The big Leslie Benzies interview: MindsEye, Everywhere, and the double-edged sword of GTA How Build A Rocket Boy developed its debut project Feature by Samuel Roberts Editorial Director Published on May 30, 2025 As the producer behind the Grand Theft Auto games from GTA 3 through to GTA 5, as well as Red Dead Redemption and LA Noire, any project with Leslie Benzies' name on it is going to be a lightning rod for attention. MindsEye, the first game from Benzies' studio Build A Rocket Boy, is getting plenty of it – even if some of that attention has been less positive. MindsEye is a single-player third-person shooter with vehicle gameplay, set in a Las Vegas-style city called Redrock. It's a techno-thriller story about a former soldier called Jacob Diaz – but it's clear from visiting BARB in Edinburgh this week that the game is envisioned as a gateway into something much larger, both in the fiction of MindsEye, and for players who pick the game up. That includes a user-generated content platform called Build.MindsEye, where players on PC can create levels using relatively straightforward tools that incorporate any object in the game. When asked if third-person shooter levels or driving sections were the limits of the build side of MindsEye, the developers showed other examples of how they can be used, like massively increasing the proportions of a basketball, dropping it into the world, and functionally making an in-game version of Rocket League. Still, while MindsEye launches on June 10, 2025, for PC and consoles, many questions remain unanswered, including the future of its long-gestating Everywhere project. Benzies sat down with GamesIndustry.biz earlier this week to talk us through his vision for the game. This interview has been edited for brevity and clarity. Image credit: Austin Hargrave What's your grand vision for MindsEye? What will it be at launch, and where is it going in the future? MindsEye is one story in an epic universe. The other stories take place at different time periods, and [at] different locations in the universe. This story is Jacob Diaz's story. There are also other stories within MindsEye, so we tell the backstories of other characters Jacob will meet. That's the way we're going to fill out the universe over time – so when you travel around, all the stories will be connected by one overarching theme, and each story will have different mechanics. And we'll give these mechanics to players within the creator tools. What will happen with the game after launch? [The studio] will support the game through Play.MindsEye, with continuous new content. Some of the content, like races, are made just for fun. But [with] most of the content, we'll try and incorporate it into the story. So once you've played the big overarching ten-year plan, you'll have a very good idea of what this universe looks like. We have plans to add multiplayer, [and] we have plans to make a full open world. And of course, we've also got to look at what players are creating, and incorporate that into our plans. Given the ease of the tools, we think there's going to be a high percentage of players who will jump in and give it a pop, see how it feels. Hopefully some will create compelling content we can then promote and make that part of our plans to push to other players. Is it best to think of MindsEye as the first game in a series of games? Or one game as part of a larger experience? MindsEye sits bang in the middle of our story. So, we're going to go back 10,000 years, then we're going to go forward a certain amount of time. It's the relevant piece of the puzzle that will have players asking questions of what the bigger story is. We've intentionally not released footage of huge parts of the game, because we don't want to spoil anything for players. But this story does take some unusual twists. What's your vision for the multiplayer component of the game? I guess there's two sides to the answer. The dream from the building side is to allow players the opportunity to create their own multiplayer open world games with ease. So anyone could pick up the game, jump in, drive around, stop at a point where they see something of interest, build a little mission, jump back in the car, drive again, build another mission. Once you've built a couple of hundred of these, you've built your own open world game. So, that's the build side. From our side, we want to [create] a place where people can socialise, play together, and engage in the stories that we build. So, we do have plans next year to launch an open world multiplayer game that takes place a year after MindsEye finishes. In the interim, we also have an open world free roam game that spans from when MindsEye finishes to the launch of the open world multiplayer game. All of these stories interconnect in a fairly unique and original way, which I think players like these days. They like the complexity of deeper stories. You're selling the base game at launch, with a pass for upcoming content additions. Do you have a vision for how you're going to package future stories in the overarching MindsEye experience? It depends on the scale of the story. Some will be free, and some will be paid. After you left Rockstar Games, what came next? What led to you building the studio? I spent a few years looking into some other things: going [into] some property development. Using some of the games experience, we made a thing called VR-Chitect, which allowed you to build houses and view them in VR. I spent a lot of time in Los Angeles at this point, and this is when the droughts were very bad. I got into [making] these machines that would suck water out of the air. Still sitting in my back garden in Los Angeles is this big clunky machine, it works like an air-conditioning unit. It could suck up one thousand litres of water. So I got involved with that. But there's really nothing like making games. The different types of people – the lawyers, the accountants, the programmers, the artists, the dancers, the singers – that bunch of people in one big pot, all working together, and turning something from a piece of paper into [something on the] screen – that's where I get my excitement. Since I was a kid, that's what I've wanted to do. I thought, 'I better get back into making games' because nothing else was as much fun. What was the journey towards creating MindsEye as your first standalone release? Your first game's always your hardest. You have to build systems, you have to build the team. Everything is new. You don't really see a lot on the screen until way down the line, because you're building underlying systems, physics systems, the gameplay systems. It's a slow start, but what you end up with is an engine, and obviously we use Unreal, which provides a certain level of support and building. On top of that, we've got to build our own stuff. [Plus], we have to pack up everything we build and present it nicely for the creator tools. So it adds this extra layer of complexity to everything. But now, given where we are, the speed that we can iterate, we can very quickly place enemies, place vehicles, place puzzles, whatever, and get a feel for a game. We've now got a great, experienced team – a lot of talented guys in there. In the old days, you'd get a game, stick it on the shelf, and you'd wave goodbye. It's not like that anymore. You're continually fixing things. When you release a game, you've suddenly got, not a hundred testers, but hopefully millions of testers. You've got to continually fix, continually optimise, and especially with the tools that we've got, we want to continually create new content. So MindsEye is a standalone game, and Everywhere is not mentioned anywhere on the Steam page. But obviously there's a strong 'build' component to this game, which was part of the Everywhere pitch. What does this mean for Everywhere, and what was behind the decision to package the game this way? This is all part of a bigger story and ecosystem that we've got planned. Everywhere is going to show up again pretty soon. Everything we're working on, there's a story behind it – a big overarching story. So Everywhere will come back, and it fits into this story somewhere. I can't tell you [where], because it would be a spoiler. But that's going to reappear soon, and it will all be a part of the same product. "I'm not sure it would've been smart as a company to say, 'we are going to compete with the biggest game on the planet'" Leslie Benzies, Build A Rocket Boy In terms of the tools, the tool doesn't really care what world you're building in. It sits separately. So any game we create, it will naturally work on top of it. But we're big fans of keeping everything thematically connected, or connected through a narrative, and you'll see it. The bigger story will become obvious, once you've played through all of MindsEye. Then you might start