotic motifs, including old-fashioned flags, Pennsylvania Dutch fraktur, equestrian vignettes, and colonial house samplers—each made to mimic a vintage hooked rug for that cozy, homespun feeling.For Historical ReproductionsSchooner Bay Co.Even in the most painstakingly appointed interior, buying antique originals isn’t always an option. And that’s where this trusted Pennsylvania-based retailer for historical reproductions comes in. Offering a colossal collection of framed art prints, decorative trays, and brass objects, these connoisseurs of the classics have decor for every old-timey aesthetic, whether it’s fox hunt prints for your cabin, Dutch landscapes for your cottage, or primitive animal portraits for your farmstead.For General Store StaplesFarmhouse EclecticsHand-plucked from New England antique shops, estate sales, and auctions, the salvaged sundries from this Massachusetts-based supplierare the type you might spy in an old country store—wooden crates emblazoned with the names of local dairies, antique apple baskets, seed displays, signs, and scales. Whether you’re setting up your farmstand or styling your entryway, you’ll have plenty of storage options and authentic accents to pick from here. Becky Luigart-Stayner for Country LivingSo many food scales, so little time.Related StoriesJackie BuddieJackie Buddie is a freelance writer with more than a decade of editorial experience covering lifestyle topics including home decor how-tos, fashion trend deep dives, seasonal gift guides, and in-depth profiles of artists and creatives around the globe. She holds a degree in journalism from the University of North Carolina at Chapel Hill and received her M.F.A. in creative writing from Boston University. Jackie is, among other things, a collector of curiosities, Catskills land caretaker, dabbling DIYer, day hiker, and mom. She lives in the hills of Bovina, New York, with her family and her sweet-as-pie rescue dog.
    #best #hiddengem #etsy #shops #fans
    The Best Hidden-Gem Etsy Shops for Fans of Farmhouse Style
    Becky Luigart-Stayner for Country LivingCountry Living editors select each product featured. If you buy from a link, we may earn a commission. Why Trust Us?Like a well-made quilt, a classic farmhouse aesthetic comes together gradually—a little bit of this, a touch of that. Each addition is purposeful and personal—and isn’t that what home is all about, really? If this type of slowed-down style speaks to you, you're probably already well aware that Etsy is a treasure trove of finds both new and old to fit your timeless farmhouse aesthetic. But with more than eight million active sellers on its marketplace, sometimes the possibilities—vintage feed sacks! primitive pie safes! galvanized grain scoops!—can quickly go from enticing to overwhelming.To better guide your search for the finest farmhouse furnishings, we’ve gathered a go-to list of editor-and designer-beloved Etsy shops which, time and again, turn out hardworking, homespun pieces of heirloom quality. From beautiful antique bureaus to hand-block-printed table linens, the character-rich wares from these sellers will help you design the farmhouse of your dreams, piece by precious piece. Related Stories For Antique AmericanaAcorn and Alice Every good old-fashioned farmhouse could use some traditional Americana to set the tone, and this Pennsylvania salvage shop offers rustic touches loaded with authentic antique allure. Aged wooden wares abound, as well as a grab bag of cotton and burlap feed sacks, perfect for framing as sets or crafting into footstool covers or throw pillows. For French Country TextilesForest and LinenThere’s nothing quite like breezy natural fabrics to make you want to throw open all the windows and let that country air in while the pie cools. Unfussy and lightweight, the hand-crafted curtains, bedding, and table linens from these Lithuanian textile experts have a classic understated quality that would be right at home in the coziest guest room or most bustling kitchen. Warm, welcoming hues range from marigold yellow to cornflower blue, but soft gingham checkers and timeless French ticking feel especially farm-fresh. Our current favorite? These cherry-striped country cafe curtains. Becky Luigart-Stayner for Country LivingVintage red torchons feel right at home in a farmhouse kitchenFor Rustic RugsOld New HouseWhether or not you’re lucky enough to have gorgeous wide-plank floors, an antique area rug or runner can work wonders for giving a room instant character and warmth. This fifth-generation family-run retailer specializes in importing heirloom hand-knotted carpets dating back to the 1800s, with a focus on traditional designs from the masters in Turkey, India, Persia, and more. Their vast variety of sizes and styles offers something for every aesthetic, with one-of-a-kind patterns ranging from distressed neutrals to chain-stitched florals to ornate arabesques. For Pillows and ProvisionsHabitation BohemeIn true farmhouse fashion, this Indiana shop has curated an enticing blend of handcrafted and vintage homewares that work effortlessly well together. A line of cozy hand-stitched linen pillow coverssits prettily alongside a mix of found objects, from patinated brass candlesticks and etched cloisonné vases to sturdy stoneware crockery and woven wicker baskets. For Elegant Everyday DishwareConvivial ProductionSimple, yet undeniably stunning, the handcrafted dinnerware from this Missouri-based ceramist is designed with durability in mind. Produced in a single, time-tested shade of ivory white glaze, these practical stoneware cups, bowls, and plates make the perfect place settings for lively farm-to-table feasts with friends and family. Beautifully balancing softness and heft, each dish is meant to feel comfortable when being held and passed, but also to look attractive when stacked upon open shelving. For English Country Antiques1100 West Co.This Illinois antiques shop is stocked with all manner of versatile vintage vessels culled from the English countryside, from massive stoneware crocks to charming little escargot pots. Their collection of neutral containers can be adapted for nearly any provincial purpose, but we especially love their assortment of old advertising—from toothpaste pots to marmalade jars and ginger beer bottles galore—for a nice little nod to the quintessential country practice of repurposing what you’ve got. Brian Woodcock/Country LivingPretty English ironstone will always have our heart.For a Cozy GlowOlde Brick LightingConstructed by hand from cord to shade, the vintage-inspired lighting produced by this Pennsylvania retailer is a tribute to the iconic quality and character of old American fixtures. Nostalgic design elements include hand-blown glassand finishes ranging from matte black to brushed nickel and antique brass. To create an authentic farmhouse ambiance, check out their gooseneck sconces, enameled red and blue barn lights, and milky white striped schoolhouse flush mounts. For Enduring ArtifactsThrough the PortholeThe weathered, artisan-made wares curated by this California husband-and-wife duo have been hand-selected from around the globe for their time-etched character. From gorgeous gray-black terracotta vases and rust-colored Turkish clay pots to patinated brass cow bells and rustic reclaimed elm stools, each item is a testament to the lasting beauty of classic materials, with storied sun-bleaching and scratches befitting the most beloved, lived-in rooms. For Winsome Wall ArtEugenia Ciotola ArtThrough graceful brushstrokes and textural swirls of paint, Maryland-based artist Eugenia Ciotola has captured the natural joy of a life that’s simple and sweet. Her pieces celebrate quiet scenes of bucolic beauty, from billowing bouquets of peonies to stoic red barns sitting in fields of wavy green. For a parlor gallery or gathering space, we gravitate toward her original oils on canvas—an impasto still life, perhaps, or a plainly frocked maiden carrying a bountiful bowl of lemons—while her stately farm animal portraitswould look lovely in a child’s nursery.For Time-Tested Storage SolutionsMaterials DivisionFunction is forefront for this farmhouse supplier operating out of New York, whose specialized selection of vintage provisions have lived out dutiful lives of purpose. Standouts include a curated offering of trusty antique tool boxes and sturdy steel-clad trunks whose rugged patina tells the story of many-a household project. Meanwhile, a hardworking mix of industrial wire and woven wood gathering baskets sits handsomely alongside heavy-duty galvanized garbage bins and antique fireplace andirons.For Pastoral PrimitivesComfort Work RoomFull of history and heritage, the old, hand-fabricated furnishings and primitive wooden tools in this unique Ukrainian antique shop are rural remnants of simpler times gone by. Quaint kitchen staples like chippy chiseled spoons, scoops, and cutting boards make an accessible entry point for the casual collector, while scuffed up dough troughs, butter churns, washboards, and barrels are highly desirable conversation pieces for any antique enthusiast who’s dedicated to authentic detail. Becky Luigart-Stayner for Country LivingAntique washboards make for on-theme wall art in a laundry roomFor Heirloom-Quality CoverletsBluegrass QuiltsNo layered farmhouse look would be complete without the homey, tactile touch of a hand-pieced quilt or two draped intentionally about the room. From harvest-hued sawtooth stars to playful patchwork pinwheels, each exquisite blanket from this Kentucky-based artisan is slow-crafted in traditional fashion from 100% cotton materials, and can even be custom stitched from scratch to match your personal color palette and decorative purpose. For a classic country aesthetic, try a log cabin, double diamond, or star patch pattern. For Hand-Crafted GiftsSelselaFeaturing a busy barnyard’s worth of plucky chickens, cuddly sheep, and happy little Holstein cows, this Illinois woodworker’s whimsical line of farm figurines and other giftable goodiesis chock-full of hand-carved charm. Crafted from 100% recycled birch and painted in loving detail, each creature has a deliberately rough-hewn look and feel worthy of any cozy and collected home. For Open-Concept CabinetryFolkhausA hallmark of many modern farmhouses, open-concept shelving has become a stylish way to show that the practical wares you use everyday are the same ones you’re proud to put on display. With their signature line of bracketed wall shelves, Shaker-style peg shelves, and raw steel kitchen rails, the team at Folkhaus has created a range of open storage solutions that beautifully balances elevated design and rustic utility. Rounding out their collection is a selection of open-shelved accent pieces like bookcases, benches, and console tables—each crafted from character-rich kiln-dried timber and finished in your choice of stain.Related StoryFor Antique Farmhouse FurnitureCottage Treasures LVThe foundation of a well-furnished farmhouse often begins with a single prized piece. Whether it’s a slant-front desk, a primitive jelly cabinet, or a punched-tin pie safe, this established New York-based dealer has a knack for sourcing vintage treasures with the personality and presence to anchor an entire space. Distressed cupboards and cabinets may be their bread and butterbut you’ll also find a robust roundup of weathered farm tables, Windsor chairs, and blanket chests—and currently, even a rare 1500s English bench. For Lively Table LinensMoontea StudioAs any devotee of slow decorating knows, sometimes it’s the little details that really bring a look home. For a spot of cheer along with your afternoon tea, we love the hand-stamped table linens from this Washington-based printmaker, which put a peppy, modern spin on farm-fresh produce. Patterned with lush illustrations of bright red tomatoes, crisp green apples, and golden sunflowers—then neatly finished with a color-coordinated hand-stitched trim—each tea towel, placemat, and napkin pays homage to the hours we spend doting over our gardens. For Traditional TransferwarePrior TimeThere’s lots to love about this Massachusetts antiques shop, which admittedly skews slightly cottagecorebut the standout, for us, is the seller’s superior selection of dinner and serving ware. In addition to a lovely lot of mottled white ironstone platters and pitchers, you’ll find a curated mix of Ridgeway and Wedgwood transferware dishes in not only classic cobalt blue, but beautiful browns, greens, and purples, too.Becky Luigart-Stayner for Country LivingPretty brown transferware could be yours with one quick "add to cart."For Folk Art for Your FloorsKinFolk ArtworkDesigned by a West Virginia watercolor and oils artist with a penchant for painting the past, these silky chenille floor mats feature an original cast of colonial characters and folksy scenes modeled after heirloom textiles from the 18th and 19th centuries. Expect lots of early American and patriotic motifs, including old-fashioned flags, Pennsylvania Dutch fraktur, equestrian vignettes, and colonial house samplers—each made to mimic a vintage hooked rug for that cozy, homespun feeling.For Historical ReproductionsSchooner Bay Co.Even in the most painstakingly appointed interior, buying antique originals isn’t always an option. And that’s where this trusted Pennsylvania-based retailer for historical reproductions comes in. Offering a colossal collection of framed art prints, decorative trays, and brass objects, these connoisseurs of the classics have decor for every old-timey aesthetic, whether it’s fox hunt prints for your cabin, Dutch landscapes for your cottage, or primitive animal portraits for your farmstead.For General Store StaplesFarmhouse EclecticsHand-plucked from New England antique shops, estate sales, and auctions, the salvaged sundries from this Massachusetts-based supplierare the type you might spy in an old country store—wooden crates emblazoned with the names of local dairies, antique apple baskets, seed displays, signs, and scales. Whether you’re setting up your farmstand or styling your entryway, you’ll have plenty of storage options and authentic accents to pick from here. Becky Luigart-Stayner for Country LivingSo many food scales, so little time.Related StoriesJackie BuddieJackie Buddie is a freelance writer with more than a decade of editorial experience covering lifestyle topics including home decor how-tos, fashion trend deep dives, seasonal gift guides, and in-depth profiles of artists and creatives around the globe. She holds a degree in journalism from the University of North Carolina at Chapel Hill and received her M.F.A. in creative writing from Boston University. Jackie is, among other things, a collector of curiosities, Catskills land caretaker, dabbling DIYer, day hiker, and mom. She lives in the hills of Bovina, New York, with her family and her sweet-as-pie rescue dog. #best #hiddengem #etsy #shops #fans
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    The Best Hidden-Gem Etsy Shops for Fans of Farmhouse Style
    Becky Luigart-Stayner for Country LivingCountry Living editors select each product featured. If you buy from a link, we may earn a commission. Why Trust Us?Like a well-made quilt, a classic farmhouse aesthetic comes together gradually—a little bit of this, a touch of that. Each addition is purposeful and personal—and isn’t that what home is all about, really? If this type of slowed-down style speaks to you, you're probably already well aware that Etsy is a treasure trove of finds both new and old to fit your timeless farmhouse aesthetic. But with more than eight million active sellers on its marketplace, sometimes the possibilities—vintage feed sacks! primitive pie safes! galvanized grain scoops!—can quickly go from enticing to overwhelming.To better guide your search for the finest farmhouse furnishings, we’ve gathered a go-to list of editor-and designer-beloved Etsy shops which, time and again, turn out hardworking, homespun pieces of heirloom quality. From beautiful antique bureaus to hand-block-printed table linens, the character-rich wares from these sellers will help you design the farmhouse of your dreams, piece by precious piece. Related Stories For Antique AmericanaAcorn and Alice Every good old-fashioned farmhouse could use some traditional Americana to set the tone, and this Pennsylvania salvage shop offers rustic touches loaded with authentic antique allure. Aged wooden wares abound (think vintage milk crates, orchard fruit baskets, and berry boxes), as well as a grab bag of cotton and burlap feed sacks, perfect for framing as sets or crafting into footstool covers or throw pillows. For French Country TextilesForest and LinenThere’s nothing quite like breezy natural fabrics to make you want to throw open all the windows and let that country air in while the pie cools. Unfussy and lightweight, the hand-crafted curtains, bedding, and table linens from these Lithuanian textile experts have a classic understated quality that would be right at home in the coziest guest room or most bustling kitchen. Warm, welcoming hues range from marigold yellow to cornflower blue, but soft gingham checkers and timeless French ticking feel especially farm-fresh. Our current favorite? These cherry-striped country cafe curtains. Becky Luigart-Stayner for Country LivingVintage red torchons feel right at home in a farmhouse kitchenFor Rustic RugsOld New HouseWhether or not you’re lucky enough to have gorgeous wide-plank floors, an antique area rug or runner can work wonders for giving a room instant character and warmth. This fifth-generation family-run retailer specializes in importing heirloom hand-knotted carpets dating back to the 1800s, with a focus on traditional designs from the masters in Turkey, India, Persia, and more. Their vast variety of sizes and styles offers something for every aesthetic, with one-of-a-kind patterns ranging from distressed neutrals to chain-stitched florals to ornate arabesques. For Pillows and ProvisionsHabitation BohemeIn true farmhouse fashion, this Indiana shop has curated an enticing blend of handcrafted and vintage homewares that work effortlessly well together. A line of cozy hand-stitched linen pillow covers (patterned with everything from block-printed blossoms to provincial pinstripes) sits prettily alongside a mix of found objects, from patinated brass candlesticks and etched cloisonné vases to sturdy stoneware crockery and woven wicker baskets. For Elegant Everyday DishwareConvivial ProductionSimple, yet undeniably stunning, the handcrafted dinnerware from this Missouri-based ceramist is designed with durability in mind. Produced in a single, time-tested shade of ivory white glaze, these practical stoneware cups, bowls, and plates make the perfect place settings for lively farm-to-table feasts with friends and family. Beautifully balancing softness and heft, each dish is meant to feel comfortable when being held and passed, but also to look attractive when stacked upon open shelving. For English Country Antiques1100 West Co.This Illinois antiques shop is stocked with all manner of versatile vintage vessels culled from the English countryside, from massive stoneware crocks to charming little escargot pots. Their collection of neutral containers can be adapted for nearly any provincial purpose (envision white ironstone pitchers piled high with fresh-picked hyacinths, or glass canning jars holding your harvest grains), but we especially love their assortment of old advertising—from toothpaste pots to marmalade jars and ginger beer bottles galore—for a nice little nod to the quintessential country practice of repurposing what you’ve got. Brian Woodcock/Country LivingPretty English ironstone will always have our heart.For a Cozy GlowOlde Brick LightingConstructed by hand from cord to shade, the vintage-inspired lighting produced by this Pennsylvania retailer is a tribute to the iconic quality and character of old American fixtures. Nostalgic design elements include hand-blown glass (crafted using cast-iron molds from over 80 years ago) and finishes ranging from matte black to brushed nickel and antique brass. To create an authentic farmhouse ambiance, check out their gooseneck sconces, enameled red and blue barn lights, and milky white striped schoolhouse flush mounts. For Enduring ArtifactsThrough the PortholeThe weathered, artisan-made wares curated by this California husband-and-wife duo have been hand-selected from around the globe for their time-etched character. From gorgeous gray-black terracotta vases and rust-colored Turkish clay pots to patinated brass cow bells and rustic reclaimed elm stools, each item is a testament to the lasting beauty of classic materials, with storied sun-bleaching and scratches befitting the most beloved, lived-in rooms. For Winsome Wall ArtEugenia Ciotola ArtThrough graceful brushstrokes and textural swirls of paint, Maryland-based artist Eugenia Ciotola has captured the natural joy of a life that’s simple and sweet. Her pieces celebrate quiet scenes of bucolic beauty, from billowing bouquets of peonies to stoic red barns sitting in fields of wavy green. For a parlor gallery or gathering space, we gravitate toward her original oils on canvas—an impasto still life, perhaps, or a plainly frocked maiden carrying a bountiful bowl of lemons—while her stately farm animal portraits (regal roosters! ruff collared geese!) would look lovely in a child’s nursery.For Time-Tested Storage SolutionsMaterials DivisionFunction is forefront for this farmhouse supplier operating out of New York, whose specialized selection of vintage provisions have lived out dutiful lives of purpose. Standouts include a curated offering of trusty antique tool boxes and sturdy steel-clad trunks whose rugged patina tells the story of many-a household project. Meanwhile, a hardworking mix of industrial wire and woven wood gathering baskets sits handsomely alongside heavy-duty galvanized garbage bins and antique fireplace andirons.For Pastoral PrimitivesComfort Work RoomFull of history and heritage, the old, hand-fabricated furnishings and primitive wooden tools in this unique Ukrainian antique shop are rural remnants of simpler times gone by. Quaint kitchen staples like chippy chiseled spoons, scoops, and cutting boards make an accessible entry point for the casual collector, while scuffed up dough troughs, butter churns, washboards, and barrels are highly desirable conversation pieces for any antique enthusiast who’s dedicated to authentic detail. Becky Luigart-Stayner for Country LivingAntique washboards make for on-theme wall art in a laundry roomFor Heirloom-Quality CoverletsBluegrass QuiltsNo layered farmhouse look would be complete without the homey, tactile touch of a hand-pieced quilt or two draped intentionally about the room. From harvest-hued sawtooth stars to playful patchwork pinwheels, each exquisite blanket from this Kentucky-based artisan is slow-crafted in traditional fashion from 100% cotton materials, and can even be custom stitched from scratch to match your personal color palette and decorative purpose. For a classic country aesthetic, try a log cabin, double diamond, or star patch pattern. For Hand-Crafted GiftsSelselaFeaturing a busy barnyard’s worth of plucky chickens, cuddly sheep, and happy little Holstein cows, this Illinois woodworker’s whimsical line of farm figurines and other giftable goodies (think animal wine stoppers, keychains, fridge magnets, and cake toppers) is chock-full of hand-carved charm. Crafted from 100% recycled birch and painted in loving detail, each creature has a deliberately rough-hewn look and feel worthy of any cozy and collected home. For Open-Concept CabinetryFolkhausA hallmark of many modern farmhouses, open-concept shelving has become a stylish way to show that the practical wares you use everyday are the same ones you’re proud to put on display. With their signature line of bracketed wall shelves, Shaker-style peg shelves, and raw steel kitchen rails, the team at Folkhaus has created a range of open storage solutions that beautifully balances elevated design and rustic utility. Rounding out their collection is a selection of open-shelved accent pieces like bookcases, benches, and console tables—each crafted from character-rich kiln-dried timber and finished in your choice of stain.Related StoryFor Antique Farmhouse FurnitureCottage Treasures LVThe foundation of a well-furnished farmhouse often begins with a single prized piece. Whether it’s a slant-front desk, a primitive jelly cabinet, or a punched-tin pie safe, this established New York-based dealer has a knack for sourcing vintage treasures with the personality and presence to anchor an entire space. Distressed cupboards and cabinets may be their bread and butter (just look at this two-piece pine hutch!) but you’ll also find a robust roundup of weathered farm tables, Windsor chairs, and blanket chests—and currently, even a rare 1500s English bench. For Lively Table LinensMoontea StudioAs any devotee of slow decorating knows, sometimes it’s the little details that really bring a look home. For a spot of cheer along with your afternoon tea, we love the hand-stamped table linens from this Washington-based printmaker, which put a peppy, modern spin on farm-fresh produce. Patterned with lush illustrations of bright red tomatoes, crisp green apples, and golden sunflowers—then neatly finished with a color-coordinated hand-stitched trim—each tea towel, placemat, and napkin pays homage to the hours we spend doting over our gardens. For Traditional TransferwarePrior TimeThere’s lots to love about this Massachusetts antiques shop, which admittedly skews slightly cottagecore (the pink Baccarat perfume bottles! the hobnail milk glass vases! the huge primitive bread boards!) but the standout, for us, is the seller’s superior selection of dinner and serving ware. In addition to a lovely lot of mottled white ironstone platters and pitchers, you’ll find a curated mix of Ridgeway and Wedgwood transferware dishes in not only classic cobalt blue, but beautiful browns, greens, and purples, too.Becky Luigart-Stayner for Country LivingPretty brown transferware could be yours with one quick "add to cart."For Folk Art for Your FloorsKinFolk ArtworkDesigned by a West Virginia watercolor and oils artist with a penchant for painting the past, these silky chenille floor mats feature an original cast of colonial characters and folksy scenes modeled after heirloom textiles from the 18th and 19th centuries. Expect lots of early American and patriotic motifs, including old-fashioned flags, Pennsylvania Dutch fraktur, equestrian vignettes, and colonial house samplers—each made to mimic a vintage hooked rug for that cozy, homespun feeling. (We have to admit, the folk art-inspired cow and chicken is our favorite.)For Historical ReproductionsSchooner Bay Co.Even in the most painstakingly appointed interior, buying antique originals isn’t always an option (don’t ask how many times we’ve been outbid at an estate auction). And that’s where this trusted Pennsylvania-based retailer for historical reproductions comes in. Offering a colossal collection of framed art prints, decorative trays, and brass objects (think magnifying glasses, compasses, paperweights, and letter openers), these connoisseurs of the classics have decor for every old-timey aesthetic, whether it’s fox hunt prints for your cabin, Dutch landscapes for your cottage, or primitive animal portraits for your farmstead.For General Store StaplesFarmhouse EclecticsHand-plucked from New England antique shops, estate sales, and auctions, the salvaged sundries from this Massachusetts-based supplier (who grew up in an 1850s farmhouse himself) are the type you might spy in an old country store—wooden crates emblazoned with the names of local dairies, antique apple baskets, seed displays, signs, and scales. Whether you’re setting up your farmstand or styling your entryway, you’ll have plenty of storage options and authentic accents to pick from here. Becky Luigart-Stayner for Country LivingSo many food scales, so little time.Related StoriesJackie BuddieJackie Buddie is a freelance writer with more than a decade of editorial experience covering lifestyle topics including home decor how-tos, fashion trend deep dives, seasonal gift guides, and in-depth profiles of artists and creatives around the globe. She holds a degree in journalism from the University of North Carolina at Chapel Hill and received her M.F.A. in creative writing from Boston University. Jackie is, among other things, a collector of curiosities, Catskills land caretaker, dabbling DIYer, day hiker, and mom. She lives in the hills of Bovina, New York, with her family and her sweet-as-pie rescue dog.
