• Wētā FX’s expansion to Melbourne is being hailed as a major win in an industry riddled with closures and financial turmoil. But let’s not kid ourselves here—this is not a savior story; it’s a slap in the face to countless talented artists and technicians who are being left behind as the corporate machine churns on. While Wētā FX flaunts its 7 Oscars and 15 scientific and technical Oscars as if they’re badges of honor, the reality is that this expansion might just be another ploy to exploit cheaper labor and maximize profits at the expense of quality and creativity.

    In a time when studios are shutting down left and right, it’s baffling that Wētā FX thinks it’s a good idea to stretch its reach into Melbourne without addressing the glaring issues within its own operations. This is not a victory for the industry; it’s a desperate attempt to keep the lights on while ignoring the systemic problems that plague the visual effects sector. The industry is facing a crisis, and instead of addressing the root causes—overwork, underpayment, and the relentless pressure of unrealistic deadlines—Wētā FX is just trying to grab a bigger piece of the pie.

    Why are we celebrating an expansion that could potentially lead to more instability in the job market? Wētā FX’s move to Melbourne could mean more jobs, yes, but at what cost? What about the existing employees who are already stretched thin? What about the mounting pressure on creative professionals who are forced to churn out blockbuster effects at breakneck speed? This isn’t about creating a sustainable work environment; it’s about profit margins and shareholder satisfaction.

    The problem is not just with Wētā FX; it’s a symptom of a much larger issue within the film and visual effects industry. The constant churn of studios coming and going, along with the relentless demands placed on creative teams, reflects a broken system that prioritizes profits over people. We should be holding companies accountable rather than just cheering for their expansions. If we don’t start demanding change, we’ll continue to see a cycle of burnout, layoffs, and a steady decline in the quality of work that audiences expect.

    And let's talk about the so-called "innovation" that Wētā FX touts. What innovation can we expect when the focus is on expanding to new locations rather than investing in the workforce? New studios don’t equate to new ideas or better working conditions. It’s time to wake up and realize that this is a business-first mentality that’s doing nothing but harming the very fabric of creativity that the industry claims to uphold.

    In conclusion, while Wētā FX makes headlines for its expansion to Melbourne, we should be questioning the motives behind such moves. This isn’t a time for celebration; it’s a time for scrutiny. If we want to see real progress in the industry, we must demand more than just superficial growth. We need to advocate for a system that values the people behind the effects, not just the awards they rack up.

    #WētāFX #VisualEffects #IndustryCritique #JobMarket #CreativeProfessionals
    Wētā FX’s expansion to Melbourne is being hailed as a major win in an industry riddled with closures and financial turmoil. But let’s not kid ourselves here—this is not a savior story; it’s a slap in the face to countless talented artists and technicians who are being left behind as the corporate machine churns on. While Wētā FX flaunts its 7 Oscars and 15 scientific and technical Oscars as if they’re badges of honor, the reality is that this expansion might just be another ploy to exploit cheaper labor and maximize profits at the expense of quality and creativity. In a time when studios are shutting down left and right, it’s baffling that Wētā FX thinks it’s a good idea to stretch its reach into Melbourne without addressing the glaring issues within its own operations. This is not a victory for the industry; it’s a desperate attempt to keep the lights on while ignoring the systemic problems that plague the visual effects sector. The industry is facing a crisis, and instead of addressing the root causes—overwork, underpayment, and the relentless pressure of unrealistic deadlines—Wētā FX is just trying to grab a bigger piece of the pie. Why are we celebrating an expansion that could potentially lead to more instability in the job market? Wētā FX’s move to Melbourne could mean more jobs, yes, but at what cost? What about the existing employees who are already stretched thin? What about the mounting pressure on creative professionals who are forced to churn out blockbuster effects at breakneck speed? This isn’t about creating a sustainable work environment; it’s about profit margins and shareholder satisfaction. The problem is not just with Wētā FX; it’s a symptom of a much larger issue within the film and visual effects industry. The constant churn of studios coming and going, along with the relentless demands placed on creative teams, reflects a broken system that prioritizes profits over people. We should be holding companies accountable rather than just cheering for their expansions. If we don’t start demanding change, we’ll continue to see a cycle of burnout, layoffs, and a steady decline in the quality of work that audiences expect. And let's talk about the so-called "innovation" that Wētā FX touts. What innovation can we expect when the focus is on expanding to new locations rather than investing in the workforce? New studios don’t equate to new ideas or better working conditions. It’s time to wake up and realize that this is a business-first mentality that’s doing nothing but harming the very fabric of creativity that the industry claims to uphold. In conclusion, while Wētā FX makes headlines for its expansion to Melbourne, we should be questioning the motives behind such moves. This isn’t a time for celebration; it’s a time for scrutiny. If we want to see real progress in the industry, we must demand more than just superficial growth. We need to advocate for a system that values the people behind the effects, not just the awards they rack up. #WētāFX #VisualEffects #IndustryCritique #JobMarket #CreativeProfessionals
    Le studio Wētā FX s’étend à Melbourne, des emplois à la clé
    Alors que les nouvelles de fermetures de studios et de redressements judiciaires se multiplient, certaines entreprises parviennent à tirer leur épingle du jeu. C’est le cas de Wētā FX, le studio d’effets visuels aux 7 Oscars et 15 Oscars
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  • Delightfully irreverent Underdogs isn’t your parents’ nature docuseries

    show some love for the losers

    Delightfully irreverent Underdogs isn’t your parents’ nature docuseries

    Ryan Reynolds narrates NatGeo's new series highlighting nature's much less cool and majestic creatures

    Jennifer Ouellette



    Jun 15, 2025 3:11 pm

    |

    5

    The indestructible honey badger is just one of nature's "benchwarmers" featured in Underdogs

    Credit:

    National Geographic/Doug Parker

    The indestructible honey badger is just one of nature's "benchwarmers" featured in Underdogs

    Credit:

    National Geographic/Doug Parker

    Story text

    Size

    Small
    Standard
    Large

    Width
    *

    Standard
    Wide

    Links

    Standard
    Orange

    * Subscribers only
      Learn more

    Narrator Ryan Reynolds celebrates nature's outcasts in the new NatGeo docuseries Underdogs.

    Most of us have seen a nature documentary or twoat some point in our lives, so it's a familiar format: sweeping majestic footage of impressively regal animals accompanied by reverently high-toned narration. Underdogs, a new docuseries from National Geographic, takes a decidedly different and unconventional approach. Narrated by with hilarious irreverence by Ryan Reynolds, the five-part series highlights nature's less cool and majestic creatures: the outcasts and benchwarmers, more noteworthy for their "unconventional hygiene choices" and "unsavory courtship rituals." It's like The Suicide Squad or Thunderbolts*, except these creatures actually exist.
    Per the official premise, "Underdogs features a range of never-before-filmed scenes, including the first time a film crew has ever entered a special cave in New Zealand—a huge cavern that glows brighter than a bachelor pad under a black light thanks to the glowing butts of millions of mucus-coated grubs. All over the world, overlooked superstars like this are out there 24/7, giving it maximum effort and keeping the natural world in working order for all those showboating polar bears, sharks and gorillas." It's rated PG-13 thanks to the odd bit of scatalogical humor and shots of Nature Sexy Time
    Each of the five episodes is built around a specific genre. "Superheroes" highlights the surprising superpowers of the honey badger, pistol shrimp, and the invisible glass frog, among others, augmented with comic book graphics; "Sexy Beasts" focuses on bizarre mating habits and follows the format of a romantic advice column; "Terrible Parents" highlights nature's worst practices, following the outline of a parenting guide; "Total Grossout" is exactly what it sounds like; and "The Unusual Suspects" is a heist tale, documenting the supposed efforts of a macaque to put together the ultimate team of masters of deception and disguise.  Green Day even wrote and recorded a special theme song for the opening credits.
    Co-creators Mark Linfield and Vanessa Berlowitz of Wildstar Films are longtime producers of award-winning wildlife films, most notably Frozen Planet, Planet Earth and David Attenborough's Life of Mammals—you know, the kind of prestige nature documentaries that have become a mainstay for National Geographic and the BBC, among others. They're justly proud of that work, but this time around the duo wanted to try something different.

    Madagascar's aye-aye: "as if fear and panic had a baby and rolled it in dog hair"

    National Geographic/Eleanor Paish

    Madagascar's aye-aye: "as if fear and panic had a baby and rolled it in dog hair"

    National Geographic/Eleanor Paish

    An emerald jewel wasp emerges from a cockroach.

    National Geographic/Simon De Glanville

    An emerald jewel wasp emerges from a cockroach.

    National Geographic/Simon De Glanville

    A pack of African hunting dogs is no match for the honey badger's thick hide.

    National Geographic/Tom Walker

    A pack of African hunting dogs is no match for the honey badger's thick hide.

    National Geographic/Tom Walker

    An emerald jewel wasp emerges from a cockroach.

