How the 54-storey towerwould look when built Architect Patel Taylor has unveiled images of what one of London’s tallest residential towers in Canary Wharf would look like. The 54-storey 77 Marsh Wall scheme is being developed by Areli Developments on behalf of British Airways Pension Trustees and would contain around 820 homes above a mixed-use podium which will include retail, restaurant and café space. It would be Canary Wharf’s third tallest tower if built, behind the 235m One Canada Square and 233m Landmark Pinnacle. The scheme would require the demolition of the site’s existing building, a 17-storey office block built in the early 1990s known as Sierra Quebec Bravo. The 77 Marsh Wall scheme would include restaurants and retail at ground floor level Areli said the existing building offers “very little in the way of benefits to the community” and that it wanted to maximise the “unique and exciting” potential of the waterfront site with new public spaces, shops and restaurants. The podium would contain around 4,000sq m of retail, leisure and workspace along with a cinema and cycle parking under early plans aired in a public consultation. Green space is also included in the plans which saw two public consultation events held last month. Homes in the tower above the podium would be of a mix of tenures including shared ownership, build to rent, social rent, apart-hotel and co-living. The site’s existing 17-storey office block would be demolished An environmental impact assessment scoping report has been drawn up by consultant Trium for to Tower Hamlets council with a planning application expected to be submitted later this summer. Other firms currently on the project team include planning consultant DP9 and communications firm Kanda Consulting. #patel #taylor #unveils #images #54storey

Each week on Polygon, we round up the most notable new releases to streaming and VOD, highlighting the biggest and best new movies for you to watch at home. This week, Mickey 17, the science fiction comedy from Oscar-winning Parasite writer-director Bong Joon Ho, starring Robert Pattinson as an expendable clone, gets copied onto HBO Max following its March theatrical debut. Netflix has a full slate of releases, with the Academy Award-winning Brazilian drama I’m Still Here and Fear Street: Prom Queen, the fourth horror flick in the franchise based on the R.L. Stein books. Guy Ritchie fans can check out his adventure film Fountain of Youth on Apple TV Plus, and you can rent Wolfs to watch George Clooney and Brad Pitt team up again. Here’s everything new that’s available to watch this weekend. New on Netflix Air Force Elite: Thunderbirds Genre: DocumentaryRun time: 1h 31mDirector: Matt Wilcox The documentary takes viewers inside the cockpit of the U.S. Air Force’s demonstration squadron, which has been touring the country since 1953 to perform feats of aerial acrobatics and family-friendly military propaganda. The Netflix original, produced by Barack and Michelle Obama, features interviews with the daredevil pilots, explaining how they train to show off the capabilities of the F-16 Fighting Falcon fighter jets with complex synchronized maneuvers. Fear Street: Prom Queen Genre: HorrorRun time: 1h 30mDirector: Matt PalmerCast: India Fowler, Suzanna Son, Fina Strazza There’s just two days to go until senior prom 1988, and the most popular girls at Shadyside High are fighting over the title of prom queen. But the race gets shaken up as candidates start disappearing. Expect a lot of gory kills. Matt Palmerco-writes and directs the slasher film, which is the fourth in a series based on R.L. Stein’s Fear Street books. I’m Still Here Genre: Political dramaRun time: 2h 15m Director: Walter SallesCast: Fernanda Torres, Selton Mello, Fernanda Montenegro As a military dictatorship takes over Brazil, congressman and father of five Rubens Paivais arrested and disappears. His wife, Eunicespends decades searching for answers and justice. I’m Still Here won the Oscar for Best International Feature Film, and Torres won a Golden Globe and an Academy Award nomination for her performance. New on Apple TV Plus Fountain of Youth Genre: Action adventureRun time: 2h 5mDirector: Guy RitchieCast: John Krasinski, Natalie Portman, Stanley Tucci Guy Ritchie puts his spin on Indiana Jones in this Apple original, where estranged siblings Lukeand Charlotte Purduego on a globe-trotting adventure to chase the legendary source of eternal life. The film was shot on location in London, Cairo, Vienna, and Bangkok, and is packed with chase scenes, gunfights, and puzzles. From our review: If Fountain of Youth kept up the simple fun of its first few scenes, it could have been a solid tribute to the adventure genre. But James Vanderbilt and Guy Ritchie’s attempt to find some profound meaning in the search for lost treasure never really works, because their characters are too thin to make their emotional catharsis meaningful. New on Hulu The Last Showgirl Genre: DramaRun time: 1h 25mDirector: Gia CoppolaCast: Pamela Anderson, Jamie Lee Curtis, Dave Bautista After three decades of donning a sparkly costume and feathered crown to perform in Le Razzle Dazzle on the Las Vegas strip, Shelly Gardnerlearns the show will be closing in two weeks, pushing her to reassess her life and try to figure out her future. Anderson was nominated for a Golden Globe for her role in the melancholy film. New on HBO Max Mickey 17 Genre: Science fictionRun time: 2h 17mDirector: Bong Joon HoCast: Robert Pattinson, Naomie Ackie, Mark Ruffalo Desperate to get off Earth, Mickey Barnesvolunteers to become an expendable, a crew member who is cloned over and over again to assist with space exploration in the latest science fiction film/vicious critique of capitalism from Oscar-winner Bong Joon Ho. Mark Ruffalo plays the buffoonish leader of a planned colony, whose ambitions come into conflict with the creatures living on the frozen planet. New on Shudder The Surrender Genre: HorrorRun time: 1h 35mDirector: Julia MaxCast: Colby Minifie, Kate Burton, Chelsea Alden The Surrender starts as a family drama with Meganreturning home to help her mother Barbaracare for her terminally ill father and deal with the issues that drove them apart. But when Robertfinally dies, Barbara plans a resurrection ritual instead of a funeral, and the horror really begins. New to digital The Legend of Ochi Genre: Fantasy adventureRun time: 1h 36mDirector: Isaiah SaxonCast: Helena Zengel, Finn Wolfhard, Emily Watson, Willem Dafoe A24’s family-friendly movie used complex puppetry to bring its titular adorable monkey-like creature to life. Set in a remote area of the Carpathian mountains, the film follows lonely 12-year-old Dasha, who goes on a quest to return a baby ochi to its family, defying her father Maxim, who thinks the mythological creatures are vicious beasts that should be hunted down. The Trouble with Jessica Genre: Dark comedyRun time: 1h 29mDirector: Matt WinnCast: