• Artists are using a white-hot AI report as a weapon against Meta

    Protesters march on Meta after the company was caught using pirated books for AI training.
    Credit: Vuk Valcic/SOPA Images/LightRocket via Getty Images

    Plaintiffs in the landmark Kadrey v. Meta case have already submitted the U.S. Copyright Office's controversial AI report as evidence in their copyright infringement suit against the tech giant. Last Friday, the Copyright Office quietly released a "pre-publication version" of its views on the use of copyrighted works to train generative AI models. The consequential report contained bad news for AI companies hoping to claim the fair use legal doctrine as a defense in court. Less than a day after the report was published, Shira Perlmutter, the head of the Copyright Office, was fired by President Donald Trump. It's still unclear exactly why Perlmutter was fired, but the move alarmed some copyright lawyers, as Mashable previously reported.

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    And on May 12, the plaintiffs in Kadrey v Meta, which includes artists and authors such as Junot Diaz, Sarah Silverman, and Ta-Nehisi Coates, submitted the report as an exhibit in their class action lawsuit. What's in the U.S. Copyright Office's AI report?The Office's report was the conclusion of a three-part investigation into copyright law and artificial intelligence, which it calls uncharted legal territory. The "Copyright and Artificial Intelligence Part 3: Generative AI Training" report examined exactly the type of legal issues at stake in Kadrey v Meta.While some copyright lawyers and Democratic politicians have speculated the report led to Perlmutter's firing, there are other possible explanations. In a blog post, copyright lawyer Aaron Moss said "it’s more likely that the Office raced to release the report before a wave of leadership changes could delay — or derail — its conclusions."The report addressed in detail the four factors of the fair use doctrine. Meta and other AI companies are being sued for using copyrighted works to train their AI models, and Meta in particular has claimed this activity should be protected under fair use.

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    The lengthy 113-page report spends around 50 pages delving into the nuances of fair use, citing historic legal cases that ruled for and against fair use. It doesn't goes as far as making any blanket conclusions, but its analysis generally favors copyright holders over AI companies and their unprecedented stockpiling of data for model training.The Copyright Office's stance on the white hot issue doesn't line up with the wishes of Big Tech titans, who have cozied up to the Trump Administration. In general, President Trump has taken a pro-tech approach to AI regulation. The plaintiffs in the Kadrey v. Meta case are clearly hoping the report could tip the scale in their favor. The lawyers who submitted the report as evidence on Monday didn't explain in detail why it was submitted as a "Statement of Supplemental Authority." The brief simply said, "the Report addresses several key issues discussed in the parties’ respective motions regarding the use of copyrighted works in the development of generative AI systems and application of the fair use doctrine." AI models can harm creative markets, Copyright Office finds

    The controversial AI copyright report could tip the scales for the case against Meta.
    Credit: wildpixel / iStock / Getty Images

    The part of the report that's potentially the most damning for Meta is the Copyright Office's assessment of the fourth factor of fair use, which considers the effects on current or future markets.

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    "The use of pirated collections of copyrighted works to build a training library, or the distribution of such a library to the public, would harm the market for access to those works," said the pre-publication version of the report. The analysis also considers possible market dilution for authors. "If thousands of AI-generated romance novels are put on the market, fewer of the human-authored romance novels that the AI was trained on are likely to be sold. Royalty pools can also be diluted," the report stated. In addition, the plaintiffs have argued that Meta's use of piracy to access the authors' books deprived them of licensing opportunities. For its part, Meta argues that its AI model Llama doesn't compete with the authors' market, and that the model's transformative output makes the fair use argument irrelevant.While the report favors the plaintiffs' argument, we don't know if the judge in the case will agree. And because this is a pre-publication version, it could be edited or even rescinded by a future leader at the Copyright Office.Disclosure: Ziff Davis, Mashable’s parent company, in April filed a lawsuit against OpenAI, alleging it infringed Ziff Davis copyrights in training and operating its AI systems.

