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WWW.BUSINESSINSIDER.COMHuman error blamed for Tokyo plane collision that killed 5A report concludes that human error caused the deadly collision at Tokyo's Haneda Airport in January.The pilot of the Japan Coast Guard plane misinterpreted air traffic control instructions.Limited visibility and air traffic control oversight were additional factors in the collision.A report released Wednesday from the Japan Transport Safety Board concluded that human error was the primary cause of a deadly collision at Tokyo's Haneda Airport.The incident occurred on January 2, 2024, when a Japan Airlines (JAL) passenger plane arriving from New Chitose Airport in Sapporo barreled into a Japan Coast Guard plane waiting on the runway.According to the report, the Coast Guard pilot mistakenly believed he had clearance to enter the runway. The air traffic controller told the coast guard plane that it was "No. 1," meaning it was first in line to take off and meant to stop and wait at a holding point. The pilot misinterpreted the instruction, believing it to be permission to enter the runway for takeoff.In the final moments before the collision, the Coast Guard pilot ordered his co-pilot to go through a checklist that is typically performed once final takeoff clearance has been granted. The pilot, who survived, told investigators he thought he heard "cleared for takeoff" from the control tower.The report noted that the pilot said he was in a hurry, which could have contributed to the misinterpretation. The Coast Guard plane was traveling to the city of Niigata to deliver emergency supplies after recent earthquakes on Japan's west coast, and the pilot said he was worried about his crew getting home late from the mission.The report said that there were other contributing factors to the collision: Air traffic control failed to realize that the Coast Guard plane had entered the runway, despite the runway occupancy alert, and the JAL plane didn't see the other aircraft as it was descending due to limited visibility. The accident occurred around 5:47 p.m., after sunset.Five of the six people aboard the Coast Guard aircraft died. The pilot survived but was seriously injured.All 379 passengers and crew on the passenger plane escaped just before the jet erupted into flames.0 Comments 0 Shares 138 Views
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WWW.BUSINESSINSIDER.COMAfter my mom died, I thought I'd never enjoy the holidays again. It took me years to find joy in my grief.My mom made the holidays special. The first Christmas without her in 2018 I basically turned into The Grinch. I re-found joy in the holidays while also grieving my loss. My mother had a penchant for making things special. She knew how to grab joy where she could. She decorated our home for every holiday, donning earrings and sweaters that matched the occasion. On Christmas, she'd watch with joy while we opened her thoughtful gifts and ate our favorite holiday dishes. I don't remember a lot about the first Christmas without her in 2018. But for the next few years, like The Grinch, I wanted Christmas gone. If I'd had energy that wasn't solely dedicated to staying upright amidst my grief, I might have even taken down a Christmas tree or two in the night.Nothing could compare to what my mom did At 20-years-old, I didn't know how to make things special myself. I wasn't really interested in trying, either, or welcoming anyone else's efforts. Nothing could compare to the holiday scene she'd set. No one else could make the food, decorate the house, or wrap the presents right.I couldn't accept this truth: that everything would change. So I put a wall up between Christmas and I, white-knuckling my way through December. I didn't want to watch holiday movies or listen to holiday music. I wanted to dismiss it as any other insignificant day. I'd get together with my family and try to pretend I was happy to be there, but I felt guilty for pretending and resentful of having to. Yet I didn't think not pretending was an option.The thing about grief, though, is that with each year, the tide rose, washed away more grit, and left me softer. I had to find beauty in things againFrom the spring of 2019 through the spring of 2020, I spent a year living in Denver. I needed to change my surroundings and make a change that was in my control to teach my brain that there could be beauty in newness. I needed to learn what the newness would make of me. When I returned to Michigan at the start of the pandemic, I returned as someone who had made new memories in a new place. It helped me accept that things could look different and still be good. The holidays could still be special if I wanted them to be. During the Christmas of 2020, my sister and her family had COVID-19, so I stood outside their window in the snow for 15 minutes before going back to my apartment alone. I noticed, with sad poignancy, how much I wanted to be inside with her, my brother-in-law, my nephews, and my dad. In 2021, I met my now wife, and I had the delicious instinct to make things special together. To create our own traditions. She prioritizes fun, and it rubbed off on me. I came to love taking part in her family's traditions, too. It became clear that there was so much celebration to go around, no matter what it looked like.I look forward to the holidays nowThis year will be the seventh Christmas without my mother, and