Shirley Henderson, Alan Tudyk, Rufus Sewell Cash-strapped Sarahand Tomare having one last dinner party for their old friends before selling their London home, but one of those friends, Jessicaalmost ruins everything when she hangs herself in the garden. Two couples band together to try to cover up the death and avoid spooking the buyer as things get increasingly out of hand. Until Dawn Genre: HorrorRun time: 1h 43mDirector: David F. SandbergCast: Ella Rubin, Michael Cimino, Odessa A’zion A teen investigating her sister’s disappearance leads a group of her friends to a mysterious mansion in an abandoned mining town, and they get stuck in a time loop where they’re brutally murdered in a different way each night. Reminiscent of The Cabin in the Woods, David F. Sandberg’s love letter to the horror genrebuilds tension as the group puzzles together how to survive the night. The film is only available for digital purchase as of May 23, with no date set yet for digital rental. From our review: There’s way too much going on in Until Dawn. Director David F. Sandberg tried to make a faithful-ish adaptation of the popular 2015 video game, a Groundhog Day-style repeating-day movie, a comedy, a drama with something to say about trauma, and a love letter to every horror subgenre ever, all at the same time. But the byproduct of all this ambition is a movie that never quite finds an identity, and winds up feeling more generic than inspired. Wolfs Genre: Action comedyRun time: 1h 48mDirector: Jon WattsCast: Brad Pitt, George Clooney, Amy Ryan Spider-Man: No Way Home director Jon Watts reunites George Clooney and Brad Pitt as a pair of lone-wolf fixers who both get called in to dispose of the same body. But when the job gets messier than expected, they’re forced to grudgingly work together to survive the night. #mickey #fountain #youth #wolfs #every

May 23, 2025Ravie LakshmananRansomware / Dark Web As part of the latest "season" of Operation Endgame, a coalition of law enforcement agencies have taken down about 300 servers worldwide, neutralized 650 domains, and issued arrest warrants against 20 targets. Operation Endgame, first launched in May 2024, is an ongoing law enforcement operation targeting services and infrastructures assisting in or directly providing initial or consolidating access for ransomware. The previous edition focused on dismantling the initial access malware families that have been used to deliver ransomware. The latest iteration, per Europol, targeted new malware variants and successor groups that re-emerged after last year's takedowns such as Bumblebee, Lactrodectus, QakBot, HijackLoader, DanaBot, TrickBot, and WARMCOOKIE. The interaction action was carried out between May 19 and 22, 2025. "In addition, €3.5 million in cryptocurrency was seized during the action week, bringing the total amount seized during the Operation Endgame to more than €21.2 million," the agency said. Europol noted that the malware variants are offered as a service to other threat actors and are used to conduct large-scale ransomware attacks. Furthermore, international arrest warrants have been issued against 20 key actors who are believed to be providing or operating initial access services to ransomware crews. "This new phase demonstrates law enforcement's ability to adapt and strike again, even as cybercriminals retool and reorganize," Europol Executive Director Catherine De Bolle said. "By disrupting the services criminals rely on to deploy ransomware, we are breaking the kill chain at its source." Germany's Federal Criminal Police Officehas revealed that criminal proceedings have been initiated against 37 identified actors. Some of the individuals who have been added to the E.U. Most Wanted list are listed below - Roman Mikhailovich Prokop, 36, a member of the QakBot group Danil Raisowitsch Khalitov, 37, a member of the QakBot group Iskander Rifkatovich Sharafetdinov, 32, a member of the TrickBot group Mikhail Mikhailovich Tsarev, 36, a member of the TrickBot group Maksim Sergeevich Galochkin, 43, a member of the TrickBot group Vitalii Nikolaevich Kovalev, 36, a member of the TrickBot group The disclosure comes as Europol took the wraps off a large-scale law enforcement operation that resulted in 270 arrests of dark web vendors and buyers across 10 countries: the United States, Germany, the United Kingdom, France, South Korea, Austria, the Netherlands, Brazil, Switzerland, and Spain. The suspects, Europol noted, were identified based on intelligence gathered from the takedowns of the dark web marketplaces Nemesis, Tor2Door, Bohemia, and Kingdom Markets. Several suspects are alleged to have conducted thousands of sales on illicit marketplaces, often using encryption tools and cryptocurrencies to conceal their digital footprints. "Known as Operation RapTor, this international sweep has dismantled networks trafficking in drugs, weapons, and counterfeit goods, sending a clear signal to criminals hiding behind the illusion of anonymity," Europol said. Along with the arrests, €184 million in cash and cryptocurrencies, 2 tons of drugs, 180 firearms, 12,500 counterfeit products, and more than 4 tons of illegal tobacco have been seized by authorities. The joint action follows Operation SpecTor in May 2023, which led to the arrest of 288 dark web vendors and buyers and the seizure of €50.8 million in cash and cryptocurrency. "With traditional marketplaces under increasing pressure, criminal actors are shifting to smaller, single-vendor shops — sites run by individual sellers to avoid marketplace fees and minimize exposure," Europol said. "Illegal drugs remain the top commodity sold on the dark web, but 2023 also saw a surge in prescription drug trafficking and a rise in fraudulent services, including fake hitmen and bogus listings designed to scam buyers." Found this article interesting? Follow us on Twitter  and LinkedIn to read more exclusive content we post. SHARE     #servers #35m #seized #europol #strikes

