This is a spoiler-free preview of the first five episodes of season three. Star Trek: Strange New Worlds ended its second season with arguably the single strongest run of any streaming-era Trek. The show was made with such confidence in all departments that if there were flaws, you weren’t interested in looking for them. Since then, it’s gone from being the best modern Trek, to being the only modern Trek. Unfortunately, at the moment it needs to be the standard bearer for the show, it’s become noticeably weaker and less consistent.  As usual, I’ve seen the first five episodes, but can’t reveal specifics about what I’ve seen. I can say plenty of the things that made Strange New Worlds the best modern-day live-action Trek remain in place. It’s a show that’s happy for you to spend time with its characters as they hang out, and almost all of them are deeply charming. This is, after all, a show that uses as motif the image of the crew in Pike’s quarters as the captain cooks for his crew. Its format, with standalone adventures blended with serialized character drama, means it can offer something new every week. Think back to the first season, when “Memento Mori,” a tense action thriller with the Gorn, was immediately followed by “Spock Amock,” a goofy, starbase-set body-swap romantic comedy of manners centered around Spock. Strange New Worlds is the first Trek in a long while to realize audiences don’t just want a ceaseless slog of stern-faced, angry grimdark. And if they want that, they can go watch Picard and Section 31. Marni Grossman/Paramount+ But, as much as those things are SNW’s greatest strength, it’s a delicate balance to ensure the series doesn’t lurch too far either way. And, it pains me to say this, the show spends the first five episodes of its third season going too far in both directions (although, mercifully, not at the same time). No specifics, but one episode I’m sure was on the same writers room whiteboard wishlist as last season’s musical episode. What was clearly intended as a chance for everyone to get out of their usual roles and have fun falls flat. Because the episode can never get past the sense it’s too delighted in its own silliness to properly function. Marni Grossman/Paramount+ At the other end of the scale, we get sprints toward the eye-gouging grimdark that blighted those other series. Sure, the series has gone to dark places before, but previously with more of a sense of deftness, rather than just going for the viscerally-upsetting gore. A cynic might suggest that, as Paramount’s other Trek projects ended, franchise-overseer Alex Kurtzman — who has pushed the franchise into “grittier” territory whenever he can — had more time to spend in the SNW writers’ room. Much as I’ve enjoyed the series’ soapier elements, the continuing plotlines take up an ever bigger part of each episode’s runtime so far. Consequently, the story of the week gets less service, making them feel weaker and less coherent. One episode pivots two thirds of the way in to act as a low-key sequel to an episode from season two. But since we’ve only got ten minutes left, it feels thrown in as an afterthought, or to resolve a thread the creative team felt they were obliged to deal with (they didn’t). In fact, this and the recently-finished run of Doctor Who suffered from the same problem that blights so many streaming-era shows, which is the limited episode order. Rather than producing TV on the scale broadcast networks were able to — yearly runs of 22-, 24- or 26 episodes, a lot of (expensive) genre shows get less than half that. The result is that each episode has to be More Important Than The Last One in a way that’s exhausting for a viewer. But Strange New Worlds can’t solve all the economic issues with the streaming model on its own. My hope is that, much like in its first season, the weaker episodes are all in its front half to soften us up for the moments of quality that followed toward its conclusion. ASIDE: Shortly before publication, Paramount announced Strange New Worlds would end in its fifth season, which would be cut from ten episodes to six. It's not surprising — given the equally-brilliant Lower Decks was also axed after passing the same milestone — but it is disappointing. My only hope is that the series doesn't spend that final run awkwardly killing off the series' young ensemble one by one in order to replace them with the entire original series' roster as to make it "line up." Please, let them be their own things. This article originally appeared on Engadget at https://www.engadget.com/entertainment/tv-movies/star-trek-strange-new-worlds-third-season-falls-short-of-its-second-020030139.html?src=rss

Additive Manufacturing UK (AMUK)’s first Members Forum of 2025 was held at Siemens’ UK headquarters in South Manchester earlier this year. The event featured presentations from AMUK members and offered attendees a chance to network and share insights.  Ahead of the day-long meetup, 3D Printing Industry caught up with Joshua Dugdale, Head of AMUK, to learn more about the current state of additive manufacturing and the future of 3D printing in Britain.  AMUK is the United Kingdom’s primary 3D printing trade organization. Established in 2014, it operates within the Manufacturing Technologies Association (MTA) cluster. Attendees at this year’s first meetup spanned the UK’s entire 3D printing ecosystem. Highlights included discussion on precious materials from Cookson Industrial, simulation software from Siemens, digital thread solutions from Kaizen PLM, and 3D printing services provided by ARRK.  With a background in mechanical engineering, Dugdale is “responsible for everything and anything AMUK does as an organization.” According to the Loughborough University alumnus, who is also Head of Technology and Skills at the MTA, AMUK’s core mission is to “create an environment in the UK where additive manufacturing can thrive.” He elaborated on how his organization is working to increase the commercial success of its members within the “struggling” global manufacturing environment. Dugdale shared his perspective on the key challenges facing 3D printing in the UK. He pointed to a “tough” operating environment hampered by global financial challenges, which is delaying investments.  Despite this, AMUK’s leader remains optimistic about the sector’s long-term potential, highlighting the UK’s success in R&D and annual 3D printing intellectual property (IP) output. Dugdale emphasized the value of 3D printing for UK defense and supply chain resilience, arguing that “defense will lead the way” in 3D printing innovation.  Looking ahead, Dugdale called on the UK Government to create a unified 3D printing roadmap to replace its “disjointed” approach to policy and funding. He also shared AMUK’s strategy for 2025 and beyond, emphasizing a focus on eductaion, supply chain visibility, and standards. Ultimately, the AMUK figurehead shared a positive outlook on the future of 3D printing in the UK. He envisions a new wave of innovation that will see more British startups and university spinouts emerging over the next five years.          Siemens’ Manchester HQ hosted the first AMUK Members Forum of 2025. Photo by 3D Printing Industry. What is the current state of additive manufacturing in the UK? According to Dugdale, the 3D printing industry is experiencing a challenging period, driven largely by global economic pressures. “I wouldn’t describe it as underperforming, I’d describe it as flat,” Dugdale said. “The manufacturing sector as a whole is facing significant challenges, and additive manufacturing is no exception.” He pointed to increased competition, a cautious investment climate, and the reluctance of businesses to adopt new technologies due to the economic uncertainty.  