Start SlideshowStart SlideshowScreenshot: Square Enix / KotakuI don’t go here (Magic: The Gathering, that is), but I’m obsessed with the new Final Fantasy art when I see it. Something I also appreciate is a good bit, and the Magic x Final Fantasy collab handled one of the series’ long-running constants in a truly clever way that even I, someone who doesn’t understand the ruleset of the card game, can appreciate. I’m talking about Cid, a recurring name given to different characters in each mainline Final Fantasy.For those who don’t play Square Enix’s RPG anthology series, every Final Fantasy has a character named Cid (though he doesn’t appear physically in the first game, thus he isn’t featured in the Magic collab), but it’s never the same guy twice. If you were to line up every version of Cid next to each other, you’d probably have no idea any of them were related in any way. But they all share the same name, and some of them are among the most beloved characters in the series. Final Fantasy XVI’s iteration was easily the breakout star of the RPG in 2023, and Final Fantasy VII’s Cid is a personal favorite of mine across the series’ long history.So, how do you handle 15 disparate characters who only share a name and (usually) some mechanical skill? You make a card for each of them, of course. Magic: The Gathering will include 15 different cards titled “Cid, Timeless Artificer.” Each card has the same in-game function, so there’s no favoritism on display here, even for more popular Cids. You can have any number of them in your deck, so you could have several variations to use in a game rather than having to pick your favorite. However, there is one wrinkle in all of this worth mentioning: Final Fantasy XV’s Cindy (Cidney in some territories) is nowhere to be seen.This omission recalls some weird semantic debates over who the true “Cid” of the 15th game is, as there is indeed a character named Cid in it and he has a card in this set, but his granddaughter Cindy is the mechanic the team interfaces with most of the time. The character spurred strong and sometimes divided opinions among players in 2016, as she was the first female Cid in the series, while also appearing in one of the most notably male-centric Final Fantasy games (for good and ill) and wearing a revealing outfit that was controversial, to say the least. She may get a card down the line, but she wasn’t part of the initial Cid showcase. You can click through to see the other 15 cards.The Magic x Final Fantasy set will hit store shelves on June 13. Previous SlideNext Slide2 / 17List slidesFinal Fantasy IIList slidesFinal Fantasy IIImage: WOTC / Square EnixPrevious SlideNext Slide3 / 17List slidesFinal Fantasy IIIList slidesFinal Fantasy IIIImage: WOTC / Square EnixPrevious SlideNext Slide4 / 17List slidesFinal Fantasy IVList slidesFinal Fantasy IVImage: WOTC / Square EnixPrevious SlideNext Slide5 / 17List slidesFinal Fantasy VList slidesFinal Fantasy VImage: WOTC / Square EnixPrevious SlideNext Slide6 / 17List slidesFinal Fantasy VIList slidesFinal Fantasy VIImage: WOTC / Square EnixPrevious SlideNext Slide7 / 17List slidesFinal Fantasy VIIList slidesFinal Fantasy VIIImage: WOTC / Square EnixPrevious SlideNext Slide8 / 17List slidesFinal Fantasy VIIIList slidesFinal Fantasy VIIIImage: WOTC / Square EnixPrevious SlideNext Slide9 / 17List slidesFinal Fantasy IXList slidesFinal Fantasy IXImage: WOTC / Square EnixPrevious SlideNext Slide10 / 17List slidesFinal Fantasy XList slidesFinal Fantasy XImage: WOTC / Square EnixPrevious SlideNext Slide11 / 17List slidesFinal Fantasy XIList slidesFinal Fantasy XIImage: WOTC / Square EnixPrevious SlideNext Slide12 / 17List slidesFinal Fantasy XIIList slidesFinal Fantasy XIIImage: WOTC / Square EnixPrevious SlideNext Slide13 / 17List slidesFinal Fantasy XIIIList slidesFinal Fantasy XIIIImage: WOTC / Square EnixPrevious SlideNext Slide14 / 17List slidesFinal Fantasy XIVList slidesFinal Fantasy XIVImage: WOTC / Square EnixPrevious SlideNext Slide15 / 17List slidesFinal Fantasy XVList slidesFinal Fantasy XVImage: WOTC / Square EnixPrevious SlideNext Slide16 / 17List slidesFinal Fantasy XVIList slidesFinal Fantasy XVIImage: WOTC / Square Enix

Chez Riot Office Space / ūti architectesSave this picture!© ūti architectesOffices Interiors•Paris, France Architects: ūti architectes Area Area of this architecture project Area:  320 m² Year Completion year of this architecture project Year:  2024 Photographs Photographs:ūti architectes Lead Architects: ūti architectes More SpecsLess Specs Save this picture! Text description provided by the architects. Located in the heart of the Marais, the site offered a bare, open floor. We wanted to preserve as much as possible the generous feeling of space. A large stretch of open-plan desks runs along the main façade, while meeting rooms are arranged around the building's inner courtyard, shielded from the noise of the street. Save this picture!Save this picture!Save this picture!Save this picture!At the heart of the office, a spacious and modular kitchen becomes a pivotal space — a place for spontaneous meetings, shared lunches, after-work gatherings, and celebrations.Save this picture!All the furniture was custom-designed, always seeking a balance between material efficiency, minimalism, and a sense of warmth. Most of the joints are mechanical, the big wooden kitchen tables are set on wheels, allowing the space to evolve and adapt over time.Save this picture! Project gallerySee allShow less Project locationAddress:Location to be used only as a reference. It could indicate city/country but not exact address.About this office Published on May 13, 2025Cite: "Chez Riot Office