When you look in the mirror and wish you were a decade younger, what youre really asking for is reverse development, or reverse aging. Though most animals, including humans, are born, age, and eventually die, some species can break away from this traditional lifecycle: they seemingly defy age and revert to younger versions of themselves. Turritopsis dohrnii, dubbed the immortal jellyfish, is the best-known of such species. A recent study published in Proceedings of the National Academy of Sciences, however, has revealed a new member of this exclusive club with extraordinary abilities: the ctenophore Mnemiopsis leidyi, also called the comb jelly. Now, scientists are wondering how many more time-traveler species there might really be. The work challenges our understanding of early animal development and body plans, opening new avenues for the study of life cycle plasticity and rejuvenation. The fact that we have found a new species that uses this peculiar time-travel machine raises fascinating questions about how spread this capacity is across the animal tree of life, Joan J. Soto-Angel, a postdoctoral fellow at the University of Bergen who co-wrote the study, said in a statement. An unintentional discovery is at the origin of this study. Soto-Angel began investigating the topic after a larval ctenophore suddenly appeared in the place of an adult ctenophore in a tank in his lab. As it turned out, however, it was the same individual. Soto-Angel and his colleagues consequently began trying to reproduce the scenario that might trigger reverse development and discovered that an adult ctenophore can, in fact, revert to a larval stage when experiencing extreme stress.Witnessing how they slowly transition to a typical cydippid larva as if they were going back in time, was simply fascinating, Soto-Angel explained. Over several weeks, they not only reshaped their morphological features, but also had a completely different feeding behavior, typical of a cydippid larva. Comb jellies are ancient animalsin fact, some research suggests that they might be the first animal to have ever existed, emerging roughly 700 million years agoleading the researchers to suggest that reverse development might be a primordial ability.This is a very exciting time for us, Paul Burkhardt, a researcher at the University of Bergen who also co-wrote the study, said in the statement. This fascinating finding will open the door for many important discoveries. It will be interesting to reveal the molecular mechanism driving reverse development, and what happens to the animals nerve net during this process. The two researchers suggest that life cycle plasticityan organisms ability to change aspects of its biology when it experiences specific environmental stimulimight be more present among animals than scientists realized, according to the statement. As for humans, unfortunately, all the creams and products in the world have yet to achieve such enviable anti-aging results. However, future research in developmental biology and aging now has a new example in the animal kingdom to draw inspiration from.

It wasnt that long ago that we got our first look at MarvelsThunderboltsmovie, and here we are with another! This one comes courtesy of D23 Brazil, and functions as a colorful showcase for our cast of MCU antiheroesand also some guy. Directed by Jake Schreier, the film sees Yelena Belova still working as a government assassin while struggling with civilian life after the events of Hawkeye.Her next assignment puts her in the surprising path of some familiar faces: Ghost (Hannah John-Kamen) from Ant-Man & the Wasp,Taskmaster (Olga Kurylenko), ex-Captain America John Walker (Wyatt Russell), and the still mysterious Bob (Lewis Pullman). Suddenly, things get weird, and the group finds themselves forced to work together as someone tries to wipe them out. This eventually pulls Bucky (Sebastian Stan) and Yelenas adoptive dad Red Guardian (David Harbour) into the fray, and more chaos will surely unfold. Unlike the first trailer, this one highlights the four assassins and shows what makes them such effective killers. It also ends up answering two big questions: why are they called the Thunderbolts, and who the hell bought Avengers Tower? The first is admittedly funny; Guardian declares them that because he thinks its a cool name (and it is), which the others arent having. As for the second, its none other than Yelenas boss Valentina (Julia Louis-Dreyfus), and shes more than happy in her new digs. Sure would be a shame if it got all shot up at some point. Marvels Thunderboltshits theaters on May 2, 2025. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, whats next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

