RoboCop: Rogue City – Unfinished Business preview: ‘We created something bigger than we expected’ Adam Starkey Published June 3, 2025 9:00am Stay out of trouble (Nacon) GameCentral goes hands-on with the standalone expansion of RoboCop: Rogue City, which dials up the action and gory splatter of 2023’s surprise hit. For a franchise that has arguably done nothing of worth since the early 90s, the future of RoboCop is looking surprisingly bright. Following Amazon’s acquisition of MGM, a new TV show is currently in the works, with rumbles of a new film as well. Whether this leads to a major rejuvenation for everyone’s favourite cyborg law enforcer remains to be seen, but the original source of any RoboCop redemption arc has to start with 2023’s RoboCop: Rogue City.  Developed by Polish studio Teyon, RoboCop: Rogue City was the kind of unexpected surprise you rarely get from licensed games. It recaptured the original’s wit and 80s aesthetic, but also found a way to deliver the fantasy of playing as the half-human cyborg without streamlining any of the character’s personality. The bloody action was built around his hulking, slow movement, dry one-liners were in abundance, and missions weren’t always reduced to mowing down thugs in corridors – you also handed people parking tickets, settled trivial civilian disputes, and, in one wonderfully mundane side mission, did the rounds in the office for a get well card.  The game became publisher Nacon’s ‘best ever launch’ with 435,000 players within two weeks. Now, a year and a half later, developer Teyon is back with a standalone expansion. Marketing around Unfinished Business has purposefully dodged the term *DLC*, but as explained by the studio’s communications manager, Dawid Biegun, it started out as exactly that.  ‘When we released RoboCop: Rogue City, we were thinking about, this story has many things [we can] do in the future,’ says Biegun. ‘We had many paths we could choose. So we basically started slowly developing some new storyline. The game was planned to be DLC but it grew out of control. It was a really rare situation where we created something bigger than we expected, so it became a standalone expansion from then.’ Unlike Rogue City, this expansion, which we’re told spans around eight hours on average, is centred around one location in the OmniTower. Like most things in the RoboCop realm created by OCP, this promised idyllic housing complex quickly goes south when a band of mercenaries assume control. To restore order, and after a creepy opening where an attack on the Detroit police station leaves several officers frozen solid, RoboCop is assigned to the case.  RoboCop has new moves at his disposal (Nacon) Unfinished Business wastes little time in throwing you into the action, and quickly amps up the chaos. For anyone who has played Rogue City, all the original tenets of the combat are here, albeit with a slight increase in difficulty. You’ll be looking for explosive cans to blast, illuminated panels to ricochet bullets off walls, and all the while trying not to expose yourself to too much gunfire. The combat purposefully doesn’t have the slick speed of Call Of Duty, but it is still aggressively punchy, with headshots resulting in satisfyingly bloody splatters and RoboCop’s famed Auto-9 machine pistol still having the kickback of a pocket pneumatic drill.  From the get-go, Unfinished Business pushes back in a way Rogue City never did. New enemies equipped with riot shields are a real nuisance if you don’t utilise the ricochet panels, while the ability to slow down time is a much bigger crutch to chip down the enemy numbers from a distance. Health pick-ups felt in shorter supply too, even on the normal difficulty, to the point where we barely scraped through several encounters.  While it’s unclear if this applies to the whole game, Unfinished Business feels like a gnarlier experience, when compared to the original. RoboCop has some new context sensitive finishing moves, like throwing enemy heads into concrete walls or vending machines, which is a satisfying addition to the melee arsenal. There’s greater enemy variety too, between fierce minigun heavyweights and flying drones, along with some neat action set pieces. In one standout, we had to operate a walkway bridge to deactivate a giant turret at the end of a room, dashing between cover as it rains down bullets and destroys the surrounding environment. Anyone who has played action games before will recognise all the mechanics at play in this scenario, but it was still well executed and effective. Another had a whiff of Star Wars, as you rush around shooting electrical panels to stop a trash compactor from crushing you via the descending ceiling. The action shift in Unfinished Business is best defined by a later sequence we got to play, where you take control of the franchise’s signature mech, ED-209. If the power fantasy of playing as RoboCop is tested in this expansion, ED-209’s section was pure mental catharsis, where you blast away enemy hordes with miniguns and rockets, and clean up any stragglers with a rigid, robotic stomp. The rush of piloting ED-209, with its cacophony of explosions and bullets, felt like a throwback to vehicle sections in a long lost Xbox 360 game – but in a good way.  