Dugdale specifically highlighted the increase in the UK’s National Insurance contribution (NIC) rate for employers, which rose from 13.8% to 15% on April 6, 2025. He noted that many British companies postponed investment decisions ahead of the announcement, reflecting growing caution within the UK manufacturing sector. “With additive manufacturing, people need to be willing to take risks,” added Dugdale. “People are holding off at the moment because the current climate doesn’t favor risk.”  Dugdale remains optimistic about the sector’s long-term potential, arguing that the UK continues to excel in academia and R&D. However, for Dugdale, commercializing that research is where the country must improve before it can stand out on the world stage. This becomes especially clear when compared to countries in North America and Asia, which receive significantly greater financial support. “We’re never going to compete with the US and China, because they have so much more money behind them,” he explained. In a European context, Dugdale believes the UK “is doing quite well.” However, Britain remains below Spain in terms of financial backing and technology adoption. “Spain has a much more mature industry,” Dugdale explained. “Their AM association has been going for 10 years, and it’s clear that their industry is more cohesive and further along. It’s a level of professionalism we can learn from.” While the Iberian country faces similar challenges in standards, supply chain, and visibility, it benefits from a level of cohesion that sets it apart from many other European countries. Dugdale pointed to the Formnext trade show as a clear example of this disparity. He expects the Spanish pavilion to span around 200 square meters and feature ten companies at this year’s event, a “massive” difference compared to the UK’s 36 square meters last year. AMUK’s presence could grow to around 70 square meters at Formnext 2025, but this still lags far behind. Dugdale attributes this gap to government support. “They get more funding. This makes it a lot more attractive for companies to come because there’s less risk for them,” he explained.   Josh Dugdale speaking at the AMUK Members Forum in Manchester. Photo by 3D Printing Industry. 3D printing for UK Defense  As global security concerns grow, the UK government has intensified efforts to bolster its defense capabilities. In this context, 3D printing is emerging as a key enabler. Earlier this year, the Ministry of Defence (MoD) released its first Defence Advanced Manufacturing Strategy, outlining a plan to “embrace 3D printing,” with additive manufacturing expected to play a pivotal role in the UK’s future military operations.  Dugdale identified two key advantages of additive manufacturing for defense: supply chain resilience and frontline production. For the former, he stressed the importance of building localized supply chains to reduce lead times and eliminate dependence on overseas shipments. This capability is crucial for ensuring that military platforms, whether on land, at sea, or in the air, remain operational.  3D printing near the front lines offers advantages for conducting quick repairs and maintaining warfighting capabilities in the field. “If a tank needs to get back off the battlefield, you can print a widget or bracket that’ll hold for just five miles,” Dugdale explained. “It’s not about perfect engineering; it’s about getting the vehicle home.”  The British Army has already adopted containerized 3D printers to test additive manufacturing near the front lines. Last year, British troops deployed metal and polymer 3D printers during Exercise Steadfast Defender, NATO’s largest military exercise since the Cold War. Dubbed Project Bokkr, the additive manufacturing capabilities included XSPEE3D cold spray 3D printer from Australian firm SPEE3D.     Elsewhere in 2024, the British Army participated in Additive Manufacturing Village 2024, a military showcase organized by the European Defence Agency. During the event, UK personnel 3D printed 133 functional parts, including 20 made from metal. They also developed technical data packs (TDPs) for 70 different 3D printable spare parts. The aim was to equip Ukrainian troops with the capability to 3D print military equipment directly at the point of need. Dugdale believes success in the UK defense sector will help drive wider adoption of 3D printing. “Defense will lead the way,” he said, suggesting that military users will build the knowledge base necessary for broader civilian adoption. This could also spur innovation in materials science, an area Dugdale expects to see significant advancements in the coming years.     A British Army operator checks a part 3D printed on SPEE3D’s XSPEE3D Cold Spray 3D printer. Photo via the British Army. Advocating for a “unified industrial strategy” Despite promising growth in defence, Dugdale identified major hurdles that still hinder the widespread adoption of additive manufacturing (AM) in the UK.  A key challenge lies in the significant knowledge gap surrounding the various types of AM and their unique advantages. This gap, he noted, discourages professionals familiar with traditional manufacturing methods like milling and turning from embracing 3D printing. “FDM is not the same as WAAM,” added Dugdale. “Trying to explain that in a very nice, coherent story is not always easy.” Dugdale also raised concerns about the industry’s fragmented nature, especially when it comes to software compatibility and the lack of interoperability between 3D printing systems. “The software is often closed, and different machines don’t always communicate well with each other. That can create fear about locking into the wrong ecosystem too early,” he explained.  For Dugdale, these barriers can only be overcome with a clear industrial strategy for additive manufacturing. He believes the UK Government should develop a unified strategy that defines a clear roadmap for development. This, Dugdale argued, would enable industry players to align their efforts and investments.  The UK has invested over £500 million in AM-related projects over the past decade. However, Dugdale explained that fragmented funding has limited its impact. Instead, the AMUK Chief argues that the UK Government’s strategy should recognize AM as one of “several key enabling technologies,” alongside machine tooling, metrology, and other critical manufacturing tools.  He believes this unified approach could significantly boost the UK’s productivity and fully integrate 3D printing into the wider industrial landscape. “Companies will align themselves with the roadmap, allowing them to grow and mature at the same rate,” Dugdale added. “This will help us to make smarter decisions about how we fund and where we fund.”    AMUK’s roadmap and the future of 3D printing in the UK    When forecasting 3D printing market performance, Dugdale and his team track five key industries: automotive, aerospace, medical, metal goods, and chemical processes. According to Dugdale, these industries are the primary users of machine tools, which makes them crucial indicators of market health. AMUK also relies on 3D printing industry surveys to gauge confidence, helping them to spot trends even when granular data is scarce. By comparing sector performance with survey-based confidence indicators, AMUK builds insights into the future market trajectory. The strong performance of sectors like aerospace and healthcare, which depend heavily on 3D printing, reinforces Dugdale’s confidence in the long-term potential of additive manufacturing. Looking ahead to the second half of 2025, AMUK plans to focus on three primary challenges: supply chain visibility, skills development, and standards. Dugdale explains that these issues remain central to the maturation of the UK’s AM ecosystem. Education will play a key role in these efforts.  AMUK is already running several additive manufacturing upskilling initiatives in schools and universities to build the next generation of 3D printing pioneers. These include pilot projects that introduce 3D printing to Key Stage 3 students (aged 11) and AM university courses that are tailored to industry needs.  