• Wield these deals to wield more swords This way to the Super Giant Sword Sale: http://xbx.lv/4kHzpV3

    Wield these deals to wield more swords This way to the Super Giant Sword Sale:
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    Wield these deals to wield more swords ⚔️ This way to the Super Giant Sword Sale: http://xbx.lv/4kHzpV3
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  • Competition: Baghdad Central Station

    An open international ideas contest is being held to rethink Baghdad’s underused main railway stationOpen to architects, students, engineers, planners and designers – the single-stage competition seeks proposals to upgrade and revitalize the landmark 1953 complex which was designed by Scottish architect JM Wilson and originally provided a range of domestic and international services but now only operates one overnight train to Basra.
    The call for ideas – organised by Iraqi architectural awards initiative Tamayouz – aims to generate ideas that celebrate the partially disused station’s heritage while also helping to unlock renewal in the surrounding area. The overall winner will receive the Dewan Award named after a practice in Dubai which sponsors the competition.
    Baghdad Central Station
    Credit: Image by Mondalawy Creative Commons Attribution-Share Alike 4.0 International license
    According to the brief: ‘This is more than a design challenge. It’s an open call to envision how architecture can honour the past while shaping the future. We welcome bold, context-sensitive proposals that balance heritage preservation with civic ambition, and architectural vision with urban integration.
    ‘Participants will have the opportunity to contribute to a meaningful dialogue about the role of public space, mobility, and memory in shaping Baghdad’s urban fabric. Whether working individually or in multidisciplinary teams, entrants are encouraged to explore innovative and inclusive ideas that reconnect this iconic site with the life of the city.’
    The competition focusses on the site of Baghdad Central Station on Qahira Street which opened in 1953 and was renovated in the early 2000s but has now become ‘disconnected from Baghdad’s urban life’ and is considered in a state of decline.
    The station is located in a major development zone a short distance from the Green Zone and the site of the unfinished ‘Grand Saddam Mosque’ which had been earmarked for a new Iraqi parliament designed by Zaha Hadid Architects.
    The brick-built station – which is crowned by a 21-metre turquoise dome framed by two prominent clock towers – is currently severed from the wider city by several large congested roads and suffers from underuse and outdated infrastructure.
    Baghdad Central Station
    Credit: Image by Mondalawy Creative Commons Attribution-Share Alike 4.0 International license
    The call for concepts seeks to reconnect the landmark building with the surrounding city and transform it into a ‘vibrant, functional civic space’ which could accommodate new modes of transport including a planned future metro system and other mobility needs.
    Submissions will be expected to highlight the architectural and cultural value of the station, restore the existing entrance hall and platforms, upgrade the public realm by creating a safe and pedestrian-friendly station forecourt, introduce new small-scale retail and food outlets that support everyday use, and integrate new sustainable and energy efficient technologies.
    Judges will include Wendy Pullan, professor at Cambridge University; Sebastian Hicks from Oxford Brookes University; Jala Makhzoumi, professor of landscape architecture at the American University of Beirut; and Nadia Habash, head of the Palestinian Engineers Association.
    The latest contest is the 13th Dewan Award competition to be organised by Tamayouz which is headquartered in Coventry, England. In 2020, the organisation held a contest to regenerate the post-industrial Dakeer Island in Basra which was won by ADD Architects from Alexandria, Egypt.
    The overall winner, to be announced in November, will receive USD or a half-year paid internship at Dewan Architects and Engineers in Dubai. A second prize of USD and third prize of will also be awarded. The competition language is English.

    How to apply
    Deadline: 1 October

    Fee: from April to 31 May; from 1 June to 31 Aug; from 1 Sep to 29 Sept
    Competition Funding Source: Sponsored by Dewan Architect + Engineers in Dubai
    Project Funding Source: N/A , Ideas competition at this stage
    Owner of Site: Iraqi Republic Railways CompanyVisit the competition website for more information
    #competition #baghdad #central #station
    Competition: Baghdad Central Station
    An open international ideas contest is being held to rethink Baghdad’s underused main railway stationOpen to architects, students, engineers, planners and designers – the single-stage competition seeks proposals to upgrade and revitalize the landmark 1953 complex which was designed by Scottish architect JM Wilson and originally provided a range of domestic and international services but now only operates one overnight train to Basra. The call for ideas – organised by Iraqi architectural awards initiative Tamayouz – aims to generate ideas that celebrate the partially disused station’s heritage while also helping to unlock renewal in the surrounding area. The overall winner will receive the Dewan Award named after a practice in Dubai which sponsors the competition. Baghdad Central Station Credit: Image by Mondalawy Creative Commons Attribution-Share Alike 4.0 International license According to the brief: ‘This is more than a design challenge. It’s an open call to envision how architecture can honour the past while shaping the future. We welcome bold, context-sensitive proposals that balance heritage preservation with civic ambition, and architectural vision with urban integration. ‘Participants will have the opportunity to contribute to a meaningful dialogue about the role of public space, mobility, and memory in shaping Baghdad’s urban fabric. Whether working individually or in multidisciplinary teams, entrants are encouraged to explore innovative and inclusive ideas that reconnect this iconic site with the life of the city.’ The competition focusses on the site of Baghdad Central Station on Qahira Street which opened in 1953 and was renovated in the early 2000s but has now become ‘disconnected from Baghdad’s urban life’ and is considered in a state of decline. The station is located in a major development zone a short distance from the Green Zone and the site of the unfinished ‘Grand Saddam Mosque’ which had been earmarked for a new Iraqi parliament designed by Zaha Hadid Architects. The brick-built station – which is crowned by a 21-metre turquoise dome framed by two prominent clock towers – is currently severed from the wider city by several large congested roads and suffers from underuse and outdated infrastructure. Baghdad Central Station Credit: Image by Mondalawy Creative Commons Attribution-Share Alike 4.0 International license The call for concepts seeks to reconnect the landmark building with the surrounding city and transform it into a ‘vibrant, functional civic space’ which could accommodate new modes of transport including a planned future metro system and other mobility needs. Submissions will be expected to highlight the architectural and cultural value of the station, restore the existing entrance hall and platforms, upgrade the public realm by creating a safe and pedestrian-friendly station forecourt, introduce new small-scale retail and food outlets that support everyday use, and integrate new sustainable and energy efficient technologies. Judges will include Wendy Pullan, professor at Cambridge University; Sebastian Hicks from Oxford Brookes University; Jala Makhzoumi, professor of landscape architecture at the American University of Beirut; and Nadia Habash, head of the Palestinian Engineers Association. The latest contest is the 13th Dewan Award competition to be organised by Tamayouz which is headquartered in Coventry, England. In 2020, the organisation held a contest to regenerate the post-industrial Dakeer Island in Basra which was won by ADD Architects from Alexandria, Egypt. The overall winner, to be announced in November, will receive USD or a half-year paid internship at Dewan Architects and Engineers in Dubai. A second prize of USD and third prize of will also be awarded. The competition language is English. How to apply Deadline: 1 October Fee: from April to 31 May; from 1 June to 31 Aug; from 1 Sep to 29 Sept Competition Funding Source: Sponsored by Dewan Architect + Engineers in Dubai Project Funding Source: N/A , Ideas competition at this stage Owner of Site: Iraqi Republic Railways CompanyVisit the competition website for more information #competition #baghdad #central #station
    WWW.ARCHITECTURAL-REVIEW.COM
    Competition: Baghdad Central Station
    An open international ideas contest is being held to rethink Baghdad’s underused main railway station (Deadline: 1 October) Open to architects, students, engineers, planners and designers – the single-stage competition seeks proposals to upgrade and revitalize the landmark 1953 complex which was designed by Scottish architect JM Wilson and originally provided a range of domestic and international services but now only operates one overnight train to Basra. The call for ideas – organised by Iraqi architectural awards initiative Tamayouz – aims to generate ideas that celebrate the partially disused station’s heritage while also helping to unlock renewal in the surrounding area. The overall winner will receive the Dewan Award named after a practice in Dubai which sponsors the competition. Baghdad Central Station Credit: Image by Mondalawy Creative Commons Attribution-Share Alike 4.0 International license According to the brief: ‘This is more than a design challenge. It’s an open call to envision how architecture can honour the past while shaping the future. We welcome bold, context-sensitive proposals that balance heritage preservation with civic ambition, and architectural vision with urban integration. ‘Participants will have the opportunity to contribute to a meaningful dialogue about the role of public space, mobility, and memory in shaping Baghdad’s urban fabric. Whether working individually or in multidisciplinary teams, entrants are encouraged to explore innovative and inclusive ideas that reconnect this iconic site with the life of the city.’ The competition focusses on the site of Baghdad Central Station on Qahira Street which opened in 1953 and was renovated in the early 2000s but has now become ‘disconnected from Baghdad’s urban life’ and is considered in a state of decline. The station is located in a major development zone a short distance from the Green Zone and the site of the unfinished ‘Grand Saddam Mosque’ which had been earmarked for a new Iraqi parliament designed by Zaha Hadid Architects. The brick-built station – which is crowned by a 21-metre turquoise dome framed by two prominent clock towers – is currently severed from the wider city by several large congested roads and suffers from underuse and outdated infrastructure. Baghdad Central Station Credit: Image by Mondalawy Creative Commons Attribution-Share Alike 4.0 International license The call for concepts seeks to reconnect the landmark building with the surrounding city and transform it into a ‘vibrant, functional civic space’ which could accommodate new modes of transport including a planned future metro system and other mobility needs. Submissions will be expected to highlight the architectural and cultural value of the station, restore the existing entrance hall and platforms, upgrade the public realm by creating a safe and pedestrian-friendly station forecourt, introduce new small-scale retail and food outlets that support everyday use, and integrate new sustainable and energy efficient technologies. Judges will include Wendy Pullan, professor at Cambridge University; Sebastian Hicks from Oxford Brookes University; Jala Makhzoumi, professor of landscape architecture at the American University of Beirut; and Nadia Habash, head of the Palestinian Engineers Association. The latest contest is the 13th Dewan Award competition to be organised by Tamayouz which is headquartered in Coventry, England. In 2020, the organisation held a contest to regenerate the post-industrial Dakeer Island in Basra which was won by ADD Architects from Alexandria, Egypt. The overall winner, to be announced in November, will receive USD $6,000 or a half-year paid internship at Dewan Architects and Engineers in Dubai. A second prize of USD $3,000 and third prize of $1,000 will also be awarded. The competition language is English. How to apply Deadline: 1 October Fee: $75 from April to 31 May; $90 from 1 June to 31 Aug; $100 from 1 Sep to 29 Sept Competition Funding Source: Sponsored by Dewan Architect + Engineers in Dubai Project Funding Source: N/A , Ideas competition at this stage Owner of Site(s): Iraqi Republic Railways CompanyVisit the competition website for more information
    14 Σχόλια 0 Μοιράστηκε
  • Bowers & Wilkins Px7 S3 review: Great sounding headphones at a good price

    Macworld

    At a glanceExpert's Rating

    Pros

     Excellent sound quality

     Competitive price

     Impressive battery life

    Cons

    Noise-cancellation could be stronger

    No spatial audio or Dolby Atmos

    Our Verdict
    The noise-cancellation could be a little more effective, but the Px7 S3 provides hi-fi sound quality, along with impressive 30-hour battery life at a much more competitive price than most of its high-end rivals.

    Price When Reviewed
    This value will show the geolocated pricing text for product undefined

    Best Pricing Today

    Apple made some welcome updates to the AirPods Max in April 2025, finally bringing itsoverpriced headphones into the era of high-res audio at long last. In the meanwhile, the Hi-Fi experts at Bowers & Wilkins have released the fourth-generation update for their over-ear Px7 headphones, which now come with the slightly ungainly title of the Px7 S3.

    The U.S. price of the S3 was up in the air because of that little kerfuffle with a worldwide trade war, but the U.K. price was £399 when they went on sale in the U.K. in May, and as of June 2025, you can now buy them on Amazon U.S. for The S3 provides a serious rival to both the AirPods Max and B&W’s own flagship Px8.

    Unsurprisingly, the Px7 S3 looks quite similar to its predecessors, with the sleek lines and minimalist chic that is the trademark of B&W’s headphone range, along with a variety of tasteful pastel shades that you can choose from.

    The S3 is even more minimalist than usual, though, as B&W has managed to reduce the thickness of the earpieces for this new model, and has also reduced the weight to just 300g – compared to 386g for the AirPods Max.

    The earpieces are also padded with memory foam, so the S3 should be light and comfortable enough to wear for long periods of time – and for long journeys too, as it offers an impressive 30 hours of battery life even when using noise-cancellation.

    The Px7 S3 can work in both wired and wireless modes, supporting Bluetooth 5.3 and the AAC codec for Apple devices, as well as aptX Adaptive and aptX Lossless for our Android friends. There’s no spatial audio at the moment, although B&W has said that it’s developing its own form of spatial audio that will be available via a software update in coming months.

    The PX range had the ability to use USB-C for charging and wired audio years before Apple added that ability to the AirPods Max, and the USB-C port of the Px7 S3 now supports high-res audio formats up to 24-bit/96KHz – slightly higher than the 24-bit/48KHz of the AirPods Max – so it can handle most of the high-res tracks available on Apple Music.

    There’s a USB-C cable included, along with a 3.5mm audio cable too, so you can use the wired connection with most computers and mobile devices, and there’s a hard-shell carrying case thrown in for good measure as well.

    Sound quality is excellent, and the Px7 S3 copes admirably with the heady cocktail of sounds on Ricky Martin’s She Bangs, streamed from Apple Music on my iPad Air. There’s a lot going on in this track with drums and percussion, guitars, horns and tinkling piano all competing for attention, but the Px7 S3 is able to make space so that each instrument remains clear and distinct. It shows a light touch on the rattling percussion that bounces all over the place, and there’s an infectious energy as the horns blare out while Ricky yells – “she looks like a flower, but she stings like a bee!”.

    The Px7 S3 can handle more delicate sounds too. A recent re-watch of The Last Of Usprompts me to go back to Max Richter’s sublime On The Nature Of Daylight. The cellos open the piece with a gentle, winding melody, but the tone of the strings is so sad and mournful that it’s an instant tear-jerker. The sharper tone of the violins and viola adds to the bittersweet mood, and the Px7 S3 creates a sense of space that allows the different strings to float gracefully through the air and weave a delicate dance around each other.

    The Px7 S3 is a winner on sound quality and value for money, but one area where more expensive rivals such as the AirPods Max and Bose QC Ultra do still have an edge is the effectiveness of their noise-cancellation features. The Px7 S3 does a good job at blocking low-frequency sounds, such as the drone of an aircraft engine, but higher frequencies, such as the chatter of voices in a busy airport, do still leak through a little.

    Should you buy the B&W Px7 S3?

    If you’re obsessive about noise-cancellation then there are more expensive headphones that can block out background noise more effectively. However, the excellent sound quality and impressive battery life of the Px7 S3, make it a great option for anyone that wants a really high-quality set of headphones at a competitive price.

