By CHRIS McGOWAN Images courtesy of Warner Bros. Pictures. Final Destination Bloodlines, the sixth installment in the graphic horror series, kicks off with the film’s biggest challenge – deploying an elaborate, large-scale set piece involving the 400-foot-high Skyview Tower restaurant. While there in 1968, young Iris Campbell (Brec Bassinger) has a premonition about the Skyview burning, cracking, crumbling and collapsing. Then, when she sees these events actually starting to happen around her, she intervenes and causes an evacuation of the tower, thus thwarting death’s design and saving many lives. Years later, her granddaughter, Stefani Reyes (Kaitlyn Santa Juana), inherits the vision of the destruction that could have occurred and realizes death is still coming for the survivors. “I knew we couldn’t put the whole [Skyview restaurant] on fire, but Tony [Lazarowich, Special Effects Supervisor] tried and put as much fire as he could safely and then we just built off that [in VFX] and added a lot more. Even when it’s just a little bit of real fire, the lighting and interaction that can’t be simulated, so I think it was a success in terms of blending that practical with the visual.” —Nordin Rahhali, VFX Supervisor The film opens with an elaborate, large-scale set piece involving the 400-foot-high Skyview Tower restaurant – and its collapse. Drone footage was digitized to create a 3D asset for the LED wall so the time of day could be changed as needed. “The set that the directors wanted was very large,” says Nordin Rahhali, VFX Supervisor. “We had limited space options in stages given the scale and the footprint of the actual restaurant that they wanted. It was the first set piece, the first big thing we shot, so we had to get it all ready and going right off the bat. We built a bigger volume for our needs, including an LED wall that we built the assets for.” “We were outside Vancouver at Bridge Studios in Burnaby. The custom-built LED volume was a little over 200 feet in length” states Christian Sebaldt, ASC, the movie’s DP. The volume was 98 feet in diameter and 24 feet tall. Rahhali explains, “Pixomondo was the vendor that we contracted to come in and build the volume. They also built the asset that went on the LED wall, so they were part of our filming team and production shoot. Subsequently, they were also the main vendor doing post, which was by design. By having them design and take care of the asset during production, we were able to leverage their assets, tools and builds for some of the post VFX.” Rahhali adds, “It was really important to make sure we had days with the volume team and with Christian and his camera team ahead of the shoot so we could dial it in.” Built at Bridge Studios in Burnaby outside Vancouver, the custom-built LED volume for events at the Skyview restaurant was over 200 feet long, 98 feet wide and 24 feet tall. Extensive previs with Digital Domain was done to advance key shots. (Photo: Eric Milner) Zach Lipovsky and Adam Stein directed Final Destination Bloodlines for New Line film, distributed by Warner Bros., in which chain reactions of small and big events lead to bloody catastrophes befalling those who have cheated death at some point. Pixomondo was the lead VFX vendor, followed by FOLKS VFX. Picture Shop also contributed. There were around 800 VFX shots. Tony Lazarowich was the Special Effects Supervisor. “The Skyview restaurant involved building a massive set [that] was fire retardant, which meant the construction took longer than normal because they had to build it with certain materials and coat it with certain things because, obviously, it serves for the set piece. As it’s falling into chaos, a lot of that fire was practical. I really jived with what Christian and directors wanted and how Tony likes to work – to augment as much real practical stuff as possible,” Rahhali remarks. “I knew we couldn’t put the whole thing on fire, but Tony tried and put as much fire as he could safely, and then we just built off that [in VFX] and added a lot more. Even when it’s just a little bit of real fire, the lighting and interaction can’t be simulated, so I think it was a success in terms of blending that practical with the visual.” The Skyview restaurant required building a massive set that was fire retardant. Construction on the set took longer because it had to be built and coated with special materials. As the Skyview restaurant falls into chaos, much of the fire was practical. (Photo: Eric Milner) “We got all the Vancouver skyline [with drones] so we could rebuild our version of the city, which was based a little on the Vancouver footprint. So, we used all that to build a digital recreation of a city that was in line with what the directors wanted, which was a coastal city somewhere in the States that doesn’t necessarily have to be Vancouver or Seattle, but it looks a little like the Pacific Northwest.” —Christian Sebaldt, ASC, Director of Photography For drone shots, the team utilized a custom heavy-lift drone with three RED Komodo Digital Cinema cameras “giving us almost 180 degrees with overlap that we would then stitch in post and have a ridiculous amount of resolution off these three cameras,” Sebaldt states. “The other