Don't think twice, it's all right.It's time to say goodbye.Well, not really. The massively popular Switch will live on in a way few other Nintendo consoles have done thanks to backwards compatibility, a host of free upgrades to existing games, and a Switch 2 form factor that keeps everything about the previous console. As generational jumps go, it doesn't get much smoother than this.Read the full article on nintendolife.com

PowerWash Simulator goes underground, overground in final free content update It's been a blast. News by Matt Wales News Reporter Published on May 29, 2025 The end is nigh for developer FuturLab's endlessly hypnotic original PowerWash Simulator, but before the studio packs away its nozzles in anticipation of an upcoming sequel, there's one last free update featuring a couple more spaces in which to unleash your hose. "The time has come to reach our final destination for PowerWash Simulator," FuturLab wrote in an update on its website, "and what a journey it has been!... Whether you've been with us busting the grime from early access, or hopped aboard the PowerWash hype train somewhere down the line, we'd love to say a huge thank you for enjoying this adventure with us." And as a final farewell to the original game, FuturLab has released Muckingham Files 6, which features two more locations in desperate need of a clean. The first will be immediately familiar to old hands, taking players down into the Muckingham subway station for one last spray. However, rather than demanding a repeat of the harrowing tunnel clean-up job featured in the base game, this time you'll be aiming your nozzle at an extremely grubby train that's pulled into the station, washing away the grime from its outers and innards. Watch on YouTube After that, there's one last stop in the form of Sculpture Park, where players will be working at the behest of Darcy d'Arcy to restore the area's collection of "fine" art - including a large Monolith and The Man of A Thousand Faces - to its former glory. And, of course, there's a giant gnome, because what sort of send off would it be without one? "We hope you enjoy this final PowerWash Simulator update as much as we have enjoyed creating it," FuturLab concluded in its update. "The team have poured their hearts and souls into creating a world for you all to escape to and clean, somewhere for you to relax and solo clean, or a place to gather with friends and catch up over a satisfying wash." PowerWash Simulator's free Muckingham Files 6 update - which follows April's inclusion of Muckingham's Dessert Parlour for a cleaning - is available now on all platforms, and FutureLab has taken the opportunity to squeeze in a couple more bug fixes, as detailed in its patch notes. Next up, of course, is PowerWash Simulator 2, which is currently expected to launch for PC, PlayStation 5, Xbox Series X/S, and possibly Switch 2 later this year. It promises new jobs, new dirt to blast, and a new hub-like HQ. And if you're a fan of PowerWash Simulator's ridiculous narrative, don't fret - FuturLab has also confirmed plenty more Muckingham lore.

This article contains spoilers for Big Mouth season 8. It’s become increasingly rare for a streaming series to end on its own terms, especially when that series has run for eight seasons and revolves around the uncontrollable hormonal impulses of a bunch of teenagers.  Big Mouth made waves upon its premiere back in 2017, yet it’s grown into one of Netflix’s longest-running shows and a program that’s experienced as many changes as its adolescent protagonists. The series is comfortable indulging in its cruder and more mature impulses, whether that’s relentless Hormone Monsters or anthropomorphic genitals. That being said, there’s an undeniable heart to Big Mouth and it’s an animated comedy that actually strives to educate and enlighten, as wild as that may seem, as it preaches inclusivity and a truly modern world of sex, relationships, and identity.  As Big Mouth reaches its splashy big finish with its eighth season, the comedy’s co-creators — Andrew Goldberg, Jennifer Flackett, and Mark Levin — open up on their animated project’s farewell year. Goldberg, Flackett, and Levin get candid on Big Mouth’s latest changes as its characters acclimate to high school, the highs and lows of pornography, and their trepidation over sticking the landing. Also: the one storyline that was almost turned into its own interactive episode! DEN OF GEEK: It’s been so much fun to see this series evolve since its beginning. Is it satisfying to get the rare luxury of bringing many of these characters’ stories to fruition across eight seasons as they all find their respective cliques and learn a little more about themselves? MARK LEVIN: I mean, it is a rare treat to be able to tell a story that long and to be able to really explore these characters in depth over so much time. To have anyone’s puberty last eight years is pretty cool.  JENNIFER FLACKETT: But also to age the characters and to have animation that changes was not something that [we anticipated]. Andrew often talks about the fact, because he’s from Family Guy. He never thought that the character models would change and we hadn’t really talked about that. Then when we realized that the show’s all about changes, that was really interesting to us.  ML: Also, to have the runway to be able to know that we were going to close out the show, and to be very thoughtful and intentional in our approach to that, was great. We went on a retreat with the writers in advance of season eight to just talk about everything and wrestling with this big idea. Ultimately, the big question was, “How do you end a story about characters who are just beginning their story – their lives,” you know? That’s the conclusion of the future being the thing they have to wrestle with most–the unknown of the future.  I’m glad you touched on that too, because I do think there are always really high expectations that surround any series finale and I think you guys handled this one very gracefully. Was this always kind of the ending that you had envisioned for the show? Did it change over time? ANDREW GOLDBERG: No, we don’t have plans. We even like to figure out each season with our staff as we go. I mean, it would be great if we had a plan from the very beginning, but we did not, and like Mark said, we really came into season eight with this dilemma of “how do you tell the end of a story about kids who are just starting out?” I remember when we were first talking about what the final episode would be, Gil Ozeri, who wrote it, kind of looked at us and was like, “Well, you guys, it’s your show. What do you think? What is the show about?” And I was like, “I don’t know.” Mark thought that the most salient thing that we’ve learned over the years is that the show is about this idea that you’re not alone. That was sort of our guiding principle for the final episode, too. This idea that the future is scary and unknown, but you’re not alone. You have your friends to go into it with.  Were there any other series finales that you looked to for inspiration? I felt the tiniest bit of Moonlighting in terms of the characters’ universe kind of being dismantled around them. Join our mailing list Get the best of Den of Geek delivered right to your inbox! AG: Not really. I wanted to do that Andrew was masturbating and right before he comes, it cuts to black, and we don’t know if he comes or not or if he gets shot by the guy in the diner. Nobody else got on board with that. JF: I will say, like when you were just talking about it – to me Cheers and Mary Tyler Moore–  AG: Cheers was a great finale.  JF: Those were two great finales that were funny and were emotional. That has always been our guiding light with Big Mouth. We didn’t really realize when we first started how important the emotionality was going to be. That these were kids with big feelings and everything mattered so much. So I think just that idea–we knew we wanted the end to be emotional, but it was also emotional for us! When we had our final table read and all those kids walked off, everyone was crying. So, I think that also a big part of it, too – being funny, emotional, and that we really wanted to do well by these characters. We wanted to feel like the future was pretty bright for them. AG: Sometimes with finales, shows try to reinvent the wheel. They’ll make the finale its whole own thing. As a fan, I always like a finale that’s just like a really good episode of the show. That was also one of our goals and one of the reasons why we went back to the middle school for the finale because that was the heart of the show. Big Mouth is obviously very silly, but it pushes some really important messages, too. It’s filled with encouraging examples of representation as well. Which storyline or piece of character development are you the most proud of bringing to life here? JF: I just think we all learned so much about human sexuality and human development making this show. I can really say I learned a lot and I feel like we really created something where the things that we learned–we really wanted to tell people about things like female pleasure. I did not think that was a story that I was going to do. Like, I knew there’d be periods. I knew there’d be masturbation, right? But beyond that–going into asexuality and all these things that really came from real students that we spoke to who said, “I don’t feel represented.” That was really interesting and we didn’t really know about that. I think that always interested us in all these different ways. Consent is something – both in the first and the last season – that we really talk about in a specific kind of way. Those were things we learned as the world changed. The world changed so much while we were making the show, so we had to really keep abreast of everything.  And Holly Hunter is Compassion. I really will say that Holly Hunter’s Compassion was a real thrill for all of us.  AG: I agree that the learning experience of making this show has been incredible and the breadth of who we’ve learned from. We had this moment in season one where we did “Girls Are Horny Too,” where we realized–we had read Peggy Orenstein’s book, Girls & Sex, and she had come to the writers’ room to talk to us. One of the things that she writes about is that in sex ed, we teach boys about their boners and ejaculation and girls about menstruation. We don’t teach–we don’t imply to girls as we’re teaching about sex–that they’re supposed to experience pleasure, too. We realized, “Oh my God, our first episode is literally about a boy masturbating and in the second episode a girl gets her period. We did the very thing that we’re not supposed to do. So we course-corrected with the fifth episode of the first season, “Girls Are Horny Too.”  Then, like Jen said, the idea for having an asexual kid was totally born out of how we speak to teenagers every year with their sex ed teacher, Shafia Zaloum, who’s a great sex ed teacher in the Bay Area. That storyline came directly from one of her students being like, “Hey, I’m asexual, and I’d really love to see a character like me on TV.” We were like, “Absolutely.” He actually read scripts for us and gave us his thoughts. It was a really great collaboration. So, we’ve had this amazing experience where we’re learning from experts, but also from teenagers; from kids. The pornography episode from this season is really strong, but it’s also exciting that you’re able to do an episode that helps normalize pornography, break it down, but also explore the more toxic behavior it can reinforce, too. Did this feel like significant subject matter to explore? JF: Well, that’s always how we like to explore any topic: like we’re having a conversation. The first one was about the head push and if it’s okay or if it’s not okay. We were like, “Oh, that’s got to go in the show.” Our kids need to basically be having the same conversation that we’re having. That’s often a way that leads us, but it was actually my daughter who was talking about guys and their relationship with porn. She was like, “It’s really kind of ruined them and it’s such a bummer.” So when we were coming into this last season, I thought that we should explore that. We had done porn in the very first season, but it didn’t get to the heart of the problem.  AG: It was more of an addiction story.  JF: It was more of an addiction story. It wasn’t really a porn story. We really realized–and this was another thing we talked to a lot of people about–just about how porn was becoming sex education and how unfortunate that is and what do we do about it. How do you masturbate again when you’ve gotten used to porn? All those things. It’s not just one thing. It turned out it was a lot of things, all of which play out over three episodes. You really get the chance to realize what’s going on and how it can actually affect your life in all these different ways. AG: We had this really cool experience where–as we were figuring out that story, we always, every season, meet with a group of teenagers via Zoom and really pick their brains and ask them questions. This time, for the first time ever, we split them up between boys and girls because we wanted to hear what the boys had to say and what the girls had to say. It was amazing just the disconnect that seemed to occur where – at least for the groups of kids that we talked to – the boys were kind of like, “We get it. Porn isn’t real. It doesn’t actually affect the way we behave.” While the girls were like, “No.” They did not feel the same way. JF: It was shocking, but true! All that was just so  interesting.  Absolutely, and then to have your characters at an age where they can emulate that behavior, too. I always love when the show will do a bit of a concept episode that does something structurally different, like the penultimate entry that has the whole grab bag of odds and ends formula. I think that’s such a smart way to touch on a bunch of stuff that couldn’t organically be covered in the series. ML: When you’re heading to the end of an experience like this, you realize there’s so much left to say and so much you still want to say. In this case, we reached out through social media to the fans and said, “Hey, what are the things you wish we talked about?” That’s really true, we really did do that.  So, are those real questions, then, from real fans?  ML: Yeah, those topics, they’re all real.  JF: And when we say that there was a ton about queefing, that’s also actually true. We had thousands of responses. We had this vaginismus story and one of the guys on the staff was like, “I don’t like the vaginismus story…” But a lot of people were asking about it so clearly there is interest there! So I wanted to find a way to do that. ML: It all really came from that experience of serving the fans. And we love form-breaker episodes. We love form-breakers, but this was a great one. It was an opportunity, in a grab bag kind of way, to race through all these things that we never got a chance to talk about. These probably would have been episodes or storylines, but maybe they’re even better for the fact that they don’t last for an entire episode. “What’s it like to go to the gynecologist?” That doesn’t need to be a whole episode. These ideas can be their own mini-movies, like the Looney Tunes one. Well, I was going to say exactly that. You dress each one up in a different style, whether it’s The Twilight Zone or the whole Looney Tunes aesthetic. Was this episode more of a challenge to bring together? AG: Yeah, I think that’s always the fun with the form-breakers. I think it’s fun for the fans. It’s fun for us, too, on a creative level. Last year we did the international episode, where we did a show in different languages. We did that Christmas episode with all the different kinds of animation. It’s always so much fun for us, but this one in particular was great because I do think our fans are so invested. They feel so much ownership over the show and we’re happy to share that with them. It was exciting to see all their questions that Maury explores in that episode.  