While there’s a definite lean towards combat, rather than gift card signing, when compared to Rogue City, it hasn’t entirely abandoned the detective side. According to the developers, if Rogue City had a 60/40 percent split between guns and detective work, Unfinished Business ‘would be like 70/30, or 80/20’ in comparison. More Trending We saw some of this , with one memorable encounter seeing you quizzed by a RoboCop superfan who is unconvinced you’re the actual RoboCop, leading to a series of questions based on the history of the franchise. There is optional side missions too, although the time we had with our preview limited our chance to fully delve into them. The sales and positive reviews for RoboCop: Rogue City emboldened Teyon’s vision and scope for Unfinished Business – and that confidence shines through in what we played. Some might be disappointed by the steer towards action, and we were heading into this preview, but by the end, this felt like a welcome extension with its own unique flavour. This is RoboCop: Rogue City with its pedal to the floor, confined and concentrated into a lean, tightly focused machine.  As for the studio’s next steps, the success of RoboCop has only reaffirmed Teyon’s strengths and identity as a team. Between its three studios across Poland and Japan, with over 140 employees in total, Teyon wants to maintain its grip within the AA space. ‘We feel strong here in such games,’ Biegun said. ‘We wouldn’t want to grow like 200, 300, 400 people, because we’re going to lose our soul this way. We want to stay as we are right now.’ ED-209 needs be wary of stairs (Nacon) Email gamecentral@metro.co.uk, leave a comment below, follow us on Twitter, and sign-up to our newsletter. To submit Inbox letters and Reader’s Features more easily, without the need to send an email, just use our Submit Stuff page here. For more stories like this, check our Gaming page. Arrow MORE: How to get a Nintendo Switch 2 this week in the UK GameCentral Sign up for exclusive analysis, latest releases, and bonus community content. This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. Your information will be used in line with our Privacy Policy

Despite a US trade court ruling that Trump's "reciprocal" tariffs are illegal, Apple investors have unexpectedly failed to react to the news, likely assuming there is more chaos to come.Apple's Stocks app showing the current share price at time of writingThe new court ruling came as the stock market has faced unprecedented volatility following Trump's April 2, 2025, launch of "reciprocal" tariffs. Those April 2 tariffs were ultimately followed by a 25% tariff levied by Trump ostensibly to punish Tim Cook for not attending an event.Apple stocks are currently fluctuating, although trending downwards after a very slight surge overnight. At time of writing, the shares were at $201.58, up barely a half-percent on the day. Continue Reading on AppleInsider | Discuss on our Forums

The original Switch is still a better option than the Switch 2 – Reader’s Feature GameCentral Published June 1, 2025 1:00am The Switch 1 isn’t going anywhere (Nintendo) A reader argues that the original Switch will still be relevant even after the Switch 2 launches, and that for some it will be the preferred choice. I haven’t been playing games as much as I did, say, three years ago, mainly because I’ve found interest in other things, such as reading and creating content. However, I still delve into games and my love for Nintendo is still there, but I did consider parting with some of my gaming collection – which is mostly a curated list of mainly Nintendo games and consoles. I did see the announcement of the Switch 2 in early April and initially I was hyped for it but I think that has subsided somewhat, mainly due to the pricing of both the consoles and games; I am still going to be receiving it day one though. I don’t think Nintendo has done themselves any favours though and the landscape has changed, with regards to mobile gaming in general, with the advent of the Steam Deck and other options from different manufacturers which makes this a crowded market. [The Steam Deck has only sold around 4 million units worldwide, compared to over 150 million for the Switch, and yet it’s still the most successful of the PC handhelds – GC] I find myself purchasing games on Steam vs. Sony, Microsoft, and Nintendo. In fact, I ended up parting ways with my Xbox Series X and am considering the same with my PlayStation 5, as I mainly play games in portable form, with the Steam Deck and Switch being enough for me. With Nintendo it is mainly the first party titles that I would purchase on Switch 2, but it will make me think twice due to the price tag on the games (£60+) and with Nintendo the pricing of their games don’t really go on sale that much, if at all. I know a lot of people are still considering getting rid of their original Switch in favour of the Switch 2, however I think it is still relevant in 2025 and beyond. Games, Games, Games With over 10,000 games, the Switch has a diverse library of titles. I love the fact the I have a big and robust library of physical games that I can play for years to come. The pricing on new games are anywhere between £25 to £50, with Zelda being the exception at £60 to £70. A lot of third party games you can pick up on sale. A lot of games are physical and most