Brett Ryder / Getty Because we live our lives entirely in our own heads, understanding the contents of someone else’s — and how radically their experience might differ from our own — is hard. New research, though, is revealing just how diverse the human imagination can be. Take the concept of a “mind’s eye”. You might take being able to conjure up mental images in your imagination as a given. But research from myself and others has shown that 1 to 4 per cent of the population have aphantasia, meaning they lack wakeful visual imagery – ask them to “see” a hippo floating down a river on a pink lilo, and nothing happens. (Most people with aphantasia experience visual imagery in their dreams, however.) This article is part of a special series exploring the radical potential of the human imagination. Read more here. Living with aphantasia Aphantasia is often associated with a “thinner” than usual memory for personal past or autobiographical events, and sometimes with autism and difficulties with face recognition. People with aphantasia are more likely than those with exceptionally vivid imagery to work in STEM areas. They often report that close relatives are also aphantasic, hinting at a genetic basis. Aphantasia may be protective in some ways, possibly offering some defence against medical conditions involving imagery, like post-traumatic stress disorder (PTSD). Fully understanding the brain signatures of aphantasia is a work in progress, but five papers published this year and last have begun to help us untangle what is going on. One brain-imaging study, for example, has shown how the regions associated with visual imagery do fire in those with aphantasia, but…

Disney’s latest live-action remake, Lilo & Stitch, is a huge box-office hit, grossing hundreds of millions of dollars worldwide in a matter of days. But the movie has only gotten so-so reviews from critics and some audiences — and that follows Disney’s Snow White, which bombed at the box office and got even worse reviews from critics. That follows Disney’s Mufasa: The Lion King, which followed a similar pattern, grossing a fraction of what the first live-action Lion King earned in theaters.Why does this keep happening? That’s the subject of our latest Disney video, which looks at all these recent Disney live-action remakes to identify issues that keep repeating throughout all of them. We’ll also discuss the difference between remake and adaptation (trust us, they’re very different), and explore what Disney could do to make these movies better moving forward.Watch our full breakdown of Disney’s live-action remake problem below:READ MORE: The Best Disney+ Movies You Haven’t SeenIf you liked that video on the problems we keep having with Disney’s live-action remakes, check out more of our videos below, including one on why Disney can’t let go of their past, one on the worst Disney sequels ever, and the one huge difference between Disney villains and Pixar villains. Plus, there’s tons more videos over at ScreenCrush’s YouTube channel. Be sure to subscribe to catch all our future episodes. Lilo & Stitch is now playing in theaters everywhere.Get our free mobile app10 Disney Movies That Deserve Their Own RidesHere are 10 Disney movies that we think would make particularly great theme park rides, whether it be a dark ride, flume ride, or rollercoaster.

We’re not sure if he chose to accept it intentionally or not, but Tom Cruise has cleared his mission in providing movie theaters with a healthy opening weekend against Disney’s bizarre, Elvis-loving alien for the second time in 23 years. Yep, more than two decades after Cruise shared the same opening frame with the animated Lilo & Stitch in 2002—when the hand-drawn Gen-Z classic went head to head with Cruise and Steven Spielberg’s neo noir sci-fi, Minority Report—the movie star has danced with the little space dude again via Mission: Impossible – The Final Reckoning opening opposite the Lilo & Stitch remake. And this time, the pecking order is reversed. Twenty-three years ago, it was considered almost ho-hum when Minority Report topped out above Lilo & Stitch and both films managed to gross north of $35 million. This was otherwise business as usual in a healthy summer movie season where the real anomaly was that the first Spider-Man had become the first movie to cross the $100 million in a weekend a month earlier. At the time, Minority Report did slightly better with $35.7 million versus Lilo’s $35.2 million. But in the year of our streaming lord 2025, it’s a big win for movie theaters that both Final Reckoning and ESPECIALLY Disney’s mostly live-action remake have generated the biggest Memorial Day weekend ever in the U.S., albeit now with Lilo on top via its estimated $180 million opening across four days. For the record, this also snags another benchmark from Cruise by taking the biggest Memorial Day opening record from Top Gun: Maverick ($161 million in 2022). Furthermore, Lilo earned a jaw-dropping $342 million worldwide. Meanwhile Mission: Impossible – The Final Reckoning is projected to have opened at $77 million across its first four days, and $63 million over the first three days. Some will likely speculate how this can make up for the much gossiped about budget of the film—with Puck News estimating the eighth Mission film costing a gargantuan $400 million—but taken in perspective of the whole franchise, this is a very good start for The Final Reckoning, which was a victim of filming both COVID pauses and delays, and then later having to suspend production because of the 2023 labor strikes. For context, the previously best opening the M:I series ever saw was when Mission: Impossible – Fallout debuted to $61 million during a conventional three-day weekend in 2018. That movie also is one of the finest action films ever produced and received an “A” CinemaScore. In retrospect, it would seem when a masterpiece of blockbuster cinema like that could not clear $70 million, a definite ceiling on the franchise’s earning potential had slowly materialized in recent years. Consider that the previous best opening in the series was Mission: Impossible II back in 2000, a clean quarter-century ago, when it made $58 million (or about $108 million in 2025 dollars). In other words, the series’ most popular days are long behind it. Nonetheless, when not counting for inflation, The Final Reckoning has enjoyed the largest opening weekend in the series’ history—including even when you discount the holiday Monday that buoys The Final Reckoning’s opening weekend to $77 million. In one sense, this proves that the goodwill Cruise and Ethan Hunt can still generate with his most loyal audience remains sky high (consider that according to Deadline, Final Reckoning’s biggest demo was with audience members over the age of 55!). In another, it is also confirmation that regaining control of IMAX screens is crucial in the 2020s for a blockbuster with a loyal but relatively contained audience. After all, this is a big gain for the franchise over Dead Reckoning, which despite having a higher CinemaScore grade from audiences polled than Final Reckoning (an “A” vs. an “A-”) opened below $55 million two years, likely in part because audiences were saving their ticket-buying money for Barbenheimer the following weekend, which included Christopher Nolan’s Oppenheimer commandeering all the IMAX screens from Mission. At the end of the day, The Final Reckoning was able to grow business and audience interest over Dead Reckoning and set a franchise record in spite of opening in the same weekend as Disney’s lovable little alien. Whether it is enough to justify the rumored $400 million price tag is a horse of a different color. However, Cruise has positioned himself as such a champion of movie theater owners and the box office in a post-COVID world that he can certainly take a victory lap in helping deliver a historic win for the industry this Memorial Day. And frankly, given how we remain skeptical that The Final Reckoning