to see how it all connects together, to the Everywhere world. Has the landscape for something like Everywhere, or the build component to MindsEye, changed as platforms like UEFN have taken off or Roblox has become so huge? It's great to see these tools being used by people. I build a lot with my son, and when he builds, I see the excitement he gets. It reminds me of when I was a kid with my Dragon 32 computer, managing to get a little character moving on the screen – that excitement of, 'wow, I did that'. Giving that to other people is massive. It's still very difficult to build in Roblox. For example, when my son wants to do it, I have to jump in. I used to be a programmer, and I struggle to build in there. When he wants to run around and scream with his friends he's in Roblox; when he wants to build he'll jump into Minecraft, because Minecraft is a much easier system to build within. And I think we sit somewhere in the middle: you can get very high quality, fun games, but they're very easy to build. I think we're at the infancy of this in video games. We're at the very beginning of it, and we're going to see way, way more of it. It doesn't necessarily have to be presenting it to your friends, or to an audience. I think the process of creating for a human being is fun in itself. MindsEye has been positioned as a linear game. You are best known for creating open world games. What was behind the decision to make MindsEye a more linear, narrative-driven experience? I think certain stories are more difficult to present to players in an open world setting. Open world gives you freedom – you don't necessarily want freedom to portray a story. For MindsEye, it's a very set time in a character, Jacob Diaz's, life. You pick up as Jacob when he arrives in Redrock, and then you leave Jacob at a certain point in the future. And so, it'd be very difficult for us to have an open world in there. It's horses for courses: it depends what you're doing. But for Jacob's story, it had to be a linear game. Having said that, there are open world experiences in there, and we can build them through Build.MindsEye. There is a free roam open world mode, where you play [as] a different character and you see his time, from the end of MindsEye, to the point of our next big planned launch. Again, they're all connected through a narrative, and we really want to show the universe, show the stories that have taken place in the universe, the characters in that universe, and see how they've experienced the same experience but from different viewpoints. "The dream from the building side is to allow players the opportunity to create their own multiplayer open world games with ease" Leslie Benzies, Build A Rocket Boy Was there ever a discussion about creating a more traditional GTA competitor? In design, you look at a lot of different options. I'm not sure it would've been smart as a company to say, 'we are going to compete with the biggest game on the planet'. I'm not sure that would be the best business decision to make. We went through a bunch of different designs, and to tell our story, this is what we landed on. MindsEye is priced more like a game from a decade ago at $60, and it'll take around 20 hours to finish. Can you talk about how you settled on the game's length and scope, and how you made that decision around price? So you've got the MindsEye campaign, and yes, it'll be about 20ish hours. But you do have all this other side content: there's going to be this continuous stream of content. These days, there are so many different options for people. It's not just games: there's streaming TV, so many good shows out there. I don't think you can have filler content in games. I think people want the meat, and they want the potatoes. We've tried to make as much meat as we can, if that makes sense. I think that's a good length for a game. What you also find through data, is that [with] big games, people don't play them all. The majority of people – 60% or 70% of people – don't actually play games to the end. So when you're making something, I would prefer – I'm sure the team would say the same – [that] you had the whole experience from start to finish, and not create this 200-hour game. Create something that is finishable, but have some side things that will fill out the universe. A lot of the side missions on the play side of MindsEye do fill out the characters' back stories, or do fill out what was happening in the world. On price: the world's in a funny place. People are worried about the price of eggs. So value for money, I think people appreciate that when times are difficult. I was curious why you waited until quite late in the day to reveal the build element of the game, only because it seemed you were being quite church and state with how MindsEye is releasing versus what Everywhere is. So in general, we believe – and again, it goes back to the amount of information, the amount of options people have these days – I don't think you can have extended marketing times. It's very expensive, we're a start-up. I think you lose interest from people. There are so many things for people to do, that if you extend it, you're not punching through to the place you need to be. I've seen other games, nine years before launch, it's getting talked about. I'm not sure that's the way of the world these days. You'll see there are games that never go to market: the day of launch was the marketing campaign, and it worked very well. So I think we tried to compress ours down for that reason. On the MindsEye.Play [continuous content] part of it, yeah, maybe we should've got that out there sooner, but it is a nice little surprise to give players. That's the thing with marketing – you never know what's the right or wrong way to do it, you've got to go with your gut, your senses, and test it. Being who you are, it brings a certain level of expectation and attention. Do you find it a double-edged sword, launching a new studio and launching a new game, with your background? Yes. There's always comparisons, and I think that's how humans work. As kids, we're taught to put a triangle into a triangular hole, and a square into a square hole. I think we do that for the rest of our lives, and we like to describe something new as 'it's X plus Y, with a bit of Z in there'. It makes things easy for us. It's maybe humans optimising the way we communicate. So there are comparisons. It serves us well in some ways, it doesn't serve us well in others. Dave Grohl said it well when he formed the Foo Fighters: nobody's interested in the Foo Fighters, all they were interested in was Nirvana. The guys have built something very cool, and I just hope people can see it for what it's trying to be.

According to the U.S. Bureau of Labor Statistics, unemployment rates have not shifted much in recent years. The current unemployment rate is reported as being 4.2%—just a slight increase from the 4% it hovered around between 2022 and 2024. But according to a new report, another measure of unemployment is much higher, and steadily growing. The April report, which comes from the Ludwig Institute for Shared Economic Prosperity (LISEP), a nonprofit that produces original economic research, documents what it calls the “true rate” of unemployment. That rate refers to “functional unemployment,” which takes into account those who are job-seeking yet unable to find work, as well as those with full-time jobs but whose earnings put them below the poverty line (under $25,000/year). The functional unemployment rate has risen for three consecutive months and is currently 24.4%. That means about one in four U.S. adults are considered functionally unemployed.  LISEP Chair Gene Ludwig said in a press release that the outlook on the trend shows “little signs of improvement” amid lack of an “influx of dependable, good-paying jobs.” The report showed the functional unemployment rate rising 1.4% among Black workers to 26.7%. It decreased slightly for white workers, moving from 23.1% to 23%. While the rate for men increased (by 1.2%) bringing the total to 20%, women narrowed the gender gap. Women’s true unemployment rate dipped 0.8 percentage points to 28.6%. While it’s no secret that the federal government has been steadily shedding jobs, there haven’t been major increases in the unemployment rate. However, the new findings paint a grim picture of how many U.S. workers are struggling to find employment and a livable income. Meanwhile, wage increases haven’t kept up with a rising cost of living, not to mention the cost to raise a child, which has ticked up 25% in the past two years alone. “Amid an already uncertain economic outlook, the rise in functional unemployment is a concerning development,” Ludwig explains. “This uncertainty comes at a price, and unfortunately, the low- and middle-income wage earners ultimately end up paying the bill.”