It wasnt that long ago that theBorderlandsmovie came out in theaters and did uh, Not Great in theaters before coming to VOD three weeks later. Critics and audiences more than tore into it, and Lionsgate wanted to pretend it basically didnt happen. But it apparently wasnt that much of a bust, because the games publisher Take-Two got to laugh all the way to the bank. This week, studios in both the games and film industries have been posting their financials for the second quarter of the fiscal year, and both Lionsgate and Take-Twowhich acquiredBorderlandsdeveloper Gearbox in Marchdiscussed the poorly received movie, which made $33 million worldwide and cost $120 million to make over about five years, a director change, and alleged rewrites. Lionsgate was pretty direct in calling the whole thing a complete mess: Everything that can go wrong did go wrong, said CEO Jon Feltheimer. It sat on the shelf for too long during the pandemic, and reshoots and rising interest rates took it outside the safety zone of our usual strict financial models. The success of our financial models doesnt take the place of also getting the creative right. Take-Two CEO Strauss Zelnick also dunked on it during his companys earnings call, politely referring to it as disappointing. But while it wasnt material to Take-Twos results, he said the movie got people to buy more Borderlandsgames, all of which are on current-gen hardware. Game adaptations often lead to renewed interestin the source material and more sales, so Zelnick considers this a sign that making a movie or a television show based on our very high quality IP can drive catalogue sales, and that can be a good thing. If it helps put eyes on the series ahead ofBorderlands 4next year, he cant be too mad about it.Or maybe he can. The experience of making the Borderlandsmovie burned Take-Two enough to reaffirm that it should be selective in what it lets get adapted. Its BioShockfranchise is theoretically getting a movie in a few years, and Zelnick said the company has licensed other titles, and we will continue selectively to do so. But [note the] ever so subtle word, selectively.' [via Deadline and VGC] Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, whats next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

Aesop Suzhou Cangjie Store / Offhand PracticeSave this picture! Tian FangfangRetail InteriorsSuzhou, ChinaArchitects: Offhand PracticeAreaArea of this architecture projectArea:150 mYearCompletion year of this architecture project Year: 2024 PhotographsPhotographs:Tian FangfangManufacturersBrands with products used in this architecture project Manufacturers: Shanghai Yuncheng Industrial Co., Ltd., formulastre Lead Architects: Nie Xuan, Yuan Yuan More SpecsLess SpecsSave this picture!Aesop Suzhou Cangjie: A Fusion of Ancient Charm and Modern Poetry - As the first soft rays of dawn paint the cobblestone street of Cangjie in soft hues, an autumn breeze carries not only the crimson leaves from Hanshan Temple but also a mysterious guest who had silently slipped into the tranquil city of Gusu. Nestled in the heart of the ancient city, adjacent to the Xiangmen Wall, Cangjie is a historic commercial district that carries the treasured memories of Suzhou. It warmly welcomes visitors with its peaceful atmosphere.Save this picture!Hidden deep within the bustling alleyways, a tranquil courtyard houses the Phoenix Hall, the sole Qing Dynasty architecture in Cangjie to be meticulously restored. This historic gem, a testament to our respect for the past, now serves as Aesop's first home in Suzhou. Bathed in the interplay of light and shadow that dances across its whitewashed walls and traditional black tiles, Aesop engages in a poetic conversation with the timeless beauty of Jiangnan Watertown.Save this picture!Save this picture!Save this picture!The design's core concept revolves around reimagining the space within the constraints of traditional architecture. The goal is to seamlessly integrate modern functions while crafting Aesop's distinctive, brand-centric spatial experience. Inspired by conventional garden architecture, the spatial division draws inspiration from the concept of "shade", a typical design element that partitions the space into a central "hall" and surrounding "rooms". The "hall", an open space, fosters social interaction and imbues the space with a sense of ceremony. In contrast, the "rooms" offer a more private and enclosed experience. This duality of spatial qualities perfectly aligns with Aesop's spatial requirements.Save this picture!Product shelves integrated with the "shade" are strategically positioned along the existing beams and columns, seamlessly fulfilling functional requirements while creating a sense of spatial hierarchy and enhancing the overall experience. The south facade facing the street features six inviting doors that serve as the main entrance. The gable wall as the secondary entrance disperses the flow of visitors while offering glimpses of the enchanting garden with its swaying trees and gently flowing water. The iconic central sink, the core feature of Aesop, is positioned in the central "hall". The generous space allows visitors to comfortably try out Aesop's products and engage in casual skincare consultations. The ensuite sink, fragrance armoire, and seating area are nestled within the surrounding "rooms", offering an intimate experience.Save this picture!Silk, a cherished possession of Suzhou, is extensively utilized throughout the space for its soft and sheer texture. The "shade" adhered to traditional proportions while substituting metal and semi-translucent silk for the wooden framework and intricate carvings, conveying Aesop's concise