    Cecily Mauran
    Tech Reporter

    Cecily is a tech reporter at Mashable who covers AI, Apple, and emerging tech trends. Before getting her master's degree at Columbia Journalism School, she spent several years working with startups and social impact businesses for Unreasonable Group and B Lab. Before that, she co-founded a startup consulting business for emerging entrepreneurial hubs in South America, Europe, and Asia. You can find her on X at @cecily_mauran.
    #artists #are #using #whitehot #report
    Artists are using a white-hot AI report as a weapon against Meta
    Protesters march on Meta after the company was caught using pirated books for AI training. Credit: Vuk Valcic/SOPA Images/LightRocket via Getty Images Plaintiffs in the landmark Kadrey v. Meta case have already submitted the U.S. Copyright Office's controversial AI report as evidence in their copyright infringement suit against the tech giant. Last Friday, the Copyright Office quietly released a "pre-publication version" of its views on the use of copyrighted works to train generative AI models. The consequential report contained bad news for AI companies hoping to claim the fair use legal doctrine as a defense in court. Less than a day after the report was published, Shira Perlmutter, the head of the Copyright Office, was fired by President Donald Trump. It's still unclear exactly why Perlmutter was fired, but the move alarmed some copyright lawyers, as Mashable previously reported. You May Also Like And on May 12, the plaintiffs in Kadrey v Meta, which includes artists and authors such as Junot Diaz, Sarah Silverman, and Ta-Nehisi Coates, submitted the report as an exhibit in their class action lawsuit. What's in the U.S. Copyright Office's AI report?The Office's report was the conclusion of a three-part investigation into copyright law and artificial intelligence, which it calls uncharted legal territory. The "Copyright and Artificial Intelligence Part 3: Generative AI Training" report examined exactly the type of legal issues at stake in Kadrey v Meta.While some copyright lawyers and Democratic politicians have speculated the report led to Perlmutter's firing, there are other possible explanations. In a blog post, copyright lawyer Aaron Moss said "it’s more likely that the Office raced to release the report before a wave of leadership changes could delay — or derail — its conclusions."The report addressed in detail the four factors of the fair use doctrine. Meta and other AI companies are being sued for using copyrighted works to train their AI models, and Meta in particular has claimed this activity should be protected under fair use. Mashable Light Speed Want more out-of-this world tech, space and science stories? Sign up for Mashable's weekly Light Speed newsletter. By clicking Sign Me Up, you confirm you are 16+ and agree to our Terms of Use and Privacy Policy. Thanks for signing up! The lengthy 113-page report spends around 50 pages delving into the nuances of fair use, citing historic legal cases that ruled for and against fair use. It doesn't goes as far as making any blanket conclusions, but its analysis generally favors copyright holders over AI companies and their unprecedented stockpiling of data for model training.The Copyright Office's stance on the white hot issue doesn't line up with the wishes of Big Tech titans, who have cozied up to the Trump Administration. In general, President Trump has taken a pro-tech approach to AI regulation. The plaintiffs in the Kadrey v. Meta case are clearly hoping the report could tip the scale in their favor. The lawyers who submitted the report as evidence on Monday didn't explain in detail why it was submitted as a "Statement of Supplemental Authority." The brief simply said, "the Report addresses several key issues discussed in the parties’ respective motions regarding the use of copyrighted works in the development of generative AI systems and application of the fair use doctrine." AI models can harm creative markets, Copyright Office finds The controversial AI copyright report could tip the scales for the case against Meta. Credit: wildpixel / iStock / Getty Images The part of the report that's potentially the most damning for Meta is the Copyright Office's assessment of the fourth factor of fair use, which considers the effects on current or future markets. Related Stories "The use of pirated collections of copyrighted works to build a training library, or the distribution of such a library to the public, would harm the market for access to those works," said the pre-publication version of the report. The analysis also considers possible market dilution for authors. "If thousands of AI-generated romance novels are put on the market, fewer of the human-authored romance novels that the AI was trained on are likely to be sold. Royalty pools can also be diluted," the report stated. In addition, the plaintiffs have argued that Meta's use of piracy to access the authors' books deprived them of licensing opportunities. For its part, Meta argues that its AI model Llama doesn't compete with the authors' market, and that the model's transformative output makes the fair use argument irrelevant.While the report favors the plaintiffs' argument, we don't know if the judge in the case will agree. And because this is a pre-publication version, it could be edited or even rescinded by a future leader at the Copyright Office.Disclosure: Ziff Davis, Mashable’s parent company, in April filed a lawsuit against OpenAI, alleging it infringed Ziff Davis copyrights in training and operating its AI systems. Cecily Mauran Tech Reporter Cecily is a tech reporter at Mashable who covers AI, Apple, and emerging tech trends. Before getting her master's degree at Columbia Journalism School, she spent several years working with startups and social impact businesses for Unreasonable Group and B Lab. Before that, she co-founded a startup consulting business for emerging entrepreneurial hubs in South America, Europe, and Asia. You can find her on X at @cecily_mauran. #artists #are #using #whitehot #report