drone we used was a DJI Inspire 3, which was also very good. And we flew these drones up at the height [we needed]. We flew them at different times of day. We flew full 360s, and we also used them for photogrammetry. We got all the Vancouver skyline so we could rebuild our version of the city, which was based a little on the Vancouver footprint. So, we used all that to build a digital recreation of a city that was in line with what the directors wanted, which was a coastal city somewhere in the States that doesn’t necessarily have to be Vancouver or Seattle, but it looks a little like the Pacific Northwest.” Rahhali adds, “All of this allowed us to figure out what we were going to shoot. We had the stage build, and we had the drone footage that we then digitized and created a 3D asset to go on the wall [so] we could change the times of day” Pixomondo built the volume and the asset that went on the LED wall for the Skyview sequence. They were also the main vendor during post. FOLKS VFX and Picture Shop contributed. (Photo: Eric Milner) “We did extensive previs with Digital Domain,” Rahhali explains. “That was important because we knew the key shots that the directors wanted. With a combination of those key shots, we then kind of reverse-engineered [them] while we did techvis off the previs and worked with Christian and the art department so we would have proper flexibility with the set to be able to pull off some of these shots. [For example,] some of these shots required the Skyview restaurant ceiling to be lifted and partially removed for us to get a crane to shoot Paul [Max Lloyd-Jones] as he’s about to fall and the camera’s going through a roof, that we then digitally had to recreate. Had we not done the previs to know those shots in advance, we would not have been able to build that in time to accomplish the look. We had many other shots that were driven off the previs that allowed the art department, construction and camera teams to work out how they would get those shots.” Some shots required the Skyview’s ceiling to be lifted and partially removed to get a crane to shoot Paul Campbell (Max Lloyd-Jones) as he’s about to fall. The character Iris lived in a fortified house, isolating herself methodically to avoid the Grim Reaper. Rahhali comments, “That was a beautiful location [in] GVRD [Greater Vancouver], very cold. It was a long, hard shoot, because it was all nights. It was just this beautiful pocket out in the middle of the mountains. We in visual effects didn’t do a ton other than a couple of clean-ups of the big establishing shots when you see them pull up to the compound. We had to clean up small roads we wanted to make look like one road and make the road look like dirt.” There were flames involved. Sebaldt says, “The explosion [of Iris’s home] was unbelievably big. We had eight cameras on it at night and shot it at high speed, and we’re all going ‘Whoa.’” Rahhali notes, “There was some clean-up, but the explosion was 100% practical. Our Special Effects Supervisor, Tony, went to town on that. He blew up the whole house, and it looked spectacular.” The tattoo shop piercing scene is one of the most talked-about sequences in the movie, where a dangling chain from a ceiling fan attaches itself to the septum nose piercing of Erik Campbell (Richard Harmon) and drags him toward a raging fire. Rahhali observes, “That was very Final Destination and a great Rube Goldberg build-up event. Richard was great. He was tied up on a stunt line for most of it, balancing on top of furniture. All of that was him doing it for real with a stunt line.” Some effects solutions can be surprisingly extremely simple. Rahhali continues, “Our producer [Craig Perry] came up with a great gag [for the] septum ring.” Richard’s nose was connected with just a nose plug that went inside his nostrils. “All that tugging and everything that you’re seeing was real. For weeks and weeks, we were all trying to figure out how to do it without it being a big visual effects thing. ‘How are we gonna pull his nose for real?’ Craig said, ‘I have these things I use to help me open up my nose and you can’t really see them.’ They built it off of that, and it looked great.” Filmmakers spent weeks figuring out how to execute the harrowing tattoo shop scene. A dangling chain from a ceiling fan attaches itself to the septum nose ring of Erik Campbell (Richard Harmon) – with the actor’s nose being tugged by the chain connected to a nose plug that went inside his nostrils. “[S]ome of these shots required the Skyview restaurant ceiling to be lifted and partially removed for us to get a crane to shoot Paul [Campbell] as he’s about to fall and the camera’s going through a roof, that we then digitally had to recreate. Had we not done the previs to know those shots in advance, we would not have been able to build that in time to accomplish the look. We had many other shots that were driven off the previs that allowed the art department, construction and camera teams to work out how they would get those shots.” —Nordin Rahhali, VFX Supervisor Most of the fire in the tattoo parlor was practical. “There are some fire bars and stuff that you’re seeing in there from SFX and the big pool of fire on the wide