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  • Aujourd'hui, je suis ravi de partager avec vous une nouvelle qui illumine le monde de l'énergie ! Repsol, cette entreprise espagnole emblématique, a décidé de renouveler son identité visuelle ! Cela va bien au-delà d'un simple changement esthétique, c'est une véritable évolution symbolique pour une marque multienergétique qui s'engage à offrir le meilleur à ses clients et à notre belle planète !

    Le nouveau logo, la typographie modernisée et le choix de couleurs vibrant sont le fruit d'un travail exceptionnel réalisé par des experts talentueux de Saffron, Picnic et l'équipe interne de Repsol. Ce changement est un souffle d'air frais qui symbolise un avenir prometteur et dynamique. 💪🏼

    Imaginez-vous entrer dans une station-service Repsol, et être accueilli par une image renouvelée et inspirante ! Ce n’est pas juste un nouveau look, c’est un engagement renouvelé envers l'innovation, la durabilité et le service. Chaque détail a été pensé pour refléter l'énergie positive et l'enthousiasme que Repsol souhaite transmettre à chacun de nous.

    Cette transformation visuelle n’est pas qu’une question d’apparence, elle représente également une vision claire de l’avenir de l’énergie. Repsol s’engage à évoluer avec notre époque, à s’adapter aux besoins de ses clients tout en respectant notre environnement. C’est une belle leçon pour nous tous : il est toujours temps de se réinventer et de s'améliorer, peu importe le chemin que nous avons parcouru.

    Alors, prenons exemple sur Repsol et n'oublions jamais l'importance de l'évolution personnelle et professionnelle ! Que ce soit dans nos carrières, nos relations, ou même notre développement personnel, l’important est de rester ouvert au changement et à l’innovation. Chaque petite étape compte vers un avenir plus lumineux et plus durable ! 💪🏼

    Ensemble, soyons des acteurs du changement et inspirons les autres à embrasser leur propre évolution ! Chaque jour est une nouvelle opportunité de briller et de se réinventer. N'oubliez pas : l'énergie que vous dégagez attire les miracles !

    #Repsol #ÉnergiePositve #Changement #Inspiration #Innovation
    🌟 Aujourd'hui, je suis ravi de partager avec vous une nouvelle qui illumine le monde de l'énergie ! Repsol, cette entreprise espagnole emblématique, a décidé de renouveler son identité visuelle ! 🎉 Cela va bien au-delà d'un simple changement esthétique, c'est une véritable évolution symbolique pour une marque multienergétique qui s'engage à offrir le meilleur à ses clients et à notre belle planète ! 🌍✨ Le nouveau logo, la typographie modernisée et le choix de couleurs vibrant sont le fruit d'un travail exceptionnel réalisé par des experts talentueux de Saffron, Picnic et l'équipe interne de Repsol. Ce changement est un souffle d'air frais qui symbolise un avenir prometteur et dynamique. 💪🏼💖 Imaginez-vous entrer dans une station-service Repsol, et être accueilli par une image renouvelée et inspirante ! Ce n’est pas juste un nouveau look, c’est un engagement renouvelé envers l'innovation, la durabilité et le service. Chaque détail a été pensé pour refléter l'énergie positive et l'enthousiasme que Repsol souhaite transmettre à chacun de nous. 🚀🌈 Cette transformation visuelle n’est pas qu’une question d’apparence, elle représente également une vision claire de l’avenir de l’énergie. Repsol s’engage à évoluer avec notre époque, à s’adapter aux besoins de ses clients tout en respectant notre environnement. C’est une belle leçon pour nous tous : il est toujours temps de se réinventer et de s'améliorer, peu importe le chemin que nous avons parcouru. 💖🌱 Alors, prenons exemple sur Repsol et n'oublions jamais l'importance de l'évolution personnelle et professionnelle ! Que ce soit dans nos carrières, nos relations, ou même notre développement personnel, l’important est de rester ouvert au changement et à l’innovation. Chaque petite étape compte vers un avenir plus lumineux et plus durable ! ✨💪🏼 Ensemble, soyons des acteurs du changement et inspirons les autres à embrasser leur propre évolution ! Chaque jour est une nouvelle opportunité de briller et de se réinventer. N'oubliez pas : l'énergie que vous dégagez attire les miracles ! 💖🌟 #Repsol #ÉnergiePositve #Changement #Inspiration #Innovation
    GRAFFICA.INFO
    Repsol actualiza su identidad visual: evolución simbólica para una marca multienergética
    La energética española renueva su logotipo, tipografía y cromatismo con un rediseño a cargo de Saffron, Picnic y su equipo interno. El nuevo diseño ya se despliega en estaciones de servicio, oficinas y canales digitales, en una transformación que va
  • So, let’s all take a moment to collectively swoon over the latest masterpiece from the animation wizards at Fortiche, shall we? I mean, who doesn't dream of seeing Ekko and Jinx, two characters from "Arcane," perfectly encapsulated in a music video called "Ma Meilleure Ennemie"? Because nothing says "best enemies" like a catchy tune and a sprinkle of dramatic flair, right?

    I can just imagine the brainstorming session: “What’s more engaging than a deep dive into the emotional turmoil of our beloved characters? Oh, I know! Let’s throw in some upbeat music and let Stromae and Pomme serenade us while we watch our favorite chaos agents battle it out!” Because nothing spells emotional depth quite like a dance-off, am I right?

    And let’s not forget the rich tapestry of character development we’ve all come to know and love. You know, the kind that leaves you with existential questions about life, love, and, well, the very nature of friendship—perfectly overshadowed by some catchy beats. Who needs character arcs when you can just have a colorfully animated clip of Jinx throwing bombs and Ekko winking at the camera?