    National Geographic/Simon De Glanville

    A pack of African hunting dogs is no match for the honey badger's thick hide.

    National Geographic/Tom Walker

    A fireworm is hit by a cavitation bubble shot from the claw of a pistol shrimp defending its home.

    National Geographic/Hugh Miller

    As it grows and molts, the mad hatterpillar stacks old head casings on top of its head. Scientists think it is used as a decoy against would-be predators and parasites, and when needed, it can also be used as a weapon.

    National Geographic/Katherine Hannaford

    Worst parents ever? A young barnacle goose chick prepares t make the 800-foot jump from its nest to the ground.

    National Geographic

    An adult pearlfish reverses into a sea cucumber's butt to hide.

    National Geographic

    A vulture sticks its head inside an elephant carcass to eat.

    National Geographic

    A manatee releases flatulence while swimming to lose the buoyancy build up of gas inside its stomach, and descend down the water column.

    National Geographic/Karl Davies

    "There is a sense after awhile that you're playing the same animals to the same people, and the shows are starting to look the same and so is your audience," Linfield told Ars. "We thought, okay, how can we do something absolutely the opposite? We've gone through our careers collecting stories of these weird and crazy creatures that don't end up in the script because they're not big or sexy and they live under a rock. But they often have the best life histories and the craziest superpowers."
    Case in point: the velvet worm featured in the "Superheroes" episode, which creeps up on unsuspecting prey before squirting disgusting slime all over their food.Once Linfield and Berlowitz decided to focus on nature's underdogs and to take a more humorous approach, Ryan Reynolds became their top choice for a narrator—the anti-Richard Attenborough. As luck would have it, the pair shared an agent with the mega-star. So even though they thought there was no way Reynolds would agree to the project, they put together a sizzle reel, complete with a "fake Canadian Ryan Reynolds sound-alike" doing the narration. Reynolds was on set when he received the reel, and loved it so much he recoded his own narration for the footage and sent it back.
    "From that moment he was in," said Linfield, and Wildstar Films worked closely with Reynolds and his company to develop the final series. "We've never worked that way on a series before, a joint collaboration from day one," Berlowitz admitted. But it worked: the end result strikes the perfect balance between scientific revelation and accurate natural history, and an edgy comic tone.
    That tone is quintessential Reynolds, and while he did mostly follow the script, Linfield and Berlowitz admit there was also a fair amount of improvisation—not all of it PG-13.  "What we hadn't appreciated is that he's an incredible improv performer," said Berlowitz. "He can't help himself. He gets into character and starts riffing off. There are some takes that we definitely couldn't use, that potentially would fit a slightly more Hulu audience."  Some of the ad-libs made it into the final episodes, however—like Reynolds describing an Aye-Aye as "if fear and panic had a baby and rolled it in dog hair"—even though it meant going back and doing a bit of recutting to get the new lines to fit.

    Cinematographer Tom Beldam films a long-tailed macaque who stole his smart phone minutes later.

    National Geographic/Laura Pennafort

    Cinematographer Tom Beldam films a long-tailed macaque who stole his smart phone minutes later.

    National Geographic/Laura Pennafort

    The macaque agrees to trade ithe stolen phone for a piece of food.

    National Geographic

    The macaque agrees to trade ithe stolen phone for a piece of food.

    National Geographic

    A family of tortoise beetles defend themselves from a carnivorous ant by wafting baby poop in its direction.

    National Geographic

    A family of tortoise beetles defend themselves from a carnivorous ant by wafting baby poop in its direction.

    National Geographic

    The macaque agrees to trade ithe stolen phone for a piece of food.

    National Geographic

    A family of tortoise beetles defend themselves from a carnivorous ant by wafting baby poop in its direction.

    National Geographic

    A male hippo sprays his feces at another male who is threatening to take over his patch.

    National Geographic

    A male proboscis monkey flaunts his large nose. The noses of these males are used to amplify their calls in the vast forest.

    National Geographic

    Dream girl: A blood-soaked female hyena looks across the African savanna.

    National Geographic

    A male bowerbird presents one of the finest items in his collection to a female in his bower.

    National Geographic

    The male nursery web spider presents his nuptial gift to the female.

    National Geographic

    Cue the Barry White mood music: Two leopard slugs suspend themselves on a rope of mucus as they entwine their bodies to mate with one another.

    National Geographic

    Despite their years of collective experience, Linfield and Berlowitz were initially skeptical when the crew told them about the pearl fish, which hides from predators in a sea cucumber's butt. "It had never been filmed so we said, 'You're going to have to prove it to us,'" said Berlowitz. "They came back with this fantastic, hilarious sequence of a pearl fish reverse parking [in a sea cucumber's anus)."
    The film crew experienced a few heart-pounding moments, most notably while filming the cliffside nests of barnacle geese for the "Terrible Parents" episode. A melting glacier caused a watery avalanche while the crew was filming the geese, and they had to quickly grab a few shots and run to safety. Less dramatic: cinematographer Tom Beldam had his smartphone stolen by a long-tailed macaque mere minutes after he finished capturing the animal on film.
    If all goes well and Underdogs finds its target audience, we may even get a follow-up. "We are slightly plowing new territory but the science is as true as it's ever been and the stories are good. That aspect of the natural history is still there," said Linfield. "I think what we really hope for is that people who don't normally watch natural history will watch it. If people have as much fun watching it as we had making it, then the metrics should be good enough for another season."
    Verdict: Underdogs is positively addictive; I binged all five episodes in a single day.Underdogs premieres June 15, 2025, at 9 PM/8 PM Central on National Geographicand will be available for streaming on Disney+ and Hulu the following day.  You should watch it, if only to get that second season.

    Jennifer Ouellette
    Senior Writer

    Jennifer Ouellette
    Senior Writer

    Jennifer is a senior writer at Ars Technica with a particular focus on where science meets culture, covering everything from physics and related interdisciplinary topics to her favorite films and TV series. Jennifer lives in Baltimore with her spouse, physicist Sean M. Carroll, and their two cats, Ariel and Caliban.