    We have looked at a number of AirPods Max competitors, see our round up of the Best over-ear headphones.
    #bowers #ampamp #wilkins #px7 #review
    Bowers & Wilkins Px7 S3 review: Great sounding headphones at a good price
    Macworld At a glanceExpert's Rating Pros  Excellent sound quality  Competitive price  Impressive battery life Cons Noise-cancellation could be stronger No spatial audio or Dolby Atmos Our Verdict The noise-cancellation could be a little more effective, but the Px7 S3 provides hi-fi sound quality, along with impressive 30-hour battery life at a much more competitive price than most of its high-end rivals. Price When Reviewed This value will show the geolocated pricing text for product undefined Best Pricing Today Apple made some welcome updates to the AirPods Max in April 2025, finally bringing itsoverpriced headphones into the era of high-res audio at long last. In the meanwhile, the Hi-Fi experts at Bowers & Wilkins have released the fourth-generation update for their over-ear Px7 headphones, which now come with the slightly ungainly title of the Px7 S3. The U.S. price of the S3 was up in the air because of that little kerfuffle with a worldwide trade war, but the U.K. price was £399 when they went on sale in the U.K. in May, and as of June 2025, you can now buy them on Amazon U.S. for The S3 provides a serious rival to both the AirPods Max and B&W’s own flagship Px8. Unsurprisingly, the Px7 S3 looks quite similar to its predecessors, with the sleek lines and minimalist chic that is the trademark of B&W’s headphone range, along with a variety of tasteful pastel shades that you can choose from. The S3 is even more minimalist than usual, though, as B&W has managed to reduce the thickness of the earpieces for this new model, and has also reduced the weight to just 300g – compared to 386g for the AirPods Max. The earpieces are also padded with memory foam, so the S3 should be light and comfortable enough to wear for long periods of time – and for long journeys too, as it offers an impressive 30 hours of battery life even when using noise-cancellation. The Px7 S3 can work in both wired and wireless modes, supporting Bluetooth 5.3 and the AAC codec for Apple devices, as well as aptX Adaptive and aptX Lossless for our Android friends. There’s no spatial audio at the moment, although B&W has said that it’s developing its own form of spatial audio that will be available via a software update in coming months. The PX range had the ability to use USB-C for charging and wired audio years before Apple added that ability to the AirPods Max, and the USB-C port of the Px7 S3 now supports high-res audio formats up to 24-bit/96KHz – slightly higher than the 24-bit/48KHz of the AirPods Max – so it can handle most of the high-res tracks available on Apple Music. There’s a USB-C cable included, along with a 3.5mm audio cable too, so you can use the wired connection with most computers and mobile devices, and there’s a hard-shell carrying case thrown in for good measure as well. Sound quality is excellent, and the Px7 S3 copes admirably with the heady cocktail of sounds on Ricky Martin’s She Bangs, streamed from Apple Music on my iPad Air. There’s a lot going on in this track with drums and percussion, guitars, horns and tinkling piano all competing for attention, but the Px7 S3 is able to make space so that each instrument remains clear and distinct. It shows a light touch on the rattling percussion that bounces all over the place, and there’s an infectious energy as the horns blare out while Ricky yells – “she looks like a flower, but she stings like a bee!”. The Px7 S3 can handle more delicate sounds too. A recent re-watch of The Last Of Usprompts me to go back to Max Richter’s sublime On The Nature Of Daylight. The cellos open the piece with a gentle, winding melody, but the tone of the strings is so sad and mournful that it’s an instant tear-jerker. The sharper tone of the violins and viola adds to the bittersweet mood, and the Px7 S3 creates a sense of space that allows the different strings to float gracefully through the air and weave a delicate dance around each other. The Px7 S3 is a winner on sound quality and value for money, but one area where more expensive rivals such as the AirPods Max and Bose QC Ultra do still have an edge is the effectiveness of their noise-cancellation features. The Px7 S3 does a good job at blocking low-frequency sounds, such as the drone of an aircraft engine, but higher frequencies, such as the chatter of voices in a busy airport, do still leak through a little. Should you buy the B&W Px7 S3? If you’re obsessive about noise-cancellation then there are more expensive headphones that can block out background noise more effectively. However, the excellent sound quality and impressive battery life of the Px7 S3, make it a great option for anyone that wants a really high-quality set of headphones at a competitive price. We have looked at a number of AirPods Max competitors, see our round up of the Best over-ear headphones. #bowers #ampamp #wilkins #px7 #review
    WWW.MACWORLD.COM
    Bowers & Wilkins Px7 S3 review: Great sounding headphones at a good price
    Macworld At a glanceExpert's Rating Pros  Excellent sound quality  Competitive price  Impressive battery life Cons Noise-cancellation could be stronger No spatial audio or Dolby Atmos Our Verdict The noise-cancellation could be a little more effective, but the Px7 S3 provides hi-fi sound quality, along with impressive 30-hour battery life at a much more competitive price than most of its high-end rivals. Price When Reviewed This value will show the geolocated pricing text for product undefined Best Pricing Today Apple made some welcome updates to the AirPods Max in April 2025, finally bringing its (still) overpriced headphones into the era of high-res audio at long last. In the meanwhile, the Hi-Fi experts at Bowers & Wilkins have released the fourth-generation update for their over-ear Px7 headphones, which now come with the slightly ungainly title of the Px7 S3. The U.S. price of the S3 was up in the air because of that little kerfuffle with a worldwide trade war, but the U.K. price was £399 when they went on sale in the U.K. in May, and as of June 2025, you can now buy them on Amazon U.S. for $449. The S3 provides a serious rival to both the AirPods Max and B&W’s own flagship Px8. Unsurprisingly, the Px7 S3 looks quite similar to its predecessors, with the sleek lines and minimalist chic that is the trademark of B&W’s headphone range, along with a variety of tasteful pastel shades that you can choose from. The S3 is even more minimalist than usual, though, as B&W has managed to reduce the thickness of the earpieces for this new model, and has also reduced the weight to just 300g – compared to 386g for the AirPods Max. The earpieces are also padded with memory foam, so the S3 should be light and comfortable enough to wear for long periods of time – and for long journeys too, as it offers an impressive 30 hours of battery life even when using noise-cancellation. The Px7 S3 can work in both wired and wireless modes, supporting Bluetooth 5.3 and the AAC codec for Apple devices, as well as aptX Adaptive and aptX Lossless for our Android friends. There’s no spatial audio at the moment, although B&W has said that it’s developing its own form of spatial audio that will be available via a software update in coming months. The PX range had the ability to use USB-C for charging and wired audio years before Apple added that ability to the AirPods Max, and the USB-C port of the Px7 S3 now supports high-res audio formats up to 24-bit/96KHz – slightly higher than the 24-bit/48KHz of the AirPods Max – so it can handle most of the high-res tracks available on Apple Music. There’s a USB-C cable included, along with a 3.5mm audio cable too, so you can use the wired connection with most computers and mobile devices, and there’s a hard-shell carrying case thrown in for good measure as well. Sound quality is excellent, and the Px7 S3 copes admirably with the heady cocktail of sounds on Ricky Martin’s She Bangs, streamed from Apple Music on my iPad Air. There’s a lot going on in this track with drums and percussion, guitars, horns and tinkling piano all competing for attention, but the Px7 S3 is able to make space so that each instrument remains clear and distinct. It shows a light touch on the rattling percussion that bounces all over the place, and there’s an infectious energy as the horns blare out while Ricky yells – “she looks like a flower, but she stings like a bee!”. The Px7 S3 can handle more delicate sounds too. A recent re-watch of The Last Of Us (episode 3) prompts me to go back to Max Richter’s sublime On The Nature Of Daylight. The cellos open the piece with a gentle, winding melody, but the tone of the strings is so sad and mournful that it’s an instant tear-jerker. The sharper tone of the violins and viola adds to the bittersweet mood, and the Px7 S3 creates a sense of space that allows the different strings to float gracefully through the air and weave a delicate dance around each other. The Px7 S3 is a winner on sound quality and value for money, but one area where more expensive rivals such as the AirPods Max and Bose QC Ultra do still have an edge is the effectiveness of their noise-cancellation features. The Px7 S3 does a good job at blocking low-frequency sounds, such as the drone of an aircraft engine, but higher frequencies, such as the chatter of voices in a busy airport, do still leak through a little. Should you buy the B&W Px7 S3? If you’re obsessive about noise-cancellation then there are more expensive headphones that can block out background noise more effectively. However, the excellent sound quality and impressive battery life of the Px7 S3, make it a great option for anyone that wants a really high-quality set of headphones at a competitive price. We have looked at a number of AirPods Max competitors, see our round up of the Best over-ear headphones.
    0 Σχόλια 0 Μοιράστηκε
  • Apple Music vs. Spotify: Which Streaming Music Platform Reigns Supreme?

    Apple Music4.5 ExcellentBottom LineApple Music’s radio stations, curated playlists, lossless playback, Dolby Atmos support, and excellent music-related content make it one of the best streaming audio services.US Street PriceLearn MoreApple Music ReviewVSSpotify4.5 ExcellentBottom LineSpotify leads the streaming music pack with its deep music well, countless podcasts, early album access, collaborative playlists, and AI-powered curation.US Street PriceLearn MoreSpotify ReviewPlans and PricesApple Music's Individual planand Family plancost slightly less than Spotify's equivalent tiers. Both services offer a discounted Student rate for per month. These premium packages lack ads and offer unlimited skips per hour. You'll enjoy offline playback on mobile, too. That's where the price similarities end.Spotify has a Duo packageaimed at couples that saves a few bucks if you don't need a full Family plan. Don't want to spend any money on streaming music? Check out the ad-supported Spotify Free, which limits your skips per hour and only lets you listen to shuffled songs—you can't play tracks on demand.Apple Music, on the other hand, lacks a free tier. It's a subscription or bust. However, you get a free three-month trial upon purchasing AirPods, an iPhone, or another eligible Apple hardware.If free sounds good, Spotify is a worthwhile choice. If an ad-free subscription with a lower price than Spotify's premium offerings is more your speed, go with Apple Music. Winner: TieContent: Music, Video, Podcasts, and AudiobooksApple Music and Spotify have more than 100 million songs on their platforms, plus many playlists and videos. That means no matter the service you select, you'll have a lifetime's worth of tunes. So, it's the other content that may sway you in one direction or the other.Apple Music offers live radio, which Spotify lacks. That includes local stations and six dedicated Apple stations. However, Spotify trounces Apple Music with nearly seven million podcasts and 250,000 audiobooks. Those are huge numbers. Apple Music features just two million podcasts and zero audiobooks. Simply put, Spotify has more entertainment variety.Winner: SpotifyMusic DiscoveryAny streaming music service worth its salt must have a good search engine and recommendation system. Spotify is the older and more experimental of the two platforms, giving you many ways to find content. For example, its For You page has a fantastic, easy-to-read layout that displays playlists and recently played albums. Scrolling up or down spotlights the latest releases from your favorite artists and related music acts.Recommended by Our EditorsSpotify's algorithms auto-generate playlists based on your listening preferences. For example, the Discover Weekly playlist is a cool, weekly mixtape of new music and deep cuts catered to your listening preferences. In addition, AI playlists are a cutting-edge feature that Spotify is exploring. Although still in beta, it lets you generate playlists via text prompts and even emoji. It’s a fantastic way to discover new music if you’re in an adventurous mood. However, if you're more of a hands-off listener, fire up Spotify's AI-powered disc jockey, DJ X, who queues your favorite tracks and adds new ones for variety. Of course, Spotify has curated playlists that cover a wide gamut of musical genres. Like Spotify, Apple Music's Home tab gives you quick access to new and familiar songs. The service also lets you create Stations, which are essentially endless queues of music based on whatever you’re listening to at the moment. Apple Music's Discovery Station is similar to Spotify's Discover Weekly playlist, as it features a music queue based on your listening habits. Apple Music features many curated playlists across different genres, just like Spotify.Both services have a search-by-lyric feature. So, if you can't quite remember a song title but you remember the hook, you can use those words to prompt a search. For example, type, "I said, 'Hey what’s going on,'" into the search box and you'll get results for the song "What’s Up?" by 4 Non Blondes. Apple Music's discovery and recommendation systems are good, but Spotify's AI-powered DJ and playlists top them.Winner: SpotifyMusic Streaming QualitySpotify supports audio streams of up to 320kbps. The audio is serviceable for casual listening and could potentially save you money due to its lower data usage compared with Apple Music. That said, Apple Music has better quality audio, no question. Apple Music streams range between 16-bit/44.1 kHzand lossless 24-bit/192kHz audio files, which is crisp, high-definition audio. The service also supports spatial audio with Dolby Atmos. Not every track supports it, but many do. Apple even provides extensive playlists with music that takes advantage of this audiophile-centric format. Keep in mind that this audio disparity may not affect your day-to-day listening experience, depending on how you consume music. This is especially true if you listen via Bluetooth headphones. Bluetooth streaming comes with audio compression and bandwidth limitations, so you won't enjoy the depth and richness Apple Music delivers. Wired connections are a different story. So, audiophiles with high-quality headphones may pick up Apple Music's sonic superiority.Winner: Apple Music
    #apple #music #spotify #which #streaming
    Apple Music vs. Spotify: Which Streaming Music Platform Reigns Supreme?
    Apple Music4.5 ExcellentBottom LineApple Music’s radio stations, curated playlists, lossless playback, Dolby Atmos support, and excellent music-related content make it one of the best streaming audio services.US Street PriceLearn MoreApple Music ReviewVSSpotify4.5 ExcellentBottom LineSpotify leads the streaming music pack with its deep music well, countless podcasts, early album access, collaborative playlists, and AI-powered curation.US Street PriceLearn MoreSpotify ReviewPlans and PricesApple Music's Individual planand Family plancost slightly less than Spotify's equivalent tiers. Both services offer a discounted Student rate for per month. These premium packages lack ads and offer unlimited skips per hour. You'll enjoy offline playback on mobile, too. That's where the price similarities end.Spotify has a Duo packageaimed at couples that saves a few bucks if you don't need a full Family plan. Don't want to spend any money on streaming music? Check out the ad-supported Spotify Free, which limits your skips per hour and only lets you listen to shuffled songs—you can't play tracks on demand.Apple Music, on the other hand, lacks a free tier. It's a subscription or bust. However, you get a free three-month trial upon purchasing AirPods, an iPhone, or another eligible Apple hardware.If free sounds good, Spotify is a worthwhile choice. If an ad-free subscription with a lower price than Spotify's premium offerings is more your speed, go with Apple Music. Winner: TieContent: Music, Video, Podcasts, and AudiobooksApple Music and Spotify have more than 100 million songs on their platforms, plus many playlists and videos. That means no matter the service you select, you'll have a lifetime's worth of tunes. So, it's the other content that may sway you in one direction or the other.Apple Music offers live radio, which Spotify lacks. That includes local stations and six dedicated Apple stations. However, Spotify trounces Apple Music with nearly seven million podcasts and 250,000 audiobooks. Those are huge numbers. Apple Music features just two million podcasts and zero audiobooks. Simply put, Spotify has more entertainment variety.Winner: SpotifyMusic DiscoveryAny streaming music service worth its salt must have a good search engine and recommendation system. Spotify is the older and more experimental of the two platforms, giving you many ways to find content. For example, its For You page has a fantastic, easy-to-read layout that displays playlists and recently played albums. Scrolling up or down spotlights the latest releases from your favorite artists and related music acts.Recommended by Our EditorsSpotify's algorithms auto-generate playlists based on your listening preferences. For example, the Discover Weekly playlist is a cool, weekly mixtape of new music and deep cuts catered to your listening preferences. In addition, AI playlists are a cutting-edge feature that Spotify is exploring. Although still in beta, it lets you generate playlists via text prompts and even emoji. It’s a fantastic way to discover new music if you’re in an adventurous mood. However, if you're more of a hands-off listener, fire up Spotify's AI-powered disc jockey, DJ X, who queues your favorite tracks and adds new ones for variety. Of course, Spotify has curated playlists that cover a wide gamut of musical genres. Like Spotify, Apple Music's Home tab gives you quick access to new and familiar songs. The service also lets you create Stations, which are essentially endless queues of music based on whatever you’re listening to at the moment. Apple Music's Discovery Station is similar to Spotify's Discover Weekly playlist, as it features a music queue based on your listening habits. Apple Music features many curated playlists across different genres, just like Spotify.Both services have a search-by-lyric feature. So, if you can't quite remember a song title but you remember the hook, you can use those words to prompt a search. For example, type, "I said, 'Hey what’s going on,'" into the search box and you'll get results for the song "What’s Up?" by 4 Non Blondes. Apple Music's discovery and recommendation systems are good, but Spotify's AI-powered DJ and playlists top them.Winner: SpotifyMusic Streaming QualitySpotify supports audio streams of up to 320kbps. The audio is serviceable for casual listening and could potentially save you money due to its lower data usage compared with Apple Music. That said, Apple Music has better quality audio, no question. Apple Music streams range between 16-bit/44.1 kHzand lossless 24-bit/192kHz audio files, which is crisp, high-definition audio. The service also supports spatial audio with Dolby Atmos. Not every track supports it, but many do. Apple even provides extensive playlists with music that takes advantage of this audiophile-centric format. Keep in mind that this audio disparity may not affect your day-to-day listening experience, depending on how you consume music. This is especially true if you listen via Bluetooth headphones. Bluetooth streaming comes with audio compression and bandwidth limitations, so you won't enjoy the depth and richness Apple Music delivers. Wired connections are a different story. So, audiophiles with high-quality headphones may pick up Apple Music's sonic superiority.Winner: Apple Music #apple #music #spotify #which #streaming
    ME.PCMAG.COM
    Apple Music vs. Spotify: Which Streaming Music Platform Reigns Supreme?
    Apple Music (for iPhone)4.5 ExcellentBottom LineApple Music’s radio stations, curated playlists, lossless playback, Dolby Atmos support, and excellent music-related content make it one of the best streaming audio services.US Street Price$10.99Learn MoreApple Music ReviewVSSpotify4.5 ExcellentBottom LineSpotify leads the streaming music pack with its deep music well, countless podcasts, early album access, collaborative playlists, and AI-powered curation.US Street Price$11.99Learn MoreSpotify Review (Credit: Apple/Spotify/PCMag)Plans and PricesApple Music's Individual plan ($10.99 per month) and Family plan ($16.99 per month, covering six people) cost slightly less than Spotify's equivalent tiers ($11.99 and $19.99 per month, respectively). Both services offer a discounted Student rate for $5.99 per month. These premium packages lack ads and offer unlimited skips per hour. You'll enjoy offline playback on mobile, too. That's where the price similarities end.Spotify has a Duo package ($16.99 per month) aimed at couples that saves a few bucks if you don't need a full Family plan. Don't want to spend any money on streaming music? Check out the ad-supported Spotify Free, which limits your skips per hour and only lets you listen to shuffled songs—you can't play tracks on demand.Apple Music, on the other hand, lacks a free tier. It's a subscription or bust. However, you get a free three-month trial upon purchasing AirPods, an iPhone, or another eligible Apple hardware.If free sounds good, Spotify is a worthwhile choice. If an ad-free subscription with a lower price than Spotify's premium offerings is more your speed, go with Apple Music. Winner: Tie(Credit: Apple Music/Spotify/PCMag)Content: Music, Video, Podcasts, and AudiobooksApple Music and Spotify have more than 100 million songs on their platforms, plus many playlists and videos. That means no matter the service you select, you'll have a lifetime's worth of tunes. So, it's the other content that may sway you in one direction or the other.Apple Music offers live radio, which Spotify lacks. That includes local stations and six dedicated Apple stations. However, Spotify trounces Apple Music with nearly seven million podcasts and 250,000 audiobooks. Those are huge numbers. Apple Music features just two million podcasts and zero audiobooks. Simply put, Spotify has more entertainment variety.Winner: Spotify(Credit: Spotify/PCMag)Music DiscoveryAny streaming music service worth its salt must have a good search engine and recommendation system. Spotify is the older and more experimental of the two platforms, giving you many ways to find content. For example, its For You page has a fantastic, easy-to-read layout that displays playlists and recently played albums. Scrolling up or down spotlights the latest releases from your favorite artists and related music acts.Recommended by Our EditorsSpotify's algorithms auto-generate playlists based on your listening preferences. For example, the Discover Weekly playlist is a cool, weekly mixtape of new music and deep cuts catered to your listening preferences. In addition, AI playlists are a cutting-edge feature that Spotify is exploring. Although still in beta, it lets you generate playlists via text prompts and even emoji. It’s a fantastic way to discover new music if you’re in an adventurous mood. However, if you're more of a hands-off listener, fire up Spotify's AI-powered disc jockey, DJ X, who queues your favorite tracks and adds new ones for variety. Of course, Spotify has curated playlists that cover a wide gamut of musical genres. Like Spotify, Apple Music's Home tab gives you quick access to new and familiar songs. The service also lets you create Stations, which are essentially endless queues of music based on whatever you’re listening to at the moment. Apple Music's Discovery Station is similar to Spotify's Discover Weekly playlist, as it features a music queue based on your listening habits. Apple Music features many curated playlists across different genres, just like Spotify.Both services have a search-by-lyric feature. So, if you can't quite remember a song title but you remember the hook, you can use those words to prompt a search. For example, type, "I said, 'Hey what’s going on,'" into the search box and you'll get results for the song "What’s Up?" by 4 Non Blondes (as well as the arguably superior Slackcircus cover). Apple Music's discovery and recommendation systems are good, but Spotify's AI-powered DJ and playlists top them.Winner: Spotify(Credit: Apple/PCMag)Music Streaming QualitySpotify supports audio streams of up to 320kbps. The audio is serviceable for casual listening and could potentially save you money due to its lower data usage compared with Apple Music. That said, Apple Music has better quality audio, no question. Apple Music streams range between 16-bit/44.1 kHz (CD Quality) and lossless 24-bit/192kHz audio files, which is crisp, high-definition audio. The service also supports spatial audio with Dolby Atmos. Not every track supports it, but many do. Apple even provides extensive playlists with music that takes advantage of this audiophile-centric format. Keep in mind that this audio disparity may not affect your day-to-day listening experience, depending on how you consume music. This is especially true if you listen via Bluetooth headphones. Bluetooth streaming comes with audio compression and bandwidth limitations, so you won't enjoy the depth and richness Apple Music delivers. Wired connections are a different story. So, audiophiles with high-quality headphones may pick up Apple Music's sonic superiority.Winner: Apple Music
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  • Valve CEO Gabe Newell’s Neuralink competitor is expecting its first brain chip this year