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    Artists are using a white-hot AI report as a weapon against Meta
    Protesters march on Meta after the company was caught using pirated books for AI training. Credit: Vuk Valcic/SOPA Images/LightRocket via Getty Images Plaintiffs in the landmark Kadrey v. Meta case have already submitted the U.S. Copyright Office's controversial AI report as evidence in their copyright infringement suit against the tech giant. Last Friday, the Copyright Office quietly released a "pre-publication version" of its views on the use of copyrighted works to train generative AI models. The consequential report contained bad news for AI companies hoping to claim the fair use legal doctrine as a defense in court. Less than a day after the report was published, Shira Perlmutter, the head of the Copyright Office, was fired by President Donald Trump. It's still unclear exactly why Perlmutter was fired, but the move alarmed some copyright lawyers, as Mashable previously reported. You May Also Like And on May 12, the plaintiffs in Kadrey v Meta, which includes artists and authors such as Junot Diaz, Sarah Silverman, and Ta-Nehisi Coates, submitted the report as an exhibit in their class action lawsuit. What's in the U.S. Copyright Office's AI report?The Office's report was the conclusion of a three-part investigation into copyright law and artificial intelligence, which it calls uncharted legal territory. The "Copyright and Artificial Intelligence Part 3: Generative AI Training" report examined exactly the type of legal issues at stake in Kadrey v Meta.While some copyright lawyers and Democratic politicians have speculated the report led to Perlmutter's firing, there are other possible explanations. In a blog post, copyright lawyer Aaron Moss said "it’s more likely that the Office raced to release the report before a wave of leadership changes could delay — or derail — its conclusions."The report addressed in detail the four factors of the fair use doctrine. Meta and other AI companies are being sued for using copyrighted works to train their AI models, and Meta in particular has claimed this activity should be protected under fair use. Mashable Light Speed Want more out-of-this world tech, space and science stories? Sign up for Mashable's weekly Light Speed newsletter. By clicking Sign Me Up, you confirm you are 16+ and agree to our Terms of Use and Privacy Policy. Thanks for signing up! The lengthy 113-page report spends around 50 pages delving into the nuances of fair use, citing historic legal cases that ruled for and against fair use. It doesn't goes as far as making any blanket conclusions, but its analysis generally favors copyright holders over AI companies and their unprecedented stockpiling of data for model training.The Copyright Office's stance on the white hot issue doesn't line up with the wishes of Big Tech titans, who have cozied up to the Trump Administration. In general, President Trump has taken a pro-tech approach to AI regulation. The plaintiffs in the Kadrey v. Meta case are clearly hoping the report could tip the scale in their favor. The lawyers who submitted the report as evidence on Monday didn't explain in detail why it was submitted as a "Statement of Supplemental Authority." The brief simply said, "the Report addresses several key issues discussed in the parties’ respective motions regarding the use of copyrighted works in the development of generative AI systems and application of the fair use doctrine." AI models can harm creative markets, Copyright Office finds The controversial AI copyright report could tip the scales for the case against Meta. Credit: wildpixel / iStock / Getty Images The part of the report that's potentially the most damning for Meta is the Copyright Office's assessment of the fourth factor of fair use, which considers the effects on current or future markets. Related Stories "The use of pirated collections of copyrighted works to build a training library, or the distribution of such a library to the public, would harm the market for access to those works," said the pre-publication version of the report. The analysis also considers possible market dilution for authors. "If thousands of AI-generated romance novels are put on the market, fewer of the human-authored romance novels that the AI was trained on are likely to be sold. Royalty pools can also be diluted," the report stated. In addition, the plaintiffs have argued that Meta's use of piracy to access the authors' books deprived them of licensing opportunities. For its part, Meta argues that its AI model Llama doesn't compete with the authors' market, and that the model's transformative output makes the fair use argument irrelevant.While the report favors the plaintiffs' argument, we don't know if the judge in the case will agree. And because this is a pre-publication version, it could be edited or even rescinded by a future leader at the Copyright Office.Disclosure: Ziff Davis, Mashable’s parent company, in April filed a lawsuit against OpenAI, alleging it infringed Ziff Davis copyrights in training and operating its AI systems. Cecily Mauran Tech Reporter Cecily is a tech reporter at Mashable who covers AI, Apple, and emerging tech trends. Before getting her master's degree at Columbia Journalism School, she spent several years working with startups and social impact businesses for Unreasonable Group and B Lab. Before that, she co-founded a startup consulting business for emerging entrepreneurial hubs in South America, Europe, and Asia. You can find her on X at @cecily_mauran.
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  • Kadre Architects drenches the Compton Community Center in bright colors

