Artificial Intelligence (AI) has been making significant strides over the past few years, with the emergence of Large Language Models (LLMs) marking a major milestone in its growth. With such widespread adoption, feeling left out of this revolution is not uncommon. One way an individual can stay updated with the latest trends is by reading books on various facets of AI. Following are the top AI books one should read in 2025. Deep Learning (Adaptive Computation and Machine Learning series) This book covers a wide range of deep learning topics along with their mathematical and conceptual background. It also provides information on the different deep learning techniques used in various industrial applications. Python: Advanced Guide to Artificial Intelligence This book helps individuals familiarize themselves with the most popular machine learning (ML) algorithms and delves into the details of deep learning, covering topics like CNN, RNN, etc. It provides a comprehensive understanding of advanced AI concepts while focusing on their practical implementation using Python. Machine Learning (in Python and R) for Dummies This book explains the fundamentals of machine learning by providing practical examples using Python and R. It is a beginner-friendly guide and a good starting point for people new to this field. Machine Learning for Beginners Given the pace with which machine learning systems are growing, this book provides a good base for anyone shifting to this field. The author talks about machine intelligence’s historical background and provides beginners with information on how advanced algorithms work. Artificial Intelligence: A Modern Approach This is a well-acclaimed book that covers the breadth of AI topics, including problem-solving, knowledge representation, machine learning, and natural language processing. It provides theoretical explanations along with practical examples, making it an excellent starting point for anyone looking to dive into the world of AI. Human Compatible: Artificial Intelligence and the Problem of Control The book discusses the inevitable conflict between humans and machines, providing important context before we advocate for AI. The author also talks about the possibility of superhuman AI and questions the concepts of human comprehension and machine learning. The Alignment Problem: Machine Learning and Human Values This book talks about a concept called “The Alignment Problem,” where the systems we aim to teach, don’t perform as expected, and various ethical and existential risks emerge. Life 3.0: Being Human in the Age of Artificial Intelligence The author of this book talks about questions like what the future of AI will look like and the possibility of superhuman intelligence becoming our master. He also talks about how we can ensure these systems perform without malfunctioning. The Coming Wave: Technology, Power, and the Twenty-First Century’s Greatest Dilemma This book warns about the risks that emerging technologies pose to global order. It covers topics like robotics and large language models and examines the forces that fuel these innovations. Artificial Intelligence Engines: A Tutorial Introduction to the Mathematics of Deep Learning “Artificial Intelligence Engines” dives into the mathematical foundations of deep learning. It provides a holistic understanding of deep learning, covering both the historical development of neural networks as well as modern techniques and architecture while focusing on the underlying mathematical concepts. Neural Networks and Deep Learning This book covers the fundamental concepts of neural networks and deep learning. It also covers the mathematical aspects of the same, covering topics like linear algebra, probability theory, and numerical computation. Artificial Intelligence for Humans This book explains how AI algorithms are used using actual numeric calculations. The book aims to target those without an extensive mathematical background and each unit is followed by examples in different programming languages. AI Superpowers: China, Silicon Valley, and the New World Order The author of this book explains the unexpected consequences of AI development. The book sheds light on the competition between the USA and China over AI innovations through actual events. Hello World: Being Human in the Age of Algorithms The author talks about the powers and limitations of the algorithms that are widely used today. The book prepares its readers for the moral uncertainties of a world run by code. The Master Algorithm: How the Quest for the Ultimate Learning Machine Will Remake Our World This book talks about the concept of the “Master algorithm,” which is a single, overarching learning algorithm capable of incorporating different approaches. Applied Artificial Intelligence: A Handbook for Business Leaders “Applied Artificial Intelligence” provides a guide for businesses on how to leverage AI to drive innovation and growth. It covers various applications of AI and also explores its ethical considerations. Additionally, it sheds light on building AI teams and talent acquisition.  Superintelligence: Paths, Dangers, Strategies This book asks questions like whether AI agents will save or destroy us and what happens when machines surpass humans in general intelligence. The author talks about the importance of global collaboration in developing safe AI. We make a small profit from purchases made via referral/affiliate links attached to each book mentioned in the above list. If you want to suggest any book that we missed from this list, then please email us at asif@marktechpost.com Shobha KakkarShobha is a data analyst with a proven track record of developing innovative machine-learning solutions that drive business value.Shobha Kakkarhttps://www.marktechpost.com/author/shobha-kakkar/Hugging Face Introduces a Free Model Context Protocol (MCP) Course: A Developer’s Guide to Build and Deploy Context-Aware AI Agents and ApplicationsShobha Kakkarhttps://www.marktechpost.com/author/shobha-kakkar/13 Free AI Courses on AI Agents in 2025Shobha Kakkarhttps://www.marktechpost.com/author/shobha-kakkar/OpenAI Just Announced API Access to o1 (Advanced Reasoning Model)Shobha Kakkarhttps://www.marktechpost.com/author/shobha-kakkar/OpenAI Just Released Sora: The Most Awaited AI Video-Generation Tool