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  • 48 Rustic Living Room Ideas For the Coziest Family Space

    With its comfortable, laid-back decorating vibes, no room says “come and sit awhile” or “aah, I’m home” quite like a beautifully inviting rustic and cozy living room. Whether you live in a farmhouse, cabin, cottage, a new-build in the suburbs, or even a city apartment—rustic living room ideas bring a certain homespun style that ranges from downright traditional to modern and chic.Here at Country Living, we’ve discovered that the very best classic and country rustic living room ideas begin with good ol’ tried-and-true character-rich decor. We're talking reclaimed wood, stone focal points, and a casual mix of natural textures and materials. More modern rustic living room ideas include a less-is-more approach with calming neutral color palettes and clean-lined furniture. Paint colors, fabrics, and accessories in grays, browns, and greens pulled from nature make for the just-right warmth—all simple rustic living room ideas at their finest. So relax and sink into our best country rustic living room ideas from some of our all-time favorite Country Living house tours!Here are more creative ways to make your home feel rustic and cozy:1Fill the Room With CharacterSean LitchfieldFrom floor to ceiling and wall to wall, this rustic living room packs in loads of character. Comfy leather and upholstered furniture, a vintage patterned rug, and a blue and yellow painted cupboard found on Facebook marketplace sit well together against a backdrop of rustic wood.2Source Local MaterialsLincoln BarbourIn this beautifully rustic Mississippi barn. the owners sourced local wood materials from a nearby military depot to clad the walls and ceiling, bringing maximum warmth and texture. Large windows let in loads of natural light during the day, while a chandelier and mounted sconces make for a romantic glow come nighttime.RELATED: These Wood Ceiling Ideas Bring Country Charm to Any RoomTOUR THE ENTIRE HOUSEAdvertisement - Continue Reading Below3Pick a Cozy Paint ColorAlpha Smoot for Country LivingThis cozy living room has a built-in warmth, thanks to saturated navy blue walls. Its handsomely worn floorboards, doors, mantel, and warming cabinet above the fireplace complement the dark blue beautifully. The fire and candlelight emit a magical glow.Get the Look:Wall Paint Color: Dark Navy by BehrTOUR THE ENTIRE HOUSE4Lay a Comfy RugSara Ligorria-TrampWhat's cozier than a roaring fire on a cool night? A soft, fuzzy rug in front of it! The fireplace features mantel made from a tree felled on-site and white Zellige tile. The artwork is a vintage find paired with a contemporary painting.TOUR THE ENTIRE HOUSEAdvertisement - Continue Reading Below5Embrace Log Cabin DetailsLisa FloodIn this stunning Wyoming log cabin, the family usually gathers in the wonderfully rustic great room. Its cozy factor is off the charts, thanks country decorating classics like unpainted log walls and beams, a woodburning stove, textural rugs, and a sweet swing that hangs from the ceiling. Get the Look:Swing: The Oak & Rope CompanyTOUR THE ENTIRE HOUSE6Wrap a Room in WoodMarta Xochilt PerezIn this rustic and cozy cabin, an original fieldstone fireplace creates the warmest welcome. A pair of cushy leather sofas piled with pillows blankets face off, anchoring the wood-wrapped space, and providing the perfect perches for game night. TOUR THE ENTIRE HOUSE Advertisement - Continue Reading Below7Build an Rustic Stone Accent WallMarta Xochilt Perez for Country LivingThis impressive wall of moss rock surrounds the fireplace. Chiseled stone corbels provide mantel supports. On cool nights, you can count on a roaring fire! Throughout the home, carved timbers, rough-cut stone, and walls of windows reflect a combination of the homeowners’ Scandinavian heritage and Irish roots.TOUR THE ENTIRE HOUSE8Go Big in a Small SpaceEmily FollowillThis tiny living room is packed with so much character. Designer James Farmer added decorative oomph with a large tobacco basket, an art-forward fireplace screen, and natural design elements like plants. Details like arranging the paneling on the diagonal to “point” upward enhance the vertical space. Says James, “Tall ceilings, bold plant arrangements, and large light fixtures have even more impact in a small home. Play with scale to find what feels right.” Advertisement - Continue Reading Below9Mix and Match FurnitureLincoln BarbourFor the ultimate collected-over-time vibe, forgo matching furniture. Here, a wingback chair and a spool chair look right at home in this living room. Other period-appropriate decor found in this 100-year-old home: painted paneled walls, exposed ceiling beams, and a rustic mantel wood.TOUR THE ENTIRE HOUSE 10Let There Be LightChristopher DibbleWe put this family room in the “rustic light” category. For a top-to-bottom cabin-like feel, designer Max Humphrey wrapped the space in eight-foot knotty pine planks on the ceiling and walls. A clear coat of polyurethane protects the wood while letting its natural color shine through. Colorful national park posters, globes, camp grounds signage, and a linen modern sectional create a hip yet homey living space.Advertisement - Continue Reading Below11Customize a Focal PointHomeowners Victoria and Marcus Ford’s vision of a custom wood fireplace surround included open shelves and striking floor-to-ceiling firewood nooks. “We figured go big or go home,” says Victoria. Brass sconces provide a library-like touch, and a custom frame has the TV looking picture-perfect above the mantel.Get the Look:Wall and Trim Paint: Endless Sea by Sherwin-WilliamsCeiling Paint: Oyster White by Sherwin-WilliamsTOUR THE ENTIRE SPACE12Incorporate Rustic Furniture FindsAnnie SchlechterTopped with a plaid cushion, a rustic yellow daybed nestled in the corner makes for the coziest spot to take in lake views. The 22-foot cathedral ceilings are clad in wood, warming up this lofty open-concept space designed by Amy Meier that also includes a dining area and kitchen.TOUR THE ENTIRE HOUSE Advertisement - Continue Reading Below13Paint the FloorsDane Tashima for Country LivingWhile the homeowners of this New Jersey dairy barn were able to salvage the structure’s original knotty beams, the walls and floors in the soaring 25-foot-high space needed to be replaced. Simple poplar planks painted white got the job done affordably. A new cast-iron pellet stove warms the space with a rustic, authentic look. Get the Look:Wall and Floor Paint Color: Alabaster by Sherwin-WilliamsTOUR THE ENTIRE HOUSE14Tell the BackstorySean LitchfieldWhere possible, the original Eastern Hemlock posts and beams of this 1819 Maine barn were carefully preserved when, in 1999, the structure was disassembled and then reassembled several miles down the road. Hand-split slabs of Maine graniteand brick were used to fabricate the massive woodburning fireplace. The walls and floors are lined in rough-hewn, nonuniform wood planks. The sofa table, made from an old piece of barn wood found on the farm, shows off collections of books, ceramics, and shells.Advertisement - Continue Reading Below15Use Old Materials for New BuildsBrie WilliamsIn this new build, reclaimed materials create instant patina for a warm and welcoming family room. Here’s what makes it rustic: reclaimed beams came from an 1800s mill in Massachusetts mill; log skins salvaged from old Midwest barns; North Carolina stone on the fireplace. A soft palette for the furniture and window treatments was inspired by the antique rug that covers the ottoman.TOUR THE ENTIRE HOUSE 16Balance Natural Wood with ColorNick JohnsonA pretty blue on the fireplace and in the fabrics balances the overall rustic vibe in this country house. “I wanted this room to feel rich and cozy and warm—the kind of place you’d sit by the fire to read a book,” says Erica Harrison of Detroit-based design firm Hudson and Sterling.TOUR THE ENTIRE HOUSEAdvertisement - Continue Reading Below17Make It WorkHelen NormanDespite the renovation challenges, this cozy sitting area situated just off the open kitchen works. The fireplace, which had to be rebuilt from the inside, was covered in stucco to balance all the exposed brick that was discovered underneath damaged drywall. For attic access, a ladder that was found in a barn on the property gets the job done in lieu of stairs. On the other side of the fireplace, a sturdy wooden bookshelf replaces an existing one that was crumbling.18Paint It WhiteZIO AND SONSFor the ultimate modern farmhouse vibe, start with an all-white palette, like in this home of designer Anthony D’Argenzio. This allows you to layer in character-rich architectural elements, like wide-planked wood floors and ceiling beams. A comfy sectional piled with pillows balances perfectly with hard elements, like the wood-and-iron coffee table, handmade oak stump side table, and a round iron chandelier. The hanging chair in the corner provides a wink to this serene design. RELATED: The Best Warm White Paint Colors For Every Room in Your HouseAdvertisement - Continue Reading Below19Leave Materials NaturalJames MerrellRustic meets cozy in this cabin that features walls constructed of hand-hewn logs, a stone fireplace, exposed ceiling beams, and a pair of comfy armchairs. Leaving all materials in their natural finish and unpainted contributes to the overall homespun feel.RELATED: The Best Places to Find or Buy Reclaimed Wood Near You20Choose Neutral FurnishingsSeth SmootIn this California living room, a comfortable collection of neutral furnishings complements the home’s rustic redwood walls. The solid sofa and barrel chairs that are upholstered in linen leave room for visual delights, like the wicker and fringe lamps, an antique rug, a patterned ottoman, and piles of pillows.Jennifer KopfJennifer Kopf is the Executive Editor of Country Living. She also covers antiques and collecting.Amy MitchellManaging EditorAmy Mitchell is the managing editor for VERANDA and Country Living, where she writes articles on a variety of topics—decorating and design, gardens, and holidays. Amy’s experience in the shelter magazine category spans more than 20 years, as she’s previously held positions at Coastal Living and Cottage Living. Her personal pursuits include cooking, gardening, and hunting her favorite tag sale spots for the next piece of Pyrex for her prized collection.
    #rustic #living #room #ideas #coziest
    48 Rustic Living Room Ideas For the Coziest Family Space
    With its comfortable, laid-back decorating vibes, no room says “come and sit awhile” or “aah, I’m home” quite like a beautifully inviting rustic and cozy living room. Whether you live in a farmhouse, cabin, cottage, a new-build in the suburbs, or even a city apartment—rustic living room ideas bring a certain homespun style that ranges from downright traditional to modern and chic.Here at Country Living, we’ve discovered that the very best classic and country rustic living room ideas begin with good ol’ tried-and-true character-rich decor. We're talking reclaimed wood, stone focal points, and a casual mix of natural textures and materials. More modern rustic living room ideas include a less-is-more approach with calming neutral color palettes and clean-lined furniture. Paint colors, fabrics, and accessories in grays, browns, and greens pulled from nature make for the just-right warmth—all simple rustic living room ideas at their finest. So relax and sink into our best country rustic living room ideas from some of our all-time favorite Country Living house tours!Here are more creative ways to make your home feel rustic and cozy:1Fill the Room With CharacterSean LitchfieldFrom floor to ceiling and wall to wall, this rustic living room packs in loads of character. Comfy leather and upholstered furniture, a vintage patterned rug, and a blue and yellow painted cupboard found on Facebook marketplace sit well together against a backdrop of rustic wood.2Source Local MaterialsLincoln BarbourIn this beautifully rustic Mississippi barn. the owners sourced local wood materials from a nearby military depot to clad the walls and ceiling, bringing maximum warmth and texture. Large windows let in loads of natural light during the day, while a chandelier and mounted sconces make for a romantic glow come nighttime.RELATED: These Wood Ceiling Ideas Bring Country Charm to Any RoomTOUR THE ENTIRE HOUSEAdvertisement - Continue Reading Below3Pick a Cozy Paint ColorAlpha Smoot for Country LivingThis cozy living room has a built-in warmth, thanks to saturated navy blue walls. Its handsomely worn floorboards, doors, mantel, and warming cabinet above the fireplace complement the dark blue beautifully. The fire and candlelight emit a magical glow.Get the Look:Wall Paint Color: Dark Navy by BehrTOUR THE ENTIRE HOUSE4Lay a Comfy RugSara Ligorria-TrampWhat's cozier than a roaring fire on a cool night? A soft, fuzzy rug in front of it! The fireplace features mantel made from a tree felled on-site and white Zellige tile. The artwork is a vintage find paired with a contemporary painting.TOUR THE ENTIRE HOUSEAdvertisement - Continue Reading Below5Embrace Log Cabin DetailsLisa FloodIn this stunning Wyoming log cabin, the family usually gathers in the wonderfully rustic great room. Its cozy factor is off the charts, thanks country decorating classics like unpainted log walls and beams, a woodburning stove, textural rugs, and a sweet swing that hangs from the ceiling. Get the Look:Swing: The Oak & Rope CompanyTOUR THE ENTIRE HOUSE6Wrap a Room in WoodMarta Xochilt PerezIn this rustic and cozy cabin, an original fieldstone fireplace creates the warmest welcome. A pair of cushy leather sofas piled with pillows blankets face off, anchoring the wood-wrapped space, and providing the perfect perches for game night. TOUR THE ENTIRE HOUSE Advertisement - Continue Reading Below7Build an Rustic Stone Accent WallMarta Xochilt Perez for Country LivingThis impressive wall of moss rock surrounds the fireplace. Chiseled stone corbels provide mantel supports. On cool nights, you can count on a roaring fire! Throughout the home, carved timbers, rough-cut stone, and walls of windows reflect a combination of the homeowners’ Scandinavian heritage and Irish roots.TOUR THE ENTIRE HOUSE8Go Big in a Small SpaceEmily FollowillThis tiny living room is packed with so much character. Designer James Farmer added decorative oomph with a large tobacco basket, an art-forward fireplace screen, and natural design elements like plants. Details like arranging the paneling on the diagonal to “point” upward enhance the vertical space. Says James, “Tall ceilings, bold plant arrangements, and large light fixtures have even more impact in a small home. Play with scale to find what feels right.” Advertisement - Continue Reading Below9Mix and Match FurnitureLincoln BarbourFor the ultimate collected-over-time vibe, forgo matching furniture. Here, a wingback chair and a spool chair look right at home in this living room. Other period-appropriate decor found in this 100-year-old home: painted paneled walls, exposed ceiling beams, and a rustic mantel wood.TOUR THE ENTIRE HOUSE 10Let There Be LightChristopher DibbleWe put this family room in the “rustic light” category. For a top-to-bottom cabin-like feel, designer Max Humphrey wrapped the space in eight-foot knotty pine planks on the ceiling and walls. A clear coat of polyurethane protects the wood while letting its natural color shine through. Colorful national park posters, globes, camp grounds signage, and a linen modern sectional create a hip yet homey living space.Advertisement - Continue Reading Below11Customize a Focal PointHomeowners Victoria and Marcus Ford’s vision of a custom wood fireplace surround included open shelves and striking floor-to-ceiling firewood nooks. “We figured go big or go home,” says Victoria. Brass sconces provide a library-like touch, and a custom frame has the TV looking picture-perfect above the mantel.Get the Look:Wall and Trim Paint: Endless Sea by Sherwin-WilliamsCeiling Paint: Oyster White by Sherwin-WilliamsTOUR THE ENTIRE SPACE12Incorporate Rustic Furniture FindsAnnie SchlechterTopped with a plaid cushion, a rustic yellow daybed nestled in the corner makes for the coziest spot to take in lake views. The 22-foot cathedral ceilings are clad in wood, warming up this lofty open-concept space designed by Amy Meier that also includes a dining area and kitchen.TOUR THE ENTIRE HOUSE Advertisement - Continue Reading Below13Paint the FloorsDane Tashima for Country LivingWhile the homeowners of this New Jersey dairy barn were able to salvage the structure’s original knotty beams, the walls and floors in the soaring 25-foot-high space needed to be replaced. Simple poplar planks painted white got the job done affordably. A new cast-iron pellet stove warms the space with a rustic, authentic look. Get the Look:Wall and Floor Paint Color: Alabaster by Sherwin-WilliamsTOUR THE ENTIRE HOUSE14Tell the BackstorySean LitchfieldWhere possible, the original Eastern Hemlock posts and beams of this 1819 Maine barn were carefully preserved when, in 1999, the structure was disassembled and then reassembled several miles down the road. Hand-split slabs of Maine graniteand brick were used to fabricate the massive woodburning fireplace. The walls and floors are lined in rough-hewn, nonuniform wood planks. The sofa table, made from an old piece of barn wood found on the farm, shows off collections of books, ceramics, and shells.Advertisement - Continue Reading Below15Use Old Materials for New BuildsBrie WilliamsIn this new build, reclaimed materials create instant patina for a warm and welcoming family room. Here’s what makes it rustic: reclaimed beams came from an 1800s mill in Massachusetts mill; log skins salvaged from old Midwest barns; North Carolina stone on the fireplace. A soft palette for the furniture and window treatments was inspired by the antique rug that covers the ottoman.TOUR THE ENTIRE HOUSE 16Balance Natural Wood with ColorNick JohnsonA pretty blue on the fireplace and in the fabrics balances the overall rustic vibe in this country house. “I wanted this room to feel rich and cozy and warm—the kind of place you’d sit by the fire to read a book,” says Erica Harrison of Detroit-based design firm Hudson and Sterling.TOUR THE ENTIRE HOUSEAdvertisement - Continue Reading Below17Make It WorkHelen NormanDespite the renovation challenges, this cozy sitting area situated just off the open kitchen works. The fireplace, which had to be rebuilt from the inside, was covered in stucco to balance all the exposed brick that was discovered underneath damaged drywall. For attic access, a ladder that was found in a barn on the property gets the job done in lieu of stairs. On the other side of the fireplace, a sturdy wooden bookshelf replaces an existing one that was crumbling.18Paint It WhiteZIO AND SONSFor the ultimate modern farmhouse vibe, start with an all-white palette, like in this home of designer Anthony D’Argenzio. This allows you to layer in character-rich architectural elements, like wide-planked wood floors and ceiling beams. A comfy sectional piled with pillows balances perfectly with hard elements, like the wood-and-iron coffee table, handmade oak stump side table, and a round iron chandelier. The hanging chair in the corner provides a wink to this serene design. RELATED: The Best Warm White Paint Colors For Every Room in Your HouseAdvertisement - Continue Reading Below19Leave Materials NaturalJames MerrellRustic meets cozy in this cabin that features walls constructed of hand-hewn logs, a stone fireplace, exposed ceiling beams, and a pair of comfy armchairs. Leaving all materials in their natural finish and unpainted contributes to the overall homespun feel.RELATED: The Best Places to Find or Buy Reclaimed Wood Near You20Choose Neutral FurnishingsSeth SmootIn this California living room, a comfortable collection of neutral furnishings complements the home’s rustic redwood walls. The solid sofa and barrel chairs that are upholstered in linen leave room for visual delights, like the wicker and fringe lamps, an antique rug, a patterned ottoman, and piles of pillows.Jennifer KopfJennifer Kopf is the Executive Editor of Country Living. She also covers antiques and collecting.Amy MitchellManaging EditorAmy Mitchell is the managing editor for VERANDA and Country Living, where she writes articles on a variety of topics—decorating and design, gardens, and holidays. Amy’s experience in the shelter magazine category spans more than 20 years, as she’s previously held positions at Coastal Living and Cottage Living. Her personal pursuits include cooking, gardening, and hunting her favorite tag sale spots for the next piece of Pyrex for her prized collection. #rustic #living #room #ideas #coziest
    WWW.COUNTRYLIVING.COM
    48 Rustic Living Room Ideas For the Coziest Family Space
    With its comfortable, laid-back decorating vibes, no room says “come and sit awhile” or “aah, I’m home” quite like a beautifully inviting rustic and cozy living room. Whether you live in a farmhouse, cabin, cottage, a new-build in the suburbs, or even a city apartment—rustic living room ideas bring a certain homespun style that ranges from downright traditional to modern and chic.Here at Country Living, we’ve discovered that the very best classic and country rustic living room ideas begin with good ol’ tried-and-true character-rich decor. We're talking reclaimed wood, stone focal points (there are so many rustic style living room ideas with cozy fireplaces!), and a casual mix of natural textures and materials (think wood and woven furniture, perfectly worn leather sofas, vintage wool rugs laid atop natural sisal). More modern rustic living room ideas include a less-is-more approach with calming neutral color palettes and clean-lined furniture. Paint colors, fabrics, and accessories in grays, browns, and greens pulled from nature make for the just-right warmth—all simple rustic living room ideas at their finest. So relax and sink into our best country rustic living room ideas from some of our all-time favorite Country Living house tours!Here are more creative ways to make your home feel rustic and cozy:1Fill the Room With CharacterSean LitchfieldFrom floor to ceiling and wall to wall, this rustic living room packs in loads of character. Comfy leather and upholstered furniture, a vintage patterned rug, and a blue and yellow painted cupboard found on Facebook marketplace sit well together against a backdrop of rustic wood.2Source Local MaterialsLincoln BarbourIn this beautifully rustic Mississippi barn. the owners sourced local wood materials from a nearby military depot to clad the walls and ceiling, bringing maximum warmth and texture. Large windows let in loads of natural light during the day, while a chandelier and mounted sconces make for a romantic glow come nighttime.RELATED: These Wood Ceiling Ideas Bring Country Charm to Any RoomTOUR THE ENTIRE HOUSEAdvertisement - Continue Reading Below3Pick a Cozy Paint ColorAlpha Smoot for Country LivingThis cozy living room has a built-in warmth, thanks to saturated navy blue walls (“It’s sort of a gentleman’s navy,” says homeowner Justin Reis). Its handsomely worn floorboards, doors, mantel, and warming cabinet above the fireplace complement the dark blue beautifully. The fire and candlelight emit a magical glow.Get the Look:Wall Paint Color: Dark Navy by BehrTOUR THE ENTIRE HOUSE4Lay a Comfy RugSara Ligorria-TrampWhat's cozier than a roaring fire on a cool night? A soft, fuzzy rug in front of it! The fireplace features mantel made from a tree felled on-site and white Zellige tile. The artwork is a vintage find paired with a contemporary painting.TOUR THE ENTIRE HOUSEAdvertisement - Continue Reading Below5Embrace Log Cabin DetailsLisa FloodIn this stunning Wyoming log cabin, the family usually gathers in the wonderfully rustic great room. Its cozy factor is off the charts, thanks country decorating classics like unpainted log walls and beams, a woodburning stove, textural rugs, and a sweet swing that hangs from the ceiling. Get the Look:Swing: The Oak & Rope CompanyTOUR THE ENTIRE HOUSE6Wrap a Room in WoodMarta Xochilt PerezIn this rustic and cozy cabin, an original fieldstone fireplace creates the warmest welcome. A pair of cushy leather sofas piled with pillows blankets face off, anchoring the wood-wrapped space, and providing the perfect perches for game night. TOUR THE ENTIRE HOUSE Advertisement - Continue Reading Below7Build an Rustic Stone Accent WallMarta Xochilt Perez for Country LivingThis impressive wall of moss rock surrounds the fireplace. Chiseled stone corbels provide mantel supports. On cool nights, you can count on a roaring fire! Throughout the home, carved timbers, rough-cut stone, and walls of windows reflect a combination of the homeowners’ Scandinavian heritage and Irish roots.TOUR THE ENTIRE HOUSE8Go Big in a Small SpaceEmily FollowillThis tiny living room is packed with so much character. Designer James Farmer added decorative oomph with a large tobacco basket, an art-forward fireplace screen, and natural design elements like plants. Details like arranging the paneling on the diagonal to “point” upward enhance the vertical space. Says James, “Tall ceilings, bold plant arrangements, and large light fixtures have even more impact in a small home. Play with scale to find what feels right.” Advertisement - Continue Reading Below9Mix and Match FurnitureLincoln BarbourFor the ultimate collected-over-time vibe, forgo matching furniture. Here, a wingback chair and a spool chair look right at home in this living room. Other period-appropriate decor found in this 100-year-old home: painted paneled walls, exposed ceiling beams, and a rustic mantel wood.TOUR THE ENTIRE HOUSE 10Let There Be Light (Wood)Christopher DibbleWe put this family room in the “rustic light” category. For a top-to-bottom cabin-like feel, designer Max Humphrey wrapped the space in eight-foot knotty pine planks on the ceiling and walls. A clear coat of polyurethane protects the wood while letting its natural color shine through (a stain would’ve darkened the room). Colorful national park posters, globes, camp grounds signage, and a linen modern sectional create a hip yet homey living space.Advertisement - Continue Reading Below11Customize a Focal PointHomeowners Victoria and Marcus Ford’s vision of a custom wood fireplace surround included open shelves and striking floor-to-ceiling firewood nooks (our favorite detail!). “We figured go big or go home,” says Victoria. Brass sconces provide a library-like touch, and a custom frame has the TV looking picture-perfect above the mantel.Get the Look:Wall and Trim Paint: Endless Sea by Sherwin-WilliamsCeiling Paint: Oyster White by Sherwin-WilliamsTOUR THE ENTIRE SPACE12Incorporate Rustic Furniture FindsAnnie SchlechterTopped with a plaid cushion, a rustic yellow daybed nestled in the corner makes for the coziest spot to take in lake views. The 22-foot cathedral ceilings are clad in wood, warming up this lofty open-concept space designed by Amy Meier that also includes a dining area and kitchen.TOUR THE ENTIRE HOUSE Advertisement - Continue Reading Below13Paint the FloorsDane Tashima for Country LivingWhile the homeowners of this New Jersey dairy barn were able to salvage the structure’s original knotty beams, the walls and floors in the soaring 25-foot-high space needed to be replaced. Simple poplar planks painted white got the job done affordably. A new cast-iron pellet stove warms the space with a rustic, authentic look. Get the Look:Wall and Floor Paint Color: Alabaster by Sherwin-WilliamsTOUR THE ENTIRE HOUSE14Tell the BackstorySean LitchfieldWhere possible, the original Eastern Hemlock posts and beams of this 1819 Maine barn were carefully preserved when, in 1999, the structure was disassembled and then reassembled several miles down the road. Hand-split slabs of Maine granite (some from the barn's original foundation) and brick were used to fabricate the massive woodburning fireplace. The walls and floors are lined in rough-hewn, nonuniform wood planks. The sofa table, made from an old piece of barn wood found on the farm, shows off collections of books, ceramics, and shells.Advertisement - Continue Reading Below15Use Old Materials for New BuildsBrie WilliamsIn this new build, reclaimed materials create instant patina for a warm and welcoming family room. Here’s what makes it rustic: reclaimed beams came from an 1800s mill in Massachusetts mill; log skins salvaged from old Midwest barns; North Carolina stone on the fireplace. A soft palette for the furniture and window treatments was inspired by the antique rug that covers the ottoman.TOUR THE ENTIRE HOUSE 16Balance Natural Wood with ColorNick JohnsonA pretty blue on the fireplace and in the fabrics balances the overall rustic vibe in this country house. “I wanted this room to feel rich and cozy and warm—the kind of place you’d sit by the fire to read a book,” says Erica Harrison of Detroit-based design firm Hudson and Sterling.TOUR THE ENTIRE HOUSEAdvertisement - Continue Reading Below17Make It WorkHelen NormanDespite the renovation challenges, this cozy sitting area situated just off the open kitchen works. The fireplace, which had to be rebuilt from the inside, was covered in stucco to balance all the exposed brick that was discovered underneath damaged drywall. For attic access, a ladder that was found in a barn on the property gets the job done in lieu of stairs. On the other side of the fireplace, a sturdy wooden bookshelf replaces an existing one that was crumbling.18Paint It WhiteZIO AND SONSFor the ultimate modern farmhouse vibe, start with an all-white palette, like in this home of designer Anthony D’Argenzio. This allows you to layer in character-rich architectural elements, like wide-planked wood floors and ceiling beams. A comfy sectional piled with pillows balances perfectly with hard elements, like the wood-and-iron coffee table, handmade oak stump side table, and a round iron chandelier. The hanging chair in the corner provides a wink to this serene design. RELATED: The Best Warm White Paint Colors For Every Room in Your HouseAdvertisement - Continue Reading Below19Leave Materials NaturalJames MerrellRustic meets cozy in this cabin that features walls constructed of hand-hewn logs, a stone fireplace, exposed ceiling beams, and a pair of comfy armchairs. Leaving all materials in their natural finish and unpainted contributes to the overall homespun feel.RELATED: The Best Places to Find or Buy Reclaimed Wood Near You20Choose Neutral FurnishingsSeth SmootIn this California living room, a comfortable collection of neutral furnishings complements the home’s rustic redwood walls. The solid sofa and barrel chairs that are upholstered in linen leave room for visual delights, like the wicker and fringe lamps, an antique rug, a patterned ottoman, and piles of pillows.Jennifer KopfJennifer Kopf is the Executive Editor of Country Living. She also covers antiques and collecting.Amy MitchellManaging EditorAmy Mitchell is the managing editor for VERANDA and Country Living, where she writes articles on a variety of topics—decorating and design, gardens, and holidays. Amy’s experience in the shelter magazine category spans more than 20 years, as she’s previously held positions at Coastal Living and Cottage Living. Her personal pursuits include cooking, gardening, and hunting her favorite tag sale spots for the next piece of Pyrex for her prized collection.
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  • Book Review: The Barrack, 1572-1914—Chapters in the History of Emergency Architecture

    Version 1.0.0
    By Robert Jan van PeltThe largest artifact in the touring exhibition Auschwitz. Not Long Ago. Not Far Away., currently on display at the ROM in Toronto, is a wooden barracks building. It’s from the Auschwitz-Monowitz camp, a satellite to Auschwitz created to provide slave labour to the IG Farben corporation for the construction of a synthetic rubber factory. 
    The discovery of a sister building, back in 2012, led exhibition chief curator and architectural historian Robert Jan van Pelt, University Professor at the Waterloo School of Architecture, on a research journey to write a comprehensive history of the barracks—temporary buildings that have not only housed prisoners, but also provided shelter for military servicemen and women, refugees, and natural disaster survivors. “Many people have experienced, for shorter or longer time periods, life in a barrack, and for all of them it represented life on the edge, for better or worse,” writes Van Pelt.
    Worm’s eye axonometric of Renkioi Hospital Barrack, a prefabricated hospital designed by Ismabard Kingdom Brunel for a site in Turkey, 1857.
    Van Pelt’s book criss-crosses with ease through architectural history, military history, and the history of medicine—all of which played crucial roles in the evolving development of this seemingly simple building type. The book is arranged in a dozen episodes, with the barrack at the centre of each, serving as an anchor point for unfolding the rich intellectual and historical context shaping the way these structures were developed and deployed. The book is richly illustrated with archival materials—a feat in itself, given that the documentation for temporary buildings, particularly before 1900, is scarce. These drawings, photos, and paintings are supplemented with 20 worm’s eye views of key buildings, carefully composed by a team of Waterloo architecture school students and alumni. 