MM33 Apartment / bunoSave this picture!Apartments, Apartment Interiors•Khet Khlong Toei, Thailand Architects: buno Area Area of this architecture project Area:  54 m² Year Completion year of this architecture project Year:  2023 Photographs Photographs:Napat PattrayanondMore SpecsLess Specs Save this picture! Text description provided by the architects. MM33 Apartment rethinks a typical domestic milieu, a commercialized urban housing unit where room sizes are predominantly determined more by the logic of sales and marketing data rather than the dynamics of life. To create more space for flexible usages and for a sense of spaciousness, the rigid sense of room making is challenged, and the assumed standard dimensions are discarded for more meticulously compact scales.Save this picture!Save this picture!Save this picture!Save this picture!The new design turns a one-bedroom apartment into an open-plan space, in which "rooms" are pushed against the boundaries to make space for an airy, unobstructed "court." These rooms—the sleeping, lounging, dressing, and bathroom areas—are reduced to their optimum sizes; although small, they fit just right, for these dimensions are carefully specified accordingly to the user's scale and requirements.  The court space is functionally for cooking and dining. But it also acts as a borrowed visual space for the rooms besides. So, the space perceived is bigger.Save this picture!Save this picture!Save this picture!Save this picture!The extension of space is possible due to the use of operable walls that gently divide the court from the others while allowing for a sense of connection, instead of fixed and opaque partitioning. The curtains permit flexibility of use and make a spacious feeling possible while not rejecting privacy where needed. In the absence of walls as room makers/dividers, the functional fixtures play a crucial role in space planning and the aesthetics of the whole. They become architectural elements. These pieces of furniture are conceptualized as individual prefab units, equipped with essential functions for small-scale urban living, potentially applicable to various other sites, while adjustable to specific conditions.Save this picture!Save this picture!The essence of materiality is fully exposed. The floor is light beige linoleum. The fixture units are constructed of structural clear-coated plywood, exposing their layered edges. The distinct coloring aims to break the box-like volume into planes, and allow more flexibility and freedom by making object selection not too restricted, as opposed to having a monotonous ambience.Save this picture! Project gallerySee allShow less Project locationAddress:Ari, Bangkok, ThailandLocation to be used only as a reference. It could indicate city/country but not exact address.About this officebunoOffice••• Published on May 25, 2025Cite: "MM33 Apartment / buno" 25 May 2025. ArchDaily. Accessed . <https://www.archdaily.com/1030326/mm33-apartment-buno&gt ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

LLMs have shown impressive capabilities across various programming tasks, yet their potential for program optimization has not been fully explored. While some recent efforts have used LLMs to enhance performance in languages like C++ and Python, the broader application of LLMs to optimize code, especially in low-level programming contexts, remains limited. Existing LLM benchmarks largely focus on code generation from natural language or solving GitHub issues, as seen in HumanEval, MBPP, APPS, SWE-bench, and SWE-agent. Moreover, models such as Codex, AlphaCode, and Code Llama primarily aim to improve code generation quality rather than performance. However, select research has begun addressing optimization, including parallelization and code efficiency improvements, though many of these approaches are constrained by the need for formal verification, limiting scalability. In contrast, some newer methods embrace test-based validation, allowing optimization of more complex programs with loops. Learning-based strategies in compiler optimization—like AutoPhase, which uses reinforcement learning for pass sequencing, and Coreset, which applies graph neural networks—have shown promise in improving performance. Superoptimization techniques aim to find the most efficient version of a program but are typically restricted to small-scale problems. Additionally, frameworks like AutoTVM and Ansor have focused on optimizing GPU kernel code through statistical modeling and search. Recently, LLM-driven optimization has gained attention, with reinforcement learning approaches guiding LLMs using feedback from test cases. Techniques like CodeRL and PPOCoder leverage policy optimization methods to fine-tune models for better performance, even across resource-constrained programming languages like Verilog.  Stanford, UIUC, CMU, and Visa Research researchers explore using LLMs to optimize assembly code performance—an area traditionally handled by compilers like GCC. They introduce a reinforcement learning framework using Proximal Policy Optimization (PPO), guided by a reward balancing correctness and speedup over the gcc -O3 baseline. Using a dataset of 8,072 real-world programs, their model, Qwen2.5-Coder-7B-PPO, achieves a 96.0% test pass rate and a 1.47× average speedup, outperforming 20 other models, including Claude-3.7-sonnet. Their results show that with RL training, LLMs can effectively outperform conventional compiler optimizations.  The methodology involves optimizing compiled C programs for performance using an RL approach. Given a C program C, it is compiled to assembly P using gcc -O3. The goal is to generate a new assembly program P’ that is functionally equivalent but faster. Correctness is verified using a test set, and speedup is measured by execution time improvement. Using CodeNet as the dataset, the authors apply PPO to train a language model that generates improved code. Two reward functions—Correctness-Guided Speedup and Speedup-Only—are used to guide training based on program validity, correctness, and performance gains.  The study evaluates various language models on optimizing assembly code, revealing that most models struggle with low test pass rates and minimal speedups. However, Qwen2.5-Coder-7B-PPO, trained with reinforcement learning, significantly outperforms others, achieving 96% accuracy and a 1.47× average speedup. Ablation studies show that using gcc -O3 as a reference aids performance, while removing it leads to sharp declines. Notably, models like Claude-3.7-sonnet can surpass compilers by identifying hardware-specific optimizations, such as replacing loops with a single popcnt instruction, demonstrating their ability to perform semantic-level code transformations beyond traditional compiler capabilities.  In conclusion, the study explores using LLMs to optimize assembly code, a domain where traditional compilers struggle due to the complexity of low-level performance tuning. The authors fine-tune Qwen2.5-Coder-7B using PPO, rewarding both correctness (via test cases) and speedup over gcc -O3. They introduce a benchmark of 8,072 real-world C programs to evaluate performance. The model achieves a 96.0% test pass rate and a 1.47× average speedup, outperforming 20 other models, including Claude-3.7-sonnet. While effective, limitations include a lack of formal correctness guarantees and variability in hardware performance across systems.  Check out the Paper. All credit for this research goes to the researchers of this project. Also, feel free to follow us on Twitter and don’t forget to join our 95k+ ML SubReddit and Subscribe to our Newsletter. Sana HassanSana Hassan, a consulting intern at Marktechpost and dual-degree student at IIT Madras, is passionate about applying technology and AI to address real-world challenges. With a keen interest in solving practical problems, he brings a fresh perspective to the intersection of AI and real-life solutions.Sana Hassanhttps://www.marktechpost.com/author/sana-hassan/Evaluating Enterprise-Grade AI Assistants: A Benchmark for Complex, Voice-Driven WorkflowsSana Hassanhttps://www.marktechpost.com/author/sana-hassan/Beyond Aha Moments: Structuring Reasoning in Large Language ModelsSana Hassanhttps://www.marktechpost.com/author/sana-hassan/RXTX: A Machine Learning-Guided Algorithm for Efficient Structured Matrix MultiplicationSana Hassanhttps://www.marktechpost.com/author/sana-hassan/From Protocol to Production: How Model Context Protocol (MCP) Gateways Enable Secure, Scalable, and Seamless AI Integrations Across Enterprises