We’ve got two major Hollywood movies this holiday weekend, Mission: Impossible—The Final Reckoning and Lilo & Stitch, and they’re both killing it in theaters. Per Variety, the two films have made for the “largest Memorial Day holiday in history.” At $341.7 million worldwide, Lilo has blown well past initial projections and its current domestic take of $145.5 million has replaced Top Gun: Maverick (which earned $160 million through all four days in 2022) as Memorial Day’s best opening weekend.  Domestically, it’s the second-best holiday weekend start behind Black Panther’s $242 million during Presidents Day 2018. Lilo is one of the biggest debuts for Disney’s live-action remakes, just behind 2019’s The Lion King and 2017’s Beauty & the Beast, which respectively grossed $191 million and $174 million, but it’s likely to earn $183 million by the end of the four-day weekend. Meanwhile, Final Reckoning opened to $190 million worldwide. It released a week prior in Australia, South Korea, and other territories, so its international audience made up $127 million’s worth of that haul. By weekend’s end, its $63 million domestic take may jump up to $77 million, a new record for the Mission: Impossible series. Both films have received strong critical and audience reception, helped by growing momentum ahead of their releases. Nostalgia drives both movies: Lilo is based on Disney’s 23-year-old classic, and Reckoning may be the last film in the series, or just the last to star Tom Cruise’s Ethan Hunt. Regardless, audiences are going out in droves to see movies this weekend, including holdovers like Final Destination Bloodlines, Sinners, and Thunderbolts. Variety noted it’s been over a decade since people went to the theaters this much during Memorial Day, and a marked improvement from 2024’s weaker showing of Furiosa and Garfield. And the summer season continues with Ballerina, How to Train Your Dragon, and 28 Years Later in June, followed by Superman and Fantastic Four in July. Let us know what you thought of Mission: Impossible and Lilo & Stitch in the comments below. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

This weekend is a major one for new movies, with the release of Mission: Impossible – The Final Reckoning and Disney’s live-action Lilo & Stitch remake in theaters. But even if you carved out two days for two major blockbusters, good news: Monday is Memorial Day. So why not spend your three-day weekend sneaking in one more movie? Per usual, a handful of worthwhile titles are leaving Netflix on June 1. Here are five you may want to catch before they’re shipped off to another platform or disappear into the pit of VOD, where you are unlikely to rent them. Cult of Chucky (2017) Is Child’s Play/Chucky the most underestimated horror franchise? Thanks to writer-director Don Mancini’s 37-year commitment to shaking up his slasher formula with each new installment, it’s certainly up there, even in the series’ direct-to-video era. Cult of Chucky picks up shortly after the events of 2013’s Curse of Chucky, which saw the murderous ginger doll stalk Nica Pierce (Fiona Dourif, daughter of Chucky voice actor Brad Dourif!) and slay her whole family. When the police arrive, Nica is ultimately charged with the murders, and hauled away to an institution. In Cult of Chucky, an abusive psychiatrist has convinced her she really was the perpetrator of the crime and Chucky was all in her head — until the doll shows up to kill more people. It’s bloodsplatteringly twisted fun. Mancini finds ways to get multiple Chucky dolls in the mix, and up the gross-out humor a few notches. Enjoy, sickos. Den of Thieves (2018) If you have yet to meet Big Nick (Gerard Butler), king of the scuzzy cops, hurry up: The terrific Den of Thieves 2: Pantera is also on Netflix, but you only have a week to catch the first installment in the series. Writer-director Christian Gudegast gives Heat a dirtbag makeover, as Butler’s bleary, on-the-verge-of-divorce antihero hunts down a team of ex-Marines who are pulling off elaborate bank heists. Pablo Schreiber (Halo) is piercing as Ray, the leader of the criminal operation, while O’Shea Jackson Jr. and 50 Cent give the Ocean’s 11-esque team its needed swagger. But Butler as Nick, bumbling around and failing at life, carries the movie, bringing in an unexpected amount of emotion as the story barrels toward its big Federal Reserve set piece. At 140 grimy, gun-heavy minutes, no one is really making movies like Den of Thieves at the moment. Ma (2019) Maaaaaaaaaaaa. Blumhouse understandably pitched this psychological horror film from [checks notes] The Help director Tate Taylor??? as “from the producer of Get Out and Halloween,” but Ma is much goofier and more meme-friendly than either of those movies — and for the better. It all lands thanks to Oscar-winner Octavia Spencer, whose vindictive, violent Sue Ann is on the wavelength of Kathy Bates’ Annie Wilkes in Misery and Glenn Close’s Alex Forrest in Fatal Attraction. At first, “Ma” is a local legend for buying kids alcohol and giving them a safe haven to party. But Sue Ann has an ulterior motive, and — well, shit goes down. Culture writers have found plenty beneath the surface of Ma over the years, especially in regard to how it grapples with race. But if that sounds heady, good news: the melodramatic horror surface is great, too. Ramayya Vasthavayya (2013) Fans of Indian action should check out this revenge thriller starring N.T. Rama Rao Jr. (RRR), who really seems to exist to walk in slow motion while preparing to beat the crap out of someone, so it’s good that we invented movies in time for his arrival on this planet. Compared to the hyper-stylish RRR or the playful action-comedy Mard Ko Dard Nahi Hota (aka The Man Who Feels No Pain), Ramayya Vasthavayya is pretty basic. Nandu (NTR) is falling hard for Akarsha (played by Indian mega-star Samantha) but he also has some secrets that means he will eventually need to cut people down with a machete. But boy, does director Harish Shankar make NTR look good doing it! Whether he’s getting smacked across the face with a lead pipe or pounding some goons, the actor delivers what the camera needs. Unhinged (2020) Much like Quentin Tarantino, we here at Polygon endorse Russell Crowe’s released-during-pandemic-times-and-therefore-seen-by-too-few-people movie Unhinged. Crowe is actually the villain in this road-rage horror-thriller, which stars Caren Pistorius as an overworked single mother who crosses paths with the wrong brute while rushing to get her son to school one morning. The title is apt: Crowe’s “The Man” is quite unhinged! And instead of brushing off the beeping car behind him, he goes full Duel on the unsuspecting mom. Crowe seems as committed to playing an animalistic terror as he was committed to playing Maximus in Gladiator, and yet he surprisingly did not win another Oscar for his work in Unhinged. 

