June 5, 20254 min readThe Trump-Musk Fight Could Have Huge Consequences for U.S. Space ProgramsA vitriolic war of words between President Donald Trump and SpaceX CEO Elon Musk could have profound repercussions for the nation’s civil and military space programsBy Lee Billings edited by Dean VisserElon Muskand President Donald Trumpseemed to be on good terms during a press briefing in the Oval Office at the White House on May 30, 2025, but the event proved to be the calm before a social media storm. Kevin Dietsch/Getty ImagesFor several hours yesterday, an explosively escalating social media confrontation between arguably the world’s richest man, Elon Musk, and the world’s most powerful, President Donald Trump, shook U.S. spaceflight to its core.The pair had been bosom-buddy allies ever since Musk’s fateful endorsement of Trump last July—an event that helped propel Trump to an electoral victory and his second presidential term. But on May 28 Musk announced his departure from his official role overseeing the U.S. DOGE Service. And on May 31 the White House announced that it was withdrawing Trump’s nomination of Musk’s close associate Jared Isaacman to lead NASA. Musk abruptly went on the attack against the Trump administration, criticizing the budget-busting One Big Beautiful Bill Act, now navigating through Congress, as “a disgusting abomination.”Things got worse from there as the blowup descended deeper into threats and insults. On June 5 Trump suggested on his own social-media platform, Truth Social, that he could terminate U.S. government contracts with Musk’s companies, such as SpaceX and Tesla. Less than an hour later, the conflict suddenly grew more personal, with Musk taking to X, the social media platform he owns, to accuse Trump—without evidence—of being incriminated by as-yet-unreleased government documents related to the illegal activities of convicted sex offender Jeffrey Epstein.On supporting science journalismIf you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today.Musk upped the ante further in follow-up posts in which he endorsed a suggestion for impeaching Trump and, separately, declared in a now deleted post that because of the president’s threat, SpaceX “will begin decommissioning its Dragon spacecraft immediately.”Dragon is a crucial workhorse of U.S. human spaceflight. It’s the main way NASA’s astronauts get to and from the International Space Stationand also a key component of a contract between NASA and SpaceX to safely deorbit the ISS in 2031. If Dragon were to be no longer be available, NASA would, in the near term, have to rely on either Russian Soyuz vehicles or on Boeing’s glitch-plagued Starliner spacecraft for its crew transport—and the space agency’s plans for deorbiting the ISS would essentially go back to the drawing board. More broadly, NASA uses SpaceX rockets to launch many of its science missions, and the company is contracted to ferry astronauts to and from the surface of the moon as part of the space agency’s Artemis III mission.Trump’s and Musk’s retaliatory tit for tat also raises the disconcerting possibility of disrupting other SpaceX-centric parts of U.S. space plans, many of which are seen as critical for national security. Thanks to its wildly successful reusable Falcon 9 and Falcon Heavy rockets, the company presently provides the vast majority of space launches for the Department of Defense. And SpaceX’s constellation of more than 7,000 Starlink communications satellites has become vitally important to war fighters in the ongoing conflict between Russia and U.S.-allied Ukraine. SpaceX is also contracted to build a massive constellation of spy satellites for the DOD and is considered a leading candidate for launching space-based interceptors envisioned as part of Trump’s “Golden Dome” missile-defense plan.Among the avalanche of reactions to the incendiary spectacle unfolding in real time, one of the most extreme was from Trump’s influential former adviser Steve Bannon, who called on the president to seize and nationalize SpaceX. And in an interview with the New York Times, Bannon, without evidence, accused Musk, a naturalized U.S. citizen, of being an “illegal alien” who “should be deported from the country immediately.”NASA, for its part, attempted to stay above the fray via a carefully worded late-afternoon statement from the space agency’s press secretary Bethany Stevens: “NASA will continue to execute upon the President’s vision for the future of space,” Stevens wrote. “We will continue to work with our industry partners to ensure the President’s objectives in space are met.”The response from the stock market was, in its own way, much less muted. SpaceX is not a publicly traded company. But Musk’s electric car company Tesla is. And it experienced a massive sell-off at the end of June 5’s trading day: Tesla’s share price fell down by 14 percent, losing the company a whopping billion of its market value.Today a rumored détente phone conversation between the two men has apparently been called off, and Trump has reportedly said he now intends to sell the Tesla he purchased in March in what was then a gesture of support for Musk. But there are some signs the rift may yet heal: Musk has yet to be deported; SpaceX has not been shut down; Tesla’s stock price is surging back from its momentary heavy losses; and it seems NASA astronauts won’t be stranded on Earth or on the ISS for the time being.Even so, the entire sordid episode—and the possibility of further messy clashes between Trump and Musk unfolding in public—highlights a fundamental vulnerability at the heart of the nation’s deep reliance on SpaceX for access to space. Outsourcing huge swaths of civil and military space programs to a disruptively innovative private company effectively controlled by a single individual certainly has its rewards—but no shortage of risks, too. #trumpmusk #fight #could #have #huge