come with the game on the actual cartridge, so even in the future, if Nintendo decide to pull the eShop for the original Switch, you can still play games offline. Games are still being released for the original Nintendo Switch for the foreseeable future. It will stop being supported one day but there is still plenty to choose from, both used, digital, and new. I truly believe that the Switch 2 won’t be as popular as the first Switch, mainly due to pricing £60+ on games and switching their strategy on physical games, with partial downloads or game key cards, which in theory is easily shareable but having to download the entire game isn’t the most user friendly and there is still a reliance on the digital ecosystem. Backwards Compatibility Watching a YouTube video by ModernVintageGamer, I’ve come to learn that backwards compatibility with Switch 2 isn’t all it is cracked up to be. Nintendo is fully supporting backwards compatibility with most of their games, however third parties are left to patch games on their own discretion due to different system architecture in comparison to the original Switch. So it will be a bit hit and miss, more than likely they would rather release another ‘remastered’ version which they can sell to consumers again, rather than patch games. Also, bearing in mind some publishers don’t want the costs associated with patching a game. Different consoles At this stage in the original Switch’s lifecycle there are a bunch of form factors to choose from. I have all three and use them in different environments; my Switch OLED gets used at home in portable mode and connected to the TV, while the original Switch is good for family party gaming, which I take around for family gatherings. The Switch Lite is small and portable and that it is great for single-player games with the cross-key but also great for travelling and going on holidays. You can pick up the Switch Lite for dirt cheap now, used, and I expect prices to fall further whilst they clear stock. Simultaneous play I haven’t seen too much details around this but Nintendo did announce original Switch compatibility with the Nintendo Switch 2 to allow for simultaneous multiplayer gaming with one cartridge, so that Nintendo Switch 2 acts as the main (host) console whilst the original Switch can be used for multiplayer gaming. So in essence you can all play Mario Kart from one Switch 2 console, by having your own screen, similar to the Wii U. I think this will be valuable for me with family gatherings, as most of us have Switches. Cost So, I did mention costs for games earlier. However, as the original Switch has matured there are a plethora of cheap accessories that can be had on the cheap, compared to Switch 2, such as extra Joy-Cons, controllers, games, cheap microSD cards, plus others. Best Nintendo console? I still love my Switch, and it won’t be going anywhere, and I think it is Nintendo’s best console in the past 20 years. I have a special place in my heart for the NES, SNES, Game Boy and GameCube, as being S-tier consoles but I think the Switch could be argued as being their best console. Ask me on a random day and my answer will probably change, because Nintendo have created timeless consoles as far as I am concerned, so it is difficult to choose one. But the original Switch makes a compelling choice especially for the younger generation. More Trending By reader wetbandit Not everyone’s going to jump in straight away (Nintendo) The reader’s features do not necessarily represent the views of GameCentral or Metro. You can submit your own 500 to 600-word reader feature at any time, which if used will be published in the next appropriate weekend slot. Just contact us at gamecentral@metro.co.uk or use our Submit Stuff page and you won’t need to send an email. GameCentral Sign up for exclusive analysis, latest releases, and bonus community content. 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Why is nobody talking about the PS5 anymore? – Reader’s Feature GameCentral Published June 1, 2025 7:00am Whatever happened to the PS5? (Sony) A reader worries that Sony’s strange behaviour over the last few years has seen the PS5 become sidelined and ignored compared to other formats. For years now, I’ve been reading people, both here and elsewhere online, asking what has happened to Sony and why they’re acting the way they do now. The lack of showcases, the general lack of communication, the obsession with live service games, and the reduction in new single-player games… it’s obvious to everyone and yet we’ve never had an explanation or an acknowledgement from Sony that anything unusual is happening. I think it’s pretty obvious that we’re not going to get one either. Sony are just going to carry on being weird and pretending that’s what they were always like. They’ve been like this for well over two years now, so anyone buying a PlayStation 5 in that time will never know anything else. There is a problem though – well there’s multiple, obviously – but the thing I can’t help but notice at the moment is how little people talk about the PlayStation 5 anymore. The Switch 2 is eating up a lot of bandwidth right now but it’s not just that. The PlayStation 5 feels played out, a disappointment and unexciting, just part of the gaming furniture and nothing more. The Switch 2 launch is