Start SlideshowStart SlideshowDisney has enchanted us for decades with its resplendent animation and fantastical stories of princesses, wicked witches, and fire-breathing dragons, but music has always been its most indelible sprinkle of pixie dust. There are songs that move us, make us dance, and help us understand the characters that have already been so lovingly drawn. With over 350 songs in the Disney canon, it’s nearly impossible to narrow them down, but we’ve chosen the 23 in honor of the year 1923, when Walt Disney founded the company. These songs are the most magical and remind us why Disney has endured for over a century.Previous SlideNext Slide2 / 25List slides23. “Whistle While You Work” from Snow White and the Seven DwarfsList slides23. “Whistle While You Work” from Snow White and the Seven DwarfsWhistle While You Work - Snow White and the Seven Dwarfs Larry Morey and Frank Churchill’s merry tune about finding the joy in the most mundane of chores is quite simple, with only nine lines, yet incredibly catchy. Adriana Caselotti’s warbling, baby voice is fitting for this old-fashioned, operetta-style number and the entire sequence that features the big-eyed, adorable forest creatures helping her out. The squirrels sweep the dust with their tails, and the raccoons wash dirty clothes in a nearby watering hole to every sprightly beat. It’s difficult not to be beguiled by this little ditty, and you’ll find yourself humming it the next time you do your spring cleaning. Previous SlideNext Slide3 / 25List slides22. “The Family Madrigal” from EncantoList slides22. “The Family Madrigal” from EncantoStephanie Beatriz, Olga Merediz, Encanto - Cast - The Family Madrigal (From “Encanto”) Lin-Manuel Miranda’s fingerprints are all over modern Disney soundtracks. He is a master at crafting clever, fast-paced, and genre-blending earworms. The biggest ones to emerge from Encanto are “We Don’t Talk About Bruno” and “Surface Pressure,” where he blends classic Broadway stylings with punchier salsa and reggaeton genres. “The Family Madrigal” may not have reached the same level of pop culture infamy as the other songs in this film, but it’s a clever and economical way to introduce the Madrigal family and their powers. Stephanie Beatriz’s bubbly voice as Mirabel suits the song’s bouncy rhythm perfectly, while the Colombian folk instruments such as an accordion, caja vallenata, and guacharaca match the colorful energy of the magical town the Madrigals call home. Previous SlideNext Slide4 / 25List slides21.“Dig a Little Deeper” from Princess and the FrogList slides21.“Dig a Little Deeper” from Princess and the FrogDig a Little Deeper (From “The Princess and the Frog”/Sing-Along) Randy Newman’s toe-tapping blend of big-band swing and gospel choir refrains perfectly captures the vibrant soul of the New Orleans setting. The feisty Jennifer Lewis leads “Dig a Little Deeper” as Mama Odie, backed by the rousing Pinnacle Gospel Choir. The song’s brassy rhythms help Tiana let loose and Naveen to realize that he’s in love with her. The lessons Mama Odie imparts through the lyrics are wise and grounded: it doesn’t matter what you have or where you come from—that doesn’t define who you are. True fulfillment doesn’t come from material wealth, status, or outward appearances—it comes from understanding what you really want on the inside. The song crescendos with Anika Noni Rose’s powerful belt and the soulful shouts of Mama Odie’s bright flamingo chorus. Previous SlideNext Slide5 / 25List slides20. “I See the Light” from TangledList slides20. “I See the Light” from Tangled“I SEE THE LIGHT” | Tangled | Disney Animated HD The dreamy melody of “I See the Light” begins with a soft guitar. Glenn Slater and Alan Menken’s composition is fairly simple, allowing the glittering visuals to take center stage. The song takes place during the lighting ceremony that Rapunzel has yearned to visit after observing it from her tower for 18 years. Flynn and Rapunzel float on a gondola, surrounded by over 45,000 glowing lanterns floating in the air, dotting the sky and reflecting off the water that surrounds them. The characters sing the verses separately in their heads before their emotions burst, then they harmonize the chorus loudly, compelled by their realization that they’re in love. It’s a unique and touching way of framing a Disney love song. Previous SlideNext Slide6 / 25List slides19. “Friend Like Me” from AladdinList slides19. “Friend Like Me” from AladdinAladdin - Friend Like Me (HD 1080p) Howard Ashman’s playful lyrics and Alan Menken’s up-tempo, syncopated, vaudevillian song was the perfect musical playground for Robin Williams to fill with the zany impressions and quirky voices he was renowned for. A trumpet warbles in between one of the clever lyrics, sights and sounds so jam-packed with hilarity that you can barely stop to catch your breath. Robin Williams was so adept at improvisation that he had nearly an entire day’s worth of material. The animation is just as bonkers as his vocal performance, where Genie morphs into countless creatures—from a train whistle to a maître d’, a boxing trainer, a bunny, and a dragon. The Broadway-style showstopper culminates with a kick line under bright spotlights with monkeys, elephants, and dancing girls in crop tops and harem pants. “Friend Like Me” is a shining showcase for one of our finest comedic talents, the great Robin Williams. Previous SlideNext Slide7 / 25List slides18. “Baby Mine” from DumboList slides18. “Baby Mine” from DumboDisney’s “Dumbo” - Baby MineSongwriters Frank Churchill and Ned Washington are responsible for childhood traumas everywhere with “Baby Mine,” which takes place when Dumbo’s mother has been jailed as a “mad elephant” for fiercely protecting her son against his bullies. She reaches her trunk through the bars to cradle Dumbo to the soft, slumbering melody accompanied by haunting strings. Betty Noyes’ has that rich, rounded tone found in vintage singing, and it conveys Mrs. Jumbo’s maternal strength. The images of all the animals—zebras, tigers, monkeys, and even the underwater hippos—nestled in the love of their mothers, except for poor Dumbo, set against the song’s soothing orchestra, is absolutely heart wrenching. “Baby Mine” is the kind of song that inspires dreams of being comforted and cared for by a loving parental figure.Previous SlideNext Slide8 / 25List slides17. ”Once Upon a Dream” from Sleeping BeautyList slides17. ”Once Upon a Dream” from Sleeping BeautyOnce Upon A Dream | Sleeping Beauty Lyric Video | DISNEY SING-ALONGS Jack Lawrence and Sammy Fain craft a solo-turned-duet with a woozy, mysterious quality that perfectly complements the story of Sleeping Beauty. Mary Costa has such an elegant and operatic voice, with rich tones that make her sound far more mature than a 16-year-old girl. She’s soon joined by the strong, handsome voice of Prince Phillip, who appears unexpectedly in the forest. Their romance unfolds quickly, twirling together in the woods, surrounded by beautiful medieval-inspired, Gothic-Renaissance style visuals. The lilting orchestration and the grand choral ensemble add to the old-world mystique. The lyrics—of knowing someone before you truly know them, of seeing them in your dreams—add a tinge of mysterious excitement and mystical fate to their romance. Previous SlideNext Slide9 / 25List slides16. “Hellfire” from The Hunchback of Notre DameList slides16. “Hellfire” from The Hunchback of Notre DameHellfire - The Hunchback of Notre Dame (1996) Alan Menken and Stephen Schwartz crafted one of Disney’s darkest songs. It’s hard to imagine Disney taking this type of creative risk again. “Hellfire” is sung by a corrupt priest consumed by lust for the Romani woman Esmeralda. The deep-voiced Tony Jay plays the dishonorable Frollo, who paints himself as a virtuous man—even though he killed Quasimodo’s mother and nearly killed Quasimodo. A true Catholic would have helped them. Today, Disney would never dare to show that authority figures—especially religious ones—can often be wrong and hypocritical, if not outright evil. This is one of the most provocative villain songs, in which Frollo essentially confesses his horniness. He sings of being enraptured by Esmeralda’s smoldering eyes and raven hair—a desire that burns and threatens to turn him to sin. “Hellfire” also has a spooky quality in its use of Latin and the intense religious choir that looms over Frollo in judgment, cloaked in red with faces like empty black holes. It’s a haunting song of operatic grandeur, with notes that flare and fade like the flames dancing in front of him. Previous SlideNext Slide10 / 25List slides15. “A Dream is a Wish Your Heart Makes” from CinderellaList slides15. “A Dream is a Wish Your Heart Makes” from CinderellaA Dream Is a Wish Your Heart Makes (from Cinderella) Sung with silky warmth and a shimmering, ethereal vibrato by Ilene Woods as Cinderella, “A Dream is a Wish Your Heart Makes” is soft and soothing, yet carries an undercurrent of quiet determination. She sings to her loyal companions—adorable flocks of birds and mice—who wear the tiny outfits she’s lovingly made for them. They join in during a break of the song that is more playful and buoyant while she prepares for another grueling day of chores, yet she stays positive by believing her dreams will come true. “A Dream is a Wish Your Heart Makes” has become a marketing anthem for the studio—used in various ads to evoke nostalgia, magic, and the promise that dreams really do come true, with Disney theme parks as the place where that magic can happen. Previous SlideNext Slide11 / 25List slides14. Hawaiian Roller Coaster Ride from Lilo & StitchList slides14. Hawaiian Roller Coaster Ride from Lilo & StitchHawaiian Roller Coaster Ride (From “Lilo & Stitch”) The rich voice of Mark Kealiʻi Hoʻomalu and the cheerful Kamehameha Schools Children’s Chorus come together for a song that is as sweet and breezy as a summer’s day. “Hawaiian Roller Coaster Ride” takes place during a touching moment of family bonding as Lilo, Nani, and David go surfing, gliding through the waves with ease. Stitch has been naughty, so he feels a little shy about enjoying the day with them, but he slowly begins to warm up to what it feels like to have a family. We see the adorable progression as the little thrill-seeker ends up riding the waves too. The song’s instrumentation—featuring ukulele, traditional Hawaiian fingerstyle guitar, and steel guitar—evokes the ocean waves and open skies, giving it that relaxed, beachy vibe. Both the animation and the song itself honors the film’s beautiful Hawaiian setting. Previous SlideNext Slide12 / 25List slides13. “I’ll Make a Man Out of You” from MulanList slides13. “I’ll Make a Man Out of You” from MulanMulan | I’ll Make a Man Out of You | Disney Junior UK “Let’s get down to business, to defeat the Huns” Donny Osmond sings in his perfectly crisp voice. The rousing number “I’ll Make a Man Out of You” by Matthew Wilder and David Zippel is the pump-up song for a training montage. It starts out comical as we see Mulan and her clumsy friends attempt to become the ideal Chinese soldier. The catchy chorus uses evocative nature metaphors for the type of strength and calm that Mulan needs to find, and the deep-voiced punctuation “Be a