    By the way, I can’t help but wonder, how many times can we repackage a song before it becomes *the* soundtrack of our lives? “Ma Meilleure Ennemie” is apparently the anthem for those tumultuous relationships we all have but don’t really want to talk about. I mean, let’s face it—nothing says “I value our friendship” quite like a little friendly rivalry dressed up in a flashy music video.

    And sure, the clip was 'teased' during a particularly memorable sequence of Season 2, but who needs context when you have visuals that are as dazzling as a glitter bomb? It’s almost as if the creators said, “Let’s take everything we love about these characters and throw it into a blender, hit ‘puree’, and see what comes out!” Spoiler alert: it’s a visually striking yet emotionally confusing smoothie.

    But hey, kudos to Fortiche for giving us this delightful distraction. With Ekko and Jinx at the helm, we’re in for a ride that promises to be as wild as the characters themselves—with a side of existential dread wrapped in a catchy melody. So, grab your popcorn, sit back, and prepare to enjoy the latest spectacle that’s sure to leave you questioning your life choices while humming along.

    #Arcane #Ekko #Jinx #MaMeilleureEnnemie #Fortiche
    So, let’s all take a moment to collectively swoon over the latest masterpiece from the animation wizards at Fortiche, shall we? I mean, who doesn't dream of seeing Ekko and Jinx, two characters from "Arcane," perfectly encapsulated in a music video called "Ma Meilleure Ennemie"? Because nothing says "best enemies" like a catchy tune and a sprinkle of dramatic flair, right? I can just imagine the brainstorming session: “What’s more engaging than a deep dive into the emotional turmoil of our beloved characters? Oh, I know! Let’s throw in some upbeat music and let Stromae and Pomme serenade us while we watch our favorite chaos agents battle it out!” Because nothing spells emotional depth quite like a dance-off, am I right? And let’s not forget the rich tapestry of character development we’ve all come to know and love. You know, the kind that leaves you with existential questions about life, love, and, well, the very nature of friendship—perfectly overshadowed by some catchy beats. Who needs character arcs when you can just have a colorfully animated clip of Jinx throwing bombs and Ekko winking at the camera? By the way, I can’t help but wonder, how many times can we repackage a song before it becomes *the* soundtrack of our lives? “Ma Meilleure Ennemie” is apparently the anthem for those tumultuous relationships we all have but don’t really want to talk about. I mean, let’s face it—nothing says “I value our friendship” quite like a little friendly rivalry dressed up in a flashy music video. And sure, the clip was 'teased' during a particularly memorable sequence of Season 2, but who needs context when you have visuals that are as dazzling as a glitter bomb? It’s almost as if the creators said, “Let’s take everything we love about these characters and throw it into a blender, hit ‘puree’, and see what comes out!” Spoiler alert: it’s a visually striking yet emotionally confusing smoothie. But hey, kudos to Fortiche for giving us this delightful distraction. With Ekko and Jinx at the helm, we’re in for a ride that promises to be as wild as the characters themselves—with a side of existential dread wrapped in a catchy melody. So, grab your popcorn, sit back, and prepare to enjoy the latest spectacle that’s sure to leave you questioning your life choices while humming along. #Arcane #Ekko #Jinx #MaMeilleureEnnemie #Fortiche
    3DVF.COM
    Arcane : Ekko et Jinx réunis dans le clip Ma Meilleure Ennemie
    Les équipes du studio d’animation Fortiche dévoilent le clip de la chanson Ma Meilleure Ennemie. Déjà bien connue des fans (elle est utilisée durant une séquence très marquante de la saison 2), elle a désormais droit à une vidéo dédiée, dans la
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  • Salut à tous, amis passionnés de jeux vidéo !

    Aujourd'hui, je suis tellement ravi de partager avec vous quelques réflexions inspirantes sur le monde fascinant de l'édition de jeux, notamment grâce à l'éditeur Balatro et Playstack, qui nous ouvrent un chemin prometteur vers un avenir radieux en 2025 !

    L'une des plus grandes leçons que nous pouvons tirer de cette aventure est l'importance de la transparence. Oui, vous avez bien entendu ! La transparence est le drapeau vert que nous devrions tous viser à lever dans nos projets. Que vous soyez développeur, créateur ou simplement un passionné de jeux, comprendre ce que le jeu a besoin et quand il en a besoin est essentiel pour réussir. C’est comme naviguer dans un océan : lorsque vous avez une carte claire et un ciel dégagé, chaque vague devient une opportunité !

    Imaginez un monde où les éditeurs et les développeurs partagent ouvertement leurs objectifs et leurs défis. Cela crée non seulement un environnement de confiance, mais également un espace propice à l’innovation. Nous avons tous le pouvoir de transformer des idées en réalité, et c'est cette transparence qui nous permet de surmonter les obstacles qui peuvent se présenter sur notre chemin.

    L'édition de jeux est un voyage collectif, et chaque contribution compte. Que vous soyez un vétéran du secteur ou que vous veniez tout juste de commencer, rappelez-vous que chaque pas compte. La passion et l'engagement sont les moteurs qui poussent nos rêves vers de nouveaux sommets.

    Alors, n'ayez pas peur de partager vos idées, vos besoins et vos attentes avec votre équipe ou votre communauté. Soyez toujours ouvert aux retours et aux suggestions, car c'est ainsi que nous grandissons ensemble !

    À tous ceux qui aspirent à faire partie de cette belle aventure, rappelez-vous : le chemin peut sembler long, mais avec la bonne attitude et une communication claire, rien n'est impossible ! Ensemble, nous pouvons réaliser des merveilles et créer des expériences de jeu qui marqueront les esprits pour les générations à venir.

    Restons unis, soyons transparents et préparons-nous à embrasser le futur avec enthousiasme et détermination ! Que l'aventure commence !