Google I/O 2025 happened earlier this week, and while there was no new hardware to speak of, the company barraged developers with new AI announcements, search features and bafflingly pricy subscriptions. First up is the new AI Mode chatbot in search. AI Mode handles more complex queries than traditional search, somewhere between striking up a chat with Gemini and barreling into a traditional Google search. You could, for example, compare multiple cars you’re considering buying or parse travel options for your next big vacation. AI Mode can simulate how you might look in a new piece of clothing, and Google can even track pricing in your size and preferred color. AI Mode augments Google’s AI Overviews, powered by Gemini. You’ve probably seen them summarizing your search requests. When the Overviews do get things right, it means you never have to leave Google Search, which is great for Google but not for the places where Google got the answer. In fact, the News/Media Alliance says AI Mode is theft. President and CEO Danielle Coffey said, “Google just takes content by force and uses it with no return, the definition of theft.” The most interesting announcement for me was Google’s latest upgrades to video generation and AI video creation tools. Google It unveiled Veo 3, the first iteration of Google’s AI video generator that can make videos with sound slightly more realistic. It’s joined by a new filmmaking app called Flow, which is based on the experimental VideoFX feature Google’s been working on for a few years. With Flow, you can edit and extend existing shots, add and choose camera movement and perspective controls and even fold AI video content generated with Veo into projects. But it still looks kinda weird. — Mat Smith Get Engadget's newsletter delivered direct to your inbox. Subscribe right here! The news you might have missed The Dyson PencilVac is the most stick-like stick vacuum ever What to expect at WWDC 2025: A new look, Apple Intelligence and more Google’s most powerful AI tools aren’t for us The best Memorial Day tech sales from Amazon, Apple, Samsung and more So far: laptops, speakers, cordless vacuums. In years past, we’ve seen solid Memorial Day sales on many of our favorite tablets, headphones, charging accessories, robot vacuums and more. That’s on top of all the seasonal items that usually get discounted at this time, like smart grills, pizza ovens and outdoor tech. If you’re tempted but not entirely sold, here’s your reminder that Amazon Prime Day typically happens in July. Maybe you can wait. Continue reading. ​​ Google’s subscription for AI Got too much money? Google Maybe you want access to the most impressive AI features Google revealed this week. Maybe you want to play around with Flow. Well, you need either AI Proor the insane sub to AI Ultra for some of the most intriguing, creativity-threatening features. Don’t worry, though! AI Ultra has an introductory offer of for the first three months! What. A. Deal. Google is trying to justify its pricing by including YouTube Premium and 30TB of cloud storage. But YouTube Premium is per month — what about the other -plus? Continue reading. OpenAI buys Jony Ive’s design startup for billion This week’s technology wildcard. io OpenAI is buying Jony Ive’s startup, io, for billion. And to celebrate, it took a black and white photo on an iPhone. Ive and his design studio, LoveForm, will continue to work independently of OpenAI. However, the other cofounders will become OpenAI employees alongside about 50 other engineers, designers and researchers. Does this mean physical OpenAI devices on the horizon? Apparently, it won’t be a phone or a wearable. Continue reading. The Fujifilm X Half is a tiny digital camera With an optional retro date stamp. Fujifilm The latest trend-baiting camera from Fujifilm is, well, adorable. The X Half is an 18-megapixel digital compact camera, but it uses half of a 1-inch sensor to shoot 3:4 vertical photos. The name comes from half-frame cameras that use a 35mm film frame sawed in half, which were popular in the ’60s, like the famous Olympus Pen F. It was great for ’60s photographers, who could double-up the shots on a single roll of film — but that’s not really an issue in the digital era. The X Half has the same 3:4 vertical ratio as Fuji’s Instax Mini instant cameras, so you can make prints using an Instax Mini printer. Fujifilm had a viral hit with the X100 VI, so the even more uniqueX Half could appeal to a similar group of shooters. It’s now on pre-order forwith shipping set to start on June 12. Continue reading. Netflix figured out a way to make ads even worse Yeah, it’s using AI. Netflix will roll out AI-generated ads in 2026, which will play in the middle of a show or whenever users hit pause in its ad-supported plans. Netflix has been steadily increasing subscription costs for its ad-free plans, so maybe 2026 will offer a final push to the pricier subscriptions. Continue reading.This article originally appeared on Engadget at #morning #after #google #ios #biggest

  Photography has remained fundamentally horizontal for over a century. Fujifilm’s latest creation shatters this convention with stunning simplicity. The new X half premium compact digital camera transforms how we capture images by embracing vertical orientation as its foundational design principle. This revolutionary approach acknowledges our smartphone-shaped world while delivering an experience distinctly separate from mobile photography. The camera challenges our assumptions about what photography tools should look like and how they should function. Its design speaks to a generation that consumes images vertically but craves tactile experiences beyond touchscreens. Designer: Fujifilm Design Origin & Philosophy The X half emerged from Fujifilm’s experimental design workshops, where creative freedom flourishes without immediate commercial pressure. These sessions allow designers to explore concepts that challenge conventional thinking about cameras. During one particularly productive workshop, a designer named Bueno presented a fully realized mock-up addressing his personal frustration with film photography’s ongoing costs. As noted in Fujifilm’s development history, Bueno loved shooting film but found it financially challenging, which sparked his creative solution. This origin story reveals a fascinating inversion of traditional product development cycles. Bueno’s concept arrived as a complete physical design with no internal components or technical specifications. The engineering team faced the unusual challenge of building technology to fit an established form rather than designing around predetermined components. Senior leadership immediately recognized the concept’s potential, supporting this rare bottom-up development process that preserved the designer’s original vision. The concept brilliantly translates half-frame film photography into digital form. Traditional half-frame cameras, popular for their economy and distinctive aesthetic, captured two vertical images on a single 35mm film frame. This digital interpretation maintains that vertical orientation while eliminating film costs entirely. Fujifilm went further by incorporating intentional constraints that shape the photographic experience. Physical Design & Ergonomics The camera lacks image stabilization and captures JPEGs exclusively without RAW capability. These aren’t technical limitations but deliberate design decisions that encourage a specific relationship with photography. Users focus on composition and timing rather than post-processing possibilities or technical perfection. The design philosophy prioritizes the act of seeing over technical manipulation, encouraging photographers to develop their eye rather than their editing skills. The X half weighs a mere 240 grams, lighter than many smartphones despite its purposeful construction. Its compact dimensionsmake it genuinely