How an Ambitious Correspondence Begot a Forever Home
For a designer obsessed with detail, it’s a fantasy to find a friend, much less a client, with the enthusiasm and stamina to sustain an 80-email thread about one fabric trim. But this was the level of unrushed, joyful consideration that ELLE Decor A-List designer Nicholas Obeid shared with homeowner Deirdre Brodie while working on her historic townhouse in Albany, New York. After completing a gut renovation on the 1875 home, which abuts the city’s 90-acre Washington Park, Brodie and her husband Dan Odabashian tapped Obeid to create some enchanting cohesion among the home’s three floors, and to delight in the details—and emails—alongside her.William Jess LairdSage-green walls create a relaxed mood in the dining room, where a vintage burlwood table is surrounded by French Art Deco chairs with upholstery in Zak + Fox fabrics. Antique rug from Upstate Rug Supply.It was important to Brodie, an Albany native who has lived within the same square mile for two decades, to establish a forever home for her and her husband that was at once welcoming and exciting and that turned the spotlight on local artisanship. Together, designer and client saw the home’s three 19-foot-wide stories as the chapters of a book: a vibrant first floor for hosting and community; a serene second floor for the primary suite, outfitted in soothing brown tones; and a top floor with two guest rooms to suit different design moods.The stairwell, with original steps dating back to the late 19th century, serves as the book’s binding. A mural composed of large-scale Greek keys, applied by hand using custom-engineered rollers by local artist Nina Stanley, ties the landings together. “It’s a representation of how we wanted the floors to communicate to each other,” says Obeid, who pulled from classical elements in the architecture to create a unifying iconography that draws on Greek and Egyptian motifs, as well as motifs by the Art Deco rug designer Ivan da Silva Bruhns. “The pattern is very classic, but seen in a fresh way,” he says.William Jess LairdIn the stair hall the custom mural features classical motifs and was hand-painted by Nina Stanley.Obeid drew on the strict yet expressive forms of his own furniture line to inform the artful geometries that repeat throughout the interior. “At two feet or 20 feet, every view is totally interesting,” Brodie says. Prized rugs, artworks, and two antique Fortuny chandeliers served as creative fodder for Obeid, who prioritized working with pieces purchased by Brodie’s mother at estate sales and on Facebook Marketplace, transforming them into new family heirlooms. “He was so generous in honoring that,” Brodie says. “My mother’s sense of how beautiful hospitality could be is what made me excited to have the opportunity to do this house.”Other bits of sentimental flotsam and jetsam were taken in decorative stride, like a box of vintage orange Brunschwig & Fils wallpaper that Brodie rescued from an architectural parts warehouse. When she brought the dusty box of “crazy orange”wallpaper to Obeid, she recalls him saying, “This is not exactly my comfort zone, but that’s why I want to do it.” The saturated hue appears in a guest room, tempered with tasseled green curtains in a custom Rule of Three hand-marbled -malachite-like silk.Obeid anchored the space with a chaise longue covered in a striped velvet by Misia, rescued and revived from a cat-ravaged past in storage. But the focal point of the room is a set of seven bespoke decorative plates by the artist Shane Gabier, designed to echo the wallpaper in tones of olive green, butter yellow, and an ultra-classic Parisian blue checkerboard. It’s just one more detail in which to delight in a home punctuated by craft, care, and a commitment to circling back. This story originally appeared in the May 2025 issue of Elle Decor. SUBSCRIBE
#how #ambitious #correspondence #begot #forever
How an Ambitious Correspondence Begot a Forever Home
For a designer obsessed with detail, it’s a fantasy to find a friend, much less a client, with the enthusiasm and stamina to sustain an 80-email thread about one fabric trim. But this was the level of unrushed, joyful consideration that ELLE Decor A-List designer Nicholas Obeid shared with homeowner Deirdre Brodie while working on her historic townhouse in Albany, New York. After completing a gut renovation on the 1875 home, which abuts the city’s 90-acre Washington Park, Brodie and her husband Dan Odabashian tapped Obeid to create some enchanting cohesion among the home’s three floors, and to delight in the details—and emails—alongside her.William Jess LairdSage-green walls create a relaxed mood in the dining room, where a vintage burlwood table is surrounded by French Art Deco chairs with upholstery in Zak + Fox fabrics. Antique rug from Upstate Rug Supply.It was important to Brodie, an Albany native who has lived within the same square mile for two decades, to establish a forever home for her and her husband that was at once welcoming and exciting and that turned the spotlight on local artisanship. Together, designer and client saw the home’s three 19-foot-wide stories as the chapters of a book: a vibrant first floor for hosting and community; a serene second floor for the primary suite, outfitted in soothing brown tones; and a top floor with two guest rooms to suit different design moods.The stairwell, with original steps dating back to the late 19th century, serves as the book’s binding. A mural composed of large-scale Greek keys, applied by hand using custom-engineered rollers by local artist Nina Stanley, ties the landings together. “It’s a representation of how we wanted the floors to communicate to each other,” says Obeid, who pulled from classical elements in the architecture to create a unifying iconography that draws on Greek and Egyptian motifs, as well as motifs by the Art Deco rug designer Ivan da Silva Bruhns. “The pattern is very classic, but seen in a fresh way,” he says.William Jess LairdIn the stair hall the custom mural features classical motifs and was hand-painted by Nina Stanley.Obeid drew on the strict yet expressive forms of his own furniture line to inform the artful geometries that repeat throughout the interior. “At two feet or 20 feet, every view is totally interesting,” Brodie says. Prized rugs, artworks, and two antique Fortuny chandeliers served as creative fodder for Obeid, who prioritized working with pieces purchased by Brodie’s mother at estate sales and on Facebook Marketplace, transforming them into new family heirlooms. “He was so generous in honoring that,” Brodie says. “My mother’s sense of how beautiful hospitality could be is what made me excited to have the opportunity to do this house.”Other bits of sentimental flotsam and jetsam were taken in decorative stride, like a box of vintage orange Brunschwig & Fils wallpaper that Brodie rescued from an architectural parts warehouse. When she brought the dusty box of “crazy orange”wallpaper to Obeid, she recalls him saying, “This is not exactly my comfort zone, but that’s why I want to do it.” The saturated hue appears in a guest room, tempered with tasseled green curtains in a custom Rule of Three hand-marbled -malachite-like silk.Obeid anchored the space with a chaise longue covered in a striped velvet by Misia, rescued and revived from a cat-ravaged past in storage. But the focal point of the room is a set of seven bespoke decorative plates by the artist Shane Gabier, designed to echo the wallpaper in tones of olive green, butter yellow, and an ultra-classic Parisian blue checkerboard. It’s just one more detail in which to delight in a home punctuated by craft, care, and a commitment to circling back. ◾This story originally appeared in the May 2025 issue of Elle Decor. SUBSCRIBE
#how #ambitious #correspondence #begot #forever
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