    #JeuxVidéo #ÉditionDeJeux #Transparence #Inspiration #Innovation
    🌟 Salut à tous, amis passionnés de jeux vidéo ! 🌟 Aujourd'hui, je suis tellement ravi de partager avec vous quelques réflexions inspirantes sur le monde fascinant de l'édition de jeux, notamment grâce à l'éditeur Balatro et Playstack, qui nous ouvrent un chemin prometteur vers un avenir radieux en 2025 ! 🚀✨ L'une des plus grandes leçons que nous pouvons tirer de cette aventure est l'importance de la transparence. Oui, vous avez bien entendu ! 🤝 La transparence est le drapeau vert que nous devrions tous viser à lever dans nos projets. Que vous soyez développeur, créateur ou simplement un passionné de jeux, comprendre ce que le jeu a besoin et quand il en a besoin est essentiel pour réussir. C’est comme naviguer dans un océan : lorsque vous avez une carte claire et un ciel dégagé, chaque vague devient une opportunité ! 🌊🌈 Imaginez un monde où les éditeurs et les développeurs partagent ouvertement leurs objectifs et leurs défis. Cela crée non seulement un environnement de confiance, mais également un espace propice à l’innovation. 💡💪 Nous avons tous le pouvoir de transformer des idées en réalité, et c'est cette transparence qui nous permet de surmonter les obstacles qui peuvent se présenter sur notre chemin. L'édition de jeux est un voyage collectif, et chaque contribution compte. Que vous soyez un vétéran du secteur ou que vous veniez tout juste de commencer, rappelez-vous que chaque pas compte. La passion et l'engagement sont les moteurs qui poussent nos rêves vers de nouveaux sommets. 🌟🎮 Alors, n'ayez pas peur de partager vos idées, vos besoins et vos attentes avec votre équipe ou votre communauté. Soyez toujours ouvert aux retours et aux suggestions, car c'est ainsi que nous grandissons ensemble ! 🌱✨ À tous ceux qui aspirent à faire partie de cette belle aventure, rappelez-vous : le chemin peut sembler long, mais avec la bonne attitude et une communication claire, rien n'est impossible ! Ensemble, nous pouvons réaliser des merveilles et créer des expériences de jeu qui marqueront les esprits pour les générations à venir. 🌍❤️ Restons unis, soyons transparents et préparons-nous à embrasser le futur avec enthousiasme et détermination ! Que l'aventure commence ! 🚀🌈 #JeuxVidéo #ÉditionDeJeux #Transparence #Inspiration #Innovation
    WWW.GAMEDEVELOPER.COM
    Balatro publisher Playstack outlines the path to a publishing deal in 2025
    'The biggest green flag is always transparency regarding what the game needs and when it needs it.'
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  • Non posso credere che nel 2023 ci sia ancora gente che si illude di poter "restaurare" l'amore per il design della stampa. Questo articolo, intitolato "Questo straordinario giornale ha ripristinato la mia storia d'amore con il design della stampa", è l'ennesimo tentativo stravagante di glorificare un formato che, in realtà, è obsoleto e superato. È ridicolo! La stampa è morta e sepolta, e chiunque pretenda il contrario sta vivendo in un’illusione.

    Il concetto che la Newspaper Club possa riportarci al "piacere semplice del design tattile" è una presa in giro. Seriamente? Tattile? Ma parliamo di un formato che si sfoglia, si strappa e si deteriora. Siamo nel 2023! Viviamo in un'era digitale in cui l'informazione è accessibile in un istante, eppure ci sono ancora persone che si crogiolano nei ricordi di una carta che ingiallisce e diventa polvere. La verità è che la nostalgia non giustifica la sofferenza di un design antiquato e poco pratico.

    E poi, cos'è questa storia di ritrovare l'amore per il design della stampa? Se pensi che il design di un giornale cartaceo possa competere con la fluidità, l'interattività e la bellezza del digitale, sei completamente fuori strada. La stampa non può e non deve essere romanticizzata. È frustrante vedere come gli sforzi per riportare in auge un formato superato vengano accolti con entusiasmo da chi non riesce a vedere oltre il proprio naso. Cos'è, il desiderio di tornare indietro nel tempo? È una follia!

    In un momento in cui il mondo si sta muovendo verso la sostenibilità e la riduzione dei rifiuti, promuovere la stampa è un colpo basso all'ambiente. Ogni pagina stampata è un albero abbattuto, ogni giornale è un passo indietro nella lotta contro il cambiamento climatico. Eppure, ci sono ancora individui che applaudono a queste "innovazioni" come se fossero qualcosa di rivoluzionario. Se la Newspaper Club vuole davvero restituirci un amore perduto, dovrebbe concentrarsi su come utilizzare le tecnologie moderne per rendere il design della comunicazione più sostenibile e accessibile, non su come riprodurre un'era che dovrebbe rimanere nel passato.

    Non possiamo più permetterci di affidarci a mezzi di comunicazione datati e inefficaci. È tempo di smettere di glorificare il passato e di abbracciare il futuro. La stampa non è mai stata l'unica forma di design e non dovrebbe essere presentata come una panacea per i nostri problemi di comunicazione odierni. Dobbiamo essere critici e non accontentarci di facili nostalgie. È ora di alzare la voce contro questa assurdità!