    Thomas Thomaszoon, View of the headquarters of the Spanish in the Huis tea Kleef during the siege of Haarlem, 1572-73. Collection of Noord-Hollands Archief, Haarlem; courtesy Robert Jan van Pelt
    Like many vernacular buildings, temporary structures larger than a tent, designed to house soldiers in the field, have existed at least since Ancient Rome. One of the first visual accounts of barracks came centuries later, in the winter of 1572, when the Spanish laid siege to the Dutch city of Haarlem, and cartographer Thomas Thomaszoon sketched the position of dozens of Spain’s wood-and-straw structures outside the city. The siege was successful, but only a few years later, the Dutch Republic gained the upper hand. As part of the creation of a standing army, they began to develop more precise instructions for the layout of camps, including the construction of temporary barracks.
    Antoine-François Omet des Foucaux, Barrack constructed in Hendaye, France, 1793. From Jean-Charles Krafft, Plans, coupes et élévations de diverses productions de l’art de la charpente, 1805. Collection of Bilbliothèque Nationale de France, Paris. Courtesy Robert Jan van Pelt
    The Napoleonic army made use of barracks in both military camps and training camps; by the mid-1800s, the construction of various barrack types was detailed in field construction manuals issued to officers in many European armies.
    During the Crimean War, over 3,500 prefabricated barracks were manufactured in a Gloucester factory, as a solution to the appalling conditions at the front. But when the structures arrived at port, British forces were not able to unload and erect them—the materials for a single building weighed more than two tons, and each would require 60 horsesto transport to camp on the muddy roads. 
    The USArmy’s Lincoln Hospital, Washington, DC, 1865. Collection of Library of Congress, Washington, DC. Courtesy Robert Jan van Pelt
    Prefabrication was also used, with somewhat more success, towards the end of the conflict to erect field hospitals designed by British engineer Isambard Kingdom Brunel with a priority on cross-ventilation to limit the spread of disease. Low mortality rates from similar structures led to a continued preference for “barrack hospitals” based on groupings of low-slung, well-ventilated pavilions, rather than conceived as single grand structures. The model was further refined with the addition of primitive underfloor heating and ridge ventilation by former surgeon William A. Hammond for the Union Army during the American Civil War. 
    Barrack hospitals were constructed for civilian use, as well. Following the conclusion of the Franco-Prussian war, such designs were built to house patients with infectious diseases in Berlin and proposed as a means to bring professional medical care to Germany’s rural areas. A barracks-inspired hospital was built in Saint Petersburg, Russia, in 1889, and continues to be operational. 
    If the barrack as an accommodation for the sick is a progressive tale, the 19th-century history of the barrack is equally checkered by the building type’s use for prisoner accommodation, including in the penal colonies of Australia and French Guiana. In North America, barracks were used in an internment camp for Native American Dakotas, and Civil War-era Union barracks at Camp Douglas were used to house Confederate prisoners. The oldest preserved barrack in the world may be in Canada, at Grosse Isle national park. Here, barrack-style quarantine sheds were used to detain thousands of Irish immigrant families during the typhoid fever epidemic of 1846-47, and their damp, fetid conditions contributed to many deaths—an episode Van Pelt describes as a “blot on the national consciousness of Canada.”
    A single Doecker Hut contains an operation room, pharmacy and hospital management office. The prefabricated, portable hospitals were developed in 1885, and used around the world, including in the First World War. In America, they were marketed for managing epidemics in the wake of the 1892 typhus fever outbreak in New York. Courtesy Berlin State Library and Robert Jan van Pelt
     
    At the turn of the 19th century, the prefabricated portable barrack came to the fore with the manufacturing of the Doecker barracks, by Christoph & Unmack, a firm based in Copenhagen and Germany. Developed by a former military officer-turned-tentmaker, the technically sophisticated model used large rectangular frames that could be clipped together, and covered with “felt-cardboard”—dense felt pressed onto canvas and impregnated with linseed oil. The self-supporting structures proved easy to set up, dismount, and transport, making them suitable for both military applications—and, with little modification, for humanitarian aid. The Red Cross deployed Doecker barracks for use as field hospitals in Manchuria and Yokohama during the Russo-Japanese War. 
    The Barrack, 1572-1914 wraps up in in the early 20th century, but with the note that in the ensuing decades until 1945, millions of barracks were produced by many of the world’s major nations—and that most of these were erected in barbed-wire-ringed compounds. “This is the period in which tens if not hundreds of millions of people, many of whom were civilians, were forced to live in barracks, as refugees, as expellees, as civilian internees, as forced laborers, as prisoners or war, as concentration camp prisoners, and as people made homeless by the destruction wrought by war,” writes Van Pelt. Up until 1914, he notes, this building type largely carried a sense of achievement—an image that would change sharply with the Age of the Camps. But although a WWII barrack was responsible for instigating Van Pelt’s initial investigation, that time period will need to await a second volume on this simple building type with a rich, complex, and complicated history. 

     As appeared in the June 2025 issue of Canadian Architect magazine 

    The post Book Review: The Barrack, 1572-1914—Chapters in the History of Emergency Architecture appeared first on Canadian Architect.
    #book #review #barrack #15721914chapters #history
    Book Review: The Barrack, 1572-1914—Chapters in the History of Emergency Architecture
    Version 1.0.0 By Robert Jan van PeltThe largest artifact in the touring exhibition Auschwitz. Not Long Ago. Not Far Away., currently on display at the ROM in Toronto, is a wooden barracks building. It’s from the Auschwitz-Monowitz camp, a satellite to Auschwitz created to provide slave labour to the IG Farben corporation for the construction of a synthetic rubber factory.  The discovery of a sister building, back in 2012, led exhibition chief curator and architectural historian Robert Jan van Pelt, University Professor at the Waterloo School of Architecture, on a research journey to write a comprehensive history of the barracks—temporary buildings that have not only housed prisoners, but also provided shelter for military servicemen and women, refugees, and natural disaster survivors. “Many people have experienced, for shorter or longer time periods, life in a barrack, and for all of them it represented life on the edge, for better or worse,” writes Van Pelt. Worm’s eye axonometric of Renkioi Hospital Barrack, a prefabricated hospital designed by Ismabard Kingdom Brunel for a site in Turkey, 1857. Van Pelt’s book criss-crosses with ease through architectural history, military history, and the history of medicine—all of which played crucial roles in the evolving development of this seemingly simple building type. The book is arranged in a dozen episodes, with the barrack at the centre of each, serving as an anchor point for unfolding the rich intellectual and historical context shaping the way these structures were developed and deployed. The book is richly illustrated with archival materials—a feat in itself, given that the documentation for temporary buildings, particularly before 1900, is scarce. These drawings, photos, and paintings are supplemented with 20 worm’s eye views of key buildings, carefully composed by a team of Waterloo architecture school students and alumni.  Thomas Thomaszoon, View of the headquarters of the Spanish in the Huis tea Kleef during the siege of Haarlem, 1572-73. Collection of Noord-Hollands Archief, Haarlem; courtesy Robert Jan van Pelt Like many vernacular buildings, temporary structures larger than a tent, designed to house soldiers in the field, have existed at least since Ancient Rome. One of the first visual accounts of barracks came centuries later, in the winter of 1572, when the Spanish laid siege to the Dutch city of Haarlem, and cartographer Thomas Thomaszoon sketched the position of dozens of Spain’s wood-and-straw structures outside the city. The siege was successful, but only a few years later, the Dutch Republic gained the upper hand. As part of the creation of a standing army, they began to develop more precise instructions for the layout of camps, including the construction of temporary barracks. Antoine-François Omet des Foucaux, Barrack constructed in Hendaye, France, 1793. From Jean-Charles Krafft, Plans, coupes et élévations de diverses productions de l’art de la charpente, 1805. Collection of Bilbliothèque Nationale de France, Paris. Courtesy Robert Jan van Pelt The Napoleonic army made use of barracks in both military camps and training camps; by the mid-1800s, the construction of various barrack types was detailed in field construction manuals issued to officers in many European armies. During the Crimean War, over 3,500 prefabricated barracks were manufactured in a Gloucester factory, as a solution to the appalling conditions at the front. But when the structures arrived at port, British forces were not able to unload and erect them—the materials for a single building weighed more than two tons, and each would require 60 horsesto transport to camp on the muddy roads.  The USArmy’s Lincoln Hospital, Washington, DC, 1865. Collection of Library of Congress, Washington, DC. Courtesy Robert Jan van Pelt Prefabrication was also used, with somewhat more success, towards the end of the conflict to erect field hospitals designed by British engineer Isambard Kingdom Brunel with a priority on cross-ventilation to limit the spread of disease. Low mortality rates from similar structures led to a continued preference for “barrack hospitals” based on groupings of low-slung, well-ventilated pavilions, rather than conceived as single grand structures. The model was further refined with the addition of primitive underfloor heating and ridge ventilation by former surgeon William A. Hammond for the Union Army during the American Civil War.  Barrack hospitals were constructed for civilian use, as well. Following the conclusion of the Franco-Prussian war, such designs were built to house patients with infectious diseases in Berlin and proposed as a means to bring professional medical care to Germany’s rural areas. A barracks-inspired hospital was built in Saint Petersburg, Russia, in 1889, and continues to be operational.  If the barrack as an accommodation for the sick is a progressive tale, the 19th-century history of the barrack is equally checkered by the building type’s use for prisoner accommodation, including in the penal colonies of Australia and French Guiana. In North America, barracks were used in an internment camp for Native American Dakotas, and Civil War-era Union barracks at Camp Douglas were used to house Confederate prisoners. The oldest preserved barrack in the world may be in Canada, at Grosse Isle national park. Here, barrack-style quarantine sheds were used to detain thousands of Irish immigrant families during the typhoid fever epidemic of 1846-47, and their damp, fetid conditions contributed to many deaths—an episode Van Pelt describes as a “blot on the national consciousness of Canada.” A single Doecker Hut contains an operation room, pharmacy and hospital management office. The prefabricated, portable hospitals were developed in 1885, and used around the world, including in the First World War. In America, they were marketed for managing epidemics in the wake of the 1892 typhus fever outbreak in New York. Courtesy Berlin State Library and Robert Jan van Pelt   At the turn of the 19th century, the prefabricated portable barrack came to the fore with the manufacturing of the Doecker barracks, by Christoph & Unmack, a firm based in Copenhagen and Germany. Developed by a former military officer-turned-tentmaker, the technically sophisticated model used large rectangular frames that could be clipped together, and covered with “felt-cardboard”—dense felt pressed onto canvas and impregnated with linseed oil. The self-supporting structures proved easy to set up, dismount, and transport, making them suitable for both military applications—and, with little modification, for humanitarian aid. The Red Cross deployed Doecker barracks for use as field hospitals in Manchuria and Yokohama during the Russo-Japanese War.  The Barrack, 1572-1914 wraps up in in the early 20th century, but with the note that in the ensuing decades until 1945, millions of barracks were produced by many of the world’s major nations—and that most of these were erected in barbed-wire-ringed compounds. “This is the period in which tens if not hundreds of millions of people, many of whom were civilians, were forced to live in barracks, as refugees, as expellees, as civilian internees, as forced laborers, as prisoners or war, as concentration camp prisoners, and as people made homeless by the destruction wrought by war,” writes Van Pelt. Up until 1914, he notes, this building type largely carried a sense of achievement—an image that would change sharply with the Age of the Camps. But although a WWII barrack was responsible for instigating Van Pelt’s initial investigation, that time period will need to await a second volume on this simple building type with a rich, complex, and complicated history.   As appeared in the June 2025 issue of Canadian Architect magazine  The post Book Review: The Barrack, 1572-1914—Chapters in the History of Emergency Architecture appeared first on Canadian Architect. #book #review #barrack #15721914chapters #history
    WWW.CANADIANARCHITECT.COM
    Book Review: The Barrack, 1572-1914—Chapters in the History of Emergency Architecture
    Version 1.0.0 By Robert Jan van Pelt (Park Books, 2025) The largest artifact in the touring exhibition Auschwitz. Not Long Ago. Not Far Away., currently on display at the ROM in Toronto, is a wooden barracks building. It’s from the Auschwitz-Monowitz camp, a satellite to Auschwitz created to provide slave labour to the IG Farben corporation for the construction of a synthetic rubber factory.  The discovery of a sister building, back in 2012, led exhibition chief curator and architectural historian Robert Jan van Pelt, University Professor at the Waterloo School of Architecture, on a research journey to write a comprehensive history of the barracks—temporary buildings that have not only housed prisoners, but also provided shelter for military servicemen and women, refugees, and natural disaster survivors. “Many people have experienced, for shorter or longer time periods, life in a barrack, and for all of them it represented life on the edge, for better or worse,” writes Van Pelt. Worm’s eye axonometric of Renkioi Hospital Barrack, a prefabricated hospital designed by Ismabard Kingdom Brunel for a site in Turkey, 1857. Van Pelt’s book criss-crosses with ease through architectural history, military history, and the history of medicine—all of which played crucial roles in the evolving development of this seemingly simple building type. The book is arranged in a dozen episodes, with the barrack at the centre of each, serving as an anchor point for unfolding the rich intellectual and historical context shaping the way these structures were developed and deployed. The book is richly illustrated with archival materials—a feat in itself, given that the documentation for temporary buildings, particularly before 1900, is scarce. These drawings, photos, and paintings are supplemented with 20 worm’s eye views of key buildings, carefully composed by a team of Waterloo architecture school students and alumni.  Thomas Thomaszoon, View of the headquarters of the Spanish in the Huis tea Kleef during the siege of Haarlem, 1572-73. Collection of Noord-Hollands Archief, Haarlem; courtesy Robert Jan van Pelt Like many vernacular buildings, temporary structures larger than a tent, designed to house soldiers in the field, have existed at least since Ancient Rome. One of the first visual accounts of barracks came centuries later, in the winter of 1572, when the Spanish laid siege to the Dutch city of Haarlem, and cartographer Thomas Thomaszoon sketched the position of dozens of Spain’s wood-and-straw structures outside the city. The siege was successful, but only a few years later, the Dutch Republic gained the upper hand. As part of the creation of a standing army, they began to develop more precise instructions for the layout of camps, including the construction of temporary barracks. Antoine-François Omet des Foucaux, Barrack constructed in Hendaye, France, 1793. From Jean-Charles Krafft, Plans, coupes et élévations de diverses productions de l’art de la charpente, 1805. Collection of Bilbliothèque Nationale de France, Paris. Courtesy Robert Jan van Pelt The Napoleonic army made use of barracks in both military camps and training camps; by the mid-1800s, the construction of various barrack types was detailed in field construction manuals issued to officers in many European armies. During the Crimean War (1853-56), over 3,500 prefabricated barracks were manufactured in a Gloucester factory, as a solution to the appalling conditions at the front. But when the structures arrived at port, British forces were not able to unload and erect them—the materials for a single building weighed more than two tons, and each would require 60 horses (or 150 men) to transport to camp on the muddy roads.  The US (Union) Army’s Lincoln Hospital, Washington, DC, 1865. Collection of Library of Congress, Washington, DC. Courtesy Robert Jan van Pelt Prefabrication was also used, with somewhat more success, towards the end of the conflict to erect field hospitals designed by British engineer Isambard Kingdom Brunel with a priority on cross-ventilation to limit the spread of disease. Low mortality rates from similar structures led to a continued preference for “barrack hospitals” based on groupings of low-slung, well-ventilated pavilions, rather than conceived as single grand structures. The model was further refined with the addition of primitive underfloor heating and ridge ventilation by former surgeon William A. Hammond for the Union Army during the American Civil War (1861-65).  Barrack hospitals were constructed for civilian use, as well. Following the conclusion of the Franco-Prussian war (1870-71), such designs were built to house patients with infectious diseases in Berlin and proposed as a means to bring professional medical care to Germany’s rural areas. A barracks-inspired hospital was built in Saint Petersburg, Russia, in 1889, and continues to be operational.  If the barrack as an accommodation for the sick is a progressive tale, the 19th-century history of the barrack is equally checkered by the building type’s use for prisoner accommodation, including in the penal colonies of Australia and French Guiana. In North America, barracks were used in an internment camp for Native American Dakotas, and Civil War-era Union barracks at Camp Douglas were used to house Confederate prisoners. The oldest preserved barrack in the world may be in Canada, at Grosse Isle national park. Here, barrack-style quarantine sheds were used to detain thousands of Irish immigrant families during the typhoid fever epidemic of 1846-47, and their damp, fetid conditions contributed to many deaths—an episode Van Pelt describes as a “blot on the national consciousness of Canada.” A single Doecker Hut contains an operation room, pharmacy and hospital management office. The prefabricated, portable hospitals were developed in 1885, and used around the world, including in the First World War. In America, they were marketed for managing epidemics in the wake of the 1892 typhus fever outbreak in New York. Courtesy Berlin State Library and Robert Jan van Pelt   At the turn of the 19th century, the prefabricated portable barrack came to the fore with the manufacturing of the Doecker barracks, by Christoph & Unmack, a firm based in Copenhagen and Germany. Developed by a former military officer-turned-tentmaker, the technically sophisticated model used large rectangular frames that could be clipped together, and covered with “felt-cardboard”—dense felt pressed onto canvas and impregnated with linseed oil. The self-supporting structures proved easy to set up, dismount, and transport, making them suitable for both military applications—and, with little modification, for humanitarian aid. The Red Cross deployed Doecker barracks for use as field hospitals in Manchuria and Yokohama during the Russo-Japanese War (1904-05).  The Barrack, 1572-1914 wraps up in in the early 20th century, but with the note that in the ensuing decades until 1945, millions of barracks were produced by many of the world’s major nations—and that most of these were erected in barbed-wire-ringed compounds. “This is the period in which tens if not hundreds of millions of people, many of whom were civilians, were forced to live in barracks, as refugees, as expellees, as civilian internees, as forced laborers, as prisoners or war, as concentration camp prisoners, and as people made homeless by the destruction wrought by war,” writes Van Pelt. Up until 1914, he notes, this building type largely carried a sense of achievement—an image that would change sharply with the Age of the Camps. But although a WWII barrack was responsible for instigating Van Pelt’s initial investigation, that time period will need to await a second volume on this simple building type with a rich, complex, and complicated history.   As appeared in the June 2025 issue of Canadian Architect magazine  The post Book Review: The Barrack, 1572-1914—Chapters in the History of Emergency Architecture appeared first on Canadian Architect.
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  • The Verge’s 2025 Father’s Day gift guide

    For some people, note-taking is serious, serious business. That’s why your dad’s great ideas, errant thoughts, to-do lists, and appointments deserve a worthy notebook. Traveler’s leather-bound travel journals are great for jotting down all of the above, especially since they come in a slew of sizes.at Traveler’s CompanyWhether your dad is a fan of the Indiana Jones flicks or he digs MachineGames’ excellent Wolfenstein titles, there’s plenty to like in The Great Circle. The first-person exploration game lets you crack the whip, punch Nazis, and traverse the globe to retrieve precious relics. It’s good fun.Anker Laptop Power Bank% offThere are plenty of portable batteries out there, but few are as versatile and powerful as Anker’s 25,000mAh Laptop Power Bank. The handy pack features two built-in, retractable USB-C cables — one of which serves as a lanyard — allowing you to quickly charge most devices on the go.Backbone ProThe best mobile controller is the Backbone Pro. It retains the same overall design and feel as the company’s cheaper model, only with some comfort-boosting improvements. It also features a built-in battery and Bluetooth support, so your dad can use it for gaming on his TV, computer, VR headset, or handheld PC.at Best Buyat BackboneAncel AD410 OBD2 Scanner Professional Diagnostic Scanner% offThe more ways you know how to diagnose a possible issue with your car, the less time you’ll spend at the mechanic. Ancel’s diagnostic scanner plugs into the OBD2 port found in most US cars dating back to ’96, letting you see exactly why certain lights on your dash keep popping up.at AncelSony WH-1000XM6% offThe latest iteration of Sony’s best-in-class noise-canceling headphones has finally arrived. The newfangled XM6 make subtle improvements to every facet, from sound quality to comfort to ANC, while wisely bringing back the foldable design last seen on the last-gen XM4.Hoto SnapBloq System% offHoto’s modus operandi is to make svelte, handsome tools, with the SnapBloq being its sleekest yet. Buying all three sets — which, as the name implies, snap together to form a block — nets you a precision screwdriver, drill pen, and rotary tool, all of which are rechargeable. Dad may already own enough tools, but we bet they don’t look nearly as good as these do.at HotoSatechi Vegan-Leather Magnetic Wallet Stand% offSatechi’s MagSafe-ready wallet addresses two specific needs that may make it a must-have for some dads: it’s crafted from vegan leather, and it doubles as a kickstand. That means the durable wallet provides a hands-free way to watch videos or hop on a call, whether you place it in portrait or landscape mode. AirPods 4% offMost of Apple’s high-end earbud tech can be found in the AirPods 4, which cost significantly less than the latest Pro model. They’re relatively small, offer great sound, and even support USB-C charging, making them a great pick if you can do without active noise cancellation.James% offPercival Everett’s first work of fiction earned him the Pulitzer this year — and it’s no surprise. The bold 2024 tale serves as a reworking of Huck Finn as told by the enslaved man who travels with him down the Mississippi, and although it’s dead serious at times due to the subject matter, it’s also inventive, poetic, and surprisingly funny.Xiaomi Sound Pocket% offXiaomi doesn’t have as much of a presence in the US as it does globally, but thankfully, the classy Sound Pocket is readily available. The compact Bluetooth speaker supports hands-free calling with its built-in microphone, and its IP67 rating means it can even handle some water — so long as you don’t submerge it for too long.at WalmartWhile writing Cat’s Cradle, Kurt Vonnegut needed to pay the bills, so he tried his hand at making board games. His creation, a tactical war-themed tabletop game called GHQ, never saw the light of day — that is, until recently. Needless to say, the two-player game is a great title for Vonnegut fans and scholars alike.at Barnes & Nobleat Kurt Vonnegut’s GHQ Museum and LibraryThe Forerunner 570 has no business looking as good as it does for a running watch. Garmin’s new wearable features a bright OLED display, a slick translucent band, and several new features, including skin temperature sensors and a built-in speaker / mic. The only real question is what size to get for dear ol’ dad: 42mm or 47mm?Magic: The Gathering isn’t as difficult to get into as you might think, and the Final Fantasy-themed expansion might be the perfect place to start. The upcoming collection has sent the internet into a proverbial spiral, with many products selling out as a result of a very dedicated fan base. Lucky for dad, the entry-level starter kit is still readily available.Nitecore BB21 electric blower% offAll of dad’s precious tech is prone to dust and other debris, which can impact usability if left unchecked. Fortunately, with Nitecore’s rechargeable air blower as a companion, he can easily rid his mechanical keyboards and other tough-to-reach crannies of unwanted grime, ensuring all of his gadgets are in tip-top shape.Bon Iver’s Justin Vernon has come a long way from the fabled Wisconsin cabin where he supposedly holed up to record his debut. Sable, Fable, his latest LP, is a welcome kaleidoscope of sounds and feelings, from familiar strummers and beat-heavy ballads to the kind of sultry, R&B-flecked tracks that would make Prince swoon.Telepathic Instruments’ retrofuturist keyboard is a vibes machine, one designed for people who want to easily produce cool sounds. It only houses a few piano keys, but it has dedicated major, minor, and other inputs that let you get creative without necessarily having to know how to play.at Telepathic InstrumentsChef’n S’mores Roaster% offYou can effortlessly replicate the magic of making s’mores while camping with Chef’n’s small, safe machine. The contained flame on the tidy indoor / outdoor roaster is built to toast marshmallows, while its ceramic dome can melt chocolate onto graham crackers. All you’ll need to supply is a fuel can, plus all the s’mores ingredients you can muster.Panasonic 4K Blu-ray player% offLike all of us, your dad deserves to watch movies at the best possible resolution, which is where a 4K Blu-ray player comes in. Panasonic makes some of the best models you can buy, and when paired with the right TV, 4K Blu-rays look and sound better than even the most high-res streaming apps. Plus, it’s still fun to collect discs.If your dad’s shaving gadget repertoire is outdated, try treating him to a fantastic — and customizable — beard trimmer. Panasonic’s washable, wide-tipped model comes with 19 adjustable settings and can cut hair, too, just in case dad wants to keep a short ’do or touch up his sideburns.at PanasonicOntel Battery Daddy storage system% offMost modern gadgets are rechargeable via USB-C, but many households still rely on traditional batteries for all sorts of things. Your dad is sure to be impressed with your moxie when you gift him this deluxe battery organizer, which has dedicated compartments for coin cell batteries, large D-cell batteries, and all of the smaller sizes in between.Baseus Free2Pull Retractable USB-C Cable 100W% offMost people don’t want to wrangle cables… and who can blame them? Not us, which is why several folks at The Verge own Baseus’ handy, retractable USB-C option. The Free2Pull comes in two sizes, each of which conveniently pulls the excess cable into a small puck that’s far tidier and easier to manage than a loose cord.Most Lego creations occupy some desk or table space, which can be annoying if you’re trying to tidy up. However, every item from Lego’s Vincent van Gogh collection, which consists of several brick-ified paintings from the artist’s late-1800s heyday, can be assembled and then mounted to your wall.A massage gun is a gift that keeps on giving. When muscles and tendons are tight or sore, the Theragun Mini serves as a quick and easy remedy, allowing dad to get on with his day with less discomfort. The third-gen model is just a little smaller, making what was already an ultra-portable device even more compact.Birdfy Feeder 1% offLooking at birds is cool, and we’re all better off spending more time doing it. And while birdwatching typically requires patience and a decent pair of binoculars, you could summon birds with Birdfy’s entry-level smart feeder, which features a 1080p camera and an app that lets you view birds up close as they munch on seeds.Xreal One smart glassesThe Xreal One aren’t the most affordable augmented-reality glasses available, but they are some of the best for displaying movies and games on the go. You can connect them via USB-C to your smartphone, tablet, or handheld gaming PC, making the 84-gram spectacles the ultimate upgrade for both plane flights and your commute.at XrealTime Timer MOD% offA basic timer may seem like a thoughtless gift, but there are many tasks we procrastinate on every day that could be more easily managed if we dedicated a little bit of time to them. A visual Pomodoro timer, such as the colorful MOD, is key to helping break tasks into manageable chunks or take them on all at once.Nintendo Switch 2The Switch 2 could make for a stellar gift for any dad — that is, if you can manage to preorder one ahead of the console’s arrival on June 5th. Nintendo’s latest hybrid console packs a larger 7.9-inch 1080p display, magnetic Joy-Con controllers, and a host of other minor but welcome improvements that build upon what was already a winning formula.