    5 Comments
    #delightfully #irreverent #underdogs #isnt #your
    Delightfully irreverent Underdogs isn’t your parents’ nature docuseries
    show some love for the losers Delightfully irreverent Underdogs isn’t your parents’ nature docuseries Ryan Reynolds narrates NatGeo's new series highlighting nature's much less cool and majestic creatures Jennifer Ouellette – Jun 15, 2025 3:11 pm | 5 The indestructible honey badger is just one of nature's "benchwarmers" featured in Underdogs Credit: National Geographic/Doug Parker The indestructible honey badger is just one of nature's "benchwarmers" featured in Underdogs Credit: National Geographic/Doug Parker Story text Size Small Standard Large Width * Standard Wide Links Standard Orange * Subscribers only   Learn more Narrator Ryan Reynolds celebrates nature's outcasts in the new NatGeo docuseries Underdogs. Most of us have seen a nature documentary or twoat some point in our lives, so it's a familiar format: sweeping majestic footage of impressively regal animals accompanied by reverently high-toned narration. Underdogs, a new docuseries from National Geographic, takes a decidedly different and unconventional approach. Narrated by with hilarious irreverence by Ryan Reynolds, the five-part series highlights nature's less cool and majestic creatures: the outcasts and benchwarmers, more noteworthy for their "unconventional hygiene choices" and "unsavory courtship rituals." It's like The Suicide Squad or Thunderbolts*, except these creatures actually exist. Per the official premise, "Underdogs features a range of never-before-filmed scenes, including the first time a film crew has ever entered a special cave in New Zealand—a huge cavern that glows brighter than a bachelor pad under a black light thanks to the glowing butts of millions of mucus-coated grubs. All over the world, overlooked superstars like this are out there 24/7, giving it maximum effort and keeping the natural world in working order for all those showboating polar bears, sharks and gorillas." It's rated PG-13 thanks to the odd bit of scatalogical humor and shots of Nature Sexy Time Each of the five episodes is built around a specific genre. "Superheroes" highlights the surprising superpowers of the honey badger, pistol shrimp, and the invisible glass frog, among others, augmented with comic book graphics; "Sexy Beasts" focuses on bizarre mating habits and follows the format of a romantic advice column; "Terrible Parents" highlights nature's worst practices, following the outline of a parenting guide; "Total Grossout" is exactly what it sounds like; and "The Unusual Suspects" is a heist tale, documenting the supposed efforts of a macaque to put together the ultimate team of masters of deception and disguise.  Green Day even wrote and recorded a special theme song for the opening credits. Co-creators Mark Linfield and Vanessa Berlowitz of Wildstar Films are longtime producers of award-winning wildlife films, most notably Frozen Planet, Planet Earth and David Attenborough's Life of Mammals—you know, the kind of prestige nature documentaries that have become a mainstay for National Geographic and the BBC, among others. They're justly proud of that work, but this time around the duo wanted to try something different. Madagascar's aye-aye: "as if fear and panic had a baby and rolled it in dog hair" National Geographic/Eleanor Paish Madagascar's aye-aye: "as if fear and panic had a baby and rolled it in dog hair" National Geographic/Eleanor Paish An emerald jewel wasp emerges from a cockroach. National Geographic/Simon De Glanville An emerald jewel wasp emerges from a cockroach. National Geographic/Simon De Glanville A pack of African hunting dogs is no match for the honey badger's thick hide. National Geographic/Tom Walker A pack of African hunting dogs is no match for the honey badger's thick hide. National Geographic/Tom Walker An emerald jewel wasp emerges from a cockroach. National Geographic/Simon De Glanville A pack of African hunting dogs is no match for the honey badger's thick hide. National Geographic/Tom Walker A fireworm is hit by a cavitation bubble shot from the claw of a pistol shrimp defending its home. National Geographic/Hugh Miller As it grows and molts, the mad hatterpillar stacks old head casings on top of its head. Scientists think it is used as a decoy against would-be predators and parasites, and when needed, it can also be used as a weapon. National Geographic/Katherine Hannaford Worst parents ever? A young barnacle goose chick prepares t make the 800-foot jump from its nest to the ground. National Geographic An adult pearlfish reverses into a sea cucumber's butt to hide. National Geographic A vulture sticks its head inside an elephant carcass to eat. National Geographic A manatee releases flatulence while swimming to lose the buoyancy build up of gas inside its stomach, and descend down the water column. National Geographic/Karl Davies "There is a sense after awhile that you're playing the same animals to the same people, and the shows are starting to look the same and so is your audience," Linfield told Ars. "We thought, okay, how can we do something absolutely the opposite? We've gone through our careers collecting stories of these weird and crazy creatures that don't end up in the script because they're not big or sexy and they live under a rock. But they often have the best life histories and the craziest superpowers." Case in point: the velvet worm featured in the "Superheroes" episode, which creeps up on unsuspecting prey before squirting disgusting slime all over their food.Once Linfield and Berlowitz decided to focus on nature's underdogs and to take a more humorous approach, Ryan Reynolds became their top choice for a narrator—the anti-Richard Attenborough. As luck would have it, the pair shared an agent with the mega-star. So even though they thought there was no way Reynolds would agree to the project, they put together a sizzle reel, complete with a "fake Canadian Ryan Reynolds sound-alike" doing the narration. Reynolds was on set when he received the reel, and loved it so much he recoded his own narration for the footage and sent it back. "From that moment he was in," said Linfield, and Wildstar Films worked closely with Reynolds and his company to develop the final series. "We've never worked that way on a series before, a joint collaboration from day one," Berlowitz admitted. But it worked: the end result strikes the perfect balance between scientific revelation and accurate natural history, and an edgy comic tone. That tone is quintessential Reynolds, and while he did mostly follow the script, Linfield and Berlowitz admit there was also a fair amount of improvisation—not all of it PG-13.  "What we hadn't appreciated is that he's an incredible improv performer," said Berlowitz. "He can't help himself. He gets into character and starts riffing off. There are some takes that we definitely couldn't use, that potentially would fit a slightly more Hulu audience."  Some of the ad-libs made it into the final episodes, however—like Reynolds describing an Aye-Aye as "if fear and panic had a baby and rolled it in dog hair"—even though it meant going back and doing a bit of recutting to get the new lines to fit. Cinematographer Tom Beldam films a long-tailed macaque who stole his smart phone minutes later. National Geographic/Laura Pennafort Cinematographer Tom Beldam films a long-tailed macaque who stole his smart phone minutes later. National Geographic/Laura Pennafort The macaque agrees to trade ithe stolen phone for a piece of food. National Geographic The macaque agrees to trade ithe stolen phone for a piece of food. National Geographic A family of tortoise beetles defend themselves from a carnivorous ant by wafting baby poop in its direction. National Geographic A family of tortoise beetles defend themselves from a carnivorous ant by wafting baby poop in its direction. National Geographic The macaque agrees to trade ithe stolen phone for a piece of food. National Geographic A family of tortoise beetles defend themselves from a carnivorous ant by wafting baby poop in its direction. National Geographic A male hippo sprays his feces at another male who is threatening to take over his patch. National Geographic A male proboscis monkey flaunts his large nose. The noses of these males are used to amplify their calls in the vast forest. National Geographic Dream girl: A blood-soaked female hyena looks across the African savanna. National Geographic A male bowerbird presents one of the finest items in his collection to a female in his bower. National Geographic The male nursery web spider presents his nuptial gift to the female. National Geographic Cue the Barry White mood music: Two leopard slugs suspend themselves on a rope of mucus as they entwine their bodies to mate with one another. National Geographic Despite their years of collective experience, Linfield and Berlowitz were initially skeptical when the crew told them about the pearl fish, which hides from predators in a sea cucumber's butt. "It had never been filmed so we said, 'You're going to have to prove it to us,'" said Berlowitz. "They came back with this fantastic, hilarious sequence of a pearl fish reverse parking [in a sea cucumber's anus)." The film crew experienced a few heart-pounding moments, most notably while filming the cliffside nests of barnacle geese for the "Terrible Parents" episode. A melting glacier caused a watery avalanche while the crew was filming the geese, and they had to quickly grab a few shots and run to safety. Less dramatic: cinematographer Tom Beldam had his smartphone stolen by a long-tailed macaque mere minutes after he finished capturing the animal on film. If all goes well and Underdogs finds its target audience, we may even get a follow-up. "We are slightly plowing new territory but the science is as true as it's ever been and the stories are good. That aspect of the natural history is still there," said Linfield. "I think what we really hope for is that people who don't normally watch natural history will watch it. If people have as much fun watching it as we had making it, then the metrics should be good enough for another season." Verdict: Underdogs is positively addictive; I binged all five episodes in a single day.Underdogs premieres June 15, 2025, at 9 PM/8 PM Central on National Geographicand will be available for streaming on Disney+ and Hulu the following day.  You should watch it, if only to get that second season. Jennifer Ouellette Senior Writer Jennifer Ouellette Senior Writer Jennifer is a senior writer at Ars Technica with a particular focus on where science meets culture, covering everything from physics and related interdisciplinary topics to her favorite films and TV series. Jennifer lives in Baltimore with her spouse, physicist Sean M. Carroll, and their two cats, Ariel and Caliban. 5 Comments #delightfully #irreverent #underdogs #isnt #your
    ARSTECHNICA.COM
    Delightfully irreverent Underdogs isn’t your parents’ nature docuseries