Build A Rocket Boy’s Leslie Benzies has spoken about MindsEye and how the studio plans to offer a value-for-money experience without any filler. However, it’s only the first step in a longer game, which includes a “big overarching ten-year plan.” While speaking to GamesIndustry.biz, Benzies reiterated that the title would continue receiving new content. “Some of the content, like races, are made just for fun. But [with] most of the content, we’ll try and incorporate it into the story. So once you’ve played the big overarching ten-year plan, you’ll have a very good idea of what this universe looks like.” There are plans for multiplayer and a fully open world, but it’s also looking at “what players are creating and incorporating that into our plans. Given the ease of the tools, we think there will be a high percentage of players who will jump in and give it a try, see how it feels, and then decide. Hopefully, some will create compelling content we can then promote and make that part of our plans to push to other players.” Interestingly, the story of MindsEye is “bang in the middle” of the greater narrative that Build A Rocket Boy wants to tell. “So, we’re going to go back 10,000 years, then we’re going to go forward a certain amount of time. It’s the relevant piece of the puzzle that will have players asking questions of what the bigger story is,” said Benzies. This is the reason why the studio hasn’t showcased footage for “huge parts” of the experience. The studio wants to avoid spoilers, but he does tease that the story takes some “unusual twists.” As for multiplayer, Benzies said, “The dream from the building side is to allow players the opportunity to create their own multiplayer open-world games with ease. Anyone could pick up the game, jump in, drive around, stop at a point where they saw something of interest, build a little mission, jump back in the car, drive again, and build another mission. Once you’ve built a couple of hundred of these, you’ve built your own open-world game. So, that’s the build side.” However, Build A Rocket Boy also wants to develop “a place where people can socialise, play together, and engage in the stories that we build.” As such, an open-world multiplayer title is planned for next year, unfolding one year after the events of MindsEye. You can also expect an open-world free-roam title to bridge the gap between the two releases. “All of these stories interconnect in a fairly unique and original way, which I think players like these days. They like the complexity of deeper stories.” MindsEye launches on June 10th for Xbox Series X/S, PS5, and PC. Check out the overview trailer and post-launch roadmap.

The big Leslie Benzies interview: MindsEye, Everywhere, and the double-edged sword of GTA How Build A Rocket Boy developed its debut project Feature by Samuel Roberts Editorial Director Published on May 30, 2025 As the producer behind the Grand Theft Auto games from GTA 3 through to GTA 5, as well as Red Dead Redemption and LA Noire, any project with Leslie Benzies' name on it is going to be a lightning rod for attention. MindsEye, the first game from Benzies' studio Build A Rocket Boy, is getting plenty of it – even if some of that attention has been less positive. MindsEye is a single-player third-person shooter with vehicle gameplay, set in a Las Vegas-style city called Redrock. It's a techno-thriller story about a former soldier called Jacob Diaz – but it's clear from visiting BARB in Edinburgh this week that the game is envisioned as a gateway into something much larger, both in the fiction of MindsEye, and for players who pick the game up. That includes a user-generated content platform called Build.MindsEye, where players on PC can create levels using relatively straightforward tools that incorporate any object in the game. When asked if third-person shooter levels or driving sections were the limits of the build side of MindsEye, the developers showed other examples of how they can be used, like massively increasing the proportions of a basketball, dropping it into the world, and functionally making an in-game version of Rocket League. Still, while MindsEye launches on June 10, 2025, for PC and consoles, many questions remain unanswered, including the future of its long-gestating Everywhere project. Benzies sat down with GamesIndustry.biz earlier this week to talk us through his vision for the game. This interview has been edited for brevity and clarity. Image credit: Austin Hargrave What's your grand vision for MindsEye? What will it be at launch, and where is it going in the future? MindsEye is one story in an epic universe. The other stories take place at different time periods, and [at] different locations in the universe. This story is Jacob Diaz's story. There are also other stories within MindsEye, so we tell the backstories of other characters Jacob will meet. That's the way we're going to fill out the universe over time – so when you travel around, all the stories will be connected by one overarching theme, and each story will have different mechanics. And we'll give these mechanics to players within the creator tools. What will happen with the game after launch? [The studio] will support the game through Play.MindsEye, with continuous new content. Some of the content, like races, are made just for fun. But [with] most of the content, we'll try and incorporate it into the story. So once you've played the big overarching ten-year plan, you'll have a very good idea of what this universe looks like. We have plans to add multiplayer, [and] we have plans to make a full open world. And of course, we've also got to look at what players are creating, and incorporate that into our plans. Given the ease of the tools, we think there's going to be a high percentage of players who will jump in and give it a pop, see how it feels. Hopefully some will create compelling content we can then promote and make that part of our plans to push to other players. Is it best to think of MindsEye as the first game in a series of games? Or one game as part of a larger experience? MindsEye sits bang in the middle of our story. So, we're going to go back 10,000 years, then we're going to go forward a certain amount of time. It's the relevant piece of the puzzle that will have players asking questions of what the bigger story is. We've intentionally not released footage of huge parts of the game, because we don't want to spoil anything for players. But this story does take some unusual twists. What's your vision for the multiplayer component of the game? I guess there's two sides to the answer. The dream from the building side is to allow players the opportunity to create their own multiplayer open world games with ease. So anyone could pick up the game, jump in, drive around, stop at a point where they see something of interest, build a little mission, jump back in the car, drive again, build another mission. Once you've built a couple of hundred of these, you've built your own open world game. So, that's the build side. From our side, we want to [create] a place where people can socialise, play together, and engage in the stories that we build. So, we do have plans next year to launch an open world multiplayer game that takes place a year after MindsEye finishes. In the interim, we also have an open world free roam game that spans from when MindsEye finishes to the launch of the open world multiplayer game. All of these stories interconnect in a fairly unique and original way, which I think players like these days. They like the complexity of deeper stories. You're selling the base game at launch, with a pass for upcoming content additions. Do you have a vision for how you're going to package future stories in the overarching MindsEye experience? It depends on the scale of the story. Some will be free, and some will be paid. After