Disney's 23 Best And Most Memorable Songs Ever, Ranked
Start SlideshowStart SlideshowDisney has enchanted us for decades with its resplendent animation and fantastical stories of princesses, wicked witches, and fire-breathing dragons, but music has always been its most indelible sprinkle of pixie dust. There are songs that move us, make us dance, and help us understand the characters that have already been so lovingly drawn. With over 350 songs in the Disney canon, itâs nearly impossible to narrow them down, but weâve chosen the 23 in honor of the year 1923, when Walt Disney founded the company. These songs are the most magical and remind us why Disney has endured for over a century.Previous SlideNext Slide2 / 25List slides23. âWhistle While You Workâ from Snow White and the Seven DwarfsList slides23. âWhistle While You Workâ from Snow White and the Seven DwarfsWhistle While You Work - Snow White and the Seven Dwarfs Larry Morey and Frank Churchillâs merry tune about finding the joy in the most mundane of chores is quite simple, with only nine lines, yet incredibly catchy. Adriana Caselottiâs warbling, baby voice is fitting for this old-fashioned, operetta-style number and the entire sequence that features the big-eyed, adorable forest creatures helping her out. The squirrels sweep the dust with their tails, and the raccoons wash dirty clothes in a nearby watering hole to every sprightly beat. Itâs difficult not to be beguiled by this little ditty, and youâll find yourself humming it the next time you do your spring cleaning. Previous SlideNext Slide3 / 25List slides22. âThe Family Madrigalâ from EncantoList slides22. âThe Family Madrigalâ from EncantoStephanie Beatriz, Olga Merediz, Encanto - Cast - The Family MadrigalLin-Manuel Mirandaâs fingerprints are all over modern Disney soundtracks. He is a master at crafting clever, fast-paced, and genre-blending earworms. The biggest ones to emerge from Encanto are âWe Donât Talk About Brunoâ and âSurface Pressure,â where he blends classic Broadway stylings with punchier salsa and reggaeton genres. âThe Family Madrigalâ may not have reached the same level of pop culture infamy as the other songs in this film, but itâs a clever and economical way to introduce the Madrigal family and their powers. Stephanie Beatrizâs bubbly voice as Mirabel suits the songâs bouncy rhythm perfectly, while the Colombian folk instruments such as an accordion, caja vallenata, and guacharaca match the colorful energy of the magical town the Madrigals call home. Previous SlideNext Slide4 / 25List slides21.âDig a Little Deeperâ from Princess and the FrogList slides21.âDig a Little Deeperâ from Princess and the FrogDig a Little DeeperRandy Newmanâs toe-tapping blend of big-band swing and gospel choir refrains perfectly captures the vibrant soul of the New Orleans setting. The feisty Jennifer Lewis leads âDig a Little Deeperâ as Mama Odie, backed by the rousing Pinnacle Gospel Choir. The songâs brassy rhythms help Tiana let loose and Naveen to realize that heâs in love with her. The lessons Mama Odie imparts through the lyrics are wise and grounded: it doesnât matter what you have or where you come fromâthat doesnât define who you are. True fulfillment doesnât come from material wealth, status, or outward appearancesâit comes from understanding what you really want on the inside. The song crescendos with Anika Noni Roseâs powerful belt and the soulful shouts of Mama Odieâs bright flamingo chorus. Previous SlideNext Slide5 / 25List slides20. âI See the Lightâ from TangledList slides20. âI See the Lightâ from TangledâI SEE THE LIGHTâ | Tangled | Disney Animated HD The dreamy melody of âI See the Lightâ begins with a soft guitar. Glenn Slater and Alan Menkenâs composition is fairly simple, allowing the glittering visuals to take center stage. The song takes place during the lighting ceremony that Rapunzel has yearned to visit after observing it from her tower for 18 years. Flynn and Rapunzel float on a gondola, surrounded by over 45,000 glowing lanterns floating in the air, dotting the sky and reflecting off the water that surrounds them. The characters sing the verses separately in their heads before their emotions burst, then they harmonize the chorus loudly, compelled by their realization that theyâre in love. Itâs a unique and touching way of framing a Disney love song. Previous SlideNext Slide6 / 25List slides19. âFriend Like Meâ from AladdinList slides19. âFriend Like Meâ from AladdinAladdin - Friend Like MeHoward Ashmanâs playful lyrics and Alan Menkenâs up-tempo, syncopated, vaudevillian song was the perfect musical playground for Robin Williams to fill with the zany impressions and quirky voices he was renowned for. A trumpet warbles in between one of the clever lyrics, sights and sounds so jam-packed with hilarity that you can barely stop to catch your breath. Robin Williams was so adept at improvisation that he had nearly an entire dayâs worth of material. The animation is just as bonkers as his vocal performance, where Genie morphs into countless creaturesâfrom a train whistle to a maĂźtre dâ, a boxing trainer, a bunny, and a dragon. The Broadway-style showstopper culminates with a kick line under bright spotlights with monkeys, elephants, and dancing girls in crop tops and harem pants. âFriend Like Meâ is a shining showcase for one of our finest comedic talents, the great Robin Williams. Previous SlideNext Slide7 / 25List slides18. âBaby Mineâ from DumboList slides18. âBaby Mineâ from DumboDisneyâs âDumboâ - Baby MineSongwriters Frank Churchill and Ned Washington are responsible for childhood traumas everywhere with âBaby Mine,â which takes place when Dumboâs mother has been jailed as a âmad elephantâ for fiercely protecting her son against his bullies. She reaches her trunk through the bars to cradle Dumbo to the soft, slumbering melody accompanied by haunting strings. Betty Noyesâ has that rich, rounded tone found in vintage singing, and it conveys Mrs. Jumboâs maternal strength. The images of all the animalsâzebras, tigers, monkeys, and even the underwater hipposânestled in the love of their mothers, except for poor