    show some love for the losers Delightfully irreverent Underdogs isn’t your parents’ nature docuseries Ryan Reynolds narrates NatGeo's new series highlighting nature's much less cool and majestic creatures Jennifer Ouellette – Jun 15, 2025 3:11 pm | 5 The indestructible honey badger is just one of nature's "benchwarmers" featured in Underdogs Credit: National Geographic/Doug Parker The indestructible honey badger is just one of nature's "benchwarmers" featured in Underdogs Credit: National Geographic/Doug Parker Story text Size Small Standard Large Width * Standard Wide Links Standard Orange * Subscribers only   Learn more Narrator Ryan Reynolds celebrates nature's outcasts in the new NatGeo docuseries Underdogs. Most of us have seen a nature documentary or two (or three) at some point in our lives, so it's a familiar format: sweeping majestic footage of impressively regal animals accompanied by reverently high-toned narration (preferably with a tony British accent). Underdogs, a new docuseries from National Geographic, takes a decidedly different and unconventional approach. Narrated by with hilarious irreverence by Ryan Reynolds, the five-part series highlights nature's less cool and majestic creatures: the outcasts and benchwarmers, more noteworthy for their "unconventional hygiene choices" and "unsavory courtship rituals." It's like The Suicide Squad or Thunderbolts*, except these creatures actually exist. Per the official premise, "Underdogs features a range of never-before-filmed scenes, including the first time a film crew has ever entered a special cave in New Zealand—a huge cavern that glows brighter than a bachelor pad under a black light thanks to the glowing butts of millions of mucus-coated grubs. All over the world, overlooked superstars like this are out there 24/7, giving it maximum effort and keeping the natural world in working order for all those showboating polar bears, sharks and gorillas." It's rated PG-13 thanks to the odd bit of scatalogical humor and shots of Nature Sexy Time Each of the five episodes is built around a specific genre. "Superheroes" highlights the surprising superpowers of the honey badger, pistol shrimp, and the invisible glass frog, among others, augmented with comic book graphics; "Sexy Beasts" focuses on bizarre mating habits and follows the format of a romantic advice column; "Terrible Parents" highlights nature's worst practices, following the outline of a parenting guide; "Total Grossout" is exactly what it sounds like; and "The Unusual Suspects" is a heist tale, documenting the supposed efforts of a macaque to put together the ultimate team of masters of deception and disguise (an inside man, a decoy, a fall guy, etc.).  Green Day even wrote and recorded a special theme song for the opening credits. Co-creators Mark Linfield and Vanessa Berlowitz of Wildstar Films are longtime producers of award-winning wildlife films, most notably Frozen Planet, Planet Earth and David Attenborough's Life of Mammals—you know, the kind of prestige nature documentaries that have become a mainstay for National Geographic and the BBC, among others. They're justly proud of that work, but this time around the duo wanted to try something different. Madagascar's aye-aye: "as if fear and panic had a baby and rolled it in dog hair" National Geographic/Eleanor Paish Madagascar's aye-aye: "as if fear and panic had a baby and rolled it in dog hair" National Geographic/Eleanor Paish An emerald jewel wasp emerges from a cockroach. National Geographic/Simon De Glanville An emerald jewel wasp emerges from a cockroach. National Geographic/Simon De Glanville A pack of African hunting dogs is no match for the honey badger's thick hide. National Geographic/Tom Walker A pack of African hunting dogs is no match for the honey badger's thick hide. National Geographic/Tom Walker An emerald jewel wasp emerges from a cockroach. National Geographic/Simon De Glanville A pack of African hunting dogs is no match for the honey badger's thick hide. National Geographic/Tom Walker A fireworm is hit by a cavitation bubble shot from the claw of a pistol shrimp defending its home. National Geographic/Hugh Miller As it grows and molts, the mad hatterpillar stacks old head casings on top of its head. Scientists think it is used as a decoy against would-be predators and parasites, and when needed, it can also be used as a weapon. National Geographic/Katherine Hannaford Worst parents ever? A young barnacle goose chick prepares t make the 800-foot jump from its nest to the ground. National Geographic An adult pearlfish reverses into a sea cucumber's butt to hide. National Geographic A vulture sticks its head inside an elephant carcass to eat. National Geographic A manatee releases flatulence while swimming to lose the buoyancy build up of gas inside its stomach, and descend down the water column. National Geographic/Karl Davies "There is a sense after awhile that you're playing the same animals to the same people, and the shows are starting to look the same and so is your audience," Linfield told Ars. "We thought, okay, how can we do something absolutely the opposite? We've gone through our careers collecting stories of these weird and crazy creatures that don't end up in the script because they're not big or sexy and they live under a rock. But they often have the best life histories and the craziest superpowers." Case in point: the velvet worm featured in the "Superheroes" episode, which creeps up on unsuspecting prey before squirting disgusting slime all over their food. (It's a handy defense mechanism, too, against predators like the wolf spider.) Once Linfield and Berlowitz decided to focus on nature's underdogs and to take a more humorous approach, Ryan Reynolds became their top choice for a narrator—the anti-Richard Attenborough. As luck would have it, the pair shared an agent with the mega-star. So even though they thought there was no way Reynolds would agree to the project, they put together a sizzle reel, complete with a "fake Canadian Ryan Reynolds sound-alike" doing the narration. Reynolds was on set when he received the reel, and loved it so much he recoded his own narration for the footage and sent it back. "From that moment he was in," said Linfield, and Wildstar Films worked closely with Reynolds and his company to develop the final series. "We've never worked that way on a series before, a joint collaboration from day one," Berlowitz admitted. But it worked: the end result strikes the perfect balance between scientific revelation and accurate natural history, and an edgy comic tone. That tone is quintessential Reynolds, and while he did mostly follow the script (which his team helped write), Linfield and Berlowitz admit there was also a fair amount of improvisation—not all of it PG-13.  "What we hadn't appreciated is that he's an incredible improv performer," said Berlowitz. "He can't help himself. He gets into character and starts riffing off [the footage]. There are some takes that we definitely couldn't use, that potentially would fit a slightly more Hulu audience."  Some of the ad-libs made it into the final episodes, however—like Reynolds describing an Aye-Aye as "if fear and panic had a baby and rolled it in dog hair"—even though it meant going back and doing a bit of recutting to get the new lines to fit. Cinematographer Tom Beldam films a long-tailed macaque who stole his smart phone minutes later. National Geographic/Laura Pennafort Cinematographer Tom Beldam films a long-tailed macaque who stole his smart phone minutes later. National Geographic/Laura Pennafort The macaque agrees to trade ithe stolen phone for a piece of food. National Geographic The macaque agrees to trade ithe stolen phone for a piece of food. National Geographic A family of tortoise beetles defend themselves from a carnivorous ant by wafting baby poop in its direction. National Geographic A family of tortoise beetles defend themselves from a carnivorous ant by wafting baby poop in its direction. National Geographic The macaque agrees to trade ithe stolen phone for a piece of food. National Geographic A family of tortoise beetles defend themselves from a carnivorous ant by wafting baby poop in its direction. National Geographic A male hippo sprays his feces at another male who is threatening to take over his patch. National Geographic A male proboscis monkey flaunts his large nose. The noses of these males are used to amplify their calls in the vast forest. National Geographic Dream girl: A blood-soaked female hyena looks across the African savanna. National Geographic A male bowerbird presents one of the finest items in his collection to a female in his bower. National Geographic The male nursery web spider presents his nuptial gift to the female. National Geographic Cue the Barry White mood music: Two leopard slugs suspend themselves on a rope of mucus as they entwine their bodies to mate with one another. National Geographic Despite their years of collective experience, Linfield and Berlowitz were initially skeptical when the crew told them about the pearl fish, which hides from predators in a sea cucumber's butt (along with many other species). "It had never been filmed so we said, 'You're going to have to prove it to us,'" said Berlowitz. "They came back with this fantastic, hilarious sequence of a pearl fish reverse parking [in a sea cucumber's anus)." The film crew experienced a few heart-pounding moments, most notably while filming the cliffside nests of barnacle geese for the "Terrible Parents" episode. A melting glacier caused a watery avalanche while the crew was filming the geese, and they had to quickly grab a few shots and run to safety. Less dramatic: cinematographer Tom Beldam had his smartphone stolen by a long-tailed macaque mere minutes after he finished capturing the animal on film. If all goes well and Underdogs finds its target audience, we may even get a follow-up. "We are slightly plowing new territory but the science is as true as it's ever been and the stories are good. That aspect of the natural history is still there," said Linfield. "I think what we really hope for is that people who don't normally watch natural history will watch it. If people have as much fun watching it as we had making it, then the metrics should be good enough for another season." Verdict: Underdogs is positively addictive; I binged all five episodes in a single day. (For his part, Reynolds said in a statement that he was thrilled to "finally watch a project of ours with my children. Technically they saw Deadpool and Wolverine but I don't think they absorbed much while covering their eyes and ears and screaming for two hours.") Underdogs premieres June 15, 2025, at 9 PM/8 PM Central on National Geographic (simulcast on ABC) and will be available for streaming on Disney+ and Hulu the following day.  You should watch it, if only to get that second season. Jennifer Ouellette Senior Writer Jennifer Ouellette Senior Writer Jennifer is a senior writer at Ars Technica with a particular focus on where science meets culture, covering everything from physics and related interdisciplinary topics to her favorite films and TV series. Jennifer lives in Baltimore with her spouse, physicist Sean M. Carroll, and their two cats, Ariel and Caliban. 5 Comments
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  • Fogarty Finger flaunts its time-proven approach to projects big and small, which keeps clients coming back