you left Rockstar Games, what came next? What led to you building the studio? I spent a few years looking into some other things: going [into] some property development. Using some of the games experience, we made a thing called VR-Chitect, which allowed you to build houses and view them in VR. I spent a lot of time in Los Angeles at this point, and this is when the droughts were very bad. I got into [making] these machines that would suck water out of the air. Still sitting in my back garden in Los Angeles is this big clunky machine, it works like an air-conditioning unit. It could suck up one thousand litres of water. So I got involved with that. But there's really nothing like making games. The different types of people – the lawyers, the accountants, the programmers, the artists, the dancers, the singers – that bunch of people in one big pot, all working together, and turning something from a piece of paper into [something on the] screen – that's where I get my excitement. Since I was a kid, that's what I've wanted to do. I thought, 'I better get back into making games' because nothing else was as much fun. What was the journey towards creating MindsEye as your first standalone release? Your first game's always your hardest. You have to build systems, you have to build the team. Everything is new. You don't really see a lot on the screen until way down the line, because you're building underlying systems, physics systems, the gameplay systems. It's a slow start, but what you end up with is an engine, and obviously we use Unreal, which provides a certain level of support and building. On top of that, we've got to build our own stuff. [Plus], we have to pack up everything we build and present it nicely for the creator tools. So it adds this extra layer of complexity to everything. But now, given where we are, the speed that we can iterate, we can very quickly place enemies, place vehicles, place puzzles, whatever, and get a feel for a game. We've now got a great, experienced team – a lot of talented guys in there. In the old days, you'd get a game, stick it on the shelf, and you'd wave goodbye. It's not like that anymore. You're continually fixing things. When you release a game, you've suddenly got, not a hundred testers, but hopefully millions of testers. You've got to continually fix, continually optimise, and especially with the tools that we've got, we want to continually create new content. So MindsEye is a standalone game, and Everywhere is not mentioned anywhere on the Steam page. But obviously there's a strong 'build' component to this game, which was part of the Everywhere pitch. What does this mean for Everywhere, and what was behind the decision to package the game this way? This is all part of a bigger story and ecosystem that we've got planned. Everywhere is going to show up again pretty soon. Everything we're working on, there's a story behind it – a big overarching story. So Everywhere will come back, and it fits into this story somewhere. I can't tell you [where], because it would be a spoiler. But that's going to reappear soon, and it will all be a part of the same product. "I'm not sure it would've been smart as a company to say, 'we are going to compete with the biggest game on the planet'" Leslie Benzies, Build A Rocket Boy In terms of the tools, the tool doesn't really care what world you're building in. It sits separately. So any game we create, it will naturally work on top of it. But we're big fans of keeping everything thematically connected, or connected through a narrative, and you'll see it. The bigger story will become obvious, once you've played through all of MindsEye. Then you might start to see how it all connects together, to the Everywhere world. Has the landscape for something like Everywhere, or the build component to MindsEye, changed as platforms like UEFN have taken off or Roblox has become so huge? It's great to see these tools being used by people. I build a lot with my son, and when he builds, I see the excitement he gets. It reminds me of when I was a kid with my Dragon 32 computer, managing to get a little character moving on the screen – that excitement of, 'wow, I did that'. Giving that to other people is massive. It's still very difficult to build in Roblox. For example, when my son wants to do it, I have to jump in. I used to be a programmer, and I struggle to build in there. When he wants to run around and scream with his friends he's in Roblox; when he wants to build he'll jump into Minecraft, because Minecraft is a much easier system to build within. And I think we sit somewhere in the middle: you can get very high quality, fun games, but they're very easy to build. I think we're at the infancy of this in video games. We're at the very beginning of it, and we're going to see way, way more of it. It doesn't necessarily have to be presenting it to your friends, or to an audience. I think the process of creating for a human being is fun in itself. MindsEye has been positioned as a linear game. You are best known for creating open world games. What was behind the decision to make MindsEye a more linear, narrative-driven experience? I think certain stories are more difficult to present to players in an open world setting. Open world gives you freedom – you don't necessarily want freedom to portray a story. For MindsEye, it's a very set time in a character, Jacob Diaz's, life. You pick up as Jacob when he arrives in Redrock, and then you leave Jacob at a certain point in the future. And so, it'd be very difficult for us to have an open world in there. It's horses for courses: it depends what you're doing. But for Jacob's story, it had to be a linear game. Having said that, there are open world experiences in there, and we can build them through Build.MindsEye. There is a free roam open world mode, where you play [as] a different character and you see his time, from the end of MindsEye, to the point of our next big planned launch. Again, they're all connected through a narrative, and we really want to show the universe, show the stories that have taken place in the universe, the characters in that universe, and see how they've experienced the same experience but from different viewpoints. "The dream from the building side is to allow players the opportunity to create their own multiplayer open world games with ease" Leslie Benzies, Build A Rocket Boy Was there ever a discussion about creating a more traditional GTA competitor? In design, you look at a lot of different options. I'm not sure it would've been smart as a company to say, 'we are going to compete with the biggest game on the planet'. I'm not sure that would be the best business decision to make. We went through a bunch of different designs, and to tell our story, this is what we landed on. MindsEye is priced more like a game from a decade ago at $60, and it'll take around 20 hours to finish. Can you talk about how you settled on the game's length and scope, and how you made that decision around price? So you've got the MindsEye campaign, and yes, it'll be about 20ish