In brief: Valve has moved forward with its long-teased plan to bring SteamOS to more devices beyond the Steam Deck. The stable build adds support for systems from Lenovo, Asus, and others, offering a more stable Windows alternative for handheld gaming PCs. It also introduces new features and bug fixes. Now available for installation, SteamOS 3.7.8 introduces official support for the Lenovo Legion Go S and improves compatibility with other handheld gaming PCs, including the Asus ROG Ally. The release could dramatically alter the user experience on these devices. SteamOS's gamepad-friendly interface is better suited to small screens than Windows 11, giving the Steam Deck a notable edge over more powerful portable PCs. Recent updates to the Linux-based system have gradually revealed Valve's broader release plans, with the latest patch opening it up for public testing. The operating system now uses a newer Arch Linux base, the Linux kernel has been upgraded to version 6.11, and desktop mode runs on Plasma 6.2.5. Early adopters should download a SteamOS recovery image and follow Valve's setup instructions. Valve optimized 3.7.8 specifically for handheld devices, but it currently supports only PCs with AMD hardware and an NVMe SSD. The system requirements likely cover devices built on similar AMD APUs, including the Ryzen 8840U, Ryzen AI HX 370, Ryzen Z1, and Ryzen Z2. Valve provides specific installation instructions for the original Lenovo Legion Go and the ROG Ally. However, the latest build should theoretically support handhelds such as the GPD Win, Ayaneo 3, and Zotac Zone. The Intel-powered MSI Claw remains the only unsupported portable PC, and whether Valve plans to add Intel support is still unclear. Adventurous testers will likely explore whether "AMD hardware" extends to desktops or other Ryzen-based form factors. It remains unclear if SteamOS supports Radeon dedicated GPUs and alternative wireless chips. The update has a useful new feature that lets users set a battery charge limit, with Valve recommending an 80 percent cap to extend battery life on frequently docked devices. It is functionally similar to the optional 90 percent cap Nintendo recently introduced for the upcoming Switch 2. SteamOS 3.7.8 also adds frame rate limits for internal and external VRR displays, while Bluetooth controllers can now wake the original LCD Steam Deck from sleep. As the first version 3.7 build to reach the stable channel, numerous features have also exited beta. Lenovo plans to launch the Legion Go S with SteamOS pre-installed in the coming weeks, offering it at a significantly lower price than the Windows 11 version. // Related Stories

OverviewBacked by Craig Zingerline, Growth Minded is a boutique micro-agency focused on helping early stage through growth startups grow. We're looking for a Director of Lifecycle Marketing & Growth Strategy to help us increase our client engagement capacity, as well as work on internal projects. To learn more about Craig, please visit his Growth Mentor profile, or check him out on LinkedIn.What we doClients hire us to help them find, convert, and retain customers. We work from high level strategy down into channel level tactics, and every layer in-between. As a company and team we care deeply about solving the challenging problems our customers face, and typically own major components of the marketing side of their business. We focus first on growth strategy development, then deliver tactics through a thoughtful, experiment driven approach. Our customers trust us with their business - and we take our work seriously.The roleWe are looking for a talented growth marketing with deep experience running lifecycle marketing programs and building growth strategies. Our ideal candidate has a blend of in-house client-side experience plus agency experience, but candidates with strong lifecycle marketing and growth strategy chops will be considered regardless of exact background. We care deeply about partnering with hardworking, thoughtful, and intellectually curious individuals who are strong lifecycle marketing experts, have world class growth strategy chops, are talented at writing and content framework development, are strategic thinkers, and who have the ability to go deep into the weeds, helping execute campaigns for our clients.Strong client facing skills are a must - you must present well, be able to take feedback and think on the fly, and bring thoughtful, actionable work to the company each day.Job OverviewAs the Director of Lifecycle Marketing & Growth Strategy, you will own the growth strategy and execution of lifecycle marketing campaigns across various channels, focusing on customer acquisition, activation, retention, and monetization. You will work closely with client product, marketing, sales, and analytics teams to drive user growth, create scalable strategies, and optimize conversion pathways to help our clients achieve and exceed their growth goals.Key Responsibilities- Develop comprehensive lifecycle marketing strategies for clients- Lead client relationship management, serving as the primary strategic point of contact- Design and optimize multi-channel customer journeys to maximize engagement, conversion, and retention- Analyze customer data to identify segmentation opportunities and personalization strategies- Write, design and implement email marketing campaigns- Oversee push notification, SMS, and in-app messaging strategies- Implement automated flows with sophisticated triggers- Monitor campaign performance, conduct A/B testing, and provide data-driven recommendations- Set up reports and dashboard on performance- Monitor and identify deliverability issues, as well as implement both technical and content steps to improve deliverability- Build strategies around list cleaning and list hygiene- Ideate and implement ideas on list growth- Present campaign results and strategic insights to clients with clear ROI measurements- Stay current with industry trends and emerging technologies in lifecycle marketing- Develop client proposals and participate in new business pitchesData-Driven Decision Making:- Analyze data to understand the effectiveness of growth initiatives, measure KPIs, and make informed decisions.- Use customer segmentation and cohort analysis to uncover opportunities to increase user engagement and LTV.Nice to have's include:- Deep understanding and audit of the client’s current state of growth.- Design and execute growth strategies that cover the entire customer lifecycle, including acquisition, conversion, retention, and expansion.- Identify new growth opportunities for our clients through data analysis, customer insights, and market research.- Rank the opportunities and present evidence as to the order in which execution of the strategy should follow.- Lead A/B testing initiatives and growth experiments to improve customer acquisition and conversion rates.- Develop an experimentation framework to quickly validate ideas and scale winning initiatives.Collaboration and Leadership- Collaborate with both internal and client teams across marketing, product, and sales to ensure alignment in growth efforts.- Act as an owner within our small company, doing what it takes to help our clients succeed.-Ability to diplomatically assess tradeoffs between competing objectives.Requirements-Proven experience in a growth role, preferably at a startup or fast-paced environment within an agency.-Strong understanding of growth metrics and KPIs, including CAC, LTV, churn, and conversion rates.-Deep experience with lifecycle marketing (email, sms, push)-Deep experience with one or more of the following platforms: Kit, Hubspot, Salesforce, Klaviyo, Iterable, Customer.io, Google Tag Manager, Google Analytics, etc.- STRONG copywriting and content skills. Almost everything we do requires great content. We have an in-house editor that you can leverage but you'll need to be leading efforts on content for multiple clients. - Deep interest and/or experience in leveraging AI tools to boost your productivity. We are a high output company even though we're small in size. We prefer candidates who are already deeply leveraging AI, but at a minimum, you should have the desire to learn new tools to increase your productivity. -Strong ability to learn as you go.-Ability to manage multiple projects and priorities in a fast-paced environment.-Analytical mindset with strong experience using data to drive decision-making.-Hands-on experience with marketing tools and analytics platforms (e.g., Google Analytics, HubSpot, Mixpanel).-Excellent communication skills and the ability to work cross-functionally.-Passionate about user experience, data-driven decision making, and continual learning.-Hardworking, thoughtful, and intellectually curious—a self-starter who values continuous improvement and collaboration.Why Join Us?-Be a part of an exciting growth journey at a dynamic company that is in growth mode ourselves.-Work with a talented, passionate, and collaborative team.-Enjoy opportunities for professional growth, creativity, and autonomy.To apply, fill out the form below. About the roleWe're going to offer a strong starting salary with a monthly bonus plan. Benefits are included.Base Compensation: $85,000 to $100,000 USD or local currency equivalent based on experience in this type of role. Bonus: Profit share to be reviewed as part of job offer. We're profitable and growing, and profit share potential is high.Potential for equity in the company will be considered after an initial evaluation period.

