What makes for a quintessentially country farmhouse living room? When you think about the classic, homey style, you likely imagine a warm space filled with a sink-into-me sofa (perhaps positioned around an inviting fireplace), a comfy chair for reading or cross-stitching, and that one special quilt everyone calls first dibs on. There might be a wood-clad ceiling overhead, a perfectly imperfect worn rug underfoot, and charming shiplap or wainscoting wrapping the room. Whatever design elements make up the rustic farmhouse living room of your dreams, you’ll find loads of decorating inspiration here in these pictures of farmhouse living room ideas from our favorite country homes.For a collected-over-time style, a cozy farmhouse living room with color and pattern brings a lived-in, homespun feel (think cottagecore design vibes). In these rooms, you’ll find classic checks and florals, vintage items and antiques, and personal collections on display. For modern farmhouse living room ideas, look for more contemporary and calming ideas—neutral backdrops and architectural features like stone, wood beams, and windows. Bring traditional farmhouse living room designs to your home, wherever you live.Love farmhouse style? Here are more farmhouse decorating ideas for other rooms in your home: 1Divide an Open SpaceJane BeilesIn this 200-year-old Federal farmhouse, a barn (really!) was attached to the house to create a soaring entertaining area. “It was music to my ears—I’d always wanted to do it,” says homeowner Ali Mahon. To utilize the open space, it was divided into “rooms,” including a dining nook and two stories of living areas filled with character-rich antiques, including a wicker trunk-turned-coffee table and a graphic 19th-century banner weather vane. A large handcrafted iron chandelier looms above. 2Celebrate Organic FinishesKate S. JordanThis cozy farmhouse living room’s warmth comes from the reclaimed hemlock floorboards, newly exposed original wood beams and rafters, and gypsum plaster walls custom-tinted a soft putty color. The room’s curvy wood-framed chairs, recovered in mohair and boucle fabrics, complement the coffee table designed by Percy Bright of Jersey Ice Cream Co. A decorative screen from a Vermont antiques shop conceals the woodburning stove. Underfoot, a Scandinavian kilim rug subtly speaks to the other folk art motifs seen throughout the home.RELATED: See more of this Scandi farmhouse that will change the way you paint your walls.Advertisement - Continue Reading Below3Balance Heavy Wood Tones With White Sara Ligorria-TrampMany of the great room’s interior elements, from the arched ceiling beams to the unfinished floor planks, were milled from spruce and hemlock trees on this home’s Washington property. The abundance of wood never feels heavy, though, as it’s smartly balanced by the surrounding white wood-paneled and tinted plaster walls. Plentiful windows let sunlight pour into the open-concept rustic paradise. Get the Look:Wall Paint Color: Snow White Milk Paint by General Finishes (3⁄4 paint, 1⁄4 water)Trim Paint Color: Milk Mustache by Dunn-Edwards PaintRELATED: See more of the new-build barn house that really masters the modern rustic look.4Pick the Right Scale FurnitureRikki Snyder for Country LivingSometimes, massive modern furniture simply doesn’t sit right in an older home. In this cozy farmhouse den, designer Christina Salway opted for a more petite sofa and assorted chairs, including these two wingbacks covered in a bold leafy motif. Even the wooden coffee table is “perfectly undersized for the space,” says Christina. New thin brick flooring ups the coziness factor, as does a jute floral rug and aviary artwork.Get the Look: Door Paint Color:Inchyra Blue by Farrow & BallAdvertisement - Continue Reading Below5Cozy Up to the FireplaceAlpha Smoot for Country LivingWith saturated blue walls (“It’s sort of a gentleman’s navy,” says homeowner Justin Reis), weathered floorboards, and hand-hewn beams, the living room has a built-in warm and cozy feel. The warming cabinet above the fireplace, which likely had a door at one time, offers a spot to tuck in collected treasures. The fire and candlelight emit a magical glow.Get the Look:Wall Paint Color: Dark Navy by BehrRELATED: See more of this Connecticut Georgian Colonial that is an old house lover's dream.6Wrap the Room in Reclaimed WoodLincoln BarbourThe owners of this Mississippi