The US Department of Commerce has renamed its AI Safety Institute to the Center for AI Standards and Innovation, shifting its focus from overall safety to combating national security risks and preventing “burdensome and unnecessary regulation” abroad. Secretary of Commerce Howard Lutnick announced the change on June 3rd, calling the agency’s overhaul a way to “evaluate and enhance US innovation” and “ensure US dominance of international AI standards.” The AI Safety Institute was announced in 2023 under former President Joe Biden, part of a global effort to create best practices for governments mitigating AI system risk. It signed memorandums of understanding with major US AI companies, including OpenAI and Anthropic, to get access to new models and suggest improvements before release. Near the end of Biden’s term in early 2025, it released draft guidelines for managing AI risks that included using systems to create biological weapons or other clear threats to national security, but also more common categories of harmful content like child sexual abuse material. Lutnick’s statement says that the new institute will “focus on demonstrable risks, such as cybersecurity, biosecurity, and chemical weapons” in its evaluations. It will also investigate “malign foreign influence arising from use of adversaries’ AI systems,” a category that likely includes DeepSeek, a Chinese large language model that shook up the American AI industry earlier this year. The move is part of a larger Trump administration effort to accelerate the expansion of American AI companies. On his first day in office Trump rescinded a Biden executive order that ordered new safety standards for large AI systems and a report evaluating the potential risks for US consumers and the labor market. His own executive orders have encouraged increasing generative AI adoption in fields like education and promoting coal as a source of power for energy-hungry AI data centers. And the current Republican budget bill includes a 10-year moratorium on state-level AI regulations — a provision even some in Trump’s party have come to oppose. #removes #ampamp8216safetyampamp8217 #safety #institute

The inaugural edition of Shelter – a design fair on the occasion of NYCxDESIGN 2025, organized by the online collectible design platform Afternoon Light – was held on the third floor of Chelsea’s historic Starrett-Lehigh building. The 1930s-era daylit factory is an architectural relic from a time when industrial spaces of the same typology prioritized creative wellness through a structural-utilitarian-aesthetic unity. Its physicality provided an idyllic backdrop for the show’s eclectic, experimental design, which, when coupled with an expansive floorplate, promoted a sense of community among participants. More than 100 brands and makers across furniture, lighting, and product design converged on the bazaar of sorts to mingle with other trade professionals and media in what proved to be a creative convivance – something critical for in-person events looking to wrest audience attention and social currency back from the digital realm. Designers embraced the building’s ribbon-windowed, sun-drenched interior with some choosing to unfurl product-filled landscapes in lieu of walled booths while others opted for scene-building by erecting immersive sets. Aptly themed “Mart Nouveau,” Shelter’s successful launch has already positioned itself as a purveyor of taste and a collector of oddities in the best possible way. “We wanted to reference the industry-event tradition while also signaling that our activation is something entirely new… with a little aesthetic flair, too,” shares fair co-founder Minya Quirk. “Art Nouveau as a movement was about breaking from historical styles and creating something modern and forward-thinking, which we tempered by leaning into the larger concept of ‘shelter’ – protection, cover, the comfort of a hug.” Far from an exhaustive list, continue reading for a glimpse at 15 enchanting designers and the beguiling pieces that captured our attention at this year’s event. Matter.Made Matter.Made’s creative director and founder Jamie Gray launches the Delphi Pendant with star-like tubular detailing for a design that sparks great joy upon inspection. The versatile lighting collection is constructed of cast and machine brass paired with fluted glass in an homage to Greek columns. What’s more, the proprietary brass chain unlocks many use cases through customization as a pendant, sconce, and chandelier. N. Shook Reconfigurable, streamlined, and