pocketable, fitting comfortably in standard jeans pockets without the awkward bulge larger cameras create. Fujifilm selected a fixed 10.8mm F2.8 prime lens, equivalent to 32mm in traditional 35mm format. This focal length provides the perfect balance between environmental context and subject isolation. According to the product specifications, this specific field of view mirrors that of the beloved Fujifilm QuickSnap disposable cameras, creating an immediately familiar perspective that feels natural for everyday photography. The most innovative physical element is undoubtedly the Frame Advance Lever. This mechanical component serves genuine functions beyond nostalgic decoration. Users physically advance the digital frame, combining two vertical images into diptychs or merging short video clips with still photographs. The tactile resistance of the lever makes each frame advance a deliberate act, reinforcing intentionality in image-making. Interface & User Experience Fujifilm reimagined the camera interface from first principles rather than adapting existing designs. The 2.4-inch touch screen provides intuitive control without overwhelming complexity. Traditional button arrays have been replaced with gesture controls that feel natural to digital natives while maintaining connections to analog processes. The interface allows users to adjust the dividing line between frames. According to the technical documentation, photographers can select narrow, regular, or bold styles reminiscent of Instax prints, and even change the color between black and white. Switching between color and monochrome modes happens through simple, intuitive controls that don’t interrupt the photographic process. The true interface innovation appears when connecting to smartphones. The camera simulates a film development process when transferring images. Users select which “roll” to import, initiating a development sequence that builds anticipation. The digital contact sheet displays edge codes that reference specific film simulations, such as “RTR” for retro filter. This thoughtful replication of analog workflows transforms routine file transfer into a meaningful experience that enhances the photographer’s connection to their images. The menu system abandons conventional hierarchical organization for a more intuitive approach. Instead of burying options within nested submenus, the interface presents contextually relevant controls based on shooting mode and camera orientation. This adaptive interface reduces the cognitive load on photographers, allowing them to focus on image-making rather than menu navigation. The system learns from user behavior, prioritizing frequently used settings for faster access. Visual feedback appears through subtle animations that reference analog processes. When adjusting exposure compensation, a virtual needle moves across a scale reminiscent of light meters from manual cameras. These visual metaphors create intuitive understanding without requiring technical knowledge, making the camera accessible to photographers at all experience levels. Image Quality & Creative Features The X half’s output demonstrates its design philosophy most clearly. Fujifilm incorporated 13 Film Simulation modes based on their 90-year color science heritage. Each simulation offers unique characteristics that influence how photographers approach different subjects and lighting conditions. The system goes further by incorporating three new creative filters inspired by film photography: Light Leak, which creates a slightly exposed look; Halation, a halo effect that appears around light sources; and Expired Film, which mimics the grainy look of older analog film. These elements come from an internal database of authentic film artifacts, applied without preview to reintroduce the element of surprise that made film photography exciting. This unpredictability represents a deliberate design choice that restores the anticipation often missing from digital photography. Optional date stamping mimics the iconic corner-markings found on 1990s film cameras, enhancing the nostalgic experience for users familiar with physical prints. The camera’s grain behavior connects to its advanced image processing engine, replicating organic and irregular patterns characteristic of traditional film. The vertical orientation influences composition in profound ways. By default, photographers naturally frame subjects differently when working in portrait format. This constraint encourages fresh perspectives on familiar subjects, breaking habitual compositional patterns that develop with horizontal framing. Color science receives special attention through custom calibration for vertical subjects. The color rendering has been optimized for skin tones, architecture, and vertical landscapes, with subtle adjustments to saturation and contrast that complement vertically framed subjects. Environmental Considerations Fujifilm designed the X half with environmental impact in mind. The camera’s simplified internal architecture reduces component count compared to similar-sized digital cameras, minimizing resource consumption during manufacturing while extending potential service life through mechanical simplicity. The fixed lens eliminates the environmental impact of multiple lens production and transportation, reducing materials usage and packaging waste associated with interchangeable lens systems. Most significantly, the X half’s design philosophy encourages users to value fewer, more meaningful images. This approach reduces the environmental impact of data storage and transfer while fostering a more sustainable relationship with photography itself. By emphasizing quality over quantity, the camera encourages a more mindful approach to image creation and consumption. My Thoughts for Now At USD, the X half targets photography enthusiasts seeking something beyond conventional cameras. Fujifilm clearly understands this camera serves a specific market segment rather than competing directly with multi-purpose devices. The price reflects both unique design and premium materials while offering value beyond technical specifications. The camera’s pocketable size encourages daily carry, resulting in more frequent use than larger systems that often remain at home. This regular engagement creates more photographic opportunities, enhancing practical value. The fixed lens and simplified controls eliminate ongoing accessory costs while encouraging mastery of a single focal length. The X half represents a significant departure from conventional camera design by challenging horizontal orientation as the default. Its most profound impact lies in embracing constraints as creative catalysts. Early testing revealed that while professional photographers initially expressed frustration, those willing to adapt discovered these limitations fostered creativity rather than restricting it. “X half is special because it rekindles our love for the compact camera and blends it with the modern sensibilities that make it easy to make a part of our everyday lives,” explains Victor Ha, vice president of Electronic Imaging and Optical Devices Divisions at Fujifilm North America Corporation. The camera arrives as design trends increasingly embrace digital interpretations of analog experiences. From skeuomorphic interfaces to vinyl record resurgence, consumers seek tangible, imperfect experiences within our digital world. What makes the X half truly innovative lies in its intentional subtractions from photography. By removing RAW capture options, limiting post-processing flexibility, and challenging horizontal orientation, Fujifilm creates something paradoxically nostalgic yet forward-looking. The FUJIFILM X half compact digital camera will be available in late June 2025 at a Manufacturer’s Suggested Retail Price of USD and CAD.The post Fujifilm Reimagines Photography with X half Premium Compact Digital Camera first appeared on Yanko Design. #fujifilm #reimagines #photography #with #half