shots.” Sebaldt adds, “That was a lot of fun to shoot because it’s so insane when he’s dancing and balancing on all this stuff – we were laughing and laughing. We were convinced that this was going to be the best scene in the movie up to that moment.” Rahhali says, “They used the scene wholesale for the trailer. It went viral – people were taking out their septum rings.” Erik survives the parlor blaze only to meet his fate in a hospital when he is pulled by a wheelchair into an out-of-control MRI machine at its highest magnetic level. Rahhali comments, “That is a good combination of a bunch of different departments. Our Stunt Coordinator, Simon Burnett, came up with this hard pull-wire line [for] when Erik flies and hits the MRI. That’s a real stunt with a double, and he hit hard. All the other shots are all CG wheelchairs because the directors wanted to art-direct how the crumpling metal was snapping and bending to show pressure on him as his body starts going into the MRI.” To augment the believability that comes with reality, the directors aimed to capture as much practically as possible, then VFX Supervisor Nordin Rahhali and his team built on that result. (Photo: Eric Milner) A train derailment concludes the film after Stefani and her brother, Charlie, realize they are still on death’s list. A train goes off the tracks, and logs from one of the cars fly though the air and kills them. “That one was special because it’s a hard sequence and was also shot quite late, so we didn’t have a lot of time. We went back to Vancouver and shot the actual street, and we shot our actors performing. They fell onto stunt pads, and the moment they get touched by the logs, it turns into CG as it was the only way to pull that off and the train of course. We had to add all that. The destruction of the houses and everything was done in visual effects.” Erik survives the tattoo parlor blaze only to meet his fate in a hospital when he is crushed by a wheelchair while being pulled into an out-of-control MRI machine. Erik (Richard Harmon) appears about to be run over by a delivery truck at the corner of 21A Ave. and 132A St., but he’s not – at least not then. The truck is actually on the opposite side of the road, and the person being run over is Howard. A rolling penny plays a major part in the catastrophic chain reactions and seems to be a character itself. “The magic penny was a mix from two vendors, Pixomondo and FOLKS; both had penny shots,” Rahhali says. “All the bouncing pennies you see going through the vents and hitting the fan blade are all FOLKS. The bouncing penny at the end as a lady takes it out of her purse, that goes down the ramp and into the rail – that’s FOLKS. The big explosion shots in the Skyview with the penny slowing down after the kid throws it [off the deck] are all Pixomondo shots. It was a mix. We took a little time to find that balance between readability and believability.” Approximately 800 VFX shots were required for Final Destination Bloodlines. (Photo: Eric Milner) Chain reactions of small and big events lead to bloody catastrophes befalling those who have cheated Death at some point in the Final Destination films. From left: Kaitlyn Santa Juana as Stefani Reyes, director Adam Stein, director Zach Lipovsky and Gabrielle Rose as Iris. (Photo: Eric Milner) Rahhali adds, “The film is a great collaboration of departments. Good visual effects are always a good combination of special effects, makeup effects and cinematography; it’s all the planning of all the pieces coming together. For a film of this size, I’m really proud of the work. I think we punched above our weight class, and it looks quite good.”

The U.S. Treasury said on Thursday it is phasing out the penny and will soon stop putting new one-cent coins into circulation. The U.S. Mint, which produces the coins, made its final order of penny blanks and will stop producing them—after over two centuries—when those run out, reported The Associated Press. (The penny was first issued in 1793, when it featured a woman.) Like many things these days, it turns out the cost of making a penny is a lot more expensive than it used to be—over 20% more in 2024, to be precise, according to the Treasury. Blame it on higher costs of production and materials, but either way, the U.S. lost more than $85 million making the penny last year, per The Wall Street Journal. Halting production is expected to save taxpayers $56 million annually. The decision isn’t surprising—killing the penny has had bipartisan support in recent years. Back in February, President Donald Trump said he ordered the U.S. Mint to halt penny production. Elon Musk’s so-called Department of Government Efficiency also targeted the penny, posting on X that it costs more than 3 cents to make each one, for a cost of over $179 million to U.S. taxpayers in fiscal 2023. Don’t worry, you can still use your pennies for now, but be prepared to round up to a nickel, since eventually businesses will run out of them. However, a look at the numbers also shows that nickels cost even more money to produce at 13.8 cents each, or 11 cents for production costs plus 2.8 cents for administrative and distribution, based on the most recent fiscal year, per CNN.