Dumbo, set against the songâs soothing orchestra, is absolutely heart wrenching. âBaby Mineâ is the kind of song that inspires dreams of being comforted and cared for by a loving parental figure.Previous SlideNext Slide8 / 25List slides17. âOnce Upon a Dreamâ from Sleeping BeautyList slides17. âOnce Upon a Dreamâ from Sleeping BeautyOnce Upon A Dream | Sleeping Beauty Lyric Video | DISNEY SING-ALONGS Jack Lawrence and Sammy Fain craft a solo-turned-duet with a woozy, mysterious quality that perfectly complements the story of Sleeping Beauty. Mary Costa has such an elegant and operatic voice, with rich tones that make her sound far more mature than a 16-year-old girl. Sheâs soon joined by the strong, handsome voice of Prince Phillip, who appears unexpectedly in the forest. Their romance unfolds quickly, twirling together in the woods, surrounded by beautiful medieval-inspired, Gothic-Renaissance style visuals. The lilting orchestration and the grand choral ensemble add to the old-world mystique. The lyricsâof knowing someone before you truly know them, of seeing them in your dreamsâadd a tinge of mysterious excitement and mystical fate to their romance. Previous SlideNext Slide9 / 25List slides16. âHellfireâ from The Hunchback of Notre DameList slides16. âHellfireâ from The Hunchback of Notre DameHellfire - The Hunchback of Notre DameAlan Menken and Stephen Schwartz crafted one of Disneyâs darkest songs. Itâs hard to imagine Disney taking this type of creative risk again. âHellfireâ is sung by a corrupt priest consumed by lust for the Romani woman Esmeralda. The deep-voiced Tony Jay plays the dishonorable Frollo, who paints himself as a virtuous manâeven though he killed Quasimodoâs mother and nearly killed Quasimodo. A true Catholic would have helped them. Today, Disney would never dare to show that authority figuresâespecially religious onesâcan often be wrong and hypocritical, if not outright evil. This is one of the most provocative villain songs, in which Frollo essentially confesses his horniness. He sings of being enraptured by Esmeraldaâs smoldering eyes and raven hairâa desire that burns and threatens to turn him to sin. âHellfireâ also has a spooky quality in its use of Latin and the intense religious choir that looms over Frollo in judgment, cloaked in red with faces like empty black holes. Itâs a haunting song of operatic grandeur, with notes that flare and fade like the flames dancing in front of him. Previous SlideNext Slide10 / 25List slides15. âA Dream is a Wish Your Heart Makesâ from CinderellaList slides15. âA Dream is a Wish Your Heart Makesâ from CinderellaA Dream Is a Wish Your Heart MakesSung with silky warmth and a shimmering, ethereal vibrato by Ilene Woods as Cinderella, âA Dream is a Wish Your Heart Makesâ is soft and soothing, yet carries an undercurrent of quiet determination. She sings to her loyal companionsâadorable flocks of birds and miceâwho wear the tiny outfits sheâs lovingly made for them. They join in during a break of the song that is more playful and buoyant while she prepares for another grueling day of chores, yet she stays positive by believing her dreams will come true. âA Dream is a Wish Your Heart Makesâ has become a marketing anthem for the studioâused in various ads to evoke nostalgia, magic, and the promise that dreams really do come true, with Disney theme parks as the place where that magic can happen. Previous SlideNext Slide11 / 25List slides14. Hawaiian Roller Coaster Ride from Lilo & StitchList slides14. Hawaiian Roller Coaster Ride from Lilo & StitchHawaiian Roller Coaster RideThe rich voice of Mark KealiÊ»i HoÊ»omalu and the cheerful Kamehameha Schools Childrenâs Chorus come together for a song that is as sweet and breezy as a summerâs day. âHawaiian Roller Coaster Rideâ takes place during a touching moment of family bonding as Lilo, Nani, and David go surfing, gliding through the waves with ease. Stitch has been naughty, so he feels a little shy about enjoying the day with them, but he slowly begins to warm up to what it feels like to have a family. We see the adorable progression as the little thrill-seeker ends up riding the waves too. The songâs instrumentationâfeaturing ukulele, traditional Hawaiian fingerstyle guitar, and steel guitarâevokes the ocean waves and open skies, giving it that relaxed, beachy vibe. Both the animation and the song itself honors the filmâs beautiful Hawaiian setting. Previous SlideNext Slide12 / 25List slides13. âIâll Make a Man Out of Youâ from MulanList slides13. âIâll Make a Man Out of Youâ from MulanMulan | Iâll Make a Man Out of You | Disney Junior UK âLetâs get down to business, to defeat the Hunsâ Donny Osmond sings in his perfectly crisp voice. The rousing number âIâll Make a Man Out of Youâ by Matthew Wilder and David Zippel is the pump-up song for a training montage. It starts out comical as we see Mulan and her clumsy friends attempt to become the ideal Chinese soldier. The catchy chorus uses evocative nature metaphors for the type of strength and calm that Mulan needs to find, and the deep-voiced punctuation âBe a man!â at the end of each line adds to the hype. When Donny Osmond belts âTime is racing towards us, âtill the Huns arrive,â you feel a thrilling rush of urgency and swell with courage. The final chorus plays against no instrumentation, the manly voices of the soldiers booming, allowing you to focus on Mulan and her friends now kicking ass. Previous SlideNext Slide13 / 25List slides12. âA Whole New Worldâ from AladdinList slides12. âA Whole New Worldâ from AladdinAladdin - A Whole New WorldBrad Kaneâs voice carries an excited, breathy quality that draws you in as he whisks Jasmine away on a magic carpet ride. He sounds bright and earnest as he describes the shining, shimmering, and splendid world that Jasmine has never seen and heâs eager to show her. Lea Salonga, who is a Broadway legend in her own right, has an angelic innocence as Jasmine. Their voices come together in perfect harmony for this sweeping duet. âA Whole New Worldâ is one of Disneyâs most romantic love songs, with a melody that flutters and glides like the magic carpet