man!” at the end of each line adds to the hype. When Donny Osmond belts “Time is racing towards us, ‘till the Huns arrive,” you feel a thrilling rush of urgency and swell with courage. The final chorus plays against no instrumentation, the manly voices of the soldiers booming, allowing you to focus on Mulan and her friends now kicking ass. Previous SlideNext Slide13 / 25List slides12. “A Whole New World” from AladdinList slides12. “A Whole New World” from AladdinAladdin - A Whole New World (HD 1080p) Brad Kane’s voice carries an excited, breathy quality that draws you in as he whisks Jasmine away on a magic carpet ride. He sounds bright and earnest as he describes the shining, shimmering, and splendid world that Jasmine has never seen and he’s eager to show her. Lea Salonga, who is a Broadway legend in her own right, has an angelic innocence as Jasmine. Their voices come together in perfect harmony for this sweeping duet. “A Whole New World” is one of Disney’s most romantic love songs, with a melody that flutters and glides like the magic carpet itself. Written by Alan Menken and Tim Rice, the orchestration has lush strings that propel the adventurous animated sequence where they soar through the clouds, pass the Sphinx, and touch down near a group of horses. Previous SlideNext Slide14 / 25List slides11. “Strangers Like Me” from TarzanList slides11. “Strangers Like Me” from TarzanStrangers Like Me (1080p Full HD) - Tarzan (1999)Opening with a pulsing drum track, Strangers Like Me evokes the spinning wheels in Tarzan’s mind as he learns more about what lies beyond the jungle. The montage is gorgeously animated, featuring old-fashioned ink illustrations that Tarzan looks at through a magic lantern. He sees the city of London, a giant castle, the Sphinx, and even outer space for the first time. This flood of information drives the song’s urgent pace.The filmmakers craft the entire animated sequence as a response to the lyrics, as Tarzan watches Jane (“Every gesture, every move that she makes / Makes me feel like never before”) or shows off a pocket of the rainforest filled with parrots (“Come with me now to see my world / Where there’s beauty beyond your dreams”). Phil Collins’ bright voice captures Tarzan’s wonderment, especially in the soaring chorus, where Tarzan expresses his desire to learn more about strangers like him. You feel his hunger for the great, wide world in the song’s pounding, tribal drumbeats. Previous SlideNext Slide15 / 25List slides10. “I Won’t Say I’m in Love” from HerculesList slides10. “I Won’t Say I’m in Love” from HerculesHercules (1997) │ I Won’t Say (I’m In Love) [DPU HD 4K] The story of the ancient Greek hero Hercules has such a unique musical style, with lyricist David Zippel and composer Alan Menken blending doo-wop, Motown, and gospel soul. The muses serve as a literal Greek chorus, commenting on the action with their sassy perspective. In “I Won’t Say I’m in Love,” Megara’s velvet-voiced, sarcastic Susan Egan stands apart from other Disney heroines, who often sing fluttering arias about dreaming of a prince. Instead, Megara resists her feelings because she’s been burned too many times before, creating a comical juxtaposition with the Muses, who cheekily insist that she’s in love. They tease her with “Check the grin, you’re in love.” It’s a playful and flirtatious song that celebrates an unconventional Disney princess and musical choices. Previous SlideNext Slide16 / 25List slides9. “How Far I’ll Go” from MoanaList slides9. “How Far I’ll Go” from MoanaAuli’i Cravalho - How Far I’ll Go (from Moana/Official Video) Ever since their introduction in The Little Mermaid, Broadway-style “I Want” songs have become a hallmark of Disney princess films. They are passionate solos that reveal what each heroine desires most in the world. Whatever her heart longs for becomes the emotional engine driving the story forward. In “How Far I’ll Go,” composed by Lin-Manuel Miranda, Moana is torn between her dream of exploring what’s beyond her remote island and her duty to her family. She’s genuinely torn, even wondering if she’s wrong to yearn for what lies beyond the horizon. Auli’i Cravalho’s pure, heartfelt voice captures all the wistfulness and uncertainty of growing up. The melody swells and crashes gently like ocean tides, mirroring the push and pull of Moana’s inner conflict. Previous SlideNext Slide17 / 25List slides8. “Be Our Guest” from Beauty and the BeastList slides8. “Be Our Guest” from Beauty and the BeastBeauty and the Beast - Be Our Guest (HD) Music Video Broadway royalty Jerry Orbach helms this showstopper with music by Alan Menken and lyrics by Howard Ashman. The suave candlestick Lumière uses the number to lure Belle out of her bedroom, and show that the enchanted castle is more friendly and exciting than spooky and depressing. “Be Our Guest” has clever, fast-paced lyrics sung in a classic “patter song” style which then explodes in a lively, French can-can finale. The living castle objects just want to serve and make someone happy again, offering Belle elaborate meals and dazzling entertainment. Everything is on the plate for Belle, from soup du jour, hot hors d’oeuvres, beef ragout, cheese soufflé, and of course, the grey stuff. What’s just as exciting about the number as its giddy music is the animation, with spoons swimming in punch bowls like a Busby Berkeley number, prismatic spotlights, sumptuous, brightly-colored cakes, a glowing chandelier, and dancing flatware. Previous SlideNext Slide18 / 25List slides7. “You’ll Be in My Heart” from TarzanList slides7. “You’ll Be in My Heart” from TarzanPhil Collins - You’ll Be in My Heart /Tarzan(ターザン)Phil