barn used locally sourced materials to cover the walls and ceiling. Raw and distressed wood panels from a nearby military depot wrap the room in warmth and texture. Loads of windows bring in natural light during the day, while a chandelier and mounted sconces make for a romantic glow come nighttime.RELATED: These wood ceiling ideas bring country charm to any room.Advertisement - Continue Reading Below7Establish a Worry-Free VibeRoger Davies, styling by Liz StrongNo velvet ropes here! In this California living room that has English cottage sensibilities, being worry-free is key. Items like the weathered antique butcher-block coffee table, washable slipcovers on the deep sofa and swivel chairs, and a thick sisal rug establish the home’s kick-up-your-feet feeling.RELATED: Tour more of this cozy California cottage. 8Build with Reclaimed MaterialsBrie Williams for Country LivingBuilt with North Carolina stone, this living room’s fireplace gives a proud nod to the home’s location. Other rustic architectural details, like log skins that were salvaged from old barns in the Midwest and the reclaimed beams from an 1800s Massachusetts mill, add loads of been-there-forever charm to this new farmhouse build.Advertisement - Continue Reading Below9Celebrate (Unpainted) ShiplapVictoria Pearson, styling by Liz StrongDuring this home renovation, the couple uncovered original wood shiplap beneath the paneling. They removed the pieces one by one, cleaned them up, and then repurposed the boards as the wall in this sitting room, as well as in the entry, kitchen, and bunk room. A vintage bookcase from a medical office is home to books and various collectibles.RELATED: See more of how this run-down Texas farmhouse became this family's dream home.10Add Instant Patina with Salvaged BeamsStephen Karlisch for Country LivingWood beams salvaged from deconstructed barns and other old buildings add instant age to this beautifully calming living room. Rustic architectural accents, artwork, and the pretty patterned rug are the visual focus in this warm, neutral space. RELATED: 6 Best Places to Find or Buy Reclaimed Wood Near YouAdvertisement - Continue Reading Below11Roll Out a One-of-a-Kind RugDavid A. Land for Country LivingA rug really pulls a room together in a way no other accessory does. As a general rule, the front legs of all seating pieces should comfortably fit on the rug. If you have a smaller rug that doesn’t quite fit that requirement, layer it atop a larger sisal rug. We love this trick for a farmhouse living room decorating idea on a budget!RELATED: See more of this restored 1800s farmhouse that is proof that some things just get better with age.12Get Cozy with ColorNick JohnsonIn this cozy farmhouse living room, high-end fabrics (predominantly in stunning blues) on the sofa, velvet ottoman, chair, and pillows balance this country home’s rustic characteristics. The painted fireplace facade ties the whole room together. RELATED: See more of this 100-year-old Michigan farmhouse that oozes vintage charm.Advertisement - Continue Reading Below13Redefine RusticZIO AND SONSIn this modern farmhouse living room, architectural elements—wide-planked wood floors, ceiling beams, horizontal shiplap wainscoting—are softened with a comfy sectional piled with pillows and sleek, streamlined design choices, like the hanging chair, wood-and-iron coffee table, and handmade oak stump side table. A round iron chandelier crowns the family space.RELATED: 30 Charming Farmhouse Decor Items You Can Buy Now on Amazon14Play Around with PatternRoger Davies for Country LivingChecks and florals live in perfect harmony in this cozy living room. To keep the family space from leaning too traditional with the iconic buffalo check-covered sofa and wildflower chintz chair, designer Bailey McCarthy brought in a clean-lined steel-framed coffee table and a graphic longhorn painting for over the fireplace. RELATED: This darling white farmhouse in Texas proves that old-fashioned favorites are new again.Advertisement - Continue Reading Below15Incorporate Vintage TreasuresAnnie SchlechterAtop a fresh coat of crisp white paint on the walls, trim, and mantel, vintage scores take center stage. Found objects always tell a story. Here, in this small farmhouse living room, the banners hanging above the striped sofa came from a church, the trunk-turned-coffee table came from a Tennessee stable, and the