I look forward to the holiday now. My wife and I put up our tree on November 3rd. To me, Christmas symbolizes coziness, a focus on joy, an excuse for good food and extra sugar and sitting around a table with people I love. While there are traditions, new and old, that I cherish, it's less about the specifics and more about the feeling. And, grief is a part of that feeling. It's just not such a sharp ache anymore more like a familiar smell that reminds me of a warm and nostalgic childhood memory. Holiday grief (and any grief, for that matter) isn't a thing to be conquered and moved on from, but a thing to accept and learn how to live alongside. In those early years, much of my strife came from wishing I could prevent change and control my feelings. When I don't set rigid expectations of myself, and instead let the tide wash over and soften me, that softness allows space for grief and joy. I've learned how to appreciate specialness any way it comes and grab joy where I can even if it means putting the Christmas tree up before Thanksgiving.0 Comments 0 Shares 140 Views
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GIZMODO.COMHow James Gunn Sees Superman Fitting Into Our Politically Charged WorldApple pie. Baseball. These are things you think of when you think of America. Another thing that could be added to the list, though, is the superhero. From 1938, when Superman graced the cover of Action Comics #1, superheroes have become a major American export. And, because he was the first, Superman will always be a little extra American than the rest. Of course, Superman isnt American at all. Hes an immigrant. An alien immigrant at thatand these days, those words have a much different connotation than they have in the past. At a recent event attended by io9, writer-director James Gunn spoke about how he feels his version of Superman fits into the politically charged America of today. When I watch the trailer and the movie, we do have a sort of battered vision of Superman at the beginning. I think that is our country, Gunn said. I believe in the goodness of human beings. And I believe that most people in this country, despite their ideological beliefs [or] their politics, are doing their best to get by and trying to be good people, despite what it may seem like to the other side and what that other side might be. I think this movie is about that. Its about the basic kindness of human beings. And that it can be seen as uncool, and it can be seen as under siege when some of the darker voices are some of the louder voices. Thats what happens when you let the internet seem like its the worldwhen its not the world. The world is us. Gunn likened it to his own experiences. I live in a very rural part of Georgia, he said. I see the kindness and the beauty of the people every day who dont share all the same political beliefs as I do. But I think thats what the movie is about, the basic fundamental decency of human beings. All over the world, by the way.Meaning, yes, Superman can be seen as a beacon of hope and goodness in America, the characters country of origin, but also the entire world that the hero oversees. Do you think Gunn is onto something here with his read on humanity? Will Superman be a film embraced by all people? Well find out in a few months when Superman opens in theaters July 11. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, whats next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.0 Comments 0 Shares 154 Views
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WWW.ARCHDAILY.COMOdiseo Gastronomic and Leisure Center / Clavel ArquitectosOdiseo Gastronomic and Leisure Center / Clavel ArquitectosSave this picture! David FrutosArchitects: Clavel ArquitectosAreaArea of this architecture projectArea:15494 mYearCompletion year of this architecture project Year: 2020 ManufacturersBrands with products used in this architecture project Manufacturers: AutoDesk, Cosentino, Hisbalit, Kriskadecor, Sika, Adapta Color, Complementto, EGE, ESCOFET, Flaminia, Gancedo, Maxwell Render, Naturtex, Porcelanosa Grupo, Robert McNeel & Associates, Trencads Innovacin, Tres Lead Architect: Manuel Clavel Rojo, Luis Clavel Rojo Productstranslation missing: en-US.post.svg.material_descriptionMore SpecsLess SpecsSave this picture!Text description provided by the architects. Odiseo is the result of the desire to create a big urban leisure complex, which wants to become a reference, not only for the city of Murcia, but for the entire southeast region of Spain. Covering a total built area of 15,500 m2, the building houses two restaurants, a nightclub, a performance hall, a casino, and a sports bar, as well as two parking levels underground.Save this picture!Located in one of the main entrances to the city, surrounded by high-speed roads (where the landscape is dominated by the billboards and logos of shopping malls and other businesses), the building seeks to make itself visible without appealing for external sign poles, becoming a colossal totem that houses air and vegetation, designed to be appreciated in motion and from a 360-degree angle.Save this picture!Save this picture!Save this picture!On the other hand, and assuming the essence of the main use of the building (a leisure center), the project pursues the user experience as a fundamental objective: from the purely sensorial (comfort, the sound of water, reflections, textures) to the psychological (curiosity, amazement, expectation, surprise, smile ...).Save this picture!Save this picture!Save this picture!Based on these guides, the building is made up externally by a two-level plinth, slightly shifted from each other, generating a large terrace on its roof, where a pavilion for a restaurant is placed. Above this appears the totem (a large latticework of metal tubes supporting the sign that crowns the building) and a raised terrace crossed by a cantilevered pool on both sides, which, by leaning only on two central concrete cores, overhangs up to 22 meters. A challenging and complex structural design, where singular resources become conventional, is ultimately used to generate an elevated forest: water features, vegetation, shade, ventilation... combine to create an ecosystem that defends the building from the strong climate of one of the sunniest cities in Europe, very focused on tourism.Save this picture!Save this picture!Save this picture!Inside, an extremely careful design generates independent worlds, juxtaposed with each other, led by the restaurant space. Taking the Mediterranean as a starting point (which also guides its kitchen) and Greek mythology as its most essential representation, an accumulation of textures (woods, gold and bronze, natural fibers, velvets, artisan ceramics...), blended under deeply warm lighting, transmit to the user different perceptions of the beauty of this concept.Save this picture!Save this picture!The construction, financed exclusively with private money, has counted to a large extent on local talent and workers, based on a spirit of economic responsibility with the small city in which it is located, badly hit by the previous crisis. Architecture, communication, and nature overlap to give character and livability to a previously inhospitable and charmless area of the city, creating an urban oasis with a domesticated climate open to all citizens.Save this picture!Project gallerySee allShow lessProject locationAddress:Av. Don Juan de Borbn, Murcia, SpainLocation to be used only as a reference. It could indicate city/country but not exact address.About this officeClavel ArquitectosOfficePublished on December 25, 2024Cite: "Odiseo Gastronomic and Leisure Center / Clavel Arquitectos" [Centro Gastronmico y de Ocio Odiseo / Clavel Arquitectos] 25 Dec 2024. ArchDaily. Accessed . <https://www.archdaily.com/960992/odiseo-gastronomic-and-leisure-center-clavel-arquitectos&gt ISSN 0719-8884Save!ArchDaily?You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream0 Comments 0 Shares 139 Views
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WWW.YOUTUBE.COMVray For Blender Is Here! - Free Beta DownloadV-Ray for Blender https://www.chaos.com/ Get Over 300 Blender Add-ons &amp; more https://www.youtube.com/playlist?list=PL4-Q7MyUxdZEvTkrEyhzQIBCWrwtZoSmG Interior Design Playlist https://www.youtube.com/playlist?list=PL4-Q7MyUxdZFl_1YpXrDGoScl1kKua9RH Visit the Channel @architecturetopics Support My Shop And Get Free Assets https://buymeacoffee.com/architecturetopics Follow Me on Social Media!Instagram: https://www.instagram.com/architecturetopics101/ Download Blender 3D https://www.blender.org/ _________________________________________________________________ Sub .........Visit the Channel for more dope jiggly wiggly stuff @architecturetopics ----------------------------------------------------------------------------------------------------------------#3d #blender #vray0 Comments 0 Shares 359 Views
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WWW.YOUTUBE.COMUnreal Engine 5.5: Sequencer Pro Tips and New FeaturesUnlock the full potential of the Sequencer in Unreal Engine 5.5! In this video, we'll explore pro tips, shortcuts, and the latest features added to the Sequencer. From managing playhead playback settings to using the new isolate and hide options, filter bar visibility, and viewport selectability toggles, we'll streamline your animation workflow. Plus, learn how to adjust track properties like animation play rates directly from the timeline for precise control. Perfect for both beginners and pros, this guide will help you master the Sequencer and enhance your cinematic projects.0 Comments 0 Shares 232 Views
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GAMERANT.COMThe Best RPGs For BeginnersRPGs are often home to some of the grandest storytelling and character development thats accomplished in video games, but the genre is sometimes viewed as impenetrable for outside audiences.0 Comments 0 Shares 145 Views
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GAMERANT.COMDead Space Remake's Best WeaponsMore and more players are taking on the harder difficulties, but which weapons are the best to tackle these challenges? Game Rant has you covered by ranking all the weapons in Dead Space Remake.0 Comments 0 Shares 151 Views
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GAMERANT.COMMadoka Magica the Movie: Rebellion Ending, ExplainedPuella Magi Madoka Magica was one of the biggest anime hits of the 2010s. It brought the magical girl genre to the center of commercial attention once again, and spawned several spin-offs and media, and probably was a huge influence on magical girls titles released a few years later, like Yuki Yuna is a Hero (wrongfully described by some as a "Madoka rip-off"). We could say Madoka Magica had a similar impact on the genre as Sailor Moon did decades prior.0 Comments 0 Shares 153 Views