Hybrid #7 (2024), porcelain, Paperclay, and glaze, 19 x 9.5 x 15 inches. All images courtesy of Shiyuan Xu, shared with permissionBiological Cells and Chinese Ceramic Traditions Coalesce in Shiyuan Xus Porcelain SculpturesMarch 3, 2025Kate MothesFrom seeds to the worlds smallest organisms, the inspiration for Shiyuan Xus porcelain sculptures (previously) originates in biology. Fascinated by the patterns, shapes, and structures of a wide variety of creatures, the artist creates intricate interpretations of cells, the essential building blocks of all life forms.Working meticulously with porcelain Paperclaya mix of clay and cellulose fibersand glaze, Xu sculpts webbed, amorphous forms that appear amoeba-like, as if expanding and contracting. She is deeply influenced by the work of Scottish mathematical biologist DArcy Thompson (18601948), whose seminal book On Growth and Form traces the scale and shapes of living things.Hybrid #9 (2024), porcelain, Paperclay, and glaze, 19 x 8.5 x 21.5 inchesA diagram of forces is how Thompson described the form of a specimen. For Xu, this dynamic evaluation shapes how she translates micro life forms into her work. It is about movement, time, and space, she says. It records the way they move and grow; the way they react to the surrounding environment by interacting, altering, evolving and adapting to generate infinite new forms.Xu views the history of porcelain as deeply intertwined with her own memories and identity, and she often employs a classic Chinese ceramic color palette in her pieces. The irregular structures and ombre colors reference the artists personal experiences. She says:Being an outsider in America for the past decade, my experience offers me a new perspective to reflect my own cultural heritage The repetitive and labor-intensive process serves as a therapeutic response to the challenges of my experience in navigating dual cultures. My pieces are in many ways like living organisms, a metaphor for the evolving nature of life itself, and my own journey and roots.If youre in London, you can see Xus work in a small exhibition dedicated to Chinese contemporary studio craft at the V&A, and her work will be included in a handful of forthcoming juried exhibitions in Portugal, Italy, and Missouri. Find more on her website.Blue Vein #15 (2024), colored porcelain, Paperclay, and glaze, 23 x 10 x 15 inchesDetail of Blue Vein #15Vena Celadon #5 (2025), porcelain, Paperclay, and glaze, 24 x 9 x 14.5 inchesDetail of Vena Celadon #5Hybrid #6 (2023), colored porcelain Paperclay, and glaze, 23 x 11 x 10.5 inches. Photo by Guy NicholHybrid #5 (2023), porcelain, Paperclay, and glaze, 20 x 11 x 17 inches. Photo by Guy NicholHybrid #8 (2024), porcelain, Paperclay, and glaze, 19.5 x 8.5 x 16.5 inchesNext article