    Behind 69 Walker Street’s facade in the Tribeca neighborhood of New York is a beehive of designers all striving toward the same goal: making great work, whether big or small, luxury residential or affordable housing, interiors or ground up. Fogarty Finger occupies three floors of the industrial loft building so ubiquitous in the neighborhood Robert De Niro made famous. The 130-person firm was founded in 2003 by Chris Fogarty and Robert Finger after the pair spent a decade working at SOM. Alexandra Cuber joined the office in 2014 and is a director in Fogarty Finger’s interiors studio. John Zimmer also teamed up as a director, following a stint in San Francisco. Despite having grown significantly, Fogarty Finger remains malleable, and responsive to ever-evolving industry trends. “About 80 percent of our clients are return clients,” Fogarty told AN. “Not only do clients often come back, they also recommend us. For the longest time we didn’t do business development because we didn’t need to. Now, at our size, we have to be a bit more thoughtful.”

    “One of many things that differentiates us from other, larger offices is that we’re still first-generation leadership,” Finger added. “We bring a very boutique approach to everything we do. Nobody has an expectation of what the firm does from generations past. This means we don’t have people above us managing us from the financial sideresponsible for many, many offices. This gives us more freedom in terms of design; we don’t come with the same overhead as many other firms have.”
    Astoria WestAstoria West, 2022
    A waterfront site Fogarty Finger recently negotiated is in Astoria, Queens. Astoria West is a handsome, 500-unit luxury residential complex that’s easily recognizable from Manhattan thanks to its bays, which jut out from the facade. The complex is broken up into three buildings with a shared courtyard. “We had a supertight budget,” Fogarty said. “The client came to us and said, ‘I need something I can recognize while standing in Manhattan.’ So we used dormer rules that allowed for these vertical portals into the apartment, which gave it an identity. Working on a very slim budget, a lot of detailing and thinking went into the windows, which change size, and the brick patterns. A lot of thought also went into the ground plane. We wanted to make apartments that people couldn’t look into from the sidewalk, without creating a soulless pedestrian experience outside.”
    Private Equity OfficePrivate Equity Office, 2024
    Fogarty Finger’s interiors studio collaborates with high-caliber real estate, financial services, and legal firms across the Eastern Seaboard. Recently, Fogarty Finger redesigned a space within an iconic Manhattan tower for a private equity firm; the result was a design that’s both inviting and dignifying. “Companies put a lot of thought into their address, but so often how they want their interiors to look and work is an open-ended conversation,” Finger said. “Real estate is becoming a very experience-driven industry, which is affecting everything.” For Fogarty Finger, helping financial services and legal practices arrive at a clear understanding of their identity is paramount, as was the case in this project, in which the client requested to stay anonymous. “We often start with visioning sessions,” Cuber said. “We ask clients to describe themselves in a few words, which often rattles them a bit. It’s so interesting taking these interviews and creating a space that reflects the client and how they want to present themselves.”

    The Eliza + Inwood Public LibraryThe Eliza + Inwood Public Library, 2024
    What to do with all of New York City’s publicly owned land has mayoral candidates talking. Amid ongoing debates, one thing seems clear: The new Eliza Apartments at the redeveloped Inwood Public Library in Manhattan is a very good precedent to use when negotiating city land moving forward. Mayoral candidates Zohran Mamdani, Zellnor Myrie, and Andrew Cuomo all alluded to the Eliza + Inwood Public Library in their housing plans as a case study to emulate. The mixed-use building opened earlier this year and was reviewed by AN. Fogarty Finger designed the ground-up building and its accompanying apartments, while Andrew Berman Architects ideated the ground-level library. “This is a truly multiuse building,” Zimmer said. “It has a community center that’s used for vocational training and STEM in the cellar, and there’s also a universal pre-K.”
    Nevins Landing in Gowanus, BrooklynNevins Landing, 2021–
    The Gowanus neighborhood is one of the largest, most significant development sites underway in New York today. Many high-profile firms are designing buildings near the polluted canal—a Superfund site in a yearslong cleanup—and Fogarty Finger is one of them. The firm is behind 320 and 340 Nevins Landing, on the banks of what many hope becomes the “eco-friendly Amsterdam of Brooklyn.” Fogarty Finger’s design at Nevins Landing can be understood as two separate plinths that front a shared plaza with towers above them. The facades mimic the old brick buildings in the neighborhood, with all of their idiosyncrasies. One of the other commendable features of Nevins Landing’s design is its retail component: Fogarty Finger created internal public corridors lined with a variety of small commercial spaces. This will ensure the ground level of Nevins Landing is a happening display of artists and coffee shops instead of, say, another Walgreens. “Our goal was to make a neighborhood,” Cuber said.
    #fogarty #finger #flaunts #its #timeproven
    Fogarty Finger flaunts its time-proven approach to projects big and small, which keeps clients coming back
    Behind 69 Walker Street’s facade in the Tribeca neighborhood of New York is a beehive of designers all striving toward the same goal: making great work, whether big or small, luxury residential or affordable housing, interiors or ground up. Fogarty Finger occupies three floors of the industrial loft building so ubiquitous in the neighborhood Robert De Niro made famous. The 130-person firm was founded in 2003 by Chris Fogarty and Robert Finger after the pair spent a decade working at SOM. Alexandra Cuber joined the office in 2014 and is a director in Fogarty Finger’s interiors studio. John Zimmer also teamed up as a director, following a stint in San Francisco. Despite having grown significantly, Fogarty Finger remains malleable, and responsive to ever-evolving industry trends. “About 80 percent of our clients are return clients,” Fogarty told AN. “Not only do clients often come back, they also recommend us. For the longest time we didn’t do business development because we didn’t need to. Now, at our size, we have to be a bit more thoughtful.” “One of many things that differentiates us from other, larger offices is that we’re still first-generation leadership,” Finger added. “We bring a very boutique approach to everything we do. Nobody has an expectation of what the firm does from generations past. This means we don’t have people above us managing us from the financial sideresponsible for many, many offices. This gives us more freedom in terms of design; we don’t come with the same overhead as many other firms have.” Astoria WestAstoria West, 2022 A waterfront site Fogarty Finger recently negotiated is in Astoria, Queens. Astoria West is a handsome, 500-unit luxury residential complex that’s easily recognizable from Manhattan thanks to its bays, which jut out from the facade. The complex is broken up into three buildings with a shared courtyard. “We had a supertight budget,” Fogarty said. “The client came to us and said, ‘I need something I can recognize while standing in Manhattan.’ So we used dormer rules that allowed for these vertical portals into the apartment, which gave it an identity. Working on a very slim budget, a lot of detailing and thinking went into the windows, which change size, and the brick patterns. A lot of thought also went into the ground plane. We wanted to make apartments that people couldn’t look into from the sidewalk, without creating a soulless pedestrian experience outside.” Private Equity OfficePrivate Equity Office, 2024 Fogarty Finger’s interiors studio collaborates with high-caliber real estate, financial services, and legal firms across the Eastern Seaboard. Recently, Fogarty Finger redesigned a space within an iconic Manhattan tower for a private equity firm; the result was a design that’s both inviting and dignifying. “Companies put a lot of thought into their address, but so often how they want their interiors to look and work is an open-ended conversation,” Finger said. “Real estate is becoming a very experience-driven industry, which is affecting everything.” For Fogarty Finger, helping financial services and legal practices arrive at a clear understanding of their identity is paramount, as was the case in this project, in which the client requested to stay anonymous. “We often start with visioning sessions,” Cuber said. “We ask clients to describe themselves in a few words, which often rattles them a bit. It’s so interesting taking these interviews and creating a space that reflects the client and how they want to present themselves.” The Eliza + Inwood Public LibraryThe Eliza + Inwood Public Library, 2024 What to do with all of New York City’s publicly owned land has mayoral candidates talking. Amid ongoing debates, one thing seems clear: The new Eliza Apartments at the redeveloped Inwood Public Library in Manhattan is a very good precedent to use when negotiating city land moving forward. Mayoral candidates Zohran Mamdani, Zellnor Myrie, and Andrew Cuomo all alluded to the Eliza + Inwood Public Library in their housing plans as a case study to emulate. The mixed-use building opened earlier this year and was reviewed by AN. Fogarty Finger designed the ground-up building and its accompanying apartments, while Andrew Berman Architects ideated the ground-level library. “This is a truly multiuse building,” Zimmer said. “It has a community center that’s used for vocational training and STEM in the cellar, and there’s also a universal pre-K.” Nevins Landing in Gowanus, BrooklynNevins Landing, 2021– The Gowanus neighborhood is one of the largest, most significant development sites underway in New York today. Many high-profile firms are designing buildings near the polluted canal—a Superfund site in a yearslong cleanup—and Fogarty Finger is one of them. The firm is behind 320 and 340 Nevins Landing, on the banks of what many hope becomes the “eco-friendly Amsterdam of Brooklyn.” Fogarty Finger’s design at Nevins Landing can be understood as two separate plinths that front a shared plaza with towers above them. The facades mimic the old brick buildings in the neighborhood, with all of their idiosyncrasies. One of the other commendable features of Nevins Landing’s design is its retail component: Fogarty Finger created internal public corridors lined with a variety of small commercial spaces. This will ensure the ground level of Nevins Landing is a happening display of artists and coffee shops instead of, say, another Walgreens. “Our goal was to make a neighborhood,” Cuber said. #fogarty #finger #flaunts #its #timeproven
    WWW.ARCHPAPER.COM
    Fogarty Finger flaunts its time-proven approach to projects big and small, which keeps clients coming back
    Behind 69 Walker Street’s facade in the Tribeca neighborhood of New York is a beehive of designers all striving toward the same goal: making great work, whether big or small, luxury residential or affordable housing, interiors or ground up. Fogarty Finger occupies three floors of the industrial loft building so ubiquitous in the neighborhood Robert De Niro made famous. The 130-person firm was founded in 2003 by Chris Fogarty and Robert Finger after the pair spent a decade working at SOM. Alexandra Cuber joined the office in 2014 and is a director in Fogarty Finger’s interiors studio. John Zimmer also teamed up as a director, following a stint in San Francisco. Despite having grown significantly, Fogarty Finger remains malleable, and responsive to ever-evolving industry trends. “About 80 percent of our clients are return clients,” Fogarty told AN. “Not only do clients often come back, they also recommend us. For the longest time we didn’t do business development because we didn’t need to. Now, at our size, we have to be a bit more thoughtful.” “One of many things that differentiates us from other, larger offices is that we’re still first-generation leadership,” Finger added. “We bring a very boutique approach to everything we do. Nobody has an expectation of what the firm does from generations past. This means we don’t have people above us managing us from the financial side [who are] responsible for many, many offices. This gives us more freedom in terms of design; we don’t come with the same overhead as many other firms have.” Astoria West (Alexander Severin) Astoria West, 2022 A waterfront site Fogarty Finger recently negotiated is in Astoria, Queens. Astoria West is a handsome, 500-unit luxury residential complex that’s easily recognizable from Manhattan thanks to its bays, which jut out from the facade. The complex is broken up into three buildings with a shared courtyard. “We had a supertight budget,” Fogarty said. “The client came to us and said, ‘I need something I can recognize while standing in Manhattan.’ So we used dormer rules that allowed for these vertical portals into the apartment, which gave it an identity. Working on a very slim budget, a lot of detailing and thinking went into the windows, which change size, and the brick patterns. A lot of thought also went into the ground plane. We wanted to make apartments that people couldn’t look into from the sidewalk, without creating a soulless pedestrian experience outside.” Private Equity Office (David Mitchell) Private Equity Office, 2024 Fogarty Finger’s interiors studio collaborates with high-caliber real estate, financial services, and legal firms across the Eastern Seaboard. Recently, Fogarty Finger redesigned a space within an iconic Manhattan tower for a private equity firm; the result was a design that’s both inviting and dignifying. “Companies put a lot of thought into their address, but so often how they want their interiors to look and work is an open-ended conversation,” Finger said. “Real estate is becoming a very experience-driven industry, which is affecting everything.” For Fogarty Finger, helping financial services and legal practices arrive at a clear understanding of their identity is paramount, as was the case in this project, in which the client requested to stay anonymous. “We often start with visioning sessions,” Cuber said. “We ask clients to describe themselves in a few words, which often rattles them a bit. It’s so interesting taking these interviews and creating a space that reflects the client and how they want to present themselves.” The Eliza + Inwood Public Library (Alexander Severin) The Eliza + Inwood Public Library, 2024 What to do with all of New York City’s publicly owned land has mayoral candidates talking. Amid ongoing debates, one thing seems clear: The new Eliza Apartments at the redeveloped Inwood Public Library in Manhattan is a very good precedent to use when negotiating city land moving forward. Mayoral candidates Zohran Mamdani, Zellnor Myrie, and Andrew Cuomo all alluded to the Eliza + Inwood Public Library in their housing plans as a case study to emulate. The mixed-use building opened earlier this year and was reviewed by AN. Fogarty Finger designed the ground-up building and its accompanying apartments, while Andrew Berman Architects ideated the ground-level library. “This is a truly multiuse building,” Zimmer said. “It has a community center that’s used for vocational training and STEM in the cellar, and there’s also a universal pre-K.” Nevins Landing in Gowanus, Brooklyn (Courtesy Fogarty Finger) Nevins Landing, 2021– The Gowanus neighborhood is one of the largest, most significant development sites underway in New York today. Many high-profile firms are designing buildings near the polluted canal—a Superfund site in a yearslong cleanup—and Fogarty Finger is one of them. The firm is behind 320 and 340 Nevins Landing, on the banks of what many hope becomes the “eco-friendly Amsterdam of Brooklyn.” Fogarty Finger’s design at Nevins Landing can be understood as two separate plinths that front a shared plaza with towers above them. The facades mimic the old brick buildings in the neighborhood, with all of their idiosyncrasies. One of the other commendable features of Nevins Landing’s design is its retail component: Fogarty Finger created internal public corridors lined with a variety of small commercial spaces. This will ensure the ground level of Nevins Landing is a happening display of artists and coffee shops instead of, say, another Walgreens. “Our goal was to make a neighborhood,” Cuber said.
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  • Why I recommend this OnePlus phone over the S25 Ultra - especially at this new low price

