Ari Aster tells WIRED he wrote Eddington during the height of the pandemic and BLM protests. The western depicts the explosive consequences of his characters’ conspiracy-fueled social media diets.

British fintech Wise said this week it would shift its primary listing from London to New York, joining a growing list of firms snubbing the London Stock Exchange. UK chip designer Arm opted for a New York IPO in 2023, while food delivery giant Just Eat Takeaway quit the LSE for Amsterdam in November.  Sweden’s Klarna has confirmed plans to go public in New York, following in the footsteps of fellow Stockholm-based tech darling Spotify, which listed on the NYSE in 2018.  The draw? Bigger valuations, deeper capital, and more appetite for risk. Register Now “The US economy continues to perform far better than the EU, and valuations are simply higher for companies that can list there,” Victor Basta, managing partner at Artis Partners, told TNW.    The numbers back him up. The NYSE boasts a market cap of around $27 trillion — compared to just $3.5 trillion for the LSE.  That scale — and the deep-pocketed investors it attracts — pushed Arm to list across the pond. Wise followed for the same reason, according to CEO Kristo Käärmann.  Käärmann said the move would tap “the biggest market opportunity in the world for our products today, and enable better access to the world’s deepest and most liquid capital market.”  Beyond sheer growth potential, US investors are also known for taking bigger bets on growth-stage tech companies.   “US investors understand the whole ‘revenue-before-profit’ strategy,”  Andrey Korchak, a British serial entrepreneur, told TNW. “Meanwhile, in Europe, they often want to see revenue from day one.”  That risk aversion, Korchak believes, restricts the growth of startups. “Europe just doesn’t have the same density of tech unicorns,” he said. “And when startups here do hit that billion-dollar mark, most still prefer to list in the US.” Sean Reddington, co-founder of UK tech firm Thrive, fears that Wise’s New York listing will deepen the problems.  “Wise’s move to the US signals a worrying trend,” he said. “It threatens a ‘brain drain’ of capital and talent, making it harder for growth-stage VCs to invest in UK scaleups without a clear US exit plan.” He called for urgent government action, including providing “meaningful incentives” for tech firms to list in the UK.  “If the ultimate reward of a domestic IPO is diminished, it pushes more companies to consider relocating or listing overseas,” he said. Europe’s startup struggles will be a hot topic at TNW Conference, which takes place on June 19-20 in Amsterdam. Tickets for the event are now on sale — use the code TNWXMEDIA2025 at checkout to get 30%. Story by Siôn Geschwindt Siôn is a freelance science and technology reporter, specialising in climate and energy. From nuclear fusion breakthroughs to electric vehic (show all) Siôn is a freelance science and technology reporter, specialising in climate and energy. From nuclear fusion breakthroughs to electric vehicles, he's happiest sourcing a scoop, investigating the impact of emerging technologies, and even putting them to the test. He has five years of journalism experience and holds a dual degree in media and environmental science from the University of Cape Town, South Africa. When he's not writing, you can probably find Siôn out hiking, surfing, playing the drums or catering to his moderate caffeine addiction. You can contact him at: sion.geschwindt [at] protonmail [dot] com Get the TNW newsletter Get the most important tech news in your inbox each week. Also tagged with