In the longer term, Dugdale suggests AMUK could evolve to focus more on addressing specific industry challenges, such as net-zero emissions or automotive light-weighting. This would involve creating specialized working groups that focus on how 3D printing can address specific pressing issues.  Interestingly, Dugdale revealed that AMUK’s success in advancing the UK’s 3D printing industry could eventually lead to the organization being dissolved and reabsorbed into the MTA. This outcome, he explained, would signal that “additive manufacturing has really matured” and is now seen as an integral part of the broader manufacturing ecosystem, rather than a niche technology. Ultimately, Dugdale is optimistic for the future of 3D printing in the UK. He acknowledged that AMUK is still “trying to play catch-up for the last 100 years of machine tool technology.” However, additive manufacturing innovations are set to accelerate. “There’s a lot of exciting research happening in universities, and we need to find ways to help these initiatives gain the funding and visibility they need,” Dugdale urged. As the technology continues to grow, Dugdale believes additive manufacturing will gradually lose its niche status and become a standard tool for manufacturers. “In ten years, we could see a generation of workers who grew up with 3D printers at home,” he told me. “For them, it will just be another technology to use in the workplace, not something to be amazed by.”  With this future in mind, Dugdale’s vision for 3D printing is one of broad adoption, supported by clear strategy and policy, as the technology continues to evolve and integrate into UK industry.  Take the 3DPI Reader Survey — shape the future of AM reporting in under 5 minutes. Who won the 2024 3D Printing Industry Awards? Subscribe to the 3D Printing Industry newsletter to keep up with the latest 3D printing news.You can also follow us on LinkedIn, and subscribe to the 3D Printing Industry Youtube channel to access more exclusive content.

Conflux Technology, an Australian company specializing in heat transfer solutions and additive manufacturing, has announced a collaboration with Italian hypercar manufacturer Pagani to address thermal management challenges in the Pagani Utopia’s transmission. The Utopia, Pagani’s latest hypercar, uses a 6-liter twin-turbo V12 engine designed by Mercedes-AMG. Its powertrain integrates a custom seven-speed transmission developed by Xtrac, available in both automated and manual configurations, to deliver the high levels of control and responsiveness required in extreme driving conditions. The Australian-based firm developed a cartridge heat exchanger specifically for the Utopia’s transmission oil system to improve heat rejection. According to the company, this solution achieves a 30% increase in heat rejection compared to the previous heat exchanger design. This enhancement is critical to maintain optimal thermal performance during high-load operations and ensures the vehicle meets global emissions standards, including those in California. Pagani’s Utopia hypercar, powered by a 6-liter twin-turbo V12 engine. Photo via Conflux Technology. Pagani subjected the Utopia’s transmission system to extensive testing, including track and road validation as well as thermal shock trials. These tests confirmed the durability and thermal resilience of the new heat exchanger under demanding operational conditions, aligning with the vehicle’s performance requirements. Michael Fuller, Founder and CEO of Conflux Technology, said: “Our advanced heat exchangers are designed to enable new levels of effectiveness, perfectly complementing the engineering craftsmanship that Pagani is celebrated for. This collaboration showcases the synergy of precision, innovation, and excellence.” Francesco Perini, Head of the Technical Department at Pagani, emphasized: “Conflux’s advanced heat transfer technology empowers the Pagani Utopia to achieve superior heat rejection ensuring optimal thermal balance, even in severe driving conditions. In our relentless pursuit of perfection, every detail matters. Conflux’s cartridge heat exchangers are a testament to precision and innovation, playing a vital role in ensuring that the Utopia can be enjoyed for a romantic drive on the French Riviera as well as on the most demanding tracks.” Oliver Nixon, Head of High Performance Automotive at Xtrac, stated: “The innovation of Conflux’s technology has allowed Xtrac to continue to push the boundaries of transmission performance, whilst maintaining the lightweight, motorsport derived ethos of our transmission solutions.” Conflux Technology’s additive-manufactured cartridge heat exchangers. Photo via Conflux Technology. Conflux is developing its Conflux Production Systems (CPS) to scale the production of its heat exchangers, supported by an AUD 11 million Series B funding round. The company’s technology is applied across multiple sectors, including aerospace, motorsports, high-powered industrial equipment, and defense, where effective thermal management is essential. The cartridge design leverages additive manufacturing to produce complex geometries that enhance heat transfer while reducing weight, supporting the requirements of high-performance automotive applications. Xtrac, headquartered in Berkshire, UK, with additional facilities in Indiana and North Carolina, specializes in engineering transmission and driveline systems for both motorsport and automotive sectors. Engine bay featuring Xtrac’s seven-speed gearbox. Photo via Conflux Technology. Additive Manufacturing in High-Performance Automotive Design Bentley Motors recent limited-run Batur grand tourer, The Black Rose, integrates additive manufacturing into its design through 18-karat recycled rose gold components. Developed by the Mulliner division in collaboration with precious metal supplier Cooksongold, the project uses up to 210 grams of printed gold in elements such as the Drive Mode Selector, air vent controls, and steering wheel insert. These components are hallmarked in Birmingham’s Jewellery Quarter, with some also bearing the hallmark commemorating Queen Elizabeth II’s Platinum Jubilee. Bentley’s investment in additive manufacturing capacity since 2022 amounts to £3 million. This focus on additive manufacturing extends to high-performance vehicle engineering, as seen in McLaren Automotive’s W1 hypercar. The W1 incorporates titanium 3D printing in the production of front uprights and wishbones for its suspension system, contributing to significant weight savings and enhanced dynamic performance. McLaren reports that the W1 achieves a vehicle weight of 1,399kg, enabling a power-to-weight ratio of 911PS/tonne and supporting acceleration from 0 to 200km/h in 5.8 seconds. Central to this development is the company’s collaboration with Divergent Technologies, whose DAPS platform supports rapid design iteration and manufacturing flexibility.s. Front view of the McLaren W1 hypercar. Image via McLaren. Take the 3DPI Reader Survey — shape the future of AM reporting in under 5 minutes. Ready to discover who won the 2024 3D Printing Industry Awards? Subscribe to the 3D Printing Industry newsletter to stay updated with the latest news and insights. Featured photo shows Pagani’s Utopia hypercar, powered by a 6-liter twin-turbo V12 engine. Photo via Conflux Technology. Anyer Tenorio Lara Anyer Tenorio Lara is an emerging tech journalist passionate about uncovering the latest advances in technology and innovation. With a sharp eye for detail and a talent for storytelling, Anyer has quickly made a name for himself in the tech community. Anyer's articles aim to make complex subjects accessible and engaging for a broad audience. In addition to his writing, Anyer enjoys participating in industry events and discussions, eager to learn and share knowledge in the dynamic world of technology.