You mentioned before that you don’t like to plan things out, but this season brings closure to the Ponytail Killer after so long, which is super funny to me. I can see this being an idea that just kept getting pushed back during previous seasons, but had you planned to do more with this tangent over the years? Did you know that this was the killer’s identity from the start? JF: And it was! We had tried to do something with the Ponytail Killer a couple of other times, but it just didn’t feel right. This felt good though and we were finally able to pay that one off. ML: At one point, we were talking about doing an interactive “Choose-Your-Own Adventure” episode like Black Mirror’s “Bandersnatch.” There was a minute where everything was going to be interactive! We flirted with the idea of doing a “Choose-Your-Own Adventure” episode where you solve the Ponytail Killer’s murders. We went down that road, but we realized just how much work it would take–it would have been like a whole season’s worth of work just to make all the multiple threads. So we were happy to at least bring closure to it inside this season.  AG: My favorite part of that is when Lola is like, “What? Who cares?” There are Reddit threads out there that have guessed it! There are people that will be very satisfied with this season. JF: One of my favorite Reddit threads is about, “Does Cyrus wear the radish bra?” Eight seasons is a lot of time to spend with these characters, but would you ever want to return to them and this universe, perhaps when they’re adults with kids of their own? Is there a possibility that you might do something like periodic Big Mouth specials in the future or some further extension of the series? ML: Yeah, I mean, we love these kids. We really want to see what happens to them. It’s fun to just let them go off into the void and imagine what would happen, but I’m sure that over time, we’ll miss them and want to revisit them again. Whether it’s the college years or some other thing, you know?  JF: It’s funny, because what happens is before you know exactly when your show is going to end, you’re like, “It’s so hard to find these stories…” But then when you know that you’re going to end, we suddenly had more stories to tell because we moved them to high school. It was ironic, but also kind of lovely, because you always want to leave people wanting more. That’s a great feeling and it’s nice to not feel like we’ve completely exhausted everything. It’s very bittersweet. We’ve had an amazing run here and we were at Netflix at just the right time. I’m not sure if Big Mouth could have existed at any other time. It seems like Big Mouth got to tell its full story, but that this might not have necessarily been the case with Human Resources. Can you talk a little on where else that show had gone if it lasted longer? Were there any ideas for future Human Resources stories that were incorporated into this final season as a way of providing closure? JF: We loved Human Resources. I mean, we just thought that was a great, great show, and such a wonderful universe.  ML: They’re infinite things that could be done there! And you know, there is an episode this season that visits Human Resources again. We really wanted to go back to Human Resources, whether it was in that episode where we had the Keke Palmer and Aidy Bryant characters come back. Rosie Perez’s character, too. The whole cast! We wanted to weave them all into this season to make sure that they were acknowledged as such an important part of the universe. We were fortunate to get to explore all of that in the same show, but just through a flipped perspective. We were seeing it all from the monsters’ point of view, but now we’re back to the kids. But we absolutely loved, loved Human Resources.  Big Mouth has ended, but your new animated series, Mating Season, has been announced. Can you talk at all on how this idea came together, what this show was born out of, and if it will have a similar vibe to Big Mouth or be a different type of animal? ML: The vibe will be similar in some ways, in that, it’s very honest and it deals, frankly, with things that we all deal with. In Big Mouth, it was puberty and that temporary change, but Mating Season is looking kind of into your twenties – your late twenties – when you’re trying to find a mate. You find your person, or hook up, or, you know – have sex, get married, all those things that we struggled with then. JF: What we always found in Big Mouth, when we were trying to depict sex, was that it was better when it had a metaphor behind it. But we realized that you really don’t want to see humans having sex. However, with animals, it’s a lot funnier.  ML: You’re not going to see anything you don’t see in the zoo, or in the forest, or in your backyard. I’m looking forward to it. I appreciated the Animorphs reference this season, so if you can make one of the characters an Animorph–just have one be an animal that is actually a human in disguise. I think that’s a fun approach. ML: That is a good idea. We’re putting it on the list. JF: We’re putting it on the list. Beautiful. That’s all I ask. All eight seasons of Big Mouth are now streaming on Netflix

Whether you’re heading to this year’s Biennale, planning a future visit, or simply daydreaming about Venice, this guide—contributed by Hamilton-based architect Bill Curran—offers insights and ideas for exploring the canal-crossed city. Venice is like eating an entire box of chocolate liqueurs in one go. – Truman Capote Venice is my mystical addiction and I soon will make my 26th trip there, always for about 10 days or more. I keep getting asked why, and asked by other architects to share what to do and what to see. Only Italo Calvino could have reimagined (in ‘Invisible Cities’) such a magical, unique place, a water-born gem forged from 120 islands linked by 400 bridges and beset by a crazy-quilt medieval street and canal pattern. Abstract, dancing light forms dappling off water, the distinct automobile-less quiet. La Serenissima, The Most Serene One. Most buildings along the Grand Canal were warehouses with the family home above on the piano nobile floor above, and servant apartments above that in the attics, in a sea-faring nation state of global traders and merchants like Marco Polo. Uniquely built on a foundation of 1,000-year-old wood pilings, its uneven, wonky buildings have forged a rich place in history, literature and movies: Joseph Brodsky’s Watermark, Hemingway’s Across the River and into the Trees, Don’t Look Now starring Donald Sutherland, Mann’s Death in Venice, The Comfort of Strangers with Christopher Walken, Henry James’ The Wings of the Dove and The Aspern Papers, Kate Hepburn’s ‘Summertime. Yes, yes, Ruskin’s Stones of Venice is an option, as are Merchant of Venice and Casanova. Palazzo Querini Stampalia (Venice): Photo via Wikipedia THE MODERN ARCHITECTURE OF VENICE Much of Venetian life is lived in centuries-old buildings, with a crushing post-war recession leaving it preserved in amber for decades until the mass tourists found it. Now somewhat relieved of at least the cruise ship daytrippers, it is a reasonable place again, except maybe in peak summer. The weight of history, a conservatism for preservation and post-war anti-Americanism led to architectural stagnation. So there are few new, modern buildings, mostly on the edges, and some fine interior interventions, mostly invisible. For modern architecture enthusiasts Venice is a challenge. Carlo Scarpa (Giardini, Venise) – Photo via Wikipedia, licensed under the Creative Commons Attribution 2.0 Generic license Here is what modern architects should see: Carlo Scarpa‘s Must-See Works: Go see any of Scarpa’s interventions, demonstrating his mastery of detailing, materials, joinery and his approach to blending with existing fabric. He is Italy’s organicist, their Frank Lloyd Wright, and they even worked together (on the Masieri Foundation). Negozio Olivetti: The tiny former Olivetti typewriter showroom enfronting Piazza San Marco is perhaps the most wonderful of his works. It is open now to visit as a heritage museum. ”God is in the details”; Scarpa carefully considered every detail, material and connection. Le magasin Olivetti de Carlo Scarpa (Venise). Photo via Wikipedia. This file is licensed under the Creative Commons Attribution 2.0 Generic license The Fondazione Querini Stampalia is a must see, a renovated palazzo with ground floor exhibit spaces with tidewater allowed to rise up inside in one area you bridge across. The former entrance bridge is a lovely gem of exquisite detailing, rendered obsolete by a meh renovation by Mario Botta. A MUST is to have a coffee or prosecco in Scarpa’s garden and see the craft and detail of its amazing water feature. The original palazzo rooms are a lovely semi-public library inhabited by uni students; sign up as a member on-line for free. Walk up the spiral stair. The entry gate to the UIAV Architecture School in Campo Tolentini  is an unexpected wonder. A brutalist yet crisply detailed sliding concrete and steel gate, a sculpted concrete lychgate, then an ancient doorway placed on the lawn as a basin. Main Gate of the Tolentini building headquarters of Iuav university of Venice designed by Carlo Scarpa. Photo via Wikipedia, licensed under the Creative Commons Attribution 2.0 Generic license OTHER MODERN ARCHITECTURE TO SEE: Minimalist Dave Chipperfield expanded an area of suede-like concrete columbariums on the St. Michele cemetery island. Sublime. Extra points if you can find the tomb Scarpa designed nearby. The Ponte della Costituzione (English: Constitution Bridge) is the fourth bridge over the Grand Canal in Venice, Italy. It was designed by Santiago Calatrava. (Image via: Wikipedia) Calatrava’s Ponte della Constituzione bridge is an elegant, springing gazelle over the entrance to the Grand Central. But the glass steps are slippery and are being replaced soon, and the City is suing Calatrava, oops. The barrier-free lift pod died soon after opening. It is lovely though.   Le Canal della Giudecca, la Punta della Dogana, la basilique Santa Maria della Salute de Venise et le Canal Grande à Venise (Italie). Photo via Wikipedia Tadao Ando’s Punte Della Dognana museum is large, with sublime, super-minimalist, steel and glass and velvety exposed concrete interventions, while his Palazzo Grassi Museum was more restoration. A little known fact is that Ando used Scarpa’s lovely woven basketweave metal gate design in homage. An important hidden gem is the Teatrino Grassi behind the Museum, a small but fabulous, spatially dramatic theatre that often has events, a must-see! Fondaco dei Tedeschi: At the foot of Rialto Bridge and renovated by Rem Koolhaas, this former German trading post had been transformed into a luxury shopping mall but closed last month, a financial failure. Graced with a stunning atrium and a not well know fabulous rooftop viewing terrace, its future is now uncertain. The atrium bar is by Phillipe Starck and is cool. Try it just in case. Fondaco dei Tedeschi. Photo via Wikipedia Procuratie Vecchie: This iconic 16th storey building is one of Piazza San Marco’s defining buildings, and David Chipperfield’s restoration and renovation of this building, which defines Piazza San Marco, is all about preservation with a few modern, minimalist interventions. It operates as a Biennale exhibit space. Infill housing on former industrial sites on Guidecca Island includes several interesting new developments called the Fregnans, IACP and Junghans sites (look for fine small apartments such as by Cino Zucchi that reinterpret traditional Venetian apartment language). A small site called Campo di Marte includes side-by-sides by Alvaro Siza (disappointing), Aldo Rossi and Carlo Aymonino (ho hum); some day there will be a Rafael Moneo on the empty lot.     View this post on Instagram   A post shared by Denton Corker Marshall (@dentoncorkermarshall) AT THE BIENNALE: At the Biennale grounds there is much to see, with the only recent project the Australia Pavilion by Denton Corker, a black granite box hovering along a canal. Famous buildings include the Nordic Pavilion (Sven Ferre), Venezuela Pavilion (Carlo Scarpa), Finland Pavilion (Alvar Aalto), former Ticket Booth (Carlo Scarpa), Giardino dell Sculture (Carlo Scarpa), Bookstore (James Stirling) and there are some fab modern interiors inside the old boat factory buildings. Canada’s Pavilion by the Milan firm BBPR (don’t ask why) from 1956 is awkward, weird and much loathed by artists and curators. Le pavillon des pays nordiques (Giardini, Venise). Photo via Wikipedia, licensed under the Creative Commons Attribution 2.0 Generic license. Just outside the Biennale on the Zattere waterfront is a stirring Monument to the Women Partisans of WWII, laid in the water by Augusto Maurer over a simple stepped-base designed by Scarpa. Venezia – Complesso monastico di San Giorgio Maggiore. Photo via Wikipedia,  licensed under the Creative Commons Attribution-Share Alike 4.0 International license. BEYOND THE BIENNALE The Vatican Chapels: In 2018 the Vatican decided to participate in the Biennale for the first time for some reason and commissioned ten architects to design chapels that are located in a wooded area on the Venetian island of San Giorgio Maggiore, behind Palladio’s church. The architects include Norman Foster, Eduardo Souto de Moura, and Smiljan Radic, and includes The Asplund Pavilion, like the Woodland Chapel  that inspired it. It is intended as a “place of orientation, encounter, meditation, and salutation.” The 10 chapels each symbolize one of the Ten Commandments, and offer 10 unique interpretations of the original Woodland Chapel; many are open air. These are fab and make you think! Chiese San Giorgio Maggiore was designed by Palladio and is fine. But its bell tower offers magnificent city views and avoids the long lines, crowds and costs of Piazza San Marco’s Campanile. Next to San Giorgio you should tour the Cini Foundation, with an amazing stair by Longhera, the modern Monica Lunga Library (Michele De Lucchi) and a lovely Borges-inspired labyrinth garden. Behind San Giorgio en route to the Chapels is the Museo del Vetro (Glass Museum) and the fabulous Le Stanze della Fotografia (contemporary photography gallery) featuring a Mapplethorpe retrospective this year. (If you’re visiting this year, join me in Piazza San Marco on July 7, 2025, for his ex Patti Smith’s concert.) An unknown MUST DO is a concert in the stunning Auditorium Lo Squero (Cattaruzza Millosevich), with but 200 comfy seats in an adapted boat workshop with a stage wall of glass onto the lagoon and the Venitian cityscape. La Fenice Opera House in Venice, Italy. Image via: Wikipedia La Fenice Opera House: after burning down in 1996, Aldo Rossi supervised the rebuilding, more or less ‘as it was, as it is’, the Italian heritage cop-out. There is no Rossi to see here, but it is a lovely grand hall. Book a concert with private box seats. Venice Marco Polo Airport is definitely Aldo Rossi-inspired in its language, materials and colours. The ‘Gateway Terminal’ boat bus and taxi dock is a true grand gateway (see note about Gehry having designed an unbuilt option below). Venice Marco Polo airport. Photo via Wikipedia HIDDEN GEMS Fondazione Vendova by Renzo Piano features automated displays of huge paintings by a local abstract modernist moving about a wonderful huge open warehouse and around viewers. Bizarre and fascinating. Massimo Scolari was a colleague or Rossi’s and is a brilliant, Rationalist visionary and painter, renown to those of us devotees of the Scarpa/Rossi/Scolari cult in the 1980’s. His ‘Wings’ sculpture is a large scale artwork motif from his drawings now perched on the roof of the UIAV School of Architecture, and from the 1991 Biennale. Do yourself a favour, dear reader, look up his work. Krier, Duany and the New Urbanists took note. He reminds me of the 1920s Italian Futurists. You can tour all the fine old churches you want, but only one matters to me: Santa Maria dei Miracoli, a barrel-vaulted, marble and wood-roofed confection. San Nicolo dei Mendicoli is admittedly pretty fab, and featured in ‘Don’t Look Now’.  