That ethos remains at the heart of their gallery program, which spotlights the trace of the hand across art forms of all kinds. Our first love was ceramics, Burrows recalls. Thats where we started.Once a springboard for their business, the medium is now ever present in their homefrom the tiled surface of the 1950s Bjrn Wiinblad dining table to the svelte vintage Berndt Friberg vessels in nearly every room. Three years ago, their taste for stranger, more avant-garde piecesthe porcelain sea anemone by Eva Zethraeus on their hearth, for instancespurred them to open HB381, a second gallery with a focus on contemporary ceramics, much of it, again, from Scandinavia. Examples appear across the 35-acre upstate property, among them the Jakob Jrgensen totem outside the barn and the Jasmin Anoschkin sculpture of a hybrid creature floating on a dock in the pond.Totem, 2021, by Jakob Jrgensen, outside the barn.Photo: Joseph Kramm. Art: Jasmin Anoschkin/Hostler Burrows. Jakob Jrgensen/Hostler Burrows. Catherine Opie/Regen Projects, Los Angeles and Lehmann Maupin, New York, Seoul, and London.Bunch of Violets, 2023, by Jasmin Anoschkin, on the Ponds dock.Photo: Joseph Kramm. Art: Jasmin Anoschkin/Hostler Burrows. Jakob Jrgensen/Hostler Burrows. Catherine Opie/Regen Projects, Los Angeles and Lehmann Maupin, New York, Seoul, and London.Back inside their little handmade house, personal keepsakes abound, including 1970s leather stuffed animals, photographs by their friend Catherine Opie, and Guatemalan masks. In the kitchen stands an original Josef Frank cabinet that was once part of the designers personal collection. Its super meaningful and full of treasures, Burrows explains of the piece, which displays plastic tokens from the Jardin des Tuileries merry-go-round (souvenirs from a trip with one of their daughters) alongside miniatures by artists on their roster. Something about old thingsespecially the Swedish, Finnish, and Danishjust resonates with both of us, says Burrows. They feel like home.