itself. Written by Alan Menken and Tim Rice, the orchestration has lush strings that propel the adventurous animated sequence where they soar through the clouds, pass the Sphinx, and touch down near a group of horses. Previous SlideNext Slide14 / 25List slides11. âStrangers Like Meâ from TarzanList slides11. âStrangers Like Meâ from TarzanStrangers Like Me- TarzanOpening with a pulsing drum track, Strangers Like Me evokes the spinning wheels in Tarzanâs mind as he learns more about what lies beyond the jungle. The montage is gorgeously animated, featuring old-fashioned ink illustrations that Tarzan looks at through a magic lantern. He sees the city of London, a giant castle, the Sphinx, and even outer space for the first time. This flood of information drives the songâs urgent pace.The filmmakers craft the entire animated sequence as a response to the lyrics, as Tarzan watches Janeor shows off a pocket of the rainforest filled with parrots. Phil Collinsâ bright voice captures Tarzanâs wonderment, especially in the soaring chorus, where Tarzan expresses his desire to learn more about strangers like him. You feel his hunger for the great, wide world in the songâs pounding, tribal drumbeats. Previous SlideNext Slide15 / 25List slides10. âI Wonât Say Iâm in Loveâ from HerculesList slides10. âI Wonât Say Iâm in Loveâ from HerculesHerculesâ I Wonât SayThe story of the ancient Greek hero Hercules has such a unique musical style, with lyricist David Zippel and composer Alan Menken blending doo-wop, Motown, and gospel soul. The muses serve as a literal Greek chorus, commenting on the action with their sassy perspective. In âI Wonât Say Iâm in Love,â Megaraâs velvet-voiced, sarcastic Susan Egan stands apart from other Disney heroines, who often sing fluttering arias about dreaming of a prince. Instead, Megara resists her feelings because sheâs been burned too many times before, creating a comical juxtaposition with the Muses, who cheekily insist that sheâs in love. They tease her with âCheck the grin, youâre in love.â Itâs a playful and flirtatious song that celebrates an unconventional Disney princess and musical choices. Previous SlideNext Slide16 / 25List slides9. âHow Far Iâll Goâ from MoanaList slides9. âHow Far Iâll Goâ from MoanaAuliâi Cravalho - How Far Iâll GoEver since their introduction in The Little Mermaid, Broadway-style âI Wantâ songs have become a hallmark of Disney princess films. They are passionate solos that reveal what each heroine desires most in the world. Whatever her heart longs for becomes the emotional engine driving the story forward. In âHow Far Iâll Go,â composed by Lin-Manuel Miranda, Moana is torn between her dream of exploring whatâs beyond her remote island and her duty to her family. Sheâs genuinely torn, even wondering if sheâs wrong to yearn for what lies beyond the horizon. Auliâi Cravalhoâs pure, heartfelt voice captures all the wistfulness and uncertainty of growing up. The melody swells and crashes gently like ocean tides, mirroring the push and pull of Moanaâs inner conflict. Previous SlideNext Slide17 / 25List slides8. âBe Our Guestâ from Beauty and the BeastList slides8. âBe Our Guestâ from Beauty and the BeastBeauty and the Beast - Be Our GuestMusic Video Broadway royalty Jerry Orbach helms this showstopper with music by Alan Menken and lyrics by Howard Ashman. The suave candlestick LumiĂšre uses the number to lure Belle out of her bedroom, and show that the enchanted castle is more friendly and exciting than spooky and depressing. âBe Our Guestâ has clever, fast-paced lyrics sung in a classic âpatter songâ style which then explodes in a lively, French can-can finale. The living castle objects just want to serve and make someone happy again, offering Belle elaborate meals and dazzling entertainment. Everything is on the plate for Belle, from soup du jour, hot hors dâoeuvres, beef ragout, cheese soufflĂ©, and of course, the grey stuff. Whatâs just as exciting about the number as its giddy music is the animation, with spoons swimming in punch bowls like a Busby Berkeley number, prismatic spotlights, sumptuous, brightly-colored cakes, a glowing chandelier, and dancing flatware. Previous SlideNext Slide18 / 25List slides7. âYouâll Be in My Heartâ from TarzanList slides7. âYouâll Be in My Heartâ from TarzanPhil Collins - Youâll Be in My Heart /TarzanPhil Collins knocked it out of the park with the entire Tarzan soundtrack. Somehow his earthy voice, drum-infused instrumentals, and heartfelt lyrics were the perfect mix for this jungle story. Rather than a traditional Disney musical, Phil Collins acts as an omnipresent narrator, commenting on the action or voicing the characterâs thoughts. âYouâll Be In My Heartâ rightfully earned the Academy Award for Best Original Song. Originally written as a lullaby for his own daughter, the song starts off tender, with Phil Collins almost gently whispering against soft marimbas. Its lyrics of true love and devotion are moving, especially in the scene where Kala sings it to a baby Tarzan, who, despite being a different species, experiences a bond where love and care know no bounds. The song eventually crashes into driving drums, moving toward a bridge that sees the child fly free on their own: âWhen destiny calls you / You must be strong / I may not be with you / But youâve got to hold on.â This song is touching for anyone who has ever loved someone and watched them grow, no matter what type of relationship. Previous SlideNext Slide19 / 25List slides6. âUnder the Seaâ from The Little MermaidList slides6. âUnder the Seaâ from The Little MermaidThe Little Mermaid - Under the SeaThose solo calypso opening notes of âUnder the Seaâ immediately get you excited, and Samuel E. Wright delivers a rollicking underwater bash. His booming voice and vivacious energy are perfect for the overdramatic crustacean and his mission to convince Ariel that living under the sea âis the bubblesâ with no troubles. âUnder the Seaâ buoys the rainbow-colored montage of marine life that fills Arielâs worldâfish, dolphins, and coral reefs. The scene cleverly ties the instruments to various creatures and animation â harps echo the swirling school of fish, shells mimic steel pans, and a pair of octopuses intertwine their legs like bass lines. With its infectious Caribbean beat, Howard Ashman and Alan Menkenâs song is a true banger and impossible not to love, which is why it won the 1990 Oscar for Best Original Song. Previous SlideNext Slide20 / 25List slides5. âColors of the Windâ from PocahontasList slides5. âColors of the Windâ from PocahontasPocahontas - Colors of the WindâYou think the only people who are people / Are the people who look and think like you / But if you walk the footsteps of a stranger / Youâll learn things you never knew, you never knew.