black-and-white family photos lend personal history.RELATED: See more of this old Kentucky farmhouse gets the ultimate makeover.16Leave Windows BareMax Kim-BeeThanks to no window coverings, natural light pours in to this pretty Catskills living room. Bold painted window trim contrasts the creamy white walls and frames the view beyond.RELATED: Refresh your space with our favorite living room paint colors.Advertisement - Continue Reading Below17Create a Focal PointJames MerrellA stone fireplace provides a cozy focal point for a pair of comfy armchairs and ottoman, all upholstered in a pretty floral pattern. Hand-hewn log cabin walls and rustic ceiling beams wrap the room in natural warmth. RELATED: 50 Fireplace and Mantel Decor Ideas for a Cozy Upgrade18Pack In the CharmHelen NormanWe love this space for its small farmhouse living room ideas—packed-in charm, mismatched furniture (a handsome leather Chesterfield sofa, wood pieces)—and its architectural elements, like the painted pine-paneled walls, ceiling beams, four-pane windows, and a front-and-center fireplace. RELATED: Tour more of this charming cottage that is straight out of a storybook.Advertisement - Continue Reading Below19Start with a Neutral BaseLincoln BarbourWrapping the room in a clean white provides a blank canvas for this inviting living room’s layered, lived-in look. Starting with the weathered ceiling beams that were salvaged from an old warehouse, top-to-bottom texture brings character galore. A pair of tufted velvet armchairs, layered rugs (genius for filling a large living room space!), a plaid blanket, and rustic accessories like the tobacco basket above the fireplace, are the secret to this room’s success.RELATED: See more of this rustic Tennessee home that does white totally right.20Feature Favorite AntiquesAdam Albright, styling by Matthew GleasonThis lake house living room is big on the farmhouse style rule of living with antiques and vintage finds. A tufted navy sofa is piled with pillows made from old camp blankets and draped with a red-and-white antique quilt. A collection of paint-by-numbers surrounds an antique cuckoo clock on the painted shiplap wall above.RELATED: 50+ Gallery Wall Ideas to Display All Your Favorite ThingsAmy MitchellManaging EditorAmy Mitchell is the managing editor for VERANDA and Country Living, where she writes articles on a variety of topics—decorating and design, gardens, and holidays. Amy’s experience in the shelter magazine category spans more than 20 years, as she’s previously held positions at Coastal Living and Cottage Living. Her personal pursuits include cooking, gardening, and hunting her favorite tag sale spots for the next piece of Pyrex for her prized collection.

Baxter & Bailey could've taken the safe route for their Friday evening talk at OFFF. They could've showcased slick work for the Royal Parks, the Royal Mail, or the London Soundtrack Festival. Instead, they pulled back the curtain on what really goes on behind the pristine curtain of the design industry, revealing a tangle of mistakes, mishaps and moments of pure chaos. "We live in a world where everything we see is finished, polished and presented, which can be quite a daunting prospect for young designers entering the industry," they explained. "It's a nice reminder that even the most experienced designers mess up sometimes." With that, Matt and Dom launched into an hour of confession, comedy, and collective therapy. It was an airing of creative dirty laundry, shared in the spirit of learning and laughter. Practice what you preach Baxter & Bailey started with their own biggest fumbles, warming the crowd up for what was to come. Dom kicked things off with a tale from a night train journey in Russia en route to a crucial pitch for a telecoms giant. Sharing a cabin with a snoring stranger called Constantin from Moscow, he awoke to find his roommate enjoying breakfast in nothing but his pants. In the panic to flee, Dom left his carefully crafted presentation boards on the train. "What I learnt from that mistake was: even if you wake up and the first thing you see is an old Russian man's crotch, keep cool, don't panic and remember what you're doing," Dom told the crowd. Matt followed with a story from a concept presentation a decade ago. Just a few minutes in, the client's top boss entered the boardroom, watched in silence… then stood up, gave a thumbs down, and stuck out