After months of teasing the arrival of a certain human-reindeer hybrid in the next season of its live-action One Piece adaptation, Netflix has finally revealed its take on Tony Tony Chopper and the actress who will be bringing him to life. Today during this year’s Tudum event showcasing all of Netflix’s upcoming projects, the streamer announced that actress Mikaela Hoover (The Suicide Squad, Guardians of the Galaxy Vol. 3) has been cast a Tony Tony Chopper, One Piece‘s anthropomorphic reindeer who joins the Staw Hat Pirates on their search for the Grand Line. In addition to Cooper’s voice, a digital capture of her facial performance is being used to create the show’s CGI character. Iñaki Godoy (Monkey D. Luffy), Mackenyu (Zoro), Emily Rudd (Nami), Jacob Romero (Usopp), Taz Skylar (Sanji), Ilia Isorelys Paulino (Alvida), Jeff Ward (Buggy), and Michael Dorman (Gold Roger) are all returning in One Piece‘s second season. But the show is also set to introduce a number of new characters from the comics like Charithra Chandran as Miss Wednesday, Joe Manganiello as Mr. 0, Katey Sagal as Dr. Kureha, and Lera Abova as Miss All Sunday. Though Netflix has committed to quite a bit more One Piece, the second season doesn’t have a solid release date just yet. But the streamer plans for new episodes to debut some time in 2026.

At its now-annual Tudum event, Netflix revealed new trailers for some of its more anticipated feature films. That includes the very first teaser for Guillermo del Toro’s live-action take on Frankenstein, which stars Oscar Isaac, Jacob Elordi, Mia Goth, Felix Kammerer, Lars Mikkelsen, David Bradley, Charles Dance, and Christoph Waltz. It starts streaming in November, and is the latest project for del Toro on Netflix, following a stop motion Pinocchio and his anthology series Cabinet of Curiosities. Also at the show was Wake Up Dead Man, the third entry in the Knives Out murder-mystery series, and a follow-up to 2022’s Glass Onion. Director Rian Johnson and star Daniel Craig return, and they’re once again joined by an all-star cast. That includes Josh O’Connor, Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, Daryl McCormack, and Thomas Haden Church. Along with the very brief teaser trailer, Netflix confirmed when Wake Up Dead Man will be streaming: December 12th. Going in a completely different direction was latest trailer for Happy Gilmore 2, the follow-up to the Adam Sandler comedy from way back in 1996. The sequel will be one of Netflix’s big swings for this summer. It streams on July 25th. And if you haven’t seen enough of Squid Game’s third season, we also got one more trailer ahead of its premiere on June 27th, which will mark the end of the series. And to round out the night, here are the first six minutes of the first episode for season 2 of Wednesday, which streams on August 6th.

Stranger Things‘ fifth and final season finally has a premiere date. During its live Tudum event, Netflix announced that Stranger Things‘ fifth season will actually be split into three parts. Volume 1 is set to debut on November 26th, Volume 2 premieres on December 25th, and The Finale drops on New Years Eve. Along with the premiere dates, Netflix also shared a teaser showing off some of what Eleven (Millie Bobby Brown), Mike (Finn Wolfhard), Dustin, (Gaten Matarazzo), Lucas (Caleb McLaughlin), Will (Noah Schnapp), and Max (Sadie Sink) are going to be up against when the show returns. Initially, Netflix suggested that Stranger Things’ final chapter would be split into two pieces rather than three, but the new release plans seem like the company’s way of making sure that viewers stick around rather than inhaling the show in a couple of sittings. Though this is the end of the core Stranger Things series, Netflix still has live-action and animated spin-offs in the works. The streamer still hasn’t revealed any more concrete details about the spinoffs, but it probably won’t be long before that changes.

From Captain America 4's official streaming debut to Netflix Tudum 2025, here's what you'll want to watch this weekend.

Ahead of Netflix Tudum 2025, Knives Out fans think they've worked out when Wake Up, Dead Man will arrive on the streaming giant.