And the Basilica of Santa Maria Assunta on Torcello has an amazing mosaic floor, very unusual stone slab window shutters (and is near Locanda Cipriani for a wonderful garden lunch, where Hemingway sat and wrote). For the Scarpiani: There is a courtroom, the Manilo Capitolo, inside the Venice Civic Tribunale building in the Rialto Market that was renovated by Scarpa, and is amazing in its detail, including furniture and furnishings. You have to pass security to get in, and wait until court ends if on. It is worth it! The Aula Mario Baratto is a large classroom in a Palazzo overlooking the Grand Canal designed by Carlo Scarpa with amazing wood details and furniture. The room has stunning frescoes also. You can book a tour through Universite Ca’ Foscari. The view at a bend in the Grand Canal is stunning, and you can see the Fondazione Masieri (Scarpa renovation) building off to the left across the side canal (see Missed Opportunities). Within the Accademia Galleries and Correr Museum are a number of small renovations, stairs and art stands designed by Scarpa. Next to the Chiesa di San Sebastino decorated by Veronese is the Scarpa entrance to a linguistics library for the Universita Ca’ Foscari. Fondation W – Wilmotte & Associés: A French architect who is not shy and presumably rather wealthy runs his own exhibition space focused on architecture; ‘…it is both a laboratory and shop window…’,  so one of those. Worth a look. There is a recent Courthouse that is sleek, long, narrow, black and compelling on the north side of Piazzalle Roma, but I have not yet wandered in.   FOOD AND DRINKS FOR ARCHITECTS Philippe Starck’s lobby bar at the Palazzina Grassi hotel is the only cool, mod bar in town. Wow! Ask the barman to see the secret Krug Room and use the PG bar’s unique selfie washroom. I love this bar: old, new, electic. Also, Starck has a house on Burano, next to the pescheria (sorry, useless ephemera). He wants you to drop by. Restaurant Algiubagiò is the only cool, modern restaurant and it has fab food. It also has a great terrace over the water. Go! Zanze XVI is a nice clean mod interior and Michelin food. Worth it. Ristorante Lineadombra: A lovely, crisp modern interior and crisp modern Venetian food. A great terrace on the water also. Local Venice is a newer, clean, crisp resto with ‘interesting’ prices. Your call. Osteria Alla Bifora, while in a traditional workshop space, is a clean open loft, adorned modernly with a lovely array of industrial and historic relics. It is a lovely bar with charcuterie and a patio on the buzzy campo for students. Great for late night. Cicchetti are Venetian tapas, a standard lunch you must try. All’ Arco near Rialto has excellent nouveau food and 50m away is the lovely old school Do Mori. Osteria Al Squero in Dorsoduro overlooks one of the last working gondola workshops, and 100m away is the great Cantino del Vino già Schiavi. Basegò has creative, nouveau cichetti. Drinks on a patio along the Grand Canal can only be had economically at Taverna al Remer, or in Campo Erberia at Nanzaria, Bancogira, Al Pesador or Osteria Al Cichetteria. Avoid any place around Rialto Bridge except these. El Sbarlefo San Pantalon has a Scarpa vibe and a hip, young crowd. There is a Banksy 50’ away. Ristorante Venissa is a short bridge from Burano to Mazzorbo island, a Michelin-starred delight set in its own vineyard.   Since restaurant design cannot tie you up here, try some fab local joints: Trattoria Anzolo Raffaele : The owner’s wife is from Montreal, which is something. A favorite! Pietra Rossa: A fab, smart place with a hidden garden run by a hip, fun young restauranteur, Andrea. Ask for the Canadian architect discount. Oste Mauro Lorenzon : An entertaining wine and charcuterie bar run by the hip young restauranteur’s larger than life father, and nearby. Mauro is a true iconoclast. Only open evenings and I dare you to hang there late. Anice Stellato: A great family run spot, especially for fish. Excellent food always. La Colonna Ristorante: A nice, neighbourhood joint hidden in a small campo. Il Paradiso Perduto: A very lively joint with good food and, rarely in Venice, music. Buzzy and fun. Busa da Lele: Great neighbourhood joint on Murano in a lovely Campo. Trattoria Da Romano: Best local joint on Burano. Starck hangs here, as did Bourdain.   Cafes: Bacaro aea Pescaria is at the corner by Campo de la Becarie. Tiny, but run by lovely guys who cater to pescaria staff. Stand outside with a prosecco and watch the market street theatre. Extra points if you come by for a late night drink. Bar ai Artisti is my second fav café, in Campo S. Barnaba facing where Kate Hepburn splashed into the canal. Real, fab pastries, great terrace in Campo too. Café at Querini Stampalia: get a free visit to Scarpa’s garden and wander it with a coffee or prosecco. Make sure to see the bookstore also (and the Scarpa exhibition hall adjacent). Carlo Scarpa à la Fondation Querini Stampalia (Venise). Photo via Wikipedia, A lesser known place is the nice café in the Biennale Office next to Hotel Monaco, called Ombra del Leone. The café in the Galleria Internationale d’Arte Moderna Ca’ Pesaro is great with a terrace on the Grand Canal.   Cocktail bars: Retro Venezia: Cool, retro vibe. The owner’s wife dated a Canadian hockey player. You must know him. Il Mercante: A fabulous cocktail bar. Go. Time Social Bar:  Another cool cocktail bar. Vero Vino: A fab wine bar where you can sit along a canal. Many good restaurants nearby! Arts Bar Venice: If you must have a cocktail with a compelling story, and are ok with a $45 pricetag. Claims Scarpa design influence, I say no. But read the cocktail stories, they are smart and are named for artists including Scarpa. Bar Longhi in in the Gritti Hotel is a classic, although cheesey to me. Hemingway liked it. It has a Grand Canal terrace. The Hilton Stucky Hotel is a fabulous former flour factory from when they built plants to look like castles, but now has a bland, soulless Hilton interior like you are in Dayton. But it has a rooftop bar and terrace with amazing sunset views! While traditional, the stunning, ornate lobby, atrium and main stair of the Hotel Danieli are a must-see. Have a drink in the lobby bar by the piano player some evening.   STAYING MODERN Palazzina Grassi is the only modern hotel in Venice, with a really lovely, unique lobby/bar/restaurant all done by Philippe Starck. At least see the fab bar! Johnny Depp’s favourite. Generator Hostel: A hip new-age ‘design-focused’ hostel well worth a look. Not like any hostel I ever patronized, no kegs on the porch. Go visit the lobby for the design. A Euro chain. DD724 is a small boutique hotel by an Italian architect with thoughtful detailing and colours, near the Peggy Guggenheim Museum (the infamous Unfinished Palazzo), and they have a small remote outpost with fabulous apartment called iQS that is lovely. The owner’s brother is the architect. My fave! Avogaria: Not just a 5 room hotel, it is ‘a concept’, which is great, right?  But very cool. An architect is one of the owners. German minimalist architect Matteo Thun’s JW Mariott Venice Resort Hotel and Spa is an expensive convent renovation on its own lagoon island that shows how blandness is yawningly close to minimalism. The Hotel Bauer Palazzo has a really lovely mid-century modern section facing Campo San Moise, but it is shrouded in construction scaffolding for now.   SHOPPING MODERN FOR ARCHITECTS It is hard to find cool modern shopping options, but here is where you can: Libreria Acqua Alta: Used books and a lovely, unexpected, fab, alt experience. You must see and wander this experience! It has cats too. Giovanna Zanella: Shoes that are absolute works of art! At least look in her window. Bancolotto N10: Stunning women’s clothing made in the women’ prison as a job skill training program. Impeccable clothes; save a moll from a life of crime. Designs188: Giorgio Nason makes fabulous glass jewellery around the corner from the Peggy Guggenheim Museum. Davide Penso: Artisan made glass jewellery on Murano. Ferrovetro Murano: Artisan made jewellery, bags, scarfs. (on Murano). Madera: All the cool designer housewares and jewellery. DECLARE: Cool, modern leathergoods in a very sweet modern shop with exquisite metal detailing. A must see! Ottica Urbani: Cool Italian eyewear and sunglasses. Paperowl: Handmade paper, products, classes. Feeling Venice: Cool design and tourist bling can be found only here. No shot glasses.   MISSED OPPORTUNITIES, MEMORIES AND B-SIDES The Masieri Foundation: Look up the tragic story of this project, a lovely, small memorial to a young architect who died in a car accident on his honeymoon en route to visit Fallingwater in 1952. Yep. His widow commissioned Frank Lloyd Wright to design a small student residence and study centre, but it was stopped by anti-American and anti-Modernism sentiments. (Models and renderings are on-line). This may be Venice’s saddest architectural loss ever. The consolation prize is a very, very lovely Scarpa interior reno. Try to get in, ring the bell (it is used as offices by the university)! (Read Troy M. Ainsworth’s thesis on the Masieri project history). Also cancelled: Lou Kahn’s Palace of Congress set for the Arsenale, Corbusier’s New Venice Hospital which would have been sitting over the Lagoon in Cannaregio near the rail viaduct, Gehry’s Venice Gateway (the airport’s ferry/water taxi dock area). Also lost was Rossi’s temporary Teatro del Mondo, a barged small theatre that tooted around Venice and was featured in a similar installation in 1988 at the R.C. Harris Water Treatment Plant. All available on-line. Teatro del Mondo di Aldo Rossi, Venezia 1980. Photo via Wikipedia, CC BY-SA 4.0 Itches to scratch: Exercise your design skills to finish the perennial favorite ‘Unfinished Palazzo’ of the Peggy Guggenheim Museum, design a new Masieri Foundation, design the 11th Vatican Chapel or infill the derelict gasometer site next to Palladio’s Chiese San Francisco della Vigna.   FURTHER AFIELD Within an hour’s drive, you can see the simply amazing Tombe Brion in San Vito Altivole and the tiny, stunning Giptotecha Canova in Possagna (both by Scarpa), the Nardini Grappa Distillery in Bassano del Grappa by Maximillio Fuksas, and a ferry and taxi will get you to Richard Meier’s Jesolo Lido Condos on the beach. A longer drive of two hours into the mountains near Cortina will bring you to Scarpa’s lovely and little known Nostra Signore di Cadora Church. It is sublime! Check out the floor! Zaha Hadid’s stunning Messner Mountain Museum floats above Cortina, accessible by cable car. The recent M-09 Museum on mainland Mestre, a quick 10 minute train ride from Venice, by Sauerbruch + Hutton is a lovely urban museum with dynamic cladding. Castelvecchio Museum. Photo via Wikipedia The Veneto region is home to many cool things, and fab train service gets you quickly to Verona (Scarpa’s Castelvecchio Museum and Banco Populare), Vicenza (Palladio’s Villa Rotonda and Basillicata). There are Palladio villas scattered about the Veneto, and you can daytrip by canal boat from Venice to them. Go stand where Hemingway was wounded in WWI near Fossalta Di Piave (there is a plaque), which led to his famous novel, ‘A Farewell to Arms’. He never got to visit Venice until 1948, then fell in love with the city, leading to ‘Across the River and into the Trees’. He also threatened to burn down FLW’s Masieri Foundation if built (and they both came from Oak Park, Illinois. So not very neighborly).   OTHER GOOD ARCHITECTURAL REFERENCES Venice Modern Architecture Map The only guidebook to Modern Architecture in Venice   These architectural guide folks do tours geared to architects: Architecture Tour Venice – Guiding Architects Venice Architecture City Guide: 15 Historical and Contemporary Attractions to Discover in Italy’s City of Canals | ArchDaily Venice architecture, what to see: buildings by Scarpa, Chipperfield and other great architects The post An Architect’s Guide to Venice and its Modern Architecture    appeared first on Canadian Architect.

This story appeared in The Logoff, a daily newsletter that helps you stay informed about the Trump administration without letting political news take over your life. Subscribe here.Welcome to The Logoff: President Donald Trump is one step closer to getting his “big, beautiful bill” after it passed the House in a close vote early this morning.What would the bill do? As my colleague Andrew Prokop has explained, the bill has four major pillars: Renewing Trump’s 2017 tax cutsImplementing new tax cuts, such as Trump’s “no tax on tips” proposalSpending billions on a border wall, US Customs and Border Protection, and the militaryIncreasing the debt ceiling, a recurring, necessary step that will likely have to get done by JulyIt would also lift the cap on the state and local tax deduction, or SALT — a political hot button important to frontline Republicans. And it would make deep cuts to Medicaid, clean energy programs, student loans, and food assistance.What happened last night? House Republicans had been staring down a self-imposed Memorial Day deadline to advance their bill. Early Thursday morning, they passed the bill 215 votes to 214.What happens now? The bill will head to the Senate, where the only certainty is another contentious process. Republican senators have a long list of sometimes-contradictory changes to iron out before their next deadline on July 4, and a relatively slim margin of error with their 53-member majority.Will this actually make it to Trump’s desk? No one knows. The bill is the centerpiece of Trump’s legislative agenda and passed the House despite a fractious Republican conference, but a number of Republican senators have already expressed concerns about elements of the bill. And it will need to pass the House again after the Senate makes its changes, potentially a tall ask given the number of Republican hardliners in the lower chamber.And with that, it’s time to log off…The penny is officially on its way out, as of this morning. But as we bid farewell, it’s a perfect opportunity to read Caity Weaver’s incredible history of the one-cent coin, past efforts to do away with it, and the mounting absurdity of its existence. One fun fact from her story: Did you know the US has produced at least enough pennies — some 240 billion — to give two to every human who has ever lived? You’ve read 1 article in the last monthHere at Vox, we're unwavering in our commitment to covering the issues that matter most to you — threats to democracy, immigration, reproductive rights, the environment, and the rising polarization across this country.Our mission is to provide clear, accessible journalism that empowers you to stay informed and engaged in shaping our world. By becoming a Vox Member, you directly strengthen our ability to deliver in-depth, independent reporting that drives meaningful change.We rely on readers like you — join us.Swati SharmaVox Editor-in-ChiefSee More:

This article contains Mission: Impossible – The Final Reckoning spoilers. Before Mission: Impossible – The Final Reckoning earned its latest title, it was previously called Mission: Impossible – Dead Reckoning Part 2. Considering Part 1’s muted box office reception in 2023 (back when it had the unenviable task of opening sans IMAX screens a week before Barbenheimer), Paramount was probably wise to change it. And yet, as late as November of last year, the still untitled Mission: Impossible 8 was apparently at the center of competing marketing visions between the studio and its star/producer/living manifestation of destiny: Tom Cruise. According to a THRFinal Reckoning moniker that came to pass, plus all the callbacks and cameos that were spoiled in the film before release (I for one wish I hadn’t known that Rolfe Saxon’s delightful reprisal of the CIA analyst who had the worst day of his life in the original 1996 Mission: Impossible was returning). Yet while the film put “final” in the title, and the word was dropped heavily throughout the script—including by Shea Wingham when he promised Ethan Hunt that they were going to have “a reckoning”—the creative loggerheads over whether this really was the end seems to have bedeviled M:I8 all the way to the closing sequence. For deep in London’s busy Trafalgar Square, a retinue of familiar faces gather in the crowds beneath Nelson’s Column. Cruise’s Ethan is there, of course, as is Hayley Atwell’s Grace and Simon Pegg’s Benji. Even Pom Klementieff seems locked in as a permanent IMF fixture, which is impressive since canonically she was trying to kill all these folks only a month earlier. In many ways it gives closure to the adventure we just watched… but only to a point. In fact, like so much else of The Final Reckoning, the ending feels like a variation of scenes we’ve already seen in this series, such as the surviving members of the team gathering for a victory drink in Mission: Impossible – Ghost Protocol, or having a celebratory stroll through the London evening streets (which is the original deleted ending to Mission: Impossible – Fallout). Ultimately much of Final Reckoning feels like a retread of something the series has done relatively recently, and often better, including an ending that refuses to say goodbye to anyone—except maybe Ving Rhames’ fan favorite Luther, who like Rebecca Ferguson’s Ilsa in the last movie discovered that the only way for their actor to retire from the series was by being killed off by a pretty underwhelming villain named Gabriel (Esai Morales). Otherwise though, this is the conclusion of almost any other Mission flick, and one that feels faintly tinkered with. It is easy to speculate, for instance, whether that scene was a reshoot since none of the stars are seen in the same shot together. Even the setting beneath Nelson’s Column looks like an untied thread after we previously spied the statue of Vice Admiral Horatio Nelson at the beginning of the film right before our first shot of Ethan in London. The historical Nelson died ostensibly saving the world (at least from the British perspective) at the Battle of Trafalgar where he led the Royal Navy in a rout of Napoleon Bonaparte’s ships, cementing British supremacy of the seas for the next hundred years. The subtext of beginning the movie with Nelson, therefore, would seem to be that we were about to see another great man give his life to save the world from a megalomaniac. Instead Ethan not only survived The Final Reckoning, but pretty much went through the exact same ending he experienced in Mission: Impossible – Fallout where Cruise’s hero was forced to commandeer one flying contraption (a biplane now instead of a helicopter) in order to hijack another with his enemy, all so he can snap some MacGuffin into place at a great height while the rest of the team disarms the proverbial ticking bomb that is about to destroy the world. This in no way is meant to undercut the pure spectacle thrill of The Final Reckoning’s climax. Seeing Tom Cruise cling from a biplane that is doing barrel rolls in IMAX is worth the price of admission alone. However, the repetitive nature of it suspiciously resembles a compromise. The Mission films during Christopher McQuarrie’s superb tenure as writer-director—beginning with Mission: Impossible – Rogue Nation 10 years ago—are famous for their playing the story by ear on the set. Yet despite Dead Reckoning and even the first act of Final Reckoning inserting some pretty major setups meant to confront Ethan’s past (including with the man who apparently killed a great love of his life 35 years ago and sent him into the IMF) nothing significantly is resolved. We never learn exactly who Ethan was before the IMF, what Gabriel meant to him, or how much this film is about him living with the losses of Ilsa and Luther. Furthermore, even Shea Wigham’s threat that they would have “a reckoning” when this is all over—which comes after the limp reveal that Agent Briggs is actually Jim Phelps Jr.—culminates in nothing more than a handshake and hug. Join our mailing list Get the best of Den of Geek delivered right to your inbox! The ending of “the Final Reckoning” is treated like an afterthought. In one sense, this is no dealbreaker. Even the best Mission films, which I count Cruise and McQ’s partnership on Fallout and Rogue Nation as the pinnacle of, have never been “plot movies.” With the exception of maybe the first film’s techno thriller elements, every M:I flick is about the spectacle and/or the fun of the team dynamics. They are affirmations of Cruise’s movie stardom achieving an almost religious apotheosis. Yet by marketing the eighth film as the last one, Final Reckoning set expectations its star clearly had no intention of meeting. In retrospect, we should have believed Cruise back in 2023 when he said “I hope to keep making Mission: Impossible movies until I’m [Harrison Ford’s] age.” So the end of Final Reckoning is no ending at all for the franchise, which which becomes a problem when it fitfully attempts to emulate the gravity of franchise closers like The Dark Knight Rises, No Time to Die, and Avengers: Endgame (at least in terms of Iron Man and Black Widow). There are no real goodbyes in Final Reckoning, but the movie is still almost certainly a farewell of sorts—to this iteration of the franchise which began a decade ago. McQuarrie is, again, the greatest collaborator Cruise has ever found on this series. They created the platonic ideal of what a Mission film should be in Rogue Nation and then elevated it to rarified, god tier levels within the action genre in Fallout. But it would seem McQuarrie has pushed his messianic interpretation of Ethan to a breaking point. That becomes more pronounced, too, when considering the latest entry began production during COVID and ended it on the other side of the labor strikes of 2023, causing its budget to reach a reported $400 million zenith. That is a record no studio Still, I suspect if anyone can convince a studio to invest in a franchise even after that kind of budget explosion, it’s Cruise. And until relatively recently he has kept the Mission films healthy and exciting by bringing in new directors who radically reinvent it in terms of tone, aesthetics, and even interpretations of the central character. Cruise’s all-American farmboy turned spy in Brian De Palma’s original film is not the Kung fu-kicking rebel in John Woo’s M:I2, and neither are convincingly J.J. Abrams’ familiar schtick of a suburban everyman (or woman) who has an espionage secret in the closet. McQuarrie’s version of Ethan is my favorite: the reckless gambler with a heart so big that it will redeem all mankind of its sins one insane stunt at a time. But between the 63-year-old movie star getting older and Final Reckoning arguably missing the highs of Fallout in spite its bigger budget, it is likely time to soft reboot the series again. Which might explain the non-ending of Ethan Hunt drifting into the crowd, heading toward his next reinvention.

Users Congress Passed a Sweeping Free-Speech Crackdown—and No One’s Talking About It The TAKE IT DOWN Act passed with bipartisan support and glowing coverage. Experts warn that it threatens the very users it claims to protect. By Nitish Pahwa Enter your email to receive alerts for this author. Sign in or create an account to better manage your email preferences. May 22, 20252:03 PM Donald and Melania Trump during the signing of the TAKE IT DOWN Act at the White House on Monday. Jim Watson/AFP via Getty Images Sign up for the Slatest to get the most insightful analysis, criticism, and advice out there, delivered to your inbox daily. Had you scanned any of the latest headlines around the TAKE IT DOWN Act, legislation that President Donald Trump signed into law Monday, you would have come away with a deeply mistaken impression of the bill and its true purpose. The surface-level pitch is that this is a necessary law for addressing nonconsensual intimate images—known more widely as revenge porn. Obfuscating its intent with a classic congressional acronym (Tools to Address Known Exploitation by Immobilizing Technological Deepfakes on Websites and Networks), the TAKE IT DOWN Act purports to help scrub the internet of exploitative, nonconsensual sexual media, whether real or digitally mocked up, at a time when artificial intelligence tools and automated image generators have supercharged its spread. Enforcement is delegated to the Federal Trade Commission, which will give online communities that specialize primarily in user-generated content (e.g., social media, message boards) a heads-up and a 48-hour takedown deadline whenever an appropriate example is reported. These platforms have also been directed to set up on-site reporting systems by May 2026. Penalties for violations include prison sentences of two to three years and steep monetary fines. Public reception has been rapturous. CNN is gushing that “victims of explicit deepfakes will now be able to take legal action against people who create them.” A few local Fox affiliates are taking the government at its word that TAKE IT DOWN is designed to target revenge porn. Other outlets, like the BBC and USA Today, led off by noting first lady Melania Trump’s appearance at the bill signing. Yet these headlines and pieces ignore TAKE IT DOWN’s serious potential for abuse. (Jezebel and Wired were perhaps the only publications to point out in both a headline and subhead that the law merely “claims to offer victims greater protections” and that “free speech advocates warn it could be weaponized to fuel censorship.”) Rarer still, with the exception of sites like the Verge, has there been any acknowledgment of Trump’s own stated motivation for passing the act, as he’d underlined in a joint address to Congress in March: “I’m going to use that bill for myself too, if you don’t mind, because nobody gets treated worse than I do online, nobody.” Sure, it’s typical for this president to make such serious matters about himself. But Trump’s blathering about having it “worse” than revenge-porn survivors, and his quip about “using that bill for myself,” is not a fluke. For a while now, activists who specialize in free speech, digital privacy, and even stopping child sexual abuse have attempted to warn that the bill will not do what it purports to do. Late last month, after TAKE IT DOWN had passed both the House and Senate, the Electronic Frontier Foundation wrote that the bill’s legislative mechanism “lacks critical safeguards against frivolous or bad-faith takedown requests.” For one, the 48-hour takedown deadline means that digital platforms (especially smaller, less-resourced websites) will be forced to use automated filters that often flag legal content—because there won’t be “enough time to verify whether the speech is actually illegal.” The EFF also warns that TAKE IT DOWN requires monitoring that could reach into even encrypted messages between users. If this legislation has the effect of granting law enforcement a means of bypassing encrypted communications, we may as well bid farewell to the very concept of digital privacy. A February letter addressed to the Senate from a wide range of free-expression nonprofits—including Fight for the Future and the Authors Guild—also raised concerns over TAKE IT DOWN’s implications for content moderation and encryption. The groups noted that although the bill makes allowances for legal porn and newsworthy content, “those exceptions are not included in the bill’s takedown system.” They added that private tools like direct messages and cloud storage aren’t protected either, which could leave them open to invasive monitoring with little justification. The Center for Democracy and Technology, a signatory to the letter, later noted in a follow-up statement that the powers granted to the FTC in enforcing such a vague law could lead to politically motivated attacks, undermining progress in tackling actual nonconsensual imagery. Techdirt’s Mike Masnick wrote last month that TAKE IT DOWN is “so badly designed that the people it’s meant to help oppose it,” pointing to public statements from the advocacy group Cyber Civil Rights Initiative, “whose entire existence is based on representing the interests of victims” of nonconsensual intimate imagery. CCRI has long criticized the bill’s takedown provisions and ultimately concluded that the nonprofit “cannot support legislation that risks endangering the very communities it is dedicated to protecting, including LGBTQIA+ individuals, people of color, and other vulnerable groups.” (In a separate statement, the CCRI highlighted other oddities within the bill, like a loophole allowing for nonconsensual sexual media to be posted if the uploader happens to appear in the image, and the explicit inclusion of forums that specialize in “audio files,” despite otherwise focusing on visual materials.) “The concerns are not theoretical,” Masnick continued. “The bill’s vague standards combined with harsh criminal penalties create a perfect storm for censorship and abuse.” Related From Slate Let’s be clear: No one here is at all opposed to sound legislation that tackles the inescapable, undeniable problem of nonconsensual sexual material. All 50 states, along with the District of Columbia, have enacted laws criminalizing exploitative sexual photos and videos to varying degrees. TAKE IT DOWN extends such coverage to deepfake revenge porn, a change that makes the bill a necessary complement to these state laws—but its text is shockingly narrow on the digital front, criminalizing only A.I. imagery that’s deemed to be “indistinguishable from an authentic visual depiction.” This just leads to more vague language that hardly addresses the underlying issue. The CCRI has spent a full decade fighting for laws to address the crisis of nonconsensual sexual imagery, even drafting model legislation—parts of which did make it into TAKE IT DOWN. On Bluesky, CCRI President Mary Anne Franks called this fact “bittersweet,” proclaiming that the long-overdue criminalization of exploitative sexual imagery is undermined by the final law’s “lack of adequate safeguards against false reports.” A few House Democrats looked to the group’s proposed fixes and attempted to pass amendments that would have added such safeguards, only to be obstructed by their Republican colleagues. This should worry everyone. These groups made concerted efforts to inform Congress of the issues with TAKE IT DOWN and to propose solutions, only to be all but ignored. As Masnick wrote in another Techdirt post, the United States already has enough of a problem with the infamous Digital Millennium Copyright Act, the only other American law with a notice-and-takedown measure like TAKE IT DOWN’s, albeit designed to prevent the unauthorized spread of copyright works. Just ask any creatives or platform operators who’ve had to deal with abusive flurries of bad-faith DMCA takedown requests—even though the law includes a clause meant to protect against such weaponization. There’s no reason to believe that TAKE IT DOWN won’t be similarly exploited to go after sex workers and LGBTQ+ users, as well as anyone who posts an image or animation that another user simply doesn’t like and decides to report. It’s not dissimilar to other pieces of proposed legislation, like the Kids Online Safety Act, that purport to protect young netizens via wishy-washy terms that could criminalize all sorts of free expression. Popular in Technology Here’s a hypothetical: A satirical cartoonist comes up with an illustration of Trump as a baby and publishes it on a niche social media platform that they use to showcase their art. A Trump supporter finds this cartoon and decides to report it as abusive pornography, leading to a takedown notice on the cartoonist’s website. The artist and the platform do not comply, and a pissed-off Trump brings the full force of the law against this creator. The process of discovery leads prosecutors to break into the artist’s encrypted communications, revealing drafts of the drawing that the cartoonist had shared with friends. All of this gets the illustrator punished with a brief prison sentence and steep fine, fully sabotaging their bank account and career; the social media platform they used is left bankrupt and shutters. The artists are forced to migrate to another site, whose administrators see what happened to their former home and decide to censor political works. All the while, an underage user finds that their likeness has been used to generate a sexually explicit deepfake that has been spread all over Discord—yet their case is found to have no merit because the deepfake in question is not considered “indistinguishable from an authentic visual depiction,” despite all the Discord-based abusers recognizing exactly whom that deepfake is meant to represent. It’s a hypothetical—but not an unimaginable one. It’s a danger that too few Americans understand, thanks to congressional ignorance and the media’s credulous reporting on TAKE IT DOWN. The result is a law that’s supposedly meant to protect the vulnerable but ends up shielding the powerful—and punishing the very people it promised to help. Get the best of news and politics Sign up for Slate's evening newsletter.