his tongue with a rude noise of disapproval. "I still cringe every time I hear that story," said Dom. A little help from their friends The pair soon revealed they weren't alone in their confessions. Before the talk, they'd floated the idea to British design legend Rian Hughes, who not only approved but offered his own disaster story. On screen, Rian recalled his first job interview at a Camden agency. Lost, rain-soaked, and 45 minutes late, he finally arrived with his portfolio strapped to a trolley. As he lifted it onto the table, he noticed something brown on his sleeve and realised he'd rolled the trolley through dog poo. One side of his portfolio was covered, and so was the director's mahogany table (not to mention the stench). "Despite this auspicious beginning, I got the job," said Rian. "But I don't recommend it as an interview technique – and the job was shit anyway. I lasted three months." With proof of concept secured, Baxter & Bailey launched The Design Laundry, a growing archive of creative calamities submitted by designers across the industry. The idea is that people share their worst moments, get them out in the open, and maybe learn something in the process. Here are just a few they aired at OFFF. Email fail Jamie Ellul, founder of Supple Studio, joined in from the remote countryside to share his cautionary tale. Early in his solo career, he landed a job designing a brochure for an accountancy firm. "I think it might have actually looked worse than it did in the beginning when I was finished," Jamie admitted. He sent the final artwork to print, then forwarded the printer's quote to the client before hopping on a train. Following weeks of radio silence, the client finally replied: 'Hi Jamie, I've been wondering how to respond to your email, having seen your note to the printer below on the email chain'. That note read: 'Please don't judge me—this is the shittest thing I've ever designed'. Cue laughter from the crowd – and a lesson in double-checking email chains. As Matt and Dom pointed out, email fails were the most common type of submission. We've all been there. Rude royal Next up: Francis Jackson, formerly of MetaDesign and OPX and now a psychotherapist, shared her story in a letter. Years ago, she worked with The King's Trust on a beautifully designed book promoting the value of art in the built environment, Art in the Public Environment. The problem was that a glaring typo was revealed by none other than the King of England himself after hundreds of printed copies went out across the country. What the front cover actually said was: 'Art in the Pubic Realm'. When the King was handed a copy while visiting the offices, he swiftly returned it, eyebrows raised. I'm sure Francis was hoping for the ground to open up beneath her at that moment! Rock shock Daljit Singh, co-founder of pioneering digital agency Digit, appeared onscreen in sunglasses, mid-holiday, to recount a transatlantic disaster. After landing in the UK from New York in 2007, Daljit got a message: Gene Simmons (yes, from KISS) wanted to meet him. Being a huge fan, he turned around, caught the next flight back, and headed straight to the hotel. But as he flew, doubt crept in, and he asked himself: could it be a prank? He'd played an elaborate hoax on his friend Simon not too long ago, so when told to ask for "Simon Smith" at reception (apparently Gene's alias), his suspicions grew. Still, he went upstairs, knocked on the door, and shouted, "Simon, come out, you massive tosser." None other than Gene Simmons opened the door. "You English guys have got such strange senses of humour," he said, before ushering Daljit in. The meeting lasted three awkward minutes. They didn't get the job. Lessons from the laundry After airing these disasters, Matt and Dom returned to each story to highlight the learning points. Jamie reminded us to treat every job (and every email) with care. Francis' typo showed that even major mistakes fade with time. Daljit's story offered a reminder not to let doubt derail bold decisions. The laundry pile grew with more stories, laughs, and stains, and the pair could've gone all night. Luckily, this won't be the last spin cycle for The Design Laundry. Dom and Matt are bringing the idea to future events and inviting more submissions through their website. Because if creativity is a messy process, there's no shame in airing a little dirty laundry.