    #verges #fathers #day #gift #guide
    The Verge’s 2025 Father’s Day gift guide
    For some people, note-taking is serious, serious business. That’s why your dad’s great ideas, errant thoughts, to-do lists, and appointments deserve a worthy notebook. Traveler’s leather-bound travel journals are great for jotting down all of the above, especially since they come in a slew of sizes.at Traveler’s CompanyWhether your dad is a fan of the Indiana Jones flicks or he digs MachineGames’ excellent Wolfenstein titles, there’s plenty to like in The Great Circle. The first-person exploration game lets you crack the whip, punch Nazis, and traverse the globe to retrieve precious relics. It’s good fun.Anker Laptop Power Bank% offThere are plenty of portable batteries out there, but few are as versatile and powerful as Anker’s 25,000mAh Laptop Power Bank. The handy pack features two built-in, retractable USB-C cables — one of which serves as a lanyard — allowing you to quickly charge most devices on the go.Backbone ProThe best mobile controller is the Backbone Pro. It retains the same overall design and feel as the company’s cheaper model, only with some comfort-boosting improvements. It also features a built-in battery and Bluetooth support, so your dad can use it for gaming on his TV, computer, VR headset, or handheld PC.at Best Buyat BackboneAncel AD410 OBD2 Scanner Professional Diagnostic Scanner% offThe more ways you know how to diagnose a possible issue with your car, the less time you’ll spend at the mechanic. Ancel’s diagnostic scanner plugs into the OBD2 port found in most US cars dating back to ’96, letting you see exactly why certain lights on your dash keep popping up.at AncelSony WH-1000XM6% offThe latest iteration of Sony’s best-in-class noise-canceling headphones has finally arrived. The newfangled XM6 make subtle improvements to every facet, from sound quality to comfort to ANC, while wisely bringing back the foldable design last seen on the last-gen XM4.Hoto SnapBloq System% offHoto’s modus operandi is to make svelte, handsome tools, with the SnapBloq being its sleekest yet. Buying all three sets — which, as the name implies, snap together to form a block — nets you a precision screwdriver, drill pen, and rotary tool, all of which are rechargeable. Dad may already own enough tools, but we bet they don’t look nearly as good as these do.at HotoSatechi Vegan-Leather Magnetic Wallet Stand% offSatechi’s MagSafe-ready wallet addresses two specific needs that may make it a must-have for some dads: it’s crafted from vegan leather, and it doubles as a kickstand. That means the durable wallet provides a hands-free way to watch videos or hop on a call, whether you place it in portrait or landscape mode. AirPods 4% offMost of Apple’s high-end earbud tech can be found in the AirPods 4, which cost significantly less than the latest Pro model. They’re relatively small, offer great sound, and even support USB-C charging, making them a great pick if you can do without active noise cancellation.James% offPercival Everett’s first work of fiction earned him the Pulitzer this year — and it’s no surprise. The bold 2024 tale serves as a reworking of Huck Finn as told by the enslaved man who travels with him down the Mississippi, and although it’s dead serious at times due to the subject matter, it’s also inventive, poetic, and surprisingly funny.Xiaomi Sound Pocket% offXiaomi doesn’t have as much of a presence in the US as it does globally, but thankfully, the classy Sound Pocket is readily available. The compact Bluetooth speaker supports hands-free calling with its built-in microphone, and its IP67 rating means it can even handle some water — so long as you don’t submerge it for too long.at WalmartWhile writing Cat’s Cradle, Kurt Vonnegut needed to pay the bills, so he tried his hand at making board games. His creation, a tactical war-themed tabletop game called GHQ, never saw the light of day — that is, until recently. Needless to say, the two-player game is a great title for Vonnegut fans and scholars alike.at Barnes & Nobleat Kurt Vonnegut’s GHQ Museum and LibraryThe Forerunner 570 has no business looking as good as it does for a running watch. Garmin’s new wearable features a bright OLED display, a slick translucent band, and several new features, including skin temperature sensors and a built-in speaker / mic. The only real question is what size to get for dear ol’ dad: 42mm or 47mm?Magic: The Gathering isn’t as difficult to get into as you might think, and the Final Fantasy-themed expansion might be the perfect place to start. The upcoming collection has sent the internet into a proverbial spiral, with many products selling out as a result of a very dedicated fan base. Lucky for dad, the entry-level starter kit is still readily available.Nitecore BB21 electric blower% offAll of dad’s precious tech is prone to dust and other debris, which can impact usability if left unchecked. Fortunately, with Nitecore’s rechargeable air blower as a companion, he can easily rid his mechanical keyboards and other tough-to-reach crannies of unwanted grime, ensuring all of his gadgets are in tip-top shape.Bon Iver’s Justin Vernon has come a long way from the fabled Wisconsin cabin where he supposedly holed up to record his debut. Sable, Fable, his latest LP, is a welcome kaleidoscope of sounds and feelings, from familiar strummers and beat-heavy ballads to the kind of sultry, R&B-flecked tracks that would make Prince swoon.Telepathic Instruments’ retrofuturist keyboard is a vibes machine, one designed for people who want to easily produce cool sounds. It only houses a few piano keys, but it has dedicated major, minor, and other inputs that let you get creative without necessarily having to know how to play.at Telepathic InstrumentsChef’n S’mores Roaster% offYou can effortlessly replicate the magic of making s’mores while camping with Chef’n’s small, safe machine. The contained flame on the tidy indoor / outdoor roaster is built to toast marshmallows, while its ceramic dome can melt chocolate onto graham crackers. All you’ll need to supply is a fuel can, plus all the s’mores ingredients you can muster.Panasonic 4K Blu-ray player% offLike all of us, your dad deserves to watch movies at the best possible resolution, which is where a 4K Blu-ray player comes in. Panasonic makes some of the best models you can buy, and when paired with the right TV, 4K Blu-rays look and sound better than even the most high-res streaming apps. Plus, it’s still fun to collect discs.If your dad’s shaving gadget repertoire is outdated, try treating him to a fantastic — and customizable — beard trimmer. Panasonic’s washable, wide-tipped model comes with 19 adjustable settings and can cut hair, too, just in case dad wants to keep a short ’do or touch up his sideburns.at PanasonicOntel Battery Daddy storage system% offMost modern gadgets are rechargeable via USB-C, but many households still rely on traditional batteries for all sorts of things. Your dad is sure to be impressed with your moxie when you gift him this deluxe battery organizer, which has dedicated compartments for coin cell batteries, large D-cell batteries, and all of the smaller sizes in between.Baseus Free2Pull Retractable USB-C Cable 100W% offMost people don’t want to wrangle cables… and who can blame them? Not us, which is why several folks at The Verge own Baseus’ handy, retractable USB-C option. The Free2Pull comes in two sizes, each of which conveniently pulls the excess cable into a small puck that’s far tidier and easier to manage than a loose cord.Most Lego creations occupy some desk or table space, which can be annoying if you’re trying to tidy up. However, every item from Lego’s Vincent van Gogh collection, which consists of several brick-ified paintings from the artist’s late-1800s heyday, can be assembled and then mounted to your wall.A massage gun is a gift that keeps on giving. When muscles and tendons are tight or sore, the Theragun Mini serves as a quick and easy remedy, allowing dad to get on with his day with less discomfort. The third-gen model is just a little smaller, making what was already an ultra-portable device even more compact.Birdfy Feeder 1% offLooking at birds is cool, and we’re all better off spending more time doing it. And while birdwatching typically requires patience and a decent pair of binoculars, you could summon birds with Birdfy’s entry-level smart feeder, which features a 1080p camera and an app that lets you view birds up close as they munch on seeds.Xreal One smart glassesThe Xreal One aren’t the most affordable augmented-reality glasses available, but they are some of the best for displaying movies and games on the go. You can connect them via USB-C to your smartphone, tablet, or handheld gaming PC, making the 84-gram spectacles the ultimate upgrade for both plane flights and your commute.at XrealTime Timer MOD% offA basic timer may seem like a thoughtless gift, but there are many tasks we procrastinate on every day that could be more easily managed if we dedicated a little bit of time to them. A visual Pomodoro timer, such as the colorful MOD, is key to helping break tasks into manageable chunks or take them on all at once.Nintendo Switch 2The Switch 2 could make for a stellar gift for any dad — that is, if you can manage to preorder one ahead of the console’s arrival on June 5th. Nintendo’s latest hybrid console packs a larger 7.9-inch 1080p display, magnetic Joy-Con controllers, and a host of other minor but welcome improvements that build upon what was already a winning formula. #verges #fathers #day #gift #guide
    WWW.THEVERGE.COM
    The Verge’s 2025 Father’s Day gift guide
    $45For some people, note-taking is serious, serious business. That’s why your dad’s great ideas, errant thoughts, to-do lists, and appointments deserve a worthy notebook. Traveler’s leather-bound travel journals are great for jotting down all of the above, especially since they come in a slew of sizes.$45 at Traveler’s Company (various sizes)$69Whether your dad is a fan of the Indiana Jones flicks or he digs MachineGames’ excellent Wolfenstein titles, there’s plenty to like in The Great Circle. The first-person exploration game lets you crack the whip, punch Nazis, and traverse the globe to retrieve precious relics. It’s good fun.Anker Laptop Power Bank$110$13519% off$110There are plenty of portable batteries out there, but few are as versatile and powerful as Anker’s 25,000mAh Laptop Power Bank. The handy pack features two built-in, retractable USB-C cables — one of which serves as a lanyard — allowing you to quickly charge most devices on the go.Backbone Pro$170$170The best mobile controller is the Backbone Pro. It retains the same overall design and feel as the company’s cheaper model, only with some comfort-boosting improvements. It also features a built-in battery and Bluetooth support, so your dad can use it for gaming on his TV, computer, VR headset, or handheld PC.$170 at Best Buy$170 at BackboneAncel AD410 OBD2 Scanner Professional Diagnostic Scanner$40$5020% off$40The more ways you know how to diagnose a possible issue with your car, the less time you’ll spend at the mechanic (sorry, mechanics). Ancel’s diagnostic scanner plugs into the OBD2 port found in most US cars dating back to ’96, letting you see exactly why certain lights on your dash keep popping up.$40 at Amazon (with Prime)$50 at AncelSony WH-1000XM6$448$4500% off$448The latest iteration of Sony’s best-in-class noise-canceling headphones has finally arrived. The newfangled XM6 make subtle improvements to every facet, from sound quality to comfort to ANC, while wisely bringing back the foldable design last seen on the last-gen XM4.Hoto SnapBloq System$216$30028% off$216Hoto’s modus operandi is to make svelte, handsome tools, with the SnapBloq being its sleekest yet. Buying all three sets — which, as the name implies, snap together to form a block — nets you a precision screwdriver, drill pen, and rotary tool, all of which are rechargeable. Dad may already own enough tools, but we bet they don’t look nearly as good as these do.$216 at Amazon$240 at HotoSatechi Vegan-Leather Magnetic Wallet Stand$28$4030% off$28Satechi’s MagSafe-ready wallet addresses two specific needs that may make it a must-have for some dads: it’s crafted from vegan leather, and it doubles as a kickstand. That means the durable wallet provides a hands-free way to watch videos or hop on a call, whether you place it in portrait or landscape mode. AirPods 4$119$1298% off$119Most of Apple’s high-end earbud tech can be found in the AirPods 4, which cost significantly less than the latest Pro model. They’re relatively small, offer great sound, and even support USB-C charging, making them a great pick if you can do without active noise cancellation.James$18$2836% off$18Percival Everett’s first work of fiction earned him the Pulitzer this year — and it’s no surprise. The bold 2024 tale serves as a reworking of Huck Finn as told by the enslaved man who travels with him down the Mississippi, and although it’s dead serious at times due to the subject matter, it’s also inventive, poetic, and surprisingly funny.Xiaomi Sound Pocket$27$3010% off$27Xiaomi doesn’t have as much of a presence in the US as it does globally, but thankfully, the classy Sound Pocket is readily available. The compact Bluetooth speaker supports hands-free calling with its built-in microphone, and its IP67 rating means it can even handle some water — so long as you don’t submerge it for too long.$27 at Amazon (with on-page coupon)$30 at Walmart (with on-page coupon)$35While writing Cat’s Cradle, Kurt Vonnegut needed to pay the bills, so he tried his hand at making board games. His creation, a tactical war-themed tabletop game called GHQ (General Headquarters), never saw the light of day — that is, until recently. Needless to say, the two-player game is a great title for Vonnegut fans and scholars alike.$35 at Barnes & Noble$35 at Kurt Vonnegut’s GHQ Museum and Library$550The Forerunner 570 has no business looking as good as it does for a running watch. Garmin’s new wearable features a bright OLED display, a slick translucent band, and several new features, including skin temperature sensors and a built-in speaker / mic. The only real question is what size to get for dear ol’ dad: 42mm or 47mm?$70Magic: The Gathering isn’t as difficult to get into as you might think, and the Final Fantasy-themed expansion might be the perfect place to start. The upcoming collection has sent the internet into a proverbial spiral, with many products selling out as a result of a very dedicated fan base. Lucky for dad, the entry-level starter kit is still readily available.Nitecore BB21 electric blower$65$707% off$65All of dad’s precious tech is prone to dust and other debris, which can impact usability if left unchecked. Fortunately, with Nitecore’s rechargeable air blower as a companion, he can easily rid his mechanical keyboards and other tough-to-reach crannies of unwanted grime, ensuring all of his gadgets are in tip-top shape.$31Bon Iver’s Justin Vernon has come a long way from the fabled Wisconsin cabin where he supposedly holed up to record his debut. Sable, Fable, his latest LP, is a welcome kaleidoscope of sounds and feelings, from familiar strummers and beat-heavy ballads to the kind of sultry, R&B-flecked tracks that would make Prince swoon.$450Telepathic Instruments’ retrofuturist keyboard is a vibes machine, one designed for people who want to easily produce cool sounds. It only houses a few piano keys, but it has dedicated major, minor, and other inputs that let you get creative without necessarily having to know how to play.$450 at Telepathic InstrumentsChef’n S’mores Roaster$50$7432% off$50You can effortlessly replicate the magic of making s’mores while camping with Chef’n’s small, safe machine. The contained flame on the tidy indoor / outdoor roaster is built to toast marshmallows, while its ceramic dome can melt chocolate onto graham crackers. All you’ll need to supply is a fuel can, plus all the s’mores ingredients you can muster.Panasonic 4K Blu-ray player (DP-UB420-K)$245$2502% off$245Like all of us, your dad deserves to watch movies at the best possible resolution, which is where a 4K Blu-ray player comes in. Panasonic makes some of the best models you can buy, and when paired with the right TV, 4K Blu-rays look and sound better than even the most high-res streaming apps. Plus, it’s still fun to collect discs.$125If your dad’s shaving gadget repertoire is outdated, try treating him to a fantastic — and customizable — beard trimmer. Panasonic’s washable, wide-tipped model comes with 19 adjustable settings and can cut hair, too, just in case dad wants to keep a short ’do or touch up his sideburns.$125 at Amazon$125 at PanasonicOntel Battery Daddy storage system$15$2025% off$15Most modern gadgets are rechargeable via USB-C, but many households still rely on traditional batteries for all sorts of things. Your dad is sure to be impressed with your moxie when you gift him this deluxe battery organizer, which has dedicated compartments for coin cell batteries, large D-cell batteries, and all of the smaller sizes in between.Baseus Free2Pull Retractable USB-C Cable 100W$10$2255% off$10Most people don’t want to wrangle cables… and who can blame them? Not us, which is why several folks at The Verge own Baseus’ handy, retractable USB-C option. The Free2Pull comes in two sizes, each of which conveniently pulls the excess cable into a small puck that’s far tidier and easier to manage than a loose cord.$200Most Lego creations occupy some desk or table space, which can be annoying if you’re trying to tidy up. However, every item from Lego’s Vincent van Gogh collection, which consists of several brick-ified paintings from the artist’s late-1800s heyday, can be assembled and then mounted to your wall.$220A massage gun is a gift that keeps on giving. When muscles and tendons are tight or sore, the Theragun Mini serves as a quick and easy remedy, allowing dad to get on with his day with less discomfort. The third-gen model is just a little smaller, making what was already an ultra-portable device even more compact.Birdfy Feeder 1$120$22045% off$120Looking at birds is cool, and we’re all better off spending more time doing it. And while birdwatching typically requires patience and a decent pair of binoculars, you could summon birds with Birdfy’s entry-level smart feeder, which features a 1080p camera and an app that lets you view birds up close as they munch on seeds.Xreal One smart glasses$499$499The Xreal One aren’t the most affordable augmented-reality glasses available, but they are some of the best for displaying movies and games on the go. You can connect them via USB-C to your smartphone, tablet, or handheld gaming PC, making the 84-gram spectacles the ultimate upgrade for both plane flights and your commute.$499 at Amazon$499 at XrealTime Timer MOD (Home Edition)$20$2520% off$20A basic timer may seem like a thoughtless gift, but there are many tasks we procrastinate on every day that could be more easily managed if we dedicated a little bit of time to them. A visual Pomodoro timer, such as the colorful MOD (Home Edition), is key to helping break tasks into manageable chunks or take them on all at once.Nintendo Switch 2$449$449The Switch 2 could make for a stellar gift for any dad — that is, if you can manage to preorder one ahead of the console’s arrival on June 5th. Nintendo’s latest hybrid console packs a larger 7.9-inch 1080p display, magnetic Joy-Con controllers, and a host of other minor but welcome improvements that build upon what was already a winning formula.
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  • Black Death Bacterium Evolved to be Less Aggressive to Kill Victims Slowly

    Co-lead author Ravneet Sidhu examines an ancient human tooth at the McMaster Ancient DNA Centre.NewsletterSign up for our email newsletter for the latest science newsA new study in Science suggests that changes in a gene in Yersinia pestis, the bacterium that causes plague, could’ve added to the length of two plague pandemics, including the pandemic that started with the “Black Death.” “Ours is one of the first research studies to directly examine changes in an ancient pathogen, one we still see today, in an attempt to understand what drives the virulence, persistence, and eventual extinction of pandemics,” said Hendrik Poinar, a study author and the director of the McMaster Ancient DNA Centre, according to a press release.The study suggests that less virulent plague bacteria could’ve caused longer plague pandemics — thanks to the fact that infected rodents livedfor longer periods of time before dying from their infections. Read More: Scientists Reveal the Black Death’s Origin StoryThe Three Plague PandemicsThe bacterium Y. pestis infects rodents and humans alike and has caused three main plague pandemics in humans, all of which continued for centuries after their initial outbreaks. The first began in the 500s; the second began in the 1300s; and the third started in the 1800s. Although all three pandemics were devastating at their outset, the second pandemic was by far the most severe. The Black Death, its initial outburst, killed around 30 to 50 percent of the population of Europe between 1347 and 1352 and — to this day — represents the deadliest disease wave in recorded history.To learn more about how these plague pandemics changed over time, scientists at McMaster University in Canada and the Institut Pasteur in France turned to a Y. pestis virulence gene known as pla. This gene is repeated many times throughout the Y. pestis genome, and it allows the bacterium to spread undetected throughout the bodies of infected individuals. A Gene and the PlagueTo investigate this gene, the scientists studied historical strains of Y. pestis from human remains and found that the number of repetitions of pla decreased over the course of the first and second plague pandemics. Then, the scientists tested Y. pestis bacteria from the third pandemic, infecting mice with three strains that had reduced repetitions of pla. “These three samples enabled us to analyze the biological impact of these pla gene deletions,” said Javier Pizarro-Cerdá, another study author and the director of the Yersinia Research Unit at the Institut Pasteur, according to the release.The results revealed that pla depletion decreases the virulence and increases the length of plague infections in mice. According to the study authors, these changes could have caused rodents to live longer in the later stages of the first and second pandemics, allowing them to spread their infections for a longer period. “It’s important to remember that plague was an epidemic of rats, which were the drivers of epidemics and pandemics. Humans were accidental victims. ” Poinar added in another press release.The Continued Threat of Y. PestisThough the pla depletion occurred around 100 years after the first and second pandemics began, the scientists stress that both changes were random and unrelated.“Our research sheds light on an interesting pattern in the evolutionary history of the plague. However, it is important to note that the majority of strains which continue to circulate today in Africa, the Americas, and Asia are highly virulent strains,” said Ravneet Sidhu, another study author and a Ph.D. student at the McMaster Ancient DNA Centre.Though still a threat to current populations, Y. pestis infections are much more manageable now as a result of modern diagnostics and treatments.“Today, the plague is a rare disease, but one that remains a public health concern and serves as a model for gaining a broad understanding of how pandemics emerge and become extinct. This example illustrates the balance of virulence a pathogen can adopt in order to spread effectively,” Pizarro-Cerdá said in the press release.Article SourcesOur writers at Discovermagazine.com use peer-reviewed studies and high-quality sources for our articles, and our editors review for scientific accuracy and editorial standards. Review the sources used below for this article:Science. Sam Walters is a journalist covering archaeology, paleontology, ecology, and evolution for Discover, along with an assortment of other topics. Before joining the Discover team as an assistant editor in 2022, Sam studied journalism at Northwestern University in Evanston, Illinois.1 free article leftWant More? Get unlimited access for as low as /monthSubscribeAlready a subscriber?Register or Log In1 free articleSubscribeWant more?Keep reading for as low as !SubscribeAlready a subscriber?Register or Log In
    #black #death #bacterium #evolved #less
    Black Death Bacterium Evolved to be Less Aggressive to Kill Victims Slowly
    Co-lead author Ravneet Sidhu examines an ancient human tooth at the McMaster Ancient DNA Centre.NewsletterSign up for our email newsletter for the latest science newsA new study in Science suggests that changes in a gene in Yersinia pestis, the bacterium that causes plague, could’ve added to the length of two plague pandemics, including the pandemic that started with the “Black Death.” “Ours is one of the first research studies to directly examine changes in an ancient pathogen, one we still see today, in an attempt to understand what drives the virulence, persistence, and eventual extinction of pandemics,” said Hendrik Poinar, a study author and the director of the McMaster Ancient DNA Centre, according to a press release.The study suggests that less virulent plague bacteria could’ve caused longer plague pandemics — thanks to the fact that infected rodents livedfor longer periods of time before dying from their infections. Read More: Scientists Reveal the Black Death’s Origin StoryThe Three Plague PandemicsThe bacterium Y. pestis infects rodents and humans alike and has caused three main plague pandemics in humans, all of which continued for centuries after their initial outbreaks. The first began in the 500s; the second began in the 1300s; and the third started in the 1800s. Although all three pandemics were devastating at their outset, the second pandemic was by far the most severe. The Black Death, its initial outburst, killed around 30 to 50 percent of the population of Europe between 1347 and 1352 and — to this day — represents the deadliest disease wave in recorded history.To learn more about how these plague pandemics changed over time, scientists at McMaster University in Canada and the Institut Pasteur in France turned to a Y. pestis virulence gene known as pla. This gene is repeated many times throughout the Y. pestis genome, and it allows the bacterium to spread undetected throughout the bodies of infected individuals. A Gene and the PlagueTo investigate this gene, the scientists studied historical strains of Y. pestis from human remains and found that the number of repetitions of pla decreased over the course of the first and second plague pandemics. Then, the scientists tested Y. pestis bacteria from the third pandemic, infecting mice with three strains that had reduced repetitions of pla. “These three samples enabled us to analyze the biological impact of these pla gene deletions,” said Javier Pizarro-Cerdá, another study author and the director of the Yersinia Research Unit at the Institut Pasteur, according to the release.The results revealed that pla depletion decreases the virulence and increases the length of plague infections in mice. According to the study authors, these changes could have caused rodents to live longer in the later stages of the first and second pandemics, allowing them to spread their infections for a longer period. “It’s important to remember that plague was an epidemic of rats, which were the drivers of epidemics and pandemics. Humans were accidental victims. ” Poinar added in another press release.The Continued Threat of Y. PestisThough the pla depletion occurred around 100 years after the first and second pandemics began, the scientists stress that both changes were random and unrelated.“Our research sheds light on an interesting pattern in the evolutionary history of the plague. However, it is important to note that the majority of strains which continue to circulate today in Africa, the Americas, and Asia are highly virulent strains,” said Ravneet Sidhu, another study author and a Ph.D. student at the McMaster Ancient DNA Centre.Though still a threat to current populations, Y. pestis infections are much more manageable now as a result of modern diagnostics and treatments.“Today, the plague is a rare disease, but one that remains a public health concern and serves as a model for gaining a broad understanding of how pandemics emerge and become extinct. This example illustrates the balance of virulence a pathogen can adopt in order to spread effectively,” Pizarro-Cerdá said in the press release.Article SourcesOur writers at Discovermagazine.com use peer-reviewed studies and high-quality sources for our articles, and our editors review for scientific accuracy and editorial standards. Review the sources used below for this article:Science. Sam Walters is a journalist covering archaeology, paleontology, ecology, and evolution for Discover, along with an assortment of other topics. Before joining the Discover team as an assistant editor in 2022, Sam studied journalism at Northwestern University in Evanston, Illinois.1 free article leftWant More? Get unlimited access for as low as /monthSubscribeAlready a subscriber?Register or Log In1 free articleSubscribeWant more?Keep reading for as low as !SubscribeAlready a subscriber?Register or Log In #black #death #bacterium #evolved #less
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    Black Death Bacterium Evolved to be Less Aggressive to Kill Victims Slowly
    Co-lead author Ravneet Sidhu examines an ancient human tooth at the McMaster Ancient DNA Centre. (Image Credit: McMaster University)NewsletterSign up for our email newsletter for the latest science newsA new study in Science suggests that changes in a gene in Yersinia pestis, the bacterium that causes plague, could’ve added to the length of two plague pandemics, including the pandemic that started with the “Black Death.” “Ours is one of the first research studies to directly examine changes in an ancient pathogen, one we still see today, in an attempt to understand what drives the virulence, persistence, and eventual extinction of pandemics,” said Hendrik Poinar, a study author and the director of the McMaster Ancient DNA Centre, according to a press release.The study suggests that less virulent plague bacteria could’ve caused longer plague pandemics — thanks to the fact that infected rodents lived (and spread plague) for longer periods of time before dying from their infections. Read More: Scientists Reveal the Black Death’s Origin StoryThe Three Plague PandemicsThe bacterium Y. pestis infects rodents and humans alike and has caused three main plague pandemics in humans, all of which continued for centuries after their initial outbreaks. The first began in the 500s; the second began in the 1300s; and the third started in the 1800s (and still continues in certain areas in Asia, Africa, and the Americas today). Although all three pandemics were devastating at their outset, the second pandemic was by far the most severe. The Black Death, its initial outburst, killed around 30 to 50 percent of the population of Europe between 1347 and 1352 and — to this day — represents the deadliest disease wave in recorded history.To learn more about how these plague pandemics changed over time, scientists at McMaster University in Canada and the Institut Pasteur in France turned to a Y. pestis virulence gene known as pla. This gene is repeated many times throughout the Y. pestis genome, and it allows the bacterium to spread undetected throughout the bodies of infected individuals. A Gene and the PlagueTo investigate this gene, the scientists studied historical strains of Y. pestis from human remains and found that the number of repetitions of pla decreased over the course of the first and second plague pandemics. Then, the scientists tested Y. pestis bacteria from the third pandemic, infecting mice with three strains that had reduced repetitions of pla. “These three samples enabled us to analyze the biological impact of these pla gene deletions,” said Javier Pizarro-Cerdá, another study author and the director of the Yersinia Research Unit at the Institut Pasteur, according to the release.The results revealed that pla depletion decreases the virulence and increases the length of plague infections in mice. According to the study authors, these changes could have caused rodents to live longer in the later stages of the first and second pandemics, allowing them to spread their infections for a longer period. “It’s important to remember that plague was an epidemic of rats, which were the drivers of epidemics and pandemics. Humans were accidental victims. ” Poinar added in another press release.The Continued Threat of Y. PestisThough the pla depletion occurred around 100 years after the first and second pandemics began, the scientists stress that both changes were random and unrelated.“Our research sheds light on an interesting pattern in the evolutionary history of the plague. However, it is important to note that the majority of strains which continue to circulate today in Africa, the Americas, and Asia are highly virulent strains,” said Ravneet Sidhu, another study author and a Ph.D. student at the McMaster Ancient DNA Centre.Though still a threat to current populations, Y. pestis infections are much more manageable now as a result of modern diagnostics and treatments.“Today, the plague is a rare disease, but one that remains a public health concern and serves as a model for gaining a broad understanding of how pandemics emerge and become extinct. This example illustrates the balance of virulence a pathogen can adopt in order to spread effectively,” Pizarro-Cerdá said in the press release.Article SourcesOur writers at Discovermagazine.com use peer-reviewed studies and high-quality sources for our articles, and our editors review for scientific accuracy and editorial standards. Review the sources used below for this article:Science. Sam Walters is a journalist covering archaeology, paleontology, ecology, and evolution for Discover, along with an assortment of other topics. Before joining the Discover team as an assistant editor in 2022, Sam studied journalism at Northwestern University in Evanston, Illinois.1 free article leftWant More? Get unlimited access for as low as $1.99/monthSubscribeAlready a subscriber?Register or Log In1 free articleSubscribeWant more?Keep reading for as low as $1.99!SubscribeAlready a subscriber?Register or Log In
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  • This 1800s Stone Building Became a Sophisticated Wine Tasting Room

    #this #1800s #stone #building #became
    This 1800s Stone Building Became a Sophisticated Wine Tasting Room
    #this #1800s #stone #building #became
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  • Once Known for Scissors, Fiskars Produces a Sought-After Demolition Tool

    Fiskars has been around since 1649, making it one of the world's oldest companies. The company started out as an ironworks, making nails, knives and tools, eventually expanding into cutlery and the orange-handled scissors that made them a household name in 20th-century America. In the 21st century, Fiskars focused more heavily on the gardening market, having had experience in the sector dating back to the 1800s. Finding success there, in the mid-2010s they pushed into construction tools.Their Pro IsoCore Wrecking Bar is a striking example of how competently they've entered this sector. Well-reviewed even by general contractors—you could be forgiven for thinking the consumer-focused brand was focusing on DIY'ers—the tool's handle is designed to ease fatigue, thanks to both inner- and outer-layer vibration dampening synthetic materials. The IsoCore design is something you really have to try to appreciate. I've split wood with both a traditional mauland Fiskars' splitting maul, which has the IsoCore handle. It's not that you feel the difference with each strike. It's that at the end of the day, the non-IsoCore-maul leavings you feeling more sore, the IsoCore tool less so. It is that difference, Fiskars is betting, that makes IsoCore tools attractive to those putting in long shifts. The design of the tool itself is visually striking, no pun intended, as with most Fiskars products. The tool consists of a smooth-faced hammer up top for punching through drywall or delivering blows to recalcitrant pieces of wood. The hammerhead features a standard split claw for pulling nails, and below that, an angled tang. This tang is meant to work in concert with the claw and is specifically designed for grabbing and twisting dimensional lumber. The prybar tip down at the bottom provides leverage, and has a triangular cutout for pulling nails. While it's not as convenient for nail-pulling as a conventional split claw, the compromise was made in order to give the tip a single robust edge. This shot is of an earlier version of the tool, but it's the only image I could find that shows the bottom-most nail puller. The tool comes in both 18" and 30" lengths, running and respectively. And in an era of junky tools, it's notable how consistently well-reviewed this wrecking bar is.