conceived as an architectural system. The Ledoux Prêt perforated shelving units, which revolve around a central spine, are satisfyingly thick with a lightness of form from their carefully calculated perforations. The cabinet doors swing on visible wooden hinges in an honest approach articulating their fully wooden joinery. Avram Rusu Studio Spring melds with summer in Psychogeography, a collaboration between Avram Rusu, Token, and Wallpaper Objects. The peachy-pink, biophilic glass orbs are whimsical by design suspended in space as they toe the line between sea creature and weeping botanicals. The sleek, bulbous forms and slightly organic folds pepper the collection with visual interest while enhancing their glow. Riffmade Riffmade’s Veil Curtain Desk is contemporary in appearance all the while deeply rooted in the domestic tradition that favors a slower pace. It supports a dynamic, modern work-life rhythm by hiding professional work stations behind a textile curtain and allowing users to create boundaries for the sake of their personal time. Jackrabbit Studio for Roll & Hill The Checa Stools commemorate Jackrabbit Studio’s first collection with New York-based, artisan manufacturer Roll & Hill. Each of the three options find themselves grounded in warmth, made even more inviting by Brett Miller’s inimitable round form-making, here inspired by the surface tension of water droplets. Ford Bostwick Finding furniture and lighting by way of architecture, designer Ford Bostwick takes the edge off rigid material forms with his indulgence in light and color. Lucy, the sculptural luminaire, can be stacked vertically or built out horizontally to create near-infinite linear combinations with her modules. She can be configured as a tower, room divider, wall feature, wall-mounted sconce, or ceiling-suspended pendant for a variety of programmatic needs. Yamazaki Home Smart brands like Yamazaki Home are approaching pet products with the same level of scrutiny and attention to detail as they would when designing goods for their human counterparts. The Tilted Pet Food Bowls elevate – quite literally – the dining experience for domesticated animals while creating a beautiful design object that doesn’t feel out of place in the contemporary home. Fort Standard Hardware Hardware bridges the gap between architecture and decorative objects, but few function with excellence at both. Fort Standard successfully expands into architectural hardware with beautiful home solutions through their Concave Collection. The slightly oversized handles boast a visual and physical weight that is hard to ignore. And, they are available in a variety of dimensions to accommodate a wide range of applications. M.Pei StudioMaggie Pei presented her Portico Console Table and Wall Hanging Mirror as M. Pei Studio within a capsule showcase for Colony – a community of independent furniture, lighting, textile, and objects designers brought together by curator Jean Lin. Pei’s portico is monumental, meant for entryways that command passersby to gaze at and inspire a moment of personal reflection. A Space Studio Marble is arguably one of the trade’s most venerable building materials and A Space Studio takes a ‘waste not, want not’ approach to their use of it. The studio’s Slanted Armchair No. 1 is seductive, cut from a single sheet of Indian Onyx and leaning into its angular architecture. Michiko Sakano Studio Brooklyn-based, multi-hyphenate maker Michiko Sakano is all about duality. Her practice is an amalgam of art and design while her work blends utility with aesthetics. This current collection on view, Stacks, builds on previous explorations of jewelry. Here, rigid glass bangles of varying thicknesses and opacities are caught in tension as they melt into the layers below. It explores an inherent contrast between softness and structure, the negotiation between tradition and experimentation, and exemplifies Sakano’s skills as a fabricator when they meet her creative impulses. John Wells Heavy Metal & FDK Junior In a shared exhibition space, the natural patination of John Wells’ ES-07 Sconces complemented the iridescence found on Fernando Kabigting’s wall sconce from his collection 01 Capsule: Rooted in Nature. The two share a propensity for narrative driven design with contrasting approaches to storytelling through material finish and edgework. Wells’ sconces comprise stacked, terraced plates backed by LED strip lighting that echo elements of Art Deco design, while Kabigting looks to nature pulling inspiration from capillary waves caused by a droplet of water or the crinkled edge of crisp leaves. Heako Studio A good lede can make or break a story with its power to pull readers in. The same goes for objects with compelling visual contrast, which commands an audience. Soul-born artist Hea Ko knows how to craft a strong design narrative as demonstrated by the Himalaya Lunar Lamp. With this piece Ko creates a vignette distilling the serene yet powerful juxtaposition of the moon in dialogue with the snow-capped peaks of the Himalayas – and bridging the natural with the celestial. Garnier Pingree Good collage is esoteric, expressive, and sometimes elusive, relying on chance for the perfect amalgamation of media. Marie Garnier and Asa Pingree, the duo behind Garnier Pingree, present the Claude Mirror I – a collage of simple shapes, a primary color, and superimposed textures – above their ‘A’ chair in a delightful display of materiality and wit. The seat offers a variety of ways to engage with comfort and even a little humor while settling in to relax. #inspiring #designers #shelters #showcase #afternoon