hours. But you do have all this other side content: there's going to be this continuous stream of content. These days, there are so many different options for people. It's not just games: there's streaming TV, so many good shows out there. I don't think you can have filler content in games. I think people want the meat, and they want the potatoes. We've tried to make as much meat as we can, if that makes sense. I think that's a good length for a game. What you also find through data, is that [with] big games, people don't play them all. The majority of people – 60% or 70% of people – don't actually play games to the end. So when you're making something, I would prefer – I'm sure the team would say the same – [that] you had the whole experience from start to finish, and not create this 200-hour game. Create something that is finishable, but have some side things that will fill out the universe. A lot of the side missions on the play side of MindsEye do fill out the characters' back stories, or do fill out what was happening in the world. On price: the world's in a funny place. People are worried about the price of eggs. So value for money, I think people appreciate that when times are difficult. I was curious why you waited until quite late in the day to reveal the build element of the game, only because it seemed you were being quite church and state with how MindsEye is releasing versus what Everywhere is. So in general, we believe – and again, it goes back to the amount of information, the amount of options people have these days – I don't think you can have extended marketing times. It's very expensive, we're a start-up. I think you lose interest from people. There are so many things for people to do, that if you extend it, you're not punching through to the place you need to be. I've seen other games, nine years before launch, it's getting talked about. I'm not sure that's the way of the world these days. You'll see there are games that never go to market: the day of launch was the marketing campaign, and it worked very well. So I think we tried to compress ours down for that reason. On the MindsEye.Play [continuous content] part of it, yeah, maybe we should've got that out there sooner, but it is a nice little surprise to give players. That's the thing with marketing – you never know what's the right or wrong way to do it, you've got to go with your gut, your senses, and test it. Being who you are, it brings a certain level of expectation and attention. Do you find it a double-edged sword, launching a new studio and launching a new game, with your background? Yes. There's always comparisons, and I think that's how humans work. As kids, we're taught to put a triangle into a triangular hole, and a square into a square hole. I think we do that for the rest of our lives, and we like to describe something new as 'it's X plus Y, with a bit of Z in there'. It makes things easy for us. It's maybe humans optimising the way we communicate. So there are comparisons. It serves us well in some ways, it doesn't serve us well in others. Dave Grohl said it well when he formed the Foo Fighters: nobody's interested in the Foo Fighters, all they were interested in was Nirvana. The guys have built something very cool, and I just hope people can see it for what it's trying to be.

Category: GamesMay 30, 2025 Atomfall Story Expansion Arrives Next Week – Dare You Visit Wicked Isle? Ben Fisher, Head of Design, Rebellion For those of you who are new to the game, Atomfall is an action-survival mystery set in the UK. The story takes place five years after the real-life events of the 1957 Windscale Disaster in the North of England. In the world of Atomfall, a quarantine zone has been established around the Atom Plant and no one has been allowed in or out for five years. Life and society have changed and adapted under these trying circumstances and gangs of strange folk now wander the countryside. You wake up in a bunker with no idea who you are or how you got there. Given the circumstances you have little choice but to set out on a journey to discover what really happened at Windscale and maybe try to find out who you are in the process. The Wicked Isle expansion adds a whole new location, with its own set of characters and enemies as well as additional leads, weapons, skills, items and multiple new endings for the main game. What is the Wicked Isle? Surrounded by murky and perilous waters lies a wicked isle… a mysterious new region to explore, nestled off the Cumberland coast. They say there was a creepy old fishing village out there, but the locals haven’t seen anyone from there for years. The Wicked Isle is an entirely new area for players to explore in Atomfall, accessible by boat from the village of Wyndham. It’s a region that gave us an opportunity to really double down on the Folk Horror influences that you find throughout the game, as well as hints of sci-fi and cold war paranoia for good measure. When developing the Wicked Isle, there were two real-world locations that acted as key inspirations. The first was Lindisfarne – the “Holy Island” – which is a monastery on an island off the coast of Britain and was famously raided by Vikings in the 9th century. On the wicked isle, an Abbey towers over everything and constantly entices you to explore what secrets it holds within. The other major inspiration was Anthrax Island, a real-world island off the coast of Scotland that was used for military experiments during the Second World War. The entire island was quarantined until the 1990s as a result of the tests, and you might find evidence of similar experiments as you explore Wicked Isle. Explore the Isle’s Mysteries Shrouded by dense fog, this strange isle holds secrets that lead to the heart of the mystery of what really happened at the Windscale Plant. The Wicked Isle is located close to the Atom Plant and as a result, infection had spread rapidly and had a significant effect on the environment and the people that live there. You will have to tread carefully! As you investigate the island you will uncover new leads and story threads. While some of these are standalone stories, some leads link back to the overarching narrative of Atomfall as you seek to uncover what really happened. You will have to travel back to the mainland in search of clues and items which will in turn unlock multiple new potential endings for the main game. Uncover New Treasures While exploring you will find new items, weapons, and skills to help you as you survive in the Quarantine Zone. Deadly blunderbusses, upgraded metal detectors, and otherworldly abilities are just some of the things you’ll find on the isle. In creating these new weapons, we had an immediate and impactful opportunity to link to the key themes we were exploring in this story expansion – whether it be the Blunderbuss and Cutlass tying to the nautical history of the isle itself or some of the stranger ritualistic weapons used by the pagan druids who have made this their home. However, I’m most excited to see how people interact with the new abilities that the Wicked