coming up, but people have been talking excitedly about it for months now. A new console is obviously a rare thing, that’s always going to draw attention, but the PC as a gaming format has also been a big topic for the last year or so. It’s far more popular than I have ever known and now seems to be the default format for games, rather than any console. That’s the position the PlayStation 5 should have but it’s not really how it’s turned out. You could argue even the Xbox has been more a topic of conversation recently, even if that’s in a negative way. But at least people don’t forget it exists. It looks like we probably won’t get a PlayStation showcase this month, since they’ve already missed their usual May slot, and the rumours say maybe not one until September. That’s ridiculous. Not only do we know virtually nothing about Ghost Of Yōtei, but there’s nothing confirmed for next year yet, except Saros (had to look up that spelling). Intergalactic: The Heretic Prophet and Marvel’s Wolverine don’t have any year confirmed yet and that’s all we know about in terms of games made by Sony themselves. I’m not going to speculate on why this is happening or when it might end, because frankly I haven’t got a clue, but I do know that it’s having a very negative effect on PlayStation’s reputation, in a way people aren’t talking about enough. The PlayStation 5 just seems invisible now, something that’s always there but which nobody cares about and definitely something nobody is excited about. Will this change if they announce a new game? Well, it didn’t with Ghost Of Yōtei. You could say that’s not really their biggest franchise, and you’d be right, but the longer Sony carries on in zombie mode the harder it is going to be to get anyone’s attention. It won’t be long before it needs The Last Of Us Part 3 or God Of War 3 before there’s any kind of a reaction, but I don’t see those games happening anytime soon. Sony is so out of touch they think fans will wait forever for whatever news they can be bothered to tell us, and then we’ll be amazed and excited, but I don’t think that’s true anymore. More Trending The PlayStation 6 seems to be only a year away and the sad thing is that means the PlayStation 5 is just going to fade away, forgotten and underused. How can a console be this successful and yet be such an utter failure and disappointment at the same time? I wouldn’t have thought it possible and yet here we are. By reader Corsair PC gaming has seen a major boost in the last few years (Microsoft) The reader’s features do not necessarily represent the views of GameCentral or Metro. You can submit your own 500 to 600-word reader feature at any time, which if used will be published in the next appropriate weekend slot. Just contact us at gamecentral@metro.co.uk or use our Submit Stuff page and you won’t need to send an email. GameCentral Sign up for exclusive analysis, latest releases, and bonus community content. This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. Your information will be used in line with our Privacy Policy

Outlets 8, Conghua | © Wu Siming In the landscape of contemporary Chinese urbanism, few typologies encapsulate the contradictions of late-capitalist development more vividly than the pseudo-European commercial complex. These replicated enclaves, constructed en masse in the early 2000s, were once marketed as symbols of international sophistication. Over time, however, many were abandoned, becoming architectural vestiges of speculative urbanism. Outlets 8 in Conghua, Guangzhou, is one such project that has undergone a radical architectural reinterpretation. Originally completed in 2018 but long dormant, it has been reimagined by E Plus Design in collaboration with URBANUS/LXD Studio. Through a precise, light-touch intervention, the project avoids wholesale demolition and reprograms space through color, rhythm, and landscape strategy. Outlets 8, Conghua Technical Information Architects1-14: E Plus Design Central Plaza Design: URBANUS / LXD Studio Location: Conghua District, Guangzhou, China Gross Area: 80,882 m2 | 870,000 Sq. Ft. Project Years: 2022 – 2023 Photographs: © Wu Siming This approach is like a contemporary remix of classical music. The four blocks correspond to four movements. Without extensive demolition or altering the European-style architectural rhythm, we reinterpreted the emotional tones, chords, and cadenzas. Through a blend of color and modern gestures, the outdated and disproportionate ‘faux-antique’ complex has been reorchestrated into a contemporary architectural symphony. – Li Fu, Chief Architect at E Plus Design Outlets 8, Conghua Photographs Aerial View | © Wu Siming © Wu Siming © Wu Siming © Wu Siming © Wu Siming © Wu Siming © Wu Siming © Chen Liang Liu Shan © Chen Liang Liu Shan © Chen Liang Liu Shan Outlets 8 Context and Typological Challenge Outlets 8 was initially conceived as a 110,000-square-meter faux-European outlet village. Despite its scale and investment, it struggled to resonate with local cultural dynamics and remained idle. The typology itself, rooted in nostalgic mimicry, was already facing obsolescence. The challenge, then, was not only architectural but also conceptual: how to resuscitate a typology that had become both spatially and culturally inert. The design team chose a strategy of minimal