Xando Member Oct 28, 2017 37,672 At the 2025 Digital Dragons conference in Poland, Mike Pondsmith – the mastermind behind the Cyberpunk universe – shared some news about the sequel to Cyberpunk 2077. He revealed that players will finally get to leave the iconic Night City and dive into a new urban setting. Digital Dragons is one of Europe's top B2B events for the video game industry, put together by the Krakow Technology Park. This year's edition ran from May 18 to 20, 2025, at the ICE Krakow Congress Center. One of this year's guests was Mike Pondsmith, the creator of the Cyberpunk tabletop game series, which later inspired Cyberpunk 2077 developed by CD Project RED. In a chat with Michal Manka (formerly of TVGRY, now with Find Your Next Game by GameStar), Pondsmith mentioned that we'll be visiting "another city" in the Cyberpunk 2077 sequel – but he quickly added that he couldn't say much more. He didn't drop a name or give any details, so it kind of felt like something that slipped out by accident. The interview begins at 3:06:11 and is available to watch in full on the TVGRY YouTube channel as part of the Digital Dragons stream. Click to expand... Click to shrink... Might be somewhat similar to Chicago? There's already been a rumor floating around for a while that the city in the sequel could be Chicago, mainly because some posters in Cyberpunk 2077 mention it. One even says, "Travel from Chicago to Night City in under three hours, coming in 2080." So, could this be a small hint that the rumor's actually true? Click to expand... Click to shrink... Mike Pondsmith hints Cyberpunk 2077’s sequel will feature a new city to explore Project Orion is still shrouded in mystery, but one thing’s clear: we’ll be leaving Night City. Looks like there’ll be a whole new place to burn. www.gamepressure.com Here is the livestream: View: https://www.youtube.com/live/64XD2DtKU64?si=5yY1u_z9XmuW_QSB&t=11170  RayCharlizard Member Nov 2, 2017 4,467 Who needs scope anyway   Zebesian-X Member Dec 3, 2018 25,344 TFW the dystopian hellscape video game has better high-speed rail infrastructure than the real world   Killyoh Member Oct 28, 2017 1,788 Paris, France Day City   Cor Pulmonale Banned May 14, 2025 54 An earlier rumor I read mentioned Texas, so who knows at this point.   Pancracio17 ▲ Legend ▲ Avenger Oct 29, 2017 21,744 Sunset City   Cor Pulmonale Banned May 14, 2025 54 Dayman vs Nightman: The official videogame of the musical of the movie.  Dest Has seen more 10s than EA ever will Coward Jun 4, 2018 16,034 Work fortnite city.   Dan Thunder Member Nov 2, 2017 17,007 Crazy that the game's 5 years old this year!   Kinthey Avenger Oct 27, 2017 25,481 I guess makes sense since they explored night city pretty thoroughly. Would be cool if we see a little bit of night city again though   kodax_shc Member Oct 27, 2017 7,409 Southern California I'd be bummed if the sequel was just more night city, not that it couldn't work but let's go somewhere new please.   MF DOOMbot Member Jun 5, 2023 4,010 Man can't wait to find out more. I always had to admire CD project from a distance because I wasn't really into medieval fantasy. Always heard how good The Witcher was but was less impressed when I played the games myself. Cyberpunk was amazing , Phantom Liberty was amazing. One can only hope they learned their lesson and can deliver a Phantom Liberty level experience from the start.   PlanetSmasher The Abominable Showman Member Oct 25, 2017 132,897 with its extremely powerful mayor the Cyber Day Man  OP OP Xando Member Oct 28, 2017 37,672 Kinthey said: I guess makes sense since they explored night city pretty thoroughly. Would be cool if we see a little bit of night city again though Click to expand... Click to shrink... He says in the stream that night city is still there so i guess it's more like a 2 maps thing.   Not Spaceghost Member Oct 25, 2017 5,093 Would be really interesting to see Seattle which i think is supposed to be the largest city on the west coast or Chicago which is functionally just dog town extra large edition as far as I'm aware. Or hell it would be awesome to see Tokyo which is supposed to be one of the most economically powerful cities post collapse.  Pancracio17 ▲ Legend ▲ Avenger Oct 29, 2017 21,744 Xando said: He says in the stream that night city is still there so i guess it's more like a 2 maps thing. Click to expand... Click to shrink... Unless they reuse 90% of night city as is, im not sure how theyll manage this.   boris_feinbrand Member Oct 26, 2017 7,213 I might be interpreting too much there, but that sounds like there's going to be a new city in addition to Night City. Which would be insane lol.   Uzzy Gabe’s little helper Member Oct 25, 2017 34,445 Hull, UK That would be rather weird if it was set in a completely different city. A side trip to one, sure, but as the main city? Cyberpunk's world has explored parts of the rest of the world, sure, but it's very highly focused on Night City. This isn't Shadowrun with a bunch of cities explored, mapped out and described around the world. Night City is Cyberpunk to a lesser and greater extent.  Yam's Member Oct 27, 2017 4,576 It won't use the same engine as 2077, so the chances of them redoing all of Night City in Unreal 5 were slim anyway, no?   Stormblessed Member Feb 21, 2019 1,595 Uzzy said: That would be rather weird if it was set in a completely different city. A side trip to one, sure, but as the main city? Cyberpunk's world has explored parts of the rest of the world, sure, but it's very highly focused on Night City. This isn't Shadowrun with a bunch of cities explored, mapped out and described around the world. Night City is Cyberpunk to a lesser and greater extent. Click to expand... Click to shrink... Wouldn't it be interesting to chart that out then? Could give them more leeway to make it their own too.   Uzzy Gabe’s little helper Member Oct 25, 2017 34,445 Hull, UK Stormblessed said: Wouldn't it be interesting to chart that out then? Could give them more leeway to make it their own too. Click to expand... Click to shrink... Not really. I'm sure they could make something of it, but like I said, Cyberpunk is Night City, and vice versa.  Beelzebufo Member Jun 1, 2022 5,867 Canada what's the release schedule for all of this again? I'm assuming The Witcher 4 is first, and then is it Witcher remake or Orion after?   