When Tom and Lia Higgins (Barbara Corcoran's son and daughter-in-law) acquired their prewar apartment on New York City’s Upper East Side, they wanted to maximize every inch of the 1,900-square-foot interior. So the high school sweethearts, who have young kids and love to entertain, called upon Hee Designs to fully gut renovate the unit, requesting a balance between “child-friendliness and a sense of sophistication,” says the firm’s founder, Kellyann Hee.Hee, along with the firm's design director Julia Berner-Tobin, reworked the original three-bedroom, three-bathroom footprint, moving walls and ripping out flooring to fit everything from a large kitchen with a pantry and dining area for eight to a private bedroom wing so that the family could host guests without disturbing sleeping children. From there, they completely reimagined the home's furnishings, turning to durable-yet-timeless pieces that could grow alongside the family. The result is an elevated yet practical retreat that balances versatility with a timeless, tailored feel—an extra impressive feat, considering the quick nine-month timeline and the fact that the project was the hospitality-focused firm’s first foray into residential design.Fast FactsDesigner: Kellyann Hee and Julia Berner-Tobin of Hee DesignsLocation: New York City's Upper East SideThe Space: Three-bedroom, two-and-a-half bath across 1,900 square feetENTRYWAYGreen velvet wall art sets the tone for a muddy yet dimensional palette.Andrew BuiTable: Interior Icons. Ottomans: Lulu & Georgia. Rug: Design Within Reach. Ceiling lights: custom, by Studio Luddite. Wall art: Leonard Meoni. Wall paint: Soft Chamois, Benjamin Moore. Ceiling paint: All White, Farrow & Ball. Door paint: White Dove, Benjamin Moore.Throughout the home, the design team thoughtfully selected furniture with rounded rather than sharp edges and opted for soft materials, like wood over stone, “to create a safer environment for rambunctious kiddos,” Hee says. “We framed wall art behind glass or plexi to protect it, and used cordless window treatments.”As far as the color palette goes, the couple wanted to mix it up from their historically white-on-white style, so the team introduced warm neutrals and layered textures. In the entry, the velvet Leonard Meoni wall art, one of the only items the clients brought with them to the apartment, inspired further green accents throughout the space. “The entry opens into the kitchen and dining area on one side, where we have a dark green mohair banquette, and on the other side it opens to the living room with green accents in the art, book spines in the bookshelves, and mirror.”The finished design totally surprised us, in the best way.LIVING ROOMA plethora of seating caters to activities, day to night.Andrew BuiBuilt-ins: custom, by Rockaway Custom Cabinets & Restoration Shop Inc. Hardware: Lo & Co. Table: McGee & Co. Ottoman: Maiden Home.Andrew BuiSofa: Restoration Hardware. Mirror and lamp: Anthropologie. Throw pillow: Rejuvenation. Side table: Maiden Home. Sconce: Lumfardo. Ceiling light: Long Made Co. Wall paint: Soft Chamois, Benjamin Moore. Wall art: Eberhard Ross.Multiple seating arrangements ensure plenty of opportunity to work or unwind in the often naturally lit space. Custom-built-ins are encased in glass to keep everything out of reach of the kids but still allow the mix of books and decorative objects, like jewel-toned vessels, to be on display. “Our clients really love low lighting in the evenings,” Hee says. “So we backlit these shelves and included a few small lamps. At night, the bookcases become a warm and cozy element in the space.” KITCHENClever storage solutions keep the cookspace neat.Andrew BuiRange: Aga Elise Range. Cabinet hardware: MyKnobs.Andrew BuiCabinets: custom, by Rockaway Custom Cabinets & Restoration Shop Inc.Hee and Berner-Tobin relocated the kitchen from the floor plan’s center to a former bedroom location to bring in natural light, make the cookspace larger, and open it up to a formal dining room. “The combo of an open-concept kitchen and dining room is really popular in the city—and perfect for dinner parties,” Hee says.When customizing the kitchen, the duo prioritized storage with wide, pull-out drawers to hide appliances, pots, and pans, as well as narrow cabinets for stowing baking pans and cutting boards. The Caesarstone counters ensure the homeowners need not stress about stains, while the marble slab backsplash from ABC Stone adds a dramatic touch. “The fluted wall paneling softens a huge column that could not be relocated in the space, and similarly, a concealed pantry door opposite the kitchen sink,” Hee says.DINING NOOKThe customized spot mimics the feel of a luxe NYC eatery.Andrew BuiChairs: Restoration Hardware. Art lights: Pooky. Wall art (right): 1stDibs. Wall art (left): TRNK NYC.To fulfill the couple’s request for a dining area that seats eight, Hee and Berner-Tobin designed a custom banquette in green mohair fabric and a white oak dining table. Since the nook is open to the kitchen, it allows for easy cooking, serving, and dining for daily life with kids and evenings spent entertaining. “There’s a hidden table in the space behind the curve of the banquette that we had made custom to match the fluted wall, so the edges line up perfectly and no food or dust collects back there,” Hee says. “Also, it’s a nice place for a tiny vase for dinner party nights.”Overhead, simple flat crown molding “really adds that little extra layer of polish,” Hee says. The minimal, easy-to-execute detail is carried throughout other parts of the home, as is the parquet wood flooring. The team invested in permanent elements, like the flooring, over high-end, irreplaceable vintage furnishings that may not stand up to wear and tear.POWDER ROOMMetallic wallpaper maximizes light while creating an enchanting look.Andrew BuiWallpaper: Holly Hunt. Mirror: Rejuvenation. Faucet: Kohler. Sconce: Rich Brilliant Willing.Located off the kitchen in a small wing with a hidden pocket door is the glamorous powder room. “The [Holly Hunt] wallpaper here is a real stunner,” Hee says. “It has a raised foil