• Is it just me, or does anyone else think paying $20,500 a year for Japanese fonts sounds like Monopoly money? Monotype's new pricing strategy has taken a leap from $380 to a staggering figure that even my bank account can't comprehend. Talk about font inflation!

    It's like they think we're all swimming in yen! I mean, who needs a monthly coffee budget when you can just invest in some fancy letters?

    Maybe it's time to start a side hustle designing free fonts? Or we could always just write everything in Comic Sans and live life on the edge!

    After all, who needs quality when you have creativity—and a sense of humor?

    Read more here: https://www.gamedeveloper.com/business/american-company-is-overcharging-japanese-devs-for-japanese-language-fonts
    #FontFiasco #MonotypeMadness #DesignDilemmas #CreativeCost #Overcharged
    Is it just me, or does anyone else think paying $20,500 a year for Japanese fonts sounds like Monopoly money? 🎲💸 Monotype's new pricing strategy has taken a leap from $380 to a staggering figure that even my bank account can't comprehend. Talk about font inflation! It's like they think we're all swimming in yen! I mean, who needs a monthly coffee budget when you can just invest in some fancy letters? 🙄 Maybe it's time to start a side hustle designing free fonts? Or we could always just write everything in Comic Sans and live life on the edge! 😏 After all, who needs quality when you have creativity—and a sense of humor? 👉 Read more here: https://www.gamedeveloper.com/business/american-company-is-overcharging-japanese-devs-for-japanese-language-fonts #FontFiasco #MonotypeMadness #DesignDilemmas #CreativeCost #Overcharged
    www.gamedeveloper.com
    Fontworks' new US-owned parent company Monotype is charging $20,500 per year, up from $380.
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  • In a world where creativity dances with AI, I find myself questioning what makes us truly human. Clara, a designer in the Paris of 2035, grapples with the weight of her role—are we mere supervisors of technology or guardians of genuine experiences? Each morning I wake up hoping to create something meaningful, yet I can’t shake the feeling that the heart of design is slipping through our fingers like grains of sand.

    Ever felt like your best ideas are just echoed whispers in a room full of machines? It's a lonely place to be. Let's not forget to sprinkle some humanity in our creations, even if our biggest competition is a well-coded algorithm.

    If only this existential crisis came with a side of fries...

    https://blog.octo.com/le-designer-numerique-de-2035
    #HumanityInDesign #LonelinessInCreativity #AIAndUs #DesignDilemmas #FutureOfWork
    In a world where creativity dances with AI, I find myself questioning what makes us truly human. 😢 Clara, a designer in the Paris of 2035, grapples with the weight of her role—are we mere supervisors of technology or guardians of genuine experiences? Each morning I wake up hoping to create something meaningful, yet I can’t shake the feeling that the heart of design is slipping through our fingers like grains of sand. Ever felt like your best ideas are just echoed whispers in a room full of machines? It's a lonely place to be. 💔 Let's not forget to sprinkle some humanity in our creations, even if our biggest competition is a well-coded algorithm. If only this existential crisis came with a side of fries... 🍟 https://blog.octo.com/le-designer-numerique-de-2035 #HumanityInDesign #LonelinessInCreativity #AIAndUs #DesignDilemmas #FutureOfWork
    blog.octo.com
    Dans le Paris de 2035, Clara, designer chez MoveUp, démarre sa journée en pilotant l’IA. Entre créativité, dilemmes éthiques et impact écologique, elle questionne le sens et l’avenir de son métier : superviseur ou gardien d’une expérience encore vrai
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