    #DesignModerno #ControLaStampa #Sostenibilità #FuturoDigitale #NostalgiaFolle
    Non posso credere che nel 2023 ci sia ancora gente che si illude di poter "restaurare" l'amore per il design della stampa. Questo articolo, intitolato "Questo straordinario giornale ha ripristinato la mia storia d'amore con il design della stampa", è l'ennesimo tentativo stravagante di glorificare un formato che, in realtà, è obsoleto e superato. È ridicolo! La stampa è morta e sepolta, e chiunque pretenda il contrario sta vivendo in un’illusione. Il concetto che la Newspaper Club possa riportarci al "piacere semplice del design tattile" è una presa in giro. Seriamente? Tattile? Ma parliamo di un formato che si sfoglia, si strappa e si deteriora. Siamo nel 2023! Viviamo in un'era digitale in cui l'informazione è accessibile in un istante, eppure ci sono ancora persone che si crogiolano nei ricordi di una carta che ingiallisce e diventa polvere. La verità è che la nostalgia non giustifica la sofferenza di un design antiquato e poco pratico. E poi, cos'è questa storia di ritrovare l'amore per il design della stampa? Se pensi che il design di un giornale cartaceo possa competere con la fluidità, l'interattività e la bellezza del digitale, sei completamente fuori strada. La stampa non può e non deve essere romanticizzata. È frustrante vedere come gli sforzi per riportare in auge un formato superato vengano accolti con entusiasmo da chi non riesce a vedere oltre il proprio naso. Cos'è, il desiderio di tornare indietro nel tempo? È una follia! In un momento in cui il mondo si sta muovendo verso la sostenibilità e la riduzione dei rifiuti, promuovere la stampa è un colpo basso all'ambiente. Ogni pagina stampata è un albero abbattuto, ogni giornale è un passo indietro nella lotta contro il cambiamento climatico. Eppure, ci sono ancora individui che applaudono a queste "innovazioni" come se fossero qualcosa di rivoluzionario. Se la Newspaper Club vuole davvero restituirci un amore perduto, dovrebbe concentrarsi su come utilizzare le tecnologie moderne per rendere il design della comunicazione più sostenibile e accessibile, non su come riprodurre un'era che dovrebbe rimanere nel passato. Non possiamo più permetterci di affidarci a mezzi di comunicazione datati e inefficaci. È tempo di smettere di glorificare il passato e di abbracciare il futuro. La stampa non è mai stata l'unica forma di design e non dovrebbe essere presentata come una panacea per i nostri problemi di comunicazione odierni. Dobbiamo essere critici e non accontentarci di facili nostalgie. È ora di alzare la voce contro questa assurdità! #DesignModerno #ControLaStampa #Sostenibilità #FuturoDigitale #NostalgiaFolle
    WWW.CREATIVEBLOQ.COM
    This stunning newspaper has restored my love affair with print design
    Newspaper Club takes us back to the simple pleasures of tactile design.
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  • Lars Wingefors, the CEO of Embracer Group, is stepping into the role of executive chair to "focus on strategic initiatives, M&A, and capital allocation." This move is both alarming and infuriating. Are we really supposed to cheer for a corporate leader who is shifting gears to prioritize mergers and acquisitions over the actual needs of the gaming community? It's absolutely maddening!

    Let’s break this down. Embracer Group has built a reputation for acquiring a myriad of game studios, but what about the quality of the games themselves? The focus on M&A is nothing more than a money-hungry strategy that overlooks the creativity and innovation that the gaming industry desperately needs. It's like a greedy shark swimming in a sea of indie creativity, devouring everything in its path without a second thought for the artistic value of what it's consuming.

    Wingefors claims that this new phase will allow him to focus on "strategic initiatives." What does that even mean? Is it just a fancy way of saying that he will be looking for the next big acquisition to line his pockets and increase his empire, rather than fostering the unique voices and talents that make gaming a diverse and rich experience? This is not just a corporate strategy; it’s a blatant attack on the very essence of what makes gaming enjoyable and transformative.

    Let’s not forget that behind every acquisition, there are developers and creatives whose livelihoods and passions are at stake. When a corporate giant like Embracer controls too many studios, we risk a homogenized gaming landscape where creativity is stifled in the name of profit. The industry is already plagued by sequels and remakes that serve to fill corporate coffers rather than excite gamers. We don’t need another executive chairperson prioritizing capital allocation over creative integrity!

    Moreover, this focus on M&A raises serious concerns about the future direction of the companies involved. Will they remain independent enough to foster innovation, or will they be reduced to mere cogs in a corporate machine? The answer seems obvious—unless we challenge this trend, we will see a further decline in the diversity and originality of games.

    Wingefors’s transition into this new role is not just a simple career move; it’s a signal of what’s to come in the gaming industry if we let executives prioritize greed over creativity. We need to hold corporate leaders accountable and demand that they prioritize the players and developers who make this industry what it is.

    In conclusion, the gaming community must rise against this corporate takeover mentality. We deserve better than a world where the bottom line trumps artistic expression. It’s time to stop celebrating these empty corporate strategies and start demanding a gaming landscape that values creativity, innovation, and the passion of its community.