â In this increasingly polarized world, that message has never been more relevant. Pocahontas is not immediately smitten with John Smith; instead, she condemns his entire culture, which prioritizes gold and hatred over acceptance and the beauty of nature. Stephen Schwartzâs lyrics paint gorgeous pictures of the American wilderness, questioning why the white men who have invaded these lands cannot appreciate the world around them â from the grinning bobcats to the sweet berries to the trees that stretch toward the sky, if only we let them grow. Alan Menkenâs surrounding score is rapturous, carried by Judy Kuhnâs passionate vocals. More than just the profound lyrics, itâs the visuals that make this musical number so unforgettable â particularly John Smith and Pocahontas dancing in a pastel-colored wind. Itâs no surprise that âColors of the Windâ won an Academy Award for Best Original Song. Previous SlideNext Slide21 / 25List slides4. âWhen You Wish Upon a Starâ from PinnochioList slides4. âWhen You Wish Upon a Starâ from PinnochioPocahontas - Colors of the WindWritten by Leigh Harline and Ned Washington, âWhen You Wish Upon a Starâ has come to define Disney itself, typically playing over the castle logo that opens every movie. The ethereal ballad is sung by Cliff Edwards as Jiminy Cricket, whose resonant yet quirky voice feels like someone sharing a story by a crackling fire. âWhen you wish upon a star / Makes no difference who you are / Anything your heart desires / Will come to you,â he tenderly sings over the opening credits. The gentle melody wraps you in a warm embrace of possibility. People often make fun of Disney adults, but perhaps one reason we hold on to Disney films long after growing up is that they offer hope in an increasingly grim world. This aspirational song reminds us there is more to life than the ordinaryâif we just dare to imagine.Previous SlideNext Slide22 / 25List slides3. âBeauty and the Beastâ from Beauty and the BeastList slides3. âBeauty and the Beastâ from Beauty and the BeastBeauty and the Beast Tale As Old As Time HD As Mrs. Potts, Angela Lansburyâs warm, cheery English voice adds a rosiness to this powerful love ballad, backed by an orchestra of sumptuous strings. The lyrics arenât the pure romanticism of past Disney love stories; there is no love at first sight here. Instead, Mrs. Potts gently reflects on how true love can take time to blossom, and how relationships sometimes require change, admitting your faults and working hard to set aside your vices and worst qualities. Itâs a surprisingly mature outlook for a Disney love song. The accompanying animation is one of the most exquisite sequences in Disney history: Belleâs golden dress glides delicately across the floor as she and the Beast dance in the grand ballroom, the camera swirling to reveal the sparkling chandelier and Michelangelo-esque ceiling of painted cherubs above them. That Howard Ashman wrote this song while dying from complications of AIDS makes it all the more poignant. Previous SlideNext Slide23 / 25List slides2. âPart of Your Worldâ from The Little MermaidList slides2. âPart of Your Worldâ from The Little MermaidJodi Benson - Part of Your WorldBefore The Little Mermaid kicked off the Disney Renaissanceprincess songs were mostly focused on their prince charmings. They had very few aspirations outside of dreaming about their prince or wishing for their prince. But the introduction of the songwriting team Alan Menken and Howard Ashman, who had worked on the off-Broadway show Little Shop of Horrors, helped develop a Disney princess that had greater ambitions. Ariel wanted to see the human world, and she would express that within a Broadway-style solo called the âI Wantâ song, where the protagonist sings about, well, what they want. âPart of Your Worldâ has a flowing melody and a sweet yearning in Jodi Bensonâs voice. We see her comical misunderstanding of what her treasures are, all whozits and whatzits galore. âWouldnât I love to explore that shore up above?â her voice soars while reaching out through the top of her grotto towards the sun. In that moment, with her big eyes and aching voice, you completely understand how much the human world means to her.Previous SlideNext Slide24 / 25List slides1. âCircle of Lifeâ from The Lion KingList slides1. âCircle of Lifeâ from The Lion KingCarmen Twillie, Lebo M. - Circle of LifeNo Disney song is quite as epic as Elton Johnâs âCircle of Life.â The image of the rising sun, paired with the opening lines sung passionately in Zulu by Lebo M., without any instrumentals, immediately hooks you into this sweeping story of the African savannah. The title, âCircle of Life,â is fitting for this tale of birth, death, and everything in between. The lyrics somehow encompass everything about our big, beautiful world â how finite life is, and the experiences, both good and bad, that give us balance. Thereâs despair and thereâs hope. Thereâs faith and thereâs love. The lyrics are poetic and make you think about the wonder and mystery of existence. The song reaches a powerful peak at the end when the chorus rises together. Itâs impossible not to get full-body chills on that final soaring note, âItâs the circle, the circle of life,â punctuated by the thunderous drumbeat, where the sight of Rafiki lifting Simba on Pride Rock cuts to black. âCircle of Lifeâ is a beautiful song with a grand vision, especially for a film geared towards children.