From a struggling family tea estate to an innovative climate venture, Alt Carbon has raised $12 million in a seed round as it plans to scale its carbon dioxide removal work in the South Asian nation. The climate tech startup, which locks away carbon for thousands of years through enhanced rock weathering on farmlands, attracted investment led by Lachy Groom, the co-founder of the robotics AI company Physical Intelligence. The journey began in May 2020 with a bittersweet homecoming. Siblings Shrey and Sparsh Agarwal drove 16 hours from the eastern state of Kolkata to Darjeeling — a city known for tea farming in the leafy foothills of the Himalayas — expecting to bid farewell to their family’s tea estate, Salem Hill, which was facing bankruptcy. Instead, that farewell visit planted the seeds for Alt Carbon, which they officially launched in late 2023. Initially, they explored carbon markets as a way to revive their family business and support other tea estates in the region by generating supplementary income. But during their exploration, they discovered enhanced rock weathering as an approach that could transform Darjeeling’s legacy from being at risk of climate change impact to a frontier of climate action. “Within carbon markets, our realization was that a lot of the projects in India, which are more avoidance-based, are of very low quality, and they produce junk credits,” Sparsh said in an exclusive interview. Last year, Alt Carbon started its pilot around the Agarwals’ family tea estate on about 500 acres of land, which they later scaled up in North Bengal, expanding their scope from tea farms to those of rice and bamboo. The startup aims to expand to 500,000 hectares of land. By 2030, the startup aims to remove 5 million tons of carbon from the region, Sparsh told TechCrunch. Alt Carbon co-founders Shrey Agarwal (Left) and Sparsh Agarwal (Right).Image Credits:Alt Carbon Alt Carbon deploys enhanced rock weathering using waste basalt rock dust from mines and quarries in the volcanic igneous province of Rajmahal Traps, located in eastern India. The rock dust, a waste product from the construction industry, is spread on farm fields, where it reacts naturally with rainwater to remove carbon dioxide and add micronutrients to the soil to improve its fertility and health and enhance crop yields. When rainwater containing carbon dioxide interacts with basalt dust, it forms stable bicarbonate ions. These are stored in the soil and eventually flow through rivers to the ocean, where they settle as calcium carbonate, locking away carbon for over 10,000 years. Techcrunch event Join us at TechCrunch Sessions: AI Secure your spot for our leading AI industry event with speakers from OpenAI, Anthropic, and Cohere. For a limited time, tickets are just $292 for an entire day of expert talks, workshops, and potent networking. Exhibit at TechCrunch Sessions: AI Secure your spot at TC Sessions: AI and show 1,200+ decision-makers what you’ve built — without the big spend. Available through May 9 or while tables last. Berkeley, CA | June 5 REGISTER NOW For transporting the specialized dust from source locations to farm fields, the startup relies on rails and diesel trucks and pays for one-way fares as these sources are part of the tea industry’s freight transportation system. The startup also avoids emissions from dedicated rock processing by relying on the waste basalt from existing mining and crushing operations. Instead of using the basalt dust alone, the startup has developed a proprietary combination of basalt and other organic ingredients, which it calls Hari Maati (green soil in Hindi), to convince farmers to spread it on their farmlands. Alt Carbon estimates its carbon credits at $270 per metric ton, which Sparsh said is significantly cheaper than direct air capture credits that, he believes, cost roughly $800 a ton. However, he expects the startup to reduce costs within 36 to 48 months. The startup relies on three layers of measurements to understand how much rock is getting weathered and how much carbon is being removed, Shrey told TechCrunch. It begins with measurements to track weathering progress and then moves to measuring water within the soil, groundwater sampling, and river monitoring. The third layer uses proprietary reactive transport models that help track ions transported from the soil to water bodies. The startup also uses machine learning-driven modeling to get carbon-removal numbers. Alt Carbon says its models adhere closely to methodologies set by carbon removal registries, including Isometric and Puro.earth. They have also received approvals from intergovernmental organizations, including SBTi, ICVCM, and CORSIA. The startup has its labs in Darjeeling and Bengaluru and employs 8 to 10 PhDs, with an overall headcount of 25 employees. It aims to scale these labs and expand its work by doing more soil sample analysis and even setting up a hardware studio for better, high-quality data collection on the ground, using remote sensing. The startup also plans to deploy sensors on the ground to get more insights at a lower cost and in a faster time. All this will come through that seed round led by Groom. Last year, the startup secured a $500,000 pre-purchase by Frontier and a $1 billion advanced market commitment led by Stripe, Alphabet, Meta, Shopify, and McKinsey. It also recently signed a strategic partnership with a buyer coalition, NextGen, started by South Pole and Mitsubishi Corporation, to scale its enhanced rock weathering. The group also included BCG Group, Swiss RE, LGT, and UBS among its members. Last month, the startup signed an offtake agreement with Japan’s shipping company, MOL Group, to purchase 10,000 tons of carbon removal credits. Alt Carbon will deliver its first carbon credits in less than a month through Isometric, Sparsh said.

Old Enemies, New Alliances: Black Ops 6 Season 04 is Here! Though he once had the chance to end Vikhor “Stitch” Kuzmin’s reign of terror, Adler spared his nemesis after they met at the culmination of Black Ops Cold War. Latest intel reveals Kuzmin was later captured and locked up in an Icelandic CIA black site until he might prove useful. Following the events and evidence uncovered by the deceased CIA Agent Jason Hudson, that day has come, and in an unlikely team up, Adler and team have broken Stitch out from his confinement, seeking his help to crack the codenames needed to find the Pantheon moles. With Verdansk once again an area of operations for deployment, what other plans might Stitch have in store? For now, Adler needs him to complete the mission at hand.  To succeed, the two must put their past behind them in pursuit of a new goal. Get in on the action when this stacked offering of free and premium content comes to Call of Duty®: Black Ops 6, launching in Season 04 on Thursday, May 29 at 9AM PT across all platforms. Nomenclature Note: Throughout the blog, you’ll see references to when gameplay content launches. Here are what these various suffixes mean: “Launch”: Expect to access this content immediately at the Season launch “Launch Window”: Expect to access this content between launch and up to 72 hours after launch.  “In Season”: Expect to access this content during the season, but before either the mid-season or next season arrives. “Mid-Season”: Expect to access this content at Mid-Season or later. All content timing may be subject to change. Multiplayer Content Summary Five MP Maps: Drop into Icelandic AOs with three new maps at launch including the Shutdown and Fugitive 6v6 Core maps and the Blitz Strike map. In the mid-season, party it up in Eclipse and play a reimagined Fringe. New and Returning Modes: Pick up dog tags to drain the enemy’s reserves in Team Elimination, a fun new twist on the Kill Confirmed formula. Make every bullet count with the return of One in the Chamber and get festive in the Party Ops Limited-Time Mode. Additional Equipment: The Grim Reaper Scorestreak returns from the original Black Ops, offering an explosive payload that’s guaranteed to blow the competition sky high. Season 04 Ranked Play: Challenge the best of the best, get those wins, and climb the Ranks in a new season of Multiplayer Ranked Play, with all-new rewards and bragging rights. Shutdown (Launch) Brand-New, Core, 6v6, Small-Sized Before breaking out Stitch, Adler and team first need to cut off the power to the black site prison, bringing them to a hydroelectric plant built on the rugged volcanic terrain of Iceland. Fight in and around the central building housing the now wrecked Turbine or dive down the Sluice into the Lake, its waters hugging the plant’s south end by the Transformers. Jump up by the red container to target enemies from far out or swim back onshore to reach the Atrium and Parking. Head to the north side to fight in the rugged Yard, away from the shoreline and bookended by the Pumphouse and Canteen. It’s a quick run to the Turbine from here, giving you good map coverage down the middle. If things get too hot, you can always drop down the Chute and swim your way to safety.  Fugitive (Launch) Brand-New, Core, 6v6, Medium-Sized Deploy to a secret CIA black site in a remote part of Iceland, the very location where Stitch has been imprisoned until Adler brings him in as an unlikely ally for an urgent operation. With the power out, Adler and his crew seize their chance to infiltrate the prison, climbing, zipping, and battling their way through the frozen compound. Upon reaching their target, Adler and Stitch strike a deal. Following the jailbreak, the alarms are blaring and warnings of a power failure light up the Cell Block. Though the area may appear smaller than expected when first glancing at the minimap, the prison’s intricate layout presents multiple levels and shortcuts to the various outside areas including the Checkpoint, Courtyard, and Recreation Yard. In the upper Cell Block, newly opened cells present the danger of ambush. Be on guard and look for ziplines for quick access to your next target. Blitz (Launch) Brand-New, Strike, 6v6/2v2, Small-Sized Traffic comes to a halt as Pantheon reinforcements race toward the prison but get ambushed by the Rogue team. Leave the road and seek out targets over the rugged terrain of the Cliffside or move inland, ambushing enemies at the Waterfall. To approach the battle head on, move down the central Bridge, using the scattered convoy for cover. Jump down from the center to move underneath the Bridge, a great means of pivoting to a new location. Though a small map overall, Blitz’s long lanes leave room for marksmen to shine. Eclipse (Mid-Season) Brand-New, Strike, 6v6/2v2, Small-Sized Stitch and the team arrive in Avalon, slipping into the shadows of an underground nightclub to discuss business. The neon lights flicker as they form a plan to break the Pantheon codenames, but the meeting is cut short when Pantheon agents storm in. Show off your best moves on the dance floor, dodging shots and flanking targets down the sides where seating offers party goers a chance to rest and order a drink from the bar. Ambush passing enemies from the DJ booth and then break through the broken façades on the walls, escaping into the halls. Fringe (Mid-Season) Remaster, Core, 6v6, Medium-Sized Revisit Fringe from Call of Duty: Black Ops 3, reimagined for the first time ever in Black Ops 6. Attend the grand opening of the Rolling Hills distillery, established in an idyllic setting with several navigable buildings and the surrounding grounds. Battle along the main Road or dive into the Bar for a closer fight. Watch for sharpshooters in the upper Barn and along the Bridge and relive the thrill of trying to make it out alive through the narrow Loading route. The first half of Season 04 brings two exciting Multiplayer modes: Team Elimination and One in the Chamber. In the mid-season, loosen up in the Party Ops Limited Time Mode. Team Elimination (Launch) In this twist on Kill Confirmed, two teams are given a limited amount of lives each round as they fight to be the last surviving team. Players drop a dog tag on death that can be picked up by the enemy to confirm the kill or by a teammate to deny the opposing team. Survive longer than the other team or hold the most remaining lives when the timer ends to win the round. Balance aggression and defense as you seek out enemy dog tags while preserving your life. Dig in with your teammates to counter enemy attacks and then ask for cover while you collect the droppings. Picking up tags is a great way to earn your next Scorestreak, so stay aggressive and keep up the momentum. Once your team’s life pool is drained, your remaining teammates can still revive you where you were last killed in a last-ditch effort to snatch victory from the jaws of defeat. One in the Chamber (In-Season) Another Black Ops fan-favorite mode returns as One in the Chamber shows up in Season 04! In this free-for-all mode, each Operator is given one pistol, one bullet, a knife, and three lives. Precision is king, as bullets always eliminate on impact and the only way to earn another bullet is to get an elimination. Stay cool, aim true, and preserve your lives while aiming for the highest score. UAV scans keep the action moving, so don’t try to hide. At the end of the match, the top three scoring Operators will step up to the Winner’s Circle. Party Ops (Mid-Season) Get the party started with a new Limited-Time Mode arriving later in the season: Compete in a randomized set of party themed minigames. The player with the highest score at the end of the match wins it all. The devastating Grim Reaper Scorestreak is back from the original Black Ops, unleashing massive hits on other Operators and Scorestreaks alike. New Scorestreak Scorestreak: Grim Reaper (In-Season) Type: Lethal Score: 725 Mastery Badges: Yes Powerful semi-automatic launcher that can fire up to four rockets in one load. Wield the Grim Reaper, a quad tube loaded Launcher capable of inflicting heavy damage on enemies. Whether targeting Operators or locking on to enemy Scorestreaks, the Grim Reaper’s payload delivers a huge explosion. The weapon is lost if you’re taken out, so save it for the right moment and bring backup to ensure you have the protection needed to unleash havoc.  Season 04 Ranked Play Overview Prove you’re the very best by dedicating your Multiplayer match time to Ranked Play, using the same settings, maps, modes, and weapon restrictions used by the Call of Duty League™. Win matches to earn SR (Skill Rating) and progress through the Ranks while earning career rewards like Rank Skins and Win Challenge rewards. As usual, match wins ensure you progress through the Ranks throughout Season 04 to earn new seasonal rewards like a new Pro Issue Weapon Blueprint, Rank-themed Calling Cards, Ranked Charms, and more: Season 04 Ranked Play Rewards Get 10 Wins: “Pro Reissue AMES 85” AMES 85 Weapon Blueprint Get 100 Wins: “Ranked Season 4 – 100 Wins” Large Decal Silver: “Ranked Season 4 – Silver” Calling Card Gold: “Ranked Season 4 – Gold” Calling Card and Charm Platinum: “Ranked Season 4 – Platinum” Calling Card and Charm Diamond: “Ranked Season 4 – Diamond” Calling Card and Charm Crimson: “Ranked Season 4 – Crimson” Calling Card and Charm Iridescent: “Ranked Season 4 – Iridescent” Calling Card and Charm Top 250: “Ranked Season 4 – Top 250” Calling Card and Charm Season 04 Champion: “Ranked Season 4 – Top 250 Champion” Calling Card Note: Multiplayer Events: Check the General section later in this blog to uncover the full complement of events for this mode across Season 04. Zombies Content Summary Grief Returns! Drop into this epic 4v4 competitive battle on all maps, outlasting the opposition while securing Capture Zones to debuff and Grief your opponents. The last team still standing wins! Additional Gameplay Content: Crack open the armored undead and create area-of-effect explosions with the Shatter Blast Ammo Mod, chew over the impressive effects of three new GobbleGums, and create even bigger explosions with the Grim Reaper Support launcher. New Modes and More: Unlock hidden rewards with more Dark Ops Challenges, then prepare to face down a powered-up Abomination, survive as long as you can in the Starting Room LTM, and prove your Leaderboard worth by zombie slaying for bragging rights and rewards! 