    Valve co-founder and CEO Gabe Newell, the company behind Half-Life and DOTA 2 and Counter-Strike and preeminent PC game distribution platform Steam, has long toyed with the idea that your brain should be more connected to your PC. It began over a decade ago with in-house psychologists studying people’s biological responses to video games; Valve once considered earlobe monitors for its first VR headset. The company publicly explored the idea of brain-computer interfaces for gaming at GDC in 2019.But Newell decided to spin off the idea. That same year, he quietly incorporated a new brain-computer interface startup, Starfish Neuroscience — which has now revealed plans to produce its very first brain chip later this year.Starfish’s first blog post, spotted by Valve watcher Brad Lynch, makes it clear we’re not talking about a complete implant yet. This bit is the custom “electrophysiology” chip designed to record brain activityand stimulate the brain, but Starfish isn’t claiming it’s already built the systems to power it or the bits to stick it into a person’s head.“We anticipate our first chips arriving in late 2025 and we are interested in finding collaborators for whom such a chip would open new and exciting avenues,” writes Starfish neuroengineer Nate Cermak, suggesting that Starfish might wind up partnering with other companies for wireless power or even the final brain implant.But the goal, writes Starfish, is a smaller and less invasive implant than the competition, one that can “enable simultaneous access to multiple brain regions” instead of just one site, and one that doesn’t require a battery. Using just 1.1 milliwatts during “normal recording,” Starfish says it can work with wireless power transmission instead.Here’s the chip’s current spec sheet:Low power: 1.1 mW total power consumption during normal recording Physically small: 2 x 4mmCapable of both recording& stimulation32 electrode sites, 16 simultaneous recording channels at 18.75kHz 1 current source for stimulating on arbitrary pairs of electrodes Onboard impedance monitoring and stim voltage transient measurement Digital onboard data processing and spike detection allows the device to operate via low-bandwidth wireless interfaces. Fabricated in TSMC 55nm processNeuralink’s N1, for comparison, has 1,024 electrodes across its 64 brain-implanted threads, a chip that consumed around 6 milliwatts as of 2019, a battery that periodically needs wireless charging, and the full implantis around 23mm wide and 8mm thick. The Elon Musk-led company has reportedly already implanted it in three humans; while some of the threads did detach from the first patient’s brain, he still has functionality and has been giving interviews.Starfish says it could be important to connect to multiple parts of the brain simultaneously, instead of just one region, to address issues like Parkinson’s disease. “there is increasing evidence that a number of neurological disorders involve circuit-level dysfunction, in which the interactions between brain regions may be misregulated,” Cermak writes.In addition to multiple simultaneous brain implants, the company’s updated website says it’s working on a “precision hyperthermia device” to destroy tumors with targeted heat, and a brain-reading, robotically guided transcranial magnetic stimulationsystem for addressing neurological conditions like bipolar disorder and depression.In case you’re wondering how any of this might make its way back to gaming, I’ll leave you with Valve’s talk from GDC 2019 about brain-computer interfaces.See More:
    #valve #ceo #gabe #newells #neuralink
    Valve CEO Gabe Newell’s Neuralink competitor is expecting its first brain chip this year
    Valve co-founder and CEO Gabe Newell, the company behind Half-Life and DOTA 2 and Counter-Strike and preeminent PC game distribution platform Steam, has long toyed with the idea that your brain should be more connected to your PC. It began over a decade ago with in-house psychologists studying people’s biological responses to video games; Valve once considered earlobe monitors for its first VR headset. The company publicly explored the idea of brain-computer interfaces for gaming at GDC in 2019.But Newell decided to spin off the idea. That same year, he quietly incorporated a new brain-computer interface startup, Starfish Neuroscience — which has now revealed plans to produce its very first brain chip later this year.Starfish’s first blog post, spotted by Valve watcher Brad Lynch, makes it clear we’re not talking about a complete implant yet. This bit is the custom “electrophysiology” chip designed to record brain activityand stimulate the brain, but Starfish isn’t claiming it’s already built the systems to power it or the bits to stick it into a person’s head.“We anticipate our first chips arriving in late 2025 and we are interested in finding collaborators for whom such a chip would open new and exciting avenues,” writes Starfish neuroengineer Nate Cermak, suggesting that Starfish might wind up partnering with other companies for wireless power or even the final brain implant.But the goal, writes Starfish, is a smaller and less invasive implant than the competition, one that can “enable simultaneous access to multiple brain regions” instead of just one site, and one that doesn’t require a battery. Using just 1.1 milliwatts during “normal recording,” Starfish says it can work with wireless power transmission instead.Here’s the chip’s current spec sheet:Low power: 1.1 mW total power consumption during normal recording Physically small: 2 x 4mmCapable of both recording& stimulation32 electrode sites, 16 simultaneous recording channels at 18.75kHz 1 current source for stimulating on arbitrary pairs of electrodes Onboard impedance monitoring and stim voltage transient measurement Digital onboard data processing and spike detection allows the device to operate via low-bandwidth wireless interfaces. Fabricated in TSMC 55nm processNeuralink’s N1, for comparison, has 1,024 electrodes across its 64 brain-implanted threads, a chip that consumed around 6 milliwatts as of 2019, a battery that periodically needs wireless charging, and the full implantis around 23mm wide and 8mm thick. The Elon Musk-led company has reportedly already implanted it in three humans; while some of the threads did detach from the first patient’s brain, he still has functionality and has been giving interviews.Starfish says it could be important to connect to multiple parts of the brain simultaneously, instead of just one region, to address issues like Parkinson’s disease. “there is increasing evidence that a number of neurological disorders involve circuit-level dysfunction, in which the interactions between brain regions may be misregulated,” Cermak writes.In addition to multiple simultaneous brain implants, the company’s updated website says it’s working on a “precision hyperthermia device” to destroy tumors with targeted heat, and a brain-reading, robotically guided transcranial magnetic stimulationsystem for addressing neurological conditions like bipolar disorder and depression.In case you’re wondering how any of this might make its way back to gaming, I’ll leave you with Valve’s talk from GDC 2019 about brain-computer interfaces.See More: #valve #ceo #gabe #newells #neuralink
    WWW.THEVERGE.COM
    Valve CEO Gabe Newell’s Neuralink competitor is expecting its first brain chip this year
    Valve co-founder and CEO Gabe Newell, the company behind Half-Life and DOTA 2 and Counter-Strike and preeminent PC game distribution platform Steam, has long toyed with the idea that your brain should be more connected to your PC. It began over a decade ago with in-house psychologists studying people’s biological responses to video games; Valve once considered earlobe monitors for its first VR headset. The company publicly explored the idea of brain-computer interfaces for gaming at GDC in 2019.But Newell decided to spin off the idea. That same year, he quietly incorporated a new brain-computer interface startup, Starfish Neuroscience — which has now revealed plans to produce its very first brain chip later this year.Starfish’s first blog post, spotted by Valve watcher Brad Lynch, makes it clear we’re not talking about a complete implant yet. This bit is the custom “electrophysiology” chip designed to record brain activity (like how Neuralink can “read your mind” so patients can interact with computers) and stimulate the brain (for disease therapy), but Starfish isn’t claiming it’s already built the systems to power it or the bits to stick it into a person’s head.“We anticipate our first chips arriving in late 2025 and we are interested in finding collaborators for whom such a chip would open new and exciting avenues,” writes Starfish neuroengineer Nate Cermak (bolding theirs), suggesting that Starfish might wind up partnering with other companies for wireless power or even the final brain implant.But the goal, writes Starfish, is a smaller and less invasive implant than the competition, one that can “enable simultaneous access to multiple brain regions” instead of just one site, and one that doesn’t require a battery. Using just 1.1 milliwatts during “normal recording,” Starfish says it can work with wireless power transmission instead.Here’s the chip’s current spec sheet:Low power: 1.1 mW total power consumption during normal recording Physically small: 2 x 4mm (0.3mm pitch BGA) Capable of both recording (spikes and LFP) & stimulation (biphasic pulses) 32 electrode sites, 16 simultaneous recording channels at 18.75kHz 1 current source for stimulating on arbitrary pairs of electrodes Onboard impedance monitoring and stim voltage transient measurement Digital onboard data processing and spike detection allows the device to operate via low-bandwidth wireless interfaces. Fabricated in TSMC 55nm processNeuralink’s N1, for comparison, has 1,024 electrodes across its 64 brain-implanted threads, a chip that consumed around 6 milliwatts as of 2019, a battery that periodically needs wireless charging, and the full implant (again, not just the chip) is around 23mm wide and 8mm thick. The Elon Musk-led company has reportedly already implanted it in three humans; while some of the threads did detach from the first patient’s brain, he still has functionality and has been giving interviews.Starfish says it could be important to connect to multiple parts of the brain simultaneously, instead of just one region, to address issues like Parkinson’s disease. “there is increasing evidence that a number of neurological disorders involve circuit-level dysfunction, in which the interactions between brain regions may be misregulated,” Cermak writes.In addition to multiple simultaneous brain implants, the company’s updated website says it’s working on a “precision hyperthermia device” to destroy tumors with targeted heat, and a brain-reading, robotically guided transcranial magnetic stimulation (TMS) system for addressing neurological conditions like bipolar disorder and depression.In case you’re wondering how any of this might make its way back to gaming, I’ll leave you with Valve’s talk from GDC 2019 about brain-computer interfaces.See More:
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  • Pulsar x Feinman Noctua mouse has a built-in fan to chill your sweaty palm

    Not often have I heard of a mouse overheating and blowing up in the hand. The little computing rodent is safe to deal with. Not surprisingly then, we are consciously okay handling them during those nerve-wrecking battles and work hours extending beyond dawn. But the same cannot be said for sticky, sweaty hands you’re left with on the plasticky mice. Notwithstanding, no one has thought of giving the mouse a fan, until now. Noctua, the famous Austrian computer hardware manufacturer, that has for years kept CPUs cool with its incredible fans, has teamed with Pulsar for a gaming mouse with a built-in fan.
    The beige and brown Noctua fans have been part of our lives, ever so quietly beefing up our devices’ performance. Now a small Noctua is finding its way into Pulsar’s flagship mouse. The idea of the fan inside a mouse is simple, to keep the hand dry; not that we thought the innards of the mouse required cooling.
    Designer: Noctua x Pulsar

    Showcased at the 2025 Computex in Taipei, Taiwan, the Pulsar x Noctua gaming mouse is based on the Pulsar Feinman F01, whose internals have been adjusted to integrate a 40 mm Noctua NF-A4x10 5-Volt PWM fan. The exterior of the mouse is an innovative magnesium alloy exoskeleton with cutouts to direct airflow to your palm, keeping it chill when the going gets tough. For the new collaboration, Pulsar has painted its flagship Feinmann mouse in Noctua colours, including a fan – which of course is in signature beige-brown outfit. The co-branded mouse is called the Pulsar x Feinman Noctua Edition and, despite the fan onboard, is said to have ultra-quiet operation. According to the available information, the fan inside of the mouse runs almost quietly with a noise level of 17.9dB.