Isle brings. I don’t want to give any spoilers, but you’re going to find some pretty weird stuff going on out there. Face Fearsome Foes The inhabitants of the isle have not escaped the impact of the disaster. A deranged druid cult has become even more powerful through their pagan rituals; roaming bandits have embraced the island’s nautical past and strange creatures lurk in the watery depths. If you want to survive, you’ll need to be prepared to fight back. The response from the community to Atomfall has been incredible and we cannot wait for players to experience Wicked Isle. The stories and leads you uncover there and the people you will meet along the way add even greater depth to the mystery of Atomfall. Available from June 3, the Wicked Isle Story Expansion Pack can be bought separately and is also included in the Atomfall Deluxe Edition and Atomfall Deluxe Upgrade. Game Pass subscribers will also receive a 10% discount. We hope you enjoy visiting the dark and lonely waters. Atomfall: Story Expansion Pack Wicked Isle Rebellion ☆☆☆☆☆ ★★★★★ Get it now Surrounded by murky and perilous waters lies a wicked isle… a mysterious new region to explore, nestled off the Cumberland coast. They say there was a creepy old fishing village out there, but the locals haven’t seen anyone from there for years. There is a boat from the Wyndham Village shore for anyone brave enough to go and look for themselves. New mysteries, new supplies and new possibilities of escape could lie ahead for anyone who dares. The Atomfall story continues with the “Wicked Isle” Story Expansion Pack, introducing a new location, enemies, quests, characters, items, weapons, and more. Explore the isle’s mysteries Shrouded by dense fog, this strange isle holds secrets that lead to the heart of the mystery. Uncover leads that intertwine with the Atomfall narrative, expanding the story and unlocking new routes out of the Quarantine Zone. Uncover new treasures While exploring you will find new items, weapons, and skills to help you as you survive in the Quarantine Zone. Deadly blunderbusses, upgraded metal detectors, and otherworldly abilities are just some of the things you’ll find on the isle. Face fearsome foes The inhabitants of the isle have not escaped the impact of the disaster. A deranged druid cult has become even more powerful through their pagan rituals; roaming bandits have embraced the island’s nautical past and strange creatures lurk in the watery depths. If you want to survive, you’ll need to be prepared to fight back. Related Stories for “Atomfall Story Expansion Arrives Next Week – Dare You Visit Wicked Isle?” Category: ID@XboxA Little Roguelike Fun: Cryptmaster’s Deckbuilder in the Anniversary Update Category: ID@XboxGet Connected: Indie Selects for May 2025 Category: GamesFree Play Days – Call of Duty: Black Ops 6 (MP & Zombies Only), The Division 2, ARK: Survival Ascended, and More The post Atomfall Story Expansion Arrives Next Week – Dare You Visit Wicked Isle? appeared first on Xbox Wire.

For many gamers, the upcoming playable characters are one of the main highlights of Genshin Impact’s frequent version updates. Especially throughout recent updates, the new playable characters in Genshin Impact have pushed the limits for the endgame meta, while also expanding the game’s overarching lore in surprising ways. Naturally, leaks about who will be the next playable character in future updates are generally a hot topic among the game’s community, since this gives players a chance to decide whether to get these characters and start saving their Wish currencies ahead of time.

A lot of product designers who are more environmentally conscious now are looking at sourcing recycled materials when conceptualizing new products. Consumers are also more curious about the ingredients and materials used to create products they are considering and for some, it plays a major factor in that decision. There is also a growing trend towards incorporating a minimalist kind of aesthetic in these sustainable designs since of course we want to use few resources when producing things. The LANOVA TERRA Biowaste Table Lamp exemplifies the fusion of sustainability and minimalist design.Developed by NOI Creative for Lanova, this lighting solution utilizes agricultural byproducts—such as coffee grounds, rice husks, and wheat bran—to craft a lamp that is both environmentally conscious and aesthetically aligned with Nordic design principles. The Terra lamp stands out by transforming organic waste into a functional and elegant home accessory. By repurposing materials that would otherwise contribute to landfill waste, the lamp not only reduces environmental impact but also brings natural textures and tones into interior spaces. Designer: NOI Creative The Terra lamp’s design goes beyond mere aesthetics, deeply embedding principles of sustainability into its very structure. Its compact, modular form is a deliberate choice aimed at minimizing environmental impact from the outset. By allowing the lampshade to nest snugly within the lamp’s body, the overall volume of the packaging is significantly reduced. This not only translates to less material used for packaging itself but also optimizes space during shipping, leading to lower transportation emissions, a crucial factor in reducing a product’s carbon footprint. Furthermore, the lamp’s aesthetic is carefully considered, with soft curves and a simple two-part construction that embodies the essence of Nordic design. This style, often characterized by its clean lines, functionality, and warm, inviting feel, aligns perfectly with the principles of minimalism, ensuring the lamp remains timeless and avoids unnecessary embellishments that would require more resources. This thoughtful design extends to the user experience, prioritizing ease of assembly and practical storage. These features contribute to Lanova’s overarching commitment to sustainable living by creating a product that is not only eco-friendly but also seamlessly integrates into a conscious lifestyle. However, the vision behind the Terra lamp stretches far beyond its tangible form. It symbolizes a fundamental shift in thinking, championing the adoption of renewable materials and the implementation of responsible design practices throughout the industry. By boldly showcasing the untapped potential of biowaste in product design, the Terra lamp transcends its function as a mere light source, becoming an inspiring symbol of innovation and a powerful advocate for environmental stewardship within the home decor landscape. The LANOVA TERRA Biowaste Table Lamp stands as a testament to the powerful synergy between environmental consciousness and minimalist design. By ingeniously repurposing agricultural byproducts, NOI Creative and Lanova have not only crafted an elegant lighting solution but have also illuminated a path towards a more sustainable future for the home decor industry, proving that innovation and responsibility can beautifully coexist. The post Lanova Terra Lamp turns biowaste materials into light source first appeared on Yanko Design.

