Is the F-150 the ultimate Bratmobile?

It's the same every year. Like clockwork, both social media and real media clamour to do what they do best: moan. Not about politics. Not about the trains. Not even about the weather. No, it's Glastonbury Festival time, which means it's time for the annual whinge-fest over how much it costs and how bad the line-up is. It's a tradition as sacred as Glastonbury itself. Within minutes of the headliners being announced, someone somewhere will tweet "WHO?" as if that settles the matter. The tickets, they declare, are extortionate. The food is overpriced. The toilets are... well, they're not wrong there, to be fair. And yet Glastonbury sells out. Every. Single. Time. In minutes. Not hours, not days, but minutes; just 35 of them, this time around. A digital stampede of fans crashes the ticketing servers, elbows each other out of the virtual queue, and desperately parts with £373.50 of their hard-earned cash. If people really thought it wasn't worth it, why would that happen? Deep down, Glastonbury fans know it is worth it. Not just for the vibes. Not just for the bragging rights. In terms of basic maths alone, it remains a much cheaper way to see all your favourite bands compared with buying tickets to individual gigs. Let's break it down. From this year's stacked, genre-hopping, generation-spanning line-up, these are my 10 ride-or-die bands, the ones I'm determined to see come hell or high water at this year's Glastonbury. And next to them is a reasonable estimate of how much it would cost to see them individually on tour. Alanis Morissette: £60-£135 Charli XCX: £85-£200+ English Teacher: £25-£35 Gracie Abrams: £100-£400+ John Fogerty: £35-£130+ Lola Young: £25-£40 Olivia Rodrigo: £120-£200+ Raye: £50-£100+ Wet Leg: £30-£40 Wolf Alice: £40-£60 You can quickly see how these individual tickets would add up, and that's before the beer-soaked chips and £17 parking surcharges at the O2. But at Glastonbury, they're all included, alongside more than two thousand other acts. Plus five nights of camping, firewood, circus performers, standup comedy, theatre performers, secret gigs, DnB raves, late-night poetry slams, kids' clubs, drone shows, the visionary chaos of Shangri-La, a bloke dressed as a badger doing tai chi at 4am, and the very real possibility of watching Chris Martin duet with a kestrel. All for less than the price of one premium Olivia Rodrigo ticket at the Birmingham NEC with a half-decent sightline. © Amy Fern © George Harrison © Amy Fern No one involved with the festival will ever say this out loud... but in truth, this is underpricing. Glastonbury doesn't cost too much; it's that it's charging less than it's worth. The organisers know it, the scalpers know it, and deep down, so do we. Why else would the event remain massively oversubscribed year after year? The lesson for freelancers Herein lies the lesson for anyone who's ever said yes to a freelance gig, then immediately regretted it because the fee barely covers your oat milk habit. Every time you flinch at raising our rates, worrying, "What if they say no?" you need to remember that people will always complain about the price. But then they pay it anyway, if what you're offering is good. Just like a Glastonbury ticket, your work has value that goes beyond the sum of its parts. Clients might baulk at a day rate, grumble at a quote, or attempt the classic "Can you do it for exposure?". But if they really want you, they'll find the budget. Sure, you could try to undercut your peers. Offer the cheapest design package. Throw in extra concepts for free. Discount your fee before they even ask. But all that gets you is the creative equivalent of being the sad burger stand next to the rave tent: underpaid, undervalued, and slightly sticky. Here's the uncomfortable truth: clients don't always know what things should cost. They base their expectations on their last hire, a Fiverr ad, or what their mate's cousin paid a graphic design student in 2017. © George Harrison © Yushy Pachnanda © JodyHartley But it's not your job to price yourself within their comfort zone. It's your job to price yourself according to your value. If clients can't afford you, that's not rejection; that's redirection. Someone else—someone better, someone ready—will always pay you what you're worth. Just like someone always buys the last Glastonbury ticket. So ignore the noise. Just like the festival, you're not for everyone, and that's fine. Your rates should make you feel slightly nervous, not make your client feel overly comfortable. That's how you grow. That's how you stay booked. That's how you avoid burnout and build a business rather than a bargain bin. In other words, next time you feel the urge to knock 20% off your quote "just to be safe", picture yourself standing in a Somerset field surrounded by 200,000 sweaty strangers who all agreed—despite the price, despite the moaning, despite the toilets—that it was absolutely worth it. And then charge accordingly.