Ongoing Regent’s Park Estate Story Trail Regent’s Park Estate, London NW1Regent’s Park Estate Story Trail is a public art trail. Artworks include Unwritten by Polish artist Rafal Zajko, which excavates the history of a clandestine LGBTQ+ bar located beneath St Mary Magdalene church and You Are Here by Ocean Stefan, a queer, trans and non-binary artist based in Margate. olddiorama.com Unwritten by Rafal Zajko. Photography: Nick Turpin 22 May AJ goes OUT sixteen3’s showroom, London EC1Advertisement Sponsored by UK furniture designer sixteen3 and held at its showrooms in Clerkenwell as part of Clerkenwell Design Week, the AJ is holding a party to celebrate the release of this issue. Expect music, drinks, posters, copies of the AJ and lots of networking with co-collaborators and contributors. sixteen3.co.uk 24 May Queer Archi* Social London LGBT+ Community Centre, London SE1Organised by Queerscapes, Queer Archi* Social is a meet-up for queer and trans people working in the architecture, landscape, horticulture and built environment sectors. Not a formal networking event, it’s a chance to meet others who get it, swap stories and find new collaborators. londonlgbtqcentre.org queerscapes.com Still from E.1027 Eileen Gray and the House by the Sea. Credit: Rise And Shine World Sales 31 May Linden Archives Museum of LiverpoolStuart Linden Rhodes established Instagram account @Linden_Archives during Covid, digitising hundreds of 35mm photographs he shot for All Points North and Gay Times in the 1990s. This talk covers his books on the pub and club scene from Birmingham to Newcastle, as well as Pride events across the whole of England. liverpoolmuseums.org.ukAdvertisement 7 June Queer Realms – Zine Workshop Ada Haus, London SW8Part of The London Festival of Architecture, this zine workshop, organised by and for LGBTQ+ people, invites attendees to explore how their identities shape and are shaped by the London landscape, using zine-making as a creative tool. londonfestivalofarchitecture.org You Are Here by Ocean Stefan. Part of Regent's Park Estate Art Trail. Photography: Nick Turpin 9 June-14 September The Painted Picnic – A Summer Pavilion Citypoint, London EC2Designed by artist John Booth, Citypoint’s plaza will be transformed into a vibrant scene from an outdoor party. Inspired by the LFA’s 2025 theme Voices, the installation reimagines a still-life composition at an architectural scale that visitors can interact with. Digital illustrations by Booth celebrating Pride month will also be on display on the screen at Citypoint throughout June. Brookfield Properties as the commissioners. londonfestivalofarchitecture.org 14-18 June Queer Frontiers 1 Customs Wharf, EdinburghHeld over five days of the 2025 Architecture Fringe in Scotland, Queer Frontiers is a project that explores the ‘corporate capture’ of the queer as we progress towards a future where queer has become the norm. The event includes an exhibition and talks, organised by designer and researcher Kirsty Watt, designer Samuel Stair and Architecture Fringe co-director Andy Summers. architecturefringe.com Still from E.1027 Eileen Gray and the House by the Sea. Credit: Rise And Shine World Sales 18 June E.1027 Eileen Gray and the House by the Sea Museum of BathAs part of Queer Bath 2025’s festival and in partnership with FilmBath, this screening sheds light on Irish designer and architect Eileen Gray’s story and the significance of the Modernist villa E.1027 in queer architectural history. The screening will be followed by a discussion on gender, space, and visibility in design. queerbath.co.uk June, date TBC Architecture LGBT+ Life Drawing HOK, London W1Architecture LGBT+’s next free-to-attend monthly life drawing class is being held at HOK’s offices near Warren Street. A queer model will do a variety of poses throughout the evening for attendees to draw. Drawing supplies, music and drinks are all included. The event is aimed at those who work or study within the architectural field. architecturelgbt.com Life drawing at Heatherwick Studio. Photography: Daniel Innes and Joe Stancer 21 June Soho Queer History – Walking Tour Trafalgar Square, London WC2A two-hour walking tour exploring the history of London LGBTQ+ life. It takes you through the West End, sharing stories of drag queens of the 1700s, gay soirées of the 1920s, and the development of this queer neighbourhood. londonfestivalofarchitecture.org 4 July Queer Nightcrawl Through the City NLA, The London Centre, London EC2Dani Dinger and Dan de la Motte of Queer Tours of London shine a light on London's hidden queer stories. The tour strolls down Sodomites Walk, heads to the docks to discover the secret lives of the Mollies of 18th Century Wapping and minces down Old Compton Street to navigate the danger and dalliance of 1930s Soho. thelondoncentre.org 5 July Architecture LGBT+ London Pride Celebration 2025 London, location TBCArchitecture LGBT+ hosts a breakfast and drinks ahead of the London Pride parade to gather architects and built environment professionals together before joining the parade with the official architecture float. architecturelgbt.com London Pride Float competition winning scheme Proudspeaker by oo office. Credit: oo office 5 July London Pride Float Hyde Park Corner, LondonIn March this year, the LFA, Architecture LGBT+ and Freehold announced an open call for the annual £8,000 pride float competition, which is backed by Brookfield Properties and will celebrate the contributions of LGBTQIA+ architects to the built environment. The winner is oo office. architecturelgbt.com November, date TBC Queer Places: The Exhibition 2.0 Liverpool, location TBCLaunching its second round, exhibition Queer Places, a growing archive of Liverpool’s LGBTQ+ spaces past, present and future, opens its doors again in November. The exhibition will be filled with art, architectural models, maps, photographs and artefacts celebrating