SaberVS7 Member Oct 25, 2017 6,732 Zebesian-X said: TFW the dystopian hellscape video game has better high-speed rail infrastructure than the real world Click to expand... Click to shrink... Y'know, this sorta kills me - Night City has better Public Works Infrastructure than most real American cities today. And, per the lore, it's not even "legacy" infrastructure, the NCART network in 2077 is recent, as a replacement for their previous crumbling subway system. Nevermind that Night City has high-density housing within walking distance of amenities. IDK, are we sure Night City is the dystopia when we talk about Real Life America vs Cyberpunk?  Voyevoda Member Nov 1, 2017 2,266 Paris, France Cor Pulmonale said: Dayman vs Nightman: The official videogame of the musical of the movie. Click to expand... Click to shrink... I'm prepared to experience sexual magic.  Vic20 Member Nov 10, 2019 4,430 night city didn't even fulfil its potential. use the same map and build on top of it.  FakePlasticTree Member Jul 24, 2018 14,010 Isn't Night City like litterally the setting? It would be like if a Forgotten Realms game wasn't set on the Sword Coast.   snowblack Member Oct 30, 2024 592 Not Spaceghost said: Would be really interesting to see Seattle which i think is supposed to be the largest city on the west coast or Chicago which is functionally just dog town extra large edition as far as I'm aware. Or hell it would be awesome to see Tokyo which is supposed to be one of the most economically powerful cities post collapse. Click to expand... Click to shrink... Gotta save some for the 3rd game.  Zebesian-X Member Dec 3, 2018 25,344 SaberVS7 said: Y'know, this sorta kills me - Night City has better Public Works Infrastructure than most real American cities today. And, per the lore, it's not even "legacy" infrastructure, the NCART network in 2077 is recent, as a replacement for their previous crumbling subway system. IDK, are we sure Night City is the dystopia when we talk about Real Life America vs Cyberpunk? Click to expand... Click to shrink... lol yeah, the monorail was a fun addition but it was honestly pretty fitting to leave in as an abandoned, half-finished construction project. Sometimes cut content can be worldbuilding!   SaberVS7 Member Oct 25, 2017 6,732 Yam's said: It won't use the same engine as 2077, so the chances of them redoing all of Night City in Unreal 5 were slim anyway, no? Click to expand... Click to shrink... Aside from handling interior loading-zones, they wouldn't really have to "redo" Night City if they leverage existing assets. Static meshes and textures don't care what engine they're in - Aside from the material-shaders. And if they're not reusing all the assets they made, it wouldn't even matter if they'd stuck with REDEngine, that's still a lot of work to redo.  Stormblessed Member Feb 21, 2019 1,595 Uzzy said: Not really. I'm sure they could make something of it, but like I said, Cyberpunk is Night City, and vice versa. Click to expand... Click to shrink... Fair enough. There is a lot of ways they can expand Night City especially if they give it a good time gap.   Spehornoob Member Nov 15, 2017 11,431 Isn't Chicago a toxic wasteland in Cyberpunk lore?   Vertigo1 Member Jun 30, 2023 1,079 I'll be there   SDBurton Community Resettler Member Oct 25, 2017 10,201 Don't really care where we go, just give me third-person cutscenes please.   Not Spaceghost Member Oct 25, 2017 5,093 Spehornoob said: Isn't Chicago a toxic wasteland in Cyberpunk lore? Click to expand... Click to shrink... By 2077 it's supposed to have at least partly been rebuilt, there's a few mentions of people going there in game. I think by rail or something. But I imagine it's very much a Pacifica situation  Yam's Member Oct 27, 2017 4,576 SaberVS7 said: Aside from handling interior loading-zones, they wouldn't really have to "redo" Night City if they leverage existing assets. Static meshes and textures don't care what engine they're in - Aside from the material-shaders. And if they're not reusing all the assets they made, it wouldn't even matter if they'd stuck with REDEngine, that's still a lot of work to redo. Click to expand... Click to shrink... Oh I thought they'd have everything to redo, I didn't know they could reuse everything in another engine. Would this also mean they could keep the same art style? Cause I loved how NC looked in 2077.  Yurei Member Feb 28, 2023 1,305 I dont know shit about the wider world of Cyberpunk, what cities would be exciting to explore?   behOemoth Member Oct 27, 2017 6,687 I hope they will design a proper "architecture" (I mean not the artstyle) next time that is suitable for a game, because the feel of the city is just bad when you walk through it and interact with it.   Mobius and Pet Octopus Member Oct 25, 2017 16,830 I've said in the past I think a whole new city would be totally appropriate for a sequel. I was told night city is basically the entire setting. But I could definitely see them creating their own city from the ground up and it doing really well.   Antony Member Oct 25, 2017 4,046 If it's not something in addition to Night City then it would be a mistake. So much unrealised potential in the existing map, all they need to do is that again but make it interactive (enterable buildings, useable facilities, etc.)  boris_feinbrand Member Oct 26, 2017 7,213 Antony said: If it's not something in addition to Night City then it would be a mistake. So much unrealised potential in the existing map, all they need to do is that again but make it interactive (enterable buildings, useable facilities, etc.) Click to expand... Click to shrink... Hope they look after us habitual building climbers lol. If they build upon the "unintentional" Parkour system, the possibility for urban exploring is going to be even better. Populating rooftops and areas usually not designed to be reached with automated systems would go a long way.  Western Yokai Member Feb 14, 2025 146 I hope it's São Paulo or Rio de Janeiro   TraderPoe Member Oct 31, 2017 5,276 Pacific Northwest I see all the teasers in the map for Tokyo... I have a feeling its gonna be that   Valus Member Nov 21, 2017 1,247 Sequel?? Aren't they working on Witcher 4 now?   SofNascimento cursed Member Oct 28, 2017 24,890 São Paulo - Brazil Rome would be the perfect setting for a Cyberpunk game and I can prove it.   Cheesetriangles Member Dec 5, 2017 2,494 Valus said: Sequel?? Aren't they working on Witcher 4 now? Click to expand... Click to shrink... They are doing both.   Rygar 8Bit Member Oct 25, 2017 17,776 Site-15 Valus said: Sequel?? Aren't they working on Witcher 4 now? Click to expand... Click to shrink... This was announced a while ago as Project Orion Cyberpunk 2.  Horns Member Dec 7, 2018 3,399 Where ever it may be set, I am assuming it is 5-7 years away at this point. I loved cp2077, but it will be many years until we ever get a sequel. Hard to get hyped for it when it is so long away.   