and refined modern aesthetic. Stone, an essential element of Suzhou Garden, with its natural textures and calming hues, is the material for central and ensuite sinks exquisitely inlaid with copper. Fulfilling functional requirements, the gently flowing water and the placement of the sculptural stone sink, reminiscent of scenic stone formations, echo the "stacked mountains and flowing water" aesthetic that defines Suzhou Garden. By employing traditional materials and craftsmanship, we create a profound connection to the local culture, and heritage is forged.Save this picture!Save this picture!In the heart of the "hall", a modern lantern enveloped in silk softly illuminates the space. Adorned with Suzhou embroidery, one of the four primary traditional embroidery techniques, the lantern transforms into a canvas for exquisite needlework by Su embroidery artists. Inspired by the painting of Qing Dynasty artist Fan Qi, a Gusu painting scroll gracefully unfurls in the air, narrating the gentle tales of Jiangnan. Deep within the "room", an elegant fragrance armoire that beckons like a mysterious treasure cabinet, inviting for exploration. Gracefully supported by slender stands, the cabinet doors are accented with delicate copper ring handles, echoing the traditional furniture of the Qing Dynasty. Carefully selected antique furniture is scattered throughout the space, reducing our reliance on new resources and breathing new life into these cherished pieces.Save this picture!By embracing the present, traditions can truly be passed down and perpetuated. From space to craftsmanship, Aesop reinterprets Jiangnan traditions through a modern perspective, incorporating a sustainable lifestyle and offering a tranquil sanctuary amidst the urban clamor.Save this picture!Project gallerySee allShow lessProject locationAddress:No. 188, G Floor, No.1 Cang Street, Suzhou City, Jiangsu Province, ChinaLocation to be used only as a reference. It could indicate city/country but not exact address.About this officeOffhand PracticeOfficeMaterialsMaterials and TagsPublished on November 10, 2024Cite: "Aesop Suzhou Cangjie Store / Offhand Practice" 10 Nov 2024. ArchDaily. Accessed . <https://www.archdaily.com/1023168/aesop-suzhou-cangjie-store-offhand-practice&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Gozeal Store / Wanawa StudioSave this picture! Mario WibowoCommercial Architecture, StoreKecamatan Serang, IndonesiaArchitects: Wanawa StudioAreaArea of this architecture projectArea:1157 mYearCompletion year of this architecture project Year: 2023 PhotographsPhotographs:Mario Wibowo Lead Architects: Ismatullah Nurhadi More SpecsLess SpecsSave this picture!Text description provided by the architects. Discover the innovative design of Gozeal Store, meticulously crafted by Wanawa Studio to redefine retail excellence. Immerse yourself in a dynamic space where futuristic aesthetics and functional efficiency converge, tailored to enhance the shopping experience. Gozeal Store is inspired by the boldness of futuristic design, characterized by a play of sloping lines and sharp angles. This concept is applied consistently across the building's exterior and interior, creating a visually striking and cohesive look. The furniture and lighting within the store echo these geometric forms, adding to the overall futuristic atmosphere.Save this picture!Save this picture!Save this picture!One of the primary challenges during the project was optimizing the use of a compact site while staying true to the futuristic vision. The sharp angles and sloping lines not only enhance the visual appeal but also serve a functional purpose, helping to maximize space and flow within the store. Additionally, the cast concrete material, which forms the futuristic facade, posed significant challenges during construction. Its unique properties required precise handling and innovative techniques to achieve the desired aesthetic while ensuring structural integrity.Save this picture!Save this picture!Early setbacks related to spatial limitations and the complexities of using cast concrete were addressed through creative layout solutions and flexible, modular design elements. The construction relied on advanced techniques, using materials such as glass, steel, and concrete, selected for their durability and ability to reflect the store's futuristic aesthetic. Inside, the lighting design plays a crucial role, with carefully positioned lights that highlight the angular features and create dynamic visual effects. The furniture also follows a futuristic theme, incorporating unconventional shapes that complement the store's architecture.Save this picture!Save this picture!The spatial configuration revolves around open, adaptable areas, with large glass panels inviting natural light and creating a bright, expansive environment. The angular layout guides the flow of movement, leading customers through a visually stimulating journey. Gozeal Store sets a new standard for retail design, blending futuristic sophistication with functionality to create an immersive and engaging shopping experience.Save this picture!Project gallerySee allShow lessProject locationAddress:Kecamatan Serang, IndonesiaLocation to be used only as