Collins knocked it out of the park with the entire Tarzan soundtrack. Somehow his earthy voice, drum-infused instrumentals, and heartfelt lyrics were the perfect mix for this jungle story. Rather than a traditional Disney musical, Phil Collins acts as an omnipresent narrator, commenting on the action or voicing the character’s thoughts. “You’ll Be In My Heart” rightfully earned the Academy Award for Best Original Song. Originally written as a lullaby for his own daughter, the song starts off tender, with Phil Collins almost gently whispering against soft marimbas. Its lyrics of true love and devotion are moving, especially in the scene where Kala sings it to a baby Tarzan, who, despite being a different species, experiences a bond where love and care know no bounds. The song eventually crashes into driving drums, moving toward a bridge that sees the child fly free on their own: “When destiny calls you / You must be strong / I may not be with you / But you’ve got to hold on.” This song is touching for anyone who has ever loved someone and watched them grow, no matter what type of relationship. Previous SlideNext Slide19 / 25List slides6. “Under the Sea” from The Little MermaidList slides6. “Under the Sea” from The Little MermaidThe Little Mermaid - Under the Sea (from The Little Mermaid) (Official Video) Those solo calypso opening notes of “Under the Sea” immediately get you excited, and Samuel E. Wright delivers a rollicking underwater bash. His booming voice and vivacious energy are perfect for the overdramatic crustacean and his mission to convince Ariel that living under the sea “is the bubbles” with no troubles. “Under the Sea’ buoys the rainbow-colored montage of marine life that fills Ariel’s world—fish, dolphins, and coral reefs. The scene cleverly ties the instruments to various creatures and animation — harps echo the swirling school of fish, shells mimic steel pans, and a pair of octopuses intertwine their legs like bass lines. With its infectious Caribbean beat, Howard Ashman and Alan Menken’s song is a true banger and impossible not to love, which is why it won the 1990 Oscar for Best Original Song. Previous SlideNext Slide20 / 25List slides5. “Colors of the Wind” from PocahontasList slides5. “Colors of the Wind” from PocahontasPocahontas - Colors of the Wind (Blu-ray 1080p HD) “You think the only people who are people / Are the people who look and think like you / But if you walk the footsteps of a stranger / You’ll learn things you never knew, you never knew.” In this increasingly polarized world, that message has never been more relevant. Pocahontas is not immediately smitten with John Smith; instead, she condemns his entire culture, which prioritizes gold and hatred over acceptance and the beauty of nature. Stephen Schwartz’s lyrics paint gorgeous pictures of the American wilderness, questioning why the white men who have invaded these lands cannot appreciate the world around them — from the grinning bobcats to the sweet berries to the trees that stretch toward the sky, if only we let them grow. Alan Menken’s surrounding score is rapturous, carried by Judy Kuhn’s passionate vocals. More than just the profound lyrics, it’s the visuals that make this musical number so unforgettable — particularly John Smith and Pocahontas dancing in a pastel-colored wind. It’s no surprise that “Colors of the Wind” won an Academy Award for Best Original Song. Previous SlideNext Slide21 / 25List slides4. “When You Wish Upon a Star” from PinnochioList slides4. “When You Wish Upon a Star” from PinnochioPocahontas - Colors of the Wind (Blu-ray 1080p HD)Written by Leigh Harline and Ned Washington, “When You Wish Upon a Star” has come to define Disney itself, typically playing over the castle logo that opens every movie. The ethereal ballad is sung by Cliff Edwards as Jiminy Cricket, whose resonant yet quirky voice feels like someone sharing a story by a crackling fire. “When you wish upon a star / Makes no difference who you are / Anything your heart desires / Will come to you,” he tenderly sings over the opening credits. The gentle melody wraps you in a warm embrace of possibility. People often make fun of Disney adults, but perhaps one reason we hold on to Disney films long after growing up is that they offer hope in an increasingly grim world. This aspirational song reminds us there is more to life than the ordinary—if we just dare to imagine.Previous SlideNext Slide22 / 25List slides3. “Beauty and the Beast” from Beauty and the BeastList slides3. “Beauty and the Beast” from Beauty and the BeastBeauty and the Beast Tale As Old As Time HD As Mrs. Potts, Angela Lansbury’s warm, cheery English voice adds a rosiness to this powerful love ballad, backed by an orchestra of sumptuous strings. The lyrics aren’t the pure romanticism of past Disney love stories; there is no love at first sight here. Instead, Mrs. Potts gently reflects on how true love can take time to blossom, and how relationships sometimes require change, admitting your faults and working hard to set aside your vices and worst qualities. It’s a surprisingly mature outlook for a Disney love song. The accompanying animation is one of the most exquisite sequences in Disney history: Belle’s golden dress glides delicately across the floor as she and the Beast dance in the grand ballroom, the camera swirling to reveal the sparkling chandelier and Michelangelo-esque ceiling of painted cherubs above them. That Howard Ashman wrote this song while dying from complications of AIDS makes it all the more poignant. Previous SlideNext Slide23 / 25List slides2. “Part of Your World” from The Little MermaidList slides2. “Part