Image: Nintendo Life / Aniplex / XSEED Games Warning: This article delves into spoiler territory for The Hundred Line - Last Defense Academy. If you've yet to play the game and want to go in blind, we recommend you come back at another time... I’m not a fan of tactical RPGs… is what I would have told you before I played The Hundred Line - Last Defense Academy. Heck, I’m still not sure I would call myself a 'fan' of the genre, necessarily; one game perhaps isn’t enough to sway me that much. The Hundred Line, though..? Yeah, I’m a fan of The Hundred Line.Subscribe to Nintendo Life on YouTube814kWatch on YouTube In fact, it's easily my Game of the Year so far, and even with the Switch 2 on the horizon, it’s going to take something truly special to usurp its throne. Mitch gave it an 'Excellent' 9/10 in our review, but what he didn’t cover – what he couldn’t cover without spoiling anything – is just how ridiculously ambitious Too Kyo Games’ visual novel / tactical RPG hybrid really is. So, if you’re sensitive about spoilers and want to go into this one completely fresh, consider this your last warning. We’re going in, folks. Images: Nintendo Life / Aniplex / XSEED Games Before I waltz headfirst into what is undoubtedly The Big Twist™, I want to first look at the wonderful cast of characters. Much like Danganronpa before it, the entire premise of The Hundred Line — survive and protect your school against invaders over the course of one hundred days — would have crashed and burned were it not for the likes of Takumi Sumino, Darumi Amemiya, Shouma Ginzaki, Nozomi Kirifuji, and the rest of those loveable goofballs. Character work is truly where directors Kazutaka Kodaka and Kotaro Uchikoshi shine brightest. They managed to make every member of the 'Special Defense Unit' completely unique and special in their own way. Take Tsubasa Kawana, for instance. Whenever she’s placed in a stressful situation, she immediately feels nauseous, and it makes for some wonderful comedic relief. I lost count of the number of times I giggled whenever the story took a dark turn, and the camera switched over to Tsubasa loudly dry heaving. In addition to the comic relief, however, we also learn a lot about Tsubasa’s background, including her passion for machinery fostered by fixing cars with her grandfather as a child. We get similar deep dives into every character, to the point where we begin to understand the potential causes behind their various quirks. Even total prats like Ima Tsukumo, whose obsessive devotion to his ‘Dear Sister’ Kako proves deeply concerning, gets his own moment of redemption through both his backstory and the way the plot progresses. By the time I reached the credits, I really didn’t want the game to end. I’d grown to love these characters, and a couple of significant losses actually brought a tear to my eye during the final stages; something that no game before it has accomplished. Couldn’t I just keep going? Just for a bit..? Well, here’s the thing: it didn’t end. When you reach the last couple of days in the basic hundred-day timeline, you learn that through powers gained via absorption of your enemies, protagonist Takumi can actually go back in time to day one and re-do the whole thing again. Only this time, you’re free to make significant changes to the story and work your way toward one of a potential hundred different endings. Whoa – hold my beer, Nier Automata! Image: Nintendo Life / Aniplex / XSEED Games I know what you’re probably thinking, and no, you don’t have to play through the entire game a hundred times. Effectively, the story can branch off into several different paths, each of which has a number of potential endings, and the game even gives you the ability to jump back to specific days in order to change your decisions and alter the story’s path. Some endings may be exceedingly short, others a bit lengthier… some good, and some very bad. One might see you become the villain of the story, while another may conclude with the adorably loyal samurai Kyoshika Magadori being devoured by your zombified friends. The variety of avenues is simply absurd, and discovering each one is a joy. These are just a couple of the more, shall we say, ‘insignificant’ possible endings. I won’t go into those which might actually spoil the overarching plot; even if you’re still with me at this point, I’d like you to enjoy The Hundred Line’s story on your own terms. It’s safe to say, however, that the run through those initial one hundred days could definitely be considered a ‘prologue’, even though it comfortably stands as a compelling story in its own right with a beginning, middle, and end. Images: Nintendo Life / Aniplex / XSEED Games So you can definitely stop there and have a grand ol’ time, but if you’re looking for something a bit more ambitious — something that throws the rulebook out of the window — I’d encourage you to keep going and see exactly what The Hundred Line has up its sleeve. It’s simply magnificent. There are so many reasons why I love this game. I love figuring out what to do during ‘free time’ sessions in which you can either chat to your fellow students, venture out into the world in a board-game-inspired minigame of sorts, or dive straight into a few battle simulations to potentially upgrade your abilities. The biggest surprise for me, however, was how much I loved the battle system itself. As I mentioned at the start, I’m normally not one for tactical RPGs, but The Hundred Line’s turn-based structure just works so well. I often get overwhelmed when it comes to deciding how to approach tactical gameplay: how do these characters function? Why can’t I move more than two spaces? Just what the heck do I do? The Hundred Line made it easy, though, and it’s once again thanks to the remarkably unique and diverse cast. Their artistic design makes it easy to distinguish one from another, and it only took a couple of battles until I memorised their strengths and weaknesses, along with how their attacks play out on the field of battle. It got to the point where, after a handful of quiet days full of ‘free time’, the warbling alarm to signify an incoming battle filled me with excitement. Images: Nintendo Life / Aniplex / XSEED Games Most of the battles felt doable and I never felt completely helpless against the hordes of invaders, but there were still a few that I managed to botch straight away and lose within just a few minutes. In those instances, the game gives you the option to redo the battle with significant boosts to