Remote-controlled robots could one day build giant solar farms in space, according to a recent trial in the UK. British startup Space Solar conducted the test at the UK Atomic Energy Authority’s (UKAEA) facilities on the University of Oxford’s Culham Campus, which hosts several fusion research initiatives. The company used two remotely operated robotic arms to assemble a section of the support structure for its future solar power satellite. The device aims to beam the Sun’s energy from space to Earth.  According to Space Solar, the trial proved that robotics can assemble gigawatt-scale solar power satellites. Sam Adlen, the startup’s co-CEO, said the demonstration opens the door to all manner of in-space infrastructure projects.    “This is a milestone not just for our satellite architecture, but for the future of large-scale structures in space, from data centres to energy infrastructure,” he said. As part of its plans to build a working fusion reactor, UKAEA is developing robots for extreme industrial environments, such as maintaining future fusion power plants. The trial shows that those same machines may also show promise for cosmic applications.  Professor Rob Buckingham, executive director of UKAEA, said building fusion reactors and structures in space shared some common challenges, such as remoteness, radiation, and extreme temperatures. The demo suggests that fusion-hardened robotics could help automate the complex task of assembling vast solar farms in orbit.    A solar revolution in space? Space Solar plans to capture the Sun’s energy in space, using huge satellites equipped with solar arrays that are several kilometres long and around 20 metres wide. The probes would capture the energy via microwaves and wirelessly transmit it to dedicated receiver stations on Earth, which would convert the energy into electricity.    By 2029, Space Solar plans to commission its first 30MW demonstrator system, which would be capable of powering around 1000 homes. By the early 2030s,  the startup plans to deploy its first gigawatt-scale solar space farm. The UK Space Agency has provided grant funding for the development of the startup’s first satellite. Solar panels are theoretically capable of gathering far more energy in space than on Earth because, unhindered by the atmosphere, the intensity of sunlight is much greater. They could also beam energy from orbit 24/7, regardless of the weather on the ground.  However, space-based solar power faces many challenges. It’s currently far more expensive than ground-based solar systems — the initial development of a gigawatt-scale prototype could cost €15bn–€20bn. Then there are the potential environmental impacts. Installing a satellite of that scale could involve hundreds of separate rocket launches, contributing to atmospheric pollution.  Nevertheless, the European Space Agency (ESA), NASA, and several startups in the UK, US, China, and Japan are all working to make space-based solar a reality. Story by Siôn Geschwindt Siôn is a freelance science and technology reporter, specialising in climate and energy. From nuclear fusion breakthroughs to electric vehic (show all) Siôn is a freelance science and technology reporter, specialising in climate and energy. From nuclear fusion breakthroughs to electric vehicles, he's happiest sourcing a scoop, investigating the impact of emerging technologies, and even putting them to the test. He has five years of journalism experience and holds a dual degree in media and environmental science from the University of Cape Town, South Africa. When he's not writing, you can probably find Siôn out hiking, surfing, playing the drums or catering to his moderate caffeine addiction. You can contact him at: sion.geschwindt [at] protonmail [dot] com Get the TNW newsletter Get the most important tech news in your inbox each week. Also tagged with

About a half hour south of the Puerto Escondido airport is a stretch of Oaxacan coastline where whale sightings are common and the surf break is world famous. The remoteness of the region is key to its appeal. Architects and designers are drawn to the Mexican state for its deep history of crafts, from villages where weavers have worked for generations to the artist Bosco Sodi’s Tadao Ando–designed nonprofit, Casa Wabi. And while this rugged region may be hard to get to, it’s anything but unfamiliar territory to the architect Will Meyer and his wife Kerstin; their sprawling coastal compound occupies a three-acre plot that has been in her family for decades. Based in Nashville most of the year, the couple wanted to create a retreat for themselves and their two teenage children.The IngallsThe living room is set beneath a double-height palapa and has a 35-foot custom sofa. Chairs by Decova; custom cocktail table and rug.Meyer, who co-founded the multidisciplinary design studio Meyer Davis with Gray Davis, worked with builder Patricio Sodi, brother of Bosco, to develop a -family-friendly structure that nods to local culture as well as to Mexican modernism. “It was a really collaborative working relationship,” Meyer says. “We were able to play off each other.”