    ZDNET's key takeaways The OnePlus 13 is a snappy, nearly no-compromise phone that starts at A Snapdragon 8 Elite, paired with a 6,000mAh battery and 80W fast charging, is a recipe for endurance success. IP69 is almost excessive, but you'll appreciate it when least expected. at Best Buy apr / 2025Over at OnePlus' website, both OnePlus 13 models are on sale for off, and each purchase comes with a free gift. Options include a OnePlus Nord Buds 3 Pro and a Sandstone Magnetic Case.It's not often that I review a smartphone in the first few calendar weeks and feel confident in calling it a "Phone of the Year" contender. But when I tested the OnePlus 13 back in January, that's precisely what happened.Whether Google finally launches a Pixel Pro Fold with a flagship camera system this summer, or Apple releases a thinner iPhone in the fall, the OnePlus 13 will likely still be on my mind when the year-end nominations are due.Also: I changed 10 OnePlus phone settings to significantly improve the user experienceThere's a lot going for the latest flagship phone, from the more secureultrasonic fingerprint sensor to the IP69 rating to the 6,000mAh Silicon NanoStack battery. It's also one of the first phones in North America to feature Qualcomm's new Snapdragon 8 Elite chip, which promises improvements to performance, efficiency, and AI workloads.I tested the OnePlus 13 alongside my iPhone 16 Pro Max and Google Pixel 9 Pro XL to see exactly how the Android phone stacked up against one of the best phones from 2024. In a few ways, the OnePlus 13 falls short, but in many ways, it puts the iPhone and Pixel to shame.When I first unboxed the OnePlus 13 and held it in my hand, my reaction was audible. Allow me to geek out here: The slightly curved glass, the slimness of the phone, and the overall appearance made my then-four-month-old iPhone look and feel outdated. It's as if OnePlus made the iPhone 17 Air before Apple did.However, what sells the OnePlus 13 design for me is the new Midnight Ocean color, which flaunts a vegan-leather backing that makes the phone visually distinctive and more comfortable to hold than its glass-only predecessors. The texture isn't as rough and grippy as actual leather, though, so I'd be interested in seeing how it ages over the year.Kerry Wan/ZDNETIf you were hoping the first major Android phone of 2025 would feature Qi2 wireless charging, I have good news and bad news. While the OnePlus 13 doesn't have an in-body Qi2 charging coil, meaning MagSafeaccessories won't attach directly to the back of the device, OnePlus has embedded magnetic guides within its protective covers, enabling users to take advantage of the accessories so long as the OnePlus 13 is encased. It's a burdenless workaround, but one that hopefully won't be necessary with the next model.For what it's worth, since publishing this review, several other Android phones have been released, including the Samsung Galaxy S25 Ultra, Nothing Phone 3a Pro, and Motorola Razr Ultra -- none of which feature Qi2 wireless charging.For years, one aspect that's held OnePlus phones back is the water and dust resistance rating, or lack thereof. With the OnePlus 13, the company is finally taking a stronger stance on the endurance standard, certifying the phone with an IP69 rating. It's a step above the IP68 ratings we commonly see on competing devices, and allows the OnePlus 13 to withstand high-pressure, high-temperature water jets and humidity changes.Also: 5 habit trackers on Android that can reveal your patterns - and motivate you to changeIn practice, this means the OnePlus 13 can function properly even if you leave it in your washer and dryer, dishwasher, or a pot of boiling soup. The IP69 rating feels very much like a flex, but it's a benefit that users will appreciate when they least expect it. Kerry Wan/ZDNETPowering the device is a Qualcomm Snapdragon 8 Elite chip that, from my months of usage, has some noticeable strengths and weaknesses. For day-to-day usage, such as bouncing between productivity apps, definitely not scrolling through TikTok, and taking photos and videos, the processor handles tasks gracefully. It helps that OxygenOS 15, based on the latest version of Android, has some of the smoothest animations I've seen on a phone.Also: I found a Bluetooth tracker for Android users that functions better than AirTagsBut once you fire up graphics-intensive applications like Adobe Premiere Rush and Honkai Star Rail, you'll notice some stuttering as the higher heat development leads to throttling performance. This isn't a dealbreaker, per se, as the nerfs are only apparent when you're using the device for a prolonged time.I've actually been using the OnePlus 13 quite liberally, as the 6,000mAh Silicon NanoStack battery has kept my review unit running for at least a day and a half per charge. That's unseen with any other mainstream phone in the US market, and I fully expect more manufacturers to adopt silicon batteries for their greater energy density. If not that, copy the 80W fast charging or 50W wireless charging; they're quite the revelation. Kerry Wan/ZDNETOn the camera front, the OnePlus 13, with its triple camera setup, has been a reliable shooter throughout most of my days. While the Sony LYT-808 sensor isn't on par with the one-inch sensors I've tested on international phones like the Xiaomi 15 Ultra, it does an excellent job of capturing details and finishing the output vividly. If you're a fan of sharp, bright, and slightly oversaturated imagery, then the OnePlus 13 will serve you well.Also: The best Android phones to buy in 2025Where the camera sensors fall short is in post-processing and AI-tuning features. For example, the phone leans heavily on computational photography to contextualize details when taking far-distance shots. This sometimes leads to images with an artificial, over-smoothing filter. But when the backend software works, it can reproduce details that you probably didn't think you'd capture in the first place.ZDNET's buying adviceFor a starting price of the OnePlus 13 delivers some seriously good value -- possibly the best of all the major flagship phones I've tested so far this year. The company has improved the device in almost every way, from the design to the performance to its accessory ecosystem. I just wish OnePlus offered more extensive software support, as the OnePlus 13 will only receive four years of Android OS updates and six years of security updates. Samsung, Google, and Apple offer at least seven years of OS support. If you can shoulder the shorter promise of longevity, this is one of the easiest phones for me to recommend right now. Why the OnePlus 13 gets an Editors' Choice award We awarded the OnePlus 13 an Editors' Choice because it nails all the fundamentals of a great smartphone experience while leading the market in some regards, such as battery and charging, durability, and design. The specs this year are noticeably improved compared to its predecessor, the OnePlus 12, with a faster processor, lighter build, larger battery capacity, and a more capable camera system. Most importantly, the OnePlus 13 starts at undercutting its closest competitors like the Google Pixel 9 Pro XL and Samsung Galaxy S25 Ultra.
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    When will this deal expire? As per OnePlus, this offer will end on June 8, 2025.However, deals are subject to sell out or expire at any time, though ZDNET remains committed to finding, sharing, and updating the best product deals for you to score the best savings. Our team of experts regularly checks in on the deals we share to ensure they are still live and obtainable. We're sorry if you've missed out on a deal, but don't fret -- we constantly find new chances to save and share them with you on ZDNET.com. 
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    What are the tariffs in the US? The recent US tariffs on imports from countries like China, Vietnam, and India aim to boost domestic manufacturing but are likely to drive up prices on consumer electronics. Products like smartphones, laptops, and TVs may become more expensive as companies rethink global supply chains and weigh the cost of shifting production.Smartphones are among the most affected by the new US tariffs, with devices imported from China and Vietnam facing steep duties that could raise retail prices by 20% or more. Brands like Apple and Google, which rely heavily on Asian manufacturing, may either pass these costs on to consumers or absorb them at the expense of profit margins. The tariffs could also lead to delays in product launches or shifts in where and how phones are made, forcing companies to diversify production to countries with more favorable trade conditions.
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    This story was originally published on January 7, 2025, and was updated on June 1, 2025, adding information for a new June discount.Featured reviews
    #why #recommend #this #oneplus #phone
    Why I recommend this OnePlus phone over the S25 Ultra - especially at this new low price
    ZDNET's key takeaways The OnePlus 13 is a snappy, nearly no-compromise phone that starts at A Snapdragon 8 Elite, paired with a 6,000mAh battery and 80W fast charging, is a recipe for endurance success. IP69 is almost excessive, but you'll appreciate it when least expected. at Best Buy apr / 2025Over at OnePlus' website, both OnePlus 13 models are on sale for off, and each purchase comes with a free gift. Options include a OnePlus Nord Buds 3 Pro and a Sandstone Magnetic Case.It's not often that I review a smartphone in the first few calendar weeks and feel confident in calling it a "Phone of the Year" contender. But when I tested the OnePlus 13 back in January, that's precisely what happened.Whether Google finally launches a Pixel Pro Fold with a flagship camera system this summer, or Apple releases a thinner iPhone in the fall, the OnePlus 13 will likely still be on my mind when the year-end nominations are due.Also: I changed 10 OnePlus phone settings to significantly improve the user experienceThere's a lot going for the latest flagship phone, from the more secureultrasonic fingerprint sensor to the IP69 rating to the 6,000mAh Silicon NanoStack battery. It's also one of the first phones in North America to feature Qualcomm's new Snapdragon 8 Elite chip, which promises improvements to performance, efficiency, and AI workloads.I tested the OnePlus 13 alongside my iPhone 16 Pro Max and Google Pixel 9 Pro XL to see exactly how the Android phone stacked up against one of the best phones from 2024. In a few ways, the OnePlus 13 falls short, but in many ways, it puts the iPhone and Pixel to shame.When I first unboxed the OnePlus 13 and held it in my hand, my reaction was audible. Allow me to geek out here: The slightly curved glass, the slimness of the phone, and the overall appearance made my then-four-month-old iPhone look and feel outdated. It's as if OnePlus made the iPhone 17 Air before Apple did.However, what sells the OnePlus 13 design for me is the new Midnight Ocean color, which flaunts a vegan-leather backing that makes the phone visually distinctive and more comfortable to hold than its glass-only predecessors. The texture isn't as rough and grippy as actual leather, though, so I'd be interested in seeing how it ages over the year.Kerry Wan/ZDNETIf you were hoping the first major Android phone of 2025 would feature Qi2 wireless charging, I have good news and bad news. While the OnePlus 13 doesn't have an in-body Qi2 charging coil, meaning MagSafeaccessories won't attach directly to the back of the device, OnePlus has embedded magnetic guides within its protective covers, enabling users to take advantage of the accessories so long as the OnePlus 13 is encased. It's a burdenless workaround, but one that hopefully won't be necessary with the next model.For what it's worth, since publishing this review, several other Android phones have been released, including the Samsung Galaxy S25 Ultra, Nothing Phone 3a Pro, and Motorola Razr Ultra -- none of which feature Qi2 wireless charging.For years, one aspect that's held OnePlus phones back is the water and dust resistance rating, or lack thereof. With the OnePlus 13, the company is finally taking a stronger stance on the endurance standard, certifying the phone with an IP69 rating. It's a step above the IP68 ratings we commonly see on competing devices, and allows the OnePlus 13 to withstand high-pressure, high-temperature water jets and humidity changes.Also: 5 habit trackers on Android that can reveal your patterns - and motivate you to changeIn practice, this means the OnePlus 13 can function properly even if you leave it in your washer and dryer, dishwasher, or a pot of boiling soup. The IP69 rating feels very much like a flex, but it's a benefit that users will appreciate when they least expect it. Kerry Wan/ZDNETPowering the device is a Qualcomm Snapdragon 8 Elite chip that, from my months of usage, has some noticeable strengths and weaknesses. For day-to-day usage, such as bouncing between productivity apps, definitely not scrolling through TikTok, and taking photos and videos, the processor handles tasks gracefully. It helps that OxygenOS 15, based on the latest version of Android, has some of the smoothest animations I've seen on a phone.Also: I found a Bluetooth tracker for Android users that functions better than AirTagsBut once you fire up graphics-intensive applications like Adobe Premiere Rush and Honkai Star Rail, you'll notice some stuttering as the higher heat development leads to throttling performance. This