Food rations that could supply 3.5 million people for a month are moldering in warehouses around the world because of U.S. aid cuts and risk becoming unusable, according to five people familiar with the situation. The food stocks have been stuck inside four U.S. government warehouses since the Trump administration’s decision in January to cut global aid programs, according to three people who previously worked at the U.S. Agency for International Development (USAID) and two sources from other aid organizations. Some stocks that are due to expire as early as July are likely to be destroyed, either by incineration, using them as animal feed, or disposing of them in other ways, two of the sources said. The warehouses, which are run by USAID’s Bureau for Humanitarian Assistance (BHA), contain between 60,000 to 66,000 metric tons of food, sourced from American farmers and manufacturers, the five people said. An undated inventory list for the warehouses—which are located in Djibouti, South Africa, Dubai, and Houston—stated that they contained more than 66,000 tons of commodities, including high-energy biscuits, vegetable oil, and fortified grains. Those supplies are valued at over $98 million, according to the document reviewed by Reuters, which was shared by an aid official and verified by a U.S. government source as up to date. That food could feed over a million people for three months, or the entire population of Gaza for a month and a half, according to a Reuters analysis using figures from the World Food Programme, the world’s largest humanitarian agency. The U.N. body says that one ton of food—typically including cereals, pulses, and oil—can meet the daily need of approximately 1,660 people. The dismantling of USAID and cuts to humanitarian aid spending by President Donald Trump come as global hunger levels are rising due to conflict and climate change, which are driving more people toward famine, undoing decades of progress. According to the World Food Programme, 343 million people are facing acute levels of food insecurity worldwide. Of those, 1.9 million people are gripped by catastrophic hunger and on the brink of famine. Most of them are in Gaza and Sudan, but also in pockets of South Sudan, Haiti, and Mali. A spokesperson for the State Department, which oversees USAID, said in response to detailed questions about the food stocks that it was working to ensure the uninterrupted continuation of aid programs and their transfer by July as part of the USAID decommissioning process. “USAID is continuously consulting with partners on where to best distribute commodities at USAID pre-positioning warehouses for use in emergency programs ahead of their expiration dates,” the spokesperson said. Some food likely to be destroyed Although the Trump administration has issued waivers for some humanitarian programs—including in Gaza and Sudan—the cancellation of contracts and freezing of funds needed to pay suppliers, shippers, and contractors has left food stocks stuck in the four warehouses, the sources said. A proposal to hand the stocks to aid organizations that can distribute them is on hold, according to the U.S. source and two former USAID sources briefed on the proposal. The plan is awaiting approval from the State Department’s Office of Foreign Assistance, the two former USAID sources said. The office is headed by Jeremy Lewin, a 28-year-old former operative of Elon Musk’s Department of Government Efficiency, who is now overseeing the decommissioning of USAID. The Office of Foreign Assistance, DOGE, and Lewin himself did not respond to requests for comment. Nearly 500 tons of high-energy biscuits stored at a USAID warehouse in Dubai are due to expire in July, according to a former USAID official and an aid official familiar with the inventories. The biscuits could feed at least 27,000 acutely malnourished children for a month, according to Reuters calculations. The biscuits are now likely to be destroyed or turned into animal feed, the former USAID official said, adding that in a typical year, only around 20 tons of food might be disposed of in this way because of damage in transit or storage. Some of those stocks were previously intended for Gaza and famine-stricken Sudan, the former official said. The State Department spokesperson did not directly respond to questions on how much of the food aid in storage was close to expiry and whether this would be destroyed. USAID plans to fire almost all of its staff in two rounds on July 1 and Sept. 2, as it prepares to shut down, according to a notification submitted to Congress in March. The two former USAID sources said many of the critical staff needed to manage the warehouses or move the supplies will depart in July. Children dying The United States is the world’s largest humanitarian aid donor, amounting to at least 38% of all contributions recorded by the United Nations. It disbursed $61 billion in foreign assistance last year, just over half of it via USAID, according to government data. U.S. food aid includes ready-to-use therapeutic food (RUTF) such as high-energy biscuits and Plumpy’Nut, a peanut-based paste. Navyn Salem, the founder of Edesia, a U.S.