4v4 competitive mode where two teams outwit and outlast each other. Capture zones to debuff enemies. No damage against other players. Respawns every third round. Available Maps: Liberty Falls, Terminus, Citadelle des Morts, The Tomb, Shattered Veil. Restricted: Wonder Weapons, GobbleGums: Exit Strategy, Idle Eyes, Wonderbar!, Time Out, and Flavor Hex (Season 04 GobbleGum).  Not seen since Black Ops 2, Grief returns to Zombies! This fan-favorite mode pits two teams of four against each other, with both sides vying to out-survive the other. As the battlelines are drawn between S.A.M. and Director Richtofen, each team pledges their support to one of these rivals at the start of a match, subsequently receiving handler comms support from one of them throughout the ensuing chaos. Indirect PvP Combat The action is almost immediate as both teams drop into either side of the same Grief Arena within the chosen Zombies map, and indirect PvP combat comes into effect: The two teams of four players can’t outright kill members of the enemy team, but can interact with them by body-blocking, or slowing them  by using melee, bullet-based weapons, or projectiles.  Victory Conditions: The winning team is the one that manages to “Grief” their rivals into being killed or entering a downed state. As long as one or more team members are upright, the match continues! Grief Arena Features The action is constant and can get incredibly chaotic, due in part to your proximity to your opponents and the hordes of undead encroaching on your team, thanks to the Arena being a sub-section of the main Zombies map. These are known as “Grief Arenas.” Within a Grief Arena are a variety of features: An Open Environment: Grief Arenas are clearly defined areas where any critical doors have already been opened, and the power will already have been turned on. All other Door Buys are inactive. Both teams spawn on opposite sides of the Arena, each in a group of four. Player Respawning: Any team members that are downed – provided one or more of their team are still alive – can be revived at any time, though rival teams, undead enemies, and Shock Charges can hamper this action! Additionally, a Wave Respawner triggers every third round, automatically reviving any eliminated teammates from both teams. Join In Progress: Any player not in the game can join up until Round 10 has been completed and has a small grace period to orient themselves before they’re swarmed by zombies. Additionally, if a team has won back-to-back Capture Zones (see below), join-in-progress is not available. Essence and Salvage: Unlike in Standard playlists, Salvage pickups in Grief are worth 100 Salvage, visible to all players, and can only be picked up by the first player to grab it. Zombies: Rounds will progress faster than usual and the amount of zombies per round has been increased to account for 8 players! All undead entities – except for bosses – are to be expected. If players fail to kill zombies, the round will turn. Core Mechanics: The Arsenal, Pack-a-Punch, Mystery Box, Crafting Tables, Perk machines, GobbleGum machine (with Exit Strategy, Idle Eyes, Wonderbar!, Time Out, and Flavor Hex restricted), Armor Wall Buys, and Der Wunderfizz machine are available in a Grief Arena where they normally reside, or in a new location if they don’t normally exist in this portion of their respective maps. Note: While the current GobbleGum restrictions are in place to keep matches dynamic yet balanced, additional restrictions may be made in the future as the developers keep an eye on game balance, similar to Ranked Play. Capture Zones: Appearing at a regular cadence during a match, these are smaller areas within a Grief Arena where players are required to stand and earn specific types of kills to trigger a Grief  on the opposing team. Plan A: Survive! Plan B: Capture Zones! Keeping your team upright and focused on undead slaying for longer than your rivals is the main plan in this mode. However, there’s an important secondary focus you need to plan for: Capturing zones and “Griefing” your rival team! Capture Zones appear at regular intervals throughout a match, and after stepping through the glowing perimeter, you and your team can secure the Zone by staying inside it and dispatching zombies. Beckon your crew into a Zone to quicken the zombie slaying, and once your kill count meets the requirement, a Grief is triggered on the opposition. Note that if neither team reaches this requirement within the countdown inside a Capture Zone, the Grief is applied to both teams. What is a Grief? It’s a temporary debuff, penalty, or negative gameplay mechanic that you can inflict on your rival team at a Capture Zone. The type of Grief is shown at the objective tracker within a Capture Zone. Here are the possible Griefs you’re aiming to inflict on your foes: Weapon Nerf: The affected players inflict considerably reduced damage to zombie enemies. Ammo Drain: All ammo-based weapons, including those stowed, receive an ammo drain with bullets or shells being removed constantly while the Grief is active. Zombie Ambush: An Elite zombie is summoned, and it solely focuses its killing power on the enemy team until either the Elite or the team are defeated, or the timer runs out. Weapon Carousel: The rival players’ weapons are randomly swapped every few seconds. Frozen: This Grief reduces the enemy players’ movement, along with frost and ice coating the characters. Griefs and Capture Zones also introduce new score types, including: Capture Zone Kill: Awarded to a player who defeated a zombie type during a successful Capture Zone completion. Capture Zone Win: Awarded to all players on a team who successfully commandeer a Capture Zone. Capture Zone Elite Kill: Awarded to a player who slays an Elite spawned in a Capture Zone. Available Grief Arenas (11 Arenas, Launch) A total of 11 different Grief Arenas are available in this mode. Here’s a list along with a brief description of the points of interest within each one: Liberty Falls Arena 1: Pump & Pay, Motor Lodge, and Fuller’s Liberty Lanes Liberty Falls Arena 2: Dark Aether Church, Cemetery, Hilltop Terminus Arena 1: Bio Lab Terminus Arena 2: Crab Island  Citadelle des Morts Arena: Courtyard, Ramparts, and Entrance Hall The Tomb Arena 1: Dig Site, Mausoleum The Tomb Arena 2: Dark Aether Nexus Shattered Veil Arena 1: Garden Pond, Lower Terrace Shattered Veil Arena 2: Upper Terrace, Shem’s Henge, Motor Court Shattered Veil Arena 3: Mansion Foyer, Overlook, East Foyer, Library Shattered Veil Arena 4: West Hallways, Southwest Balcony, Bottlery Access the following new content within all five Zombies Maps (unless otherwise stated) throughout Season 04: Dark Ops Challenges (Launch) A mysterious new set of hidden Calling Cards and bounteous amounts of XP are available at the start of Season 04, thanks to a fresh drop of Zombies Dark Ops Challenges. Who knows... maybe there’s even one for Grief. All further information is [[REDACTED]]. New LTM: Starting Room (Mid-Season) Inspired by the starting room in the classic “Moon” Zombies map, drop in with up to three of your Zombies crew into a more straightforward but challenging experience where you’re locked into the first zone of a map. Raptor One is gone, and those undead hordes are only getting stronger, but all doors in the initial zone are locked. Survive to the highest round you can! New LTM: Abomination Challenge (Mid-Season) Enter a warped version of Liberty Falls during this new Mid-Season Event, and hunt down an ultra-powered-up Abomination. Perhaps it’s wise to bring backup. Wreck even the most battle-hardened undead threat with the explosive power of the Shatter Blast Ammo Mod, then drop even more devastating firepower on the hordes with the Grim Reaper Support launcher. There’s three new chewables, too! Ammo Mod: Shatter Blast (Launch) Available: Augments Menu, and In-Game (Pause Menu) “Bullets deal explosive damage. Each bullet has a chance to create an explosion that destroys armor.” Modify your ammunition to explode the toughened armor of certain normal and Special undead enemies. This mod also has a second benefit, creating an area-of-effect blast radius at the same time, whether any armor is shattered or not.  Due to the somewhat chaotic nature of this modification, there is a random chance of the Shatter Blast effect triggering, and it won’t happen every time you fire. Also expect a cooldown period after the effect. Note that Shatter Blast doesn’t directly affect Elite enemies (pending some Augment research!), but area-of-effect explosions can still damage them. You are wise to wrangle your undead into hordes so they’re near each other, to really inflict some damage! Shatter Blast: Major Augments Research the following Augments to further customize this Ammo Mod. Big Game Shatter Blast can be used against Elite enemies. Expect an impressively sized explosion. Blast Chain On explosion, three additional explosions occur in rapid succession. Blast Repair For every enemy that has its armor destroyed by Shatter Blast, armor health will be restored for the player. Shatter Blast: Minor Augments Blast Zone Increase the size of the explosion. Blast Boost Increase the explosion damage. Blast Wave Normal enemies are knocked down by the explosion. New GobbleGums (Launch) Crack your teeth on three new GobbleGums, available across all maps once you earn or unlock them and equip them in your GobbleGum Loadout Pack. Explosive Flourish (Epic): Reloading your weapon creates an explosion around you. GobbleGum lasts 2 minutes. Flavor Hex (Legendary): Activates a random Ultra GobbleGum. Rainburps (Whimsical): Zombies killed belch sparkly rainbow bubbles. Lasts 3 minutes. Additional Support Weapon: Grim Reaper (In-Season) Available: Rivals Event reward Salvage: 2000 Hammer away at the Crafting Table and assemble a powerful semi-automatic launcher known as the Grim Reaper, which deals out lethal damage to the undead with up to a quartet of missiles fired in one load. With a capacity to carry up to a dozen rockets, and the ability to fire them individually or as a quartet of devastation, this can level a courtyard of undead with a single launch! Unlock this Support weapon once you’ve earned it via the Rivals Event. Note: Zombies Events: Check the General section later in this blog to uncover a first look at events for this mode across Season 04, including the King of the Dead Leaderboard challenge! Call of Duty: Warzone Content Summary New Point of Interest: The towering skyscraper known as The Overlook comes to Downtown Verdansk, with ziplines, cranes, and an impressive interior to explore. New and Limited Time Modes: Clash mode – the massive 52v52 Verdansk Deathmatch – is back! Join 51 other Operators in a chaotic firefight to claim domination points and defeat foes. Then compete in a specially themed area of Verdansk in a match with rule-bending modifiers in Havoc Royale. And drop into Rebirth Island for a spot of Resurgence Casual human and bot combat. Doubling Down on Ranked Play: Call of Duty: Warzone doubles down – literally – with two separate Ranked Play modes; Battle Royale: Ranked (Verdansk) at launch running throughout the entire season, and the return of Ranked Play to Rebirth Island at Mid-season. New Features: Cranes and horizontal ziplines Downtown. Lobby Lockdown in The Overlook. Look up and look out!  Dominate foes with a gigantic new skyscraper point of interest, available to Operators within the vicinity of Downtown! The old tenement blocks, Burger Town, and SKN Comm tower have been demolished, and construction crews are finalizing a sprawling skyscraper that dominates the landscape! Look for a full recon tour below. Recon Tour: The Overlook As construction nears completion on this behemoth of a skyscraper (more than twice the height of any previous building within the Verdansk conurbation), it’s worth gaining a tactical advantage on this monolithic new point of interest. The Overlook Footprint: The “Diamond” and Perimeter Security Checkpoints Drop into the grounds of The Overlook, and you’ll immediately see the grounds of the new skyscraper under construction stretch in a rough diamond shape around the location of the old SKN Comm Tower. Flanked by two massive cranes, the building plot perimeter runs from the corner of the main bank, clockwise past the Post Office, passing the Rothwynn Donna building, northeast to the Museum/Art Gallery, and follows the road around to City Hall.  All the older structures (the Burger Town, low-rise tenement blocks, the building site, and the small coffee shop and bar across from the Museum) have been bulldozed in the name of progress! Perimeter Security Checkpoints Military-style security checkpoints have been set up on the corners and roads of the plot of land within the footprint of the structure. Most aren’t secure enough to impede vehicular progress, and some have ramps to allow airborne access. These serve as helpful visual cues that you’re entering the new POI, The Overlook.  Ground Level: Construction Sites Most of the groundwork around the skyscraper is in its final stages of completion, but there are plenty of barriers, fencing, canopies, and containers to use as cover in the area below each of the two giant cranes north and south of the structure. Ground Level: Restaurants Burger Town: Fans of the famous Burger Town Double Cheeseburger will be thrilled to know the fast-food chain has relocated a few meters further down the road from its previous location and is contained within the massive footprint of The Overlook. This outlet also serves as a lower entrance into the grand foyer interior of the building. Sushi Bar: Diagonally opposite the Burger Town, on the northwest side of the POI, is a small Sushi bar, within the footprint of the tower itself. Nestled in the stepped courtyard, you can quickly advance to the north crane or main lobby entrance. It’s also worth pointing out that the sight lines around this POI have significantly changed since Season 03, with much greater visibility across familiar POIs within Downtown and the surrounding districts. North and South Cranes Two huge cranes flank the north and south side of the monolith and are another way to traverse into The Overlook at great height. With five separate platforms attached to the mast to land on (two at ground, and three at height), use the vertical Ascender built into the crane’s mast and take an eight-second ascent to a platform just below the jib that extends out to the main winch, and the hoist allowing a jump to The Overlook roof. Operators who aren’t challenged by vertigo will have wild and panoramic views that extend to all of Verdansk’s POIs (except Quarry)! Both cranes are also functional, and providing you’ve found the necessary controls in the vicinity (both on and off the cranes’ superstructures), cargo on the hook block and hoist can be summoned and moved to various locations around the tower and nearby Downtown buildings, in case you or your team needs a daring lift! Zip Lines and Additional Rooftop Cover Increasing the ways you can quickly traverse and gain (or lose) great height in your tactical positioning near The Overlook exterior, zip-lines provide a diagonal route to and from the surrounding Downtown building rooftops.  Each also has a small billboard or other protective cover as you reach the zipline mechanism. Access to and from Overlook at the following locations: South: Post Office rooftop to Skydeck. West: Rothwynn Donna building rooftop to Skydeck. Northeast: Art Gallery/Museum rooftop to Skydeck. East: City Hall dome rooftop to Skydeck.  