The stars are out at the 2025 Cannes Film Festival.This year's event kicked off on May 13 with an opening ceremony and the premiere of the French film "Leave One Day." The festival will continue until May 24, providing nearly two weeks of French street style and red-carpet fashion.So far, some celebrities have turned heads in bold ensembles, while others have missed the mark with their looks.From Bella Hadid to Halle Berry, here are the best and worst looks we've seen. Elle Fanning's strapless gown was simple, but effective. Elle Fanning at the Cannes Film Festival. Reuters She walked the "Affeksjonsverdi" red carpet on Wednesday in a strapless Giorgio Armani design that looked pretty and chic.It was fitted to her body, decorated with pink rose appliqués, and completed with a plunging sweetheart neckline. Alex Consani wore a two-piece set that was almost perfect. Alex Consani at the 2025 Cannes Film Festival. Scott A Garfitt/Invision/AP She arrived for "The Phoenician Scheme" screening on Sunday in a uniquely shaped Schiaparelli set.The model's structured top had a beaded, off-the-shoulder neckpiece that covered her chest and a high-low peplum waistband. Her pants, on the other hand, were oversize and wide.Though her statement blouse had potential, Consani's pants were a little too big and needed tailoring. A form-fitting skirt might have looked better with the top piece. Alexander Skarsgard faced a similar issue. Alexander Skarsgard at the 2025 Cannes Film Festival. Scott A Garfitt/Invision/AP The actor could have looked classic with a traditional tuxedo for the red-carpet event, or he could have attempted a more daring style.Instead, he tried to do both at the same time.He wore a sharp Saint Laurent tux with his trousers tucked into thigh-high leather boots — a style the fashion house first revealed in its January runway show.The shoes were distracting and felt out of place with his otherwise basic look. Mariska Hargitay had a glamorous pink moment on Saturday. Mariska Hargitay at the 2025 Cannes Film Festival. Joel C Ryan/Invision/AP For the "Die, My Love" screening, Hargitay chose an off-the-shoulder gown crafted with black satin and sparkling hot-pink fabric.The color combination was sharp, the gown's straight silhouette fit the actor perfectly, and her elbow-length gloves made the outfit even more elegant. For the "Eddington" red carpet on Friday, Jeremy Strong should have picked a different suit. Jeremy Strong at the 2025 Cannes Film Festival. Michael Buckner/Getty Images His brown ensemble included a button-up shirt, a wrap blazer, straight-leg trousers, and a bow tie, all cut with raw hems.While the rough style might have worked for a different event, it looked too casual at Cannes. His black loafers were also too harsh against the lighter outfit. Natalie Portman showed the best of Dior. Natalie Portman at the 2025 Cannes Film Festival. Joel C Ryan/Invision/AP She walked the "Eddington" red carpet in a strapless, sparkling creation from the French fashion house.Its silver top was covered in sparkles and wrapped with a black bow, while its floor-length skirt had Dior's classic Junon petals.Portman accessorized the look perfectly with a bun hairstyle and a thick diamond necklace. Angelina Jolie's gown would have worked better in a different color. Angelina Jolie at the 2025 Cannes Film Festival. Joel C Ryan/Invision/AP Also on the "Eddington" red carpet, Jolie wore a strapless Brunello Cucinelli design. It had a thick floor-length skirt, a fitted bodice, and all-over sparkles that highlighted its rope texture.Though the actor looked pretty, her gown's ivory color matched her skin tone too closely and washed her out. The same dress in a pink or lilac shade could have worked better. Elaine Zhong stunned in a cream-colored ball gown. Elaine Zhong at the 2025 Cannes Film Festival. Gisela Schober/Getty Images The Chinese actor wore the strapless dress on the "Dossier 137" red carpet. Its structured bodice was decorated with beaded appliques, and its cups were shaped with flower petals.To accessorize the glamorous look, she added a sparkling diamond choker, matching earrings, a thick bracelet, and vibrant red lipstick. Zoe Saldaña's all-black ensemble didn't stand out. Zoe Saldaña at the 2025 Cannes Film Festival. Scott A Garfitt/Invision/AP She attended the "Mission: Impossible - The Final Reckoning" red carpet in a black Saint Laurent gown.Though her sleeveless dress was classic, it was also overly simple. Statement jewels could have easily enhanced the look.She also draped a dark leather jacket around her arms, which was much more casual than the rest of her outfit. Araya Alberta Hargate sparkled down the same red carpet. Araya Hargate