A Rippling Townhouse Facade by Alex Chinneck Takes a Seat in a London Square Photos by Charles Emerson. All images courtesy of Alex Chinneck Studio, shared with permission A Rippling Townhouse Facade by Alex Chinneck Takes a Seat in a London..."> A Rippling Townhouse Facade by Alex Chinneck Takes a Seat in a London Square Photos by Charles Emerson. All images courtesy of Alex Chinneck Studio, shared with permission A Rippling Townhouse Facade by Alex Chinneck Takes a Seat in a London..." /> A Rippling Townhouse Facade by Alex Chinneck Takes a Seat in a London Square Photos by Charles Emerson. All images courtesy of Alex Chinneck Studio, shared with permission A Rippling Townhouse Facade by Alex Chinneck Takes a Seat in a London..." />

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A Rippling Townhouse Facade by Alex Chinneck Takes a Seat in a London Square

Photos by Charles Emerson. All images courtesy of Alex Chinneck Studio, shared with permission
A Rippling Townhouse Facade by Alex Chinneck Takes a Seat in a London Square
May 22, 2025
ArtDesign
Kate Mothes

It takes a real knack for design to make something as hefty and industrial as steel and bricks appear weightless or even playful. But British artist Alex Chinneckis no stranger to monumental projects that reimagine urban infrastructure and buildings into striking public installations.
As part of London’s Clerkenwell Design Week, Chinneck unveiled “A week at the knees,” a new sculpture in Charterhouse Square that takes its cue from an iconic predecessor. The artist installed the “From the Knees of my Nose to the Belly of my Toes” in 2013 on a dilapidated townhouse in Margate, appearing as though the entire front of the building had simply slid right off. On view through June in London, his new work boasts a frame made from 320 meters of repurposed steel and 7,000 bricks.
“A week at the knees” playfully anthropomorphizes a classic Georgian facade, with its lower two levels rippling over a pathway as if seated in the park with its knees up. London is famous for its green squares and gardens, and Chinneck’s work invites visitors to pass through a unique portal that calls upon the history of its surroundings, complete with downspout and lamps flanking the arched front door.
Chinneck fabricated the sculpture in collaboration with numerous British companies to source and create bespoke steel beams, curving windows, and bricks. At five meters tall and weighing 12 tons, the piece mimics a life-size building while sporting a thickness of only 15 centimeters. The effect lends itself to the experience of a hefty, architectonic structure with a graceful, lightweight personality.
Explore more on Chinneck’s website and Instagram.

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#rippling #townhouse #facade #alex #chinneck
A Rippling Townhouse Facade by Alex Chinneck Takes a Seat in a London Square
Photos by Charles Emerson. All images courtesy of Alex Chinneck Studio, shared with permission A Rippling Townhouse Facade by Alex Chinneck Takes a Seat in a London Square May 22, 2025 ArtDesign Kate Mothes It takes a real knack for design to make something as hefty and industrial as steel and bricks appear weightless or even playful. But British artist Alex Chinneckis no stranger to monumental projects that reimagine urban infrastructure and buildings into striking public installations. As part of London’s Clerkenwell Design Week, Chinneck unveiled “A week at the knees,” a new sculpture in Charterhouse Square that takes its cue from an iconic predecessor. The artist installed the “From the Knees of my Nose to the Belly of my Toes” in 2013 on a dilapidated townhouse in Margate, appearing as though the entire front of the building had simply slid right off. On view through June in London, his new work boasts a frame made from 320 meters of repurposed steel and 7,000 bricks. “A week at the knees” playfully anthropomorphizes a classic Georgian facade, with its lower two levels rippling over a pathway as if seated in the park with its knees up. London is famous for its green squares and gardens, and Chinneck’s work invites visitors to pass through a unique portal that calls upon the history of its surroundings, complete with downspout and lamps flanking the arched front door. Chinneck fabricated the sculpture in collaboration with numerous British companies to source and create bespoke steel beams, curving windows, and bricks. At five meters tall and weighing 12 tons, the piece mimics a life-size building while sporting a thickness of only 15 centimeters. The effect lends itself to the experience of a hefty, architectonic structure with a graceful, lightweight personality. Explore more on Chinneck’s website and Instagram. Next article #rippling #townhouse #facade #alex #chinneck
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A Rippling Townhouse Facade by Alex Chinneck Takes a Seat in a London Square
Photos by Charles Emerson. All images courtesy of Alex Chinneck Studio, shared with permission A Rippling Townhouse Facade by Alex Chinneck Takes a Seat in a London Square May 22, 2025 ArtDesign Kate Mothes It takes a real knack for design to make something as hefty and industrial as steel and bricks appear weightless or even playful. But British artist Alex Chinneck (previously) is no stranger to monumental projects that reimagine urban infrastructure and buildings into striking public installations. As part of London’s Clerkenwell Design Week, Chinneck unveiled “A week at the knees,” a new sculpture in Charterhouse Square that takes its cue from an iconic predecessor. The artist installed the “From the Knees of my Nose to the Belly of my Toes” in 2013 on a dilapidated townhouse in Margate, appearing as though the entire front of the building had simply slid right off. On view through June in London, his new work boasts a frame made from 320 meters of repurposed steel and 7,000 bricks. “A week at the knees” playfully anthropomorphizes a classic Georgian facade, with its lower two levels rippling over a pathway as if seated in the park with its knees up. London is famous for its green squares and gardens, and Chinneck’s work invites visitors to pass through a unique portal that calls upon the history of its surroundings, complete with downspout and lamps flanking the arched front door. Chinneck fabricated the sculpture in collaboration with numerous British companies to source and create bespoke steel beams, curving windows, and bricks. At five meters tall and weighing 12 tons, the piece mimics a life-size building while sporting a thickness of only 15 centimeters. The effect lends itself to the experience of a hefty, architectonic structure with a graceful, lightweight personality. Explore more on Chinneck’s website and Instagram. Next article
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