This story appeared in The Logoff, a daily newsletter that helps you stay informed about the Trump administration without letting political news take over your life. Subscribe here.Welcome to The Logoff: President Donald Trump is one step closer to getting his “big, beautiful bill” after it passed the House in a close vote early this morning.What would the bill do? As my colleague Andrew Prokop has explained, the bill has four major pillars: Renewing Trump’s 2017 tax cutsImplementing new tax cuts, such as Trump’s “no tax on tips” proposalSpending billions on a border wall, US Customs and Border Protection, and the militaryIncreasing the debt ceiling, a recurring, necessary step that will likely have to get done by JulyIt would also lift the cap on the state and local tax deduction, or SALT — a political hot button important to frontline Republicans. And it would make deep cuts to Medicaid, clean energy programs, student loans, and food assistance.What happened last night? House Republicans had been staring down a self-imposed Memorial Day deadline to advance their bill. Early Thursday morning, they passed the bill 215 votes to 214.What happens now? The bill will head to the Senate, where the only certainty is another contentious process. Republican senators have a long list of sometimes-contradictory changes to iron out before their next deadline on July 4, and a relatively slim margin of error with their 53-member majority.Will this actually make it to Trump’s desk? No one knows. The bill is the centerpiece of Trump’s legislative agenda and passed the House despite a fractious Republican conference, but a number of Republican senators have already expressed concerns about elements of the bill. And it will need to pass the House again after the Senate makes its changes, potentially a tall ask given the number of Republican hardliners in the lower chamber.And with that, it’s time to log off…The penny is officially on its way out, as of this morning. But as we bid farewell, it’s a perfect opportunity to read Caity Weaver’s incredible history of the one-cent coin, past efforts to do away with it, and the mounting absurdity of its existence. One fun fact from her story: Did you know the US has produced at least enough pennies — some 240 billion — to give two to every human who has ever lived? You’ve read 1 article in the last monthHere at Vox, we're unwavering in our commitment to covering the issues that matter most to you — threats to democracy, immigration, reproductive rights, the environment, and the rising polarization across this country.Our mission is to provide clear, accessible journalism that empowers you to stay informed and engaged in shaping our world. By becoming a Vox Member, you directly strengthen our ability to deliver in-depth, independent reporting that drives meaningful change.We rely on readers like you — join us.Swati SharmaVox Editor-in-ChiefSee More:

After faithfully serving Americans since 1787, the penny is on its way to retirement. The United States Treasury announced it won’t place any more orders for penny blanks. That means once current supplies run out, new pennies will not be introduced into circulation. The Washington Post reported that the Treasury placed its final order for blanks this month with expectations that it will run out by early 2026. You can keep spending pennies as normal after that. But at some point, businesses will have to start rounding up or down to the nearest 5 cents for cash transactions. Why is the penny getting the axe? Well, according to the U.S. Mint’s 2024 annual report, pennies cost nearly 4 cents to produce and distribute. Part of this is due to rising material costs. Pennies are primarily made of zinc, and its price per metric ton has more than doubled since 2000. Over the years, penny production has decreased anyway. In 2024, the Mint only made 3.2 billion pennies, compared to about 11 billion each year in the 1990s. But last fiscal year, the Mint still lost $85.3 million on the pennies it produced. Per the Post, the agency estimated that it will save $56 million a year from reduced material costs. “Given the cost savings to the taxpayer, this is just another example of our administration cutting waste for the American taxpayer and making the government more efficient for the American people,” a Treasury spokesperson told Axios in a statement. Talks about ditching the penny have been around for awhile. For example, former Treasury Secretary Jacob Lew recommended suspending its production in 2016. Americans have also grown more favorable to the idea, potentially because the penny’s use in our daily lives has decreased. Per YouGov, about a third of Americans never spend pennies, with adults under 30 using them the least. Back in January, DOGE took aim at the penny, and, a month later, Trump followed up with a Truth Social rant about “wasteful” pennies, writing, “I have instructed my Secretary of the US Treasury to stop producing new pennies. Let’s rip the waste out of our great nations budget, even if it’s a penny at a time.” To be fair to the penny, rising production costs have hit all coins. For example, a quarter cost 25% more to make in 2024 than the year before (compared to the penny’s 17% increase). And, like the penny, nickels are also more expensive to produce and distribute than they’re actually worth. Ditching one-cent pieces isn’t unheard of. New Zealand and Australia discontinued theirs in 1989 and 1992, respectively, and Canada stopped producing pennies in 2012. The U.S. has discontinued other coins before, with the most recent being the $20 golden Double Eagle coin.

An anonymous reader writes: The US Treasury is phasing out production of the penny and will stop putting new one-cent coins into circulation. The US Treasury has made its final order of penny blanks this month, and the mint will continue to manufacture pennies as long as its supply of penny blanks exist. President Donald Trump stated that production of pennies are wasteful, as the coins cost more to produce than their one-cent value. Read more of this story at Slashdot.