During most of the introduction to the Wake Up Dead Man portion of Saturday night’s Netflix Tudum event, writer-director Rian Johnson and his starry cast, led by a folksy Daniel Craig, had fun hiding what the third Knives Out mystery is about. In fact we really don’t know. But as judged by the first teaser trailer for the movie, it is going for a darker and more oblique tone than the general playfulness viewers remember from Knives Out and Glass Onion, marketing included. In the teaser, a church bell ominously sounds in the distance as images suffused in shadow and nocturnal rains cascade down around Craig’s unexpectedly stoic Benoit Blanc. Without a charming witticism or visual gag in sight, Blanc tersely intones during the trailer, “The impossible crime. For a man of reason this is the Holy Grail.” Through it all, a haunting hymn plays as an elegiac and Southern voice cries, “O Death, O Death, Won’t you spare me over til another year.” While we still know relatively little about the plot of Wake Up Dead Man beyond its terrific ensemble—which includes Glenn Close, Kerry Washington, Jeremy Renner, Josh Brolin, Andrew Scott, and Cailee Spaeny—the song choice might tell us a lot about the film’s setting, and possibly the dark places it intends to go. Initially speculation regarding the third Knives Out picture assumed that it would be set in England where most of the film’s production occurred. And while that might still be the case, we suspect the English countryside might be used to substitute for something a little closer to home for American viewers—and distinctly Southern. Indeed, many fans of the Coen Brothers likely recognize the song “O, Death” used in the trailer, for it is the exact version sung by the late bluegrass artist Ralph Stanley in Joel and Ethan Coen’s O Brother, Where Art Thou? (2000). Stanley, it should be stressed, is a legend in the bluegrass and folk sound of music who won a Grammy for this version of “O Death.” However, his vocals were used in O Brother (and now Wake Up Dead Man) to send a chill up the spine when sung a cappella style in the third act of the Coens’ Mississippi-set Depression fable. After all, on screen the song is being sung not by a simple musician, but by the grand wizard of a Ku Klux Klan chapter which has gathered to lynch and murder a young Black man on a trumped up accusation based in superstition. The Coens’ choice of this song to be sung by the KKK in the 1930s is probably not accidental either. The standard version of the song’s origin is that it’s a traditional Appalachian folk song written by Baptist preacher Lloyd Chandler. Chandler certainly performed the song in the 1920s in North Carolina, allegedly after receiving a vision from God of the song in 1916. However, further research has proven that Chandler’s composition bears an uncanny similarity to a 1913 printed version of a folk song (that is therefore likely much older) in Journal of American Folklore. The journal asserted the song was sung by “Eastern North Carolina Negroes.” Which is all to say, the song’s ambiguous origin is rooted in the cultural milieu and tensions of the American South during the days and decades of Jim Crow and after the Civil War. It was used by the Coens as a disturbingly beautiful song of annihilation put in the mouths of mass murdering racists, and it is now used to signal what appears to be the first Benoit Blanc mystery to return to the region of Benoit’s home: the American South. (This setting is seemingly further verified by the fact that one of the film’s law enforcement figures is dressed like someone from an American sheriff’s office as opposed to an English village.) This is all of course speculation, but to use this song and Stanley’s Grammy-winning version of it specifically is likely a deliberate choice on Johnson’s part. And given how Johnson is unafraid to use what on the surface appear to be cozy murder mysteries to interrogate larger issues of social rot and inequality in the modern world via both Knives Out and Glass Onion, we are left to wonder just how deeply Southern the roots of his third murder mystery will run. Wake Up Dead Man premieres on Dec. 12 on Netflix.

Netflix Tudum 2025 has begun and promises to reveal a ton of exciting details about the most-anticipated shows and movie heading to the streamer in the future, including Wake Up Dead Man: A Knives Out Mystery's release date and Squid Game's Season 3 trailer.There will be a ton of announcements during the Netflix Tudum 2025 livestream, and we'll be gathering all the big new right here as it happens, so make sure to stay tuned and refresh often!Wake Up Dead Man: A Knives Out Mystery Release Date RevealedRian Johnson's Wake Up Dead Man: A Knives Out Mystery's latest teaser trailer not only revealed more about Benoit Blanc's latest adventure, but it also shared it will arrive on Netflix on December 12, 2025.We don't know much about this new mystery yet, but Blanc himself has described this as his "most dangerous case yet." What we do know is that Daniel Craig's Blanc will be joined by Josh O'Connor, Glenn Close, Josh Brolin, Mila Kunis, Jeremy Renner, Kerry Washington, Andrew Scott, Cailee Spaeny, Daryl McCormack, and Thomas Haden Church.Squid Game Season 3 Trailer Teases the Final GamesSquid Game Season 3 is set to debut on Netflix on June 27, and Tudum shared with the world a new trailer that showcases what these final games have in in store for Lee Jung-jae's Gi-hun and more. “The new season will focus on what Gi-hun can and will do after all his efforts fail,” series creator Hwang Dong-hyuk said. "He is in utter despair after losing everything and watching all his efforts go in vain. The story then takes an interesting turn, questioning whether Gi-hun can overcome his shame and rise again to prove that values of humanity — like conscience and kindness — can exist in the arena.” Guillermo del Toro's Frankenstein Gets a Teaser Trailer That Shows Off Oscar Isaac's Victor Frankenstein and the 'Misbegotten Creature He's Created'Academy Award winner Guillermo del Toro's Frankenstein, which is an adaptation of Mary Shelley's iconic novel, got a new teaser trailer that shows off Oscar Isaac's Victor Frankenstein and the "misbegotten creature (Jacob Elordi) he's created." Alongside a glimpse at these film that will be released in November, fans of del Toro's work will note "plenty of familiar imagery in the new teaser, from Isaac’s Victor standing on a decaying staircase holding a candelabra (see: Crimson Peak) to a blood-red angelic figure surrounded in flames (see: the Angel of Death in Hellboy II: The Golden Army, the blue Wood Sprite and the sphinxlike Death in Pinocchio, and even the Faun in Pan’s Labyrinth). One Piece Season 2 Trailer Reveals the First Look at Tony Tony ChopperThe latest trailer for Season 2 of One Piece has arrived and it has given us our first look at Tony Tony Chopper, who is voiced by Mikaela Hoover (Beef, Guardians of the Galaxy Vol. 3, and Superman). For those unfamiliar, Chopper is a blue-nosed reindeer-boy hybrid and is able to treat various illnesses and wants to travel the world and cure all the diseases that pop up. “What excited me about playing Chopper is the tug of war between his standoffishness and his huge heart,” Hoover told Tudum. “He tries so hard to hide his emotions and put on a tough exterior, but underneath, he’s a big softy, and his love can’t help but come out.“I believe there is a little Chopper in all of us,” she adds. “We all want to be loved and accepted. We go to great lengths to keep the people that we love safe. There’s a purity to his nature that reminds us of what’s good in the world.”Developing...