A new satellite has captured the first direct evidence of a mysterious nine-day seismic signal that shook the world in 2023. #mysterious #039megatsunamis039 #that #shook #entire

Legendary Pokemon used to feel… untouchable. These were the creatures that could reshape continents, rewrite time, or send you into a nightmare loop for eternity. You’d spend hours chasing them down in-game, holding your breath every time the Pokeball shook. They were mythic. They were serious. Now? They’re plushies. Soft, squishy, slightly ridiculous plushies. #best #legendary #ampamp #mythical #pokemon

Shelving can say so much about us – what we choose to hide, what we choose to show. Personality and utility collide, creating a necessary and usually static solution to an age-old problem: storage. N. Shook, led by designer Natalie Shook, offers a more flexible solution with the Ledoux Prêt, with trunk-like central towers that house large notches, perfect for shelves to fit into. With two distinct variations: one with draped steel shelf tops, one with beautiful perforated cabinet doors. Install the shelves at regular or irregular intervals, the choice is yours. Perforations are an elegant way to reduce weight, increase airflow, and maintain privacy within cabinetry. These perforations bisect a solid piece of cherry wood to form the shelves, marbling creating depth of color and a unique luminosity. Perforation also reduces the weight significantly, and making the changing of the shelf heights less cumbersome. The shelves are draped with a sheet of steel, to protect the top from damage. The steel looks as if it were just placed on and left out in the sun, melting gently on to the wood shelves. Satisfyingly thick yet light enough to move, the shelves create horizontal delineations within the vertical axis of the central piece, and offer a rare level of customization. Ledoux Prêt carries forward form sensibilities and tiered composition while offering just as much functionality and accessibility as its custom counterparts. Ledoux Custom features site specific, one of a kind pieces – Ledoux Prêt embraces the utility and essence of considered, custom work. “Ledoux Custom has always been about creating singular, sculptural pieces… With Ledoux Prêt, I wanted to celebrate the strength and clarity of the central column on its own. These designs offer a more immediate take: clean compositions that allow the form to stand confidently in space without elaborate intervention,” says Shook. Natalie Shook is a Brooklyn-based artist and designer, fitting in neatly to the intersection between fine art and design. Cooper Union graduate, process and precision are two grounding factors within her work, a deep respect for the material present in all her pieces. To learn more about the Ledoux Prêt collection, please visit nshook.com. Photography courtesy of N. Shook. #ledoux #prêt #shelving #shook #offers

Forward-looking: PCIe 5.0 SSDs are fast, but they're kind of old news now – they're everywhere and have kind of lost some of their "wow" factor. But this year, Micron shook things up with a sneak peek at what's next with a prototype PCIe 6.0 SSD. What makes it special is its potential to hit a jaw-dropping 30.25 GB/s in sequential read and write speeds – double the throughput of today's fastest consumer SSDs. It all sounds great, as long as you're not expecting to pop one into your gaming rig anytime soon. Dubbed the Micron 9650 Pro, the SSD is still very much in the test-bench phase. It was spotted by Tom's Hardware at Computex 2025, housed in a chunky metal enclosure and far from the familiar M.2 form factor. In fact, it appeared to be connected to a PCIe 6.0 expansion card, held down with what looked like sticky tape. Unfortunately, Micron isn't targeting your desktop just yet. The 9650 Pro is more of a data center and AI platform play right now. It was showcased at Astera Labs' booth, where it was helping demonstrate next-gen PCIe 6.0 switches and bandwidth-matching software. These switches allow devices like GPUs and SSDs to communicate directly with each other, skipping the CPU entirely - something that's becoming increasingly crucial in high-performance AI workflows. Also read: The Inner Workings of PCI Express // Related Stories The catch here is that no CPUs officially support PCIe 6.0 yet, and PCI-SIG certification for Gen 6 devices isn't expected until late 2025. That puts the 9650 Pro firmly in the "cool tech demo" category, at least for now. Until the ecosystem that includes motherboards, CPUs, and certification bodies catches up, don't expect it to land in your build anytime soon. What was demoed at Computex is currently in the EVT3stage, meaning it has already gone through two rounds of hardware tuning and is now being used to fine-tune performance and compatibility. From here, it still needs to pass through Design Validation Testingand Production Validation Testingbefore anything close to a commercial release becomes a reality. This latest showcase follows an earlier Micron and Astera Labs demo at DesignCon, where they showed real-world PCIe 6.0 performance hitting 27 GB/s. Image credit: Tom's Hardware #experimental #micron #pcie #ssd #hits