The Linux Foundation and Meta are putting some numbers behind how open-source AI (OSAI) is driving innovation and adoption.The adoption of AI tools is pretty much everywhere now, with 94% of organisations surveyed already using them. And get this: within that crowd, 89% are tapping into open-source AI for some part of their tech backbone.A paper released this week by Meta and the Linux Foundation stitches together academic brainpower, industry frontline stories, and global survey data to showcase an ecosystem that’s buzzing thanks to being open and affordable.If there’s one thing that jumps off the page, it’s the money talk. Cost savings, folks, are a huge deal here. Unsurprisingly, two-thirds of businesses are saying that open source AI is just plain cheaper to get up and running compared to proprietary. So, it’s no shocker that almost half of them point to these savings as a big reason for going the open-source route.We’re not talking about trimming a few coins here and there. Researchers reckon companies would be shelling out 3.5 times more cash if open-source software simply vanished. As AI digs its heels deeper into everything we do, the financial muscle of open-source is only going to get stronger, potentially even overshadowing traditional open-source software’s impact.But this isn’t just about pinching pennies; it’s about unleashing brains. The report points out that AI can slash business unit costs by over 50%, which, as you can imagine, opens the door for revenue boosts. When open AI models are out there for cheap, or even free, it levels the playing field. Suddenly, developers and businesses of all sizes can jump in, play around, and rethink how they do things.Often it’s the smaller players, the agile startups and medium-sized businesses, that are diving headfirst into open-source AI more so than the big corporate giants. And since these are often the places where groundbreaking ideas and new products are born, it really hammers home how vital OSAI is for keeping the innovation engine chugging and helping those plucky, cutting-edge firms compete.And if you want a textbook example of how going open can turbocharge things, look no further than PyTorch. The report digs into how Meta’s decision to shift its heavyweight deep learning framework to an open governance model, under a non-profit, turned out to be a masterstroke.The report leans on a close look by Yue and Nagle (2024), who tracked what happened next. Once PyTorch flew the Meta nest, contributions from Meta itself “significantly decreased.” Sounds a bit off, right? But actually, it signalled a healthy move away from one company calling the shots.What really ramped up was input from “external companies, especially from the developers of complementary technology, such as chip manufacturers.” Meanwhile, the actual users, the developers building stuff with PyTorch, kept their engagement steady – “no change.”It’s a clear win. As the researchers put it, this kind of shift for major OSAI software “promotes broader participation and increased contributions and decreases the dominance of any single company.” It’s a powerful testament to what report authors Anna Hermansen and Cailean Osborne found: “engagement in open, collaborative activities is a better indicator of innovation than patents.”This isn’t just theory; it’s making waves in massive sectors. Take manufacturing. Open-source AI is set to be a game-changer there, mostly because its open code means you can bend it and shape it to fit. This flexibility allows AI to slot neatly into factory workflows, automating tasks and smoothing out order management. A 2023 McKinsey report, flagged in the study, even predicts AI could pump up to $290 billion extra into advanced manufacturing.Then there’s healthcare. In places like hospitals and local clinics, where every penny and every minute counts, free and flexible tools like open-source AI can literally be lifesavers. Imagine AI helping with diagnoses or flagging diseases early.McKinsey thinks the global healthcare sector could see up to a $260 billion boost in value once AI is really rolled out. A 2024 analysis even showed that open models in healthcare can go toe-to-toe with the proprietary ones—meaning hospitals can get tailored, privacy-friendly OSAI without skimping on performance.And it’s not just about the tech; it’s about the people. The report mentions that AI-related skills could see wages jump by up to 20%. That’s a big deal and really underlines why we need to be thinking about training and development for this new AI era.Hilary Carter, SVP of Research at The Linux Foundation, said: “The findings in this report make it clear: open-source AI is a catalyst for economic growth and opportunity. As adoption scales across sectors, we’re seeing measurable cost savings, increased productivity and rising demand for AI-related skills that can boost wages and career prospects.“Open-source AI is not only transforming how businesses operate—it’s reshaping how people work.”So, the takeaway? Open AI models are fast becoming the standard, the very foundation of future breakthroughs. They’re pushing growth and healthy competition by making powerful AI tools available without an eye-watering price tag.The Linux Foundation’s report isn’t just cheerleading; it’s laying out the hard numbers to show why open-source AI is absolutely crucial for a robust, stable, and forward-looking economy.Want to learn more about AI and big data from industry leaders? Check out AI & Big Data Expo taking place in Amsterdam, California, and London. The comprehensive event is co-located with other leading events including Intelligent Automation Conference, BlockX, Digital Transformation Week, and Cyber Security & Cloud Expo.Explore other upcoming enterprise technology events and webinars powered by TechForge here.