    #once #known #scissors #fiskars #produces
    Once Known for Scissors, Fiskars Produces a Sought-After Demolition Tool
    Fiskars has been around since 1649, making it one of the world's oldest companies. The company started out as an ironworks, making nails, knives and tools, eventually expanding into cutlery and the orange-handled scissors that made them a household name in 20th-century America. In the 21st century, Fiskars focused more heavily on the gardening market, having had experience in the sector dating back to the 1800s. Finding success there, in the mid-2010s they pushed into construction tools.Their Pro IsoCore Wrecking Bar is a striking example of how competently they've entered this sector. Well-reviewed even by general contractors—you could be forgiven for thinking the consumer-focused brand was focusing on DIY'ers—the tool's handle is designed to ease fatigue, thanks to both inner- and outer-layer vibration dampening synthetic materials. The IsoCore design is something you really have to try to appreciate. I've split wood with both a traditional mauland Fiskars' splitting maul, which has the IsoCore handle. It's not that you feel the difference with each strike. It's that at the end of the day, the non-IsoCore-maul leavings you feeling more sore, the IsoCore tool less so. It is that difference, Fiskars is betting, that makes IsoCore tools attractive to those putting in long shifts. The design of the tool itself is visually striking, no pun intended, as with most Fiskars products. The tool consists of a smooth-faced hammer up top for punching through drywall or delivering blows to recalcitrant pieces of wood. The hammerhead features a standard split claw for pulling nails, and below that, an angled tang. This tang is meant to work in concert with the claw and is specifically designed for grabbing and twisting dimensional lumber. The prybar tip down at the bottom provides leverage, and has a triangular cutout for pulling nails. While it's not as convenient for nail-pulling as a conventional split claw, the compromise was made in order to give the tip a single robust edge. This shot is of an earlier version of the tool, but it's the only image I could find that shows the bottom-most nail puller. The tool comes in both 18" and 30" lengths, running and respectively. And in an era of junky tools, it's notable how consistently well-reviewed this wrecking bar is. #once #known #scissors #fiskars #produces
    WWW.CORE77.COM
    Once Known for Scissors, Fiskars Produces a Sought-After Demolition Tool
    Fiskars has been around since 1649, making it one of the world's oldest companies. The company started out as an ironworks, making nails, knives and tools, eventually expanding into cutlery and the orange-handled scissors that made them a household name in 20th-century America. In the 21st century, Fiskars focused more heavily on the gardening market, having had experience in the sector dating back to the 1800s. Finding success there, in the mid-2010s they pushed into construction tools.Their Pro IsoCore Wrecking Bar is a striking example of how competently they've entered this sector. Well-reviewed even by general contractors—you could be forgiven for thinking the consumer-focused brand was focusing on DIY'ers—the tool's handle is designed to ease fatigue, thanks to both inner- and outer-layer vibration dampening synthetic materials. The IsoCore design is something you really have to try to appreciate. I've split wood with both a traditional maul (metal head, wood handle) and Fiskars' splitting maul, which has the IsoCore handle. It's not that you feel the difference with each strike. It's that at the end of the day, the non-IsoCore-maul leavings you feeling more sore, the IsoCore tool less so. It is that difference, Fiskars is betting, that makes IsoCore tools attractive to those putting in long shifts. The design of the tool itself is visually striking, no pun intended, as with most Fiskars products. The tool consists of a smooth-faced hammer up top for punching through drywall or delivering blows to recalcitrant pieces of wood. The hammerhead features a standard split claw for pulling nails, and below that, an angled tang. This tang is meant to work in concert with the claw and is specifically designed for grabbing and twisting dimensional lumber. The prybar tip down at the bottom provides leverage, and has a triangular cutout for pulling nails. While it's not as convenient for nail-pulling as a conventional split claw, the compromise was made in order to give the tip a single robust edge. This shot is of an earlier version of the tool, but it's the only image I could find that shows the bottom-most nail puller. The tool comes in both 18" and 30" lengths, running $50 and $60, respectively. And in an era of junky tools, it's notable how consistently well-reviewed this wrecking bar is.
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  • An extreme ocean heat wave did something remarkable to these fish

    During a severe heat wave in 2023, scientists scuba diving off the coast of Papua New Guinea captured clownfish to measure their bodies. Between February and August, they calculated the length of 134 of these iconic, orange and white fish once a month, taking a total of six measurements for each fish.Those measurements revealed something peculiar: Most of the fish shrank.This week, the researchers reported their findings in Science Advances, concluding that the fish got shorter — on the scale of a few millimeters, or a small, single-digit percent of their length — in response to the heat wave.Morgan Bennett-Smith“We were so surprised to see shrinking in these fish that, to be sure, we measured each fish individual repeatedly over a period of five months,” said Melissa Versteeg, a doctoral researcher at Newcastle University, who led the study in collaboration with Mahonia Na Dari, an environmental organization, and Walindi Resort. “In the end, we discoveredwas very common in this population.”Versteeg and her colleagues don’t know how, exactly, the fish are shrinking — one untested idea is that the fish might be reabsorbing some of their bone material or tissue. But getting smaller isn’t a problem. In fact, the study found, it may be an adaptation to help clownfish survive hotter ocean temperatures.Morgan Bennett-SmithWhen it’s good to be smallLast year, the planet was about 2.65 degrees warmer than it was in the late 1800s. This level of warming impacts wild animals in a number of strange, mostly bad, ways, from fueling koala-killing wildfires to causing corals to bleach and then starve.But rising temperatures also appear to be making many species smaller. One especially striking study, published in 2019, found that birds shrank by an average of about 2.6 percent between 1978 and 2016. More recent analyses have linked rising temperatures to a reduction in body size of small mammals in North America and marine fish. Most of these existing studies report that animals, on average, are simply not growing as large.The new study on clownfish, however, suggests individual fish are shrinking over mere weeks in response to a heat wave, which, in the case of the Papua New Guinea event, pushed temperatures in the bay about 7 degreesabove average.Why do they do this?Being tiny has its advantages in a hot climate: Warm-blooded animals, like mammals, shed heat more easily when they’re small and this helps them cool down. The benefits for cold-blooded creatures, such as clownfish, aren’t as clear, though researchers think they may have an easier time meeting their bodies’ energy requirements when they’re small.Morgan Bennett-SmithRegardless of the reason, being small seems to help clownfish when it’s hot. The fish that shrank, the study found, had a much higher chance of surviving.“It was a surprise to see how rapidly clownfish can adapt to a changing environment,” Versteeg said. “We witnessed how flexibly they regulated their size, as individuals and as breeding pairs, in response to heat stress as a successful technique to help them survive.”The study adds a layer of complexity to what is otherwise a depressing tale about the world’s oceans. Heat waves linked to climate change, like the one that occurred during this study, are utterly devastating coral reefs — and in severe cases, are nearly wiping out entire reef sections. These colorful ecosystems are home to countless marine animals, including those we eat, like snappers, and clownfish.Amid that loss, animals are proving highly resilient. They’re trying hard to hold on. Yet if warming continues, even the best adaptations may not be enough.See More:
    #extreme #ocean #heat #wave #did
    An extreme ocean heat wave did something remarkable to these fish
    During a severe heat wave in 2023, scientists scuba diving off the coast of Papua New Guinea captured clownfish to measure their bodies. Between February and August, they calculated the length of 134 of these iconic, orange and white fish once a month, taking a total of six measurements for each fish.Those measurements revealed something peculiar: Most of the fish shrank.This week, the researchers reported their findings in Science Advances, concluding that the fish got shorter — on the scale of a few millimeters, or a small, single-digit percent of their length — in response to the heat wave.Morgan Bennett-Smith“We were so surprised to see shrinking in these fish that, to be sure, we measured each fish individual repeatedly over a period of five months,” said Melissa Versteeg, a doctoral researcher at Newcastle University, who led the study in collaboration with Mahonia Na Dari, an environmental organization, and Walindi Resort. “In the end, we discoveredwas very common in this population.”Versteeg and her colleagues don’t know how, exactly, the fish are shrinking — one untested idea is that the fish might be reabsorbing some of their bone material or tissue. But getting smaller isn’t a problem. In fact, the study found, it may be an adaptation to help clownfish survive hotter ocean temperatures.Morgan Bennett-SmithWhen it’s good to be smallLast year, the planet was about 2.65 degrees warmer than it was in the late 1800s. This level of warming impacts wild animals in a number of strange, mostly bad, ways, from fueling koala-killing wildfires to causing corals to bleach and then starve.But rising temperatures also appear to be making many species smaller. One especially striking study, published in 2019, found that birds shrank by an average of about 2.6 percent between 1978 and 2016. More recent analyses have linked rising temperatures to a reduction in body size of small mammals in North America and marine fish. Most of these existing studies report that animals, on average, are simply not growing as large.The new study on clownfish, however, suggests individual fish are shrinking over mere weeks in response to a heat wave, which, in the case of the Papua New Guinea event, pushed temperatures in the bay about 7 degreesabove average.Why do they do this?Being tiny has its advantages in a hot climate: Warm-blooded animals, like mammals, shed heat more easily when they’re small and this helps them cool down. The benefits for cold-blooded creatures, such as clownfish, aren’t as clear, though researchers think they may have an easier time meeting their bodies’ energy requirements when they’re small.Morgan Bennett-SmithRegardless of the reason, being small seems to help clownfish when it’s hot. The fish that shrank, the study found, had a much higher chance of surviving.“It was a surprise to see how rapidly clownfish can adapt to a changing environment,” Versteeg said. “We witnessed how flexibly they regulated their size, as individuals and as breeding pairs, in response to heat stress as a successful technique to help them survive.”The study adds a layer of complexity to what is otherwise a depressing tale about the world’s oceans. Heat waves linked to climate change, like the one that occurred during this study, are utterly devastating coral reefs — and in severe cases, are nearly wiping out entire reef sections. These colorful ecosystems are home to countless marine animals, including those we eat, like snappers, and clownfish.Amid that loss, animals are proving highly resilient. They’re trying hard to hold on. Yet if warming continues, even the best adaptations may not be enough.See More: #extreme #ocean #heat #wave #did
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    An extreme ocean heat wave did something remarkable to these fish
    During a severe heat wave in 2023, scientists scuba diving off the coast of Papua New Guinea captured clownfish to measure their bodies. Between February and August, they calculated the length of 134 of these iconic, orange and white fish once a month, taking a total of six measurements for each fish.Those measurements revealed something peculiar: Most of the fish shrank.This week, the researchers reported their findings in Science Advances, concluding that the fish got shorter — on the scale of a few millimeters, or a small, single-digit percent of their length — in response to the heat wave.Morgan Bennett-Smith“We were so surprised to see shrinking in these fish that, to be sure, we measured each fish individual repeatedly over a period of five months,” said Melissa Versteeg, a doctoral researcher at Newcastle University, who led the study in collaboration with Mahonia Na Dari, an environmental organization, and Walindi Resort. “In the end, we discovered [that downsizing] was very common in this population.”Versteeg and her colleagues don’t know how, exactly, the fish are shrinking — one untested idea is that the fish might be reabsorbing some of their bone material or tissue. But getting smaller isn’t a problem. In fact, the study found, it may be an adaptation to help clownfish survive hotter ocean temperatures.Morgan Bennett-SmithWhen it’s good to be smallLast year, the planet was about 2.65 degrees warmer than it was in the late 1800s. This level of warming impacts wild animals in a number of strange, mostly bad, ways, from fueling koala-killing wildfires to causing corals to bleach and then starve.But rising temperatures also appear to be making many species smaller. One especially striking study, published in 2019, found that birds shrank by an average of about 2.6 percent between 1978 and 2016. More recent analyses have linked rising temperatures to a reduction in body size of small mammals in North America and marine fish. Most of these existing studies report that animals, on average, are simply not growing as large.The new study on clownfish, however, suggests individual fish are shrinking over mere weeks in response to a heat wave, which, in the case of the Papua New Guinea event, pushed temperatures in the bay about 7 degrees (4 degrees Celsius) above average.Why do they do this?Being tiny has its advantages in a hot climate: Warm-blooded animals, like mammals, shed heat more easily when they’re small and this helps them cool down. The benefits for cold-blooded creatures, such as clownfish, aren’t as clear, though researchers think they may have an easier time meeting their bodies’ energy requirements when they’re small.Morgan Bennett-SmithRegardless of the reason, being small seems to help clownfish when it’s hot. The fish that shrank, the study found, had a much higher chance of surviving.“It was a surprise to see how rapidly clownfish can adapt to a changing environment,” Versteeg said. “We witnessed how flexibly they regulated their size, as individuals and as breeding pairs, in response to heat stress as a successful technique to help them survive.”The study adds a layer of complexity to what is otherwise a depressing tale about the world’s oceans. Heat waves linked to climate change, like the one that occurred during this study, are utterly devastating coral reefs — and in severe cases, are nearly wiping out entire reef sections. These colorful ecosystems are home to countless marine animals, including those we eat, like snappers, and clownfish.Amid that loss, animals are proving highly resilient. They’re trying hard to hold on. Yet if warming continues, even the best adaptations may not be enough.See More:
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  • A Public Health Researcher and Her Engineer Husband Found How Diseases Can Spread through Air Decades before the COVID Pandemic

    May 21, 202522 min readMildred Weeks Wells’s Work on Airborne Transmission Could Have Saved Many Lives—If the Scientific Establishment ListenedMildred Weeks Wells and her husband figured out that disease-causing pathogens can spread through the air like smoke Dutton; Lily WhearAir-Borne: The Hidden History of the Life We Breathe, by Carl Zimmer, charts the history of the field of aerobiology: the science of airborne microorganisms. In this episode, we discover the story of two lost pioneers of the 1930s: physician and self-taught epidemiologist Mildred Weeks Wells and her husband, sanitary engineer William Firth Wells. Together, they proved that infectious pathogens could spread through the air over long distances. But the two had a reputation as outsiders, and they failed to convince the scientific establishment, who ignored their findings for decades. What the pair figured out could have saved many lives from tuberculosis, SARS, COVID and other airborne diseases. The contributions of Mildred Weeks Wells and her husband were all but erased from history—until now.LISTEN TO THE PODCASTOn supporting science journalismIf you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today.TRANSCRIPTCarl Zimmer: Mildred is hired in the late 1920s to put together everything that was known about polio. And she does this incredible study, where she basically looks for everything that she can find about how polio spreads.At the time, the idea that it could spread through the air was really looked at as being just an obsolete superstition. Public health experts would say, look, a patient's breath is basically harmless. But the epidemiology looks to her like these germs are airborne, and this goes totally against the consensus at the time.Carol Sutton Lewis: Hello, I'm Carol Sutton Lewis. Welcome to the latest episode of Lost Women of Science Conversations, where we talk with authors and artists who've discovered and celebrated female scientists in books, poetry, film, and the visual arts.Today I'm joined by Carl Zimmer, an award-winning New York Times columnist and the author of 15 books about science. His latest book, Airborne: The Hidden History of the Life We Breathe, focuses on the last great biological frontier: the air. It presents the history of aerobiology, which is the science dealing with the occurrence, transportation, and effects of airborne microorganisms.The book chronicles the exploits of committed aerobiologists from the early pioneers through to the present day. Among these pioneers were Mildred Weeks Wells and her husband, William Firth Wells.Airborne tells the story of how Mildred and William tried to sound the alarm about airborne infections, but for many reasons, their warnings went unheard.Welcome, Carl Zimmer. It's such a pleasure to have you with us to tell us all about this fascinating woman and her contributions to science.Can you please tell us about Mildred Weeks Wells—where and how she grew up and what led her to the field of aerobiology?Carl Zimmer: She was born in 1891, and she came from a very prominent Texas family—the Denton family. Her great-grandfather is actually whom the city of Denton, Texas is named after. Her grandfather was a surgeon for the Confederate Army in the Civil War, and he becomes the director of what was called then the State Lunatic Asylum.And he and the bookkeeper there, William Weeks, are both charged with embezzlement. It's a big scandal. The bookkeeper then marries Mildred's mother. Then, shortly after Mildred's born, her father disappears. Her mother basically abandons her with her grandmother. And she grows up with her sister and grandmother in Austin, Texas. A comfortable life, but obviously there's a lot of scandal hanging over them.She is clearly incredibly strong-willed. She goes to medical school at the University of Texas and graduates in 1915, one of three women in a class of 34. That is really something for a woman at that point—there were hardly any women with medical degrees in the United States, let alone someone in Texas.But she books out of there. She does not stick around. She heads in 1915 to Washington, D.C., and works at the Public Health Service in a lab called the Hygienic Laboratory. Basically, what they're doing is studying bacteria. You have to remember, this is the golden age of the germ theory of disease. People have been figuring out that particular bacteria or viruses cause particular diseases, and that knowledge is helping them fight those diseases.It's there in Washington at this time that she meets a man who will become her husband, William Firth Wells.Carol Sutton Lewis: Just a quick aside—because we at Lost Women of Science are always interested in how you discover the material in addition to what you've discovered. How were you able to piece together her story? What sources were you able to find? It seems like there wasn't a lot of information available.Carl Zimmer: Yeah, it was a tough process. There is little information that's really easy to get your hands on. I mean, there is no biography of Mildred Wells or her husband, William Firth Wells.At the Rockefeller archives, they had maybe 30 document boxes full of stuff that was just miraculously conserved there. There are also letters that she wrote to people that have been saved in various collections.But especially with her early years, it's really tough. You know, in all my work trying to dig down for every single scrap of information I could find of her, I have only found one photograph of her—and it's the photograph in her yearbook. That’s it.Carol Sutton Lewis: You talked about that photograph in the book, and I was struck by your description of it. You say that she's smiling, but the longer you look at her smile, the sadder it becomes. What do you think at that young age was the source of the sadness?Carl Zimmer: I think that Mildred grew up with a lot of trauma. She was not the sort of person to keep long journals or write long letters about these sorts of things. But when you've come across those clues in these brief little newspaper accounts, you can kind of read between the lines.There are reports in newspapers saying that Mildred's mother had come to Austin to pay a visit to Mildred because she had scarlet fever when she was 10, and then she goes away again. And when I look at her face in her yearbook, it doesn't surprise me that there is this cast of melancholy to it because you just think about what she had gone through just as a kid.Carol Sutton Lewis: Oh. Absolutely. And fast forward, she meets William and they marry. They have a son, and they start collaborating. How did that begin?Carl Zimmer: The collaboration takes a while. So William Wells is also working at the Public Health Service at the time. He is a few years older than Mildred and he has been trained at MIT as what was called then a sanitarian. In other words, he was going to take the germ theory of disease and was going to save people's lives.He was very clever. He could invent tests that a sanitarian could use, dip a little tube into a river and see whether the water was safe or not, things like that. He was particularly focused on keeping water clean of bacteria that could cause diseases like typhoid or cholera and he also, gets assigned by the government to study oysters because oysters, they sit in this water and they're filtering all day long. And you know, if there's bacteria in there, they're going to filter it and trap it in their tissues. And oysters are incredibly popular in the early nineteen hundreds and a shocking number of people are keeling over dying of typhoid because they're eating them raw. So William is very busy, figuring out ways to save the oyster industry. How do we purify oysters and things like that? They meet, they get married in 1917.In 1918 they have a child, William Jr. nicknamed Bud. But William is not around for the birth, because he is drafted into the army, and he goes off to serve. in World War I.Carol Sutton Lewis: So Mildred is at home with Bud and William's off at the war. But ultimately, Mildred returns to science. A few years later, where she is hired as a polio detective. Can you tell me a little bit about what the state of polio knowledge was at the time and what precisely a polio detective did?Carl Zimmer: It doesn't seem like polio really was a thing in the United States until the late 1800s. And then suddenly there's this mysterious disease that can strike children with no warning. These kids can't. walk, or suddenly these kids are dying. Not only are the symptoms completely terrifying to parents, but how it spreads is a complete mystery. And so Mildred, seems to have been hired at some point in the late 1920s To basically put together everything that was known about polio to help doctors to deal with their patients and to, you know, encourage future science to try to figure out what is this disease.You know, Mildred wasn't trained in epidemiology. So it's kind of remarkable that she taught herself. And she would turn out to be a really great epidemiologist. But, in any case, She gets hired by the International Committee for the Study of Infantile Paralysis, that was the name then for polio. And she does this incredible study, where she basically looks for everything that she can find about how polio spreads. Case studies where, in a town, like this child got polio, then this child did, and did they have contact and what sort of contact, what season was it? What was the weather like? All these different factors.And one thing that's really important to bear in mind is that, at this time, the prevailing view was that diseases spread by water, by food, by sex, by close contact. Maybe like someone just coughs and sprays droplets on you, but otherwise it's these other routes.The idea that it could spread through the air was really looked at as being just obsolete superstition. for thousands of years, people talked about miasmas, somehow the air mysteriously became corrupted and that made people sick with different diseases. That was all thrown out in the late 1800s, early 1900s when germ theory really takes hold. And so public health experts would say, look, a patient's breath is basically harmless.Carol Sutton Lewis: But Mildred doesn't agree, does she?Carl Zimmer: Well, Mildred Wells is looking at all of this, data and she is starting to get an idea that maybe these public health experts have been too quick to dismiss the air. So when people are talking about droplet infections in the 1920s, they're basically just talking about, big droplets that someone might just sneeze in your face. But the epidemiology looks to her like these germs are airborne, are spreading long distances through the air.So Mildred is starting to make a distinction in her mind about what she calls airborne and droplet infections. So, and this is really the time that the Wellses collectively are thinking about airborne infection and it's Mildred is doing it. And William actually gives her credit for this later on.Carol Sutton Lewis: Right. and her results are published in a book about polio written entirely by female authors, which is quite unusual for the time.Carl Zimmer: Mm hmm. Right. The book is published in 1932, and the reception just tells you so much about what it was like to be a woman in science. The New England Journal of Medicine reviews the book, which is great. But, here's a line that they give, they say, it is interesting to note that this book is entirely the product of women in medicine and is the first book.So far as a reviewer knows. by a number of authors, all of whom are of the female sex. So it's this: Oh, look at this oddity. And basically, the virtue of that is that women are really thorough, I, guess. so it's a very detailed book. And the reviewer writes, no one is better fitted than a woman to collect data such as this book contains. So there's no okay, this is very useful.Carol Sutton Lewis: PatronizeCarl Zimmer: Yeah. Thank you very much. Reviewers were just skating over the conclusions that they were drawing, I guess because they were women. Yeah, pretty incredible.Carol Sutton Lewis: So she is the first to submit scientific proof about this potential for airborne transmission. And that was pretty much dismissed. It wasn't even actively dismissed.It was just, nah, these women, nothing's coming outta that, except William did pay attention. I believe he too had been thinking about airborne transmission for some time and then started seriously looking at Mildred's conclusion when he started teaching at Harvard.Carl Zimmer: Yeah. So, William gets a job as a low level instructor at Harvard. He's getting paid very little. Mildred has no income. He's teaching about hygiene and sanitation, but apparently he's a terrible teacher. But he is a clever, brilliant engineer and scientist; he very quickly develops an idea that probably originated in the work that Mildred had been doing on polio. that maybe diseases actually can spread long distances through the air. So there are large droplets that we might sneeze out and cough out and, and they go a short distance before gravity pulls them down. But physics dictates that below a certain size, droplets can resist gravity.This is something that's going totally against what all the, the really prominent public health figures are saying. William Wells doesn't care. He goes ahead and he starts to, invent a way to sample air for germs. Basically it's a centrifuge. You plug it in, the fan spins, it sucks in air, the air comes up inside a glass cylinder and then as it's spinning, if there are any droplets of particles or anything floating in the air, they get flung out to the sideS.And so afterwards you just pull out the glass which is coated with, food for microbes to grow on and you put it in a nice warm place. And If there's anything in the air, you'll be able to grow a colony and see it.Carol Sutton Lewis: Amazing.Carl Zimmer: It is amazing. This, this was a crucial inventionCarol Sutton Lewis: So we have William, who is with Mildred's help moving more towards the possibility of airborne infection, understanding that this is very much not where science is at the moment, and he conducts a really interesting experiment in one of his classrooms to try to move the theory forward. We'll talk more about that experiment when we come back after the break.MidrollCarol Sutton Lewis: Welcome back to Lost Women of Science Conversations. We left off as the Wellses were about to conduct an experiment to test their theories about airborne infections. Carl, can you tell us about that experiment?Carl Zimmer: Okay. it's 1934, It's a cold day. Students come in for a lecture from this terrible teacher, William Wells. The windows are closed. The doors are closed. It's a poorly ventilated room. About 20 minutes before the end of the class, he takes this weird device that's next to him, he plugs it into the wall, and then he just goes back and keeps lecturing.It's not clear whether he even told them what he was doing. But, he then takes this little pinch of sneezing powder. out of a jar and holds it in the sort of outflow from the fan inside the air centrifuge. So all of a sudden, poof, the sneezing powder just goes off into the air. You know, there are probably about a couple dozen students scattered around this lecture hall and after a while they start to sneeze. And in fact, people All the way in theback are sneezing too.So now Wells turns off his machine, puts in a new cylinder, turns it on, keeps talking. The thing is that they are actually sneezing out droplets into the air.And some of those droplets contain harmless bacteria from their mouths. And he harvests them from the air. He actually collects them in his centrifuge. And after a few days, he's got colonies of these bacteria, but only after he had released the sneezing powder, the one before that didn't have any.So, you have this demonstration that William Wells could catch germs in the air that had been released from his students at quite a distance away, And other people can inhale them, and not even realize what's happening. In other words, germs were spreading like smoke. And so this becomes an explanation for what Mildred had been seeing in her epidemiology..Carol Sutton Lewis: Wow. That was pretty revolutionary. But how was it received?Carl Zimmer: Well, you know, At first it was received, With great fanfare, and he starts publishing papers in nineteen thirty he and Mildred are coauthors on these. And, Mildred is actually appointed as a research associate at Harvard, in nineteen thirty it's a nice title, but she doesn't get paid anything. And then William makes another discovery, which is also very important.He's thinking okay, if these things are floating in the air, is there a way that I can disinfect the air? And he tries all sorts of things and he discovers ultraviolet light works really well. In fact, you can just put an ultraviolet light in a room and the droplets will circulate around and as they pass through the ultraviolet rays, it kills the bacteria or viruses inside of them. So in 1936, when he's publishing these results, there are so many headlines in newspapers and magazines and stuff about this discovery.There's one headline that says, scientists fight flu germs with violet ray. And, there are these predictions that, we are going to be safe from these terrible diseases. Like for example, influenza, which had just, devastated the world not long beforehand, because you're going to put ultraviolet lights in trains and schools and trolleys and movie theaters.Carol Sutton Lewis: Did Mildred get any public recognition for her contributions to all of this?Carl Zimmer: Well not surprisingly, William gets the lion's share of the attention. I mean, there's a