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New Breakdown Showcases Digital Doubles, FX, Environments and Complex Compositing WorkPRAGUE, Czech Republic VES Award-winning studioPFXhas released the official VFX breakdown forLocked, a claustrophobic thriller starringAnthony HopkinsandBill Skarsgrd.The newly released video showcases how PFX teams across three countries delivered the project in just four monthscovering everything from digital doubles and CG environments to complex green screen and glass compositing.Watch the full VFX breakdown here:Massive Undertaking: 750 VFX ShotsIn total, we worked on around 750 shots, which came out to about 45.75 minutesroughly half of all the shots in the film, saysTomas Srovnal, VFX Producer and Partner at PFX. Altogether, 60 artists worked on the film, along with 3 supervisors, 4 team leads, 3 coordinators, and 3 production staff.Produced byHighland Film Groupand executive producerPetr Jkl,Lockedpresented unique challenges as the story unfolds entirely inside a high-tech SUV, where a young carjacker becomes trapped and tormented by a remote antagonist.For directorDavid Yarovesky(Nightbooks, Brightburn), the goal was to maintain intensity and visual engagement despite the single-location setup.Shooting Inside the Car with Maximum FlexibilityTo achieve dynamic camera movement inside a tight space, the SUV was built as amodular, fully disassemblable set, allowing multiple RED cameras to move freely around the actors.This flexibility came with major VFX demands: nearly every interior shot required compositing to replace green screens, merge takes, or remove crew and equipment reflections from glass surfaces.Using3DEqualizerfor full 3D camera and object tracking, PFX recreated the car interiors and exteriors withLiDAR scans, digital doubles, and procedural environments in Houdini.Maintaining realistic reflections, consistent lighting, and seamless backgrounds were key challenges throughout production.A Multi-Studio Pipeline Across EuropePFX completed the project using their proprietary production toolCrossbow, which enabled collaboration across studios inPrague, Bratislava, and Warsaw. Crossbow allowed complex shots to be split into smaller tasks, tracked in real-time, and efficiently managed across teams.Over the four-month timeline, PFX delivered:750 VFX shotsacross the runtimeFull CG environments based on360 plates and LiDAR dataDigital doublesfor actors and vehiclesComplexrain, lighting FX, broken glass, and bullet hit compositingExtensivereflection cleanupand artificial reflection generationDigital enhancements forfire, gunplay, and near-crash scenesLocked Finds Global SuccessLockedhas quickly found an international audience, recently becoming the#1 global streaming movie on Hulu, underscoring its popularity and the impact of PFXs work on the films visual storytelling.About PFXPFXis a full-service post-production studio with over 350 artists operating across theCzech Republic, Slovakia, Poland, Germany, Austria, and Italy. For more than a decade, the studio has provided world-class services in film, TV, animation, and commercials.PFX also assists productions with tax incentives in its operating regions, enhancing project viability. The studios credits includeNapoleon,Stranger Things, andThe Last Whale Singer, as well as commercials forIntel, Pepsi, and Red Bull F1.The post PFX Unveils VFX Breakdown for Anthony Hopkins ThrillerLocked appeared first on Vfxexpress.