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Disney's 23 Best And Most Memorable Songs Ever, Ranked
Start SlideshowStart SlideshowDisney has enchanted us for decades with its resplendent animation and fantastical stories of princesses, wicked witches, and fire-breathing dragons, but music has always been its most indelible sprinkle of pixie dust. There are songs that move us, make us dance, and help us understand the characters that have already been so lovingly drawn. With over 350 songs in the Disney canon, itâs nearly impossible to narrow them down, but weâve chosen the 23 in honor of the year 1923, when Walt Disney founded the company. These songs are the most magical and remind us why Disney has endured for over a century.Previous SlideNext Slide2 / 25List slides23. âWhistle While You Workâ from Snow White and the Seven DwarfsList slides23. âWhistle While You Workâ from Snow White and the Seven DwarfsWhistle While You Work - Snow White and the Seven Dwarfs Larry Morey and Frank Churchillâs merry tune about finding the joy in the most mundane of chores is quite simple, with only nine lines, yet incredibly catchy. Adriana Caselottiâs warbling, baby voice is fitting for this old-fashioned, operetta-style number and the entire sequence that features the big-eyed, adorable forest creatures helping her out. The squirrels sweep the dust with their tails, and the raccoons wash dirty clothes in a nearby watering hole to every sprightly beat. Itâs difficult not to be beguiled by this little ditty, and youâll find yourself humming it the next time you do your spring cleaning. Previous SlideNext Slide3 / 25List slides22. âThe Family Madrigalâ from EncantoList slides22. âThe Family Madrigalâ from EncantoStephanie Beatriz, Olga Merediz, Encanto - Cast - The Family MadrigalLin-Manuel Mirandaâs fingerprints are all over modern Disney soundtracks. He is a master at crafting clever, fast-paced, and genre-blending earworms. The biggest ones to emerge from Encanto are âWe Donât Talk About Brunoâ and âSurface Pressure,â where he blends classic Broadway stylings with punchier salsa and reggaeton genres. âThe Family Madrigalâ may not have reached the same level of pop culture infamy as the other songs in this film, but itâs a clever and economical way to introduce the Madrigal family and their powers. Stephanie Beatrizâs bubbly voice as Mirabel suits the songâs bouncy rhythm perfectly, while the Colombian folk instruments such as an accordion, caja vallenata, and guacharaca match the colorful energy of the magical town the Madrigals call home. Previous SlideNext Slide4 / 25List slides21.âDig a Little Deeperâ from Princess and the FrogList slides21.âDig a Little Deeperâ from Princess and the FrogDig a Little DeeperRandy Newmanâs toe-tapping blend of big-band swing and gospel choir refrains perfectly captures the vibrant soul of the New Orleans setting. The feisty Jennifer Lewis leads âDig a Little Deeperâ as Mama Odie, backed by the rousing Pinnacle Gospel Choir. The songâs brassy rhythms help Tiana let loose and Naveen to realize that heâs in love with her. The lessons Mama Odie imparts through the lyrics are wise and grounded: it doesnât matter what you have or where you come fromâthat doesnât define who you are. True fulfillment doesnât come from material wealth, status, or outward appearancesâit comes from understanding what you really want on the inside. The song crescendos with Anika Noni Roseâs powerful belt and the soulful shouts of Mama Odieâs bright flamingo chorus. Previous SlideNext Slide5 / 25List slides20. âI See the Lightâ from TangledList slides20. âI See the Lightâ from TangledâI SEE THE LIGHTâ | Tangled | Disney Animated HD The dreamy melody of âI See the Lightâ begins with a soft guitar. Glenn Slater and Alan Menkenâs composition is fairly simple, allowing the glittering visuals to take center stage. The song takes place during the lighting ceremony that Rapunzel has yearned to visit after observing it from her tower for 18 years. Flynn and Rapunzel float on a gondola, surrounded by over 45,000 glowing lanterns floating in the air, dotting the sky and reflecting off the water that surrounds them. The characters sing the verses separately in their heads before their emotions burst, then they harmonize the chorus loudly, compelled by their realization that theyâre in love. Itâs a unique and touching way of framing a Disney love song. Previous SlideNext Slide6 / 25List slides19. âFriend Like Meâ from AladdinList slides19. âFriend Like Meâ from AladdinAladdin - Friend Like MeHoward Ashmanâs playful lyrics and Alan Menkenâs up-tempo, syncopated, vaudevillian song was the perfect musical playground for Robin Williams to fill with the zany impressions and quirky voices he was renowned for. A trumpet warbles in between one of the clever lyrics, sights and sounds so jam-packed with hilarity that you can barely stop to catch your breath. Robin Williams was so adept at improvisation that he had nearly an entire dayâs worth of material. The animation is just as bonkers as his vocal performance, where Genie morphs into countless creaturesâfrom a train whistle to a maĂźtre dâ, a boxing trainer, a bunny, and a dragon. The Broadway-style showstopper culminates with a kick line under bright spotlights with monkeys, elephants, and dancing girls in crop tops and harem pants. âFriend Like Meâ is a shining showcase for one of our finest comedic talents, the great Robin Williams. Previous SlideNext Slide7 / 25List slides18. âBaby Mineâ from DumboList slides18. âBaby Mineâ from DumboDisneyâs âDumboâ - Baby MineSongwriters Frank Churchill and Ned Washington are responsible for childhood traumas everywhere with âBaby Mine,â which takes place when Dumboâs mother has been jailed as a âmad elephantâ for fiercely protecting her son against his bullies. She reaches her trunk through the bars to cradle Dumbo to the soft, slumbering melody accompanied by haunting strings. Betty Noyesâ has that rich, rounded tone found in vintage singing, and it conveys Mrs. Jumboâs maternal strength. The images of all the animalsâzebras, tigers, monkeys, and even the underwater hipposânestled in the love of their mothers, except for poor