of Your World” from The Little MermaidJodi Benson - Part of Your World (From “The Little Mermaid”)Before The Little Mermaid kicked off the Disney Renaissance (a period of more sophisticated storytelling and box office success) princess songs were mostly focused on their prince charmings. They had very few aspirations outside of dreaming about their prince or wishing for their prince. But the introduction of the songwriting team Alan Menken and Howard Ashman, who had worked on the off-Broadway show Little Shop of Horrors, helped develop a Disney princess that had greater ambitions. Ariel wanted to see the human world, and she would express that within a Broadway-style solo called the “I Want” song, where the protagonist sings about, well, what they want. “Part of Your World” has a flowing melody and a sweet yearning in Jodi Benson’s voice (and given a more soulful power in the live-action version from Halle Bailey). We see her comical misunderstanding of what her treasures are, all whozits and whatzits galore. “Wouldn’t I love to explore that shore up above?” her voice soars while reaching out through the top of her grotto towards the sun. In that moment, with her big eyes and aching voice, you completely understand how much the human world means to her.Previous SlideNext Slide24 / 25List slides1. “Circle of Life” from The Lion KingList slides1. “Circle of Life” from The Lion KingCarmen Twillie, Lebo M. - Circle of Life (From “The Lion King”) No Disney song is quite as epic as Elton John’s “Circle of Life.” The image of the rising sun, paired with the opening lines sung passionately in Zulu by Lebo M., without any instrumentals, immediately hooks you into this sweeping story of the African savannah. The title, “Circle of Life,” is fitting for this tale of birth, death, and everything in between. The lyrics somehow encompass everything about our big, beautiful world — how finite life is, and the experiences, both good and bad, that give us balance. There’s despair and there’s hope. There’s faith and there’s love. The lyrics are poetic and make you think about the wonder and mystery of existence. The song reaches a powerful peak at the end when the chorus rises together. It’s impossible not to get full-body chills on that final soaring note, “It’s the circle, the circle of life,” punctuated by the thunderous drumbeat, where the sight of Rafiki lifting Simba on Pride Rock cuts to black. “Circle of Life” is a beautiful song with a grand vision, especially for a film geared towards children.

html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd" Death still has friends at the theater. Final Destination Bloodlines, the franchise’s first entry since 2011, ruled the box office with a $51 million domestic opening. Thanks to good reviews and an impressive box office, expect more Final Destinations for years to come. This weekend, Lilo & Stitch and Mission: Impossible — The Final ReckoningFAST services. One of our recommendations is Mission: Impossible — Ghost Protocol. Our other two picks involve basketball and college parties. Recommended Videos We also have guides to the best new movies to stream, the best movies on Netflix, the best movies on Hulu, the best movies on Amazon Prime Video, the best movies on Max, and the best movies on Disney+. Hoosiers (1986) The NBA playoffs are in full swing. The unpredictability of the games means upsets are bound to happen. One of the greatest basketball upsets at the high school level is dramatized in Hoosiers. The late Gene Hackman stars as Norman Dale, a college coach who flamed out and gets to coach basketball again at Hickory High School. The small Indiana town loves its basketball team but hates Coach Dale, who implements drastic disciplinarian measures in his coaching methods. However, Dale’s coaching and the return of star player Jimmy Chitwood (Maris Valainis) allow Hickory to experience a magical run in the 1951 state tournament. Hoosiers is the perfect underdog story and expertly captures the essence of small-town sports. Stream Hoosiers on Prime Video. Mission: Impossible — Ghost Protocol (2011) After the so-so reception to Mission: Impossible 3, Tom Cruise and Ethan Hunt needed a reset. Cruise brought in animation veteran Brad Bird to direct the fourth entry, Mission: Impossible — Ghost Protocol. The gamble worked, as the movie reignited the Mission movies and set the blueprint for future movies. After being blamed for the Kremlin bombing, the IMF is disavowed, forcing Ethan (Cruise) to go on the run. To clear his name and restore the IMF, Ethan must team with other IMF fugitives to find those responsible for the bombing. Ghost Protocol leaned into set pieces and practical effects, highlighted by Cruise’s scaling of the Burj Khalifa, which might go down as his most memorable stunt. Stream Mission: Impossible — Ghost Protocol for free on Pluto TV. S#!%house (2020) Cooper Raiff understands young adults. Not since Richard Linklater has a new filmmaker captured the ethos of a coming-of-age film like Raiff did in S#!%house. (We’re going with the marketing title, but by all means, pronounce it with the swear words.) Homesick college freshman Alex (Raiff) struggles to adjust to his new life. One night, Alex attends a party at the “S#!%house” fraternity and meets Maggie (Dylan Gelula), his sophomore residential advisor. Alex and Maggie spend the rest of the night together walking and talking as they form a genuine bond. Alex wants more in this relationship, while Maggie looks for the exit ramp. Don’t let the vulgar title fool you. S#!%house is all heart and a fantastic directorial debut. Stream Escape Room for free on Tubi.