    Since quietness and the idea to keep the sweating palm dry don’t make for a good gaming mouse, the Pulsar x Feinman Noctua borrows all its impeccable features from its predecessor. For a gamer’s benefit, the lightweight wireless mouse has a XS-1 sensor delivering an awesome 32,000 dpi. To ensure smooth gameplay, it offers 8 kHz polling rate, an acceleration of 50G, and a speed of 750 IPS, and comes with its own charging dock. There is no word on the exact weight of the mouse, or how much the fan eats up on the battery, but considering Feinmann F01 weighs only 46g, thanks to its magnesium housing, the fan-based mouse probably weighs just as much. Same is for the price, the F01 costs about and the Pulsar x Feinman Noctua Edition is expected to cost when it goes on sale in November 2025.

    The post Pulsar x Feinman Noctua mouse has a built-in fan to chill your sweaty palm first appeared on Yanko Design.
    #pulsar #feinman #noctua #mouse #has
    Pulsar x Feinman Noctua mouse has a built-in fan to chill your sweaty palm
    Not often have I heard of a mouse overheating and blowing up in the hand. The little computing rodent is safe to deal with. Not surprisingly then, we are consciously okay handling them during those nerve-wrecking battles and work hours extending beyond dawn. But the same cannot be said for sticky, sweaty hands you’re left with on the plasticky mice. Notwithstanding, no one has thought of giving the mouse a fan, until now. Noctua, the famous Austrian computer hardware manufacturer, that has for years kept CPUs cool with its incredible fans, has teamed with Pulsar for a gaming mouse with a built-in fan. The beige and brown Noctua fans have been part of our lives, ever so quietly beefing up our devices’ performance. Now a small Noctua is finding its way into Pulsar’s flagship mouse. The idea of the fan inside a mouse is simple, to keep the hand dry; not that we thought the innards of the mouse required cooling. Designer: Noctua x Pulsar Showcased at the 2025 Computex in Taipei, Taiwan, the Pulsar x Noctua gaming mouse is based on the Pulsar Feinman F01, whose internals have been adjusted to integrate a 40 mm Noctua NF-A4x10 5-Volt PWM fan. The exterior of the mouse is an innovative magnesium alloy exoskeleton with cutouts to direct airflow to your palm, keeping it chill when the going gets tough. For the new collaboration, Pulsar has painted its flagship Feinmann mouse in Noctua colours, including a fan – which of course is in signature beige-brown outfit. The co-branded mouse is called the Pulsar x Feinman Noctua Edition and, despite the fan onboard, is said to have ultra-quiet operation. According to the available information, the fan inside of the mouse runs almost quietly with a noise level of 17.9dB. Since quietness and the idea to keep the sweating palm dry don’t make for a good gaming mouse, the Pulsar x Feinman Noctua borrows all its impeccable features from its predecessor. For a gamer’s benefit, the lightweight wireless mouse has a XS-1 sensor delivering an awesome 32,000 dpi. To ensure smooth gameplay, it offers 8 kHz polling rate, an acceleration of 50G, and a speed of 750 IPS, and comes with its own charging dock. There is no word on the exact weight of the mouse, or how much the fan eats up on the battery, but considering Feinmann F01 weighs only 46g, thanks to its magnesium housing, the fan-based mouse probably weighs just as much. Same is for the price, the F01 costs about and the Pulsar x Feinman Noctua Edition is expected to cost when it goes on sale in November 2025. The post Pulsar x Feinman Noctua mouse has a built-in fan to chill your sweaty palm first appeared on Yanko Design. #pulsar #feinman #noctua #mouse #has
    WWW.YANKODESIGN.COM
    Pulsar x Feinman Noctua mouse has a built-in fan to chill your sweaty palm
    Not often have I heard of a mouse overheating and blowing up in the hand. The little computing rodent is safe to deal with. Not surprisingly then, we are consciously okay handling them during those nerve-wrecking battles and work hours extending beyond dawn. But the same cannot be said for sticky, sweaty hands you’re left with on the plasticky mice. Notwithstanding, no one has thought of giving the mouse a fan, until now. Noctua, the famous Austrian computer hardware manufacturer, that has for years kept CPUs cool with its incredible fans, has teamed with Pulsar for a gaming mouse with a built-in fan. The beige and brown Noctua fans have been part of our lives, ever so quietly beefing up our devices’ performance. Now a small Noctua is finding its way into Pulsar’s flagship mouse. The idea of the fan inside a mouse is simple, to keep the hand dry; not that we thought the innards of the mouse required cooling. Designer: Noctua x Pulsar Showcased at the 2025 Computex in Taipei, Taiwan, the Pulsar x Noctua gaming mouse is based on the Pulsar Feinman F01, whose internals have been adjusted to integrate a 40 mm Noctua NF-A4x10 5-Volt PWM fan. The exterior of the mouse is an innovative magnesium alloy exoskeleton with cutouts to direct airflow to your palm, keeping it chill when the going gets tough. For the new collaboration, Pulsar has painted its flagship Feinmann mouse in Noctua colours, including a fan – which of course is in signature beige-brown outfit. The co-branded mouse is called the Pulsar x Feinman Noctua Edition and, despite the fan onboard, is said to have ultra-quiet operation. According to the available information, the fan inside of the mouse runs almost quietly with a noise level of 17.9dB. Since quietness and the idea to keep the sweating palm dry don’t make for a good gaming mouse, the Pulsar x Feinman Noctua borrows all its impeccable features from its predecessor. For a gamer’s benefit, the lightweight wireless mouse has a XS-1 sensor delivering an awesome 32,000 dpi. To ensure smooth gameplay, it offers 8 kHz polling rate, an acceleration of 50G, and a speed of 750 IPS, and comes with its own charging dock. There is no word on the exact weight of the mouse, or how much the fan eats up on the battery, but considering Feinmann F01 weighs only 46g, thanks to its magnesium housing, the fan-based mouse probably weighs just as much. Same is for the price, the F01 costs about $180 and the Pulsar x Feinman Noctua Edition is expected to cost $200, when it goes on sale in November 2025. The post Pulsar x Feinman Noctua mouse has a built-in fan to chill your sweaty palm first appeared on Yanko Design.
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  • NeoBlade: World’s Smallest Wireless Ultrasonic Cutter Revolutionizes DIY Projects

    Every maker knows that familiar frustration: you’re deep into a project, carefully crafting something amazing, when your cutting tool snags, slips, or simply can’t handle the precision you need. Traditional cutting methods often leave rough edges, melted plastic, or splintered materials that require hours of additional sanding and finishing. Whether you’re trimming 3D prints, working with delicate materials, or adding intricate details to a model, the limitations of conventional tools can turn creative excitement into tedious damage control.
    The NeoBlade wireless ultrasonic cutter changes everything about how makers approach precision cutting tasks. This revolutionary tool harnesses the power of 40 kHz ultrasonic vibration technology in a compact, cordless package that weighs just 6.4 ounces with the battery installed. The high-frequency micro-vibrations allow the blade to slice through materials with minimal pressure and maximum control, creating the sensation of cutting through butter even when working with tough materials like carbon fiber, acrylics, or dense woods. This game-changing approach eliminates the struggle and frustration that often accompany detailed cutting work.
    Designer: HOZO Design
    Click Here to Buy Now:. Hurry, only 48/300 left! Raised over What truly sets the NeoBlade apart is its intelligent auto power adjustment system that intuitively adapts to different materials as you cut. This smart technology means you don’t need to constantly fiddle with settings or worry about applying too much force when transitioning between materials in mixed-media projects. The cutter automatically optimizes its performance whether you’re working with delicate PLA filament from a 3D print, tough ABS plastic, natural wood, or even PCB boards, allowing you to focus entirely on your creative vision rather than managing your tool.

    Dual cutting modes provide versatility for different project needs without compromising on performance. Precision mode delivers short, controlled cuts perfect for trimming intricate details, deburring edges, or making tiny adjustments to delicate parts. When you need to make longer cuts for splitting materials or creating grooves, Continuous mode keeps the blade vibrating without interruption, allowing smooth, consistent cutting action across the entire length of your workpiece. It’s a kind of flexibility that makes the NeoBlade suitable for everything from quick touch-ups to major fabrication tasks.

    Heat management has always been the Achilles’ heel of cutting tools, but the NeoBlade’s built-in turbofan cooling system solves this problem elegantly. The innovative ventilation design pulls air through side vents to maintain optimal operating temperature even during extended use. This cooling technology not only prevents the blade from overheating but also keeps the handle comfortable in your hand during long work sessions. More importantly, it ensures consistently clean cuts without the melted edges or material distortion that often occurs with overheated cutting tools.

    The versatility of the NeoBlade expands dramatically with its six interchangeable blade options, each designed for specific cutting challenges. The standard 30-degree edge handles most everyday tasks, while specialized options like the curved blade for fluid motions, the chisel-like blade for carving, and the double-edge blade for creating precise grooves allow you to tackle virtually any cutting task with confidence. Each blade comes in a spring-loaded dispenser with a one-way disposal slot, making replacements quick, easy, and safe without interrupting your creative flow.
    Changing the Battery

    Battery management becomes virtually effortless with the TurboDock charging system, eliminating the productivity-killing downtime that plagues other wireless tools. The dual-slot dock simultaneously charges both the NeoBlade and a spare battery in just 30 minutes, ensuring you always have power ready when inspiration strikes. This quick-swap battery system means you can work continuously on large projects without frustrating interruptions, maintaining your creative momentum from start to finish without being tethered to a power outlet or waiting for recharging.

    For serious makers who understand that the right tools transform not just the final product but the entire creative process, the NeoBlade represents a significant evolution in cutting technology. Its combination of wireless freedom, intelligent power management, and ultrasonic precision opens new possibilities for projects that previously seemed too delicate or complex to attempt. By removing the limitations and frustrations of traditional cutting methods, the NeoBlade doesn’t just help you make things; it fundamentally changes how you approach the making process, freeing your creativity to explore new materials, techniques, and designs without compromise.
    Click Here to Buy Now:. Hurry, only 48/300 left! Raised over The post NeoBlade: World’s Smallest Wireless Ultrasonic Cutter Revolutionizes DIY Projects first appeared on Yanko Design.
    #neoblade #worlds #smallest #wireless #ultrasonic
    NeoBlade: World’s Smallest Wireless Ultrasonic Cutter Revolutionizes DIY Projects
    Every maker knows that familiar frustration: you’re deep into a project, carefully crafting something amazing, when your cutting tool snags, slips, or simply can’t handle the precision you need. Traditional cutting methods often leave rough edges, melted plastic, or splintered materials that require hours of additional sanding and finishing. Whether you’re trimming 3D prints, working with delicate materials, or adding intricate details to a model, the limitations of conventional tools can turn creative excitement into tedious damage control. The NeoBlade wireless ultrasonic cutter changes everything about how makers approach precision cutting tasks. This revolutionary tool harnesses the power of 40 kHz ultrasonic vibration technology in a compact, cordless package that weighs just 6.4 ounces with the battery installed. The high-frequency micro-vibrations allow the blade to slice through materials with minimal pressure and maximum control, creating the sensation of cutting through butter even when working with tough materials like carbon fiber, acrylics, or dense woods. This game-changing approach eliminates the struggle and frustration that often accompany detailed cutting work. Designer: HOZO Design Click Here to Buy Now:. Hurry, only 48/300 left! Raised over What truly sets the NeoBlade apart is its intelligent auto power adjustment system that intuitively adapts to different materials as you cut. This smart technology means you don’t need to constantly fiddle with settings or worry about applying too much force when transitioning between materials in mixed-media projects. The cutter automatically optimizes its performance whether you’re working with delicate PLA filament from a 3D print, tough ABS plastic, natural wood, or even PCB boards, allowing you to focus entirely on your creative vision rather than managing your tool. Dual cutting modes provide versatility for different project needs without compromising on performance. Precision mode delivers short, controlled cuts perfect for trimming intricate details, deburring edges, or making tiny adjustments to delicate parts. When you need to make longer cuts for splitting materials or creating grooves, Continuous mode keeps the blade vibrating without interruption, allowing smooth, consistent cutting action across the entire length of your workpiece. It’s a kind of flexibility that makes the NeoBlade suitable for everything from quick touch-ups to major fabrication tasks. Heat management has always been the Achilles’ heel of cutting tools, but the NeoBlade’s built-in turbofan cooling system solves this problem elegantly. The innovative ventilation design pulls air through side vents to maintain optimal operating temperature even during extended use. This cooling technology not only prevents the blade from overheating but also keeps the handle comfortable in your hand during long work sessions. More importantly, it ensures consistently clean cuts without the melted edges or material distortion that often occurs with overheated cutting tools. The versatility of the NeoBlade expands dramatically with its six interchangeable blade options, each designed for specific cutting challenges. The standard 30-degree edge handles most everyday tasks, while specialized options like the curved blade for fluid motions, the chisel-like blade for carving, and the double-edge blade for creating precise grooves allow you to tackle virtually any cutting task with confidence. Each blade comes in a spring-loaded dispenser with a one-way disposal slot, making replacements quick, easy, and safe without interrupting your creative flow. Changing the Battery Battery management becomes virtually effortless with the TurboDock charging system, eliminating the productivity-killing downtime that plagues other wireless tools. The dual-slot dock simultaneously charges both the NeoBlade and a spare battery in just 30 minutes, ensuring you always have power ready when inspiration strikes. This quick-swap battery system means you can work continuously on large projects without frustrating interruptions, maintaining your creative momentum from start to finish without being tethered to a power outlet or waiting for recharging. For serious makers who understand that the right tools transform not just the final product but the entire creative process, the NeoBlade represents a significant evolution in cutting technology. Its combination of wireless freedom, intelligent power management, and ultrasonic precision opens new possibilities for projects that previously seemed too delicate or complex to attempt. By removing the limitations and frustrations of traditional cutting methods, the NeoBlade doesn’t just help you make things; it fundamentally changes how you approach the making process, freeing your creativity to explore new materials, techniques, and designs without compromise. Click Here to Buy Now:. Hurry, only 48/300 left! Raised over The post NeoBlade: World’s Smallest Wireless Ultrasonic Cutter Revolutionizes DIY Projects first appeared on Yanko Design. #neoblade #worlds #smallest #wireless #ultrasonic
    WWW.YANKODESIGN.COM
    NeoBlade: World’s Smallest Wireless Ultrasonic Cutter Revolutionizes DIY Projects
    Every maker knows that familiar frustration: you’re deep into a project, carefully crafting something amazing, when your cutting tool snags, slips, or simply can’t handle the precision you need. Traditional cutting methods often leave rough edges, melted plastic, or splintered materials that require hours of additional sanding and finishing. Whether you’re trimming 3D prints, working with delicate materials, or adding intricate details to a model, the limitations of conventional tools can turn creative excitement into tedious damage control. The NeoBlade wireless ultrasonic cutter changes everything about how makers approach precision cutting tasks. This revolutionary tool harnesses the power of 40 kHz ultrasonic vibration technology in a compact, cordless package that weighs just 6.4 ounces with the battery installed. The high-frequency micro-vibrations allow the blade to slice through materials with minimal pressure and maximum control, creating the sensation of cutting through butter even when working with tough materials like carbon fiber, acrylics, or dense woods. This game-changing approach eliminates the struggle and frustration that often accompany detailed cutting work. Designer: HOZO Design Click Here to Buy Now: $99 $149 (33% off). Hurry, only 48/300 left! Raised over $216,000. What truly sets the NeoBlade apart is its intelligent auto power adjustment system that intuitively adapts to different materials as you cut. This smart technology means you don’t need to constantly fiddle with settings or worry about applying too much force when transitioning between materials in mixed-media projects. The cutter automatically optimizes its performance whether you’re working with delicate PLA filament from a 3D print, tough ABS plastic, natural wood, or even PCB boards, allowing you to focus entirely on your creative vision rather than managing your tool. Dual cutting modes provide versatility for different project needs without compromising on performance. Precision mode delivers short, controlled cuts perfect for trimming intricate details, deburring edges, or making tiny adjustments to delicate parts. When you need to make longer cuts for splitting materials or creating grooves, Continuous mode keeps the blade vibrating without interruption, allowing smooth, consistent cutting action across the entire length of your workpiece. It’s a kind of flexibility that makes the NeoBlade suitable for everything from quick touch-ups to major fabrication tasks. Heat management has always been the Achilles’ heel of cutting tools, but the NeoBlade’s built-in turbofan cooling system solves this problem elegantly. The innovative ventilation design pulls air through side vents to maintain optimal operating temperature even during extended use. This cooling technology not only prevents the blade from overheating but also keeps the handle comfortable in your hand during long work sessions. More importantly, it ensures consistently clean cuts without the melted edges or material distortion that often occurs with overheated cutting tools. The versatility of the NeoBlade expands dramatically with its six interchangeable blade options, each designed for specific cutting challenges. The standard 30-degree edge handles most everyday tasks, while specialized options like the curved blade for fluid motions, the chisel-like blade for carving, and the double-edge blade for creating precise grooves allow you to tackle virtually any cutting task with confidence. Each blade comes in a spring-loaded dispenser with a one-way disposal slot, making replacements quick, easy, and safe without interrupting your creative flow. Changing the Battery Battery management becomes virtually effortless with the TurboDock charging system, eliminating the productivity-killing downtime that plagues other wireless tools. The dual-slot dock simultaneously charges both the NeoBlade and a spare battery in just 30 minutes, ensuring you always have power ready when inspiration strikes. This quick-swap battery system means you can work continuously on large projects without frustrating interruptions, maintaining your creative momentum from start to finish without being tethered to a power outlet or waiting for recharging. For serious makers who understand that the right tools transform not just the final product but the entire creative process, the NeoBlade represents a significant evolution in cutting technology. Its combination of wireless freedom, intelligent power management, and ultrasonic precision opens new possibilities for projects that previously seemed too delicate or complex to attempt. By removing the limitations and frustrations of traditional cutting methods, the NeoBlade doesn’t just help you make things; it fundamentally changes how you approach the making process, freeing your creativity to explore new materials, techniques, and designs without compromise. Click Here to Buy Now: $99 $149 (33% off). Hurry, only 48/300 left! Raised over $216,000.The post NeoBlade: World’s Smallest Wireless Ultrasonic Cutter Revolutionizes DIY Projects first appeared on Yanko Design.
    0 Σχόλια 0 Μοιράστηκε
  • RØDE Unveils New NTH-50 On-Ear Headphones For Podcasters And DJs