President Trump has just blasted Apple in a post on his account on TruthSocial. The president said that he has “long ago informed” Apple CEO Tim Cook that iPhones sold in the United States should be manufactured and built in the United States, “not India, or anyplace else”. He continues by threatening that if this does not happen, “a tariff of least 25% must be paid by Apple”. The details of the ‘tariff’ are unclear, but the outburst has nonetheless shook investors and Apple company stock has already dropped 3% in response to the announcement. The seemingly-impromptu decree represents a continuation of the sentiment shared by Trump earlier this month, when he said he has a ‘little problem’ with Tim Cook when he heard the news that Apple was diverting iPhone production to India. This originates comments from Apple on its earnings call about how it intends to mitigate the impact of the reciprocal tariffs imposed on goods imported from China. Apple explained that the majority of iPhones sold in the US, in the June quarter, would be made in India. China iPhone production would continue to service the rest of the world. Similarly, U.S. sales of Macs, iPads and AirPods would be produced from Vietnam manufacturing facilities. This strategy would allow Apple to minimize the tariff impact, but of course it does not really achieve Trump’s stated aims of bringing manufacturing back to America. Apple has shown little interest in making iPhones domestically, partly due to cost and partly due to the lack of U.S. expertise and available labor. Even if it was possible, it would probably take a decade to build facilities capable of producing enough units to satisfy the tens of millions of iPhones sold in the US each year. Generally, Apple and Cook have managed Trump very well in this presidency and his prior stint. However, this latest development today suggests the company and the administration may be entering a more contentious phase. Apple is yet to comment on Trump’s statements. Add 9to5Mac to your Google News feed.  FTC: We use income earning auto affiliate links. More.You’re reading 9to5Mac — experts who break news about Apple and its surrounding ecosystem, day after day. Be sure to check out our homepage for all the latest news, and follow 9to5Mac on Twitter, Facebook, and LinkedIn to stay in the loop. Don’t know where to start? Check out our exclusive stories, reviews, how-tos, and subscribe to our YouTube channel #trump #demands #apple #make #iphones

A live-action Elden Ring movie is in the works from Ex Machina and Civil War director Alex Garland, Bandai Namco Entertainment Inc., and A24, announced Thursday.A film based on FromSoftware and Bandai Namco’s massive RPG hit is now confirmed to have the filmmaker attached not only as its director but as its writer, too. Plot, casting details, or a release date for the Elden Ring movie have yet to be announced.George R. R. Martin, who helped create the original Elden Ring, is attached as a producer on the movie, as is Vince Gerardis.Upcoming New Video Game Movies and TV Shows: 2025 Release Dates and BeyondDNA’s Peter Rice will also produce, along with Andrew Macdonald and Allon Reich from DNA. There’s no word yet on how involved FromSoftware or game director Hidetaka Miyazaki will be.Elden Ring shook the gaming world when it took FromSoftware’s tough-as-nails formula open-world in 2022. It's since become a beloved entry in the developer’s catalog, boasting high praise from criticsand fans alike. While the team behind it had expressed interest in expanding its bleak fantasy world in the past, few believed their efforts would result in a movie.That is, until 2024, when Martin teased that he may have heard a few details about a potential Elden Ring movie, sending fans down a rabbit hole as they hoped to see the iconic FromSoftware title eventually grace movie theater screens. He went on to double down on his comments earlier this year, saying during IGN Fan Fest 2025 that he had heard "some talk" about an Elden Ring movie.PlayOutside of the movie world, Elden Ring has continued to attract gaming fans with more content in the years since its release. DLC arrived in 2024 in the form of Elden Ring: Shadow of the Erdtree, and next week, players will get their hands on a completely separate, multiplayer spinoff called Elden Ring Nightreign. Although FromSoftware says it isn't considering a full-fledged sequel, a version of the original game dubbed Elden Ring: Tarnished Edition is set to come to Nintendo Switch 2.What do you think of Garland and A24 making a live-action Elden Ring movie? Sound off in the comments.Michael Cripe is a freelance contributor with IGN. He's best known for his work at sites like The Pitch, The Escapist, and OnlySP. Be sure to give him a follow on Blueskyand Twitter. #liveaction #elden #ring #movie #way