The Overlook: Entrance and Lobby Lockdown The Overlook has a substantial exterior and interior presence, mainly tiered fountains, planting, and stairs up to forecourts and shuttered entrances to the north, east, south, and west, all leading to a central interior lobby. If you find the main entrances shuttered, it means the lobby is experiencing a lockdown. Perhaps there’s a way to breach this security? Are there other ways to get in? The interior lobby has a coffee shop, mezzanine office, stairs, a variety of cover options, and other areas to investigate, not least the marginally terrifying 18-storey elevator ascenders to the northeast and southwest, and even those only get you halfway up the inside of the tower. The Overlook: Atrium and Skydeck (Interior, Exterior) Just above the midway point within The Overlook tower is a five-floor interior with exterior Skydeck. Depending on your use of ziplines, you’re able to access a large Atrium with concrete tile and planters and an abundance of plant life. Around the perimeter are rooms, stairwells, and two new elevator shafts, all enabling you to reach the exterior Skydeck. Known by some locals as the “cyclops” tower, due to this large central upper opening you can fly a helicopter through, the Skydeck features a small glass pyramid, some windswept seating, and infiltration to the floors above.  The large, rectangular holes on all four sides provide zipline access around Downtown, as well as daring helicopter maneuvers through the gaps. The ascent doesn’t end here; enter any of the four pillars holding up the roof of the skyscraper for another elevator ascender ride. The Overlook: Penthouse (Interior), Roof (Exterior) The remaining upper floors of The Overlook are nearing completion, meaning health and safety rules aren’t being observed as stringently as you’d like. Top floors up from the Skydeck is the roof. Missing windows, exterior gantries without railings, and exposed exterior ladders mean you’ll be thankful for your parachute.  Depending on which of the tower corners you’re fighting through, this offers another five floors to investigate, including rooms that are fully furnished.  These include a security and server room, a two-floor penthouse level with opulent bedroom, kitchen, and games area, and that’s before the more perturbed of Operators learn the secrets of the [[REDACTED]] room!  As well as the usual Battle Royale and Resurgence playlists across Verdansk and Rebirth Island, major modes – Clash and Battle Royale: Ranked Play – return to the game, with the intriguing Havoc Royale and the arrival of Resurgence: Ranked Play on Rebirth Island at mid-season! Clash LTM (Launch) 104 players (52v52), 15-minute matches 52v52 Team Deathmatch chaos is back in Call of Duty: Warzone! First introduced into Call of Duty: Warzone during Season Five of Black Ops Cold War back in September 2021 as a revamped version of the original “Rumble” mode, Clash is back, bigger than ever, and now includes some impressive, game-changing equipment and power-ups only available in this mode. But what is Clash Mode? This is Team Deathmatch and Domination on a massive scale! Overview, Win Conditions, and Scoring This action-packed team-based mode takes place in and around a specific POI within Verdansk, and pits two teams of 52 players (divided into 13 Quad Squads per side) against each other. With no Circle Collapse, no last stand benefit for the Survivor Perk, and your Loadouts available immediately, the plan is simple; your side needs to acquire 500 points by the end of the 15-minute time limit. These are mainly gained by slaying enemies (sometimes aided with power ups you can acquire within a match), completing contracts, and participating in the in-game Public Events, as well as the following: Scoring: 1 point per enemy elimination 2 points per enemy elimination with Double Down Power Up 5 points per Contract completed 10 points for capturing a Domination Point (Flag) 10 points for capturing a Bonus Crate or a Cash Crate Clash: Available Locations Expect Clash matches to occur across a sub-section of the main Verdansk map, incorporating several adjacent areas around the following POIs: Quarry Boneyard Farmland Promenade (East) Clash: Available Vehicles With the impetus to reach the enemy forces never more important, expect heavy use of vehicles throughout a Clash Match. The full complement of currently available ground and air vehicles are as follows: Heli Cargo Truck LTV (Light Tactical Vehicle) Polaris RZR Pro R 4 Available Contracts There are three available Contracts to complete in Clash Mode: Scavenger Search and Destroy Recon The Scavenger and Recon Contracts work in the same way as they do in Battle Royale Matches. In addition to the usual rewards and in-game cash, you receive five team points for each Contract completed. Search and Destroy Contracts (Clash Mode Only): Everything must go with this new contract, where one team plants a bomb on a Buy Station, and on detonation, they can earn impressive rarity weapons and items from the Buy Stations’ inventory. The other teams can defuse the bomb to earn a Fire Sale for a major discount from the Buy Stations.  Expect the Search and Destroy Contract to be available in Battle Royale, Resurgence, and Plunder Modes, at Mid-Season. In-Match Events and Domination Points During a Clash match, expect several in-match Events to occur. These are like those in Battle Royale Matches, though Clash Events are timed throughout the match rather than related to the Circle Collapse. The available Events are: Domination Points Bonus Points Crates Clash Firesale Cash Crates Power Surge Domination Points Event: Up to three single capture Dom Points (flags) appear on the map, and these respawn throughout the match. Much like the Multiplayer Mode of the same name, a team that reaches and captures one of the Dom Points receives a reward; in this case, 10 team points. Bonus Points Crates Event: A cargo plane flies across the center of the map, and up to four crates are dropped. Teams are likely to head to the crates as they float to the ground, as capturing a crate awards you with 10 team points. Clash Firesale Event: For the next two minutes, all players can take advantage of a Firesale as two Portable Buy Stations are dropped into the backfield of each team (a total of four). Additionally, all loot crates are restocked and cash found in crates is also increased.  Cash Crates: Capture one (or more) of the three Cash Crates that drop during this event also nets you 10 team points. Power Surge Event: For the next two minutes, there’s an increased drop rate of Power Ups when you dispatch an enemy player or loot any ground caches. Clash Mode Gameplay Features As well as the previously mentioned new Search and Destroy Contract, Clash comes loaded with features unique to the mode. Here’s the full run-down of what to expect: Buy Stations (Clash Mode only): Expect Buy Stations to be scattered across a Clash map and roughly split between each team’s area of operations. Portable Buy Stations are also available during the Firesale In-Match Event. Here’s what you can purchase: Armor Plate: $500 Munitions Box: $1,000 Trophy System: $1,500 Counter UAV: $3,000 Sentry Turret: $3,000 Hand Cannon: $4,000 Bunker Buster: $4,000 Cluster Strike: $4,000 Precision Airstrike: $6,000 Specialist Perk: $10,000 New Field Upgrade: Door Barricade (Clash Mode at Season Launch): Control access points more easily during mid or close-quarter combat scenarios and delay enemy incursions with the Door Barricade. Fit a barricade to a close single or double door, and a heavy-duty lock attaches to (and is visible on) both sides, preventing the opening or access through the door. This is until the barricade is either removed (only by the Operator or squadmates who fitted it), or destroyed, usually by using explosives, though gunfire and melee equipment is also an option. Expect the Door Barricade to be loot in Battle Royale and Battle Royale Casual Modes, via the new Care Package Killstreak, all coming at Mid-Season. New Killstreak: Hand Cannon (Clash Mode at Season Launch): This high-powered pistol Killstreak, originally available in Multiplayer during Season 01, is available in ground cache as rare loot. Expect a slow rate of fire and finite ammunition, but good handling, and improved hip fire accuracy with faster hip-fire shooting speed. Expect the Hand Cannon to be rare loot in Battle Royale, Battle Royale Casual, Resurgence, and Plunder Modes, via the new Care Package Killstreak, all coming at Mid-Season. Feature: SAM Turrets (Clash Mode only): Chopper and drone pilots take note; Clash mode maps feature SAM Turrets in various tactical positions across the environment. Spend $1,500 of in-match cash to activate these anti-air missile batteries and use them up to four times to target any aircraft and drones in the area. If you’re flying in the Heli on the receiving end of a SAM barrage, now’s the time to utilize flares to counter the incoming missiles! Train (Clash Mode only): If a Clash map features a portion of the large, circular railroad track that the train travels along, then this hulking engine and loot-filled carriages are parked and available to use as added cover and looting opportunities. UAV Towers (Clash Mode only): Providing you have the $2,000 in-match cash to activate them, teams can head to and capture a few scattered UAV Towers, allowing pinging of enemy movement across the local area. Clash Mode Powerups  Clash Mode features five differently hued in-match Powerups that are automatically used when found. Available as a possible loot drop or sometimes appearing as dropped loot near the body of an eliminated enemy Operator, these Powerups are color-coded and offer temporary benefits to the Operator who grabs them. All five can be obtained in a single match and expect the frequency of available Powerups to be significantly increased if the in-match Power Surge Event activates (usually in the final stages of a match). Here’s what each of the five Clash Powerups grant you: Hunter (Red Aura): Highlights enemies and allies in red and blue respectively. Allies are visible through walls. Applies Tracker and High Alert Perks. Speed Boost (Yellow Aura): Prevents fall damage and provides approximately 20 percent speed boost to your movement. Regeneration Aura (Green Aura): Refills your health and armor at roughly 20 percent per second. Allies within a small radius around you also receive this benefit. The effect does not stack. Double Down (Blue Aura): Grants you two points per enemy Operator elimination instead of one. Kill Mag (Purple Aura): Refills your active weapon magazine after a kill and quickens your reload. Havoc Royale LTM (Mid-Season) 44 players (Quads), 15-minute matches Compete in a Call of Duty: Warzone match like no other, where rule bending modifiers twist the realities of the usual Resurgence gameplay in chaotic and game-changing ways.  Drop into a specially themed area of Verdansk with your Loadout. Every new gas circle activates a different modifier. Adapt fast to sudden changes as Havoc modifiers may impact you, the environment, and even the gameplay rules. Survive the Havoc, be the last team standing, and claim victory! Expect a full rundown of this game mode in the Season 04 Reloaded blog, just prior to Mid-season. Resurgence Casual (Mid-Season) 44 Players, Players & Bots Infil into Rebirth Island with your squad and commit to winning using the regular Resurgence ruleset, but with one important twist; some of your adversaries aren’t human! Whether facing down a bot or not, Resurgence Casual is a great mode to drop into whether you’re warming up, teaching a new player about the game, or you’re wanting a Resurgence match that isn’t quite as extreme as normal. As with Battle Royale Casual or Call of Duty: Warzone Bootcamp, game progression is limited in this mode and results will not count towards or against your stats. This mode also doesn’t count towards your eligibility to accessing Resurgence Ranked Play when it arrives at Mid-Season. Grind your way towards a coveted position in the Top 250 as Battle Royale: Ranked Play becomes the first of two Ranked Play variants to drop in Season 04 within Call of Duty: Warzone. Harness the competitive spirit and earn new rewards for ranking up and advancing through the Skill Divisions, unlocking the following rewards as you go: Season 04 BR Ranked Play Rewards First Season Win: Weapon Charm Get 25 Eliminations: Elimination Sticker Get 100 Eliminations: Elimination Weapon Camo Get 250 Eliminations: Elimination LR 7.62 Weapon Blueprint Silver: “Ranked Season 4 – Silver” Emblem Gold: “Ranked Season 4 – Gold” Emblem and Decal Platinum: “Ranked Season 4 – Platinum” Emblem and Decal Diamond: “Ranked Season 4 – Diamond” Emblem and Decal Crimson: “Ranked Season 4 – Crimson” Emblem and Decal Iridescent: “Ranked Season 4 – Iridescent” Emblem and Decal Top 250: “Ranked Season 4 – Top 250” Emblem and Decal Season 04 Champion: “Ranked Season 4 – Top 250 Champion” Emblem Ranked Play: Resurgence (Mid-Season) Trios, Rebirth Island Craving some real competition on Rebirth Island? Then squad up with your winning Trio, and attempt dominance over the very best players as Resurgence Ranked Play makes its triumphant return! Expect the same rules set you remember during the Call of Duty: Modern Warfare® III era, and an expanded look at this returning, fan-favorite mode in the Season 04 Reloaded blog, just prior to Mid-season. Ranked Play Notes: Battle Royale: Ranked Play (Verdansk) runs from Launch Window throughout the entirety of Season 04. Resurgence: Ranked Play (Rebirth Island) begins at Mid-Season, and runs alongside Battle Royale: Ranked Play, meaning you can play one or both Modes when they are active. The ranking is separate from Battle Royale: Ranked Play. A new Contract, Field Upgrade, Killstreak, Perk, and ATV are all set to drop into Verdansk during Season 04: Clash Mode Features Expansion (Mid-Season) After an evaluation period in Call of Duty: Warzone’s Clash Mode, expect the following new equipment to become available across additional modes at mid-season. Here’s what to expect: Contract: Search & Destroy: Battle Royale, Resurgence, Plunder. Field Upgrade: Door Barricade: Battle Royale, Battle Royale Casual Modes. Available via Care Package. Killstreak: Hand Cannon: Battle Royale, Battle Royale Casual, and Plunder Modes. Available via Care Package. Killstreak: Care Package (Mid-Season) Open ground loot caches for a rare chance to obtain the Care Package, a throwable Killstreak that, when lobbed, explodes into trail of smoke, after which a loadout-sized crate falls from the skies. Open this crate for a chance to obtain rare loot including rare equipment, the Specialist Perk, and more. New Perk: Loot Master (Mid-Season) Available only as Ground Loot during Resurgence and Plunder matches, the Loot Master Perk allows you to maximize your scavenging potential and gear up faster by increasing the amount of loot you find while opening caches. Gain the early advantage or sustain yourself during prolonged engagements. Expect an increased drop rate for equipped weapon ammo, a higher chance to find tacticals and lethals, more cash, and a greater chance at field upgrades, killstreaks, and other high-tier gear. ATV: Polaris Sportsman XP 1000 (Launch) Added to the vehicle pool is the Polaris Sportsman XP 1000, a real wild ride allowing you to hit the Verdansk goat trails in comfort with legendary suspension, great clearance and traction, and versatility for positioning up to three Operators on the surface of the vehicle. Compared to the current ATV, the wheelbase and size of the Sportsman XP 1000 offers more stability than ever before.  