Sizzling burgers, blistered corn on the cob, and sweat dripping from your brow as you man the grill — this is how many mark the start of summer.Fifty-eight percent of Americans plan to barbecue this Memorial Day weekend, according to a new WalletHub report, and the average cost of a cookout is expected to be about $31, a 4% increase from last year.However, while grilling certainly captures the spirit of Memorial Day weekend, slow cookers can make preparing sides and meats much easier, with minimal cleanup and no need to bother with gas or charcoal.Or at the very least, having a couple of set-it-and-forget-it dishes can help you focus on your grill.From mouthwatering barbecue ribs to savory pulled-pork sandwiches, these slow-cooker recipes are perfect for any Memorial Day cookout. For your Memorial Day cookout this year, try making the potato salad using your slow cooker. Potato salad. ziashusha/Shutterstock You might not know that you can parboil potatoes in a slow cooker. To do so, chop and cover the potatoes with water, a little salt, pepper, and butter, and cook them until they're fork-tender, usually about six hours on low.Then, mix the dressing for your potato salad as you normally would, such as mayonnaise, dill, whole grain mustard, and a splash of red wine vinegar. You can also make a German-style potato salad with bacon, light dressing, and baby potatoes. Dips, such as this spinach-and-artichoke dip, are also easily made in a slow cooker. Spinach-and-artichoke dip. Damn Delicious "I love to make spinach-and-artichoke dip in my slow cooker," Chungah Rhee, the author of the blog Damn Delicious, told Business Insider. "You can just free up so much of your time by using a slow cooker and hang out with your guests instead of laboring in the kitchen," Rhee continued. "Especially for side dishes or dips. You put it all together, set the time, and it comes out ready to go." This set-it-and-forget-it corn-and-jalapeño dip is creamy and easy to make. Corn-and-jalapeño dip. Damn Delicious "Another favorite of mine is this corn-and-jalapeño dip," Rhee told Insider. The recipe combines many of the summer's best ingredients, from fresh and vibrant jalapeños to sweet corn. Buffalo-chicken dip is another quick and easy favorite you can make in a slow cooker. Slow cooker Buffalo-chicken dip. Erin McDowell/Insider One of the benefits of making a slow-cooker Buffalo-chicken dip, like this recipe on Rhee's blog — or any other side dish in a slow cooker — is that it can be prepared well ahead of time and reheated when you're ready to eat.Rhee's advice for someone using a slow cooker for the first time for entertaining is actually to start out with a dip or side dish. "If for some reason it doesn't turn out, because we all know that can happen using an appliance for the first time, it's not detrimental to your dinner party being a success," she said. Queso can serve a whole party when made in a slow cooker. Slow cooker queso with red onion, cilantro, and sliced jalapeños. Erin McDowell/Insider This creamy queso dip from Martha Stewart uses ingredients like American cheese and pepper jack cheese, a can of evaporated milk, diced tomatoes with chilies, sliced jalapeños, red onion, and cilantro.  Brisket is perfect for feeding a larger family and can easily be made in a slow cooker. Beef brisket. iStock / Getty Images Plus "Brisket is a natural partner for the slow cooker, as a gentle braise renders it meltingly tender," Kim Laidlaw writes in her cookbook, "Everyday Slow Cooking: Modern Recipes for Delicious Meals."Laidlaw's recipe for slow-cooked braised brisket includes garlic, onion, dry red wine, carrot, and chicken or beef stock, with a chimichurri sauce. Pulled-pork sliders are another great way to use your slow cooker for a cookout. Pulled pork sandwiches with barbecue sauce and coleslaw. Joshua Resnick/Shutterstock One of the best ways to use braised and slow-cooked pork shoulder is to make pulled-pork sliders, like this Damn Delicious recipe, with all that tender meat.To elevate the dish, top the meat with barbecue sauce and slaw before sandwiching it between two fluffy brioche buns or potato rolls. You can also use the carnitas to make tacos. You can also make barbecue ribs in a slow cooker. Barbecue ribs. David P. Smith/Shutterstock Nothing screams an end-of-summer cookout like sauce-covered ribs, like Laidlaw's recipe as shared on Cooking by the Book. After cooking them in the slow cooker, place them on a baking sheet in your oven and broil them until they're slightly crispy. To save space on your grill, you can also make slow-cooked sausages and beer brats in the slow cooker. Bratwurst with sauerkraut and Dijon mustard on a bun. Charles Brutlag/Getty Images Brats with onions, peppers, and garlic simmered in the slow cooker with beer — like this recipe by The Magical Slow Cooker — are one way to use your slow cooker on Memorial Day.Top your brats with a bit of sauerkraut and put them on buns for an easy summer dish. Mac and cheese can also easily be made in a slow cooker. A spoonful of Martha Stewart's slow cooker mac and cheese. Erin McDowell/Insider If you're looking to add some carbs to your menu, look no further than a piping hot pot of mac and cheese. Martha Stewart's recipe for mac and cheese in a slow cooker calls for evaporated milk, three kinds of cheese, and homemade breadcrumbs. Garlic-and-herb mushrooms are a delicious side dish but can also be used as a burger topping. Garlic-and-herb mushrooms. Damn Delicious "The recipe for slow-cooker garlic-herb mushrooms is divine and so easy," Rhee said. "Mushrooms made in a slow cooker are truly the best." Shredded Buffalo chicken goes great on top of salads. Shredded Buffalo chicken. from my point of view/Shutterstock One of the best — and easiest — ways to use your Crock-Pot or slow cooker is by making shredded Buffalo chicken, such as this recipe by The Magical Slow Cooker.Add seasoned chicken breasts to the slow cooker and cover with your preferred Buffalo sauce. Then add a splash of ranch dressing and a cube of butter, toss your chicken breasts in the mixture to coat fully, and cook until the chicken is shreddable. You can use it for Buffalo-chicken sliders, salads, or tacos. You can even make Buffalo or barbecue chicken wings using a slow cooker. Slow cooker Buffalo wings. Erin McDowell/Insider You can make any style of wings in a slow cooker, from Asian-style to barbecue and Buffalo wings. Add your wings to the slow cooker, add in your sauce of choice, toss to combine, and let them cook for a couple of hours on high.To make them crisp up, add a cornstarch and water mixture to your slow cooker. After they're cooked through, broil them for a few minutes in the oven. Meatballs make a great appetizer for guests and don't require cooking over a hot stove. Meatballs and sauce in a slow cooker. anewlifephotostudio/Getty Images Meatballs make the perfect appetizer for parties big and small and are easy to make in a slow cooker. Place your seasoned, raw meatballs into the slow cooker, top with sauce, and let the slow cooker finish them off, says one recipe by Spend With Pennies. Serve them on their own with toothpicks or stuff them inside toasted sub rolls for a meatball sandwich.