physical intervention coupled with maximal perceptual impact. Rather than demolish or drastically reconstruct, they aimed to re-signify the existing structures. This approach reflects a growing trend in urban renewal across China, where sustainability, cost-efficiency, and cultural specificity take precedence over spectacle. Spatial Transformation Through Chromatic Reprogramming After | © Wu Siming Before | Original Facade, © E+ At the intervention’s core is using color as a spatial and psychological agent. The ornament-heavy facades were stripped of their polychromatic excess and repainted in low-saturation hues. This chromatic cleansing revealed the formal rhythms of the architecture beneath. By doing so, the design avoids mimicry and opts for abstraction, reintroducing clarity to the site’s visual language. The design framework is structured as a musical metaphor, with each of the four blocks conceived as a separate movement in a visual symphony. The street-facing facades, now unified through a golden “variation,” establish a new urban frontage that is both legible and symbolically rich. A ribbon-like golden band traces across the main elevations, creating continuity and contrast between old and new volumes. In contrast, the sports block adopts a cooler, blue-toned palette, offering a different spatial and functional rhythm. New architectural insertions are rendered in transparent materials, signaling temporal and programmatic distinctions. At the center, the elliptical plaza becomes a spatial crescendo, defined by a sculptural intervention inspired by Roman aqueducts. This feature functions as a landmark and a temporal break, juxtaposing historical references with performative landscape elements. Rewriting Landscape as Urban Ecology After | © Wu Siming Before | Original Facade, © E+ Water, derived from the nearby Liuxi River, serves as the thematic and material backbone of the landscape design. Its integration is not symbolic but functional. Water flows through constructed channels, interactive fountains, and sculptural cascades that encourage observation and participation. These elements create a multisensory environment that enhances the spatial experience while reinforcing ecological awareness. The planting strategy emphasizes native species capable of withstanding Guangzhou’s subtropical climate. The design maximizes greenery wherever regulatory conditions allow, particularly along the main entrance, central corridors, and arcaded walkways. The result is a layered landscape that balances visual density with ecological resilience. Integrating landscape and architecture as a singular design operation, the project shifts away from ornamental greening toward environmental synthesis. This approach foregrounds interaction and immersion, aligning with broader shifts in landscape architecture toward performative and participatory ecologies. Programmatic Rebirth and Urban Implications After | © Wu Siming Before | Original Facade, © E+ Beyond formal and material considerations, the project redefines the programmatic potential of large-scale retail environments. Positioned as a “micro-vacation” destination, Outlets 8 is a hybrid typology. It combines retail, leisure, and outdoor experience within a cohesive spatial narrative. This reprogramming responds to changing patterns of consumption and leisure in Chinese cities, particularly among younger demographics seeking experiential value over transactional efficiency. Statistical metrics underscore the project’s social impact. In its first nine days, the outlet attracted over half a million visitors and became a trending location across multiple digital platforms. While not the focus of architectural critique, these figures reflect a successful alignment between spatial renewal and public resonance. More importantly, the project offers a replicable model for dealing with the vast inventory of misaligned commercial developments across China. The intervention avoids nostalgia and cynicism by foregrounding perceptual clarity, ecological integration, and cultural recontextualization. Instead, it offers a clear path forward for reimagining the built remnants of a prior urban paradigm. Outlets 8, Conghua Plans Elevations | © E Plus Design Floor Plan | © E Plus Design Floor Plan | © E Plus Design Floor Plan | © E Plus Design Floor Plan | © E Plus Design Sections | © E Plus Design Outlets 8, Conghua Image Gallery About E Plus Design E Plus Design is a multidisciplinary architecture studio based in Shenzhen, China, known for its innovative approaches to urban renewal, adaptive reuse, and large-scale public space transformations. The firm emphasizes minimal intervention strategies, spatial clarity, and contextual sensitivity, often working at the intersection of architecture, landscape, and urban design to create integrated environments that are both socially responsive and experientially rich. Credits and Additional Notes Chief Design Consultant: Liu Xiaodu Master Plan, Architecture, and Landscape Schemes: E Plus Design Lead Architects: Li Fu, Coco Zhou Project Managers (Architecture): Guo Sibo, Huang Haifeng Architectural Design Team: Wang Junli, Zhang Yan, Cai Yidie, Zhu Meng, Lin Zhaomei, Li Geng, Stephane Anil Mamode, Liu Shan, Zhou Yubo Central Plaza Design: URBANUS / LXD Studio Architect of Central Plaza: Liu Xiaodu Project Manager: Li An’hong Facade Design: Song Baolin, Li Minggang Lighting Design (Concept): Fang Yuhui Lighting Consultant: Han Du Associates Client: Guangzhou Outlets 8 Commercial Management Co., Ltd. Client Design Management Team: Yin Mingyue, Zhao Xiong Landscape Area: 29,100 m² Chief Landscape Architect: Gao Yan Project Manager (Landscape): Zhang Yufeng Landscape Design Team: Yu Xiaolei, Li Zhaozhan, Liu Chenghua Landscape Construction Drawings: E Plus Design Project Manager: Wang Bin Design Team: Wang Bin (Landscape Architecture). Huang Jinxiong (Greening Design). Li Gen (Water & Electricity Design) Structural Design Team: Wang Kaiming, Yang Helin, Wu Xingwei, Zhuang Dengfa Electrical Design Team: Sun Wei, Yang Ying Interior Design Concept Design: Shenzhen Juanshi Design Co., Ltd. Chief Interior Designer: Feng Feifan Project Manager: Liu Hongwei Design Team: Niu Jingxian, Shi Meitao Construction Drawings: Shenzhen Shiye Design Co., Ltd. Project Manager: Shen Kaizhen Design Team: Yao Yijian, Yang Hao, Liu Chen Wayfinding Design Studio: Hexi Brand Design Co., Ltd. Curtain Wall Design Firm: Positive Attitude Group (PAG)

As the chill of June sets in, it's the perfect time to trade spreadsheets for screenplays. Instead of navigating the labyrinth of endless options across Australia's six major streaming platforms, we've curated a selection of standout films and series to warm your winter nights.Table of ContentsNew in June on Foxtel and BingeTV litter pick: Mix Tape – 12 Jun : Former teenage sweethearts reconnect decades later through shared musical memories, reigniting past emotions and questions about their future.Movie litter pick: Wicked – 26 Jun : Explores the origin story of Elphaba and Glinda, two witches whose friendship and destinies shape the Land of Oz.What notable movies are coming to Binge?Rewriting Trump – 1 JunSmile 2 – 4 JunAnora – 11 JunWicked – 26 JunWhat notable series are coming to Binge?Great Canadian Bake Off S8 – 3 JunMr Loverman – 4 JunBelow Deck S12 – 10 JunMix Tape – 12 JunRevival – 13 JunLove It Or List It NZ – 25 JunEva Longoria: Searching For Mexico – 27 JunBack to topNew in June on NetflixTV litter pick: Squid Game S03 – 27 Jun : An animated journey through Pharrell Williams' life, showcasing his musical evolution and creative milestones.Movie litter pick: Piece By Piece – 7 Jun : Contestants engage in deadly games for a cash prize, revealing human nature's darkest facets.What notable movies are coming to Netflix?Power Moves with Shaquille O’Neal – 4 JunPiece By Piece – 7 JunTitan: The Oceangate Disaster – 11 JunThe Waterfront – 19 JunKPop Demon Hunters – 20 JunWhat notable series are coming to Netflix?Ginny and Georgia S03 – 5 JunThe Survivors – 6 JunFubar S02 – 12 JunThe Fairly Oddparents: A New Wish S02 – 12 JunDallas Cowboy Cheerleaders S02 – 18 JunThe Ultimatum: Queer Love S02 – 25 JunSquid Game S03 – 27 JunBack to topNew in June on Disney+TV litter pick: The Bear S04 – 26 Jun : Chef Carmy and his team navigate the pressures of the culinary world, striving for excellence amidst chaos.Movie litter pick: Ironheart – 25 Jun : Teen genius Riri Williams builds her own advanced suit of armor, stepping into the superhero world.What notable movies are coming to Disney+?Predator: Killer of Killers – 6 JunOcean with David Attenborough – 8 JunCall Her Alex – 10 JunIronheart – 25 JunWhat notable series are coming to Disney+?Call Her Alex – 10 JunThe Bear S04 – 26 JunBack to topNew in June on Apple TV+TV litter pick: Stick – 4 Jun : A sports dramedy following a former hockey star's return to coaching, blending humor with heartfelt moments.Movie litter pick: Echo Valley – 13 Jun : A suspenseful thriller where a mother confronts dark secrets to protect her daughter from a dangerous past.What notable movies are on Apple TV+?Echo Valley – 13 JunWhat notable series are coming to Apple TV+?Stick – 4 JunThe Buccaneers S02 – 18 JunSmoke – 27 JunSign up for a free 7–day trial of Apple TV+Back to topNew in June on Amazon Prime VideoTV litter pick: Babygirl – 3 Jun : A provocative drama exploring a young woman's journey through love, betrayal, and self-discovery.Movie litter pick: Deep Cover – 12 Jun : An undercover agent infiltrates a drug cartel, facing moral dilemmas and identity crises.What notable movies are coming to Prime Video?Babygirl – 3 JunNascar to Le Mans – 12 JunDeep Cover – 12 JunBeyond After – 24 JunWhat notable series are coming to Prime Video?We Were Liars S01 – 18 JunCountdown S01 – 25 JunMarry My Husband – 27 JunBack to topNew in June on StanTV litter pick: This City Is Ours – 4 Jun : A gritty crime drama delving into power struggles and corruption within a city's law enforcement.Movie litter pick: The Surfer – 15 Jun : A psychological thriller featuring a man confronting his past while facing surreal challenges on a remote beach.What notable movies are coming to Stan?The Surfer – 15 JunJoh: The Last King of Queensland – 22 JunWhat notable series are coming to Stan?This City Is Ours – 4 JunBlack Mafia Family S04 – 6 JunThe Gold S02 – 9 JunAlone S12 – 13 JunHal and Harper – 26 JunBack to top IGN is now on Flash, live and on demand. Stream the latest and trending news for video games, interviews, videos, and wikis. Check it out here. Adam Mathew is our Aussie streaming savant. He also games on YouTube.