    The new RØDE NTH-50 headphones have Sennheiser's evergreen HD25 Pro headphones in their sights. The ... More Sennheisers are a firm favourite with DJs and the NTH-50 could be popular thanks to their specs and build quality.RØDE
    Australian mega microphone and audio brand RØDE has launched a new and affordable pair of on-ear headphones designed with DJs, podcasters and audio engineers in mind. The brand-new RØDE NTH-50 headphones join the company’s award-winning headphone lineup which includes the RØDE NTH-100.

    These new headphones have an uncanny resemblance to the classic and much-loved Sennheiser HD25 Pro; a classic pair of headphones that has been a firm favorite with sound engineers and DJs over the years.

    The RØDE NTH-50 headphones are aimed at audio professionals who need precision sound, a comfortable fit and a high level of passive noise isolation. The NTH-50’s lightweight design feels more durable than the HD25 Pro but is still light enough to wear while operating a news-gathering camera or DJing.

    The new RØDE NTH-50 headphones have an uncanny resemblance to Sennheiser's HD25 Pro. RØDE
    RØDE describes the sound quality produced by the NTH-50 as “Natural and balanced with ultra-low distortion and effective passive noise isolation.” It’s a sonic signature that’s been tailored for DJs, sound engineers and content creators who need premium sound as well as all-day comfort and rugged durability.

    To create the new NTH-50, RØDE developed custom-matched 40mm drivers and then housed them in a resonant chamber that provides a deep and balanced bass while still keeping hold of a detailed midrange and clear treble. There’s very little coloration in the overall tone.
    The innovative acoustic design serves up an accurate frequency response alongside ultra-low distortion. The frequency range encompasses an impressive 5Hz – 35KHz. The effective passive noise isolation of -21dB cuts out a lot of unwanted noise, almost as much as some headphones with Active Noise Cancelation on board.
    The NTH-50 eschews the spilt headband of the Sennheiser HD25 Pro and instead offers a generously ... More padded headband and ear pads.RØDE
    Unlike Sennheiser’s HD25 Pro, the new RØDE NTH-50 headphones don’t have the split headband. Instead, RØDE opted for a more durable single-contoured headband that reduces wearing fatigue, particularly during extended mixing and listening sessions.
    Despite the robust build quality, which addresses some of the criticisms of early versions of RØDE’s NTH-100, these lightweight headphones have a contemporary look but they are solid enough to endure the kind of punishment studio headphones often receive.
    The NTH-50’s cable is detachable and features a custom-lock fitting that can be slotted into either the left or right ear cup, depending on the user’s preference. The cable is partly straight and partially coiled, measuing 1.7m, which is long enough for working at a large mixing desk.
    Designed and manufactured at RØDE’s factory in Sydney, Australia, the NTH-50 come with a lifetime warranty, which is a measure of the company’s confidence in its new headphones, especially for those of us who know how much abuse the average pair of cans suffer. The ear pads for the NTH-50 are fully wipeable, offering a more hygienic solution than velour material, an important factor where a single pair of headphones could be worn by many people and liable to pick up sweat, grease and makeup.The detachable cable of the RØDE NTH-50 can be plugged into the left or right ear-cup. There is also ... More color coding for easy orientation.RØDE
    “At RØDE, we are committed to developing innovative audio solutions to meet the ever-evolving needs of creators,” says Damien Wilson, RØDE’s CEO. “The NTH-50s embody this philosophy, offering a level of sonic accuracy, comfort and durability that marks a new gold standard for on-ear headphones.”
    “Engineered from the ground up by our dedicated headphone innovation team in Germany, we’ve crafted a pair of premium headphones at an affordable price point that delivers an incredibly detailed and immersive listening experience in any environment. Once again, RØDE has over-achieved in the pursuit of delivering world-class monitoring technology.”
    At the heart of the NTH-50s are the custom-engineered 40mm dynamic drivers which are housed inside an innovative resonant chamber. The chamber provides clarity and an accurate frequency response, ultra-low distortion and a balanced sound with a natural bass and detailed midrange while keeping crisp highs.Although the new RØDE NTH-50 headphones are designed for podcasting, mixing and other studio use, ... More they will appeal to DJs.RØDE
    The RØDE NTH-50s come with a passive noise isolation rating of -21 dBA, enough to reduce external distractions and, more importantly, stop any sound from bleeding out during recording and being picked up by the microphone. The high SPL capabilities and sensitivity of the headphones make them particularly suitable for live performances and studio monitoring.
    Anyone who uses a pair of studio headphones for more than a few minutes knows that comfort is every bit as important as the sound quality The RØDE NTH-50’s contoured headband, with its integrated fontanel recess, relieve pressure on the wearer’s skull, reducing fatigue during extended listening times in the studio, on stage or when recording on location.
    Although they are lightweight and fully adjustable, the NTH-50s are designed to distribute pressure evenly no matter the size of the wearer’s head. The headphones also better accommodate glasses wearers.The RØDE NTH-50 feature detachable cables, replaceable ear pads and headband for a long service ... More life.RØDE
    The on-ear design has ear pads lined with memory foam padding that conforms to the contours of the ears. The fit is snug but still breathable, promoting an airflow that reduces the chance of heat buildup while still providing high levels of passive noise dampening.
    The NTH-50s are made from lightweight and durable materials including aluminum faceplates that can withstand daily punishment in the studio. The modular design has replaceable components such as the headband, ear cushions and cables for a longer service life. The ear cups are color-coded for left and right channels so users can quickly and easily orientate them in low light, a nice touch.
    Finally, the headphones have a scratch-resistant and matte black coating. They ship with a 1.7m double coiled cable, storage pouch plus 3.5mm to ¼-inch adapter. RØDE has also included color-coded ID rings for simplified cable management and full compatibility with the existing accessories for RØDE’s NTH-100 headphones, including modular cable options. For greater versatility, RØDE’s optional NTHMic can turn the NTH-50 into a broadcast-quality headset that’s suitable for podcasting, streaming, sports commentary and content creation.
    Pricing and Availability:
    The new RØDE NTH-50 on-ear headphones will be available from RØDE distributors from May 20, 2025, priced at Tech Specs:

    Transducer diameter: 40mm
    Transducer type: Dynamic.
    Operating principle: Closed.
    Ear coupling: Supra-Aural/On-Ear.
    Frequency response: 5Hz – 35KHz.
    Impedance: 32Ω.
    Sensitivity @1mW / 500Hz: 102dB SPL.
    Sensitivity @1V/ 500Hz: 117dB SPL.
    Total Harmonic Distortion @1mW: < 0.2 % @100Hz / < 0.03% @500Hz.
    Total Harmonic Distortion @100Hz: 0.05% @100dB SPL / 0.5% @120dB SPL.
    Short-term max input power: 100mW.
    Long-term max input power: 50mW.
    Max SPL: 124dB SPL.
    Ambient Noise Attenuation: 21dBA.
    Connection type: Dual TRRS cable attachments.
    #rØde #unveils #new #nth50 #onear
    RØDE Unveils New NTH-50 On-Ear Headphones For Podcasters And DJs
    The new RØDE NTH-50 headphones have Sennheiser's evergreen HD25 Pro headphones in their sights. The ... More Sennheisers are a firm favourite with DJs and the NTH-50 could be popular thanks to their specs and build quality.RØDE Australian mega microphone and audio brand RØDE has launched a new and affordable pair of on-ear headphones designed with DJs, podcasters and audio engineers in mind. The brand-new RØDE NTH-50 headphones join the company’s award-winning headphone lineup which includes the RØDE NTH-100. These new headphones have an uncanny resemblance to the classic and much-loved Sennheiser HD25 Pro; a classic pair of headphones that has been a firm favorite with sound engineers and DJs over the years. The RØDE NTH-50 headphones are aimed at audio professionals who need precision sound, a comfortable fit and a high level of passive noise isolation. The NTH-50’s lightweight design feels more durable than the HD25 Pro but is still light enough to wear while operating a news-gathering camera or DJing. The new RØDE NTH-50 headphones have an uncanny resemblance to Sennheiser's HD25 Pro. RØDE RØDE describes the sound quality produced by the NTH-50 as “Natural and balanced with ultra-low distortion and effective passive noise isolation.” It’s a sonic signature that’s been tailored for DJs, sound engineers and content creators who need premium sound as well as all-day comfort and rugged durability. To create the new NTH-50, RØDE developed custom-matched 40mm drivers and then housed them in a resonant chamber that provides a deep and balanced bass while still keeping hold of a detailed midrange and clear treble. There’s very little coloration in the overall tone. The innovative acoustic design serves up an accurate frequency response alongside ultra-low distortion. The frequency range encompasses an impressive 5Hz – 35KHz. The effective passive noise isolation of -21dB cuts out a lot of unwanted noise, almost as much as some headphones with Active Noise Cancelation on board. The NTH-50 eschews the spilt headband of the Sennheiser HD25 Pro and instead offers a generously ... More padded headband and ear pads.RØDE Unlike Sennheiser’s HD25 Pro, the new RØDE NTH-50 headphones don’t have the split headband. Instead, RØDE opted for a more durable single-contoured headband that reduces wearing fatigue, particularly during extended mixing and listening sessions. Despite the robust build quality, which addresses some of the criticisms of early versions of RØDE’s NTH-100, these lightweight headphones have a contemporary look but they are solid enough to endure the kind of punishment studio headphones often receive. The NTH-50’s cable is detachable and features a custom-lock fitting that can be slotted into either the left or right ear cup, depending on the user’s preference. The cable is partly straight and partially coiled, measuing 1.7m, which is long enough for working at a large mixing desk. Designed and manufactured at RØDE’s factory in Sydney, Australia, the NTH-50 come with a lifetime warranty, which is a measure of the company’s confidence in its new headphones, especially for those of us who know how much abuse the average pair of cans suffer. The ear pads for the NTH-50 are fully wipeable, offering a more hygienic solution than velour material, an important factor where a single pair of headphones could be worn by many people and liable to pick up sweat, grease and makeup.The detachable cable of the RØDE NTH-50 can be plugged into the left or right ear-cup. There is also ... More color coding for easy orientation.RØDE “At RØDE, we are committed to developing innovative audio solutions to meet the ever-evolving needs of creators,” says Damien Wilson, RØDE’s CEO. “The NTH-50s embody this philosophy, offering a level of sonic accuracy, comfort and durability that marks a new gold standard for on-ear headphones.” “Engineered from the ground up by our dedicated headphone innovation team in Germany, we’ve crafted a pair of premium headphones at an affordable price point that delivers an incredibly detailed and immersive listening experience in any environment. Once again, RØDE has over-achieved in the pursuit of delivering world-class monitoring technology.” At the heart of the NTH-50s are the custom-engineered 40mm dynamic drivers which are housed inside an innovative resonant chamber. The chamber provides clarity and an accurate frequency response, ultra-low distortion and a balanced sound with a natural bass and detailed midrange while keeping crisp highs.Although the new RØDE NTH-50 headphones are designed for podcasting, mixing and other studio use, ... More they will appeal to DJs.RØDE The RØDE NTH-50s come with a passive noise isolation rating of -21 dBA, enough to reduce external distractions and, more importantly, stop any sound from bleeding out during recording and being picked up by the microphone. The high SPL capabilities and sensitivity of the headphones make them particularly suitable for live performances and studio monitoring. Anyone who uses a pair of studio headphones for more than a few minutes knows that comfort is every bit as important as the sound quality The RØDE NTH-50’s contoured headband, with its integrated fontanel recess, relieve pressure on the wearer’s skull, reducing fatigue during extended listening times in the studio, on stage or when recording on location. Although they are lightweight and fully adjustable, the NTH-50s are designed to distribute pressure evenly no matter the size of the wearer’s head. The headphones also better accommodate glasses wearers.The RØDE NTH-50 feature detachable cables, replaceable ear pads and headband for a long service ... More life.RØDE The on-ear design has ear pads lined with memory foam padding that conforms to the contours of the ears. The fit is snug but still breathable, promoting an airflow that reduces the chance of heat buildup while still providing high levels of passive noise dampening. The NTH-50s are made from lightweight and durable materials including aluminum faceplates that can withstand daily punishment in the studio. The modular design has replaceable components such as the headband, ear cushions and cables for a longer service life. The ear cups are color-coded for left and right channels so users can quickly and easily orientate them in low light, a nice touch. Finally, the headphones have a scratch-resistant and matte black coating. They ship with a 1.7m double coiled cable, storage pouch plus 3.5mm to ¼-inch adapter. RØDE has also included color-coded ID rings for simplified cable management and full compatibility with the existing accessories for RØDE’s NTH-100 headphones, including modular cable options. For greater versatility, RØDE’s optional NTHMic can turn the NTH-50 into a broadcast-quality headset that’s suitable for podcasting, streaming, sports commentary and content creation. Pricing and Availability: The new RØDE NTH-50 on-ear headphones will be available from RØDE distributors from May 20, 2025, priced at Tech Specs: Transducer diameter: 40mm Transducer type: Dynamic. Operating principle: Closed. Ear coupling: Supra-Aural/On-Ear. Frequency response: 5Hz – 35KHz. Impedance: 32Ω. Sensitivity @1mW / 500Hz: 102dB SPL. Sensitivity @1V/ 500Hz: 117dB SPL. Total Harmonic Distortion @1mW: < 0.2 % @100Hz / < 0.03% @500Hz. Total Harmonic Distortion @100Hz: 0.05% @100dB SPL / 0.5% @120dB SPL. Short-term max input power: 100mW. Long-term max input power: 50mW. Max SPL: 124dB SPL. Ambient Noise Attenuation: 21dBA. Connection type: Dual TRRS cable attachments. #rØde #unveils #new #nth50 #onear
    WWW.FORBES.COM
    RØDE Unveils New NTH-50 On-Ear Headphones For Podcasters And DJs
    The new RØDE NTH-50 headphones have Sennheiser's evergreen HD25 Pro headphones in their sights. The ... More Sennheisers are a firm favourite with DJs and the NTH-50 could be popular thanks to their specs and build quality.RØDE Australian mega microphone and audio brand RØDE has launched a new and affordable pair of on-ear headphones designed with DJs, podcasters and audio engineers in mind. The brand-new RØDE NTH-50 headphones join the company’s award-winning headphone lineup which includes the RØDE NTH-100. These new headphones have an uncanny resemblance to the classic and much-loved Sennheiser HD25 Pro; a classic pair of headphones that has been a firm favorite with sound engineers and DJs over the years. The RØDE NTH-50 headphones are aimed at audio professionals who need precision sound, a comfortable fit and a high level of passive noise isolation. The NTH-50’s lightweight design feels more durable than the HD25 Pro but is still light enough to wear while operating a news-gathering camera or DJing. The new RØDE NTH-50 headphones have an uncanny resemblance to Sennheiser's HD25 Pro. RØDE RØDE describes the sound quality produced by the NTH-50 as “Natural and balanced with ultra-low distortion and effective passive noise isolation.” It’s a sonic signature that’s been tailored for DJs, sound engineers and content creators who need premium sound as well as all-day comfort and rugged durability. To create the new NTH-50, RØDE developed custom-matched 40mm drivers and then housed them in a resonant chamber that provides a deep and balanced bass while still keeping hold of a detailed midrange and clear treble. There’s very little coloration in the overall tone. The innovative acoustic design serves up an accurate frequency response alongside ultra-low distortion. The frequency range encompasses an impressive 5Hz – 35KHz. The effective passive noise isolation of -21dB cuts out a lot of unwanted noise, almost as much as some headphones with Active Noise Cancelation on board. The NTH-50 eschews the spilt headband of the Sennheiser HD25 Pro and instead offers a generously ... More padded headband and ear pads.RØDE Unlike Sennheiser’s HD25 Pro, the new RØDE NTH-50 headphones don’t have the split headband. Instead, RØDE opted for a more durable single-contoured headband that reduces wearing fatigue, particularly during extended mixing and listening sessions. Despite the robust build quality, which addresses some of the criticisms of early versions of RØDE’s NTH-100, these lightweight headphones have a contemporary look but they are solid enough to endure the kind of punishment studio headphones often receive. The NTH-50’s cable is detachable and features a custom-lock fitting that can be slotted into either the left or right ear cup, depending on the user’s preference. The cable is partly straight and partially coiled, measuing 1.7m, which is long enough for working at a large mixing desk. Designed and manufactured at RØDE’s factory in Sydney, Australia, the NTH-50 come with a lifetime warranty, which is a measure of the company’s confidence in its new headphones, especially for those of us who know how much abuse the average pair of cans suffer. The ear pads for the NTH-50 are fully wipeable, offering a more hygienic solution than velour material, an important factor where a single pair of headphones could be worn by many people and liable to pick up sweat, grease and makeup.The detachable cable of the RØDE NTH-50 can be plugged into the left or right ear-cup. There is also ... More color coding for easy orientation.RØDE “At RØDE, we are committed to developing innovative audio solutions to meet the ever-evolving needs of creators,” says Damien Wilson, RØDE’s CEO. “The NTH-50s embody this philosophy, offering a level of sonic accuracy, comfort and durability that marks a new gold standard for on-ear headphones.” “Engineered from the ground up by our dedicated headphone innovation team in Germany, we’ve crafted a pair of premium headphones at an affordable price point that delivers an incredibly detailed and immersive listening experience in any environment. Once again, RØDE has over-achieved in the pursuit of delivering world-class monitoring technology.” At the heart of the NTH-50s are the custom-engineered 40mm dynamic drivers which are housed inside an innovative resonant chamber. The chamber provides clarity and an accurate frequency response, ultra-low distortion and a balanced sound with a natural bass and detailed midrange while keeping crisp highs.Although the new RØDE NTH-50 headphones are designed for podcasting, mixing and other studio use, ... More they will appeal to DJs.RØDE The RØDE NTH-50s come with a passive noise isolation rating of -21 dBA, enough to reduce external distractions and, more importantly, stop any sound from bleeding out during recording and being picked up by the microphone. The high SPL capabilities and sensitivity of the headphones make them particularly suitable for live performances and studio monitoring. Anyone who uses a pair of studio headphones for more than a few minutes knows that comfort is every bit as important as the sound quality The RØDE NTH-50’s contoured headband, with its integrated fontanel recess, relieve pressure on the wearer’s skull, reducing fatigue during extended listening times in the studio, on stage or when recording on location. Although they are lightweight and fully adjustable, the NTH-50s are designed to distribute pressure evenly no matter the size of the wearer’s head. The headphones also better accommodate glasses wearers.The RØDE NTH-50 feature detachable cables, replaceable ear pads and headband for a long service ... More life.RØDE The on-ear design has ear pads lined with memory foam padding that conforms to the contours of the ears. The fit is snug but still breathable, promoting an airflow that reduces the chance of heat buildup while still providing high levels of passive noise dampening. The NTH-50s are made from lightweight and durable materials including aluminum faceplates that can withstand daily punishment in the studio. The modular design has replaceable components such as the headband, ear cushions and cables for a longer service life. The ear cups are color-coded for left and right channels so users can quickly and easily orientate them in low light, a nice touch. Finally, the headphones have a scratch-resistant and matte black coating. They ship with a 1.7m double coiled cable, storage pouch plus 3.5mm to ¼-inch adapter. RØDE has also included color-coded ID rings for simplified cable management and full compatibility with the existing accessories for RØDE’s NTH-100 headphones, including modular cable options. For greater versatility, RØDE’s optional NTHMic can turn the NTH-50 into a broadcast-quality headset that’s suitable for podcasting, streaming, sports commentary and content creation. Pricing and Availability: The new RØDE NTH-50 on-ear headphones will be available from RØDE distributors from May 20, 2025, priced at $99. Tech Specs: Transducer diameter: 40mm Transducer type: Dynamic. Operating principle: Closed. Ear coupling: Supra-Aural/On-Ear. Frequency response: 5Hz – 35KHz. Impedance: 32Ω. Sensitivity @1mW / 500Hz: 102dB SPL. Sensitivity @1V (RMS) / 500Hz: 117dB SPL. Total Harmonic Distortion @1mW: < 0.2 % @100Hz / < 0.03% @500Hz. Total Harmonic Distortion @100Hz: 0.05% @100dB SPL / 0.5% @120dB SPL. Short-term max input power: 100mW. Long-term max input power: 50mW. Max SPL: 124dB SPL. Ambient Noise Attenuation: 21dBA. Connection type: Dual TRRS cable attachments.
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  • Please, just buy some earbuds

    The first time I encountered someone listening to their phone out loud in public, it was on a city bus and I was taken aback for two reasons. First, the volume level on the phone wasn’t just audible to the person sitting next to them; our entire section of the bus could hear it. Second, it was a FaceTime call, and neither the person on the bus, nor their caller seemed to be the slightest bit hesitant to carry on their conversation in public. In fact, they appeared completely oblivious.
    That was a few years ago. Since then, the problem of listening out loud has gotten much worse. I’ve encountered it in grocery stores, airport lounges, coffee shops, and even when just walking on the sidewalk. And it’s not just phone calls/FaceTime. Music, YouTube, TikTok, Instagram — you name it. If it’s got an audio track, I’ve heard it blaring from the speaker of someone’s phone. During a recent episode of the New York Times’ excellent tech podcast, Hard Fork, a listener referred to the problem as an epidemic, and I don’t think that’s hyperbole.