Note: Call of Duty: Warzone Events: Check the General section later in this blog to uncover the full complement of events for this mode across Season 04. General Content (MP, ZM, WZ) Call of Duty: General Content Summary (All Modes and Games) Weapons Detail: Five new weapons arrive in Season 04, including two at launch: the LC10 SMG and FFAR 1 Assault Rifle. Later in the season, get your hands on the , Essex Model 07 Marksman Rifle, Olympia Special weapon and Pickaxe Melee weapon, and change up your playstyle with new attachments. The Events Horizon: Season 04 is packed with Events, including Rivals, Ballerina (From the World of John Wick), and even more coming mid-season.. Plus, prove your worth across the Zombies leaderboards and become King of the Dead! Battle Pass and BlackCell: The Season 04 Battle Pass brings Stitch and brutal BlackCell Operator Omen to the forefront alongside new Weapon Blueprints, Operator Skins, Calling Cards, Finishing Moves, Emotes, and more in a mix of free and premium tiers. Free tiers include two new base weapons and the G-Grip Tactical Foregrip. Season 04 Operators: Stitch returns after being freed from prison, headlining the new Battle Pass next to the sinister Omen leading BlackCell. Plus, deploy as assassin Eve Macarro in a collaboration with Ballerina, followed by much more at the mid-season. CDL Announcements: Major IV is almost here! Find out where to watch, plus the in-game rewards you can unlock, just for tuning in! Primary Weapon: LC10 (Launch) SMG, Battle Pass Page 3, Page 14 Battle Pass Blueprint Levels: 38 MAGS: 4 MAG SIZE: 34 Mastery Badges: Yes Attachments: Optic, Muzzle, Barrel, Underbarrel, Magazine, Rear Grip, Stock, Laser, Fire Mods Customize Options: Skins, Camos and Reticle Unlocks (MP, ZM, WZ), Accessories (1), Decals (1), Stickers (3). Full-auto submachine gun. Excellent accuracy and range, with a moderate rate of fire. Average mobility and very slow handling for its class. Returning after its debut in Call of Duty: Black Ops Cold War, the LC10 SMG spits out rounds fast coupled with good accuracy and range, moderate damage, and a quick reload to get you back into the fight. The weapon performs well off the hip or down sights, with 34 rounds in the base magazine for a hefty ammo supply. Via Gunsmith, equip a variety of improvements such as a Laser for improved hipfire spread and an updated Barrel to further extend the weapon’s respectable damage range. Primary Weapon: FFAR 1 (Launch) Assault Rifle, Battle Pass Page 6, Page 11 HVT Tier Battle Pass Blueprint Levels: 42 MAGS: 3 MAG SIZE: 30 Mastery Badges: Yes Attachments: Optic, Muzzle, Barrel, Underbarrel, Magazine, Rear Grip, Stock, Laser, Fire Mods Customize Options: Skins, Camo and Reticle Unlocks (MP, ZM, WZ), Accessories (1), Decals (1), Stickers (3).  Full-auto assault rifle. Very high rate of fire and excellent CQB power, but slower handling and mobility. Boasting a blazing fast fire rate that rivals the SMG weapon class, this bullpup Assault Rifle is designed for taking down targets fast. The somewhat unpredictable recoil favors burst fire when tackling distant targets, but once you’re locked on it’s all over for them. Supporting a variety of Underbarrel Launcher attachments, use Gunsmith to add greater versatility to the weapon. Running low on ammo? Grab an Extended Mag while you’re at it. Primary Weapon: Essex Model 07 (In-Season) Marksman Rifle, Event Reward Levels: 38 MAGS: 3 MAG SIZE: 8 Mastery Badges: Yes Attachments: Optic, Muzzle, Barrel, Underbarrel, Magazine, Lever, Stock, Laser, Fire Mods Customize Options: Skins, Camo and Reticle Unlocks (MP, ZM, WZ), Accessories (1), Decals (1), Stickers (3). Lever-action marksman rifle. High damage potential. Balanced by slower rate of fire and handling. Inflict heavy critical point damage with this lever-action tactical rifle. An ideal tool for the new sheriff in town, this classic armament offers smooth handling with shots that quickly recenter after kicking up. Choose from a variety of Levers to further customize the weapon’s action, improving ADS speed, sprint to fire speed, and other movement abilities.  Special Weapon: Olympia (Mid-Season) Special, Event Reward Levels: 30 MAGS: 8 MAG SIZE: 2 Mastery Badges: Yes Attachments: Barrel, Stock Customize Options: Skins, Camos (MP, ZM, WZ), Accessories (1), Decals (1), Stickers (3). Double-barrel shotgun. Very high damage and respectable range but requires frequent reloading. The double-barrel Olympia – not seen since Black Ops 3 – makes its debut in Black Ops 6, returning as a Special Weapon that makes for the perfect backup when entering tight spaces. The Olympia holds two shots at a time, each spraying multiple pellets when your Operator pulls the trigger. Light customization via the Short Barrel and Cut-Off Stock attachments gives you some control over the weapon’s playstyle, but the fundamentals remain the same: get up close and make your shots count. Fire down the sight for a tighter pellet spread or shoot off the hip to inflict damage over a wider area. Melee Weapon: Pickaxe (Mid-Season) Melee, Event Reward Levels: 30 Mastery Badges: Yes Attachments: None Customize Options: Skins. One-hit kill. Medium attack speed. Short range. Without a Pickaxe, you’ll be lost in the tundra. Bring the right tool for the job when deploying to Iceland in Season 04’s Multiplayer maps, starting with this deadly Melee weapon that downs unarmored enemies with brutal severity. Though its range is short, the Pickaxe’s combination of rapid slashes and overhead swipes will keep enemies frozen in their tracks. Close the distance and say farewell. G-Grip (Launch) SMGs (except PP-19), Assault Rifles, Battle Pass Page 7 Reward Vertical foregrip with integrated laser for improved firing stability, horizontal recoil control, and tightened spread when transitioning between hipfire and aiming down sights. Beam: Blue. Blocks Laser attachments. Stryder .22 3-Round Burst Mod (Launch) Stryder .22 Pistol, Event Reward Convert the Stryder .22 into a 3-round burst. Drastically improves fire rate and maintains manageable gun kick but alters the weapon’s damage profile outside of the effective range. SVD Full Auto Mod (In-Season) SVD Sniper Rifle, Event Reward Convert the SVD from semi-auto to full-auto functionality, ramping up the speed of your damage output and drastically improving recoil and handling. TR2 CQB Auto Conversion (In-Season) TR2 Marksman Rifle, Event Reward Alter the TR2 Marksman Rifle to fire handgun caliber rounds, resulting in a Marksman Rifle with a compact frame and fully automatic capabilities that rival fire rates of an SMG! Stitch Returns to Action in the Season 04 Battle Pass Stitch returns to the fray, leading this season’s Battle Pass content in a shocking team up with Adler. Purchase the Season 04 Battle Pass for 1,100 COD Points or the Season 04 Battle Pass Bundle for 2,400 COD Points to immediately unlock the Instant Rewards Page of the Battle Pass, including the following items: 10% Battle Pass XP Boost The new “Supermax” Stitch Operator and “Supermax BlackCell” Stitch Operator Skin for those who purchase BlackCell The “Lock Up” Legendary Blueprint for the Feng 82 LMG The “Try Me!” Emote The “Untamable” Large Decal Start to unlock up to 1,100 COD Points as you progress through the Battle Pass The Season 04 Battle Pass includes over 110 pieces of unlockable content (excluding BlackCell) including two new Base Weapons, the G-Grip Tactical Foregrip Attachment, and several unlockable mil-sim style skins for Bailey, Payne, Grey, Caine, Brutus, Toro, Adler, Nazir, and Marshall. Stay tuned for the BlackCell, Battle Pass and Store Bundles blog prior to Season 04 launch for more details. BlackCell Offerings When the job needs to get done, summon Omen, the otherworldly Operator leading BlackCell content in Season 04. The menacing Operator and his three-headed guard dog are joined by a cast of infected, black and purple-hued Operator Skins and Weapon Blueprints earned exclusively through BlackCell. BlackCell owners can access the Season 04 Battle Pass via the exclusive BlackCell Page, instantly unlocking the following items: The “Omen” BlackCell Operator and Skin 10% XP Boost 1,100 COD Points The “Guard Dog” Companion Finishing Move The “Hellblock” Mastercraft Blueprint for the Ladra SMG The “Kill Tally” Gun Screen The “BlackCell” Clan Tag (showcased in Lobbies and Winner’s Circles) BlackCell owners get access to page after page of additional exclusive rewards within the Season 04 Battle Pass, including: Seven BlackCell-exclusive skins for Stitch (two skins), Bailey, Payne, Caine, Brutus, and Adler.  Seven BlackCell-exclusive Weapon Blueprints for the Krig C (Assault Rifle), XMG (LMG), SWAT 5.56 (Marksman Rifle), ASG-98 (Shotgun), FFAR 1 (Assault Rifle), Model L (Assault Rifle), LC10 (SMG) Over 130 item rewards (Battle Pass and BlackCell related) for those who fully complete the Season 04 BlackCell Battle Pass. As usual, players who upgrade to BlackCell after purchasing the Battle Pass will also receive back the COD Points they spent. BlackCell Daily Challenges: Players with BlackCell will receive additional Daily Challenges throughout Season 04 for Multiplayer, Zombies, and Call of Duty: Warzone, giving even more chances to rake in the XP during your play sessions! BlackCell Loyalty Bonus: Players who purchased BlackCell in a previous Black Ops 6season and go on to purchase Season 04 BlackCell will earn a permanent 10% Player and Weapon XP Loyalty Bonus, up to 30% for players who purchased Season 01, Season 02, and Season 03 BlackCell! The return of Stitch signals a shift in the battles ahead, requiring new Operators to meet the demands of the intensifying conflict. Predict a swift demise for your opponents with Omen leading BlackCell, joined by Stitch at the head of the Battle Pass plus a special appearance by Eve Macarro from Ballerina. Omen (BlackCell, Crimson One, Launch) “Omen” Operator: BlackCell Instant Reward Page It’s time for lockdown. Omen is a presence who strikes fear even in the world’s most dangerous criminals, with an almost preternatural ability to keep even the most sinister prisoners in line. Stitch (Battle Pass, Rogue Black Ops, Launch) “Supermax” and “Yard Dog” Skins: Battle Pass Instant Reward Page, Battle Pass Completion Page Until recently, Stitch was assumed dead. Instead of eliminating his enemy, however, Adler sent him off to a black site prison. Now the time has come, and following a daring jailbreak, Stitch is once again free. Adler needs his help cracking the codenames that will finally lead to the Pantheon moles, but at what cost? Ballerina (Bundle, Crimson One, In-Season) Store Bundle Seeking revenge for her slain father, Eve Macarro embarks on a relentless mission against the High Table’s most feared opponents in Ballerina, the highly anticipated new action film from the World of John Wick. Deploy as the elite assassin in one of two looks in the Ballerina Bundle arriving in Season 04. Participate in a new round of scheduled Events across Multiplayer, Zombies, and Call of Duty: Warzone. Earn rewards like new weapons, special attachments, and more. Here’s a first look at the Events to come (with more announcements in the Season 04 Reloaded blog): Event: Ballerina (MP, ZM, WZ, In-Season) Activation Dates: June 5 to June 12 Total Rewards: 10 (+ One BlackCell reward) Enter the world of John Wick with the new Ballerina Event. Prove your capabilities as a supreme assassin by slaying your way across Multiplayer, Zombies, and Call of Duty: Warzone. Rewards include the new Essex Model 07 Marksman Rifle and a Ballerina-themed Nunchuck Melee Blueprint for BlackCell Owners. Event: Rivals (MP, ZM, WZ, In-Season) Activation Dates: June 12 to June 26 Total Rewards: 15 (+ One BlackCell reward) Enemies become allies in the Rivals Event, when Stitch brings his code-cracking expertise to help uncover the real names of the final Pantheon moles in the CIA. The goal is simple; prove you’re the most proficient Operator by earning XP across all game modes and unlock a plethora of impressive free items. Dominate your enemies to become the first to unlock rewards including the Stryder .22 3-Round Burst Mod (Attachment) and Grim Reaper (Scorestreak). Events: King of the Dead, Master of Grief (Zombies, Mid-Season) Activation Dates (King of the Dead): June 26 to July 3 Activation Dates (Master of Grief): July 10 to July 17 King of the Dead: “Eliminate zombies in any Zombie mode to earn points to climb the leaderboard.” Master of Grief: “Collect Essence in Grief to earn points to climb the leaderboard.” Earn points by slaying all types of undead! As you’d expect, you receive more points for dispatching the harder zombie types. This, in turn, causes you to climb the Zombies leaderboard, and once the Event is over, rewards will be granted based on your leaderboard position. Everyone receives some kind of reward, but to obtain the really good stuff, it’s time to perfect your Special and Elite Zombies slaying!  Season 04 brings new Bundles to the Store, including a special crossover event with Ballerina. Get more intel in the Season 04 BlackCell, Battle Pass, and Bundles blog arriving before launch. Tracer Pack: Ballerina Choose one of two Operator Skins for Eve, a red sequin dress as “Eve Macarro” or a sleek black professional fit as the “Ruska Rogue.” Bring light to the darkness with three Legendary Weapon Blueprints featuring High Table Coin Tracers and High Table Coin Death FX: the “Relevé” AK-74 Assault Rifle, “Plié” Saug SMG, and the “Arabesque” 9MM PM Pistol. For a snazzier elimination, take them out with the “Dance With Death” Finishing Move. Balance lethality and elegance with additional Ballerina themed content, including the “Pirouette” Emote, “Keepsake” Weapon Charm, animated “Caged Grace” Emblem, animated “Pas de Duex Calling Card, and the “Take a Bow” Loading Screen. Tracer Pack: Ink and Smoke Reactive Ultra Skin Add some class to your deployments with the cel-shaded, black and greyscale “Hardboiled” Ultra Operator Skin for Weaver, accompanied by the Reactive “Lethal Inspection” AMES 85 Assault Rifle and “Personal Detective” ASG-89 Shotgun Weapon Blueprints, both featuring Noir Tracers and Ink Annihilation Death FX. For a closer finish, leap for their throats using the “Wire Cut” Finishing Move. When taking on the undead, equip the “Search Engine” Wonder Weapon skin for the Thrustodyne M23 and show off your Zombies credentials with the “Sidepiece” Weapon Charm, “Dead Noir” Weapon Sticker, “Evidence” Spray, “Greyscale” Loading Screen, and the consumable Time Out GobbleGum. Other Incoming Bundles There’s plenty more awesome new content arriving in the Season 04 Store, including the “Tracer Pack: Olympus Bolt Mastercraft Ultra Skin” Bundle, featuring an electrifying Mastercraft Weapon Blueprint for the new LC10 SMG alongside a divine Ultra Operator Skin for Caine. Also incoming is the “Tracer Pack: System Breach” Bundle, and the “Tracer Pack: The Goat Ultra Skin” Bundle with a Goat Companion Finishing Move. See more of the season’s upcoming Bundles and more in the Season 04 BlackCell, Battle Pass, and Store Bundle blog. Call of Duty League, the pinnacle of competitive Call of Duty, is bringing its fourth and final Major of the season to the DreamHack Dallas show floor. Guests with a CDL add-on ticket can watch Major IV live, where the 12 Call of Duty League teams will battle it out for the final CDL points to qualify for 2025 Call of Duty League Championship in June. Ensure you get into the action by tuning in and watching Major IV live on YouTube. Be sure to link your YouTube account with your Activision ID Account to earn some special viewership rewards (shown above). Click here for more intel. The event starts at 10:300 AM PT Friday, May 23, and continuing at 10:30 AM PT Saturday May 24 with the Finals beginning at 10:30 AM PT Sunday May 25.  Black Ops 6 is available now, and now’s definitely the time to experience the spy action thriller Campaign, the in-depth tactical chaos of best-in-class Multiplayer, and to soak in the gory glory of an incredible round-based Zombies experience with five maps and the brand-new Grief mode! Click here to Purchase Black Ops 6. © 2025 Activision Publishing, Inc. ACTIVISION, CALL OF DUTY, CALL OF DUTY WARZONE, MODERN WARFARE, CALL OF DUTY LEAGUE, and CALL OF DUTY BLACK OPS are trademarks of Activision Publishing, Inc. All other trademarks and trade names are the property of their respective owners. For more information, please visit www.callofduty.com and www.youtube.com/callofduty, and follow @Activision and @CallofDuty on X, Instagram, and Facebook. For Call of Duty Updates, follow @CODUpdates on X. ®, TM & © 2025 Lions Gate Entertainment Inc. and related companies. All Rights Reserved.