pattern reminiscent of antique lace and acts as the perfect backdrop to a beautiful velvet photo collage commissioned for the room by Brooklyn-based artist Roxana Kadyrova.” PRIMARY BEDROOMA serene space reminiscent of a luxury hotel room.Andrew BuiTable: CB2. Chair: Residence Supply. Bench cushions: Custom, in Holly Hunt fabric. Throw pillows: Restoration Hardware. Rug: Enkay. Wall art: Brian Merriam, from Tappan Collective. Sconce: 1stDibs.Natural elements and rich textures drive the calming atmosphere in the primary bedroom. His-and-hers closets allow the main bedroom to remain minimal and uncluttered. Behind the door—which is modeled after the apartment’s original entry door to expand on the existing pre-war architecture—is the primary bathroom. Opposite the bed is a projector for movie nights.PRIMARY BATHROOMA calming backdrop for self-care rituals.Andrew BuiMirror: Wayfair. Sconces: Etsy, Smile Lamp Works. Fixtures: Brizo. Wall tile: NY Stone. Floor tile: Tilebar and NY Stone. Vanity hardware: Lo & Co. Wall art: Simeoni Art Studio.Travertine tiles maintain a serene, spa-like feel in the bathroom, which boasts a full built-in tub and separate shower.SON'S ROOMThe animal theme adds whimsy and wonder.Andrew BuiTable and bedding: Pottery Barn Kids. Doorknob: Baldwin Hardware.Andrew BuiSconce: Pooky. Rug: Crate & Barrel. Bear pillow: Fair Trade Winds.“We chose a subtle bear theme for the couple’s son’s room, with bear throw pillows on both beds and a soft bear-shaped chair in the corner opposite [from the side table,]” Hee says, noting they also customized the wallpaper into a printed mural to work better for the room’s specific layout. The couple requested a bunk bed for sleepovers, “and a bed low to the ground as he transitioned from his crib to the twin bed,” Hee says. An arched bunk bed from West Elm adds softness to the space. About the DesignersBased in New York's Hudson Valley and Portland, Maine, Hee Designs is primarily a hospitality design firm. But now, the team has also fallen in love with residential projects. Founder Kellyann Hee's approach aims to respect history while pushing forward to a sustainable future. With design director Julia Berner-Tobin, she creates deeply personal, intentional spaces that transcend time through a mix of vintage pieces, existing elements, thoughtful new additions, and custom creations. “We believe, when a home is designed with care, honesty, and a real understanding of both the people who live there and the place they live in, you can feel it,” Hee says.SHOP THE SPACEMulberry Ottoman$1,000 at maidenhome.comArches Bunk BedNow 20% Off$2,799 $2,239 at West ElmNodu Rug$548 at enkay.comGrey Marble Bistro Table$1,699 at CB2

Trump, judges, regulators, lawmakers and even an old Apple all-star threaten the company.

Dutch food 3D printing company Gastronology has begun large-scale production of 3D printed meals designed for people with dysphagia, a condition that makes chewing and swallowing difficult. Working with contract manufacturer Budelfood B.V. in Poortvliet, the Dutch company rolled out its first industrial batches in April last year. Branded as Dysphalicious, these meals were initially supplied to hospitals and healthcare institutions.  Following increased demand from home users and caregivers, Gastronology has expanded access to its meals through online delivery platform QSTA, where orders can be placed at any time. Products are delivered frozen in boxes containing 20 or 22 portions, each weighing 50 g. A specially designed plate and matching lid, required for proper preparation, can be purchased alongside the meals. “This has numerous positive effects on their physical and mental well-being and that makes us extremely enthusiastic about what we are doing. Being able to make a significant contribution at a social and societal level is a huge motivation,” said Peter Nieuwkerk, Founder and CEO at Gastronology. A range of Dysphalicious meals. Photo via Gastronology. Access to safe and nutritious meals Dysphalicious meals are made from fresh, locally sourced vegetables and potatoes. Ingredients are ground into a smooth paste and shaped using food 3D printing.  The resulting dishes are designed to be visually recognizable and meet the IDDSI Level 4 standard, which ensures a consistency suitable for people with moderate dysphagia. According to the company, the aim is to provide an alternative to traditional puréed or gel-based meals, which often lack taste, smell, and visual appeal. The current range includes eight plant-based items: cauliflower, broccoli, carrot, garden pea, haricot verts, sweet potato, potato, and beetroot. Gastronology plans to add meat-based options later in the year. According to 3DPrintMagazine, Nieuwkerk noted that many patients are limited to food that is functional but unappealing. Consequently, the Dutch company wants to make nutritious and appetizing options more widely available. To support broader distribution, Gastronology intends to increase its production capacity from 700 kgs per day to 2,500 kgs per day over the coming years. The company’s goal is to make its meals accessible to more people affected by dysphagia, whether they are in clinical settings or living at home. Exploring new directions in food 3D printing As the food 3D printing landscape evolves, other developments including alternative proteins and novel production techniques have also been explored. Recently, Austrian food technology company Revo Foods launched EL BLANCO, a 3D printed plant-based alternative to black cod made from mycoprotein and microalgae oils. Developed using a low-temperature extrusion process, the product mimics the flaky, tender texture of fish fillets while offering high fiber, Omega-3s, and all essential amino acids.  Compared to Revo’s previous salmon alternative, EL BLANCO is softer and less processed. Being produced at Revo’s The Taste Factory, it is now available across Europe through retailers like BILLA AG, gurkerl.at, knuspr.de, and Revo Foods’ online store, which ships to multiple countries. Another novel approach was introduced by Hong Kong University of Science and Technology (HKUST) researchers who developed a single-step food 3D printing method that simultaneously prints and cooks food using laser-induced graphene (LIG) infrared heating. Unlike traditional systems that require post-print cooking, this approach enhances precision, energy efficiency, and food safety.  