-based manufacturer of Plumpy’Nut, said termination of transportation contracts by USAID had created a massive backlog that had forced the firm to hire an additional warehouse to store its own production. The resulting stockpile of 5,000 tons, worth $13 million, could feed more than 484,000 children, she said. Salem said that email exchanges with Lewin have left her “hopeful” that a way will be found soon to get her product to the desperate children who need it. The UN children’s agency UNICEF warned in late March that RUTF stocks were running short in 17 countries due to funding cuts, potentially forcing 2.4 million children suffering from severe acute malnutrition to go without these crucial supplies for the rest of the year. The four USAID warehouses contain the majority of the agency’s pre-positioned food stockpiles. In normal times, these could be rapidly deployed to places like Sudan, where 25 million people—half the country’s population—face acute hunger. Jeanette Bailey, director of nutrition at the International Rescue Committee, which receives much of its funding from the U.S., said it was scaling back its programs following the cuts. She said the impact of global shortages of therapeutic foods due to the disruption to U.S. aid flows is difficult to measure, particularly in places where aid programs no longer operate. “What we do know, though, is that if a child is in an inpatient stabilization center and they’re no longer able to access treatment, more than 60% of those children are at risk of dying very quickly,” she said. Action Against Hunger, a nonprofit that relied on the United States for over 30% of its global budget, said last month that the U.S. cuts had already led to the deaths of at least six children at its programs in the Democratic Republic of Congo, after it was forced to suspend admissions. Cuts causing chaos The Bureau for Humanitarian Affairs, which coordinates the U.S. government’s aid efforts overseas, was plunged into chaos by the Trump administration’s cutbacks, the five sources said. The bureau’s staff were among thousands of USAID employees put on administrative leave pending their terminations. While some staff were brought back to work until their severance dates, aid administration has not recovered. Three sources told Reuters that the contract to maintain USAID warehouses in the South African port city of Durban had been canceled, raising questions about future aid distribution. Reuters was unable to confirm that independently. Two former USAID officials said that the Djibouti and Dubai facilities would be handed over to a team at the State Department that has yet to be formed. The State Department did not comment. A spokesperson for the World Food Programme, which relies heavily on U.S. funding, declined to comment on the stranded food stocks. Asked if it was engaged in discussions to release them, the spokesperson said: “We greatly appreciate the support from all our donors, including the U.S., and we will continue to work with partners to advocate for the needs of the most vulnerable in urgent need of life-saving assistance”. —Jessica Donati, Emma Farge, Ammu Kannampilly, and Jonathan Landay, Reuters. Writing by Ammu Kannampilly.

Marvel Television has dropped a teaser trailer and poster for its new series, Ironheart, that debuts June 24 on Disney+. The show stars Dominique Thorne as Riri Williams, a young, genius inventor whose iron suits rival the best in the MCU.  The character made her debut in 2022’s Black Panther: Wakanda Forever, directed by Ryan Coogler, who serves as executive producer on the series. “Ironheart is such a great character in publishing,” said Coogler. “In 2016, Brian Michael Bendis created a character who would be a successor of sorts to the Iron Man legacy. In the comic book, Riri Williams and Tony Stark had a relationship — she was a student at MIT who came from an almost polar opposite background as Tony, but they came together in their passion to better society. Eventually, the character gets her own identity as Ironheart, and other writers like Eve Ewing picked up from there, taking Riri Williams to Chicago.” Set after the events of Wakanda Forever, Ironheart pits technology against magic when Riri — determined to make her mark on the world — returns to her hometown of Chicago. Her unique take on building iron suits is brilliant, but in pursuit of her ambitions, she finds herself wrapped up with the mysterious yet charming Parker Robbins aka “The Hood” (Anthony Ramos). The series also stars Lyric Ross, Alden Ehrenreich, Regan Aliyah, Manny Montana, Matthew Elam and Anji White. Chinaka Hodge is head writer; episodes are directed by Sam Bailey and Angela Barnes. Executive producers include Kevin Feige, Louis D’Esposito, Brad Winderbaum, Zoie Nagelhout, Chinaka Hodge, Coogler, Sev Ohanian and Zinzi Coogler. Music is by Dara Taylor. It’s produced in association with Proximity Media. VFX are produced by Clear Angle Studios, ILM, Imaginarium Studios, Luma Pictures, RISE Visual Effects Studios, and Tippett Studio. Check out the teaser: Source: Disney+ Dan Sarto is Publisher and Editor-in-Chief of Animation World Network.