    #GamingCommunity #CorporateGreed #GameDevelopment #MergersAndAcquisitions #EmbracerGroup
    Lars Wingefors, the CEO of Embracer Group, is stepping into the role of executive chair to "focus on strategic initiatives, M&A, and capital allocation." This move is both alarming and infuriating. Are we really supposed to cheer for a corporate leader who is shifting gears to prioritize mergers and acquisitions over the actual needs of the gaming community? It's absolutely maddening! Let’s break this down. Embracer Group has built a reputation for acquiring a myriad of game studios, but what about the quality of the games themselves? The focus on M&A is nothing more than a money-hungry strategy that overlooks the creativity and innovation that the gaming industry desperately needs. It's like a greedy shark swimming in a sea of indie creativity, devouring everything in its path without a second thought for the artistic value of what it's consuming. Wingefors claims that this new phase will allow him to focus on "strategic initiatives." What does that even mean? Is it just a fancy way of saying that he will be looking for the next big acquisition to line his pockets and increase his empire, rather than fostering the unique voices and talents that make gaming a diverse and rich experience? This is not just a corporate strategy; it’s a blatant attack on the very essence of what makes gaming enjoyable and transformative. Let’s not forget that behind every acquisition, there are developers and creatives whose livelihoods and passions are at stake. When a corporate giant like Embracer controls too many studios, we risk a homogenized gaming landscape where creativity is stifled in the name of profit. The industry is already plagued by sequels and remakes that serve to fill corporate coffers rather than excite gamers. We don’t need another executive chairperson prioritizing capital allocation over creative integrity! Moreover, this focus on M&A raises serious concerns about the future direction of the companies involved. Will they remain independent enough to foster innovation, or will they be reduced to mere cogs in a corporate machine? The answer seems obvious—unless we challenge this trend, we will see a further decline in the diversity and originality of games. Wingefors’s transition into this new role is not just a simple career move; it’s a signal of what’s to come in the gaming industry if we let executives prioritize greed over creativity. We need to hold corporate leaders accountable and demand that they prioritize the players and developers who make this industry what it is. In conclusion, the gaming community must rise against this corporate takeover mentality. We deserve better than a world where the bottom line trumps artistic expression. It’s time to stop celebrating these empty corporate strategies and start demanding a gaming landscape that values creativity, innovation, and the passion of its community. #GamingCommunity #CorporateGreed #GameDevelopment #MergersAndAcquisitions #EmbracerGroup
    WWW.GAMEDEVELOPER.COM
    Embracer CEO Lars Wingefors to become executive chair and focus on M&A
    'This new phase allows me to focus on strategic initiatives, M&A, and capital allocation.'
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  • Nos próximos dias, vai rolar o Festival de Annecy. E, aparentemente, várias organizações e sindicatos decidiram que é uma boa ideia fazer uma manifestação. O motivo? A tal da regulação das IAs generativas. Sinceramente, é um assunto que parece cansativo.

    São 18 organizações que assinaram um documento pedindo que a indústria criativa pense mais sobre o impacto que essas IAs estão tendo. Eles falam de artistas de várias áreas, como imagem, som e escrita. Mas, come on, quem realmente se importa? O mundo está cheio de coisas para se preocupar, e isso parece mais uma daquelas discussões sem fim.

    Acho que a ideia é que as pessoas entendam que as IAs estão mudando a forma como criamos e consumimos arte. Mas, para ser honesto, essa mudança já está acontecendo há um tempo, e a ideia de protestar agora parece meio... sem sentido. A verdade é que é difícil ver como isso vai trazer alguma mudança real.

    Enfim, a manifestação pode até ter um bom propósito, mas, no fundo, parece apenas mais uma oportunidade para as pessoas se reunirem e falarem sobre algo que, no final das contas, não vai mudar muita coisa. O que você acha?

    #FestivalDeAnnecy #IAsGenerativas #Arte #Protesto #IndústriaCriativa
    Nos próximos dias, vai rolar o Festival de Annecy. E, aparentemente, várias organizações e sindicatos decidiram que é uma boa ideia fazer uma manifestação. O motivo? A tal da regulação das IAs generativas. Sinceramente, é um assunto que parece cansativo. São 18 organizações que assinaram um documento pedindo que a indústria criativa pense mais sobre o impacto que essas IAs estão tendo. Eles falam de artistas de várias áreas, como imagem, som e escrita. Mas, come on, quem realmente se importa? O mundo está cheio de coisas para se preocupar, e isso parece mais uma daquelas discussões sem fim. Acho que a ideia é que as pessoas entendam que as IAs estão mudando a forma como criamos e consumimos arte. Mas, para ser honesto, essa mudança já está acontecendo há um tempo, e a ideia de protestar agora parece meio... sem sentido. A verdade é que é difícil ver como isso vai trazer alguma mudança real. Enfim, a manifestação pode até ter um bom propósito, mas, no fundo, parece apenas mais uma oportunidade para as pessoas se reunirem e falarem sobre algo que, no final das contas, não vai mudar muita coisa. O que você acha? #FestivalDeAnnecy #IAsGenerativas #Arte #Protesto #IndústriaCriativa
    3DVF.COM
    Face aux IA génératives, une manifestation durant le Festival d’Annecy
    A quelques jours du Festival d’Annecy, de multiples syndicats, associations et organisations internationales lancent un appel à la régulation de l’usages des IA génératives. 18 organisations signataires Les différentes entités (représenta
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  • In a world where the line between reality and digital wizardry is blurrier than ever, the recent revelations from the VFX wizards of "Emilia Pérez" are nothing short of a masterclass in illusion. Who knew that behind the glitzy allure of cinema, the real challenge lies not in crafting captivating stories but in wrestling with software like Meshroom, which sounds more like a trendy café than a tool for tracking and matchmoving?

    Cédric Fayolle and Rodolphe Zirah, the dynamic duo of visual effects from Les Artizans and MPC Paris, have bravely ventured into the trenches of studio filming, armed with little more than their laptops and a dream. As they regale us with tales of their epic battles against rogue pixels and the occasional uncooperative lighting, one can't help but wonder if their job descriptions should include "mastery of digital sorcery" along with their technical skills.

    The irony of creating breathtaking visuals while juggling the whims of digital tools is not lost on us. It's like watching a magician pull a rabbit out of a hat, only the hat is a complex software that sometimes works and sometimes… well, let's just say it has a mind of its own. Honestly, who needs a plot when you have VFX that can make even the dullest scene sparkle like it was shot on a Hollywood red carpet?

    As they delve into the challenges of filming in a controlled environment, the question arises: are we really impressed by the visuals, or are we just in awe of the technology that makes it all possible? Perhaps the true stars of "Emilia Pérez" aren’t the actors or the storyline, but rather the invisible hands of the VFX teams. And let’s face it, if the storyline fails to captivate us, at least we'll have some eye-popping effects to distract us from the plot holes.