at the 2025 Cannes Film Festival. Benoit Tessier/Reuters She wore a crystal-covered dress that looked like it was molded to her body with its form-fitting design.Its strapless, snake-print bodice was corseted with a deep plunge down the middle, and its floor-length skirt was pink and embellished with countless sparkles.The Thai actor completed her look with a large diamond necklace crafted in the shape of leaves. Heidi Klum had a pearlescent moment, but it wasn't her best. Heidi Klum at the 2025 Cannes Film Festival. Joel C Ryan/Invision/AP Elie Saab designed the model's off-the-shoulder gown. It had a deep V-neckline, see-through stripes, and all-over sparkles in blue and purple.Some of those details might have worked on their own. But together, especially with the gown's mermaid shape, its accents made it look more theatrical than glamorous. Tom Cruise looked sharp in maroon. Tom Cruise at the 2025 Cannes Film Festival. Joel C Ryan/Invision/AP Cruise attended a promotional event for "Mission: Impossible - The Final Reckoning" at Cannes.In doing so, he became one of the best-dressed men at the festival so far this year.He wore a fitted, textured knit polo and matching trousers with sharp pleats. The outfit was understated and vibrant on its own, while his brown dress shoes and dark sunglasses gave it an edge. Halle Berry made a last-minute fashion change, but her new outfit didn't work for her. Halle Berry at the 2025 Cannes Film Festival. Reuters When Berry walked onto the Cannes red carpet, she wore a shapeless Jacquemus gown with a black-and-white stripe print.She later told reporters that she'd originally planned to wear an "amazing dress" from Gaurav Gupta, but had to find a new look when Cannes announced a new dress code that prohibits voluminous gowns with long trains the day before the festival began.Unfortunately for Berry, the bold dress she chose was so flowy and oversize that it seemed to wear her, when it should have been the other way around. Isabeli Fontana could have been mistaken for a princess in a metallic gown. Isabeli Fontana at the 2025 Cannes Film Festival. Joel C Ryan/Invision/AP Nicolas Jebran designed her halter gown. The form-fitting piece had knotted fabric at the hip, a floor-length skirt with a short train, and a hip-high slit that revealed her sparkling pumps.The gown was also adorned with a sparkling silver piece that covered one shoulder and was embedded with turquoise stones.The ensemble was elegant and fit Fontana perfectly. Bella Hadid is always one of the best-dressed stars at Cannes, but her outfit choice for the 2025 opening ceremony was underwhelming. Bella Hadid at the 2025 Cannes Film Festival. Scott A Garfitt/Invision/AP Saint Laurent designed her sleeveless black dress with some interesting details. Its straps crisscrossed across her back to create cutouts and a deep plunge on the side of her chest.However, the front of the gown was overly simple. It had an asymmetrical neckline that looked mishapen, and a thigh-high slit that was cut too far to the side.Even her massive emerald earrings from Chopard weren't enough to make the ensemble memorable. Eva Longoria sparkled down the red carpet in a stunning gown. Eva Longoria at the 2025 Cannes Film Festival. Scott A Garfitt/Invision/AP Her Tamara Ralph gown was strapless and covered in square metallic pieces that sparkled in the light as she walked.It also had velvet panels at the waist that gave the dress some shape and matched its glamorous train.Not only was the dress tailored perfectly to Longoria, but the actor also accessorized strongly. She wore a statement necklace, rings, and earrings from Pasquale Bruni. Irina Shayk wore a fun gown, but a different hairstyle could have elevated the whole look. Irina Shayk at the 2025 Cannes Film Festival. Joel C Ryan/Invision/AP The model arrived wearing a black Armani Privé gown with all-over white polka dots. It had a strapless neckline, off-the-shoulder puffed sleeves, and a full skirt.On its own, the dress was fun, frilly, and perfect for Cannes.But Shayk wore her hair styled in a dramatic shape — a bun atop a strip of pin-straight hair — that distracted from her outfit.