queer heritage. New this year are interactive 3D models of historic queer spaces. queerplaces.co.uk Queer Places exhibition. Credit: Queer Places Organisations, initiatives and platforms Architecture Foundation Young Trustees’ Spatial Queeries Spotlight Sunday A weekly spotlight on LGBT+ practitioners, design initiatives and queer spaces. @youngtrusteesArchitecture LGBT+ Not-for-profit organisation run by volunteers. It aims to provide an inclusive and prejudice-free environment for LGBT+ architects and those working and studying within the profession through learning, mentoring and networking events – including life drawing and yoga. architecturelgbt.com @architecturelgbtArchitecture LGBT+ Academic Champions NetworkAn alliance of academic champions – one per architecture school in the UK – working to improve representation and understanding of queer identity and action in architectural education. architecturelgbt.com/academic-champions-networkBuilding Equality UK-wide member association with resources for built environment consultants, engineers, developers, contractors and institutions – plus events. buildingequalityuk.comFirst Brick Community-led, democratically run housing organisation aiming to build housing and community spaces for LGBTQ+ people who want and need it. firstbrickhousing.co.ukFreehold Networking hub for LGBTQ professionals and allies in the UK’s real estate industry. freeholdlgbt.comFriends of The Joiners Arms: The JOIN Project Collaboration with community partners to explore how LGBTQIA+ venues and organisations can help create inclusive spaces and better opportunities for work, training and volunteering. friendsjoinersarms.comHomotopia Arts and social justice organisation based in Liverpool supporting local, national, and international queer and trans creatives, artists and makers. homotopia.netInterEngineering A professional network aiming to connect, inform and empower lesbian, gay, bisexual and transgender engineers and their straight allies. interengineeringlgbt.comLondon LGBT Community Centre Based in pop-up premises in Southwark, this centre is a safe, sober space that welcomes and supports anyone identifying as LGBTQ+. The space was fitted out by the design and architecture community, who rallied around to support the space. londonlgbtqcentre.orgOpen Plan Scotland A volunteer-led advocacy and support network for all who identify as LGBTQIA+ and study or work across architecture in Scotland. openplan.scot @openplanscotlandOutwardly Creative A new event in Brighton bringing together queer members of the arts and creative industries, including architects. outwardlycreative.co.uk @outwardlycreativePlanning Out Network for LGBT professionals in the town planning and planning sector. @planningoutPride of Place: England’s LGBTQ Heritage Resource and interactive map uncovering and celebrating the LGBTQ heritage of buildings, places and landscapes across England. historicengland.org.ukThe London Queer Housing Coalition Specialist steering group made up of by-and-for LGBTQ+ housing and homelessness organisations working in the capital. stonewallhousing.org/lqhcThe Outside Project London’s LGBTIQ+ community shelter, centre, domestic abuse refuge and trans night shelter. lgbtiqoutside.orgThe Proud Place, Manchester Manchester’s LGBT+ Community Centre hosting The Proud Trust in a purpose-built building. theproudtrust.orgTonic Community-led, not-for-profit organisation focused on creating vibrant and inclusive urban LGBTQ+ affirming retirement communities to address issues of loneliness and isolation of older LGBTQ+ people. tonichousing.org.ukRIBA Collections: LGBTQ+ spaces Research guide to a few of the historical spaces that have formed sites where LGBTQ+ communities have explored, celebrated or concealed sexual and gender identities. architecture.comQueerscapes A platform and community for queer and trans spatial practitioners, including architects, designers, landscape architects, urbanists, builders, gardeners, artists and anyone working with space. queerscapes.com @_queerscapesQueercircle Charity founded to fill the gaps and advocate for systemic change where other arts, health and education institutions fail or actively perpetuate harm, based in the Design District in a David Kohn-designed building. queercircle.orgQueer Design Club Online platform where LGBTQ+ designers can celebrate queer contributions to the design industry and visual culture, share their work and connect with each other. queerdesign.clubQuEAN: Queer Educators in Architecture Network Network of queer spatial design educators – with a focus on queer theory, pedagogies, identities and intersections with spatial design – founded by Gem Barton. @quean_the_networkQueer Places A growing, free digital archive celebrating the vibrant LGBTQ+ spaces of Liverpool’s past, present and future. queerplaces.co.uk @queerplacesQueer Scenarios A research, practice and dissemination community that explores and supports queer identities and queer approaches within critical spatial practices, working collaboratively between teaching staff and students. Based at Central Saint Martins. @queer_scenariosThis list is by no means comprehensive and there are plenty of other resources available. If you are doing something in this field, the AJ would love to hear from you. #goes #out #upcoming #events #calendar

Fujifilm has already released one unusual camera this year in the GFX100 RF medium format compact, but it's latest model may be the most offbeat yet. The X Half is an 18-megapixel digital compact camera, but it uses half of a 1-inch sensor to shoot 3:4 vertical photos. To drive home the retro vibe, it has a rear screen dedicated to displaying the camera's 13 film simulation modes and can only shoot JPEG and not RAW images. The name comes from "half-frame" cameras popular in the '60s, like the famous Olympus Pen F, that use a 35mm film frame sawed in half. The backside-illuminated sensor on Fujifilm's X Half is, well, half that size in both dimensionsor a quarter the area. It's also the smallest sensor on any recent Fujifilm digital camera, as the X-series uses the APS-C format and GFX models medium format. In fact, the X Half has the same 3:4 vertical ratio as Fuji's Instax Mini instant cameras — so you can make prints using an Instax Mini printer via the new dedicated X Half smartphone app.  Fujifilm The X Half naturally uses Fujifilm's film simulation and grain effect modes. Among the new ones are "light leak" for a blown-out quality that happens when film get exposed to light inadvertently, "expired film" and "halation," an effect caused by light bouncing off film emulsion layers. To really get you into that analog film mood, you can switch to the new Film Camera Mode that limits your view to the optical viewfinder, makes you pull a frame advance lever for each new shot and only lets you see the photos once they're "developed" through the X Half app. It even produces a "contact sheet" layout for 36, 54 or 72 images.  