Nintendo is bringing one of its exclusive games to PC claims Microsoft website GameCentral Published May 31, 2025 3:51pm Updated May 31, 2025 4:02pm Xenoblade Chronicles X: Definitive Edition – not available on PC (Nintendo) A listing for a Nintendo first party game has appeared on Microsoft’s Edge Game Assist webpage and it’s either a mistake or the biggest news in gaming for a decade. Although Sony has finally embraced the PC market it seems impossible to imagine that any Nintendo-made game would ever appear on a modern PC, especially given some of the failed experiments in the 90s, with titles like Mario’s Game Gallery. The question must certainly have come up, amongst Nintendo’s execs, and you can guarantee that Microsoft has encouraged them to release games on the format, but there’s never been any outward sign that they’ve considered it… until now. To be clear, this is almost certainly a mistake of some kind, but nevertheless, the recently re-released Xenoblade Chronicles X is currently listed as one of various ordinary PC games that are ‘enhanced for Microsoft Edge Game Assist.’ We’ll be honest, we’ve never heard of Edge Game Assist until now, and we imagine most other people haven’t either, but according to Microsoft, ‘for a selection of popular PC games’ it highlights ‘helpful resources whenever you open a new tab. Many popular PC games are already enhanced for Game Assist, with more on the way.’ While there is an infinitesimally small chance that Microsoft has convinced Nintendo to release games on PC, and that fact has been accidentally revealed early – ahead of the Xbox Games Showcase next Sunday – the much more likely explanation is that this is some kind of error. Perhaps it’s a disgruntled employee or intern but it’s a very odd mistake to make for a human and yet seems like exactly the sort of error an AI would make. Microsoft is obsessed with AI at the moment, in terms of both using it and selling it to others, and don’t seem to care whether it does what it’s supposed to or not – reportedly Xbox use it for language translations in Europe, even for things as important as the Xbox dashboard, and there are often very obvious mistakes. Given how unpopular Xbox is on the Continent you might have thought they’d learn from that, but it seems not. As it is, at time of writing, Xenoblade Chronicles X is still listed amongst the supported games. You can’t see what kind of assistance is being offered though, as you have to start the game first… which doesn’t exist on PC. More Trending Xenoblade Chronicles X: Definitive Edition was released on Nintendo Switch this March, as the last major Wii U game to be ported to the format. That means that all the Xenoblade Chronicles games are now available on Switch, following Nintendo’s move to buy 100% of developer Monolith Soft – who they also use as a support studio for major games such as Zelda: Breath Of the Wild. A new Xenoblade game is expected early on in the Switch 2’s lifespan, and Monolith Soft is already working on a new role-playing game of some sort. So, the chances of Microsoft teaming up with Nintendo to release Xenoblade, or any other exclusive, on PC seem miniscule. And mistakes like this are only likely to put Nintendo off the idea even more. Another AI blunder? (Microsoft) Email gamecentral@metro.co.uk, leave a comment below, follow us on Twitter, and sign-up to our newsletter. To submit Inbox letters and Reader’s Features more easily, without the need to send an email, just use our Submit Stuff page here. For more stories like this, check our Gaming page. GameCentral Sign up for exclusive analysis, latest releases, and bonus community content. This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. Your information will be used in line with our Privacy Policy

to a T – what a strange thing to happen (Annapurna Interactive) Having your arms stuck in a permeant T-pose leads to a wonderfully surreal narrative adventure, in this new indie treat from Katamari creator Keita Takahashi. Keita Takahashi seems to be a very nice man. We met him back in 2018, and liked him immensely, but we’re genuinely surprise he’s still working in the games industry. He rose to fame with the first two Katamari Damacy games but after leaving Bandai Namco his assertion that he wanted to leave gaming behind and design playgrounds for children seemed like a much more obvious career path, for someone that absolutely doesn’t want to be stuck making sequels or generic action games. That’s certainly not been his fate and while titles like Noby Noby Boy and Wattam were wonderfully weird and inventive they weren’t the breakout hits that his bank balance probably needed. His latest refusal to toe the line probably isn’t destined to make him a billionaire either, but we’re sure that was never the point of to a T. Instead, this is just a relentlessly sweet and charming game about the evils of bullying and the benefits of being nice to people. It’s frequently surreal and ridiculous, but also capable of being serious, and somewhat dark, when it feels the need. Which given all the signing giraffes is quite some accomplishment. The game casts you as a young schoolkid whose arms are permanently stuck in a T-pose, with both stretched out 90° from his torso. If you’re waiting for an explanation as to why then we’re afraid we can’t tell you, because your character (who you can customise and name as you see fit, along with his dog) doesn’t know either. You find out eventually and the answer is… nothing you would expect. This has all been going on for a while before the game starts, as you’re by now well used to sidling through doors and getting your dog to help you dress. You’re also regularly bullied at school, which makes it obvious that being stuck like this is just a metaphor for any difference or peculiarity in real-life. Although the specific situations in to a T are fantastical, including the fact that the Japanese village you live in is also populated by anthropomorphic animals (most notably a cadre of food-obsessed giraffes), its take on bullying is surprisingly nuanced and well written. There’re also some fun songs that are repeated just enough to become unavoidable earworms. The problem is that as well meaning as all this is, there’s no core gameplay element to make it a compelling video game. You can wander