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A new TikTok trend, set to a snippet of Charli XCX’s “I Think About It All the Time” featuring Bon Iver, sees users, particularly Gen Z women, sharing lists of “propaganda” they’re not falling for in 2025.  One list, shared by TikTok creator Lxyzfbxx, includes the “clean girl look,” “the normalization of OF [OnlyFans],” and “preventative Botox,” among other things. Another user listed “organic deodorant,” “Teslas,” and “mouth tape” among the modern-day propaganda. A third user included “push-up bras,” “being anti-sunscreen,” and “branded sweatshirts.” A fourth took aim at “working,” “a 9-5,” and “employment.” From social media trends to beauty standards, internet users are drawing attention to the capitalist, political, and aesthetic pressures that they’re subjected to daily, and they are de-normalizing those they see as unhealthy, undesirable, or just cringe.  “Propaganda I won’t be falling for”: How did the trend start? While it’s hard to pinpoint exactly where the trend began, it’s clear that it’s caught on: If there’s one thing social media loves, it’s a hot take—and it can be on anything from working a full-time job to singer-songwriter Benson Boone. For instance, 2024 was the year of the “in” and “out” lists. Now, with the hashtag “propaganda” currently at over 240,000 posts on TikTok, we have the 2025 version of a similar trend. However, what is and what isn’t propaganda varies wildly, depending on whom you ask. The comments section below many of these videos is a hotbed for debate. “Sorry but i WILL be falling for the Labubu propaganda everytime,” one person commented under a list that included the viral dolls. “I hate to admit it but Dubai chocolate is soooo bomb,” another commented under a propaganda list that included the pistachio-flavored chocolate. Take these opinions with a rather large pinch of salt. One frequent name that appears on many of these lists is singer-songwriter Gracie Abrams. Does that mean the poster actually dislikes Abrams’s music? Not necessarily. As one TikTok user told The New York Times: “I think sometimes the internet just likes to have a running gag.” (Jumping on the Gracie Abrams hate train, in other words, might just be good for views.) Casey Lewis, of the youth consumer trends newsletter After School, did the legwork and tallied up the most commonly mentioned “propaganda” across hundreds of TikToks. The top 10 list she compiled included matcha, the tradwife movement, MAHA-adjacent trends like beef tallow and anti-seed oil, author Colleen Hoover, and milk (both of the oat and cow variety). Coming in at the No. 1 spot, to no one’s surprise, is ChatGPT.  

What will be the song of the summer for 2025? Who else got 'em obsessed "like JENNIE?" Spotify has some ideas.The audio streamer has made some big calls annually about which songs will rule the hot season, and on Tuesday, Spotify announced its predictions for the 30 songs of the summer. SEE ALSO: Spotify’s AI DJ now takes requests Listed not by ranking but alphabetically by artist first name, the 2025 "global songs of summer predictions" include WizTheMc, bees & honey, and Tyla's summery smash "Show Me Love," Charli xcx's TikTok favourite "party 4 u," Bad Bunny's superb "NUEVAYoL," Lady Gaga's Swift-like "How Bad Do U Want Me," and Ravyn Lenae's situationship ode “Love Me Not," among many more. Mashable Top Stories Stay connected with the hottest stories of the day and the latest entertainment news. Sign up for Mashable's Top Stories newsletter By clicking Sign Me Up, you confirm you are 16+ and agree to our Terms of Use and Privacy Policy. Thanks for signing up! You May Also Like Here's the list:Spotify's 2025 songs of the summer predictions“Ordinary” – Alex Warren“NUEVAYoL” – Bad Bunny“Super” by Bb trickz “Mystical Magical” – Benson Boone“All The Way” – BigXthaPlug and Bailey Zimmerman“party 4 u” – Charli xcx “My Darling” – Chella“With You” – Davido and Omah Lay“NOKIA” – Drake“YA BABA” – DYSTINCT and French Montana“Running Around” – Ely Oaks“Summer Sweat” – Hannah Cohen“like JENNIE” – JENNIE“Blue Strips” – Jessie Murph“Gnarly” – KATSEYE“How Bad Do U Want Me” – Lady Gaga“MUTT” – Leon Thomas“Dark Thoughts” – Lil Tecca“What Was That” – Lorde“Shake It To The Max (FLY) – Remix” – MOLIY, Silent Addy, Skillibeng, and Shenseea “Say My Name – Remix” – Morgan Seatree and Florence + The Machine“What I Want” – Morgan Wallen and Tate McRae “You’ll Be in My Heart – Spotify Singles” – NIKI “Love Me Not” – Ravyn Lenae“Sally, When The Wine Runs Out” – ROLE MODEL“back to friends” – sombr“No One Noticed” – The Marías“Brunette” – Tucker Wetmore“La Plena – W Sound 05” – W Sound, Beéle, and Ovy On The Drums“Show Me Love (with Tyla)” – WizTheMc, bees & honey and Tyla Of course, Spotify has a playlist of all 30 summer predictions ready to go: Related Stories What do you think? Is your own personal song of the summer on Spotify's predictions list? FWIW, my personal songs of the summer to be are Obongjayar's "Not in Surrender" and TOKiMONSTA, Anderson .Paak, Rae Khali's "On Sum," but it's not my list is it? Topics Music