Dumbo, set against the songâs soothing orchestra, is absolutely heart wrenching. âBaby Mineâ is the kind of song that inspires dreams of being comforted and cared for by a loving parental figure.Previous SlideNext Slide8 / 25List slides17. âOnce Upon a Dreamâ from Sleeping BeautyList slides17. âOnce Upon a Dreamâ from Sleeping BeautyOnce Upon A Dream | Sleeping Beauty Lyric Video | DISNEY SING-ALONGS Jack Lawrence and Sammy Fain craft a solo-turned-duet with a woozy, mysterious quality that perfectly complements the story of Sleeping Beauty. Mary Costa has such an elegant and operatic voice, with rich tones that make her sound far more mature than a 16-year-old girl. Sheâs soon joined by the strong, handsome voice of Prince Phillip, who appears unexpectedly in the forest. Their romance unfolds quickly, twirling together in the woods, surrounded by beautiful medieval-inspired, Gothic-Renaissance style visuals. The lilting orchestration and the grand choral ensemble add to the old-world mystique. The lyricsâof knowing someone before you truly know them, of seeing them in your dreamsâadd a tinge of mysterious excitement and mystical fate to their romance. Previous SlideNext Slide9 / 25List slides16. âHellfireâ from The Hunchback of Notre DameList slides16. âHellfireâ from The Hunchback of Notre DameHellfire - The Hunchback of Notre DameAlan Menken and Stephen Schwartz crafted one of Disneyâs darkest songs. Itâs hard to imagine Disney taking this type of creative risk again. âHellfireâ is sung by a corrupt priest consumed by lust for the Romani woman Esmeralda. The deep-voiced Tony Jay plays the dishonorable Frollo, who paints himself as a virtuous manâeven though he killed Quasimodoâs mother and nearly killed Quasimodo. A true Catholic would have helped them. Today, Disney would never dare to show that authority figuresâespecially religious onesâcan often be wrong and hypocritical, if not outright evil. This is one of the most provocative villain songs, in which Frollo essentially confesses his horniness. He sings of being enraptured by Esmeraldaâs smoldering eyes and raven hairâa desire that burns and threatens to turn him to sin. âHellfireâ also has a spooky quality in its use of Latin and the intense religious choir that looms over Frollo in judgment, cloaked in red with faces like empty black holes. Itâs a haunting song of operatic grandeur, with notes that flare and fade like the flames dancing in front of him. Previous SlideNext Slide10 / 25List slides15. âA Dream is a Wish Your Heart Makesâ from CinderellaList slides15. âA Dream is a Wish Your Heart Makesâ from CinderellaA Dream Is a Wish Your Heart MakesSung with silky warmth and a shimmering, ethereal vibrato by Ilene Woods as Cinderella, âA Dream is a Wish Your Heart Makesâ is soft and soothing, yet carries an undercurrent of quiet determination. She sings to her loyal companionsâadorable flocks of birds and miceâwho wear the tiny outfits sheâs lovingly made for them. They join in during a break of the song that is more playful and buoyant while she prepares for another grueling day of chores, yet she stays positive by believing her dreams will come true. âA Dream is a Wish Your Heart Makesâ has become a marketing anthem for the studioâused in various ads to evoke nostalgia, magic, and the promise that dreams really do come true, with Disney theme parks as the place where that magic can happen. Previous SlideNext Slide11 / 25List slides14. Hawaiian Roller Coaster Ride from Lilo & StitchList slides14. Hawaiian Roller Coaster Ride from Lilo & StitchHawaiian Roller Coaster RideThe rich voice of Mark KealiÊ»i HoÊ»omalu and the cheerful Kamehameha Schools Childrenâs Chorus come together for a song that is as sweet and breezy as a summerâs day. âHawaiian Roller Coaster Rideâ takes place during a touching moment of family bonding as Lilo, Nani, and David go surfing, gliding through the waves with ease. Stitch has been naughty, so he feels a little shy about enjoying the day with them, but he slowly begins to warm up to what it feels like to have a family. We see the adorable progression as the little thrill-seeker ends up riding the waves too. The songâs instrumentationâfeaturing ukulele, traditional Hawaiian fingerstyle guitar, and steel guitarâevokes the ocean waves and open skies, giving it that relaxed, beachy vibe. Both the animation and the song itself honors the filmâs beautiful Hawaiian setting. Previous SlideNext Slide12 / 25List slides13. âIâll Make a Man Out of Youâ from MulanList slides13. âIâll Make a Man Out of Youâ from MulanMulan | Iâll Make a Man Out of You | Disney Junior UK âLetâs get down to business, to defeat the Hunsâ Donny Osmond sings in his perfectly crisp voice. The rousing number âIâll Make a Man Out of Youâ by Matthew Wilder and David Zippel is the pump-up song for a training montage. It starts out comical as we see Mulan and her clumsy friends attempt to become the ideal Chinese soldier. The catchy chorus uses evocative nature metaphors for the type of strength and calm that Mulan needs to find, and the deep-voiced punctuation âBe a man!â at the end of each line adds to the hype. When Donny Osmond belts âTime is racing towards us, âtill the Huns arrive,â you feel a thrilling rush of urgency and swell with courage. The final chorus plays against no instrumentation, the manly voices of the soldiers booming, allowing you to focus on Mulan and her friends now kicking ass. Previous SlideNext Slide13 / 25List slides12. âA Whole New Worldâ from AladdinList slides12. âA Whole New Worldâ from AladdinAladdin - A Whole New WorldBrad Kaneâs voice carries an excited, breathy quality that draws you in as he whisks Jasmine away on a magic carpet ride. He sounds bright and earnest as he describes the shining, shimmering, and splendid world that Jasmine has never seen and heâs eager to show her. Lea Salonga, who is a Broadway legend in her own right, has an angelic innocence as Jasmine. Their voices come together in perfect harmony for this sweeping duet. âA Whole New Worldâ is one of Disneyâs most romantic love songs, with a melody that flutters and glides like the magic carpet