14 winning schemes include a retrofitted telephone exchange, Passivhaus almshouses and a converted barn Source: Jack HobhouseYoungs Court Development at Emmanuel College by Stanton Williams An infill development for Emmanuel College, Cambridge by Stanton Williams has been named RIBA East Building of the Year 2025. The scheme includes new accommodation and communal facilities for students. The Young’s Court Development was praised by the jury for how it “sits comfortably and effortlessly on site” and “subtly elevates the experience of student life”. The panel also described it as a “model for how to conserve and enhance a historic place for future generations”. Source: Jack HobhouseThe Entopia Building, Cambridge, designed by Architype with Feilden and Mawson and Eve Waldron Design Among the 14 winning projects is The Entopia Building, also in Cambridge, designed by Architype with Feilden and Mawson and Eve Waldron Design. The project involved the reuse of a 1930s telephone exchange as a new home for the Cambridge Institute for Sustainability Leadership. It was also recognised with the Sustainability and Project Architect of the Year awards. Source: Valentin LynchJankes Barn by Lynch Architects Jankes Barn by Lynch Architects was awarded both a regional award and the Conservation Award. The project involved the conversion of a disused barn in Essex into a contemporary rural home. Source: David ButlerDovehouse Court Almshouses by Mole Architects Dovehouse Court Almshouses by Mole Architects, a new Passivhaus development in Cambridge for residents over 55, also featured among the winners. The project delivered energy-efficient later-life living within a setting designed to promote social interaction. RIBA Central Regional Director Matt Blakeley said: “Congratulations to all the Award winners in the East region. This year, the breadth of schemes recognised is a remarkable statement to the ambition and vision of the region. “These projects exemplify not only admirable excellence in design and beauty, but a bold commitment to architecture’s vital role in our environmental goals and social impact.” The Discovery Centre (DISC) by Herzog & de Meuron with BDPSource: Hufton+Crow Sunspot by HAT ProjectsSource: Jim Stephenson Cast Corbel House by GraftedSource: French+Tye Knights Park by Pollard Thomas Edwards and Alison Brooks ArchitectsSource: Paul Riddle Knights Park by Pollard Thomas Edwards and Alison Brooks ArchitectsSource: Alison Brooks Architects Harpenden House by Emil Eve ArchitectsSource: Taran Wilkhu Housestead by Sanei Hopkins ArchitectsSource: Peter Landers Photography North Sea East Wood by Hayhurst & CoSource: Kilian O’Sullivan Mill Hide by Poulson ArchitectureSource: Nick Guttridge Clayworth by ArkleBoyce ArchitectsSource: Jim Stephenson Clayworth by ArkleBoyce ArchitectsSource: Jim Stephenson Amento by James Gorst ArchitectsSource: James Retief 1/12 show caption The other winning projects were: The Discovery Centre (DISC) by Herzog & de Meuron with BDP, a medical research facility for AstraZeneca in Cambridge Sunspot by HAT Projects, a coastal community hub in Essex with flexible units, a café and market hall Cast Corbel House by Grafted, an extension to a Norwich home Knights Park by Pollard Thomas Edwards and Alison Brooks Architects, a large-scale housing scheme in Eddington delivering 249 net-zero homes Harpenden House by Emil Eve Architects, the renovation and extension of a Victorian villa previously used as a nursery Housestead by Sanei Hopkins Architects, a coastal home in Suffolk North Sea East Wood by Hayhurst & Co, a reworking of a 1980s bungalow in Norfolk, also named Small Project of the Year Mill Hide by Poulson Architecture, a low-energy single-storey villa designed to meet future accessibility needs Clayworth by ArkleBoyce Architects, a contemporary family home Amento by James Gorst Architects, a single-storey rural dwelling Regional award winners will now be considered for a RIBA National Award, which will be announced on 10 July.  The shortlist for the RIBA Stirling Prize for the UK’s building of the year will be drawn from the RIBA National Award-winning projects later in the year.