Another feature is 2-in-1 images that let you combine two still images or movies into one composition in-camera for extra artistic possibilities. That also means the X Half can shoot video as well as photos, with a vertical or square sizethat looks ideal for social media — especially with film simulations applied. Also exuding nostalgic vibes is the "Date Stamp" function that lets you imprint dates in the bottom right of images, just like on old-school Kodak-style film camera.  On top of the main rear 2.40inch LCD 3:4 monitor, the X Half has an optical rather than an electronic viewfinder, adding another analog touch. The camera itself is small enough to slide into a pocket and weighs just 210 grams. Other features include a built-in flash, massive 880 frame battery life and SD UHS-I card slot. The X Half looks like it could be coveted by social media users or anyone looking for a fun party or vacation camera. However, it's expensive considering that you can just get an Instaxfor a lot less. Fujifilm has definitely captured the photography zeitgeist before with models like the X100 VI, though, so I wouldn't be surprised if it becomes a hit. The X Half is now on preorder forwith shipping set to start on June 12.  This article originally appeared on Engadget at #fujifilm039s #half #digital #camera #with

Fujifilm has a new pint-size addition to its X-series cameras coming in late June: the X Half. It’s an 18-megapixel “half-frame” camera with a portrait-oriented sensor and viewfinder and a fixed 32mm-equivalent f/2.8 lens.Despite being digital, the X Half is all about the vintage film aesthetic. The camera is so dedicated to an analog-like lifestyle that it’s got an entire secondary screen just for picking one of its 13 film simulations, and it doesn’t shoot RAW photos at all — just JPGs, for a more what-you-see-is-what-you-get experience.Fujifilm’s definition of a half-frame is a bit different from the traditional one. Usually, a half-frame film camera like the Pentax 17 captures images measuring 18mm x 24mm. But the X Half uses a 1-inch-type sensor measuring 8.8mm x 13.3mm, which is about half the dimensions of the APS-C sensors in other Fujifilm cameras like the X100VI and X-T5. So I guess it counts on a technicality.The X Half will come in silver, gray, and black. Image: FujifilmThe rear screens are small, but they’re flush with the body. Image: FujifilmThere’s an LED flash for photos or video light duties, though the flash shoe is “cold.” It can only fire external flashes via optical triggering. Image: FujifilmBut like the Pentax 17 and other actual half-frame cameras, the X Half is all about taking casual, fun snapshots and bringing it with you everywhere. It weighs just 8.5 ounces / 240 grams and is small enough to fit in most small bags or even some oversized pockets. The X Half is close in size to a traditional disposable camera, but unlike a one-time-use film camera it has a proper glass autofocusing lens with aspherical corrections, and it even shoots some basic 1080 x 1440 video.Once you take some shots via the X Half’s traditional optical viewfinderor its portrait-orientation 2.4-inch touchscreen, you can connect to a dedicated smartphone appfor extra functions. You can create your own two-up diptychs like a traditional half-frame camera, though here you can pick out the two side-by-side pictures, or you can opt for two videos or one picture and one video.Fujifilm has baked other analog-inspired features into the X Half app, like a Film Camera Mode that collects your next 36, 54, or 72 images and arranges them into a contact sheet. But the film nerdiness goes deeper than that, as the digital film strip will be branded with the film simulation you used. There’s even a faux film advance lever for making diptychs, and in Film Camera Mode it forces you to use it between taking each shot.The faux film advance lever. Image: FujifilmYou can lean further into the film kitsch by adding filters, like a light leak effect, expired film look, or a ’90s-era time and date stamp to the corner. Of course, since the camera does not shoot RAW, your chosen filter and film simulation are fully baked into the JPG file. You can’t undo any of them or change it later in post-processing like you’d normally be able to with a RAW.Fujifilm is certainly taking a unique approach with the X Half, trying to capture the interest of younger photo enthusiasts who in recent years have been drawn to the imperfections and vibes of vintage film and aging point-and-shoot digital cameras. I don’t know how many of them will be jumping at the opportunity to scratch that creative itch with an camera compared to alternatives costing a fraction of that — like a Camp Snap for digital or any 35mm disposable film camera for to — but even if it’s half the fun I had with the Pentax 17 it should prove a good time.See More: #fujifilms #half #camera #dedicated #analog

Designing without modern tools isn’t regression — it’s a stance against authoritative, tech-imposed aesthetics.The Art of Suminagashi Japanese Marbling | Image source: youtube.comI find most design trends irritating — not because they exist, but because too many designers follow them instead of forging their own. Then again, maybe that’s just my rebellious nature talking.There’s nothing wrong with using trends for inspiration or to practice various techniques. But latching onto a popular aesthetic as if it’s your identity? That’s just uninspired — especially if you consider yourself a creative professional.Take Airbnb’s recent Lava icon format — currently causing quite a stir among designers. The icons stand out for their dimensional look — a so-called break from the flat, minimal trend that’s really just recycled Web 2.0 aesthetics. But more importantly than the visuals, they use a custom animation format. of using standard video, Lottie, or WebGL, Airbnb created a lightweight proprietary format for animated UI icons. It supports transparency and runs smoothly across platforms using their own playback engine. The result is a low-key, technically efficient solution tailored to their design system.Cool? Sure. Game-changing? Not really.It’s just another gimmicky trend that’ll be overused by designers until the next shiny thing comes out of Silicon Valley — assuming we’re still employed by then. But hey, I’m sure our AI overlords will credit us in the footnotes.The video below by Michal Malewicz shows just how effortlessly AI can generate these dynamic icons — maybe too effortlessly. Aside from the animation, these icons remind me of 2010 all over again — minus the part where designers actually, you know, design stuff. new aesthetic shift sparked a question in my mind — why are we so quick to react and follow design trends instead of creating them? And more importantly, why are we feeding those trends with the same technology that threatens to hollow out the value of creative work? That’s like