itself. Written by Alan Menken and Tim Rice, the orchestration has lush strings that propel the adventurous animated sequence where they soar through the clouds, pass the Sphinx, and touch down near a group of horses. Previous SlideNext Slide14 / 25List slides11. âStrangers Like Meâ from TarzanList slides11. âStrangers Like Meâ from TarzanStrangers Like Me- TarzanOpening with a pulsing drum track, Strangers Like Me evokes the spinning wheels in Tarzanâs mind as he learns more about what lies beyond the jungle. The montage is gorgeously animated, featuring old-fashioned ink illustrations that Tarzan looks at through a magic lantern. He sees the city of London, a giant castle, the Sphinx, and even outer space for the first time. This flood of information drives the songâs urgent pace.The filmmakers craft the entire animated sequence as a response to the lyrics, as Tarzan watches Janeor shows off a pocket of the rainforest filled with parrots. Phil Collinsâ bright voice captures Tarzanâs wonderment, especially in the soaring chorus, where Tarzan expresses his desire to learn more about strangers like him. You feel his hunger for the great, wide world in the songâs pounding, tribal drumbeats. Previous SlideNext Slide15 / 25List slides10. âI Wonât Say Iâm in Loveâ from HerculesList slides10. âI Wonât Say Iâm in Loveâ from HerculesHerculesâ I Wonât SayThe story of the ancient Greek hero Hercules has such a unique musical style, with lyricist David Zippel and composer Alan Menken blending doo-wop, Motown, and gospel soul. The muses serve as a literal Greek chorus, commenting on the action with their sassy perspective. In âI Wonât Say Iâm in Love,â Megaraâs velvet-voiced, sarcastic Susan Egan stands apart from other Disney heroines, who often sing fluttering arias about dreaming of a prince. Instead, Megara resists her feelings because sheâs been burned too many times before, creating a comical juxtaposition with the Muses, who cheekily insist that sheâs in love. They tease her with âCheck the grin, youâre in love.â Itâs a playful and flirtatious song that celebrates an unconventional Disney princess and musical choices. Previous SlideNext Slide16 / 25List slides9. âHow Far Iâll Goâ from MoanaList slides9. âHow Far Iâll Goâ from MoanaAuliâi Cravalho - How Far Iâll GoEver since their introduction in The Little Mermaid, Broadway-style âI Wantâ songs have become a hallmark of Disney princess films. They are passionate solos that reveal what each heroine desires most in the world. Whatever her heart longs for becomes the emotional engine driving the story forward. In âHow Far Iâll Go,â composed by Lin-Manuel Miranda, Moana is torn between her dream of exploring whatâs beyond her remote island and her duty to her family. Sheâs genuinely torn, even wondering if sheâs wrong to yearn for what lies beyond the horizon. Auliâi Cravalhoâs pure, heartfelt voice captures all the wistfulness and uncertainty of growing up. The melody swells and crashes gently like ocean tides, mirroring the push and pull of Moanaâs inner conflict. Previous SlideNext Slide17 / 25List slides8. âBe Our Guestâ from Beauty and the BeastList slides8. âBe Our Guestâ from Beauty and the BeastBeauty and the Beast - Be Our GuestMusic Video Broadway royalty Jerry Orbach helms this showstopper with music by Alan Menken and lyrics by Howard Ashman. The suave candlestick LumiĂšre uses the number to lure Belle out of her bedroom, and show that the enchanted castle is more friendly and exciting than spooky and depressing. âBe Our Guestâ has clever, fast-paced lyrics sung in a classic âpatter songâ style which then explodes in a lively, French can-can finale. The living castle objects just want to serve and make someone happy again, offering Belle elaborate meals and dazzling entertainment. Everything is on the plate for Belle, from soup du jour, hot hors dâoeuvres, beef ragout, cheese soufflĂ©, and of course, the grey stuff. Whatâs just as exciting about the number as its giddy music is the animation, with spoons swimming in punch bowls like a Busby Berkeley number, prismatic spotlights, sumptuous, brightly-colored cakes, a glowing chandelier, and dancing flatware. Previous SlideNext Slide18 / 25List slides7. âYouâll Be in My Heartâ from TarzanList slides7. âYouâll Be in My Heartâ from TarzanPhil Collins - Youâll Be in My Heart /TarzanPhil Collins knocked it out of the park with the entire Tarzan soundtrack. Somehow his earthy voice, drum-infused instrumentals, and heartfelt lyrics were the perfect mix for this jungle story. Rather than a traditional Disney musical, Phil Collins acts as an omnipresent narrator, commenting on the action or voicing the characterâs thoughts. âYouâll Be In My Heartâ rightfully earned the Academy Award for Best Original Song. Originally written as a lullaby for his own daughter, the song starts off tender, with Phil Collins almost gently whispering against soft marimbas. Its lyrics of true love and devotion are moving, especially in the scene where Kala sings it to a baby Tarzan, who, despite being a different species, experiences a bond where love and care know no bounds. The song eventually crashes into driving drums, moving toward a bridge that sees the child fly free on their own: âWhen destiny calls you / You must be strong / I may not be with you / But youâve got to hold on.â This song is touching for anyone who has ever loved someone and watched them grow, no matter what type of relationship. Previous SlideNext Slide19 / 25List slides6. âUnder the Seaâ from The Little MermaidList slides6. âUnder the Seaâ from The Little MermaidThe Little Mermaid - Under the SeaThose solo calypso opening notes of âUnder the Seaâ immediately get you excited, and Samuel E. Wright delivers a rollicking underwater bash. His booming voice and vivacious energy are perfect for the overdramatic crustacean and his mission to convince Ariel that living under the sea âis the bubblesâ with no troubles. âUnder the Seaâ buoys the rainbow-colored montage of marine life that fills Arielâs worldâfish, dolphins, and coral reefs. The scene cleverly ties the instruments to various creatures and animation â harps echo the swirling school of fish, shells mimic steel pans, and a pair of octopuses intertwine their legs like bass lines. With its infectious Caribbean beat, Howard Ashman and Alan Menkenâs song is a true banger and impossible not to love, which is why it won the 1990 Oscar for Best Original Song. Previous SlideNext Slide20 / 25List slides5. âColors of the Windâ from PocahontasList slides5. âColors of the Windâ from PocahontasPocahontas - Colors of the WindâYou think the only people who are people / Are the people who look and think like you / But if you walk the footsteps of a stranger / Youâll learn things you never knew, you never knew.