“It’s very difficult to keep the elements out in this part of the world. You have to let nature tell you what to do.” —Will MeyerThe building’s central feature is a double-height palapa, a traditional thatch-roofed structure made of dried palm leaves. A symbol of tradition, the palapa anchors the southern end of the six-bedroom residence and houses communal areas including the dining room, kitchen, and bar.Almost 1,000 custom-made breeze blocks, laid out in a lattice pattern inspired by traditional weavings and made from local clay, serve as a focal point while also allowing for natural cross-ventilation. Only one room in the home has air conditioning. “It is very difficult to keep the elements out in this part of the world,” Meyer says. “You have to let nature tell you what to do. There is a lot of engineering behind the scenes to make it all seem effortless.”The IngallsIn the guest wing’s lounge, the sofa and chair are by Decova, the cocktail tables are by Arca, the rugs are from Dialecto Puerto Escondido, and the lamp is by Tseebal.Living in harmony with the elements is central to the layout. The interiors are outfitted in a palette of warm gray, rich oxblood, and tawny ocher drawn directly from the surrounding landscape. (The concrete pool deck is even -color-matched to the sand on the beach below.) The grounds were planted by Kerstin’s brother Ramses Alexander, who has a home next door, as does her father. The celebrated landscape architect Edwina von Gal consulted on sustainable plantings for the area, which is densely populated with Natal plums, cacti, and 15-foot-tall mangrove shrubs, between which the family likes to hang hammocks.See Inside the Oaxacan RetreatOutdoors, a 35-foot-long built-in sofa stretches along the back of the home, connecting the guest rooms and primary suites and inviting visitors to linger in front of the egg-shaped pool, gazing at the unobstructed 220-degree view of the ocean beyond. “If we’re here, we’re entertaining,” Kerstin says. “We can’t have an empty house. It needs to be lived in.” All the pillows, rugs, and fabrics were commissioned from local vendors by Kerstin, who has spent years sourcing Oaxacan textiles for her company, Maya Sund. “Every town here in Oaxaca has its own talent and its own history,” she says. “There is always something new that you learn in the creative process.”The IngallsHomeowners Will and Kerstin Meyer.The furnishings are sparse, but they feel even more luxurious for the intentionality with which they were chosen. The sizable dining table in volcanic stone was -custom-fabricated in Mexico by Arca, pendants were made locally of palm leaves, and decorative ceramics and dishes were sourced from the ethical online market Obakki. “There’s a precision to the house and architecture that’s seen through the lens of craft, and the hand that can be seen in everything in it,” Kerstin says. “Those two things need each other.”And with a stable Starlink connection and the calming sound of the sea close by, the family just needs to make the time to sit back and relax—and keep an eye out for whales. ◾This story originally appeared in the May 2025 issue of Elle Decor. SUBSCRIBESean SantiagoDeputy EditorSean Santiago is ELLE Decor's Deputy Editor, covering news, trends and talents in interior design, hospitality and travel, culture, and luxury shopping. Since starting his career at an interior design firm in 2011, he has gone on to cover the industry for Vogue, Architectural Digest, Sight Unseen, PIN-UP and Domino. He is the author of The Lonny Home (Weldon Owens, 2018), has produced scripted social content for brands including West Elm and Streeteasy, and is sometimes recognized on the street for his Instagram Reels series, #DanceToDecor

Prime Video has renewed its hit series Fallout for a third season, ahead its Season 2 premiere slated for December of this year. The upcoming season will pick up in the aftermath of the Season 1 finale, and travel into the post-apocalyptic city of New Vegas. “We are absolutely thrilled that our global Prime Video customers will be able to delve deeper into the wonderfully surreal and captivating world of Fallout,” said Vernon Sanders, global head of television, Amazon MGM Studios. “Jonah, Lisa, Geneva, and Graham have done an exceptional job bringing this beloved video game franchise to vivid life on Prime Video. Together with our amazing partners at Bethesda Games and Bethesda Softworks, we are delighted to announce a third season of Fallout, well ahead of the much-anticipated debut of Season 2.” “The holidays came a little early this year - we are thrilled to be ending the world all over again for a third season of Fallout,” said executive producers Jonathan Nolan and Lisa Joy. “On behalf of our brilliant cast and crew, our showrunners Geneva and Graham, and our partners at Bethesda, we’re grateful to our incredible collaborators at Amazon MGM Studios and to the amazing fans as we continue our adventures in the wasteland together.” Based on Bethesda’s beloved video game series, Fallout tells the story of haves and have-nots in a world in which there’s almost nothing left to have. 200 years after the apocalypse, the gentle denizens of luxury fallout shelters are forced to return to the irradiated hellscape their ancestors left behind - and are shocked to discover an incredibly complex, gleefully weird, and highly violent universe waiting for them. The series stars Ella Purnell (Yellowjackets, Sweetpea), Aaron Moten (Emancipation, Father Stu), Walton Goggins (The White Lotus, The Righteous Gemstones), Kyle MacLachlan (Twin Peaks), Moisés Arias (The King of Staten Island), and Frances Turner (The Boys). Fallout is produced by Kilter Films, with executive producers Nolan, Joy and Athena Wickham. Geneva Robertson-Dworet and Graham Wagner also serve as executive producers, creators, and showrunners. Todd Howard, Bethesda Game Studios, executive produces along with James Altman for Bethesda Softworks. Amazon MGM Studios and Kilter Films produce in association with Bethesda Game Studios and Bethesda Softworks. BlackGinger, CoSA VFX, Framestore, FutureWorks Media Ltd., Important Looking Pirates, Magnopus, Mavericks, One of Us, Refuge, and Yafka collaborated to create the VFX for Season 1. Grant Everett served as visual effects supervisor, with Brannek Gaudet as visual effects supervisor for Mavericks, Fred Ruff for Refuge, and Antonis Kotzias for Yafka. No word yet on Season 2 work. Fallout Season 1 is now streaming on Prime Video. Source: Prime Video Journalist, antique shop owner, aspiring gemologist—L'Wren brings a diverse perspective to animation, where every frame reflects her varied passions.