With the troublesome Snow White in Disney’s rearview mirror, the company is looking ahead to its next live-action adaptation… and beyond. Lilo & Stitch opens Friday and is tracking to be a big hit—and Disney, which was said to be re-thinking its remake strategy after Snow White, is already eagerly plotting a follow-up. Speaking to the Wall Street Journal, Disney Entertainment Co-Chairman Alan Bergman said “It feels like it’s going to work very well, and it’s the kind of property that lends itself to more.” He also noted that the demand for Lilo & Stitch merch, which was already strong, has skyrocketed as the remake’s release date approaches—”We’ve seen the thing explode from a Disney+ and consumer-products perspective”—which is surely another compelling reason for the company to get a sequel going ASAP. Casual Disney fans who think the 2002 animated Lilo & Stitch is the only existing entry in the franchise might be surprised to know that the story—following a Hawaiian girl and her mischievous alien bestie—has enjoyed a robust life beyond the big screen. There are two direct-to-video sequels as well as a made-for-TV sequel, three animated series, two TV specials, and a handful of short films. There have also been several Lilo & Stitch video games and/or games featuring the characters, who’ve also enjoyed a prominent ongoing presence at Disney theme parks. And as previously mentioned, there’s a seemingly insatiable demand for Stitch-related merch. According to the WSJ, director Dean Fleischer Camp’s Friday release is likely to beat Mission: Impossible – Dead Reckoning at the Memorial Day weekend box office, and capture the number one spot worldwide too. And there’s already a foundation in place for live-action remake sequels, with 102 Dalmations (and spin-off Cruella), Maleficent: Mistress of Evil, and Mufasa: The Lion King exploring the world beyond the films that preceded them. As for the nearer future, the live-action Moana is still on track to arrive in July 2026, itself riding the wave of the animated Moana 2‘s huge theatrical haul last year. More nebulous are the in-development projects adapting The Aristocats, Hercules, Bambi, Tangled, and others—but Lilo & Stitch‘s seemingly guaranteed success could provide them all a boost. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

If the upcoming Lilo & Stitch live-action remake has you wanting to revisit the series, but you've already seen the original animated movie and its TV series spinoffs enough times, you might want to check out the official Lilo & Stitch manga series where Stitch winds up in feudal Japan and befriends and brutal samurai warlord. Yes, it's a real thing, and you can grab the entire series with the Stitch and the Samurai: The Complete Collection, which is on sale for $20.45 (was $22) at Amazon. Stitch and the Samurai manga $20.45 (was $22) Stitch and the Samurai is an official manga series by Hiroto Wada set in an alternate plotline where Stitch crash-lands in Sengoku-era Japan instead of modern-day Hawaii. The warlord Lord Yamato discovers Stitch and believes him to be a "blue tanuki" he can deploy in battle--only for the cute alien to slowly soften the samurai's stoic disposition. The full series is now available in a single 564-page hardcover omnibus, Stitch and the Samurai: The Complete Collection, for $20.45 (was $22). The series was previously published in three separate volumes, which are also available. Buying the paperback volumes separately is more expensive than the omnibus version, but their smaller format makes them much easier on your hands. Stitch and the Samurai: The Complete Collection Stitch and the Samurai Volumes 1--3 Disney Manga featuring Stitch Surprisingly, Stitch and the Samurai isn't the only Lilo and Stitch manga. The Stitch manga, illustrated by Yumi Tsukurino, sees the adorable superweapon travel to a Japanese island near Okinawa, where he befriends a young girl named Yuna who excels at karate, and wacky hijinks ensue. You can pick up the full series in a 352-page omnibus collection for just $12 (was $15). The two original separate volumes are also available for purchase. The series was followed up by two sequels, Best Friends Forever and the upcoming Best Food Forever. There's also the Disney manga series Magical Dance, which features Stitch and a few other characters from the House of Mouse helping aspiring performer Rin to realize her dream of becoming a dancer.More Lilo & Stitch MangaStitch! The Manga Collection -- $12 ($15)Stitch! Volume 1 -- $9.68 ($11)Stitch! Volume 2 -- $11Stitch! Best Friends Forever -- $10.22 ($11)Stitch! Best Food Forever -- $13 | Releases October 21Disney Manga: Magical Dance Volume 1 -- $11 Disney Manga: Stitch! The Manga Collection See More Lilo and Stich Manga Lilo and Stitch graphic novels Over in the US, there have been quite a few Stitch graphic novels published as well. Last year saw the release of a new adventure set after the first film, written by one of the best talents to ever work on Marvel's Incredible Hulk, Greg Pak, and illustrated in vivid detail by Giulia Giacomino. This is a nice 104-page graphic novel for kids that you can pick up for $11.18 (was $13) and it follows Stitch as he takes on evil aliens and giant robots powered by his own DNA. The second volume is also out soon on July 8, and this storyline sees Lilo recruited by the Galactic Federation to be their go-to expert for animal control. Lilo and Stitch: O'Hana Volume 1 Lilo and Stitch: O'Hana Volume 2 Agent Stitch books On the prose side, there are also the kid-friendly books in the Agent Stitch book series. Written by Steve Behling and featuring illustrations by Arianna Rhea, these books revolve around Stitch investigating paranormal activities on Earth on behalf of the Galactic Federation. The first book sees Stitch travel to Paris to uncover the disappearance of one of the federation's best operatives, Cobra Bubbles, and rumors of snail-like aliens known as Snailiens, and the second book sees Stitch land in New York City to solve a missing persons case involving shape-shifting aliens. Book three shifts the action to Korea as Stitch teams up with K-Pop idols to aliens operating in the city of Seoul. Agent Stitch: A Study in Slime Agent Stitch: The Trouble with Toothoids Agent Stitch: The Menace at the Mall Lilo and Stitch (4K) $41 As much fun as Lilo and Stitch's expanded adventures are, nothing beats the animated source material. Over 20 years later, Lilo and Stitch still holds up as one of Disney's best traditionally animated films, and you can grab it on 4K Blu-ray for $41. This edition includes 4K, Blu-ray, and digital download versions of the movie, plus a bunch of bonus features like a lesson on how to do a Hula dance, music videos, audio commentary, featurettes, and the cheeky promotional materials where Stitch "invaded" other Disney movies. See at Amazon Nightmare Before Christmas mangaDisney also released manga based on its Nightmare Before Christmas film, so if you'd like a creepy tour of that movie in print format, you can pick this up right now. The 176-page full-color edition is available for $16 (was $20) through Amazon, and there's also the deluxe Collector's Edition that combines the entire Zero's Journey series into one full-color book. This one was originally priced at 450 when it was first released, but it's on sale for 50% off currently.The Nightmare Before Christmas MangaDisney Manga: Tim Burton's The Nightmare Before Christmas -- $16 ($20)Disney Manga: Tim Burton's The Nightmare Before Christmas - Zero's Journey -- $25 ($50)