a sheep teaching wolves how to season meat — it’s the opposite of self-preservation.Designers already have the tools — not just digital, but physical, emotional, and cultural — to shape what comes next. And with AI stripping creative work of depth and nuance, maybe the next shift shouldn’t be about advancing the tech, but about returning to what’s raw, handmade, and unpredictable. Less about outcomes, more about process.I’m not talking about arts and crafts. I’m talking about a process that requires both expertise and experimentation — where clear vision meets material intuition. Where the story of creation is just as important as the final result. And where the medium isn’t chosen for convenience, but for its ability to convey meaning through the craft itself.Most contemporary design leans on minimalism and “clean” aesthetics — traits that aren’t principles so much as trends, and like any trend, they’re fleeting. What passes for “usable” today often masks a deeper fear of disruption — a retreat into sterile, risk-averse conformity at the expense of expressive creativity.Maybe it’s time to be bold. Brave. Experimental. Unruly. Time to stop letting authoritarian tech giants like Google and Apple dictate the future of design. Maybe it’s time for humans — driven by imagination, emotion, and real creativity — to shape what comes next.We don’t need permission to create work that feels alive and personal. The trend should be the process of human craft, not the outcome.That being said, here are a few hands-on techniques that can reignite that spark — or at least offer an inspirational avenue for expression and experimentation as technology slowly strips away our creative soul.Hand Sketching with PurposeImage source: RedditNot as a wireframe or placeholder, but as a final aesthetic choice. Embrace smudges, uneven line weight, imperfect perspective — these things inject humanity. Digitize them, yes — but don’t correct them. The imperfections are the point.SuminagashiImage source: suminagashi.comThis ancient Japanese technique involves dropping ink onto water and manipulating the patterns with breath or tools before laying paper on top to capture the design. The result is a one-of-a-kind, fluid composition that feels spontaneous and alive. Scanning these marbled textures into digital work adds unpredictability and human touch.Gelli PrintingImage source: schack.orgA monoprinting technique using gelatin-based plates. You apply ink or paint to a soft surface and press textures into it — leaves, string, mesh — then transfer it to paper. The result is a layered, atmospheric texture full of nuance. Perfect for backgrounds, overlays, or subtle storytelling.Block PrintingImage source: mokuartstudio.comOne of the oldest and most tactile forms of printmaking. Carve a design into wood, linoleum, or rubber, roll ink across the surface, and press it onto paper or fabric. The pressure inconsistencies, ink bleed, and subtle misalignments give each print its own personality. Digitizing these prints introduces organic irregularity into otherwise sterile digital layouts.Photocopy TransferImage source: billchambers.netThis hands-on technique — something I picked up from a fellow faculty member at LIU — involves printing a design with a laser printer, placing it face-down on a new surface, and applying an alcohol-based solvent like acetone or eucalyptus oil to transfer the toner. The result is rough, imperfect, and full of texture — like a ghost of the original image. Perfect for adding grit, unpredictability, and a touch of rebellion to otherwise sterile digital work.Stop-Motion MicrointeractionsImage source: BehanceCreate frame-by-frame animations using physical materials — paper cutouts, clay, thread, even coffee stains. Photograph each frame and compile them into short animations using GIF or Lottie formats. These can be used for loading states, transitions, tooltips, or hover effects — anywhere your interface needs a moment of life.Analog CollageImage source: reddit.comRip up magazines. Cut out old photos. Layer tape, torn paper, brush strokes. Glue it down, scan it in. This physical interaction with media encourages spontaneous composition and leads to surprising juxtapositions that would never happen inside a grid system.Film Photography as Texture SourceImage source: behance.netShoot 35mm film, cross-process it, scratch the negatives, scan it all. Use these as grainy, unpredictable texture layers. It gives your design a worn-in honesty, unlike the sterile perfection of stock photos or digital renders.Hand-Lettering with Intentional InconsistencyImage source: youtube.comNot polished script or Instagram calligraphy. We’re talking rough, personal letterforms drawn with pencil, marker, or brush — complete with wobbly baselines, inconsistent kerning, and raw edges. The goal isn’t perfection — it’s character.Material Experiments with Failure in MindImage source: threadsmagazine.comWork with candle wax, clay, bleach on paper, or burning the edges of cardboard. These experiments are often messy and may “fail” by conventional standards — but the accidents are often the most expressive parts.Some might argue that AI can replicate the outcomes of these techniques — and they’d be right. But that misses the point. These aren’t just aesthetic choices — they’re philosophical stances. They resist convenience. They reject the sterile, corporate polish that defines so much of modern design. They demand time, intention, and effort. And that’s exactly the point.AI can churn out a thousand “good-enough” designs in seconds. And maybe that’s fine for companies that don’t value creativity. But for those of us who do? That’s not the bar. It’s an insult. I refuse to let corporations and tech platforms strip away the very thing that gives so many designers a sense of purpose.I believe we should be working toward a future where what truly sets a designer apart is their willingness to get their hands dirty — to make mistakes, challenge convention, and find meaning in the mess of the process itself.That’s how you create a trend worth following — not by imitating the machine, literally or metaphorically, but by doing what it can not — creating from passion, intuition, resistance, and imperfection. By making the process — and the story behind it — part of the value, you restore meaning to the work.Maybe if we’re brave enough, honest enough, the next big design trend won’t come from Figma templates or top-down tech mandates. Maybe it’ll come from a torn piece of paper, a botched ink spill, or a stubborn pencil stroke. Maybe the next trend begins the moment we stop chasing — and start making again.Don’t miss out! Join my email list and receive the latest content.The next design trend should start with your hands, not a computer was originally published in UX Collective on Medium, where people are continuing the conversation by highlighting and responding to this story. #next #design #trend #should #start