passing reference to Mildred in one article. The Associated Press says chief among his aides, Wells said, was his wife, Dr. Mildred Wells. So, William was perfectly comfortable, acknowledging her, but the reporters. Didn't care,Carol Sutton Lewis: And there were no pictures of herCarl Zimmer: Right. Mildred wasn't the engineer in that couple, but she was doing all the research on epidemiology. And you can tell from comments that people made about, and Mildred Wells is that. William would be nowhere as a scientist without Mildred. She was the one who kept him from jumping ahead to wild conclusions from the data he had so far. So they were, they're very much a team. She was doing the writing and they were collaborating, they were arguing with each other all the time about it And she was a much better writer than he was., but that wasn't suitable for a picture, so she was invisible.Carol Sutton Lewis: In the book, you write a lot about their difficult personalities and how that impacted their reputations within the wider scientific community. Can you say more about that?Carl Zimmer: Right. They really had a reputation as being really hard to deal with. People would politely call them peculiar. And when they weren't being quite so polite, they would talk about all these arguments that they would get in, shouting matches and so on. They really felt that they had discovered something incredibly important, but they were outsiders, you know, they didn't have PhDs, they didn't have really much formal training. And here they were saying that, you know, the consensus about infectious disease is profoundly wrong.Now, ironically, what happened is that once William Wells showed that ultraviolet light could kill germs, his superior at Harvard abruptly took an intense interest in all of this and said, Okay, you're going to share a patent on this with me. My name's going to be on the patent and all the research from now on is going to happen in my lab. I'm going to have complete control over what happens next. And Mildred took the lead saying no way we want total autonomy, get out of our face. She was much more aggressive in university politics, and sort of protecting their turf. And unfortunately they didn't have many allies at Harvard and pretty soon they were out, they were fired. And William Wells and his boss, Gordon Fair, were both named on a patent that was filed for using ultraviolet lamps to disinfect the air.Carol Sutton Lewis: So what happened when they left Harvard?Carl Zimmer: Well, it's really interesting watching them scrambling to find work, because their reputation had preceded them. They were hoping they could go back to Washington DC to the public health service. But, the story about the Wells was that Mildred, was carrying out a lot of the research, and so they thought, we can't hire William if it's his wife, who's quietly doing a lot of the work, like they, for some reason they didn't think, oh, we could hire them both.Carol Sutton Lewis: Or just her.Carl Zimmer: None of that, they were like, do we hire William Wells? His wife apparently hauls a lot of the weight. So no, we won't hire them. It's literally like written down. It’s, I'm not making it up. And fortunately they had a few defenders, a few champions down in Philadelphia.There was a doctor in Philadelphia who was using ultraviolet light to protect children in hospitals. And he was, really, inspired by the Wellses and he knew they were trouble. He wrote yes, I get it. They're difficult, but let's try to get them here.And so they brought them down to Philadelphia and Mildred. And William, opened up the laboratories for airborne infection at the University of Pennsylvania. And now actually Mildred got paid, for the first time, for this work. So they're both getting paid, things are starting to look betterCarol Sutton Lewis: So they start to do amazing work at the University of Pennsylvania.Carl Zimmer: That's right. That's right. William, takes the next step in proving their theory. He figures out how to actually give animals diseases through the air. He builds a machine that gets to be known as the infection machine. a big bell jar, and you can put mice in there, or a rabbit in there, and there's a tube connected to it.And through that tube, William can create a very fine mist that might have influenza viruses in it, or the bacteria that cause tuberculosis. And the animals just sit there and breathe, and lo and behold, They get tuberculosis, they get influenza, they get all these diseases,Now, meanwhile, Mildred is actually spending a lot of her time at a school nearby the Germantown Friends School, where they have installed ultraviolet lamps in some of the classrooms. And they're convinced that they can protect kids from airborne diseases. The biggest demonstration of what these lamps can do comes in 1940, because there's a huge epidemic of measles. In 1940, there's, no vaccine for measles. Every kid basically gets it.And lo and behold, the kids in the classrooms with the ultraviolet lamps are 10 times less likely to get measles than the kids just down the hall in the regular classrooms. And so this is one of the best experiments ever done on the nature of airborne infection and how you can protect people by disinfecting the air.Carol Sutton Lewis: Were they then finally accepted into the scientific community?Carl Zimmer: I know you keep waiting for that, that victory lap, but no. It's just like time and again, that glory gets snatched away from them. Again, this was not anything that was done in secret. Newspapers around Philadelphia were. Celebrating this wow, look at this, look at how we can protect our children from disease. This is fantastic. But other experts, public health authorities just were not budging. they had all taken in this dogma that the air can't be dangerous.And so again and again, they were hitting a brick wall. This is right on the eve of World War II.And so all sorts of scientists in World War II are asking themselves, what can we do? Mildred and William put themselves forward and say we don't want soldiers to get sick with the flu the way they did in World War I. They're both haunted by this and they're thinking, so we could put our ultraviolet lamps in the barracks, we could protect them. Soldiers from the flu, if the flu is airborne, like we think, not only that, but this could help to really convince all those skepticsCarol Sutton Lewis: mm.Carl Zimmer: But they failed. The army put all their money into other experiments, they were blackballed, they were shut out, and again, I think it was just because they were continuing to be just incredibly difficult. Even patrons and their friends would just sigh to each other, like, Oh my God, I've just had to deal with these, with them arguing with us and yelling at us. And by the end of World War II, things are bad, they have some sort of split up, they never get divorced, but it's just too much. Mildred, like she is not only trying to do this pioneering work in these schools, trying to keep William's labs organized, there's the matter of their son. Now looking at some documents, I would hazard a guess that he had schizophrenia because he was examined by a doctor who came to that conclusion.And so, she's under incredible pressure and eventually she cracks and in 1944 she resigns from the lab. She stops working in the schools, she stops collaborating with her husband, but she keeps doing her own science. And that's really amazing to me. What kinds of things did she do after this breakup? What kind of work did she conduct? And how was that received?Mildred goes on on her own to carry out a gigantic experiment, in hindsight, a really visionary piece of work. It's based on her experience in Philadelphia. Because she could see that the ultraviolet lamps worked very well at protecting children during a really intense measles epidemic. And so she thought to herself, if you want to really make ultraviolet light, and the theory of airborne infection live up to its true potential to protect people. You need to protect the air in a lot more places.So she gets introduced to the health commissioner in Westchester County, this is a county just north of New York City. And she pitches him this idea. She says, I want to go into one of your towns and I want to put ultraviolet lights everywhere. And this guy, William Holla, he is a very bold, flamboyant guy. He's the right guy to ask. He's like, yeah, let's do this. And he leaves it up to her to design the experiment.And so this town Pleasantville in New York gets fitted out with ultraviolet lamps in the train station, in the fountain shops, in the movie theater, in churches, all over the place. And she publishes a paper with Holla in 1950 on the results.The results are mixed though. You look carefully at them, you can see that actually, yeah, the lamps worked in certain respects. So certain diseases, the rates were lower in certain places, but sadly, this incredibly ambitious study really didn't move the needle. And yeah, it was a big disappointment and that was the last science that Mildred did.Carol Sutton Lewis: Even when they were working together, Mildred and William never really succeeded in convincing the scientific community to take airborne infection seriously, although their work obviously did move the science forward. So what did sway scientific opinion and when?Carl Zimmer: Yeah, Mildred dies in 1957. William dies in 1963. After the Wellses are dead, their work is dismissed and they themselves are quite forgotten. It really isn't until the early 2000s that a few people rediscover them.The SARS epidemic kicks up in 2003, for example, and I talked to a scientist in Hong Kong named Yuguo Li, and he was trying to understand how was this new disease spreading around? He's looking around and he finds references to papers by William Wells and Mildred Wells. He has no idea who they are and he sees that William Wells had published a book in 1955 and he's like, well, okay, maybe I need to go read the book.Nobody has the book. And the only place that he could find it was in one university in the United States. They photocopied it and shipped it to him in Hong Kong and he finally starts reading it. And it's really hard to read because again William was a terrible writer, unlike Mildred. But after a while it clicks and he's like, oh. That's it. I got it. But again, all the guidelines for controlling pandemics and diseases do not really give much serious attention to airborne infection except for just a couple diseases. And it's not until the COVID pandemic that things finally change.Carol Sutton Lewis: Wow. If we had listened to Mildred and William earlier, what might have been different?Carl Zimmer: Yeah, I do try to imagine a world in which Mildred and William had been taken seriously by more people. If airborne infection was just a seriously recognized thing at the start of the COVID pandemic, we would have been controlling the disease differently from the start. We wouldn't have been wiping down our shopping bags obsessively. People would have been encouraged to open the windows, people would have been encouraged to get air purifiers, ultraviolet lamps might have been installed in places with poor ventilation, masks might not have been so controversial.And instead these intellectual grandchildren of William and Mildred Wells had to reinvent the wheel. They had to do new studies to persuade people finally that a disease could be airborne. And it took a long time. It took months to finally move the needle.Carol Sutton Lewis: Carl, what do you hope people will take away from Mildred's story, which you have so wonderfully detailed in your book, rendering her no longer a lost woman of science? And what do you hope people will take away from the book more broadly?Carl Zimmer: I think sometimes that we imagine that science just marches on smoothly and effortlessly. But science is a human endeavor in all the good ways and in all the not-so-good ways. Science does have a fair amount of tragedy throughout it, as any human endeavor does. I'm sad about what happened to the Wells by the end of their lives, both of them. But in some ways, things are better now.When I'm writing about aerobiology in the early, mid, even late—except for Mildred, it's pretty much all men. But who were the people during the COVID pandemic who led the fight to get recognized as airborne? People like Linsey Marr at Virginia Tech, Kim Prather at University of California, San Diego, Lidia Morawska, an Australian researcher. Now, all women in science still have to contend with all sorts of sexism and sort of baked-in inequalities. But it is striking to me that when you get to the end of the book, the women show up.Carol Sutton Lewis: Well,Carl Zimmer: And they show up in force.Carol Sutton Lewis: And on that very positive note to end on, Carl, thank you so much, first and foremost, for writing this really fascinating book and within it, highlighting a now no longer lost woman of science, Mildred Weeks Wells. Your book is Airborne: The Hidden History of the Life We Breathe, and it's been a pleasure to speak with—Carl Zimmer: Thanks a lot. I really enjoyed talking about Mildred.Carol Sutton Lewis: This has been Lost Women of Science Conversations. Carl Zimmer's book Airborne: The Hidden History of the Life We Breathe is out now. This episode was hosted by me, Carol Sutton Lewis. Our producer was Luca Evans, and Hansdale Hsu was our sound engineer. Special thanks to our senior managing producer, Deborah Unger, our program manager, Eowyn Burtner, and our co-executive producers, Katie Hafner and Amy Scharf.Thanks also to Jeff DelViscio and our publishing partner, Scientific American. The episode art was created by Lily Whear and Lizzie Younan composes our music. Lost Women of Science is funded in part by the Alfred P. Sloan Foundation and the Anne Wojcicki Foundation. We're distributed by PRX.If you've enjoyed this conversation, go to our website lostwomenofscience.org and subscribe so you'll never miss an episode—that's lostwomenofscience.org. And please share it and give us a rating wherever you listen to podcasts. Oh, and please don't forget to click on the donate button—that helps us bring you even more stories of important female scientists.I'm Carol Sutton Lewis. See you next time.HostCarol Sutton LewisProducerLuca EvansGuest Carl ZimmerCarl Zimmer writes the Origins column for the New York Times and has frequently contributed to The Atlantic, National Geographic, Time, and Scientific American. His journalism has earned numerous awards, including ones from the American Association for the Advancement of Science and the National Academies of Sciences, Medicine, and Engineering. He is the author of fourteen books about science, including Life's Edge.Further Reading:Air-Borne: The Hidden History of the Life We Breathe. Carl Zimmer. Dutton, 2025Poliomyelitis. International Committee for the Study of Infantile Paralysis. Williams & Wilkins Company, 1932 “Air-borne Infection,” by William Firth Wells and Mildred Weeks Wells, in JAMA, Vol. 107, No. 21; November 21, 1936“Air-borne Infection: Sanitary Control,” by William Firth Wells and Mildred Weeks Wells, in JAMA, Vol. 107, No. 22; November 28, 1936“Ventilation in the Spread of Chickenpox and Measles within School Rooms,” by Mildred Weeks Wells, in JAMA, Vol. 129, No. 3; September 15, 1945“The 60-Year-Old Scientific Screwup That Helped Covid Kill,” by Megan Molteni, in Wired. Published online May 13, 2021WATCH THIS NEXTScience journalist Carl Zimmer joins host Rachel Feltman to look back at the history of the field, from ancient Greek “miasmas” to Louis Pasteur’s unorthodox experiments to biological warfare.
    #public #health #researcher #her #engineer
    A Public Health Researcher and Her Engineer Husband Found How Diseases Can Spread through Air Decades before the COVID Pandemic
    May 21, 202522 min readMildred Weeks Wells’s Work on Airborne Transmission Could Have Saved Many Lives—If the Scientific Establishment ListenedMildred Weeks Wells and her husband figured out that disease-causing pathogens can spread through the air like smoke Dutton; Lily WhearAir-Borne: The Hidden History of the Life We Breathe, by Carl Zimmer, charts the history of the field of aerobiology: the science of airborne microorganisms. In this episode, we discover the story of two lost pioneers of the 1930s: physician and self-taught epidemiologist Mildred Weeks Wells and her husband, sanitary engineer William Firth Wells. Together, they proved that infectious pathogens could spread through the air over long distances. But the two had a reputation as outsiders, and they failed to convince the scientific establishment, who ignored their findings for decades. What the pair figured out could have saved many lives from tuberculosis, SARS, COVID and other airborne diseases. The contributions of Mildred Weeks Wells and her husband were all but erased from history—until now.LISTEN TO THE PODCASTOn supporting science journalismIf you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today.TRANSCRIPTCarl Zimmer: Mildred is hired in the late 1920s to put together everything that was known about polio. And she does this incredible study, where she basically looks for everything that she can find about how polio spreads.At the time, the idea that it could spread through the air was really looked at as being just an obsolete superstition. Public health experts would say, look, a patient's breath is basically harmless. But the epidemiology looks to her like these germs are airborne, and this goes totally against the consensus at the time.Carol Sutton Lewis: Hello, I'm Carol Sutton Lewis. Welcome to the latest episode of Lost Women of Science Conversations, where we talk with authors and artists who've discovered and celebrated female scientists in books, poetry, film, and the visual arts.Today I'm joined by Carl Zimmer, an award-winning New York Times columnist and the author of 15 books about science. His latest book, Airborne: The Hidden History of the Life We Breathe, focuses on the last great biological frontier: the air. It presents the history of aerobiology, which is the science dealing with the occurrence, transportation, and effects of airborne microorganisms.The book chronicles the exploits of committed aerobiologists from the early pioneers through to the present day. Among these pioneers were Mildred Weeks Wells and her husband, William Firth Wells.Airborne tells the story of how Mildred and William tried to sound the alarm about airborne infections, but for many reasons, their warnings went unheard.Welcome, Carl Zimmer. It's such a pleasure to have you with us to tell us all about this fascinating woman and her contributions to science.Can you please tell us about Mildred Weeks Wells—where and how she grew up and what led her to the field of aerobiology?Carl Zimmer: She was born in 1891, and she came from a very prominent Texas family—the Denton family. Her great-grandfather is actually whom the city of Denton, Texas is named after. Her grandfather was a surgeon for the Confederate Army in the Civil War, and he becomes the director of what was called then the State Lunatic Asylum.And he and the bookkeeper there, William Weeks, are both charged with embezzlement. It's a big scandal. The bookkeeper then marries Mildred's mother. Then, shortly after Mildred's born, her father disappears. Her mother basically abandons her with her grandmother. And she grows up with her sister and grandmother in Austin, Texas. A comfortable life, but obviously there's a lot of scandal hanging over them.She is clearly incredibly strong-willed. She goes to medical school at the University of Texas and graduates in 1915, one of three women in a class of 34. That is really something for a woman at that point—there were hardly any women with medical degrees in the United States, let alone someone in Texas.But she books out of there. She does not stick around. She heads in 1915 to Washington, D.C., and works at the Public Health Service in a lab called the Hygienic Laboratory. Basically, what they're doing is studying bacteria. You have to remember, this is the golden age of the germ theory of disease. People have been figuring out that particular bacteria or viruses cause particular diseases, and that knowledge is helping them fight those diseases.It's there in Washington at this time that she meets a man who will become her husband, William Firth Wells.Carol Sutton Lewis: Just a quick aside—because we at Lost Women of Science are always interested in how you discover the material in addition to what you've discovered. How were you able to piece together her story? What sources were you able to find? It seems like there wasn't a lot of information available.Carl Zimmer: Yeah, it was a tough process. There is little information that's really easy to get your hands on. I mean, there is no biography of Mildred Wells or her husband, William Firth Wells.At the Rockefeller archives, they had maybe 30 document boxes full of stuff that was just miraculously conserved there. There are also letters that she wrote to people that have been saved in various collections.But especially with her early years, it's really tough. You know, in all my work trying to dig down for every single scrap of information I could find of her, I have only found one photograph of her—and it's the photograph in her yearbook. That’s it.Carol Sutton Lewis: You talked about that photograph in the book, and I was struck by your description of it. You say that she's smiling, but the longer you look at her smile, the sadder it becomes. What do you think at that young age was the source of the sadness?Carl Zimmer: I think that Mildred grew up with a lot of trauma. She was not the sort of person to keep long journals or write long letters about these sorts of things. But when you've come across those clues in these brief little newspaper accounts, you can kind of read between the lines.There are reports in newspapers saying that Mildred's mother had come to Austin to pay a visit to Mildred because she had scarlet fever when she was 10, and then she goes away again. And when I look at her face in her yearbook, it doesn't surprise me that there is this cast of melancholy to it because you just think about what she had gone through just as a kid.Carol Sutton Lewis: Oh. Absolutely. And fast forward, she meets William and they marry. They have a son, and they start collaborating. How did that begin?Carl Zimmer: The collaboration takes a while. So William Wells is also working at the Public Health Service at the time. He is a few years older than Mildred and he has been trained at MIT as what was called then a sanitarian. In other words, he was going to take the germ theory of disease and was going to save people's lives.He was very clever. He could invent tests that a sanitarian could use, dip a little tube into a river and see whether the water was safe or not, things like that. He was particularly focused on keeping water clean of bacteria that could cause diseases like typhoid or cholera and he also, gets assigned by the government to study oysters because oysters, they sit in this water and they're filtering all day long. And you know, if there's bacteria in there, they're going to filter it and trap it in their tissues. And oysters are incredibly popular in the early nineteen hundreds and a shocking number of people are keeling over dying of typhoid because they're eating them raw. So William is very busy, figuring out ways to save the oyster industry. How do we purify oysters and things like that? They meet, they get married in 1917.In 1918 they have a child, William Jr. nicknamed Bud. But William is not around for the birth, because he is drafted into the army, and he goes off to serve. in World War I.Carol Sutton Lewis: So Mildred is at home with Bud and William's off at the war. But ultimately, Mildred returns to science. A few years later, where she is hired as a polio detective. Can you tell me a little bit about what the state of polio knowledge was at the time and what precisely a polio detective did?Carl Zimmer: It doesn't seem like polio really was a thing in the United States until the late 1800s. And then suddenly there's this mysterious disease that can strike children with no warning. These kids can't. walk, or suddenly these kids are dying. Not only are the symptoms completely terrifying to parents, but how it spreads is a complete mystery. And so Mildred, seems to have been hired at some point in the late 1920s To basically put together everything that was known about polio to help doctors to deal with their patients and to, you know, encourage future science to try to figure out what is this disease.You know, Mildred wasn't trained in epidemiology. So it's kind of remarkable that she taught herself. And she would turn out to be a really great epidemiologist. But, in any case, She gets hired by the International Committee for the Study of Infantile Paralysis, that was the name then for polio. And she does this incredible study, where she basically looks for everything that she can find about how polio spreads. Case studies where, in a town, like this child got polio, then this child did, and did they have contact and what sort of contact, what season was it? What was the weather like? All these different factors.And one thing that's really important to bear in mind is that, at this time, the prevailing view was that diseases spread by water, by food, by sex, by close contact. Maybe like someone just coughs and sprays droplets on you, but otherwise it's these other routes.The idea that it could spread through the air was really looked at as being just obsolete superstition. for thousands of years, people talked about miasmas, somehow the air mysteriously became corrupted and that made people sick with different diseases. That was all thrown out in the late 1800s, early 1900s when germ theory really takes hold. And so public health experts would say, look, a patient's breath is basically harmless.Carol Sutton Lewis: But Mildred doesn't agree, does she?Carl Zimmer: Well, Mildred Wells is looking at all of this, data and she is starting to get an idea that maybe these public health experts have been too quick to dismiss the air. So when people are talking about droplet infections in the 1920s, they're basically just talking about, big droplets that someone might just sneeze in your face. But the epidemiology looks to her like these germs are airborne, are spreading long distances through the air.So Mildred is starting to make a distinction in her mind about what she calls airborne and droplet infections. So, and this is really the time that the Wellses collectively are thinking about airborne infection and it's Mildred is doing it. And William actually gives her credit for this later on.Carol Sutton Lewis: Right. and her results are published in a book about polio written entirely by female authors, which is quite unusual for the time.Carl Zimmer: Mm hmm. Right. The book is published in 1932, and the reception just tells you so much about what it was like to be a woman in science. The New England Journal of Medicine reviews the book, which is great. But, here's a line that they give, they say, it is interesting to note that this book is entirely the product of women in medicine and is the first book.So far as a reviewer knows. by a number of authors, all of whom are of the female sex. So it's this: Oh, look at this oddity. And basically, the virtue of that is that women are really thorough, I, guess. so it's a very detailed book. And the reviewer writes, no one is better fitted than a woman to collect data such as this book contains. So there's no okay, this is very useful.Carol Sutton Lewis: PatronizeCarl Zimmer: Yeah. Thank you very much. Reviewers were just skating over the conclusions that they were drawing, I guess because they were women. Yeah, pretty incredible.Carol Sutton Lewis: So she is the first to submit scientific proof about this potential for airborne transmission. And that was pretty much dismissed. It wasn't even actively dismissed.It was just, nah, these women, nothing's coming outta that, except William did pay attention. I believe he too had been thinking about airborne transmission for some time and then started seriously looking at Mildred's conclusion when he started teaching at Harvard.Carl Zimmer: Yeah. So, William gets a job as a low level instructor at Harvard. He's getting paid very little. Mildred has no income. He's teaching about hygiene and sanitation, but apparently he's a terrible teacher. But he is a clever, brilliant engineer and scientist; he very quickly develops an idea that probably originated in the work that Mildred had been doing on polio. that maybe diseases actually can spread long distances through the air. So there are large droplets that we might sneeze out and cough out and, and they go a short distance before gravity pulls them down. But physics dictates that below a certain size, droplets can resist gravity.This is something that's going totally against what all the, the really prominent public health figures are saying. William Wells doesn't care. He goes ahead and he starts to, invent a way to sample air for germs. Basically it's a centrifuge. You plug it in, the fan spins, it sucks in air, the air comes up inside a glass cylinder and then as it's spinning, if there are any droplets of particles or anything floating in the air, they get flung out to the sideS.And so afterwards you just pull out the glass which is coated with, food for microbes to grow on and you put it in a nice warm place. And If there's anything in the air, you'll be able to grow a colony and see it.Carol Sutton Lewis: Amazing.Carl Zimmer: It is amazing. This, this was a crucial inventionCarol Sutton Lewis: So we have William, who is with Mildred's help moving more towards the possibility of airborne infection, understanding that this is very much not where science is at the moment, and he conducts a really interesting experiment in one of his classrooms to try to move the theory forward. We'll talk more about that experiment when we come back after the break.MidrollCarol Sutton Lewis: Welcome back to Lost Women of Science Conversations. We left off as the Wellses were about to conduct an experiment to test their theories about airborne infections. Carl, can you tell us about that experiment?Carl Zimmer: Okay. it's 1934, It's a cold day. Students come in for a lecture from this terrible teacher, William Wells. The windows are closed. The doors are closed. It's a poorly ventilated room. About 20 minutes before the end of the class, he takes this weird device that's next to him, he plugs it into the wall, and then he just goes back and keeps lecturing.It's not clear whether he even told them what he was doing. But, he then takes this little pinch of sneezing powder. out of a jar and holds it in the sort of outflow from the fan inside the air centrifuge. So all of a sudden, poof, the sneezing powder just goes off into the air. You know, there are probably about a couple dozen students scattered around this lecture hall and after a while they start to sneeze. And in fact, people All the way in theback are sneezing too.So now Wells turns off his machine, puts in a new cylinder, turns it on, keeps talking. The thing is that they are actually sneezing out droplets into the air.And some of those droplets contain harmless bacteria from their mouths. And he harvests them from the air. He actually collects them in his centrifuge. And after a few days, he's got colonies of these bacteria, but only after he had released the sneezing powder, the one before that didn't have any.So, you have this demonstration that William Wells could catch germs in the air that had been released from his students at quite a distance away, And other people can inhale them, and not even realize what's happening. In other words, germs were spreading like smoke. And so this becomes an explanation for what Mildred had been seeing in her epidemiology..Carol Sutton Lewis: Wow. That was pretty revolutionary. But how was it received?Carl Zimmer: Well, you know, At first it was received, With great fanfare, and he starts publishing papers in nineteen thirty he and Mildred are coauthors on these. And, Mildred is actually appointed as a research associate at Harvard, in nineteen thirty it's a nice title, but she doesn't get paid anything. And then William makes another discovery, which is also very important.He's thinking okay, if these things are floating in the air, is there a way that I can disinfect the air? And he tries all sorts of things and he discovers ultraviolet light works really well. In fact, you can just put an ultraviolet light in a room and the droplets will circulate around and as they pass through the ultraviolet rays, it kills the bacteria or viruses inside of them. So in 1936, when he's publishing these results, there are so many headlines in newspapers and magazines and stuff about this discovery.There's one headline that says, scientists fight flu germs with violet ray. And, there are these predictions that, we are going to be safe from these terrible diseases. Like for example, influenza, which had just, devastated the world not long beforehand, because you're going to put ultraviolet lights in trains and schools and trolleys and movie theaters.Carol Sutton Lewis: Did Mildred get any public recognition for her contributions to all of this?Carl Zimmer: Well not surprisingly, William gets the lion's share of the attention. I mean, there's a passing reference to Mildred in one article. The Associated Press says chief among his aides, Wells said, was his wife, Dr. Mildred Wells. So, William was perfectly comfortable, acknowledging her, but the reporters. Didn't care,Carol Sutton Lewis: And there were no pictures of herCarl Zimmer: Right. Mildred wasn't the engineer in that couple, but she was doing all the research on epidemiology. And you can tell from comments that people made about, and Mildred Wells is that. William would be nowhere as a scientist without