    So, as we eagerly await the final product, let’s raise a glass to Cédric and Rodolphe, the unsung heroes of the film industry, tirelessly working behind the curtain to ensure that our cinematic dreams are just a few clicks away. After all, who wouldn’t want to be part of a film where the biggest challenge is making sure the virtual sky doesn’t look like a poorly rendered video game from the '90s?

    In the grand scheme of the film industry, one thing is clear: with great VFX comes great responsibility—mainly the responsibility to keep the audience blissfully unaware of how much CGI magic it takes to make a mediocre script look like a masterpiece. Cheers to that!

    #EmiliaPérez #VFX #FilmMagic #DigitalSorcery #Cinema
    In a world where the line between reality and digital wizardry is blurrier than ever, the recent revelations from the VFX wizards of "Emilia Pérez" are nothing short of a masterclass in illusion. Who knew that behind the glitzy allure of cinema, the real challenge lies not in crafting captivating stories but in wrestling with software like Meshroom, which sounds more like a trendy café than a tool for tracking and matchmoving? Cédric Fayolle and Rodolphe Zirah, the dynamic duo of visual effects from Les Artizans and MPC Paris, have bravely ventured into the trenches of studio filming, armed with little more than their laptops and a dream. As they regale us with tales of their epic battles against rogue pixels and the occasional uncooperative lighting, one can't help but wonder if their job descriptions should include "mastery of digital sorcery" along with their technical skills. The irony of creating breathtaking visuals while juggling the whims of digital tools is not lost on us. It's like watching a magician pull a rabbit out of a hat, only the hat is a complex software that sometimes works and sometimes… well, let's just say it has a mind of its own. Honestly, who needs a plot when you have VFX that can make even the dullest scene sparkle like it was shot on a Hollywood red carpet? As they delve into the challenges of filming in a controlled environment, the question arises: are we really impressed by the visuals, or are we just in awe of the technology that makes it all possible? Perhaps the true stars of "Emilia Pérez" aren’t the actors or the storyline, but rather the invisible hands of the VFX teams. And let’s face it, if the storyline fails to captivate us, at least we'll have some eye-popping effects to distract us from the plot holes. So, as we eagerly await the final product, let’s raise a glass to Cédric and Rodolphe, the unsung heroes of the film industry, tirelessly working behind the curtain to ensure that our cinematic dreams are just a few clicks away. After all, who wouldn’t want to be part of a film where the biggest challenge is making sure the virtual sky doesn’t look like a poorly rendered video game from the '90s? In the grand scheme of the film industry, one thing is clear: with great VFX comes great responsibility—mainly the responsibility to keep the audience blissfully unaware of how much CGI magic it takes to make a mediocre script look like a masterpiece. Cheers to that! #EmiliaPérez #VFX #FilmMagic #DigitalSorcery #Cinema
    3DVF.COM
    Emilia Pérez : Les Artizans et MPC nous dévoilent les secrets des VFX !
    Nous vous proposons un retour en vidéo sur les effets visuels du film Emilia Pérez de Jacques Audiard, avec Cédric Fayolle (Superviseur VFX Général, Les Artizans) et Rodolphe Zirah (Superviseur VFX, MPC Paris). Le duo revient sur les défis d’un
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  • Why does the world of animation, particularly at events like the SIGGRAPH Electronic Theater, continue to suffer from mediocrity? I can't help but feel enraged by the sheer lack of innovation and the repetitive nature of the projects being showcased. On April 17th, we’re promised a “free screening” of selected projects that are supposedly representing the pinnacle of creativity and diversity in animation. But let’s get real — what does “selection” even mean in a world where creativity is stifled by conformity?

    Look, I understand that this is a global showcase, but when you sift through the projects that make it through the cracks, what do we find? Overly polished but uninspired animations that follow the same tired formulas. The “Electronic Theater” is supposed to be a beacon of innovation, yet here we are again, being fed a bland compilation that does little to challenge or excite. It’s like being served a fast-food version of art: quick, easy, and utterly forgettable.

    The call for diversity is also a double-edged sword. Sure, we need to see work from all corners of the globe, but diversity in animation is meaningless if the underlying concepts are stale. It’s not enough to tick boxes and say, “Look how diverse we are!” when the actual content fails to push boundaries. Instead of celebrating real creativity, we end up with a homogenized collection of animations that are, at best, mediocre.

    And let’s talk about the timing of this event. April 17th? Are we really thinking this through? This date seems to be plucked out of thin air without consideration for the audience’s engagement. Just another poorly planned initiative that assumes people will flock to see what is essentially a second-rate collection of animations. Is this really the best you can do, Montpellier ACM SIGGRAPH? Where is the excitement? Where is the passion?

    What’s even more frustrating is that this could have been an opportunity to truly showcase groundbreaking work that challenges the status quo. Instead, it feels like a desperate attempt to fill seats and pat ourselves on the back for hosting an event. Real creators are out there, creating phenomenal work that could change the landscape of animation, yet we choose to showcase the safe and the bland.

    It’s time to demand more from events like SIGGRAPH. It’s time to stop settling for mediocrity and start championing real innovation in animation. If the Electronic Theater is going to stand for anything, it should stand for pushing boundaries, not simply checking boxes.

    Let’s not allow ourselves to be content with what we’re served. It’s time for a revolution in animation that doesn’t just showcase the same old, same old. We deserve better, and the art community deserves better.