In our next lecture from the Vignelli Center for Design Studies’ 2024/2025 Design Conversation Series at Rochester Institute of Technology (RIT), we’re thrilled to share the story of industrial designer, educator, and founder Hector Silva. With over nine years of teaching experience at top programs including the University of Illinois at Chicago, RIT, and the School of the Art Institute of Chicago, Silva has built a career rooted in design, community, and purpose. He’s the founder of AdvancedDesign, a nonprofit reshaping access to design education, and Offsite, an online design school bridging the gap between academia and industry. In this deeply personal lecture, Silva shares his path – from an unpolished design student to an award-winning educator – while challenging the rules of traditional design education and urging students to stay grounded in values, ethics, and real-world impact. In this lecture, Silva offers a candid look at his early years as a design student navigating uncertainty, self-doubt, and a string of professional faux pas – including one ill-advised email sent to two hiring managers at once. Through these formative missteps, Silva shares how his resilience, self-awareness, and relentless work ethic helped shape his path. As he puts it, “letting the process quiet the uncertainty” carried him through moments of doubt and failure, helping him build confidence, sharpen his skills, and ultimately find his purpose as both a designer and educator. To learn more about Hector Silva, check out the lecture below:  Hector Silva AdvancedDesign To learn more about The Vignelli Center for Design Studies at RIT, they have launched digital access to the archives through Google Arts & Culture, joining over 2000 cultural institutions from around the world. The initial launch includes nearly 900 high resolution images of artifacts from the archives so that now anyone with access to the Internet and Google Arts & Culture can search the Vignelli archives or browse it by color or chronological order. This lecture is presented with the support of RIT’s MAGIC Center. This lecture series is made possible in part by the generosity of RIT Alumnus, Chris Bailey, and Bailey Brand Consulting.

TNW Backstage is going Double Dutch this week — in more ways than one. In the second episode of our new podcast, which goes behind the scenes of TNW Conference and the tech shaping our world, we’re joined by two special guests. Both of them are based in — you guessed it — the Netherlands. Together, they brew a distinctively orange blend of tech and humour, which has become a TNW trademark. One of them is content creator Derek Mitchell, the mind behind comedy brand Let’s Double Dutch. Mitchell’s viral videos exploring culture and identity in the Netherlands have earned global acclaim. His wildly popular sketches have now racked up over 250 million views. In TNW Backstage, we revisit his appearance at last year’s conference. During the talk, Mitchell reveals how he found his voice online — and how you can too.The 💜 of EU techThe latest rumblings from the EU tech scene, a story from our wise ol' founder Boris, and some questionable AI art. It's free, every week, in your inbox. Sign up now! Now, you may be wondering why a comedian was appearing at a tech conference. Well, there’s no one better to explain than this week’s second guest: Boris, the co-founder of TNW. Boris drops by TNW Towers to explain how humour fuels startup ideas — and lightens the load of tech work. He also looks back at memorable moments from TNW Conference. Among his favourites are a risky rib at Amazon’s CTO, wakeboarding through Amsterdam canals, and, um, cow poop bingo. (It’s another Dutch thing, apparently.) Our terrifically talented head of content, Oliviana Bailey, then gives a sneak peek at the fun and games at this year’s events. It’s a distinct break from the debut episode of the podcast, which explored the evolving data security landscape — and Meta’s controversial “pay or consent” model — with Ron de Jesus, the world’s first Field Chief Privacy Officer. But the contrast encapsulates the two sides of TNW Conference: serious business and festival vibes. You can check out both episodes