Mildred. She was the one who kept him from jumping ahead to wild conclusions from the data he had so far. So they were, they're very much a team. She was doing the writing and they were collaborating, they were arguing with each other all the time about it And she was a much better writer than he was., but that wasn't suitable for a picture, so she was invisible.Carol Sutton Lewis: In the book, you write a lot about their difficult personalities and how that impacted their reputations within the wider scientific community. Can you say more about that?Carl Zimmer: Right. They really had a reputation as being really hard to deal with. People would politely call them peculiar. And when they weren't being quite so polite, they would talk about all these arguments that they would get in, shouting matches and so on. They really felt that they had discovered something incredibly important, but they were outsiders, you know, they didn't have PhDs, they didn't have really much formal training. And here they were saying that, you know, the consensus about infectious disease is profoundly wrong.Now, ironically, what happened is that once William Wells showed that ultraviolet light could kill germs, his superior at Harvard abruptly took an intense interest in all of this and said, Okay, you're going to share a patent on this with me. My name's going to be on the patent and all the research from now on is going to happen in my lab. I'm going to have complete control over what happens next. And Mildred took the lead saying no way we want total autonomy, get out of our face. She was much more aggressive in university politics, and sort of protecting their turf. And unfortunately they didn't have many allies at Harvard and pretty soon they were out, they were fired. And William Wells and his boss, Gordon Fair, were both named on a patent that was filed for using ultraviolet lamps to disinfect the air.Carol Sutton Lewis: So what happened when they left Harvard?Carl Zimmer: Well, it's really interesting watching them scrambling to find work, because their reputation had preceded them. They were hoping they could go back to Washington DC to the public health service. But, the story about the Wells was that Mildred, was carrying out a lot of the research, and so they thought, we can't hire William if it's his wife, who's quietly doing a lot of the work, like they, for some reason they didn't think, oh, we could hire them both.Carol Sutton Lewis: Or just her.Carl Zimmer: None of that, they were like, do we hire William Wells? His wife apparently hauls a lot of the weight. So no, we won't hire them. It's literally like written down. It’s, I'm not making it up. And fortunately they had a few defenders, a few champions down in Philadelphia.There was a doctor in Philadelphia who was using ultraviolet light to protect children in hospitals. And he was, really, inspired by the Wellses and he knew they were trouble. He wrote yes, I get it. They're difficult, but let's try to get them here.And so they brought them down to Philadelphia and Mildred. And William, opened up the laboratories for airborne infection at the University of Pennsylvania. And now actually Mildred got paid, for the first time, for this work. So they're both getting paid, things are starting to look betterCarol Sutton Lewis: So they start to do amazing work at the University of Pennsylvania.Carl Zimmer: That's right. That's right. William, takes the next step in proving their theory. He figures out how to actually give animals diseases through the air. He builds a machine that gets to be known as the infection machine. a big bell jar, and you can put mice in there, or a rabbit in there, and there's a tube connected to it.And through that tube, William can create a very fine mist that might have influenza viruses in it, or the bacteria that cause tuberculosis. And the animals just sit there and breathe, and lo and behold, They get tuberculosis, they get influenza, they get all these diseases,Now, meanwhile, Mildred is actually spending a lot of her time at a school nearby the Germantown Friends School, where they have installed ultraviolet lamps in some of the classrooms. And they're convinced that they can protect kids from airborne diseases. The biggest demonstration of what these lamps can do comes in 1940, because there's a huge epidemic of measles. In 1940, there's, no vaccine for measles. Every kid basically gets it.And lo and behold, the kids in the classrooms with the ultraviolet lamps are 10 times less likely to get measles than the kids just down the hall in the regular classrooms. And so this is one of the best experiments ever done on the nature of airborne infection and how you can protect people by disinfecting the air.Carol Sutton Lewis: Were they then finally accepted into the scientific community?Carl Zimmer: I know you keep waiting for that, that victory lap, but no. It's just like time and again, that glory gets snatched away from them. Again, this was not anything that was done in secret. Newspapers around Philadelphia were. Celebrating this wow, look at this, look at how we can protect our children from disease. This is fantastic. But other experts, public health authorities just were not budging. they had all taken in this dogma that the air can't be dangerous.And so again and again, they were hitting a brick wall. This is right on the eve of World War II.And so all sorts of scientists in World War II are asking themselves, what can we do? Mildred and William put themselves forward and say we don't want soldiers to get sick with the flu the way they did in World War I. They're both haunted by this and they're thinking, so we could put our ultraviolet lamps in the barracks, we could protect them. Soldiers from the flu, if the flu is airborne, like we think, not only that, but this could help to really convince all those skepticsCarol Sutton Lewis: mm.Carl Zimmer: But they failed. The army put all their money into other experiments, they were blackballed, they were shut out, and again, I think it was just because they were continuing to be just incredibly difficult. Even patrons and their friends would just sigh to each other, like, Oh my God, I've just had to deal with these, with them arguing with us and yelling at us. And by the end of World War II, things are bad, they have some sort of split up, they never get divorced, but it's just too much. Mildred, like she is not only trying to do this pioneering work in these schools, trying to keep William's labs organized, there's the matter of their son. Now looking at some documents, I would hazard a guess that he had schizophrenia because he was examined by a doctor who came to that conclusion.And so, she's under incredible pressure and eventually she cracks and in 1944 she resigns from the lab. She stops working in the schools, she stops collaborating with her husband, but she keeps doing her own science. And that's really amazing to me. What kinds of things did she do after this breakup? What kind of work did she conduct? And how was that received?Mildred goes on on her own to carry out a gigantic experiment, in hindsight, a really visionary piece of work. It's based on her experience in Philadelphia. Because she could see that the ultraviolet lamps worked very well at protecting children during a really intense measles epidemic. And so she thought to herself, if you want to really make ultraviolet light, and the theory of airborne infection live up to its true potential to protect people. You need to protect the air in a lot more places.So she gets introduced to the health commissioner in Westchester County, this is a county just north of New York City. And she pitches him this idea. She says, I want to go into one of your towns and I want to put ultraviolet lights everywhere. And this guy, William Holla, he is a very bold, flamboyant guy. He's the right guy to ask. He's like, yeah, let's do this. And he leaves it up to her to design the experiment.And so this town Pleasantville in New York gets fitted out with ultraviolet lamps in the train station, in the fountain shops, in the movie theater, in churches, all over the place. And she publishes a paper with Holla in 1950 on the results.The results are mixed though. You look carefully at them, you can see that actually, yeah, the lamps worked in certain respects. So certain diseases, the rates were lower in certain places, but sadly, this incredibly ambitious study really didn't move the needle. And yeah, it was a big disappointment and that was the last science that Mildred did.Carol Sutton Lewis: Even when they were working together, Mildred and William never really succeeded in convincing the scientific community to take airborne infection seriously, although their work obviously did move the science forward. So what did sway scientific opinion and when?Carl Zimmer: Yeah, Mildred dies in 1957. William dies in 1963. After the Wellses are dead, their work is dismissed and they themselves are quite forgotten. It really isn't until the early 2000s that a few people rediscover them.The SARS epidemic kicks up in 2003, for example, and I talked to a scientist in Hong Kong named Yuguo Li, and he was trying to understand how was this new disease spreading around? He's looking around and he finds references to papers by William Wells and Mildred Wells. He has no idea who they are and he sees that William Wells had published a book in 1955 and he's like, well, okay, maybe I need to go read the book.Nobody has the book. And the only place that he could find it was in one university in the United States. They photocopied it and shipped it to him in Hong Kong and he finally starts reading it. And it's really hard to read because again William was a terrible writer, unlike Mildred. But after a while it clicks and he's like, oh. That's it. I got it. But again, all the guidelines for controlling pandemics and diseases do not really give much serious attention to airborne infection except for just a couple diseases. And it's not until the COVID pandemic that things finally change.Carol Sutton Lewis: Wow. If we had listened to Mildred and William earlier, what might have been different?Carl Zimmer: Yeah, I do try to imagine a world in which Mildred and William had been taken seriously by more people. If airborne infection was just a seriously recognized thing at the start of the COVID pandemic, we would have been controlling the disease differently from the start. We wouldn't have been wiping down our shopping bags obsessively. People would have been encouraged to open the windows, people would have been encouraged to get air purifiers, ultraviolet lamps might have been installed in places with poor ventilation, masks might not have been so controversial.And instead these intellectual grandchildren of William and Mildred Wells had to reinvent the wheel. They had to do new studies to persuade people finally that a disease could be airborne. And it took a long time. It took months to finally move the needle.Carol Sutton Lewis: Carl, what do you hope people will take away from Mildred's story, which you have so wonderfully detailed in your book, rendering her no longer a lost woman of science? And what do you hope people will take away from the book more broadly?Carl Zimmer: I think sometimes that we imagine that science just marches on smoothly and effortlessly. But science is a human endeavor in all the good ways and in all the not-so-good ways. Science does have a fair amount of tragedy throughout it, as any human endeavor does. I'm sad about what happened to the Wells by the end of their lives, both of them. But in some ways, things are better now.When I'm writing about aerobiology in the early, mid, even late—except for Mildred, it's pretty much all men. But who were the people during the COVID pandemic who led the fight to get recognized as airborne? People like Linsey Marr at Virginia Tech, Kim Prather at University of California, San Diego, Lidia Morawska, an Australian researcher. Now, all women in science still have to contend with all sorts of sexism and sort of baked-in inequalities. But it is striking to me that when you get to the end of the book, the women show up.Carol Sutton Lewis: Well,Carl Zimmer: And they show up in force.Carol Sutton Lewis: And on that very positive note to end on, Carl, thank you so much, first and foremost, for writing this really fascinating book and within it, highlighting a now no longer lost woman of science, Mildred Weeks Wells. Your book is Airborne: The Hidden History of the Life We Breathe, and it's been a pleasure to speak with—Carl Zimmer: Thanks a lot. I really enjoyed talking about Mildred.Carol Sutton Lewis: This has been Lost Women of Science Conversations. Carl Zimmer's book Airborne: The Hidden History of the Life We Breathe is out now. This episode was hosted by me, Carol Sutton Lewis. Our producer was Luca Evans, and Hansdale Hsu was our sound engineer. Special thanks to our senior managing producer, Deborah Unger, our program manager, Eowyn Burtner, and our co-executive producers, Katie Hafner and Amy Scharf.Thanks also to Jeff DelViscio and our publishing partner, Scientific American. The episode art was created by Lily Whear and Lizzie Younan composes our music. Lost Women of Science is funded in part by the Alfred P. Sloan Foundation and the Anne Wojcicki Foundation. We're distributed by PRX.If you've enjoyed this conversation, go to our website lostwomenofscience.org and subscribe so you'll never miss an episode—that's lostwomenofscience.org. And please share it and give us a rating wherever you listen to podcasts. Oh, and please don't forget to click on the donate button—that helps us bring you even more stories of important female scientists.I'm Carol Sutton Lewis. See you next time.HostCarol Sutton LewisProducerLuca EvansGuest Carl ZimmerCarl Zimmer writes the Origins column for the New York Times and has frequently contributed to The Atlantic, National Geographic, Time, and Scientific American. His journalism has earned numerous awards, including ones from the American Association for the Advancement of Science and the National Academies of Sciences, Medicine, and Engineering. He is the author of fourteen books about science, including Life's Edge.Further Reading:Air-Borne: The Hidden History of the Life We Breathe. Carl Zimmer. Dutton, 2025Poliomyelitis. International Committee for the Study of Infantile Paralysis. Williams & Wilkins Company, 1932 “Air-borne Infection,” by William Firth Wells and Mildred Weeks Wells, in JAMA, Vol. 107, No. 21; November 21, 1936“Air-borne Infection: Sanitary Control,” by William Firth Wells and Mildred Weeks Wells, in JAMA, Vol. 107, No. 22; November 28, 1936“Ventilation in the Spread of Chickenpox and Measles within School Rooms,” by Mildred Weeks Wells, in JAMA, Vol. 129, No. 3; September 15, 1945“The 60-Year-Old Scientific Screwup That Helped Covid Kill,” by Megan Molteni, in Wired. Published online May 13, 2021WATCH THIS NEXTScience journalist Carl Zimmer joins host Rachel Feltman to look back at the history of the field, from ancient Greek “miasmas” to Louis Pasteur’s unorthodox experiments to biological warfare. #public #health #researcher #her #engineer
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    A Public Health Researcher and Her Engineer Husband Found How Diseases Can Spread through Air Decades before the COVID Pandemic
    May 21, 202522 min readMildred Weeks Wells’s Work on Airborne Transmission Could Have Saved Many Lives—If the Scientific Establishment ListenedMildred Weeks Wells and her husband figured out that disease-causing pathogens can spread through the air like smoke Dutton (image); Lily Whear (composite)Air-Borne: The Hidden History of the Life We Breathe, by Carl Zimmer, charts the history of the field of aerobiology: the science of airborne microorganisms. In this episode, we discover the story of two lost pioneers of the 1930s: physician and self-taught epidemiologist Mildred Weeks Wells and her husband, sanitary engineer William Firth Wells. Together, they proved that infectious pathogens could spread through the air over long distances. But the two had a reputation as outsiders, and they failed to convince the scientific establishment, who ignored their findings for decades. What the pair figured out could have saved many lives from tuberculosis, SARS, COVID and other airborne diseases. The contributions of Mildred Weeks Wells and her husband were all but erased from history—until now.LISTEN TO THE PODCASTOn supporting science journalismIf you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today.TRANSCRIPTCarl Zimmer: Mildred is hired in the late 1920s to put together everything that was known about polio. And she does this incredible study, where she basically looks for everything that she can find about how polio spreads.At the time, the idea that it could spread through the air was really looked at as being just an obsolete superstition. Public health experts would say, look, a patient's breath is basically harmless. But the epidemiology looks to her like these germs are airborne, and this goes totally against the consensus at the time.Carol Sutton Lewis: Hello, I'm Carol Sutton Lewis. Welcome to the latest episode of Lost Women of Science Conversations, where we talk with authors and artists who've discovered and celebrated female scientists in books, poetry, film, and the visual arts.Today I'm joined by Carl Zimmer, an award-winning New York Times columnist and the author of 15 books about science. His latest book, Airborne: The Hidden History of the Life We Breathe, focuses on the last great biological frontier: the air. It presents the history of aerobiology, which is the science dealing with the occurrence, transportation, and effects of airborne microorganisms.The book chronicles the exploits of committed aerobiologists from the early pioneers through to the present day. Among these pioneers were Mildred Weeks Wells and her husband, William Firth Wells.Airborne tells the story of how Mildred and William tried to sound the alarm about airborne infections, but for many reasons, their warnings went unheard.Welcome, Carl Zimmer. It's such a pleasure to have you with us to tell us all about this fascinating woman and her contributions to science.Can you please tell us about Mildred Weeks Wells—where and how she grew up and what led her to the field of aerobiology?Carl Zimmer: She was born in 1891, and she came from a very prominent Texas family—the Denton family. Her great-grandfather is actually whom the city of Denton, Texas is named after. Her grandfather was a surgeon for the Confederate Army in the Civil War, and he becomes the director of what was called then the State Lunatic Asylum.And he and the bookkeeper there, William Weeks, are both charged with embezzlement. It's a big scandal. The bookkeeper then marries Mildred's mother. Then, shortly after Mildred's born, her father disappears. Her mother basically abandons her with her grandmother. And she grows up with her sister and grandmother in Austin, Texas. A comfortable life, but obviously there's a lot of scandal hanging over them.She is clearly incredibly strong-willed. She goes to medical school at the University of Texas and graduates in 1915, one of three women in a class of 34. That is really something for a woman at that point—there were hardly any women with medical degrees in the United States, let alone someone in Texas.But she books out of there. She does not stick around. She heads in 1915 to Washington, D.C., and works at the Public Health Service in a lab called the Hygienic Laboratory. Basically, what they're doing is studying bacteria. You have to remember, this is the golden age of the germ theory of disease. People have been figuring out that particular bacteria or viruses cause particular diseases, and that knowledge is helping them fight those diseases.It's there in Washington at this time that she meets a man who will become her husband, William Firth Wells.Carol Sutton Lewis: Just a quick aside—because we at Lost Women of Science are always interested in how you discover the material in addition to what you've discovered. How were you able to piece together her story? What sources were you able to find? It seems like there wasn't a lot of information available.Carl Zimmer: Yeah, it was a tough process. There is little information that's really easy to get your hands on. I mean, there is no biography of Mildred Wells or her husband, William Firth Wells.At the Rockefeller archives, they had maybe 30 document boxes full of stuff that was just miraculously conserved there. There are also letters that she wrote to people that have been saved in various collections.But especially with her early years, it's really tough. You know, in all my work trying to dig down for every single scrap of information I could find of her, I have only found one photograph of her—and it's the photograph in her yearbook. That’s it.Carol Sutton Lewis: You talked about that photograph in the book, and I was struck by your description of it. You say that she's smiling, but the longer you look at her smile, the sadder it becomes. What do you think at that young age was the source of the sadness?Carl Zimmer: I think that Mildred grew up with a lot of trauma. She was not the sort of person to keep long journals or write long letters about these sorts of things. But when you've come across those clues in these brief little newspaper accounts, you can kind of read between the lines.There are reports in newspapers saying that Mildred's mother had come to Austin to pay a visit to Mildred because she had scarlet fever when she was 10, and then she goes away again. And when I look at her face in her yearbook, it doesn't surprise me that there is this cast of melancholy to it because you just think about what she had gone through just as a kid.Carol Sutton Lewis: Oh. Absolutely. And fast forward, she meets William and they marry. They have a son, and they start collaborating. How did that begin?Carl Zimmer: The collaboration takes a while. So William Wells is also working at the Public Health Service at the time. He is a few years older than Mildred and he has been trained at MIT as what was called then a sanitarian. In other words, he was going to take the germ theory of disease and was going to save people's lives.He was very clever. He could invent tests that a sanitarian could use, dip a little tube into a river and see whether the water was safe or not, things like that. He was particularly focused on keeping water clean of bacteria that could cause diseases like typhoid or cholera and he also, gets assigned by the government to study oysters because oysters, they sit in this water and they're filtering all day long. And you know, if there's bacteria in there, they're going to filter it and trap it in their tissues. And oysters are incredibly popular in the early nineteen hundreds and a shocking number of people are keeling over dying of typhoid because they're eating them raw. So William is very busy, figuring out ways to save the oyster industry. How do we purify oysters and things like that? They meet, they get married in 1917.In 1918 they have a child, William Jr. nicknamed Bud. But William is not around for the birth, because he is drafted into the army, and he goes off to serve. in World War I.Carol Sutton Lewis: So Mildred is at home with Bud and William's off at the war. But ultimately, Mildred returns to science. A few years later, where she is hired as a polio detective. Can you tell me a little bit about what the state of polio knowledge was at the time and what precisely a polio detective did?Carl Zimmer: It doesn't seem like polio really was a thing in the United States until the late 1800s. And then suddenly there's this mysterious disease that can strike children with no warning. These kids can't. walk, or suddenly these kids are dying. Not only are the symptoms completely terrifying to parents, but how it spreads is a complete mystery. And so Mildred, seems to have been hired at some point in the late 1920s To basically put together everything that was known about polio to help doctors to deal with their patients and to, you know, encourage future science to try to figure out what is this disease.You know, Mildred wasn't trained in epidemiology. So it's kind of remarkable that she taught herself. And she would turn out to be a really great epidemiologist. But, in any case, She gets hired by the International Committee for the Study of Infantile Paralysis, that was the name then for polio. And she does this incredible study, where she basically looks for everything that she can find about how polio spreads. Case studies where, in a town, like this child got polio, then this child did, and did they have contact and what sort of contact, what season was it? What was the weather like? All these different factors.And one thing that's really important to bear in mind is that, at this time, the prevailing view was that diseases spread by water, by food, by sex, by close contact. Maybe like someone just coughs and sprays droplets on you, but otherwise it's these other routes.The idea that it could spread through the air was really looked at as being just obsolete superstition. for thousands of years, people talked about miasmas, somehow the air mysteriously became corrupted and that made people sick with different diseases. That was all thrown out in the late 1800s, early 1900s when germ theory really takes hold. And so public health experts would say, look, a patient's breath is basically harmless.Carol Sutton Lewis: But Mildred doesn't agree, does she?Carl Zimmer: Well, Mildred Wells is looking at all of this, data and she is starting to get an idea that maybe these public health experts have been too quick to dismiss the air. So when people are talking about droplet infections in the 1920s, they're basically just talking about, big droplets that someone might just sneeze in your face. But the epidemiology looks to her like these germs are airborne, are spreading long distances through the air.So Mildred is starting to make a distinction in her mind about what she calls airborne and droplet infections. So, and this is really the time that the Wellses collectively are thinking about airborne infection and it's Mildred is doing it. And William actually gives her credit for this later on.Carol Sutton Lewis: Right. and her results are published in a book about polio written entirely by female authors, which is quite unusual for the time.Carl Zimmer: Mm hmm. Right. The book is published in 1932, and the reception just tells you so much about what it was like to be a woman in science. The New England Journal of Medicine reviews the book, which is great. But, here's a line that they give, they say, it is interesting to note that this book is entirely the product of women in medicine and is the first book.So far as a reviewer knows. by a number of authors, all of whom are of the female sex. So it's this: Oh, look at this oddity. And basically, the virtue of that is that women are really thorough, I, guess. so it's a very detailed book. And the reviewer writes, no one is better fitted than a woman to collect data such as this book contains. So there's no okay, this is very useful.Carol Sutton Lewis: PatronizeCarl Zimmer: Yeah. Thank you very much. Reviewers were just skating over the conclusions that they were drawing, I guess because they were women. Yeah, pretty incredible.Carol Sutton Lewis: So she is the first to submit scientific proof about this potential for airborne transmission. And that was pretty much dismissed. It wasn't even actively dismissed.It was just, nah, these women, nothing's coming outta that, except William did pay attention. I believe he too had been thinking about airborne transmission for some time and then started seriously looking at Mildred's conclusion when he started teaching at Harvard.Carl Zimmer: Yeah. So, William gets a job as a low level instructor at Harvard. He's getting paid very little. Mildred has no income. He's teaching about hygiene and sanitation, but apparently he's a terrible teacher. But he is a clever, brilliant engineer and scientist; he very quickly develops an idea that probably originated in the work that Mildred had been doing on polio. that maybe diseases actually can spread long distances through the air. So there are large droplets that we might sneeze out and cough out and, and they go a short distance before gravity pulls them down. But physics dictates that below a certain size, droplets can resist gravity.This is something that's going totally against what all the, the really prominent public health figures are saying. William Wells doesn't care. He goes ahead and he starts to, invent a way to sample air for germs. Basically it's a centrifuge. You plug it in, the fan spins, it sucks in air, the air comes up inside a glass cylinder and then as it's spinning, if there are any droplets of particles or anything floating in the air, they get flung out to the sideS.And so afterwards you just pull out the glass which is coated with, food for microbes to grow on and you put it in a nice warm place. And If there's anything in the air, you'll be able to grow a colony and see it.Carol Sutton Lewis: Amazing.Carl Zimmer: It is amazing. This, this was a crucial inventionCarol Sutton Lewis: So we have William, who is with Mildred's help moving more towards the possibility of airborne infection, understanding that this is very much not where science is at the moment, and he conducts a really interesting experiment in one of his classrooms to try to move the theory forward. We'll talk more about that experiment when we come back after the break.MidrollCarol Sutton Lewis: Welcome back to Lost Women of Science Conversations. We left off as the Wellses were about to conduct an experiment to test their theories about airborne infections. Carl, can you tell us about that experiment?Carl Zimmer: Okay. it's 1934, It's a cold day. Students come in for a lecture from this terrible teacher, William Wells. The windows are closed. The doors are closed. It's a poorly ventilated room. About 20 minutes before the end of the class, he takes this weird device that's next to him, he plugs it into the wall, and then he just goes back and keeps lecturing.It's not clear whether he even told them what he was doing. But, he then takes this little pinch of sneezing powder. out of a jar and holds it in the sort of outflow from the fan inside the air centrifuge. So all of a sudden, poof, the sneezing powder just goes off into the air. You know, there are probably about a couple dozen students scattered around this lecture hall and after a while they start to sneeze. And in fact, people All the way in the [00:16:00] back are sneezing too.So now Wells turns off his machine, puts in a new cylinder, turns it on, keeps talking. The thing is that they are actually sneezing out droplets into the air.And some of those droplets contain harmless bacteria from their mouths. And he harvests them from the air. He actually collects them in his centrifuge. And after a few days, he's got colonies of these bacteria, but only after he had released the sneezing powder, the one before that didn't have any.So, you have this demonstration that William Wells could catch germs in the air that had been released from his students at quite a distance away, And other people can inhale them, and not even realize what's happening. In other words, germs were spreading like smoke. And so this becomes an explanation for what Mildred had been seeing in her epidemiology..Carol Sutton Lewis: Wow. That was pretty revolutionary. But how was it received?Carl Zimmer: Well, you know, At first it was received, With great fanfare, and he starts publishing papers in nineteen thirty he and Mildred are coauthors on these. And, Mildred is actually appointed as a research associate at Harvard, in nineteen thirty it's a nice title, but she doesn't get paid anything. And then William makes another discovery, which is also very important.He's thinking okay, if these things are floating in the air, is there a way that I can disinfect the air? And he tries all sorts of things and he discovers ultraviolet light works really well. In fact, you can just put an ultraviolet light in a room and the droplets will circulate around and as they pass through the ultraviolet rays, it kills the bacteria or viruses inside of them. So in 1936, when he's publishing these results, there are so many headlines in newspapers and magazines and stuff about this discovery.There's one headline that says, scientists fight flu germs with violet ray. And, there are these predictions that, we are going to be safe from these terrible diseases. Like for example, influenza, which had just, devastated the world not long beforehand, because you're going to put ultraviolet lights in trains and schools and trolleys and movie theaters.Carol Sutton Lewis: Did Mildred get any public recognition for her contributions to all of this?Carl Zimmer: Well not surprisingly, William gets the lion's share of the attention. I mean, there's a passing reference to Mildred in one article. The Associated Press says chief among his aides, Wells said, was his wife, Dr. Mildred Wells. So, William was perfectly comfortable, acknowledging her, but the reporters. Didn't care,Carol Sutton Lewis: And there were no pictures of herCarl Zimmer: Right. Mildred wasn't the engineer in that couple, but she was doing all the research on epidemiology. And you can tell from comments that people made about, and Mildred Wells is that. William would be nowhere as a scientist without Mildred. She was the one who kept him from jumping ahead to wild conclusions from the data he had so far. So they were, they're very much a team. She was doing the writing and they were collaborating, they were arguing with each other all the time about it And she was a much better writer than he was., but that wasn't suitable for a picture, so she was invisible.Carol Sutton Lewis: In the book, you write a lot about their difficult personalities