    Since founding Kadre Architects in 2022, Nerin Kadribegovic’s firm has garnered a reputation for doing a lot with a little. Case in point: standardized drawing sets for ADUs and an interim housing development wedged between highways. More recently, the Los Angeles practice transformed defunct storefront space in Compton into a social services hub.

    The Compton Community Center opened early this year. It offers case management services to individuals experiencing homelessness.
    Residents can go to the center for document procurement, connections to medical and behavioral health services, applications for vouchers, support for acclimating back to the job market, and other critical social services.
    A double-height vaulted space greets visitors upon entry.HOPICS is the service provider Kadre Architects worked with that now operates the 1,000-square-foot space. The space boasts vaulted ceilings, and bespoke wood creations that climb up the front facade, and hover above the backyard. The interiors are washed in natural light.

    The neo-postmodern architecture pulls from its context. To the community center’s left is a yellow apartment block and, to its right, a church with a pitched roof. The Compton Community Center was painted white and yellow, and the wooden lattice that’s attached to the front facade mimics the church’s slanted profile.
    The center is located between an apartment block and a church.The original storefront space had a modest 10-foot floor-to-ceiling height. After taking the commission, Kadre Architects uncovered concealed attics. The designers opened up the ceiling to create a double-height vaulted space with skylights.

    Asymmetric wooden desks staffed by HOPICS employees greet visitors upon entry. These bits were constructed out of laminated plywood, and mirror the geometric floor patterns. Custom shelving was also made of plywood.
    The interior palette makes generous use of bright white and yellow, a nod to the service provider’s brand colors, the adjoining buildings, and Kadre’s signature color-drenched spaces more broadly.
    The rear parking lot was converted into a courtyard garden and playground for visiting families.Aerial view of the rear courtyard, showing the heavy use of color.The lot Kadre Architects negotiated is long and narrow. The back was transformed into a vibrant, polychromatic courtyard employees and visitors can enjoy. Informal, outdoor meetings with case managers happen there. Playground equipment from a nearby housing project was installed in the courtyard garden for visiting families.
    Trees were planted, and slivers of existing asphalt were cut out and replaced with artificial turf, creating moments of green respite, the designers shared. This softens what was once a parking lot.
    #kadre #architects #drenches #compton #community
    Kadre Architects drenches the Compton Community Center in bright colors
    Since founding Kadre Architects in 2022, Nerin Kadribegovic’s firm has garnered a reputation for doing a lot with a little. Case in point: standardized drawing sets for ADUs and an interim housing development wedged between highways. More recently, the Los Angeles practice transformed defunct storefront space in Compton into a social services hub. The Compton Community Center opened early this year. It offers case management services to individuals experiencing homelessness. Residents can go to the center for document procurement, connections to medical and behavioral health services, applications for vouchers, support for acclimating back to the job market, and other critical social services. A double-height vaulted space greets visitors upon entry.HOPICS is the service provider Kadre Architects worked with that now operates the 1,000-square-foot space. The space boasts vaulted ceilings, and bespoke wood creations that climb up the front facade, and hover above the backyard. The interiors are washed in natural light. The neo-postmodern architecture pulls from its context. To the community center’s left is a yellow apartment block and, to its right, a church with a pitched roof. The Compton Community Center was painted white and yellow, and the wooden lattice that’s attached to the front facade mimics the church’s slanted profile. The center is located between an apartment block and a church.The