Operating at just 14 watts, it maintains precise surface temperatures and minimizes bacterial growth. Tests on starch-based cookie dough showed improved structural consistency compared to oven-baked samples. Although still under development, this development holds potential for use in restaurants, bakeries, and healthcare settings requiring customized and hygienic food preparation. Take the 3DPI Reader Survey — shape the future of AM reporting in under 5 minutes. What 3D printing trends should you watch out for in 2025? How is the future of 3D printing shaping up? To stay up to date with the latest 3D printing news, don’t forget to subscribe to the 3D Printing Industry newsletter or follow us on Twitter, or like our page on Facebook. While you’re here, why not subscribe to our Youtube channel? Featuring discussion, debriefs, video shorts, and webinar replays. Featured image shows a range of Dysphalicious meals. Photo via Gastronology.

What’s the Best Way to Cut Onions Without Crying? New Research Suggests That Thin, Sharp Blades Are Key to Minimizing Tears For a new study, physicists visualized and quantified the tear-producing droplets that get expelled from onions when they’re cut New research suggests using a thin, sharp knife and cutting slowly could help prevent crying while cutting onions. Pexels From wearing goggles to rubbing the knife with lemon juice, home cooks have come up with a wide variety of clever tricks to keep themselves from crying while cutting onions in the kitchen. Now, physicists have come up with another possible solution. Using a sharp knife while making slow, controlled cuts seems to be the best way to minimize the spray of tear-producing compounds in onions, according to a new study. The paper has been published on the preprint server arXiv and has not yet been peer reviewed. Scientists know why onions make us cry: When cut, these spherical alliums produce a chemical that stimulates the nerves responsible for producing tears. The volatile, irritating compound is called syn-propanethial-S-oxide. But, recently, a team of physicists decided to explore the underlying mechanisms at play when syn-propanethial-S-oxide gets released from onions. Using techniques known as high-speed particle tracking velocimetry and digital image correlation, they were able to visualize and count droplets as they were being expelled from cut onions, per IFLScience’s Russell Moul. They also studied the onions themselves, making note of strain and deformations on the flesh during chopping. To start, the team gathered fresh onions from local vendors, cut them into halves or quarters, then coated them in black spray paint. (This step made it easier for them to see and track what was happening when the alliums got cut.) Then, they set up a high-speed camera and started chopping. “Cutting is a really strange process,” says Anne Juel, a physicist at the University of Manchester who was not involved with the research, to NewScientist’s Alex Wilkins. “We cut things with knives every day, but to cut something, you need to go down to the atomic scale.” Using a custom guillotine, the researchers experimented with cutting speeds ranging from 1.3 and 6.5 feet per second and blade thicknesses between 5 and 200 millimeters. They changed the steel blades manually and modified the speed by adjusting the height of the blade, which was released from above. By analyzing the footage from the high-speed camera, they could investigate the dynamics of tear-producing particles that sprayed out from the onion as it was cut. The thinner, sharper blades produced fewer droplets that moved more slowly and with less energy, they found. Meanwhile, the thicker, duller blades caused an explosion of high-speed particles that moved at up to 141 feet per second. This is because the dull blade initially bent the onion skin, which caused pressure to build up inside. When the blade finally sliced through, it released all that built-up energy and sent onion juice flying. Then, once the particles were in the air, they also fragmented into smaller pieces to create “an even more diffuse mist of all-natural mace,” writes Andrew Paul for Popular Science. The duller blades produced as much as 40 times more particles than the sharper blades. Faster cutting speeds produced up to four times as many droplets as slower speeds. This suggests that the best way to minimize tear-producing chemicals while chopping onions is to cut slowly with a thin, sharp knife. However, the researchers did not test this theory in their experiments, per NewScientist. Refrigerated onions released a “noticeably larger volume” of droplets compared to room-temperature onions, the researchers write. Pixabay Home cooks are often advised to chill their onions before cutting them to minimize crying. So, the researchers also experimented with onions that had been refrigerated for 12 hours. However, in their tests, the refrigerated onions released a “noticeably larger volume” of droplets compared to room-temperature onions. Preventing tears while cutting onions might seem like a trivial research topic. But the scientists say their work could also have important implications for food safety. The fragmented droplets that spray out of raw foods while they’re being cut could contribute to the spread of disease-causing pathogens, the researchers write in the paper. “Ejected droplets can come into direct contact with contaminated blades or carry surface-borne pathogens as they leave the food surface,” they write. “Lighter droplets [are] readily suspended and can be transported by ambient air currents, thereby posing a potential risk for airborne transmission.” Keeping knife blades sharp, then, might be an easy way to help reduce food-borne illnesses, they posit. “Sharper blades reduce not only the number of droplets but also their speed and kinetic energy,” the scientists write in the paper. “This is particularly relevant for fruits and vegetables, which can carry food-borne pathogens such as Salmonella.” Many other recent research projects have attempted to use science to solve everyday problems. Scientists have visualized the plume of aerosolized particles ejected from commercial toilets during flushing, and some are even coming up with new urinal designs to help reduce urine splashing. And in the realm of enhancing food, Italian physicists came up with the perfect cacio e pepe recipe, while others have figured out the best way to make pour-over coffee and boil an egg. 