your manpower, instantly giving you 300% 'voltage' (which essentially gives you three uses of your extra-powerful special attacks) and refilling your squad's health. Is it cheating? Sure, I guess... But it also makes the game significantly more approachable for tactical newcomers like myself. I adore the Danganronpa series. I think they’re wonderful games that remain just as compelling now as they were back when they first launched, and if it weren’t for Danganronpa, I don’t think The Hundred Line would even exist. I have to be honest with myself, though… The Hundred Line is better. It’s a masterpiece. Co-director Kazutaka Kodaka has recently confirmed that the game is "selling well", but I still feel like not enough people are talking about it. I suspect, however, that as the years go by and more people play it through word of mouth, it’ll go down as one of the greatest visual novels of all time. There’s simply nothing else quite like it. Have you played through The Hundred Line - Last Defense Academy yet? What do you make of it? Do you have a favourite character / ending? Let us know with a comment in the usual place. Sirei-iously good According to its director, at least Subscribe to Nintendo Life on YouTube814k Related Games See Also Share:30 3 Nintendo Life’s resident horror fanatic, when he’s not knee-deep in Resident Evil and Silent Hill lore, Ollie likes to dive into a good horror book while nursing a lovely cup of tea. He also enjoys long walks and listens to everything from TOOL to Chuck Berry. Hold on there, you need to login to post a comment... 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This is an excellent opportunity for an experienced Principal Level Designer to join an exciting new project and team, taking a guiding role in level design, world-building, and game structure on Unreal Engine 5 (UE5). The project is based at our studio in Sofia, Bulgaria. This can be discussed upon application.The successful candidate will drive strong, compelling level design, that enhances in-game encounters and the overall experience. They will also be responsible for enabling the game's overarching structure and its world architecture to a high standard, working closely with the leads to come up with ideas and processes to help the team to deliver on this.Key ResponsibilitiesOn a day-to-day basis you will:Own and help to define the world design rules, so that the LD's have the best practices and building blocks from which to create the worldBuild and own large features and map areas. Helping to lead and drive direction within the map teamAssist the leads on helping to establish the world’s lore, coordinating with Narrative to ensure we are creating a believable worldHelps to unblock and drive solutions for the level design teamCommunicates across teams, and between internal and external leadershipProvide guidance and mentoring to the level design teamWorks closely with the leads to develop strong processes for validating level design content, being an advocate for playtestingHelps to create User Stories, and contributes to roadmap planning and scope estimatesKnowledge, Skill and ExperienceEssentialExperienced in UE4/5Strong level of autonomy, can manage their own work, and act as a support for the team when neededExperienced building and owning more challenging levels for FPS charactersStrong single-player experience building levels within a narratively driven mission-based structureA highly experienced level designer, with one or more shipped AAA titles in a level design roleProficient at crafting 3d spaces using Unreal based tools, geometry scripting, and or Whitebox quality-based assetsKeen worldbuilding sensibilities that serve the gameplay requirements but also keeps in mind and compliments the artistic goals for the worldHub-like soft skills working and communicating within multi-disciplined feature teams or pods.Be an ambassador for the player experience. Highly tuned to the pacing feel, emotive response and interactive elements within the world and its threats to shape engaging and tense memorable momentsComfortable presenting to internal and external stakeholders, and documenting feedback from both to incorporate into day-to-day task workDesirableExperience developing a game's macro structure and hour-to-hour flowExperience creating a reusable level design library of modular kit piecesExperience in a mentoring roleComfortable planning and writing concise user stories in Jira that outline clear acceptance criteriaHave worked on a game with a focus on survival or stealthAbout Creative AssemblyCreative Assembly crafts deep and detailed games that last, entertaining millions of players across the globe for decades.We are all game makers and we care deeply about the experiences we create. We empower our teams to make significant contributions to our games, supported by skills development and growth opportunities.We are located in Horsham, UK and Sofia, Bulgaria.We offer many benefits to support you and your family including:Work from Anywhere for a temporary period each year (restrictions apply such as VISAs)Enhanced holiday allowance, maternity and paternity breaks, flexibility with our core hours, and no-notice holidaysBespoke relocation package for you and your dependentsPrivate medical and dental insurance, life insurance, permanent health insurance, critical illness cover and free health care screeningGenerous holiday allowance plus full studio closure over the Christmas and New Year period, and all Bank holidaysJoin our Diversity and Inclusion Network – an employee-led groupSeason ticket travel loans and cycle to work scheme with free bike servicing and discounted car valet service on siteWellbeing support and virtual confidential counsellingCommunity activities including parties, football and more.Our studio sites have disabled access.We are an equal opportunities employer and encourage applications from suitably qualified and eligible candidates regardless of sex, race, disability, age, sexual orientation, gender reassignment, marriage or civil partnership, pregnancy or maternity, religion or belief.Note to Recruitment Agencies: SEGA Europe Limited and our studios do not accept unsolicited candidate introductions from unauthorised third parties. For the avoidance of doubt, SEGA Europe is not liable for any fees, compensation or any other costs associated with the introduction of a candidate or recruitment services unless and until an agreement has been duly executed. Further details can be found here.