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    We all know the solution: just use a set of wired or wireless headphones or earbuds. It’s that simple. Except, maybe it’s not.
    I’ll give these folks the benefit of the doubt. Perhaps they’ve fallen victim to misinformation — myths about headphones and earbuds — and that’s the reason they do what they do.
    With that in mind, allow me to dispel a few of the more common misunderstandings about headphones and earbuds.
    They’re too expensive
    In 2016, when Apple launched the first-gen AirPods, wireless earbuds were indeed pricey gadgets. That was almost a decade ago, and since then, the market for wireless earbuds and headphones has become heavily commoditized. Yes, the biggest brands still sell their best products for hundreds of dollars, but there’s also an ocean of less expensive alternatives that can be had for as little as The affordable products aren’t worth buying
    Simon Cohen / Digital Trends
    Five or six years ago, I’d have strongly agreed with that statement. Today, it’s no longer true. Take Moondrop’s Space Travel earbuds as an example. I’ve been using these wireless earbuds for a month and they’re shockingly good for the basics. They’re comfy, they sound great, and they even provide a small amount of active noise cancellation. They’re also fine for calls, as long as it’s not too windy or noisy.
    Sure, they’re missing lots of the extras you’ll find on more expensive buds, like wireless charging, Multipoint, and wear sensors. Their battery life is similarly basic at just four hours per charge. But the point is, they do what we need every set of earbuds to do and they cost less than an average meal for a family of four at McDonalds.
    Even if you spend less than the odds are good that they’ll at least sound decent. They may not blow you away, but the days of truly awful sound are behind us.
    Here’s a list of the best wireless earbuds and headphones under I have an iPhone so I need AirPods
    Simon Cohen / Digital Trends
    I’m sure Apple would love it if this were true, but nope. Any set of Bluetooth earbuds or headphones will work with any iPhone. I’ve tested hundreds of these products and I’ve still never found one that wouldn’t connect to my iPhone. I’ve heard it said — even by those who should know better — that if you’re an iPhone owner, you should use AirPods because the connection is more reliable. I don’t know of any studies that demonstrate this and my own experience doesn’t back that belief up.
    However, it is true that when connection problems occur, they’re more often related to the design and engineering of the earbuds/headphones rather than the phone. And since Apple’s AirPods are — whether you like them or not — very well engineered for connection quality, they may be more reliable than lesser products.
    I can’t wear earbuds; they’re painful or they just fall out
    Simon Cohen / Digital Trends
    Now this is not a myth. A lot of people find it hard or impossible to keep earbuds in their ears simply because of how their anatomy is shaped. The good news is, there are now more options than ever, including the newest category of earbuds known as open-ear earbuds.
    Typically, earbuds are semi-open, which means they sit in front of your ear canal— think AirPods 4 — or, closed, which do seal the ear canal opening. Both types rely on contact with your ear’s concha to stay put. If you’ve got a tiny concha, or an irregularly shaped concha, these types of earbuds just won’t fit correctly, no matter what you do.
    However, open-ear earbuds are different. They come in two main styles: earhook and ear clip. Both position their speakers just outside of the ear canal, which eliminates any discomfort associated with having an object up against that area. Earhooks, as the name suggest, wrap around the top of your ear, while ear clips wrap around the side. If you’ve ever struggled to get a good fit with traditional wireless earbuds, open-ears are a superb alternative. Check out our list of the best open-ear earbuds for some suggested models.
    Just keep in mind, open-ears are, well, open: they can’t block any external sounds. This can be helpful for staying aware of your surroundings, having conversations with others, and they’re excellent for phone calls because you can hear your own voice naturally. But there will be times where those external noises are annoyingly intrusive — it’s just the nature of the beast.
    Alternatively, most people find wireless headphones very comfortable.
    I prefer wired earbuds/headphones but my phone doesn’t have a headphone jack
    Simon Cohen / Digital Trends
    It’s true. You’ll be hard pressed to find smartphones with headphone jacks unless you go for a niche product like the Sony Xperia 1 VII or the Moondrop MIAD01, which has not one, but two jacks. But that doesn’t mean you can’t connect a set of wired earbuds or headphones. In fact, you have several options.
    By far the easiest and most affordable way to go is with a USB-C-to-3.5mm adapter. These tiny and inexpensive accessories plug into your phone’s charging port and turn them into headphone jacks. Inside, each of these adapters has a digital-to-analog converter, which does the all of the heavy lifting of turning your phone’s digital music into something your headphones can reproduce as sound. These DACs are often basic, rarely exceeding 24-bit/48kHz, but for most folks, that’s more than enough quality.
    If you’re still rocking an iPhone with a Lightning port, don’t worry — there are plenty of adapters for your phone too. Apple makes one that’s just The only thing to double-check when you go to buy, is whether or not the adapter supports two-way audio, so you can continue using your earbuds’ or headphones’ inline mic for voice calls.
    A step up from simple adapter is a dedicated external DAC/amp. These devices are aimed at folks who care a great deal about audio quality and can range in price from to and up. Their biggest advantage is that they can process hi-res audio at the highest levelsand many of them are designed to work with audiophile-grade earbuds and headphones, which often require more voltage to sound their best. It’s rare for these devices to support two-way audio, so check the specs if that’s important.
    If you don’t already own a set of wired earbuds or headphones, you may want to look for some that come with a USB-C plug. These are becoming increasingly popular, and they basically stick a DAC with a USB-C plug at the end of their wire. Other than that one feature, they’re the same wired products that we’ve had access to for years, and they frequently include an inline mic and remote buttons.
    I wish I could say I’m confident that this round of myth-busting will convince all those who listen out loud to change their ways — I suspect that’s unlikely. What I can do is share this brilliant scene from 1986’s Star Trek IV: The Voyage Home as a reminder that this is not a new problem.
    #please #just #buy #some #earbuds
    Please, just buy some earbuds
    The first time I encountered someone listening to their phone out loud in public, it was on a city bus and I was taken aback for two reasons. First, the volume level on the phone wasn’t just audible to the person sitting next to them; our entire section of the bus could hear it. Second, it was a FaceTime call, and neither the person on the bus, nor their caller seemed to be the slightest bit hesitant to carry on their conversation in public. In fact, they appeared completely oblivious. That was a few years ago. Since then, the problem of listening out loud has gotten much worse. I’ve encountered it in grocery stores, airport lounges, coffee shops, and even when just walking on the sidewalk. And it’s not just phone calls/FaceTime. Music, YouTube, TikTok, Instagram — you name it. If it’s got an audio track, I’ve heard it blaring from the speaker of someone’s phone. During a recent episode of the New York Times’ excellent tech podcast, Hard Fork, a listener referred to the problem as an epidemic, and I don’t think that’s hyperbole. Recommended Videos We all know the solution: just use a set of wired or wireless headphones or earbuds. It’s that simple. Except, maybe it’s not. I’ll give these folks the benefit of the doubt. Perhaps they’ve fallen victim to misinformation — myths about headphones and earbuds — and that’s the reason they do what they do. With that in mind, allow me to dispel a few of the more common misunderstandings about headphones and earbuds. They’re too expensive In 2016, when Apple launched the first-gen AirPods, wireless earbuds were indeed pricey gadgets. That was almost a decade ago, and since then, the market for wireless earbuds and headphones has become heavily commoditized. Yes, the biggest brands still sell their best products for hundreds of dollars, but there’s also an ocean of less expensive alternatives that can be had for as little as The affordable products aren’t worth buying Simon Cohen / Digital Trends Five or six years ago, I’d have strongly agreed with that statement. Today, it’s no longer true. Take Moondrop’s Space Travel earbuds as an example. I’ve been using these wireless earbuds for a month and they’re shockingly good for the basics. They’re comfy, they sound great, and they even provide a small amount of active noise cancellation. They’re also fine for calls, as long as it’s not too windy or noisy. Sure, they’re missing lots of the extras you’ll find on more expensive buds, like wireless charging, Multipoint, and wear sensors. Their battery life is similarly basic at just four hours per charge. But the point is, they do what we need every set of earbuds to do and they cost less than an average meal for a family of four at McDonalds. Even if you spend less than the odds are good that they’ll at least sound decent. They may not blow you away, but the days of truly awful sound are behind us. Here’s a list of the best wireless earbuds and headphones under I have an iPhone so I need AirPods Simon Cohen / Digital Trends I’m sure Apple would love it if this were true, but nope. Any set of Bluetooth earbuds or headphones will work with any iPhone. I’ve tested hundreds of these products and I’ve still never found one that wouldn’t connect to my iPhone. I’ve heard it said — even by those who should know better — that if you’re an iPhone owner, you should use AirPods because the connection is more reliable. I don’t know of any studies that demonstrate this and my own experience doesn’t back that belief up. However, it is true that when connection problems occur, they’re more often related to the design and engineering of the earbuds/headphones rather than the phone. And since Apple’s AirPods are — whether you like them or not — very well engineered for connection quality, they may be more reliable than lesser products. I can’t wear earbuds; they’re painful or they just fall out Simon Cohen / Digital Trends Now this is not a myth. A lot of people find it hard or impossible to keep earbuds in their ears simply because of how their anatomy is shaped. The good news is, there are now more options than ever, including the newest category of earbuds known as open-ear earbuds. Typically, earbuds are semi-open, which means they sit in front of your ear canal— think AirPods 4 — or, closed, which do seal the ear canal opening. Both types rely on contact with your ear’s concha to stay put. If you’ve got a tiny concha, or an irregularly shaped concha, these types of earbuds just won’t fit correctly, no matter what you do. However, open-ear earbuds are different. They come in two main styles: earhook and ear clip. Both position their speakers just outside of the ear canal, which eliminates any discomfort associated with having an object up against that area. Earhooks, as the name suggest, wrap around the top of your ear, while ear clips wrap around the side. If you’ve ever struggled to get a good fit with traditional wireless earbuds, open-ears are a superb alternative. Check out our list of the best open-ear earbuds for some suggested models. Just keep in mind, open-ears are, well, open: they can’t block any external sounds. This can be helpful for staying aware of your surroundings, having conversations with others, and they’re excellent for phone calls because you can hear your own voice naturally. But there will be times where those external noises are annoyingly intrusive — it’s just the nature of the beast. Alternatively, most people find wireless headphones very comfortable. I prefer wired earbuds/headphones but my phone doesn’t have a headphone jack Simon Cohen / Digital Trends It’s true. You’ll be hard pressed to find smartphones with headphone jacks unless you go for a niche product like the Sony Xperia 1 VII or the Moondrop MIAD01, which has not one, but two jacks. But that doesn’t mean you can’t connect a set of wired earbuds or headphones. In fact, you have several options. By far the easiest and most affordable way to go is with a USB-C-to-3.5mm adapter. These tiny and inexpensive accessories plug into your phone’s charging port and turn them into headphone jacks. Inside, each of these adapters has a digital-to-analog converter, which does the all of the heavy lifting of turning your phone’s digital music into something your headphones can reproduce as sound. These DACs are often basic, rarely exceeding 24-bit/48kHz, but for most folks, that’s more than enough quality. If you’re still rocking an iPhone with a Lightning port, don’t worry — there are plenty of adapters for your phone too. Apple makes one that’s just The only thing to double-check when you go to buy, is whether or not the adapter supports two-way audio, so you can continue using your earbuds’ or headphones’ inline mic for voice calls. A step up from simple adapter is a dedicated external DAC/amp. These devices are aimed at folks who care a great deal about audio quality and can range in price from to and up. Their biggest advantage is that they can process hi-res audio at the highest levelsand many of them are designed to work with audiophile-grade earbuds and headphones, which often require more voltage to sound their best. It’s rare for these devices to support two-way audio, so check the specs if that’s important. If you don’t already own a set of wired earbuds or headphones, you may want to look for some that come with a USB-C plug. These are becoming increasingly popular, and they basically stick a DAC with a USB-C plug at the end of their wire. Other than that one feature, they’re the same wired products that we’ve had access to for years, and they frequently include an inline mic and remote buttons. I wish I could say I’m confident that this round of myth-busting will convince all those who listen out loud to change their ways — I suspect that’s unlikely. What I can do is share this brilliant scene from 1986’s Star Trek IV: The Voyage Home as a reminder that this is not a new problem. #please #just #buy #some #earbuds
    WWW.DIGITALTRENDS.COM
    Please, just buy some earbuds
    The first time I encountered someone listening to their phone out loud in public, it was on a city bus and I was taken aback for two reasons. First, the volume level on the phone wasn’t just audible to the person sitting next to them; our entire section of the bus could hear it. Second, it was a FaceTime call, and neither the person on the bus, nor their caller seemed to be the slightest bit hesitant to carry on their conversation in public. In fact, they appeared completely oblivious. That was a few years ago. Since then, the problem of listening out loud has gotten much worse. I’ve encountered it in grocery stores, airport lounges, coffee shops, and even when just walking on the sidewalk. And it’s not just phone calls/FaceTime. Music, YouTube, TikTok, Instagram — you name it. If it’s got an audio track, I’ve heard it blaring from the speaker of someone’s phone. During a recent episode of the New York Times’ excellent tech podcast, Hard Fork, a listener referred to the problem as an epidemic, and I don’t think that’s hyperbole. Recommended Videos We all know the solution: just use a set of wired or wireless headphones or earbuds. It’s that simple. Except, maybe it’s not. I’ll give these folks the benefit of the doubt. Perhaps they’ve fallen victim to misinformation — myths about headphones and earbuds — and that’s the reason they do what they do. With that in mind, allow me to dispel a few of the more common misunderstandings about headphones and earbuds. They’re too expensive In 2016, when Apple launched the first-gen AirPods, wireless earbuds were indeed pricey gadgets. That was almost a decade ago, and since then, the market for wireless earbuds and headphones has become heavily commoditized. Yes, the biggest brands still sell their best products for hundreds of dollars, but there’s also an ocean of less expensive alternatives that can be had for as little as $20. The affordable products aren’t worth buying Simon Cohen / Digital Trends Five or six years ago, I’d have strongly agreed with that statement. Today, it’s no longer true. Take Moondrop’s Space Travel earbuds as an example. I’ve been using these $30 wireless earbuds for a month and they’re shockingly good for the basics. They’re comfy, they sound great, and they even provide a small amount of active noise cancellation (ANC). They’re also fine for calls, as long as it’s not too windy or noisy. Sure, they’re missing lots of the extras you’ll find on more expensive buds, like wireless charging, Multipoint, and wear sensors. Their battery life is similarly basic at just four hours per charge (12 total when you include their funky, transparent block of a charging case). But the point is, they do what we need every set of earbuds to do and they cost less than an average meal for a family of four at McDonalds. Even if you spend less than $30, the odds are good that they’ll at least sound decent. They may not blow you away, but the days of truly awful sound are behind us. Here’s a list of the best wireless earbuds and headphones under $100. I have an iPhone so I need AirPods Simon Cohen / Digital Trends I’m sure Apple would love it if this were true, but nope. Any set of Bluetooth earbuds or headphones will work with any iPhone. I’ve tested hundreds of these products and I’ve still never found one that wouldn’t connect to my iPhone. I’ve heard it said — even by those who should know better — that if you’re an iPhone owner, you should use AirPods because the connection is more reliable. I don’t know of any studies that demonstrate this and my own experience doesn’t back that belief up. However, it is true that when connection problems occur, they’re more often related to the design and engineering of the earbuds/headphones rather than the phone. And since Apple’s AirPods are — whether you like them or not — very well engineered for connection quality, they may be more reliable than lesser products. I can’t wear earbuds; they’re painful or they just fall out Simon Cohen / Digital Trends Now this is not a myth. A lot of people find it hard or impossible to keep earbuds in their ears simply because of how their anatomy is shaped. The good news is, there are now more options than ever, including the newest category of earbuds known as open-ear earbuds. Typically, earbuds are semi-open, which means they sit in front of your ear canal (but don’t seal it with silicone tips) — think AirPods 4 — or, closed, which do seal the ear canal opening (e.g. AirPods Pro). Both types rely on contact with your ear’s concha to stay put. If you’ve got a tiny concha, or an irregularly shaped concha, these types of earbuds just won’t fit correctly, no matter what you do. However, open-ear earbuds are different. They come in two main styles: earhook and ear clip. Both position their speakers just outside of the ear canal, which eliminates any discomfort associated with having an object up against that area. Earhooks, as the name suggest, wrap around the top of your ear (and provide a very secure fit), while ear clips wrap around the side. If you’ve ever struggled to get a good fit with traditional wireless earbuds, open-ears are a superb alternative. Check out our list of the best open-ear earbuds for some suggested models. Just keep in mind, open-ears are, well, open: they can’t block any external sounds. This can be helpful for staying aware of your surroundings, having conversations with others, and they’re excellent for phone calls because you can hear your own voice naturally. But there will be times where those external noises are annoyingly intrusive — it’s just the nature of the beast. Alternatively, most people find wireless headphones very comfortable. I prefer wired earbuds/headphones but my phone doesn’t have a headphone jack Simon Cohen / Digital Trends It’s true. You’ll be hard pressed to find smartphones with headphone jacks unless you go for a niche product like the Sony Xperia 1 VII or the Moondrop MIAD01, which has not one, but two jacks. But that doesn’t mean you can’t connect a set of wired earbuds or headphones. In fact, you have several options. By far the easiest and most affordable way to go is with a USB-C-to-3.5mm adapter. These tiny and inexpensive accessories plug into your phone’s charging port and turn them into headphone jacks. Inside, each of these adapters has a digital-to-analog converter (DAC), which does the all of the heavy lifting of turning your phone’s digital music into something your headphones can reproduce as sound. These DACs are often basic, rarely exceeding 24-bit/48kHz, but for most folks, that’s more than enough quality. If you’re still rocking an iPhone with a Lightning port, don’t worry — there are plenty of adapters for your phone too. Apple makes one that’s just $10. The only thing to double-check when you go to buy, is whether or not the adapter supports two-way audio, so you can continue using your earbuds’ or headphones’ inline mic for voice calls. A step up from simple adapter is a dedicated external DAC/amp. These devices are aimed at folks who care a great deal about audio quality and can range in price from $50 to $450 and up. Their biggest advantage is that they can process hi-res audio at the highest levels (typically up to 24-bit/192kHz or higher) and many of them are designed to work with audiophile-grade earbuds and headphones, which often require more voltage to sound their best (that’s the amp part). It’s rare for these devices to support two-way audio, so check the specs if that’s important. If you don’t already own a set of wired earbuds or headphones, you may want to look for some that come with a USB-C plug. These are becoming increasingly popular, and they basically stick a DAC with a USB-C plug at the end of their wire. Other than that one feature, they’re the same wired products that we’ve had access to for years, and they frequently include an inline mic and remote buttons. I wish I could say I’m confident that this round of myth-busting will convince all those who listen out loud to change their ways — I suspect that’s unlikely. What I can do is share this brilliant scene from 1986’s Star Trek IV: The Voyage Home as a reminder that this is not a new problem.
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  • Stability AI Introduces Adversarial Relativistic-Contrastive (ARC) Post-Training and Stable Audio Open Small: A Distillation-Free Breakthrough for Fast, Diverse, and Efficient Text-to-Audio Generation Across Devices

    Text-to-audio generation has emerged as a transformative approach for synthesizing sound directly from textual prompts, offering practical use in music production, gaming, and virtual experiences. Under the hood, these models typically employ Gaussian flow-based techniques such as diffusion or rectified flows. These methods model the incremental steps that transition from random noise to structured audio. While highly effective in producing high-quality soundscapes, the slow inference speeds have posed a barrier to real-time interactivity. It is particularly limiting when creative users expect an instrument-like responsiveness from these tools.
    Latency is the primary issue with these systems. Current text-to-audio models can take several seconds or even minutes to generate a few seconds of audio. The core bottleneck lies in their step-based inference architecture, requiring between 50 and 100 iterations per output. Previous acceleration strategies focus on distillation methods where smaller models are trained under the supervision of larger teacher models to replicate multi-step inference in fewer steps. However, these distillation methods are computationally expensive. They demand large-scale storage for intermediate training outputs or require simultaneous operation of several models in memory, which hinders their adoption, especially on mobile or edge devices. Also, such methods often sacrifice output diversity and introduce over-saturation artifacts.
    While a few adversarial post-training methods have been attempted to bypass the cost of distillation, their success has been limited. Most existing implementations rely on partial distillation for initialization or do not scale well to complex audio synthesis. Also, audio applications have seen fewer fully adversarial solutions. Tools like Presto integrate adversarial objectives but still depend on teacher models and CFG-based training for prompt adherence, which restricts their generative diversity.
    Researchers from UC San Diego, Stability AI, and Arm introduced Adversarial Relativistic-Contrastivepost-training. This approach sidesteps the need for teacher models, distillation, or classifier-free guidance. Instead, ARC enhances an existing pre-trained rectified flow generator by integrating two novel training objectives: a relativistic adversarial loss and a contrastive discriminator loss. These help the generator produce high-fidelity audio in fewer steps while maintaining strong alignment with text prompts. When paired with the Stable Audio Openframework, the result was a system capable of generating 12 seconds of 44.1 kHz stereo audio in only 75 milliseconds on an H100 GPU and around 7 seconds on mobile devices.
    With ARC methodology, they introducedStable Audio Open Small, a compact and efficient version of SAO tailored for resource-constrained environments. This model contains 497 million parameters and uses an architecture built on a latent diffusion transformer. It consists of three main components: a waveform-compressing autoencoder, a T5-based text embedding system for semantic conditioning, and a DiTthat operates within the latent space of the autoencoder. Stable Audio Open Small can generate stereo audio up to 11 seconds long at 44.1 kHz. It is designed to be deployed using the ‘stable-audio-tools’ library and supports ping-pong sampling, enabling efficient few-step generation. The model demonstrated exceptional inference efficiency, achieving generation speeds of under 7 seconds on a Vivo X200 Pro phone after applying dynamic Int8 quantization, which also cut RAM usage from 6.5GB to 3.6 GB. This makes it especially viable for on-device creative applications like mobile audio tools and embedded systems.

    The ARC training approach involves replacing the traditional L2 loss with an adversarial formulation where generated and real samples, paired with identical prompts, are evaluated by a discriminator trained to distinguish between them. A contrastive objective teaches the discriminator to rank accurate audio-text pairs higher than mismatched ones to improve prompt relevance. These paired objectives eliminate the need for CFG while achieving better prompt adherence. Also, ARC adopts ping-pong sampling to refine the audio output through alternating denoising and re-noising cycles, reducing inference steps without compromising quality.
    ARC’s performance was evaluated extensively. In objective tests, it achieved an FDopenl3 score of 84.43, a KLpasst score of 2.24, and a CLAP score of 0.27, indicating balanced quality and semantic precision. Diversity was notably strong, with a CLAP Conditional Diversity Scoreof 0.41. Real-Time Factor reached 156.42, reflecting outstanding generation speed, while GPU memory usage remained at a practical 4.06 GB. Subjectively, ARC scored 4.4 for diversity, 4.2 for quality, and 4.2 for prompt adherence in human evaluations involving 14 participants. Unlike distillation-based models like Presto, which scored higher on quality but dropped to 2.7 on diversity, ARC presented a more balanced and practical solution.

    Several Key Takeaways from the Research by Stability AI on Adversarial Relativistic-Contrastivepost-training and  Stable Audio Open Small include: 

    ARC post-training avoids distillation and CFG, relying on adversarial and contrastive losses.
    ARC generates 12s of 44.1 kHz stereo audio in 75ms on H100 and 7s on mobile CPUs.
    It achieves 0.41 CLAP Conditional Diversity Score, the highest among tested models.
    Subjective scores: 4.4, 4.2, and 4.2.
    Ping-pong sampling enables few-step inference while refining output quality.
    Stable Audio Open Small offers 497M parameters, supports 8-step generation, and is compatible with mobile deployments.
    On Vivo X200 Pro, inference latency dropped from 15.3s to 6.6s with half the memory.
    ARC and SAO Small provide real-time solutions for music, games, and creative tools.