of the podcast here. To celebrate its launch, we’re also offering an exclusive discount on tickets for TNW Conference, which takes place on June 19 and 20. You’ll find the offer hidden in each episode of TNW Backstage. Thanks for reading — and now, for listening too. Story by Thomas Macaulay Managing editor Thomas is the managing editor of TNW. He leads our coverage of European tech and oversees our talented team of writers. Away from work, he e (show all) Thomas is the managing editor of TNW. He leads our coverage of European tech and oversees our talented team of writers. Away from work, he enjoys playing chess (badly) and the guitar (even worse). Get the TNW newsletter Get the most important tech news in your inbox each week. Also tagged with

TNW Backstage is going Double Dutch this week — in more ways than one. In the second episode of our new podcast, which goes behind the scenes of TNW Conference and the tech shaping our world, we’re joined by two special guests. Both of them are based in — you guessed it — the Netherlands. Together, they brew a distinctively orange blend of tech and humour, which has become a TNW trademark. One of them is content creator Derek Mitchell, the mind behind comedy brand Let’s Double Dutch. Mitchell’s viral videos exploring culture and identity in the Netherlands have earned global acclaim. His wildly popular sketches have now racked up over 250 million views. The 💜 of EU techThe latest rumblings from the EU tech scene, a story from our wise ol' founder Boris, and some questionable AI art. It's free, every week, in your inbox. Sign up now!In TNW Backstage, we revisit his appearance at last year’s conference. During the talk, Mitchell reveals how he found his voice online — and how you can too. Now, you may be wondering why a comedian was appearing at a tech conference. Well, there’s no one better to explain than this week’s second guest: Boris, the co-founder of TNW. Boris drops by TNW Towers to explain how humour fuels startup ideas — and lightens the load of tech work. He also looks back at memorable moments from TNW Conference. Among his favourites are a risky rib at Amazon’s CTO, wakeboarding through Amsterdam canals, and, um, cow poop bingo. (It’s another Dutch thing, apparently.) Our terrifically talented head of content, Oliviana Bailey, then gives a sneak peek at the fun and games at this year’s events. It’s a distinct break from the debut episode of the podcast, which explored the evolving data security landscape — and Meta’s controversial “pay or consent” model — with Ron de Jesus, the world’s first Field Chief Privacy Officer. But the contrast encapsulates the two sides of TNW Conference: serious business and festival vibes. You can check out both episodes of the podcast here. To celebrate its launch, we’re also offering an exclusive discount on tickets for TNW Conference, which takes place on June 19 and 20. You’ll find the offer hidden in each episode of TNW Backstage. Thanks for reading — and now, for listening too. Story by Thomas Macaulay Managing editor Thomas is the managing editor of TNW. He leads our coverage of European tech and oversees our talented team of writers. Away from work, he e (show all) Thomas is the managing editor of TNW. He leads our coverage of European tech and oversees our talented team of writers. Away from work, he enjoys playing chess (badly) and the guitar (even worse). Get the TNW newsletter Get the most important tech news in your inbox each week. Also tagged with

Suit up! The first trailer for Ironheart is here. Set after Black Panther: Wakanda Forever, the new Marvel series brings high-tech genius to the streets of Chicago—where science meets sorcery! The VFX are made by:Base FXCantina CreativeFrame By FrameILM (VFX Supervisor: Vincent Papaix)Luma PicturesRISE (VFX Supervisor: Sebastian Lauer)SDFX StudiosTippett Studio (VFX Supervisor: Chris Morley) The Production VFX Supervisor is Greg Steele.The Additional VFX Supervisor is Fernando Zorrilla.The Production VFX Producer is David Masure-Bosco. Directors: Samantha Bailey, Angela BarnesRelease Date: June 24, 2025 (Disney+) © Vincent Frei – The Art of VFX – 2025 The post Ironheart appeared first on The Art of VFX.