The newly announced Razer Blade 14 isn’t quite stiletto-thin, but it’s becoming far more knife-like over time. Compared to past iterations, the shell is now as tall as 10 pennies stacked on top of each other, which means the new blade might be as thin as your wallet after buying one. On top of being the thinnest Blade 14 Razer has ever made, it’s also the most expensive, starting at $2,300 for a version with Nvidia’s new GeForce RTX 5060 laptop GPU. Razer’s always tried to offer quality for its high price, but with tariffs in effect, the new Blade 14 is pushing what consumers can expect from gaming laptops. The Blade 14’s base price is $100 more than you would have paid for the 2024 Blade 14 with an RTX 4060. If you upgrade the new Blade to the version with the RTX 5070, Razer told us you could spend $2,700 for the sake of a laptop that’s “not a big brick,” as the company put it. Razer is always an enticing buy because of its generally strong build quality, but even a frisbee-light frame doesn’t take the sting out of today’s tariff-inflated product prices. © Razer Razer’s new ultra-thin design houses an AMD Ryzen AI 9 365 and up to 64GB of 8,000MHz LPDDR5X RAM. It’s the first time Razer is pairing a Copilot+ CPU made for lightweight laptops with an Nvidia GPU in a thoroughbred gaming machine, which means it’s compatible with Windows 11 AI features like Recall (which you should probably remember to turn off during setup). The laptop sports a bevy of ports, including HDMI and a microSD card slot. As per usual, Razer promotes its hardy aluminum with an anodized black finish that will manage to stave off bumps or blemishes. We don’t doubt that all that combined will offer enough juice to showcase the Blade 14’s 3K, 120Hz OLED display. We do wonder what kind of CPU performance it might provide compared to a similarly sized laptop like the Asus TUF Gaming A14 and its top-end AMD Ryzen AI 9 HX 370. Asus’ older model also costs hundreds of dollars less than Razer’s latest. Razer promised you’ll get 2 to 3 hours while gaming on the 72WHr battery. That doesn’t sound like much, but it’s technically better than what you already get on the Razer Blade 16 from this year. We’ve yet to find a gaming laptop with a battery life that will keep up for extended periods. The Blade 14 powers the RTX 5070 up to the max 115W TGP, which may give you enough juice for most modern games at the max 2,880 x 1,800 resolution. The RTX 5060 laptop GPU is still so new, we don’t yet know how it performs compared to Nvidia’s mid-range graphics options. No matter which GPU you choose, the machine will still support a six-speaker system through upward-firing speakers. That may offer better sound quality than you may be used to on such small systems, especially with support for THX Spatial Audio. There has been a rash of relatively light gaming laptops from 2024 stretching into this year. Razer seemingly knew it needed to step up its game with the 2025 edition of the Blade 14. At 0.62-inch thickness and weighing in at 3.59 pounds, it’s 11% thinner and lighter than the 2024 edition. It takes the same thermal hood design from this year’s rendition of the Blade 16. That laptop also went on a diet for the sake of customers who want a less hefty device to fit a little bit better in their backpacks. We found it also tended to get rather hot when playing intensive games, so we hope that’s less of a problem with a smaller battery and less demanding GPU. The one thing that hasn’t been brought over from the Blade 16 is the improved keyboard. It’s a Razer device, so of course it’s packed to the gills with gamer lights, including per-key RGB. Those keys still only have 1 mm of key travel compared to the deeper, more impactful 1.5mm on the redesigned 16-incher. There are no color options save for black and white, as much as we might beg Razer to bring back the “coral” pink color from the 2019 Razer Blade Stealth. There’s nothing wrong with a thin system, but perhaps a pink blade would help take away the sting of price hikes.