â In this increasingly polarized world, that message has never been more relevant. Pocahontas is not immediately smitten with John Smith; instead, she condemns his entire culture, which prioritizes gold and hatred over acceptance and the beauty of nature. Stephen Schwartzâs lyrics paint gorgeous pictures of the American wilderness, questioning why the white men who have invaded these lands cannot appreciate the world around them â from the grinning bobcats to the sweet berries to the trees that stretch toward the sky, if only we let them grow. Alan Menkenâs surrounding score is rapturous, carried by Judy Kuhnâs passionate vocals. More than just the profound lyrics, itâs the visuals that make this musical number so unforgettable â particularly John Smith and Pocahontas dancing in a pastel-colored wind. Itâs no surprise that âColors of the Windâ won an Academy Award for Best Original Song. Previous SlideNext Slide21 / 25List slides4. âWhen You Wish Upon a Starâ from PinnochioList slides4. âWhen You Wish Upon a Starâ from PinnochioPocahontas - Colors of the WindWritten by Leigh Harline and Ned Washington, âWhen You Wish Upon a Starâ has come to define Disney itself, typically playing over the castle logo that opens every movie. The ethereal ballad is sung by Cliff Edwards as Jiminy Cricket, whose resonant yet quirky voice feels like someone sharing a story by a crackling fire. âWhen you wish upon a star / Makes no difference who you are / Anything your heart desires / Will come to you,â he tenderly sings over the opening credits. The gentle melody wraps you in a warm embrace of possibility. People often make fun of Disney adults, but perhaps one reason we hold on to Disney films long after growing up is that they offer hope in an increasingly grim world. This aspirational song reminds us there is more to life than the ordinaryâif we just dare to imagine.Previous SlideNext Slide22 / 25List slides3. âBeauty and the Beastâ from Beauty and the BeastList slides3. âBeauty and the Beastâ from Beauty and the BeastBeauty and the Beast Tale As Old As Time HD As Mrs. Potts, Angela Lansburyâs warm, cheery English voice adds a rosiness to this powerful love ballad, backed by an orchestra of sumptuous strings. The lyrics arenât the pure romanticism of past Disney love stories; there is no love at first sight here. Instead, Mrs. Potts gently reflects on how true love can take time to blossom, and how relationships sometimes require change, admitting your faults and working hard to set aside your vices and worst qualities. Itâs a surprisingly mature outlook for a Disney love song. The accompanying animation is one of the most exquisite sequences in Disney history: Belleâs golden dress glides delicately across the floor as she and the Beast dance in the grand ballroom, the camera swirling to reveal the sparkling chandelier and Michelangelo-esque ceiling of painted cherubs above them. That Howard Ashman wrote this song while dying from complications of AIDS makes it all the more poignant. Previous SlideNext Slide23 / 25List slides2. âPart of Your Worldâ from The Little MermaidList slides2. âPart of Your Worldâ from The Little MermaidJodi Benson - Part of Your WorldBefore The Little Mermaid kicked off the Disney Renaissanceprincess songs were mostly focused on their prince charmings. They had very few aspirations outside of dreaming about their prince or wishing for their prince. But the introduction of the songwriting team Alan Menken and Howard Ashman, who had worked on the off-Broadway show Little Shop of Horrors, helped develop a Disney princess that had greater ambitions. Ariel wanted to see the human world, and she would express that within a Broadway-style solo called the âI Wantâ song, where the protagonist sings about, well, what they want. âPart of Your Worldâ has a flowing melody and a sweet yearning in Jodi Bensonâs voice. We see her comical misunderstanding of what her treasures are, all whozits and whatzits galore. âWouldnât I love to explore that shore up above?â her voice soars while reaching out through the top of her grotto towards the sun. In that moment, with her big eyes and aching voice, you completely understand how much the human world means to her.Previous SlideNext Slide24 / 25List slides1. âCircle of Lifeâ from The Lion KingList slides1. âCircle of Lifeâ from The Lion KingCarmen Twillie, Lebo M. - Circle of LifeNo Disney song is quite as epic as Elton Johnâs âCircle of Life.â The image of the rising sun, paired with the opening lines sung passionately in Zulu by Lebo M., without any instrumentals, immediately hooks you into this sweeping story of the African savannah. The title, âCircle of Life,â is fitting for this tale of birth, death, and everything in between. The lyrics somehow encompass everything about our big, beautiful world â how finite life is, and the experiences, both good and bad, that give us balance. Thereâs despair and thereâs hope. Thereâs faith and thereâs love. The lyrics are poetic and make you think about the wonder and mystery of existence. The song reaches a powerful peak at the end when the chorus rises together. Itâs impossible not to get full-body chills on that final soaring note, âItâs the circle, the circle of life,â punctuated by the thunderous drumbeat, where the sight of Rafiki lifting Simba on Pride Rock cuts to black. âCircle of Lifeâ is a beautiful song with a grand vision, especially for a film geared towards children.
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