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"We use a lot of what I call ‘muddy colors,’ ” Alison Giese says of her namesake design firm’s signature palette. To establish a tailored but cozy interior scheme for a young family’s newly constructed ranch-style residence in San Antonio, Giese once more relied on “color that’s not colorful.” The way she sees it, “If it’s blues and pinks and greens that have a lot of brown in them, they become more of a neutral.” FAST FACTSAlison Giese, of Designer: Alison Giese InteriorsLocation:The Space: Four bedroom, three-and-a-half bathroom houseWe just lavished it with color. If it’s fun and feels collected, then let’s go for it. GREAT ROOMA multi-functional space that lives large—and feels cozy. Yanglin CaiSectional: Vanguard, in Kravet fabric. Armchairs: Lee Industries, in Lake August fabric. Lounge chair: Design Within Reach. Rug: Dash & Albert by Annie Selke.The four-bedroom, three-and-a-half-bathroom house is laid out in a “boomerang shape,” Giese says, and is poised to be the family’s “legacy home,” a place to be enjoyed by many generations. Giese, working with Smithdish Architecture, filled the 5,000-square-foot interior with natural materials, botanical patterns, and personal touches.In the great room, eight-foot-long pendants from The Urban Electric Co. bring the vaulted ceiling down to “human height,” Giese says.LIBRARYDeep teal paint fuels the moody setting.Yanglin Cai Paint: Salamander, Benjamin Moore. Lamp: Currey & Company. Sconce: Visual Comfort & Co. Chair: clients’ own.In place of a home office, the family requested a library complete with a Putnam rolling ladder.KITCHENThe fresh cookspace isn't all it seems. Yanglin CaiPendants: The Urban Electric Co. Counter stools (with backs): Summer Studio. Cabinetry paint: Natural Choice, Sherwin-WilliamsThe most unassuming room is the open-concept kitchen with “a melody of colors and finishes,” Giese says. “At first glance, it may appear to be a white kitchen, but it is anything but! We have three paint colors and one stain in the cabinetry mix. We just kept all the color on the bottom half of the sight line.”Yanglin CaiThe 12-foot-long island boasts a custom brass footrail reminiscent of a restaurant bar.BREAKFAST NOOKCafé curtains level up the coziness.Yanglin CaiPendant: RTO Lighting. Banquette fabrics: Schumacher (back) and Nassimi (vinyl seat). Banquette paint: Mulberry Silk by Sherwin-Williams. Drapery fabric: Anna FrenchThe heirloom table on casters rolls out so people can easily slip in and out of the custom banquette. The family's livestock brand, E7, is engraved on the base of the banquette.LIVING ROOMA cozy hangout in a separate house on the grounds.Yanglin CaiPaint: Alabaster, Sherwin-Williams (wall); Mizzle, Farrow & Ball (trim). Shade: Custom, in Namay Samay fabric. Rug: Serena & Lily.The homeowners filled what they call “the garden cottage” with secondhand finds.GUEST BEDROOMA private retreat that boasts all the charm of a boutique inn.Yanglin CaiYanglin CaiInside the garden cottage, visitors can unwind in a cheery oasis wrapped in a meadow-inspired Morris & Co. wallpaper. An antique chair found at an estate sale and a floating desk turn a niche into a cozy workstation. Paint: Sudbury Yellow, Farrow & Ball. Bed: Serena & Lily. Table: vintage, Uncommon Objects. Rug: Pottery Barn. Art: clients’ own. Quilt: GreenRow.PRIMARY BEDROOMEarthy shades provide a serene place to unwind.Yanglin CaiBed: Woodbridge Furniture, in Schumacher fabric. Lamp: clients’ own. Chaise longue: Lee Industries, in Jasper Textiles fabric.To evoke the feel of a luxe hotel, Giese relied on a soothing palette with subtle pops of print. “We chose warm colors and a balance of masculine and feminine patterns,” she adds.DAUGHTER'S ROOMThe cottagecore style is playful yet elevated.Yanglin CaiYanglin CaiWhile the effect is subtle but stunning, bold colors shine in pockets of the house. In Giese’s favorite space, the daughter’s room, a floral Liberty of London wallpaper was the jumping-off point to cottagecore style. “We went all in on layering pattern and color,” Giese says, including covering the custom millwork in Dix Blue paint by Farrow & Ball. Beds: Bramble. Quilts: Etsy. Sheets and table lamp: Pottery Barn Kids. Carpet: Prestige Mills.PRIMARY BATHROOMThe epitome of quiet luxury. Yanglin CaiMirrors: RH. Sconces: Arel Lighting. Faucets: Rohl. Hardware: Classic Brass. Rug: Vintage.Textural cement tiles from Arto offer a nonslip surface, while an Arrabescato Corchia marble countertop adds a sleek touch and stunning focal point.LAUNDRYA charming place to check-off daily to-dos. Yanglin CaiPaint: Blustery Sky, Sherwin-Williams. Faucet: Moen. Roman shade: Custom, in Virginia Kraft Textiles fabric.