    In conclusion, the combination of ARC post-training and Stable Audio Open Small eliminates the reliance on resource-intensive distillation and classifier-free guidance, enabling researchers to deliver a streamlined adversarial framework that accelerates inference without compromising output quality or prompt adherence. ARC enables fast, diverse, and semantically rich audio synthesis in high-performance and mobile environments. With Stable Audio Open Small optimized for lightweight deployment, this research lays the groundwork for integrating responsive, generative audio tools into everyday creative workflows, from professional sound design to real-time applications on edge devices.

    Check out the Paper, GitHub Page and Model on Hugging Face. All credit for this research goes to the researchers of this project. Also, feel free to follow us on Twitter and don’t forget to join our 90k+ ML SubReddit.
    Mohammad AsjadAsjad is an intern consultant at Marktechpost. He is persuing B.Tech in mechanical engineering at the Indian Institute of Technology, Kharagpur. Asjad is a Machine learning and deep learning enthusiast who is always researching the applications of machine learning in healthcare.Mohammad Asjadhttps://www.marktechpost.com/author/mohammad_asjad/Meta AI Introduces CATransformers: A Carbon-Aware Machine Learning Framework to Co-Optimize AI Models and Hardware for Sustainable Edge DeploymentMohammad Asjadhttps://www.marktechpost.com/author/mohammad_asjad/Enterprise AI Without GPU Burn: Salesforce’s xGen-small Optimizes for Context, Cost, and PrivacyMohammad Asjadhttps://www.marktechpost.com/author/mohammad_asjad/ServiceNow AI Released Apriel-Nemotron-15b-Thinker: A Compact Yet Powerful Reasoning Model Optimized for Enterprise-Scale Deployment and EfficiencyMohammad Asjadhttps://www.marktechpost.com/author/mohammad_asjad/Researchers from Fudan University Introduce Lorsa: A Sparse Attention Mechanism That Recovers Atomic Attention Units Hidden in Transformer Superposition
    #stability #introduces #adversarial #relativisticcontrastive #arc
    Stability AI Introduces Adversarial Relativistic-Contrastive (ARC) Post-Training and Stable Audio Open Small: A Distillation-Free Breakthrough for Fast, Diverse, and Efficient Text-to-Audio Generation Across Devices
    Text-to-audio generation has emerged as a transformative approach for synthesizing sound directly from textual prompts, offering practical use in music production, gaming, and virtual experiences. Under the hood, these models typically employ Gaussian flow-based techniques such as diffusion or rectified flows. These methods model the incremental steps that transition from random noise to structured audio. While highly effective in producing high-quality soundscapes, the slow inference speeds have posed a barrier to real-time interactivity. It is particularly limiting when creative users expect an instrument-like responsiveness from these tools. Latency is the primary issue with these systems. Current text-to-audio models can take several seconds or even minutes to generate a few seconds of audio. The core bottleneck lies in their step-based inference architecture, requiring between 50 and 100 iterations per output. Previous acceleration strategies focus on distillation methods where smaller models are trained under the supervision of larger teacher models to replicate multi-step inference in fewer steps. However, these distillation methods are computationally expensive. They demand large-scale storage for intermediate training outputs or require simultaneous operation of several models in memory, which hinders their adoption, especially on mobile or edge devices. Also, such methods often sacrifice output diversity and introduce over-saturation artifacts. While a few adversarial post-training methods have been attempted to bypass the cost of distillation, their success has been limited. Most existing implementations rely on partial distillation for initialization or do not scale well to complex audio synthesis. Also, audio applications have seen fewer fully adversarial solutions. Tools like Presto integrate adversarial objectives but still depend on teacher models and CFG-based training for prompt adherence, which restricts their generative diversity. Researchers from UC San Diego, Stability AI, and Arm introduced Adversarial Relativistic-Contrastivepost-training. This approach sidesteps the need for teacher models, distillation, or classifier-free guidance. Instead, ARC enhances an existing pre-trained rectified flow generator by integrating two novel training objectives: a relativistic adversarial loss and a contrastive discriminator loss. These help the generator produce high-fidelity audio in fewer steps while maintaining strong alignment with text prompts. When paired with the Stable Audio Openframework, the result was a system capable of generating 12 seconds of 44.1 kHz stereo audio in only 75 milliseconds on an H100 GPU and around 7 seconds on mobile devices. With ARC methodology, they introducedStable Audio Open Small, a compact and efficient version of SAO tailored for resource-constrained environments. This model contains 497 million parameters and uses an architecture built on a latent diffusion transformer. It consists of three main components: a waveform-compressing autoencoder, a T5-based text embedding system for semantic conditioning, and a DiTthat operates within the latent space of the autoencoder. Stable Audio Open Small can generate stereo audio up to 11 seconds long at 44.1 kHz. It is designed to be deployed using the ‘stable-audio-tools’ library and supports ping-pong sampling, enabling efficient few-step generation. The model demonstrated exceptional inference efficiency, achieving generation speeds of under 7 seconds on a Vivo X200 Pro phone after applying dynamic Int8 quantization, which also cut RAM usage from 6.5GB to 3.6 GB. This makes it especially viable for on-device creative applications like mobile audio tools and embedded systems. The ARC training approach involves replacing the traditional L2 loss with an adversarial formulation where generated and real samples, paired with identical prompts, are evaluated by a discriminator trained to distinguish between them. A contrastive objective teaches the discriminator to rank accurate audio-text pairs higher than mismatched ones to improve prompt relevance. These paired objectives eliminate the need for CFG while achieving better prompt adherence. Also, ARC adopts ping-pong sampling to refine the audio output through alternating denoising and re-noising cycles, reducing inference steps without compromising quality. ARC’s performance was evaluated extensively. In objective tests, it achieved an FDopenl3 score of 84.43, a KLpasst score of 2.24, and a CLAP score of 0.27, indicating balanced quality and semantic precision. Diversity was notably strong, with a CLAP Conditional Diversity Scoreof 0.41. Real-Time Factor reached 156.42, reflecting outstanding generation speed, while GPU memory usage remained at a practical 4.06 GB. Subjectively, ARC scored 4.4 for diversity, 4.2 for quality, and 4.2 for prompt adherence in human evaluations involving 14 participants. Unlike distillation-based models like Presto, which scored higher on quality but dropped to 2.7 on diversity, ARC presented a more balanced and practical solution. Several Key Takeaways from the Research by Stability AI on Adversarial Relativistic-Contrastivepost-training and  Stable Audio Open Small include:  ARC post-training avoids distillation and CFG, relying on adversarial and contrastive losses. ARC generates 12s of 44.1 kHz stereo audio in 75ms on H100 and 7s on mobile CPUs. It achieves 0.41 CLAP Conditional Diversity Score, the highest among tested models. Subjective scores: 4.4, 4.2, and 4.2. Ping-pong sampling enables few-step inference while refining output quality. Stable Audio Open Small offers 497M parameters, supports 8-step generation, and is compatible with mobile deployments. On Vivo X200 Pro, inference latency dropped from 15.3s to 6.6s with half the memory. ARC and SAO Small provide real-time solutions for music, games, and creative tools. In conclusion, the combination of ARC post-training and Stable Audio Open Small eliminates the reliance on resource-intensive distillation and classifier-free guidance, enabling researchers to deliver a streamlined adversarial framework that accelerates inference without compromising output quality or prompt adherence. ARC enables fast, diverse, and semantically rich audio synthesis in high-performance and mobile environments. With Stable Audio Open Small optimized for lightweight deployment, this research lays the groundwork for integrating responsive, generative audio tools into everyday creative workflows, from professional sound design to real-time applications on edge devices. Check out the Paper, GitHub Page and Model on Hugging Face. All credit for this research goes to the researchers of this project. Also, feel free to follow us on Twitter and don’t forget to join our 90k+ ML SubReddit. Mohammad AsjadAsjad is an intern consultant at Marktechpost. He is persuing B.Tech in mechanical engineering at the Indian Institute of Technology, Kharagpur. Asjad is a Machine learning and deep learning enthusiast who is always researching the applications of machine learning in healthcare.Mohammad Asjadhttps://www.marktechpost.com/author/mohammad_asjad/Meta AI Introduces CATransformers: A Carbon-Aware Machine Learning Framework to Co-Optimize AI Models and Hardware for Sustainable Edge DeploymentMohammad Asjadhttps://www.marktechpost.com/author/mohammad_asjad/Enterprise AI Without GPU Burn: Salesforce’s xGen-small Optimizes for Context, Cost, and PrivacyMohammad Asjadhttps://www.marktechpost.com/author/mohammad_asjad/ServiceNow AI Released Apriel-Nemotron-15b-Thinker: A Compact Yet Powerful Reasoning Model Optimized for Enterprise-Scale Deployment and EfficiencyMohammad Asjadhttps://www.marktechpost.com/author/mohammad_asjad/Researchers from Fudan University Introduce Lorsa: A Sparse Attention Mechanism That Recovers Atomic Attention Units Hidden in Transformer Superposition #stability #introduces #adversarial #relativisticcontrastive #arc
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    Stability AI Introduces Adversarial Relativistic-Contrastive (ARC) Post-Training and Stable Audio Open Small: A Distillation-Free Breakthrough for Fast, Diverse, and Efficient Text-to-Audio Generation Across Devices
    Text-to-audio generation has emerged as a transformative approach for synthesizing sound directly from textual prompts, offering practical use in music production, gaming, and virtual experiences. Under the hood, these models typically employ Gaussian flow-based techniques such as diffusion or rectified flows. These methods model the incremental steps that transition from random noise to structured audio. While highly effective in producing high-quality soundscapes, the slow inference speeds have posed a barrier to real-time interactivity. It is particularly limiting when creative users expect an instrument-like responsiveness from these tools. Latency is the primary issue with these systems. Current text-to-audio models can take several seconds or even minutes to generate a few seconds of audio. The core bottleneck lies in their step-based inference architecture, requiring between 50 and 100 iterations per output. Previous acceleration strategies focus on distillation methods where smaller models are trained under the supervision of larger teacher models to replicate multi-step inference in fewer steps. However, these distillation methods are computationally expensive. They demand large-scale storage for intermediate training outputs or require simultaneous operation of several models in memory, which hinders their adoption, especially on mobile or edge devices. Also, such methods often sacrifice output diversity and introduce over-saturation artifacts. While a few adversarial post-training methods have been attempted to bypass the cost of distillation, their success has been limited. Most existing implementations rely on partial distillation for initialization or do not scale well to complex audio synthesis. Also, audio applications have seen fewer fully adversarial solutions. Tools like Presto integrate adversarial objectives but still depend on teacher models and CFG-based training for prompt adherence, which restricts their generative diversity. Researchers from UC San Diego, Stability AI, and Arm introduced Adversarial Relativistic-Contrastive (ARC) post-training. This approach sidesteps the need for teacher models, distillation, or classifier-free guidance. Instead, ARC enhances an existing pre-trained rectified flow generator by integrating two novel training objectives: a relativistic adversarial loss and a contrastive discriminator loss. These help the generator produce high-fidelity audio in fewer steps while maintaining strong alignment with text prompts. When paired with the Stable Audio Open (SAO) framework, the result was a system capable of generating 12 seconds of 44.1 kHz stereo audio in only 75 milliseconds on an H100 GPU and around 7 seconds on mobile devices. With ARC methodology, they introducedStable Audio Open Small, a compact and efficient version of SAO tailored for resource-constrained environments. This model contains 497 million parameters and uses an architecture built on a latent diffusion transformer. It consists of three main components: a waveform-compressing autoencoder, a T5-based text embedding system for semantic conditioning, and a DiT (Diffusion Transformer) that operates within the latent space of the autoencoder. Stable Audio Open Small can generate stereo audio up to 11 seconds long at 44.1 kHz. It is designed to be deployed using the ‘stable-audio-tools’ library and supports ping-pong sampling, enabling efficient few-step generation. The model demonstrated exceptional inference efficiency, achieving generation speeds of under 7 seconds on a Vivo X200 Pro phone after applying dynamic Int8 quantization, which also cut RAM usage from 6.5GB to 3.6 GB. This makes it especially viable for on-device creative applications like mobile audio tools and embedded systems. The ARC training approach involves replacing the traditional L2 loss with an adversarial formulation where generated and real samples, paired with identical prompts, are evaluated by a discriminator trained to distinguish between them. A contrastive objective teaches the discriminator to rank accurate audio-text pairs higher than mismatched ones to improve prompt relevance. These paired objectives eliminate the need for CFG while achieving better prompt adherence. Also, ARC adopts ping-pong sampling to refine the audio output through alternating denoising and re-noising cycles, reducing inference steps without compromising quality. ARC’s performance was evaluated extensively. In objective tests, it achieved an FDopenl3 score of 84.43, a KLpasst score of 2.24, and a CLAP score of 0.27, indicating balanced quality and semantic precision. Diversity was notably strong, with a CLAP Conditional Diversity Score (CCDS) of 0.41. Real-Time Factor reached 156.42, reflecting outstanding generation speed, while GPU memory usage remained at a practical 4.06 GB. Subjectively, ARC scored 4.4 for diversity, 4.2 for quality, and 4.2 for prompt adherence in human evaluations involving 14 participants. Unlike distillation-based models like Presto, which scored higher on quality but dropped to 2.7 on diversity, ARC presented a more balanced and practical solution. Several Key Takeaways from the Research by Stability AI on Adversarial Relativistic-Contrastive (ARC) post-training and  Stable Audio Open Small include:  ARC post-training avoids distillation and CFG, relying on adversarial and contrastive losses. ARC generates 12s of 44.1 kHz stereo audio in 75ms on H100 and 7s on mobile CPUs. It achieves 0.41 CLAP Conditional Diversity Score, the highest among tested models. Subjective scores: 4.4 (diversity), 4.2 (quality), and 4.2 (prompt adherence). Ping-pong sampling enables few-step inference while refining output quality. Stable Audio Open Small offers 497M parameters, supports 8-step generation, and is compatible with mobile deployments. On Vivo X200 Pro, inference latency dropped from 15.3s to 6.6s with half the memory. ARC and SAO Small provide real-time solutions for music, games, and creative tools. In conclusion, the combination of ARC post-training and Stable Audio Open Small eliminates the reliance on resource-intensive distillation and classifier-free guidance, enabling researchers to deliver a streamlined adversarial framework that accelerates inference without compromising output quality or prompt adherence. ARC enables fast, diverse, and semantically rich audio synthesis in high-performance and mobile environments. With Stable Audio Open Small optimized for lightweight deployment, this research lays the groundwork for integrating responsive, generative audio tools into everyday creative workflows, from professional sound design to real-time applications on edge devices. Check out the Paper, GitHub Page and Model on Hugging Face. All credit for this research goes to the researchers of this project. Also, feel free to follow us on Twitter and don’t forget to join our 90k+ ML SubReddit. Mohammad AsjadAsjad is an intern consultant at Marktechpost. He is persuing B.Tech in mechanical engineering at the Indian Institute of Technology, Kharagpur. Asjad is a Machine learning and deep learning enthusiast who is always researching the applications of machine learning in healthcare.Mohammad Asjadhttps://www.marktechpost.com/author/mohammad_asjad/Meta AI Introduces CATransformers: A Carbon-Aware Machine Learning Framework to Co-Optimize AI Models and Hardware for Sustainable Edge DeploymentMohammad Asjadhttps://www.marktechpost.com/author/mohammad_asjad/Enterprise AI Without GPU Burn: Salesforce’s xGen-small Optimizes for Context, Cost, and PrivacyMohammad Asjadhttps://www.marktechpost.com/author/mohammad_asjad/ServiceNow AI Released Apriel-Nemotron-15b-Thinker: A Compact Yet Powerful Reasoning Model Optimized for Enterprise-Scale Deployment and EfficiencyMohammad Asjadhttps://www.marktechpost.com/author/mohammad_asjad/Researchers from Fudan University Introduce Lorsa: A Sparse Attention Mechanism That Recovers Atomic Attention Units Hidden in Transformer Superposition
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