Space / ūti architectes" 13 May 2025. ArchDaily. Accessed . <https://www.archdaily.com/1028579/chez-riot-office-space-uti-architectes&gt ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Wireless mics fail when they rely too much on perfect conditions. BOYAMIC 2 fixes that by making every part of the system self-contained. Each transmitter records on its own. Each receiver controls levels, backups, and signal without needing an app. Noise is filtered in real time. Recording keeps going even if the connection drops. Designer: BOYAMIC There’s no need for a separate recorder or post-edit rescue. The unit handles gain shifts, background interference, and voice clarity without user intervention. Everything shows on screen. Adjustments happen through physical controls. Files are saved directly to internal memory. This system is built to capture clean audio without depending on external gear. It records immediately, adapts instantly, and stores everything without breaking the workflow. Industrial Design and Physical Form Each transmitter is small but solid. It’s 40 millimeters tall with a ridged surface that helps with grip and alignment. The finish reduces glare and makes handling easier. You can clip it or use the built-in magnet. Placement is quick, and it stays put. The record button is recessed, so you won’t hit it by mistake. An LED shows when it’s active. The mic capsule stays exposed but protected, avoiding interference from hands or clothing. Nothing sticks out or gets in the way.   The receiver is built around a screen and a knob. The 1.1-inch display shows battery, signal, gain, and status. The knob adjusts volume and selects settings. It works fast, without touchscreen lag. You can see and feel every change. Connections are spaced cleanly. One side has a USB-C port. The other has a 3.5 mm jack. A plug-in port supports USB-C or Lightning. The mount is fixed and locks into rigs without shifting. The charging case holds two transmitters and one receiver. Each has its own slot with magnetic contacts. Drop them in, close the lid, and they stay in place. LEDs on the case show power levels. There are no loose parts, exposed pins, or extra steps. Every shape and control supports fast setup and clear operation. You can press, turn, mount, and move without second-guessing. The design doesn’t try to be invisible; it stays readable, durable, and direct. Signal Processing and Audio Control BOYAMIC 2 uses onboard AI to separate voice from background noise. The system was trained on over 700,000 real-world sound samples. It filters traffic, crowds, wind, and mechanical hum in real time. Depending on the environment, you can toggle between strong and weak noise reduction. Both modes work directly from the transmitter or through the receiver. The mic uses a 6mm condenser capsule with a 48 kHz sample rate and 24-bit depth. The signal-to-noise ratio reaches 90 dB. Two low-cut filter options, at 75 Hz and 150 Hz, handle low-end rumble. These are effective against HVAC, engine hum, or low vibration. Gain is managed with automatic control. The system boosts quiet voices and pulls back when sound gets too loud. Built-in limiters stop clipping during spikes. A safety track records a second copy at -12 dB for backup. This makes it harder to lose a usable take even when volume jumps suddenly. Each setting is adjustable on screen. You don’t need a mobile app to access basic controls. Everything runs live and updates immediately. There are no delays or sync problems during capture. Recording and Storage Each transmitter records internally without needing the receiver. Files are saved in 32-bit float or 24-bit WAV formats. Internal storage is 8 GB. That gives you about ten hours of float audio or fifteen hours of 24-bit. When full, the system loops and overwrites older files. Recording continues even if the connection drops. Every session is split into timestamped chunks for fast transfer. You can plug the transmitter into any USB-C port and drag the files directly. No software is needed. This setup protects against signal loss, battery drops, or app crashes. The mic stays live, and the recording stays intact. Each transmitter runs for up to nine hours without noise cancellation or recording. With both features on, the runtime is closer to six hours. The receiver runs for about fifteen hours. The charging case holds enough power to recharge all three units twice. The system uses 2.4 GHz digital transmission. Its range can reach up to 300 meters in open areas. With walls or obstacles, it drops to around 60 meters. Latency stays at 25 milliseconds, even at long distances. You get reliable sync and stable audio across open ground or indoor spaces. Charging is handled through the included case or by direct USB-C. Each device takes under two hours to recharge fully. Compatibility and Multi-Device Support The system supports cameras, smartphones, and computers. USB-C and Lightning adapters are included. A 3.5 mm TRS cable connects the receiver to most cameras or mixers. While recording, you can charge your phone through the receiver, which is useful for long mobile shoots. One transmitter can send audio to up to four receivers at once, which helps with multi-angle setups or backup channels. The receiver also supports stereo, mono, and safety track modes. Based on your workflow, you choose how audio is split or merged. Settings can be changed from the receiver screen or through the BOYA app. The app adds firmware updates, custom EQ profiles, and gain presets for different camera brands. But the core controls don’t depend on it.The post BOYAMIC 2 Rebuilds Mobile Audio with AI and Onboard Capture first appeared on Yanko Design.