“This quartzite is one of the prettiest I’ve seen,” Giese says of the Brilliant Grey stone countertops in the ultra-functional laundry room. MUDROOMWhere there's a place for everything.Yanglin CaiFlooring: Limestone, Material Bespoke Stone + Tile. Mirror: Schwung. Hooks: Clients’ own.In this corridor-style space, custom cubbies were designed to fit around the vintage chest. COAT VESTIBULEWarm wood envelopes the multifunctional space. Yanglin CaiBench fabric: Schumacher. Pillow and throw: Thompson + Hanson. Hooks: Etsy. Sconce: Huey Lightshop.This stow-away zone doubles as a privacy buffer between the foyer and adjoining powder room.FOYERIt's all in the textures.Yanglin CaiTable: Arhaus. Mirror: Arteriors. Lamp: Currey & Company. Rug: Passerine. Vessels: African gourd baskets, Alison Giese InteriorsA floor-to-ceiling limestone wall, which doubles as the backside of a fireplace, brings texture and warmth to the entry.EXTERIOR The grounds are vast.Yanglin CaiDespite its location just minutes from the airport, the property feels tucked away into the countryside, thanks in large part to the surrounding landscape, where the owners combined their several-acre property with an adjacent lot. With a one-bedroom guest cottage, greenhouse, barn, and “zen zone” with a cold plunge pool on the grounds, the home is both a family estate and an escape from the stresses of life outside its doors.About the DesignerAlison Giese founded the San Antonio–based design firm Alison Giese Interiors under the belief that "every room should have character and interest over perfection." Inspired by her travels and experiences, Giese loves to blend her clients’ existing treasures with carefully selected pieces to create harmony between old and new. AGI takes on projects from coast to coast, working closely with clients to develop interiors that reflect their story. SHOP THE SPACEWebster Bed$2,698 at Serena and LilyMeadow Sweet Wallpaper$312 at wmorrisandco.comNord Counter Stool$1,028 at summerstudiodesign.comSalamander Paint$6 at Benjamin Moore

Credit: Sea to Summit / Bote / Kelty / Mashable Photo Composite Deal pricing and availability subject to change after time of publication. Learn more about how we select deals. Best REI Anniversary Sale deals Best camping deal REI Base Camp 4 Tent $331.79 (save $142.21) Best water sports deal Bote Wulf Aero inflatable paddle board $475.09 (save $83.91) Memorial Day is just a few days away, which means it's time to think about every amazing outdoor adventure you have planned for summer of 2025. If last year's gear got put away wet and dirty, it's time to consider some upgrades. Instead of doing this the Thursday night before leaving for a weekend adventure on Friday, spend Memorial Day weekend sorting through your gear and deciding what needs a refresh.Coincidentally, the REI Anniversary Sale is on now through May 26 and has thousands of deals that take up to 30% off outdoor gear. Snag a new paddle board, replace the cooler, finally keep in touch with a Garmin inReach, or get a cozier sleeping bag.Plus, if you happen to be an REI member and you see something that's not on sale, use code ANNIV2025 to take 20% off. A lifetime membership to the REI Co-op costs just $30 which means joining to apply to 20% coupon could mean the membership has already paid for itself. Mashable Trend Report: Coming Soon! Decode what’s viral, what’s next, and what it all means. Sign up for Mashable’s weekly Trend Report newsletter. By clicking Sign Me Up, you confirm you are 16+ and agree to our Terms of Use and Privacy Policy. Thanks for signing up! You May Also Like In terms of what's on sale during the REI Anniversary Sale expect to see 30% off tons of REI Co-op brand gear, 20% off REI bicycles, and up to 25% off tons of camping gear from Nemo, Kelty, Therm-a-Rest and more. Below are some of our favorite deals or you can spend hours browsing the entire sale selection.Best camping deal Opens in a new window Credit: REI REI Base Camp 4 Tent $331.79 at REI $474 Save $142.21 Why we like itThe outdoors is a wonderful place to spend sunny weekends but it's no time to skip out on sleeping. You'll want to head out with a cozy sleeping set-up which relies on a functional tent, and that's where the REI Base Camp 4 Tent comes into play. It's part of the brand's Anniversary Sale which means you'll be saving 30% on the tent, scoring it for $331.79 instead of the normal price of $474. Related Stories In terms of function, the Base Camp 4 Tent is ready to sleep you and three friends with its durable materials that are also water repellent. The wide two door means no sleeper is trapped inside and everyone will have easy access for that inevitable 1 a.m. latrine trip. Of course, the pockets and hang loops make camp organization much easier. More camping dealsSea to Summit Ultra-Sil Dry Bag (3 pack) — $52.39 $69.95 (save $17.56)GSI Outdoors Glacier Stainless Base Camper Cookset — $67.39 $89.95 (save $22.56)Kelty Low Loveseat — $97.39 $129.95 (save $32.56)Helinox Chair Zero — $104.89 $139.95 (save $35.06)Rumpl Original Puffy Blanket (two person) — $149.19 $199 (save $49.81)Sea to Summit Traveller 45F Down Sleeping Bag — $149.19 $199 (save $49.81)Coleman Cascade 222 2-Burner Camp Stove — $164.99 $220 (save $55.01)NEMO Dagger OSMO 2P Tent — $374.89 $499.95 (save $125.06)Best water sports deal Opens in a new window Credit: Bote Bote Wulf Aero inflatable paddle board $475.09 at REI $559 Save $83.91 Why we like itYou've tried out the paddle boards from the local rental shop and decided it's a great way to get out on the water, but have you tried your own? Bote makes some impressively designed paddle boards and the Bote Wulf Aero is on sale during the REI Anniversary Sale for $475.09, down from the usual price of $559. At 10 feet 4 inches in length, the Bote Wulf means you can spend the day out on the water instead of on the crowded shoreline and the included travel bag means everything is so much easier to carry to the lake. You'll also get a three-piece adjustable SUP paddle, a hand pump, a coiled leash, and a removeable Aero center fin, and an Aero repair kit.More outdoor gear sales at REINRS Ninja PFD — $119.89 $149.95(save $30.06)Garmin inReach Mini 2 — $299.99 $400 (save $100.01)Cannondale Topstone 3 Bike — $1,119.93 $1,400 (save $280.07)Salsa Journeyer Sora 700c Bike — $1,169.09 $1,299 (save $129.91) Topics Outdoors Lauren Allain Contributor Lauren Allain is a freelance journalist covering deals at Mashable. She graduated from Western Washington University with a B.A. in journalism and holds an M.B.A from Webster Leiden. You can find more of her work online from publications including Reader’s Digest, U.S. News & World Report, Seattle Refined, and more. When she’s not writing, Lauren prefers to be outside hiking, bouldering, swimming, or searching for the perfect location for all three.