Reflecting Sky Member Mar 17, 2024 2,669 Valus said: Sequel?? Aren't they working on Witcher 4 now? Click to expand... Click to shrink... I believe the Polish studio is doing The Witcher 4, while their American branch is working on this Orion project.  Slim Action Member Jul 4, 2018 7,038 FakePlasticTree said: Isn't Night City like litterally the setting? It would be like if a Forgotten Realms game wasn't set on the Sword Coast. Click to expand... Click to shrink... This is actually a great comparison because Faerûn is way bigger than just the Sword Coast   FakePlasticTree Member Jul 24, 2018 14,010 Slim Action said: This is actually a great comparison because Faerûn is way bigger than just the Sword Coast Click to expand... Click to shrink... I think the comparison is apt as the Sword Coast is basically the setting when it comes to the Forgotten Realms same as Night city is for Cyberpunk RED even if there technically is other regions. Even when BG2 left the city of Baldur's Gate it was still the Sword Coast.  

V&A Dundee’s new exhibition starts before you get up to the first-floor gallery. As visitors enter the main hall of Kengo Kuma’s 2018 waterfront building, they’re confronted by 11 big white flowers dangling from the double-height ceiling. Called Shylight and created by Amsterdam’s Studio DRIFT, the floral forms slowly rise and fall courtesy of robotics, with their silk petals folding inwards, mimicking those flowers which close up at nightfall. Thought-provoking and visually pleasing, it sets the tone for Garden Futures: Designing With Nature, the exhibition which opened last week and runs until 25 January. It also hints that not everything in the garden (exhibition) is rosy. Beyond horticulture, there’s also technology – starting with those Shylight robotics – and art. That’s quite a juggling act. As a long-standing allotment holder, it was the horticulture content which drew me in. If I hadn’t had that focus, the exhibition could have been overwhelming: so many topics, so many ideas, so many things to take in. This is the touring show’s only UK stop, having debuted at Vitra Design Museum in Germany’s, before appearing across various European venues. Vitra Design Museum’s deputy director Sabrina Handler claims it’s the first major exhibition on the history of modern garden design. An image from Andrew Buurman’s photo project Allotments. An image from Andrew Buurman’s photo project Allotments. The original show comprised 300 objects. V&A Dundee has an extra 200m2 of space to play with, and has added another 130 objects to give it their own spin and highlight some Scottish contributions to the topic. Msoma Architects were brought in to reimagine the show for Dundee, building on Formafantasma’s original concept for the Vitra Design Museum. The graphics were handled by Boris Meister. In terms of the gardens on show here, they vary from productive spaces for work, rest and play, to places representing spiritual, cultural and political ideas. What they have in common is that they’re all designed spaces. Like a virulent form of bindweed, this show is covering a lot of ground. Its material is grouped in sections themed as Paradise, Sanctuary, Retreat and Labour of Love. It’s Paradise that makes the strongest impression – and rightly so – with its ice-cream-pink structure. Garden Futures at the V&A. Photo by Grant Anderson. The overarching aim is to demonstrate how garden design impacts us both functionally – providing food, hence Birmingham’s Uplands Allotments and seed companies – and aesthetically – hence William Morris wallpaper and the naturalistic planting of Dutch garden designer Piet Oudolf. It combines factual photos with artworks, and roams from floral tile panels from 17th Century Persia to a Chinese garden inspired by a video game, and from vast landscapes to hand tools. The two wall displays of the taxonomy of tools will add to the dwell time of any visitors who actually garden or grow. Biome’s Garden installation But for those after interaction, Dundee-based creative studio Biome Collective has created Garden, a video game that allows players to create a virtual musical garden. They’re also behind the Pollinator Pathway digital tool that creates a planting design tailored for the maximum benefit of pollinating insects. And then there’s the smell trail – little wooden boxes whose lids lift to give off a specific scent, such as a cypress tree. The image of Prospect, Derek Jarman’s Dungeness house and garden, might feel over-familiar to some. Likewise architect Stefano Boeri’s Bosco Verticale, the residential skyscraper covered in greenery in Milan – but an exhibition like this has to cater to all knowledge levels. Stefano Boeri’s Bosco Verticale Specific V&A Dundee content includes Seeds of Scotland in the Highlands, which produces resilient seeds. The company’s utilitarian packaging sits alongside photos of vegetables and the seeds themselves – another stop to linger for any growers in the audience. There’s also Oban’s Seaweed Gardens, a community-led project, and the garden designed by Arabella Lennox-Boyd for cancer patients at Maggie’s Centre, Dundee. On a smaller scale, there are origami-inspired self-watering plant pots made from marine waste, the brainchild of Glasgow-based company POTR. And when it comes to Dundee’s own garden future, things could be looking up. The Eden Project has a scheme to transform a defunct gasholder into a vast glasshouse. It’s got planning permission, and the 2025 model of architecture firm Feilden Clegg Bradley Studios brings the £130million idea to life. POTR’s self-watering plant pots There’s something counter-intuitive about going indoors to experience gardens. But this isn’t the only show tackling that problem. Gardens and gardening are having a moment. The exhibition Soil, which explored soil’s vital role in our planet’s future, finished at London’s Somerset House in April, getting 50,000 visitors in three months. Now Garden Futures is off the ground, V&A Dundee will be thinking about how to spend the £2.6million of government funding which was confirmed in February. The plan is to improve the permanent Scottish galleries. The museum’s director, Leonie Bell says there’s demand for them to be bigger. Her ideas so far include expanding the time frame to go as far back as Skara Brae, the prehistoric village on Orkney, and to explore Scotland’s influence on global design, for example in fashion. Exhibition designers, watch this space. Garden Futures at the V&A. Photo by Grant Anderson. Arabella Lennox-Boyd’s garden for Maggie’s Centre, Dundee.