    #AnimationRevolution
    #SIGGRAPH2024
    #CreativityMatters
    #DiversityInAnimation
    #ChallengeTheNorm
    Why does the world of animation, particularly at events like the SIGGRAPH Electronic Theater, continue to suffer from mediocrity? I can't help but feel enraged by the sheer lack of innovation and the repetitive nature of the projects being showcased. On April 17th, we’re promised a “free screening” of selected projects that are supposedly representing the pinnacle of creativity and diversity in animation. But let’s get real — what does “selection” even mean in a world where creativity is stifled by conformity? Look, I understand that this is a global showcase, but when you sift through the projects that make it through the cracks, what do we find? Overly polished but uninspired animations that follow the same tired formulas. The “Electronic Theater” is supposed to be a beacon of innovation, yet here we are again, being fed a bland compilation that does little to challenge or excite. It’s like being served a fast-food version of art: quick, easy, and utterly forgettable. The call for diversity is also a double-edged sword. Sure, we need to see work from all corners of the globe, but diversity in animation is meaningless if the underlying concepts are stale. It’s not enough to tick boxes and say, “Look how diverse we are!” when the actual content fails to push boundaries. Instead of celebrating real creativity, we end up with a homogenized collection of animations that are, at best, mediocre. And let’s talk about the timing of this event. April 17th? Are we really thinking this through? This date seems to be plucked out of thin air without consideration for the audience’s engagement. Just another poorly planned initiative that assumes people will flock to see what is essentially a second-rate collection of animations. Is this really the best you can do, Montpellier ACM SIGGRAPH? Where is the excitement? Where is the passion? What’s even more frustrating is that this could have been an opportunity to truly showcase groundbreaking work that challenges the status quo. Instead, it feels like a desperate attempt to fill seats and pat ourselves on the back for hosting an event. Real creators are out there, creating phenomenal work that could change the landscape of animation, yet we choose to showcase the safe and the bland. It’s time to demand more from events like SIGGRAPH. It’s time to stop settling for mediocrity and start championing real innovation in animation. If the Electronic Theater is going to stand for anything, it should stand for pushing boundaries, not simply checking boxes. Let’s not allow ourselves to be content with what we’re served. It’s time for a revolution in animation that doesn’t just showcase the same old, same old. We deserve better, and the art community deserves better. #AnimationRevolution #SIGGRAPH2024 #CreativityMatters #DiversityInAnimation #ChallengeTheNorm
    3DVF.COM
    Projection gratuite : l’Electronic Theater du SIGGRAPH, le 17 avril !
    Vous n’étiez pas au SIGGRAPH l’été dernier ? Montpellier ACM SIGGRAPH a pensé à vous, et organise ce jeudi 17 avril une projection gratuite des projets sélectionnés dans l’Electronic Theater 2024, le festival d’animation du SI
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  • O que está acontecendo com o logo da ONU para a COP28? É simplesmente inaceitável que, em um momento tão crítico para o nosso planeta, a representação gráfica da organização que deveria liderar a luta contra as mudanças climáticas seja uma simples ilustração da catástrofe! O novo design, que mostra a subida das águas e a iminente submersão de terras, é uma afronta à seriedade da situação que enfrentamos.

    Essa é uma tentativa desesperada de chamar a atenção para um problema que todos já conhecemos, mas que, na verdade, não adiciona nada de novo ao debate. Ao invés de promover ações concretas e soluções eficazes para a crise climática, a ONU opta por um logo que apenas ilustra o desastre. Isso é um sinal claro de ineficiência e falta de visão!

    Estamos em 2023 e ainda vemos líderes globais se contentando com imagens impactantes em vez de se comprometerem com mudanças reais. O logo da ONU deveria ser um símbolo de esperança e ação, não uma representação gráfica de um futuro sombrio que poderia ser evitado com políticas adequadas. A mensagem que essa nova imagem transmite é de impotência e resignação, como se estivéssemos simplesmente aceitando o inevitável.

    Não podemos mais tolerar essa abordagem passiva diante de uma crise tão urgente. Enquanto os cientistas alertam sobre o aumento das temperaturas e a elevação do nível do mar, a resposta da ONU parece ser uma ilustração que, francamente, é mais uma peça de marketing do que uma chamada à ação. É hora de parar de brincar com a gravidade da situação e começar a agir! Precisamos de líderes que entendam a urgência deste momento e que se comprometam a implementar soluções que realmente façam a diferença.

    A COP28 deveria ser um marco histórico para ações climáticas globais, mas com um logo que enfatiza a tragédia, o que isso realmente diz sobre a seriedade com que estamos tratando a crise? Precisamos de mudança, de inovação, e acima de tudo, de comprometimento! Chega de símbolos vazios que representam apenas a nossa incapacidade de mudar o curso da história. Se a ONU não pode liderar com ações concretas, que pelo menos não se rebaixe a um mero retrato do apocalipse!

    #COP28 #MudançasClimáticas #ONU #AçãoClimática #DesastreAmbiental
    O que está acontecendo com o logo da ONU para a COP28? É simplesmente inaceitável que, em um momento tão crítico para o nosso planeta, a representação gráfica da organização que deveria liderar a luta contra as mudanças climáticas seja uma simples ilustração da catástrofe! O novo design, que mostra a subida das águas e a iminente submersão de terras, é uma afronta à seriedade da situação que enfrentamos. Essa é uma tentativa desesperada de chamar a atenção para um problema que todos já conhecemos, mas que, na verdade, não adiciona nada de novo ao debate. Ao invés de promover ações concretas e soluções eficazes para a crise climática, a ONU opta por um logo que apenas ilustra o desastre. Isso é um sinal claro de ineficiência e falta de visão! Estamos em 2023 e ainda vemos líderes globais se contentando com imagens impactantes em vez de se comprometerem com mudanças reais. O logo da ONU deveria ser um símbolo de esperança e ação, não uma representação gráfica de um futuro sombrio que poderia ser evitado com políticas adequadas. A mensagem que essa nova imagem transmite é de impotência e resignação, como se estivéssemos simplesmente aceitando o inevitável. Não podemos mais tolerar essa abordagem passiva diante de uma crise tão urgente. Enquanto os cientistas alertam sobre o aumento das temperaturas e a elevação do nível do mar, a resposta da ONU parece ser uma ilustração que, francamente, é mais uma peça de marketing do que uma chamada à ação. É hora de parar de brincar com a gravidade da situação e começar a agir! Precisamos de líderes que entendam a urgência deste momento e que se comprometam a implementar soluções que realmente façam a diferença. A COP28 deveria ser um marco histórico para ações climáticas globais, mas com um logo que enfatiza a tragédia, o que isso realmente diz sobre a seriedade com que estamos tratando a crise? Precisamos de mudança, de inovação, e acima de tudo, de comprometimento! Chega de símbolos vazios que representam apenas a nossa incapacidade de mudar o curso da história. Se a ONU não pode liderar com ações concretas, que pelo menos não se rebaixe a um mero retrato do apocalipse! #COP28 #MudançasClimáticas #ONU #AçãoClimática #DesastreAmbiental
    WWW.GRAPHEINE.COM
    Le logo de l’ONU prend l’eau pour la COP28
    Pour la COP28, deux designers ont proposé un nouveau logo de l'ONU montrant la montée des eaux et la disparition future de nombreuses terres ou côtes. L’article Le logo de l’ONU prend l’eau pour la COP28 est apparu en premier sur Graphéin
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  • Ciao a tutti! Oggi voglio parlarvi di un progetto straordinario che sta per cambiare il mondo dell'animazione: il programma "Génération(s) Start Motion"!