and how that impacted their reputations within the wider scientific community. Can you say more about that?Carl Zimmer: Right. They really had a reputation as being really hard to deal with. People would politely call them peculiar. And when they weren't being quite so polite, they would talk about all these arguments that they would get in, shouting matches and so on. They really felt that they had discovered something incredibly important, but they were outsiders, you know, they didn't have PhDs, they didn't have really much formal training. And here they were saying that, you know, the consensus about infectious disease is profoundly wrong.Now, ironically, what happened is that once William Wells showed that ultraviolet light could kill germs, his superior at Harvard abruptly took an intense interest in all of this and said, Okay, you're going to share a patent on this with me. My name's going to be on the patent and all the research from now on is going to happen in my lab. I'm going to have complete control over what happens next. And Mildred took the lead saying no way we want total autonomy, get out of our face. She was much more aggressive in university politics, and sort of protecting their turf. And unfortunately they didn't have many allies at Harvard and pretty soon they were out, they were fired. And William Wells and his boss, Gordon Fair, were both named on a patent that was filed for using ultraviolet lamps to disinfect the air.Carol Sutton Lewis: So what happened when they left Harvard?Carl Zimmer: Well, it's really interesting watching them scrambling to find work, because their reputation had preceded them. They were hoping they could go back to Washington DC to the public health service. But, the story about the Wells was that Mildred, was carrying out a lot of the research, and so they thought, we can't hire William if it's his wife, who's quietly doing a lot of the work, like they, for some reason they didn't think, oh, we could hire them both.Carol Sutton Lewis: Or just her.Carl Zimmer: None of that, they were like, do we hire William Wells? His wife apparently hauls a lot of the weight. So no, we won't hire them. It's literally like written down. It’s, I'm not making it up. And fortunately they had a few defenders, a few champions down in Philadelphia.There was a doctor in Philadelphia who was using ultraviolet light to protect children in hospitals. And he was, really, inspired by the Wellses and he knew they were trouble. He wrote yes, I get it. They're difficult, but let's try to get them here.And so they brought them down to Philadelphia and Mildred. And William, opened up the laboratories for airborne infection at the University of Pennsylvania. And now actually Mildred got paid, for the first time, for this work. So they're both getting paid, things are starting to look betterCarol Sutton Lewis: So they start to do amazing work at the University of Pennsylvania.Carl Zimmer: That's right. That's right. William, takes the next step in proving their theory. He figures out how to actually give animals diseases through the air. He builds a machine that gets to be known as the infection machine. a big bell jar, and you can put mice in there, or a rabbit in there, and there's a tube connected to it.And through that tube, William can create a very fine mist that might have influenza viruses in it, or the bacteria that cause tuberculosis. And the animals just sit there and breathe, and lo and behold, They get tuberculosis, they get influenza, they get all these diseases,Now, meanwhile, Mildred is actually spending a lot of her time at a school nearby the Germantown Friends School, where they have installed ultraviolet lamps in some of the classrooms. And they're convinced that they can protect kids from airborne diseases. The biggest demonstration of what these lamps can do comes in 1940, because there's a huge epidemic of measles. In 1940, there's, no vaccine for measles. Every kid basically gets it.And lo and behold, the kids in the classrooms with the ultraviolet lamps are 10 times less likely to get measles than the kids just down the hall in the regular classrooms. And so this is one of the best experiments ever done on the nature of airborne infection and how you can protect people by disinfecting the air.Carol Sutton Lewis: Were they then finally accepted into the scientific community?Carl Zimmer: I know you keep waiting for that, that victory lap, but no. It's just like time and again, that glory gets snatched away from them. Again, this was not anything that was done in secret. Newspapers around Philadelphia were. Celebrating this wow, look at this, look at how we can protect our children from disease. This is fantastic. But other experts, public health authorities just were not budging. they had all taken in this dogma that the air can't be dangerous.And so again and again, they were hitting a brick wall. This is right on the eve of World War II.And so all sorts of scientists in World War II are asking themselves, what can we do? Mildred and William put themselves forward and say we don't want soldiers to get sick with the flu the way they did in World War I. They're both haunted by this and they're thinking, so we could put our ultraviolet lamps in the barracks, we could protect them. Soldiers from the flu, if the flu is airborne, like we think, not only that, but this could help to really convince all those skepticsCarol Sutton Lewis: mm.Carl Zimmer: But they failed. The army put all their money into other experiments, they were blackballed, they were shut out, and again, I think it was just because they were continuing to be just incredibly difficult. Even patrons and their friends would just sigh to each other, like, Oh my God, I've just had to deal with these, with them arguing with us and yelling at us. And by the end of World War II, things are bad, they have some sort of split up, they never get divorced, but it's just too much. Mildred, like she is not only trying to do this pioneering work in these schools, trying to keep William's labs organized, there's the matter of their son. Now looking at some documents, I would hazard a guess that he had schizophrenia because he was examined by a doctor who came to that conclusion.And so, she's under incredible pressure and eventually she cracks and in 1944 she resigns from the lab. She stops working in the schools, she stops collaborating with her husband, but she keeps doing her own science. And that's really amazing to me. What kinds of things did she do after this breakup? What kind of work did she conduct? And how was that received?Mildred goes on on her own to carry out a gigantic experiment, in hindsight, a really visionary piece of work. It's based on her experience in Philadelphia. Because she could see that the ultraviolet lamps worked very well at protecting children during a really intense measles epidemic. And so she thought to herself, if you want to really make ultraviolet light, and the theory of airborne infection live up to its true potential to protect people. You need to protect the air in a lot more places.So she gets introduced to the health commissioner in Westchester County, this is a county just north of New York City. And she pitches him this idea. She says, I want to go into one of your towns and I want to put ultraviolet lights everywhere. And this guy, William Holla, he is a very bold, flamboyant guy. He's the right guy to ask. He's like, yeah, let's do this. And he leaves it up to her to design the experiment.And so this town Pleasantville in New York gets fitted out with ultraviolet lamps in the train station, in the fountain shops, in the movie theater, in churches, all over the place. And she publishes a paper with Holla in 1950 on the results.The results are mixed though. You look carefully at them, you can see that actually, yeah, the lamps worked in certain respects. So certain diseases, the rates were lower in certain places, but sadly, this incredibly ambitious study really didn't move the needle. And yeah, it was a big disappointment and that was the last science that Mildred did.Carol Sutton Lewis: Even when they were working together, Mildred and William never really succeeded in convincing the scientific community to take airborne infection seriously, although their work obviously did move the science forward. So what did sway scientific opinion and when?Carl Zimmer: Yeah, Mildred dies in 1957. William dies in 1963. After the Wellses are dead, their work is dismissed and they themselves are quite forgotten. It really isn't until the early 2000s that a few people rediscover them.The SARS epidemic kicks up in 2003, for example, and I talked to a scientist in Hong Kong named Yuguo Li, and he was trying to understand how was this new disease spreading around? He's looking around and he finds references to papers by William Wells and Mildred Wells. He has no idea who they are and he sees that William Wells had published a book in 1955 and he's like, well, okay, maybe I need to go read the book.Nobody has the book. And the only place that he could find it was in one university in the United States. They photocopied it and shipped it to him in Hong Kong and he finally starts reading it. And it's really hard to read because again William was a terrible writer, unlike Mildred. But after a while it clicks and he's like, oh. That's it. I got it. But again, all the guidelines for controlling pandemics and diseases do not really give much serious attention to airborne infection except for just a couple diseases. And it's not until the COVID pandemic that things finally change.Carol Sutton Lewis: Wow. If we had listened to Mildred and William earlier, what might have been different?Carl Zimmer: Yeah, I do try to imagine a world in which Mildred and William had been taken seriously by more people. If airborne infection was just a seriously recognized thing at the start of the COVID pandemic, we would have been controlling the disease differently from the start. We wouldn't have been wiping down our shopping bags obsessively. People would have been encouraged to open the windows, people would have been encouraged to get air purifiers, ultraviolet lamps might have been installed in places with poor ventilation, masks might not have been so controversial.And instead these intellectual grandchildren of William and Mildred Wells had to reinvent the wheel. They had to do new studies to persuade people finally that a disease could be airborne. And it took a long time. It took months to finally move the needle.Carol Sutton Lewis: Carl, what do you hope people will take away from Mildred's story, which you have so wonderfully detailed in your book, rendering her no longer a lost woman of science? And what do you hope people will take away from the book more broadly?Carl Zimmer: I think sometimes that we imagine that science just marches on smoothly and effortlessly. But science is a human endeavor in all the good ways and in all the not-so-good ways. Science does have a fair amount of tragedy throughout it, as any human endeavor does. I'm sad about what happened to the Wells by the end of their lives, both of them. But in some ways, things are better now.When I'm writing about aerobiology in the early, mid, even late—except for Mildred, it's pretty much all men. But who were the people during the COVID pandemic who led the fight to get recognized as airborne? People like Linsey Marr at Virginia Tech, Kim Prather at University of California, San Diego, Lidia Morawska, an Australian researcher. Now, all women in science still have to contend with all sorts of sexism and sort of baked-in inequalities. But it is striking to me that when you get to the end of the book, the women show up.Carol Sutton Lewis: Well,Carl Zimmer: And they show up in force.Carol Sutton Lewis: And on that very positive note to end on, Carl, thank you so much, first and foremost, for writing this really fascinating book and within it, highlighting a now no longer lost woman of science, Mildred Weeks Wells. Your book is Airborne: The Hidden History of the Life We Breathe, and it's been a pleasure to speak with—Carl Zimmer: Thanks a lot. I really enjoyed talking about Mildred.Carol Sutton Lewis: This has been Lost Women of Science Conversations. Carl Zimmer's book Airborne: The Hidden History of the Life We Breathe is out now. This episode was hosted by me, Carol Sutton Lewis. Our producer was Luca Evans, and Hansdale Hsu was our sound engineer. Special thanks to our senior managing producer, Deborah Unger, our program manager, Eowyn Burtner, and our co-executive producers, Katie Hafner and Amy Scharf.Thanks also to Jeff DelViscio and our publishing partner, Scientific American. The episode art was created by Lily Whear and Lizzie Younan composes our music. Lost Women of Science is funded in part by the Alfred P. Sloan Foundation and the Anne Wojcicki Foundation. We're distributed by PRX.If you've enjoyed this conversation, go to our website lostwomenofscience.org and subscribe so you'll never miss an episode—that's lostwomenofscience.org. And please share it and give us a rating wherever you listen to podcasts. Oh, and please don't forget to click on the donate button—that helps us bring you even more stories of important female scientists.I'm Carol Sutton Lewis. See you next time.HostCarol Sutton LewisProducerLuca EvansGuest Carl ZimmerCarl Zimmer writes the Origins column for the New York Times and has frequently contributed to The Atlantic, National Geographic, Time, and Scientific American. His journalism has earned numerous awards, including ones from the American Association for the Advancement of Science and the National Academies of Sciences, Medicine, and Engineering. He is the author of fourteen books about science, including Life's Edge.Further Reading:Air-Borne: The Hidden History of the Life We Breathe. Carl Zimmer. Dutton, 2025Poliomyelitis. International Committee for the Study of Infantile Paralysis. Williams & Wilkins Company, 1932 “Air-borne Infection,” by William Firth Wells and Mildred Weeks Wells, in JAMA, Vol. 107, No. 21; November 21, 1936“Air-borne Infection: Sanitary Control,” by William Firth Wells and Mildred Weeks Wells, in JAMA, Vol. 107, No. 22; November 28, 1936“Ventilation in the Spread of Chickenpox and Measles within School Rooms,” by Mildred Weeks Wells, in JAMA, Vol. 129, No. 3; September 15, 1945“The 60-Year-Old Scientific Screwup That Helped Covid Kill,” by Megan Molteni, in Wired. Published online May 13, 2021WATCH THIS NEXTScience journalist Carl Zimmer joins host Rachel Feltman to look back at the history of the field, from ancient Greek “miasmas” to Louis Pasteur’s unorthodox experiments to biological warfare.
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  • Rare Humpback Whale Calf Sighting Makes Migration Routes More Mysterious Than Once Thought

    Some humpback whales are born in warmer waters. Others are born on the way. That’s what a study in Frontiers in Marine Science seems to suggest, anyway, after showing that hundreds of East Australian humpback whales are actually born mid-migration, while their mothers are still traveling to their established calving and breeding grounds.“Hundreds of humpback calves were born well outside the established breeding grounds,” said Tracey Rogers, the senior study author and a biology professor at the University of New South Wales, according to a press release. “Giving birth along the ‘humpback highway’ means these vulnerable calves, who are not yet strong swimmers, are required to swim long distances much earlier in life than if they were born in the breeding grounds.” In fact, the study shows that these calves are sometimes born in the temperate waters around Southeastern Australia, New Zealand, and Tasmania, around 900 miles south of the traditionally assumed area. Challenging the theory that humpback migration is essential for the birth of these whales, the study provides valuable information for protecting humpback whale populations in the future. Humpback Whale Mid-Migration SightingsEvery year, Eastern Australian humpbacks travel from the polar waters of the Southern Ocean around Antarctica to the tropical waters of the South Pacific Ocean around northeastern Australia. For a long time, it was thought that this winter migration enabled the birth of these whales, with the whales having to be born in these warmer waters.“Historically, we believed that humpback whales migrating north from the nutrient-rich Southern Ocean wereto warmer, tropical waters, such as the Great Barrier Reef, to calve,” said Jane McPhee-Frew, the lead study author and a biology Ph.D. candidate at the University of New South Wales, according to another press release.But in July 2023, McPhee-Frew spotted a pair of Eastern Australian humpbacks — a mother and a calf — in the temperate waters around southeastern Australia, apparently on their way to their established calving and breeding grounds. “The calf was tiny, obviously brand new,” McPhee-Frew said in the press release. “What were they doing there?”Hoping to find out, McPhee-Frew, Rogers, and a team of five other researchers studied hundreds of observations of Eastern Australian humpbacks from around southeastern Australia, New Zealand, and Tasmania. Including information from citizen scientist sightings, scientist surveys, and beach strandings, the team examined 209 observations of calves, including 168 observations of living calves, many of which were made in 2023 and 2024. Surprisingly, some of the observations were made as far south as Port Arthur, Tasmania, with many of the mothers continuing to travel north with their newborns.According to the team, these mid-migration births are probably not a new phenomenon, as records seem to suggest that they occurred in the 1800s and 1900s, too, before the collapse of Eastern Australian humpback populations due to commercial whaling. “I think it’s very likely that this pattern has always existed, but the low number of whales obscured it from view,” McPhee-Frew said in the press release. “The Eastern Australia humpback population narrowly escaped extinction, but now there arein this population alone. It doesn’t happen overnight, but the recovery of humpback whales, and the return of their full range of behaviors and distribution, just goes to show that with good policies built on good science, we can have excellent outcomes.”Protection for Whale PopulationsA mother and baby humpback whale swimming in Kiama, New South Wales, Australia.)The fact that these calves can be born on their way to the mothers’ calving and breeding grounds means that the purpose of humpback migration is much more of a mystery than typically thought. Indeed, if humpback mothers can deliver babies in temperate waters, why do they travel to tropical waters every year? Though the study cannot confirm this theory, the warm waters of northeastern Australia may offer other benefits beyond birth. For instance, they might be a potentially safer space for calves to learn and grow, even if they were born elsewhere. Such benefits might make the move worthwhile, the team says, despite the risks of delivering a newborn in the midst of migration. And there are a lot of risks. Without a newborn, the trip is long, spanning several thousand miles from the South Ocean to the South Pacific Ocean, and straight through some of the busiest swathes of sea. “This means these vulnerable animals are exposed to risks like boat strikes, entanglements, pollution, and just general public unawareness,” Rogers said in the press release. And adding a calf to the mix merely increases the risk, as newborn humpbacks are slower and weaker than their mothers. “They have those long, enormous fins that they need to grow into, and they’re not very strong swimmers. So they rest a lot of the time on their mum’s back,” Rogers said in the press release. “It’s heartbreaking to think of these young whalesthrough busy ports and dangerous shipping lanes with those long, clumsy fins.”The injuries on some of the observed newborns stress the need to do more to protect whales as they travel, the team says. Fortunately, with better information about where these calves and their mothers appear, protected areas and awareness campaigns can be better calibrated to save whales of all ages. “Regardless of the health of population now, we can’t be in a situation where we’re putting any age of whales — especially baby whales — in a situation where they’re getting caught in nets, being exposed to chemicals, being hit by boats and being harassed,” McPhee-Frew said in the press release. Article SourcesOur writers at Discovermagazine.com use peer-reviewed studies and high-quality sources for our articles, and our editors review for scientific accuracy and editorial standards. Review the sources used below for this article:Sam Walters is a journalist covering archaeology, paleontology, ecology, and evolution for Discover, along with an assortment of other topics. Before joining the Discover team as an assistant editor in 2022, Sam studied journalism at Northwestern University in Evanston, Illinois.
    #rare #humpback #whale #calf #sighting
    Rare Humpback Whale Calf Sighting Makes Migration Routes More Mysterious Than Once Thought
    Some humpback whales are born in warmer waters. Others are born on the way. That’s what a study in Frontiers in Marine Science seems to suggest, anyway, after showing that hundreds of East Australian humpback whales are actually born mid-migration, while their mothers are still traveling to their established calving and breeding grounds.“Hundreds of humpback calves were born well outside the established breeding grounds,” said Tracey Rogers, the senior study author and a biology professor at the University of New South Wales, according to a press release. “Giving birth along the ‘humpback highway’ means these vulnerable calves, who are not yet strong swimmers, are required to swim long distances much earlier in life than if they were born in the breeding grounds.” In fact, the study shows that these calves are sometimes born in the temperate waters around Southeastern Australia, New Zealand, and Tasmania, around 900 miles south of the traditionally assumed area. Challenging the theory that humpback migration is essential for the birth of these whales, the study provides valuable information for protecting humpback whale populations in the future. Humpback Whale Mid-Migration SightingsEvery year, Eastern Australian humpbacks travel from the polar waters of the Southern Ocean around Antarctica to the tropical waters of the South Pacific Ocean around northeastern Australia. For a long time, it was thought that this winter migration enabled the birth of these whales, with the whales having to be born in these warmer waters.“Historically, we believed that humpback whales migrating north from the nutrient-rich Southern Ocean wereto warmer, tropical waters, such as the Great Barrier Reef, to calve,” said Jane McPhee-Frew, the lead study author and a biology Ph.D. candidate at the University of New South Wales, according to another press release.But in July 2023, McPhee-Frew spotted a pair of Eastern Australian humpbacks — a mother and a calf — in the temperate waters around southeastern Australia, apparently on their way to their established calving and breeding grounds. “The calf was tiny, obviously brand new,” McPhee-Frew said in the press release. “What were they doing there?”Hoping to find out, McPhee-Frew, Rogers, and a team of five other researchers studied hundreds of observations of Eastern Australian humpbacks from around southeastern Australia, New Zealand, and Tasmania. Including information from citizen scientist sightings, scientist surveys, and beach strandings, the team examined 209 observations of calves, including 168 observations of living calves, many of which were made in 2023 and 2024. Surprisingly, some of the observations were made as far south as Port Arthur, Tasmania, with many of the mothers continuing to travel north with their newborns.According to the team, these mid-migration births are probably not a new phenomenon, as records seem to suggest that they occurred in the 1800s and 1900s, too, before the collapse of Eastern Australian humpback populations due to commercial whaling. “I think it’s very likely that this pattern has always existed, but the low number of whales obscured it from view,” McPhee-Frew said in the press release. “The Eastern Australia humpback population narrowly escaped extinction, but now there arein this population alone. It doesn’t happen overnight, but the recovery of humpback whales, and the return of their full range of behaviors and distribution, just goes to show that with good policies built on good science, we can have excellent outcomes.”Protection for Whale PopulationsA mother and baby humpback whale swimming in Kiama, New South Wales, Australia.)The fact that these calves can be born on their way to the mothers’ calving and breeding grounds means that the purpose of humpback migration is much more of a mystery than typically thought. Indeed, if humpback mothers can deliver babies in temperate waters, why do they travel to tropical waters every year? Though the study cannot confirm this theory, the warm waters of northeastern Australia may offer other benefits beyond birth. For instance, they might be a potentially safer space for calves to learn and grow, even if they were born elsewhere. Such benefits might make the move worthwhile, the team says, despite the risks of delivering a newborn in the midst of migration. And there are a lot of risks. Without a newborn, the trip is long, spanning several thousand miles from the South Ocean to the South Pacific Ocean, and straight through some of the busiest swathes of sea. “This means these vulnerable animals are exposed to risks like boat strikes, entanglements, pollution, and just general public unawareness,” Rogers said in the press release. And adding a calf to the mix merely increases the risk, as newborn humpbacks are slower and weaker than their mothers. “They have those long, enormous fins that they need to grow into, and they’re not very strong swimmers. So they rest a lot of the time on their mum’s back,” Rogers said in the press release. “It’s heartbreaking to think of these young whalesthrough busy ports and dangerous shipping lanes with those long, clumsy fins.”The injuries on some of the observed newborns stress the need to do more to protect whales as they travel, the team says. Fortunately, with better information about where these calves and their mothers appear, protected areas and awareness campaigns can be better calibrated to save whales of all ages. “Regardless of the health of population now, we can’t be in a situation where we’re putting any age of whales — especially baby whales — in a situation where they’re getting caught in nets, being exposed to chemicals, being hit by boats and being harassed,” McPhee-Frew said in the press release. Article SourcesOur writers at Discovermagazine.com use peer-reviewed studies and high-quality sources for our articles, and our editors review for scientific accuracy and editorial standards. Review the sources used below for this article:Sam Walters is a journalist covering archaeology, paleontology, ecology, and evolution for Discover, along with an assortment of other topics. Before joining the Discover team as an assistant editor in 2022, Sam studied journalism at Northwestern University in Evanston, Illinois. #rare #humpback #whale #calf #sighting
    WWW.DISCOVERMAGAZINE.COM
    Rare Humpback Whale Calf Sighting Makes Migration Routes More Mysterious Than Once Thought
    Some humpback whales are born in warmer waters. Others are born on the way. That’s what a study in Frontiers in Marine Science seems to suggest, anyway, after showing that hundreds of East Australian humpback whales are actually born mid-migration, while their mothers are still traveling to their established calving and breeding grounds.“Hundreds of humpback calves were born well outside the established breeding grounds,” said Tracey Rogers, the senior study author and a biology professor at the University of New South Wales, according to a press release. “Giving birth along the ‘humpback highway’ means these vulnerable calves, who are not yet strong swimmers, are required to swim long distances much earlier in life than if they were born in the breeding grounds.” In fact, the study shows that these calves are sometimes born in the temperate waters around Southeastern Australia, New Zealand, and Tasmania, around 900 miles south of the traditionally assumed area. Challenging the theory that humpback migration is essential for the birth of these whales, the study provides valuable information for protecting humpback whale populations in the future. Humpback Whale Mid-Migration SightingsEvery year, Eastern Australian humpbacks travel from the polar waters of the Southern Ocean around Antarctica to the tropical waters of the South Pacific Ocean around northeastern Australia. For a long time, it was thought that this winter migration enabled the birth of these whales, with the whales having to be born in these warmer waters.“Historically, we believed that humpback whales migrating north from the nutrient-rich Southern Ocean were [traveling] to warmer, tropical waters, such as the Great Barrier Reef, to calve,” said Jane McPhee-Frew, the lead study author and a biology Ph.D. candidate at the University of New South Wales, according to another press release.But in July 2023, McPhee-Frew spotted a pair of Eastern Australian humpbacks — a mother and a calf — in the temperate waters around southeastern Australia, apparently on their way to their established calving and breeding grounds. “The calf was tiny, obviously brand new,” McPhee-Frew said in the press release. “What were they doing there?”Hoping to find out, McPhee-Frew, Rogers, and a team of five other researchers studied hundreds of observations of Eastern Australian humpbacks from around southeastern Australia, New Zealand, and Tasmania. Including information from citizen scientist sightings, scientist surveys, and beach strandings, the team examined 209 observations of calves, including 168 observations of living calves, many of which were made in 2023 and 2024. Surprisingly, some of the observations were made as far south as Port Arthur, Tasmania, with many of the mothers continuing to travel north with their newborns.According to the team, these mid-migration births are probably not a new phenomenon, as records seem to suggest that they occurred in the 1800s and 1900s, too, before the collapse of Eastern Australian humpback populations due to commercial whaling. “I think it’s very likely that this pattern has always existed, but the low number of whales obscured it from view,” McPhee-Frew said in the press release. “The Eastern Australia humpback population narrowly escaped extinction, but now there are [30,000, 40,000, or 50,000] in this population alone. It doesn’t happen overnight, but the recovery of humpback whales, and the return of their full range of behaviors and distribution, just goes to show that with good policies built on good science, we can have excellent outcomes.”Protection for Whale PopulationsA mother and baby humpback whale swimming in Kiama, New South Wales, Australia. (Image Credit: Vanessa Risku (Instagram: @droning_my_sorrows))The fact that these calves can be born on their way to the mothers’ calving and breeding grounds means that the purpose of humpback migration is much more of a mystery than typically thought. Indeed, if humpback mothers can deliver babies in temperate waters, why do they travel to tropical waters every year? Though the study cannot confirm this theory, the warm waters of northeastern Australia may offer other benefits beyond birth. For instance, they might be a potentially safer space for calves to learn and grow, even if they were born elsewhere. Such benefits might make the move worthwhile, the team says, despite the risks of delivering a newborn in the midst of migration. And there are a lot of risks. Without a newborn, the trip is long, spanning several thousand miles from the South Ocean to the South Pacific Ocean, and straight through some of the busiest swathes of sea. “This means these vulnerable animals are exposed to risks like boat strikes, entanglements, pollution, and just general public unawareness,” Rogers said in the press release. And adding a calf to the mix merely increases the risk, as newborn humpbacks are slower and weaker than their mothers. “They have those long, enormous fins that they need to grow into, and they’re not very strong swimmers. So they rest a lot of the time on their mum’s back,” Rogers said in the press release. “It’s heartbreaking to think of these young whales [traveling] through busy ports and dangerous shipping lanes with those long, clumsy fins.”The injuries on some of the observed newborns stress the need to do more to protect whales as they travel, the team says. Fortunately, with better information about where these calves and their mothers appear, protected areas and awareness campaigns can be better calibrated to save whales of all ages. “Regardless of the health of population now, we can’t be in a situation where we’re putting any age of whales — especially baby whales — in a situation where they’re getting caught in nets, being exposed to chemicals, being hit by boats and being harassed,” McPhee-Frew said in the press release. Article SourcesOur writers at Discovermagazine.com use peer-reviewed studies and high-quality sources for our articles, and our editors review for scientific accuracy and editorial standards. Review the sources used below for this article:Sam Walters is a journalist covering archaeology, paleontology, ecology, and evolution for Discover, along with an assortment of other topics. Before joining the Discover team as an assistant editor in 2022, Sam studied journalism at Northwestern University in Evanston, Illinois.
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