original storefront space had a modest 10-foot floor-to-ceiling height. After taking the commission, Kadre Architects uncovered concealed attics. The designers opened up the ceiling to create a double-height vaulted space with skylights. Asymmetric wooden desks staffed by HOPICS employees greet visitors upon entry. These bits were constructed out of laminated plywood, and mirror the geometric floor patterns. Custom shelving was also made of plywood. The interior palette makes generous use of bright white and yellow, a nod to the service provider’s brand colors, the adjoining buildings, and Kadre’s signature color-drenched spaces more broadly. The rear parking lot was converted into a courtyard garden and playground for visiting families.Aerial view of the rear courtyard, showing the heavy use of color.The lot Kadre Architects negotiated is long and narrow. The back was transformed into a vibrant, polychromatic courtyard employees and visitors can enjoy. Informal, outdoor meetings with case managers happen there. Playground equipment from a nearby housing project was installed in the courtyard garden for visiting families. Trees were planted, and slivers of existing asphalt were cut out and replaced with artificial turf, creating moments of green respite, the designers shared. This softens what was once a parking lot. #kadre #architects #drenches #compton #community
    WWW.ARCHPAPER.COM
    Kadre Architects drenches the Compton Community Center in bright colors
    Since founding Kadre Architects in 2022, Nerin Kadribegovic’s firm has garnered a reputation for doing a lot with a little. Case in point: standardized drawing sets for ADUs and an interim housing development wedged between highways. More recently, the Los Angeles practice transformed defunct storefront space in Compton into a social services hub. The Compton Community Center opened early this year. It offers case management services to individuals experiencing homelessness. Residents can go to the center for document procurement, connections to medical and behavioral health services, applications for vouchers, support for acclimating back to the job market, and other critical social services. A double-height vaulted space greets visitors upon entry. (Paul Vu) HOPICS is the service provider Kadre Architects worked with that now operates the 1,000-square-foot space. The space boasts vaulted ceilings, and bespoke wood creations that climb up the front facade, and hover above the backyard. The interiors are washed in natural light. The neo-postmodern architecture pulls from its context. To the community center’s left is a yellow apartment block and, to its right, a church with a pitched roof. The Compton Community Center was painted white and yellow, and the wooden lattice that’s attached to the front facade mimics the church’s slanted profile. The center is located between an apartment block and a church. (Paul Vu) The original storefront space had a modest 10-foot floor-to-ceiling height. After taking the commission, Kadre Architects uncovered concealed attics. The designers opened up the ceiling to create a double-height vaulted space with skylights. Asymmetric wooden desks staffed by HOPICS employees greet visitors upon entry. These bits were constructed out of laminated plywood, and mirror the geometric floor patterns. Custom shelving was also made of plywood. The interior palette makes generous use of bright white and yellow, a nod to the service provider’s brand colors, the adjoining buildings, and Kadre’s signature color-drenched spaces more broadly. The rear parking lot was converted into a courtyard garden and playground for visiting families. (Paul Vu) Aerial view of the rear courtyard, showing the heavy use of color. (Paul Vu) The lot Kadre Architects negotiated is long and narrow. The back was transformed into a vibrant, polychromatic courtyard employees and visitors can enjoy. Informal, outdoor meetings with case managers happen there. Playground equipment from a nearby housing project was installed in the courtyard garden for visiting families. Trees were planted, and slivers of existing asphalt were cut out and replaced with artificial turf, creating moments of green respite, the designers shared. This softens what was once a parking lot.
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