This has been a great spring season for testing portable power stations here in Upstate New York. The storms have been frequent, and many have caused power outages that last anywhere from a few hours up to most of a day. In fact, the power is out as I’m writing this. But my laptop, router, and various other home devices are drawing power from the Bluetti Apex 300, which starts at $900 when bundled with the B300K expansion battery (tax and shipping included) on Indiegogo right now. Bluetti built this rig as more than a box of batteries, with a number of clever features and a few industry firsts that make it stand out from an increasingly crowded field. I have spent the past few weeks testing it out during blackouts, campouts, and even a community event in the park, where it allowed a DJ to kick out jams for several hours without having to run a half-mile of extension cords. Bluetti Apex 300 Portable Power Station The built-in display keeps tabs on performance and remaining capacity. This was after several days of sporadic use. Stan Horaczek What is the Bluetti Apex 300? Bluetti built the Apex 300 as a modular system that’s expandable to fit a variety of needs. Out of the box, it works like a typical portable power station with a 2,764.8Wh of storage capacity and six AC outlets. But the system is scalable into a full-fledged power system for home backup or RV living/van-life. You can daisy chain together up to three units and a total of 18 B300K batteries for a total of 11,520W output and 58,000Wh capacity. That’s enough juice and oomph to power a typical house off the grid for an entire week. Bluetti Apex 300 key features Sturdy covers protect outlets when not in use. Stan Horaczek Expandable capacity up to 58,000Wh of capacity and 11,520W, enough to run a typical house for a week Dual 120/240 voltage for maximum versatility Works as an uninterruptible power supply with a 0ms turnover to keep crucial devices running during a blackout with the industry’s highest pass-through rate Offers a DIY solution for hooking up to your home’s main panel Companion app reacts to extreme weather alerts and changes charging patterns to ensure batteries are topped off in case of an outage Tightly integrates with installed solar panels to provide energy savings Industry first 4,000W PV voltage regulator allows for high-speed solar charging—charging takes just 1.9 hours at top speed Super versatile charging for RV life. Works with RV park chargers, EV chargers, alternators, and solar Battery life is good for roughly 6,000 charges before reaching 80 percent capacity—that’s 17 years of regular use Bluetti Apex 300 as a portable power station The sturdy handles make the Apex 300 easy to lug around. Stan Horaczek You don’t have to build an entire infrastructure around the Apex 300. On its own, it provides 2,764.8Wh of power storage, which is plenty for camping trips or as an emergency backup to keep essential devices up and running. The cells inside are second-generation LiFePO₄ cells. Bluetti suggests the cells will last for 6,000 charges while maintaining 80 percent of their original capacity. I obviously haven’t been able to test that, as it represents roughly 17 years of typical use. But these are the latest and greatest in the technology that has replaced typical lithium-ion batteries across this industry.The unit itself fits easily into a typical car trunk, including our very basic 2016 Honda Civic. Carrying it is a lot like carrying a stocked cooler around the house, job site, or camp. I brought this specific model to a neighborhood event in a local park. The DJ easily stashed it under his table and drew power for his setup and speakers for several hours. Every port has rugged rubber covers over it to prevent crud and moisture from getting in during transport. A pair of burly handles makes it relatively easy to lug around, though it isn’t light. If you plan to move it around frequently, Bluetti offers a dedicated cart designed to make it easy to lug. Built-in wireless connectivity allows a companion app to monitor and control the Apex 300’s status and performance. The app makes the synchronization process simple, and it took me less than 10 minutes from removing it from the box to having everything all set up. Bluetti Apex 300 as home backup The B300K expansion battery easily attaches to add power storage. It also provides a sturdy base for the Apex 300. Stan Horaczek An old school home backup generator sat waiting for the power to go off before kicking in and turning on. That meant losing power to crucial devices like computers and CPAP machines. When installed in the home, the Bluetti Apex 300 acts as an uninterruptible power supply (UPS) with a 0ms delay and 50A, 12,000W pass-through. That sounds complicated, but it essentially means that power runs through the Bluetti system before going into your home and, as a result, it can keep power flowing constantly, even if the grid goes down. There’s functionally no delay. While other systems operate as UPS devices, the 50-amp, 12,000-watt capacity really sets the Apex 300 apart. That’s enough juice for electric vehicle charging, something no other similar device can currently claim. It’s relatively simple to connect the Apex 300 via an inlet box or even a generator expansion port for people trying to have several layers of protection. It’s full power unlocks, however, when it’s integrated into a home solar setup. It charges super efficiently, thanks to a 500V/4,000W PV voltage regulator, which Bluetti claims can help pay for the entire Apex 300 system in as little as two years with the resulting energy savings.The short, robust connection makes for the most efficient possible energy transfer. Stan Horaczek In order to max out capacity, the Apex 300 requires daisy-chaining several Apex 300 main units and extra batteries together. When you’re using three Apex 300s in parallel, it offers 30,720W solar input, which makes it “the world’s largest solar-powered micro energy storage system” according to Bluetti. Bluetti Apex 300 for RVs and off-grid camps These are the high-powered AC outputs that make it uniquely useful for RV and off-grid users. Stan Horaczek While there are four typical AC outlets on the front of the Apex 300, there are also two more robust AC outlets (NEMA TT-30R and NEMA 14-50R output ports) on the side that allow for easy RV and off-grid integration. You won’t typically find these RV-centered ports together on a single battery backup system. Those connections allow for high-powered usage, which is crucial if you want to run high-draw appliances like washing machines, tools, or air conditioners. A simple switch on the front allows users to swap between 120V and 240V charging. Plus, it’s simple to build the Apex 300 and its expansion batteries directly into an RV for an integrated power solution. When it comes to charging the Apex 300 on the road, there are tons of options. It can charge via solar, RV park chargers, from the vehicle’s alternator when installed directly in the RV, and even from an EV charger on the road. For off-grid living, the 7,680W surge output rating is crucial for running high-draw devices like power tools, which can sometimes overload systems with less capacity. Bluetti Apex 300 availability A set of heat mats plugged into the main AC outlet is drawing more than 600 watts of power at once with no issue. Stan Horaczek The Apex 300 solar generator starts at $900 when bundled with the B300K expansion battery (tax and shipping included) on Indiegogo. It’s in-stock and ready to ship. Installment plans and additional early-bird perks are also available during limited-time offers until the campaign ends July 19. Because the system is modular, you can start with a base unit and then add B300K expansion batteries down the line as you need more capacity.