ZDNET's key takeaways The RingConn Gen 2 Air is a $200 smart ring, one of the first subscription-free and affordable smart rings I've tested. The battery life can survive up to eight or nine days of use, and the sleep data collection rivals Oura. The AI health partner feature is lackluster, and it's essential to view the brand's privacy policy, given the affordable nature of a health wearable. more buying choices Smart rings are rising in popularity, but the big names -- the Ouras, Samsungs, and Ultrahumans -- can run $300 to $400. That's not counting the subscription fee, which some customers pay for full access to all the data that the smart ring aggregates. With all these murmurs of an impending recession causing pennies to be pinched and wallets to be watched, who has the money for a $400 smart ring right now? Also: How we test smart rings at ZDNET in 2025I hadn't yet tested a high-quality and affordable smart ring from a notable brand, but the newest smart ring from RingConn, the RingConn Gen 2 Air, could change that. It's the first ring I've tested that retails for a price as low as $200, without any sale or special deal. I've worn RingConn's newest smart ring over the past few weeks to see how the brand's budget ring fares as a sleep and activity tracker. Keep reading to learn how it compares to the RingConn Gen 2, which costs $100 more, and the Oura Ring 4, which costs double.  details View at RingConn The smart ring looks and feels almost exactly the same as the RingConn Gen 2, with the main difference being the charging case and battery size. The Gen 2's charging case has enough power to boost the smart ring for over 150 days, and the ring has a battery life of up to 12 days. The Gen 2 Air, on the other hand, does not come with a charging case equipped with extra juice, and it advertises a 10-day battery life (though, in my testing, I got around eight days). Even though the Gen 2 Air's battery is lower than the Gen 2, both RingConn rings match or outcompete the battery life of the Oura Ring, the Ultrahuman Ring Air, and the Samsung Galaxy Ring. The Gen 2 Air is made of stainless steel, a more affordable material compared to the Gen 2's aerospace-grade titanium. Regardless of the material, the Gen 2 Air is comfortable to wear and feels unnoticeable around my finger. It comes in a silver and gold finish, and available sizes range from six to 14.Both rings are connected to the same app experience, so whether you're using the $300 ring or the $200 ring, you'll get your data and insights presented to you in exactly the same manner. Much like the Gen 2, the Gen 2 Air tracks sleep, stress, vitals, and activity. It takes all those factors and daily scores to deliver a Wellness Balance score. The Wellness Balance is displayed like a petal on a four-petal flower, and each biometric is ranked out of 100. At the start of the day, the activity petal is nonexistent, but the activity score increases as I exercise or walk. At the end of the day, I can view my aggregate Wellness Balance, and this score provides a holistic picture of my health. As I said in my spotlight of the RingConn Gen 2, the downside to this Wellness Balance is the absence of a readiness or recovery score that other wearables have calculated and provided to users at the start of their day to understand how their body bounced back from activity and how much activity or rest they should take on for the day. This recovery score provides insights into a user's overall health and resilience, and it's helpful for those who are following a training regime to know how to treat their bodies each day.I tested the RingConn Gen 2 Air hand in hand with my Oura Ring 4, and both devices gathered fairly similar health metrics. One night, Oura gave me an 87 Sleep Score, and RingConn gave me an 86. Oura said my resting heart rate overnight was 48 beats per minute, while RingConn said 49 beats per minute. Oura said my average heart rate was 55 beats per minute, and RingConn said it was 52. While not identical, these numbers are close. Activity data is a different story. One day, Oura said I walked 7,454 steps, while RingConn said I walked 5,706. This was on a moderately active day when I took a 25-minute walk. On an intensely active day, when I went to the gym for two hours and was out and about, Oura calculated that I walked 16,291 steps, and RingConn calculated that I walked 15,454 steps. Nina Raemont/ZDNETRingConn advertises an "AI health partner" as a function of its app experience. Every day, the AI partner tells you information, like how you slept or whether you hit your step count, and then asks questions based on your behaviors. These summaries aren't available on the main page where sleep, activity, and stress data are displayed -- they're only available on the AI tab. But unlike other AI assistants, you can't type out a personalized answer to these questions.Instead, you pick from the choices of responses. It didn't feel like AI to me because it wasn't as personalized, and the responses you could choose were simple; rather, it felt like a multiple-choice health summary. This is a classic case of a brand slapping AI onto a feature that isn't actually AI. What I like about RingConn smart rings is they will tell you exactly when the ring will die and notify the user to charge it ahead of time. This is a helpful feature I hope other smart ring brands adopt. Also: Oura Ring 3 vs Oura Ring 4: Opt for the older, discounted smart ring or the newest?One concern about a smart ring this affordable is whether the brand is keeping the user's data safe and protected. Health data is valuable, and in the wrong hands, it can be sent to advertisers or health insurance agencies. Smart ring brands pay a lot of money to keep such data safe, which is why they cost as much as they do. A RingConn representative did not immediately answer my questions about why the smart ring can be so cheap, if user data is secure and protected, or if it is being compromised for the sake of a lower-cost smart ring. I did, however, review RingConn's privacy policy which relays what user data is collected, used, and stored. I recommend looking over a health wearables privacy policy before purchasing a ring, so you understand how a company keeps your information safe and secure. ZDNET's buying advice So, should you buy this $200 smart ring? If you're looking for an alternative to some of the big names that won't cost you as much but will collect nearly the same level of health data, I'd suggest the RingConn Gen 2 Air.Also: The best smart rings: Expert tested and reviewedWith competitive battery life, data display that matches its $300 sibling, and data collection that gets close to the Oura Ring 4, the RingConn Gen 2 Air is one of the first $200 smart rings I've tested that I can confidently recommend for the budget-friendly and smart ring-curious shopper. Looking for the next best product? Get expert reviews and editor favorites with ZDNET Recommends.Featured reviews