around talking to people, and a lot of what they say can be interesting and/or charmingly silly, but that’s all you’re doing. The game describes itself as a ‘narrative adventure’ and that’s very accurate, but what results is the sort of barely interactive experience that makes a Telltale game seem like Doom by comparison. There are some short little mini-games, like cleaning your teeth and eating breakfast, but the only goal beyond just triggering story sequences is collecting coins that you can spend on new outfits. This is gamified quite a bit when you realise your arms give you the ability to glide short distances, but it’s still very basic stuff. One chapter also lets you play as your dog, trying to solve an array of simple puzzles and engaging in very basic platforming, but while this is more interactive than the normal chapters it’s still not really much fun in its own right. More Trending Everything is all very charming – the cartoonish visuals are reminiscent of a slightly more realistic looking Wattam – but none of it really amounts to very much. The overall message is about getting on with people no matter their differences, but while that doesn’t necessarily come across as trite it’s also not really the sort of thing you need a £15 video game, with zero replayability, to tell you about. It also doesn’t help that the game can be quite frustrating to play through, making it hard to know what you’re supposed to do next, or where you’re meant to be going. The lack of camera controls means it’s hard to act on that information even if you do know what destination you’re aiming for, either because the screen is too zoomed in, something’s blocking your view, or you keep getting confused because the perspective changes. As with Wattam, we don’t feel entirely comfortable criticising the game for its failings. We’ll take a game trying to do something new and interesting over a workmanlike sequel any day of the week – whether it succeeds or not – but there’s so little to the experience it’s hard to imagine this fitting anyone to a T. to a T review summary In Short: Charming, silly, and occasionally profound but Keita Takahashi’s latest lacks the gameplay hook of Katamari Damacy, even if it is surprisingly well written. Pros: Wonderfully and unashamedly bizarre, from the premise on down. A great script, that touches on some dark subjects, and charming visuals and music. Cons: There’s very little gameplay involved and what there is, is either very simple or awkward to control. Barely five hours long, with no replayability. Score: 6/10 Formats: PlayStation 5 (reviewed), Xbox Series X/S, and PCPrice: £15.49Publisher: Annapurna InteractiveDeveloper: uvulaRelease Date: 28th May 2025Age Rating: 7 Who knew giraffes were so good at making sandwiches (Annapurna Interactive) Email gamecentral@metro.co.uk, leave a comment below, follow us on Twitter, and sign-up to our newsletter. To submit Inbox letters and Reader’s Features more easily, without the need to send an email, just use our Submit Stuff page here. For more stories like this, check our Gaming page. GameCentral Sign up for exclusive analysis, latest releases, and bonus community content. This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. Your information will be used in line with our Privacy Policy

Sam Fisher has been away for too long (Ubisoft) Activity on Ubisoft’s social media channels points to a potential Splinter Cell announcement, but is it connected to the remake? It’s been four years since Ubisoft announced it was working on a remake of the first Tom Clancy’s Splinter Cell, and we’ve heard nothing substantial about it since. Aside from some early concept art, a report last year claimed that, despite fan fears, the project hadn’t been cancelled and that it could launch at some point in 2026. Despite years of silence from Ubisoft, it seems they might finally be gearing up to make an announcement regarding the franchise. Either that, or someone on the social media team is feeling particularly torturous towards its fans. In an X post on Friday, May 30, the official Ubisoft account shared a head shot of series protagonist Sam Fisher, with eye emojis and ‘#SplinterCell’ in the caption. Weirdly, the screenshot itself is from the sequel to Tom Clancy’s Splinter Cell, titled Pandora Tomorrow, which was released in 2004 on PlayStation 2, Xbox, GameCube, and PC. While many fans are hoping this is a tease for news about the remake at Summer Game Fest on Friday, June 6, or at the Xbox showcase two days later, there’s a chance it could be connected to something else entirely. On Saturday, May 31, Netflix is holding its annual Tudum event where it shares trailers and announcements about its upcoming release slate. You might have forgotten about it entirely, but Netflix is developing an animated TV series based on Splinter Cell, called Splinter Cell: Deathwatch, which is slated to be released in late 2025. More Trending There’s a chance Ubisoft is teasing an announcement regarding the latter, but that doesn’t mean we won’t see an update about the remake at some point soon. In fact, it makes sense to line up the animated series with the launch of a remake, but that depends on whether Ubisoft is feeling logical. One potential ding against the chances of an update at Summer Game Fest is the fact Ubisoft hasn’t been listed among the event’s partners so far. This in turn suggests the company is planning its own Ubisoft Forward presentation again, like it did in June last year, but there hasn’t been an official announcement yet. The last mainline instalment in the series was 2013’s Splinter Cell: Blacklist, which continued the series’ action-orientated shift, following Splinter Cell: Conviction. Ubisoft was working on a VR spin-off, but that was was cancelled in 2022. Could we get an actual trailer soon? (Ubisoft) Email gamecentral@metro.co.uk, leave a comment below, follow us on Twitter, and sign-up to our newsletter. To submit Inbox letters and Reader’s Features more easily, without the need to send an email, just use our Submit Stuff page here. For more stories like this, check our Gaming page. GameCentral Sign up for exclusive analysis, latest releases, and bonus community content. This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. Your information will be used in line with our Privacy Policy