a reference. It could indicate city/country but not exact address.About this officeWanawa StudioOfficePublished on November 10, 2024Cite: "Gozeal Store / Wanawa Studio" 09 Nov 2024. ArchDaily. Accessed . <https://www.archdaily.com/1023167/gozeal-store-wanawa-studio&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Houses Within the House / Jesper Kusk ArkitekterSave this picture! Lars Rolfsted MortensenBirkerd, DenmarkArchitects: Jesper Kusk ArkitekterAreaArea of this architecture projectArea:220 mYearCompletion year of this architecture project Year: 2024 PhotographsPhotographs:Lars Rolfsted MortensenManufacturersBrands with products used in this architecture project Manufacturers: DS Stlprofil, In-Sign, Krone, Krone Vinduer A/S, Lindab, The Greenery Architecture and Design: Jesper Kusk More SpecsLess SpecsSave this picture!Stop DemolishingEvery year, around 1,100 single-family homes are demolished and replaced with new constructions in Denmark. Often, this does not happen due to the condition of the buildings, but because many homeowners see it as an easier and cheaper way to achieve a more modern home. However, demolition is rarely sustainable, which is why we need to rethink our existing houses, so they meet today's housing needs and dreams.Save this picture!Save this picture!Save this picture!Find the Existing QualitiesThis single-family house, originally designed by architect MAA Steffen Hougaard (1967), is an example of how this can be approached. The renovation has provided the house with a new roof, extra insulation, and skylights that bring light indoors. The new extension is inspired by the house's original geometry and design, but its green-painted wooden facade gives it an own unique character.Save this picture!Daylight and NatureDaylight and views of the garden have been essential design principles in creating a bright and open plan with strong contact with nature. Inside, each room has a pitched ceiling, giving the feeling of multiple "houses within the house." Skylights ensure daylight and create a healthy indoor climate with natural ventilation. Several built-in furniture pieces optimize the space in both the existing house and the extension, and a large window toward the garden includes a built-in bench, allowing for a close experience of nature.Save this picture!Biogenic Materials and Sustainable SolutionsAll materials have been selected to reduce the project's overall CO2 footprint. Wood has been used as the primary material. The floors are made of bamboo, while birch plywood has been used for the walls in the living areas of the extension. In addition to optimizing the house's energy use, a buried water tank has been established to collect rainwater, which is used for toilet flushing.Save this picture!Save this picture!The TeamThe house project is designed by Jesper Kusk Arkitekter in collaboration with THKR and Regnestuen. The landscape surrounding the house has been designed by LoBe Landskab and the lighting design has been developed by Iben Winther Orton.Save this picture!Project gallerySee allShow lessProject locationAddress:Birkerd, DenmarkLocation to be used only as a reference. It could indicate city/country but not exact address.About this officeMaterialsWoodGlassMaterials and TagsPublished on November 09, 2024Cite: "Houses Within the House / Jesper Kusk Arkitekter" 09 Nov 2024. ArchDaily. Accessed . <https://www.archdaily.com/1023142/houses-within-the-house-jesper-kusk-arkitekter&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Hello friends, Today I wanted to share the journey of our small creation with you that was born out of the personal pain and suffering of attempting to navigate the indie game marketing process. As developer folk, we love to build and develop cool, amazing things, but letting the world know about our creations is often, at worst an afterthought or better, just a pain in the derriere. Its a struggle we know. We found ourselves in just that position when attempting to build our

Hi all,I am trying to compute bent normals to use for my lighting calculations such as ambient occlusion. The way I understand it is that bent normals point in a direction that represents the "average unoccluded direction" of ambient light around a point on a surface.For this I am ray marching some directions around the current fragment and checking for intersections. For each direction I am checking if there is an intersection seach step, if not, we increment a counter and if t

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In the recent update 2024.2 the Scene Linking tool had been significantly improved. Now you can adjust the position and rotation of the scenes, as well as the frames offset. You can now seamlessly switch between any linked scenes directly in the viewport. You can find a full list of new features here: https://cascadeur.com/help/category/260 Learn more about Cascadeur license plans: https://cascadeur.com/plans Learn how to start using Cascadeur: https://cascadeur.com/learn Join our English-speaking community on Discord: https://discordapp.com/invite/Ymwjhpn Follow us on:Facebook https://www.facebook.com/CascadeurEN/ Twitter https://twitter.com/Cascadeur_soft #Animation #3D #gamedev