isn't a dealbreaker, per se, as the nerfs are only apparent when you're using the device for a prolonged time.I've actually been using the OnePlus 13 quite liberally, as the 6,000mAh Silicon NanoStack battery has kept my review unit running for at least a day and a half per charge. That's unseen with any other mainstream phone in the US market, and I fully expect more manufacturers to adopt silicon batteries for their greater energy density. If not that, copy the 80W fast charging or 50W wireless charging; they're quite the revelation. Kerry Wan/ZDNETOn the camera front, the OnePlus 13, with its triple camera setup, has been a reliable shooter throughout most of my days. While the Sony LYT-808 sensor isn't on par with the one-inch sensors I've tested on international phones like the Xiaomi 15 Ultra, it does an excellent job of capturing details and finishing the output vividly. If you're a fan of sharp, bright, and slightly oversaturated imagery, then the OnePlus 13 will serve you well.Also: The best Android phones to buy in 2025Where the camera sensors fall short is in post-processing and AI-tuning features. For example, the phone leans heavily on computational photography to contextualize details when taking far-distance shots. This sometimes leads to images with an artificial, over-smoothing filter. But when the backend software works, it can reproduce details that you probably didn't think you'd capture in the first place.ZDNET's buying adviceFor a starting price of the OnePlus 13 delivers some seriously good value -- possibly the best of all the major flagship phones I've tested so far this year. The company has improved the device in almost every way, from the design to the performance to its accessory ecosystem. I just wish OnePlus offered more extensive software support, as the OnePlus 13 will only receive four years of Android OS updates and six years of security updates. Samsung, Google, and Apple offer at least seven years of OS support. If you can shoulder the shorter promise of longevity, this is one of the easiest phones for me to recommend right now. Why the OnePlus 13 gets an Editors' Choice award We awarded the OnePlus 13 an Editors' Choice because it nails all the fundamentals of a great smartphone experience while leading the market in some regards, such as battery and charging, durability, and design. The specs this year are noticeably improved compared to its predecessor, the OnePlus 12, with a faster processor, lighter build, larger battery capacity, and a more capable camera system. Most importantly, the OnePlus 13 starts at undercutting its closest competitors like the Google Pixel 9 Pro XL and Samsung Galaxy S25 Ultra. Show more When will this deal expire? As per OnePlus, this offer will end on June 8, 2025.However, deals are subject to sell out or expire at any time, though ZDNET remains committed to finding, sharing, and updating the best product deals for you to score the best savings. Our team of experts regularly checks in on the deals we share to ensure they are still live and obtainable. We're sorry if you've missed out on a deal, but don't fret -- we constantly find new chances to save and share them with you on ZDNET.com.  Show more What are the tariffs in the US? The recent US tariffs on imports from countries like China, Vietnam, and India aim to boost domestic manufacturing but are likely to drive up prices on consumer electronics. Products like smartphones, laptops, and TVs may become more expensive as companies rethink global supply chains and weigh the cost of shifting production.Smartphones are among the most affected by the new US tariffs, with devices imported from China and Vietnam facing steep duties that could raise retail prices by 20% or more. Brands like Apple and Google, which rely heavily on Asian manufacturing, may either pass these costs on to consumers or absorb them at the expense of profit margins. The tariffs could also lead to delays in product launches or shifts in where and how phones are made, forcing companies to diversify production to countries with more favorable trade conditions. Show more This story was originally published on January 7, 2025, and was updated on June 1, 2025, adding information for a new June discount.Featured reviews #why #recommend #this #oneplus #phone
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    Why I recommend this OnePlus phone over the S25 Ultra - especially at this new low price
    ZDNET's key takeaways The OnePlus 13 is a snappy, nearly no-compromise phone that starts at $899. A Snapdragon 8 Elite, paired with a 6,000mAh battery and 80W fast charging, is a recipe for endurance success. IP69 is almost excessive, but you'll appreciate it when least expected. $999.99 at Best Buy apr / 2025Over at OnePlus' website, both OnePlus 13 models are on sale for $50 off, and each purchase comes with a free gift. Options include a OnePlus Nord Buds 3 Pro and a Sandstone Magnetic Case.It's not often that I review a smartphone in the first few calendar weeks and feel confident in calling it a "Phone of the Year" contender. But when I tested the OnePlus 13 back in January, that's precisely what happened.Whether Google finally launches a Pixel Pro Fold with a flagship camera system this summer, or Apple releases a thinner iPhone in the fall, the OnePlus 13 will likely still be on my mind when the year-end nominations are due.Also: I changed 10 OnePlus phone settings to significantly improve the user experienceThere's a lot going for the latest flagship phone, from the more secure (and reliable) ultrasonic fingerprint sensor to the IP69 rating to the 6,000mAh Silicon NanoStack battery. It's also one of the first phones in North America to feature Qualcomm's new Snapdragon 8 Elite chip, which promises improvements to performance, efficiency, and AI workloads.I tested the OnePlus 13 alongside my iPhone 16 Pro Max and Google Pixel 9 Pro XL to see exactly how the Android phone stacked up against one of the best phones from 2024. In a few ways, the OnePlus 13 falls short, but in many ways, it puts the iPhone and Pixel to shame.When I first unboxed the OnePlus 13 and held it in my hand, my reaction was audible. Allow me to geek out here: The slightly curved glass, the slimness of the phone, and the overall appearance made my then-four-month-old iPhone look and feel outdated. It's as if OnePlus made the iPhone 17 Air before Apple did.However, what sells the OnePlus 13 design for me is the new Midnight Ocean color, which flaunts a vegan-leather backing that makes the phone visually distinctive and more comfortable to hold than its glass-only predecessors. The texture isn't as rough and grippy as actual leather, though, so I'd be interested in seeing how it ages over the year. (April update: The textured backing is holding up well, save for a few dark spots on the corners, likely caused by the phone rubbing against my palms.) Kerry Wan/ZDNETIf you were hoping the first major Android phone of 2025 would feature Qi2 wireless charging, I have good news and bad news. While the OnePlus 13 doesn't have an in-body Qi2 charging coil, meaning MagSafe (and similar) accessories won't attach directly to the back of the device, OnePlus has embedded magnetic guides within its protective covers, enabling users to take advantage of the accessories so long as the OnePlus 13 is encased. It's a burdenless workaround, but one that hopefully won't be necessary with the next model.For what it's worth, since publishing this review, several other Android phones have been released, including the Samsung Galaxy S25 Ultra, Nothing Phone 3a Pro, and Motorola Razr Ultra -- none of which feature Qi2 wireless charging.For years, one aspect that's held OnePlus phones back is the water and dust resistance rating, or lack thereof. With the OnePlus 13, the company is finally taking a stronger stance on the endurance standard, certifying the phone with an IP69 rating. It's a step above the IP68 ratings we commonly see on competing devices, and allows the OnePlus 13 to withstand high-pressure, high-temperature water jets and humidity changes.Also: 5 habit trackers on Android that can reveal your patterns - and motivate you to changeIn practice, this means the OnePlus 13 can function properly even if you leave it in your washer and dryer, dishwasher, or a pot of boiling soup. The IP69 rating feels very much like a flex, but it's a benefit that users will appreciate when they least expect it. Kerry Wan/ZDNETPowering the device is a Qualcomm Snapdragon 8 Elite chip that, from my months of usage, has some noticeable strengths and weaknesses. For day-to-day usage, such as bouncing between productivity apps, definitely not scrolling through TikTok, and taking photos and videos, the processor handles tasks gracefully. It helps that OxygenOS 15, based on the latest version of Android, has some of the smoothest animations I've seen on a phone.Also: I found a Bluetooth tracker for Android users that functions better than AirTags (and it's cheaper)But once you fire up graphics-intensive applications like Adobe Premiere Rush and Honkai Star Rail, you'll notice some stuttering as the higher heat development leads to throttling performance. This isn't a dealbreaker, per se, as the nerfs are only apparent when you're using the device for a prolonged time.I've actually been using the OnePlus 13 quite liberally, as the 6,000mAh Silicon NanoStack battery has kept my review unit running for at least a day and a half per charge. That's unseen with any other mainstream phone in the US market, and I fully expect more manufacturers to adopt silicon batteries for their greater energy density. If not that, copy the 80W fast charging or 50W wireless charging; they're quite the revelation. Kerry Wan/ZDNETOn the camera front, the OnePlus 13, with its triple camera setup (50MP wide, ultrawide, and telephoto), has been a reliable shooter throughout most of my days. While the Sony LYT-808 sensor isn't on par with the one-inch sensors I've tested on international phones like the Xiaomi 15 Ultra, it does an excellent job of capturing details and finishing the output vividly. If you're a fan of sharp, bright, and slightly oversaturated imagery (read: more colorful than how the actual subject appears), then the OnePlus 13 will serve you well.Also: The best Android phones to buy in 2025Where the camera sensors fall short is in post-processing and AI-tuning features. For example, the phone leans heavily on computational photography to contextualize details when taking far-distance shots. This sometimes leads to images with an artificial, over-smoothing filter. But when the backend software works, it can reproduce details that you probably didn't think you'd capture in the first place.ZDNET's buying adviceFor a starting price of $899, the OnePlus 13 delivers some seriously good value -- possibly the best of all the major flagship phones I've tested so far this year. The company has improved the device in almost every way, from the design to the performance to its accessory ecosystem. I just wish OnePlus offered more extensive software support, as the OnePlus 13 will only receive four years of Android OS updates and six years of security updates. Samsung, Google, and Apple offer at least seven years of OS support. If you can shoulder the shorter promise of longevity, this is one of the easiest phones for me to recommend right now. Why the OnePlus 13 gets an Editors' Choice award We awarded the OnePlus 13 an Editors' Choice because it nails all the fundamentals of a great smartphone experience while leading the market in some regards, such as battery and charging, durability, and design. The specs this year are noticeably improved compared to its predecessor, the OnePlus 12, with a faster processor, lighter build, larger battery capacity, and a more capable camera system. Most importantly, the OnePlus 13 starts at $899, undercutting its closest competitors like the Google Pixel 9 Pro XL and Samsung Galaxy S25 Ultra. Show more When will this deal expire? As per OnePlus, this offer will end on June 8, 2025.However, deals are subject to sell out or expire at any time, though ZDNET remains committed to finding, sharing, and updating the best product deals for you to score the best savings. Our team of experts regularly checks in on the deals we share to ensure they are still live and obtainable. We're sorry if you've missed out on a deal, but don't fret -- we constantly find new chances to save and share them with you on ZDNET.com.  Show more What are the tariffs in the US? The recent US tariffs on imports from countries like China, Vietnam, and India aim to boost domestic manufacturing but are likely to drive up prices on consumer electronics. Products like smartphones, laptops, and TVs may become more expensive as companies rethink global supply chains and weigh the cost of shifting production.Smartphones are among the most affected by the new US tariffs, with devices imported from China and Vietnam facing steep duties that could raise retail prices by 20% or more. Brands like Apple and Google, which rely heavily on Asian manufacturing, may either pass these costs on to consumers or absorb them at the expense of profit margins. The tariffs could also lead to delays in product launches or shifts in where and how phones are made, forcing companies to diversify production to countries with more favorable trade conditions. Show more This story was originally published on January 7, 2025, and was updated on June 1, 2025, adding information for a new June discount.Featured reviews
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