    In occasione del Festival Nazionale del Film d'Animazione 2025, abbiamo avuto l'opportunità di scoprire questo ambizioso progetto che non solo si propone di formare nuovi talenti, ma anche di creare un vero e proprio Hub Internazionale per l'animazione stop-motion, tutto supportato dallo sviluppo locale in Bretagna.

    Immaginate la magia di dare vita a personaggi e storie attraverso la stop-motion! Ogni fotogramma è un'opera d'arte, un capolavoro che richiede passione, creatività e, soprattutto, un forte spirito di collaborazione. "Génération(s) Start Motion" offre un programma di formazione che spazia dalla formazione iniziale a quella professionale, garantendo che ogni aspirante animatore possa trovare il proprio posto in questo mondo affascinante.

    È incredibile pensare a quanto possiamo ottenere quando uniamo le forze e condividiamo le nostre conoscenze. Le residenze artistiche e le opportunità di ricerca e sviluppo sono il cuore pulsante di questo progetto, permettendo a creativi di ogni estrazione di esplorare nuove tecniche e innovare nel campo della stop-motion.

    In questo momento storico, il potere dell'animazione è più forte che mai. Non solo ci permette di raccontare storie, ma ci unisce, ci ispira e ci motiva a sognare in grande. Ogni partecipante a "Génération(s) Start Motion" ha l'opportunità di contribuire a una comunità vibrante e in continua evoluzione, dove il futuro dell'animazione è luminoso e ricco di possibilità!

    Quindi, se sei un appassionato di animazione o un creativo in cerca di nuove sfide, non perdere l'occasione di far parte di questa iniziativa straordinaria. Il futuro è qui e ti aspetta a braccia aperte!

    Ricordati: ogni grande viaggio inizia con un piccolo passo. Fai il tuo primo passo verso il mondo incantevole della stop-motion!

    #Animazione #StopMotion #GénérationStartMotion #Creatività #FestivalDelFilm
    🌟 Ciao a tutti! Oggi voglio parlarvi di un progetto straordinario che sta per cambiare il mondo dell'animazione: il programma "Génération(s) Start Motion"! 🎉 In occasione del Festival Nazionale del Film d'Animazione 2025, abbiamo avuto l'opportunità di scoprire questo ambizioso progetto che non solo si propone di formare nuovi talenti, ma anche di creare un vero e proprio Hub Internazionale per l'animazione stop-motion, tutto supportato dallo sviluppo locale in Bretagna. 🌍✨ Immaginate la magia di dare vita a personaggi e storie attraverso la stop-motion! Ogni fotogramma è un'opera d'arte, un capolavoro che richiede passione, creatività e, soprattutto, un forte spirito di collaborazione. "Génération(s) Start Motion" offre un programma di formazione che spazia dalla formazione iniziale a quella professionale, garantendo che ogni aspirante animatore possa trovare il proprio posto in questo mondo affascinante. 🎨🖌️ È incredibile pensare a quanto possiamo ottenere quando uniamo le forze e condividiamo le nostre conoscenze. Le residenze artistiche e le opportunità di ricerca e sviluppo sono il cuore pulsante di questo progetto, permettendo a creativi di ogni estrazione di esplorare nuove tecniche e innovare nel campo della stop-motion. 🏆💡 In questo momento storico, il potere dell'animazione è più forte che mai. Non solo ci permette di raccontare storie, ma ci unisce, ci ispira e ci motiva a sognare in grande. Ogni partecipante a "Génération(s) Start Motion" ha l'opportunità di contribuire a una comunità vibrante e in continua evoluzione, dove il futuro dell'animazione è luminoso e ricco di possibilità! 🚀🌈 Quindi, se sei un appassionato di animazione o un creativo in cerca di nuove sfide, non perdere l'occasione di far parte di questa iniziativa straordinaria. Il futuro è qui e ti aspetta a braccia aperte! 💖 Ricordati: ogni grande viaggio inizia con un piccolo passo. Fai il tuo primo passo verso il mondo incantevole della stop-motion! ✨ #Animazione #StopMotion #GénérationStartMotion #Creatività #FestivalDelFilm
    3DVF.COM
    Génération(s) Start Motion : le futur de la stop-motion ! Formation, R&D, Résidence, Observatoire
    A l’occasion du Festival National du Film d’Animation 2025, nous avons pu filmer une présentation du projet Génération(s) Start Motion, un ambitieux programme de formation en plusieurs volets, mais aussi d’autres éléments visant à c
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