With Tetsuya Nomura finally breaking a three-year silence to drop new Kingdom Hearts 4 details, what better time to revisit the series’ most iconic weapon? The Keyblade has long sparked debate — is it a sword? Should it be included in Cool Sword Day celebrations? Or is it simply a giant key-shaped billy club? Regardless of classification, the Keyblade stands as one of the most revolutionary one-handed fictional weapons, alongside the lightsaber — not just for its bold, genre-defying design, but for how deeply it’s woven into the lore, with each unique Keyblade symbolizing each wielder’s alignment with light or darkness. While the Kingdom Key remains the franchise’s most recognizable blade, thanks largely to its constant presence in marketing, no Keyblade has captured fan devotion quite like Oblivion. Oathkeeper trails closely behind, earning a strong third place. The designers at Square Enix surely know the popularity of these Keyblades in the fandom, as all three appear in every major installment. But beyond their striking designs, it’s Oblivion and Oathkeeper that best embody Kingdom Hearts’ core theme: the eternal clash between light and dark. That makes them far more than just cool weapons; they’re narrative anchors. In the original Kingdom Hearts, most new Keychains — items that transform the appearance and abilities of your Keyblade — are earned by completing Disney-themed worlds. These worlds have usually offered loose retellings of their respective films, often feeling like standalone adventures with minimal connection to the overarching storyline of Kingdom Hearts. However, Oathkeeper and Oblivion came from Traverse Town and Hollow Bastion, respectively, which are two original worlds — meaning, they’re not worlds based on Disney movies. What’s more, the  Keychains for each weapon have a strong significance for Kingdom Hearts’ protagonist Sora; one is deeply tied to Kairi, his love interest, and the other to his best frenemy, Riku.  Kairi gives Sora the Oathkeeper after he awakens her from her slumber and brings her to Traverse Town for safety. She offers him her “lucky charm” as a promise that they’ll be reunited. The charm resembles a Paopu Fruit from their home, Destiny Island — a fruit said to bind the destinies of two people who share it, ensuring they’ll always be connected, no matter what. Meanwhile, Oblivion is found in a chest in Hollow Bastion, mere feet away from Sora’s final confrontation with Riku — a confrontation that mirrors their playful sparring match at the beginning of the game. Oathkeeper and Oblivion have always shared a yin-and-yang dynamic, reflected in everything from how they’re acquired to the two characters they’re tied to; that’s even before we factor in their stark white and black color schemes. Oblivion’s in-game ability focuses on strength, while Oathkeeper prioritizes magic. Oathkeeper’s appearance emphasizes the elegance of a Keyblade, while Oblivion highlights the destruction. They’re a terrific pair; they went together like lamb and tuna fish.  What has truly cemented the importance of these two Keyblades is their prominent appearance in the game’s secret ending, Deep Dive / Another Side, Another Story. It features a hooded figure in an unknown location, dual-wielding both Oblivion and Oathkeeper in a fight with another mysterious silver-haired figure, who ends up taking and wielding Oblivion during the confrontation. Little did we know then that the hooded figure was Roxas, another version of Sora, and that Riku was the silver-haired man who took Oblivion for himself. At the time, fans couldn’t fully grasp the implications of this final scene, but that moment instantly elevated the significance of both weapons. The secret ending was shrouded in mystery, yet the presence of Oathkeeper and Oblivion strongly hinted that the hooded figure had a deep connection to Sora, Riku, and Kairi. It’s clear Nomura had grand plans for Oathkeeper and Oblivion, deliberately threading them deeper into the series’ overarching narrative than most other Keyblades. Still, he probably didn’t expect them to eclipse the franchise’s default weapon: the iconic Kingdom Key. Despite its central role and compelling history as the light counterpart to King Mickey’s Kingdom Key D, not to mention that it initially chose Riku before ultimately selecting Sora, it’s Oathkeeper and Oblivion that has came to embody the emotional core of the franchise, capturing the hearts (pun intended) of millions of fans along the way.