Frankenstein, the post-Enlightenment novel written by a teenage girl that invented modern science fiction, has long been Guillermo del Toro’s white whale. The Mexican filmmaker has eyed adapting Mary Shelley’s story of a modern day Prometheus since the 1990s. And now it’s almost here. It’s a good feeling for the filmmaker and his admirers… but it also an opportunity of mounting excitement for fans of Shelley, too, since so much of her 1818 masterpiece remains mostly associated with the page in spite of the countless film adaptations based on the story of a man and his monster. And as judged by the first remarkable teaser trailer of Frankenstein introduced by del Toro and stars Oscar Isaac and Mia Goth at Netflix’s Tudum event Saturday night, it’s safe to stay that del Toro is pulling from Shelley directly… including a wrap-around story of hers that is seldom ever attempted on the screen. “What manner of creature is that?” a shaken voice whispers in the new Frankenstein trailer. “What manner of devil made him?” We never exactly see what countenance could earn the dehumanizing term “creature” in the trailer, but we feel his presence. He is a silhouette, a shadow—a vengeful wraith—walking across a sheet of ice with the sunset to his back. And he is approaching what is demonstrably a half-mad, frostbitten Victor Frankenstein (Oscar Isaac), who can only say in his frozen delirium “I did.” Victor is the devil who made that. For fans of Shelley’s novel, or just those with a good memory of Kenneth Branagh’s now mostly forgotten 1994 adaptation of the book, this framing device should send a chill of anticipation through the spine as giddy as any more familiar promises of gods and monsters. That’s because del Toro is adapting the cruel framing device Shelley used to introduce both Victor and the creature he pursues. Indeed, most of Frankenstein on the page is told in flashback and relayed by our protagonist Victor as a kind of last rites confession as he dies from fever and starvation after years and years of chasing his creation north. Always north. Whereas most of the novel takes place actually at the end of the Enlightenment era of the 19th century—the glory days of Mary’s famous philosophical and activist parents—the only “modern” part of the story is to compare the zeal for discovery in Victor with what was only a dawning fascination in the 19th century with discovering the North Pole (a feat that wouldn’t actually be accomplished until the early 20th century). In the book, Victor’s tale of obsession for greatness causes a captain who has led his men to becoming stuck in the Arctic ice to reflect on the potentially lethal consequences of his ambitions—especially after he meets the Monster who later verifies Victor’s story by mourning over the scientist’s body. The framing device is fascinating because of where it places the story in history, but also because it elevates the tragedy of the so-called Monster and his Creator. Who was really hunting who at the end of the world in the North Pole, and who is truly the monster? The Creature did terrible things, but how much of that is Victor’s fault for abandoning his progeny to a lifetime of loneliness hatred, and despair, including by that which gave him life? Both suffer tragic fates in the end in the cold. Unloved and unremembered, except by one sea captain no one will believe. While it remains to be seen if del Toro is doing a straight-ahead faithful adaptation of the novel—in fact we can assume he is not since Isaac’s Victor dresses more like a Victorian of the mid-19th century than a contemporary of Voltaire or Thomas Jefferson, and we also know that Burn Gorman appears in the movie as Fritz, a character created by Universal Pictures in the iconic 1931 film adaptation starring Boris Karloff—it is fascinating to see the master filmmaker returning to the source material. It also raises questions of just where he will go with Jacob Elordi’s intentionally obscured and hidden Monster. We know from the trailer’s end with the Monster attacking the crew of the North Pole-bound ship (a beat also, we might add, is not in the novel) that he has the power of speech. It will be curious indeed to learn if he proves to be a Milton-esque philosopher demon, which is also a largely ignored element of Shelley’s original story. Frankenstein is expected to premiere in November on Netflix.