Sign up for the YVO3D waitlist and get early access here: https://yvo3d.com/ Are you tired of spending hours, even days, on 3D modeling? Prepare to have your mind blown! In this video, I'm introducing YVO3D, the groundbreaking AI tool that's set to revolutionize how we create 3D models forever! Seriously, this isn't a drill. YVO3D can generate stunning, high-quality 4K 3D models in as little as 9 minutes – models so detailed and realistic, they're ready for AAA game production or professional rendering, with no extra software or complex steps. In this video, you'll see: The Shocking Speed: Watch me generate a complex 4K model in minutes right before your eyes. Insane Quality: Get a close look at the unparalleled detail and realism of the AI-generated textures and meshes. Effortless Workflow: A quick tour of YVO3D's incredibly intuitive UI – just type a prompt or upload an image, and let the AI do the rest. Seamless Unreal Engine Integration: See how easily these GLB models import into UE5, ready for your projects. Future-Proofing Your Workflow: I'll share an exciting announcement about YVO3D's upcoming native integrations with major 3D software like Blender, Unreal Engine, and Unity! This isn't just a new tool; it's a new paradigm for 3D creation. Stop modeling and start generating! Join the waitlist now while there's still space to be among the first to experience the future of 3D. 🧰 Scene Used in This Video: https://www.fab.com/listings/88dd113a-865c-4d61-bc15-49754b22fa04 Mario Bava Sleeps In a Little Later Than He Expected To by Chris Zabriskie is licensed under a Creative Commons Attribution 4.0 licence. https://creativecommons.org/licenses/by/4.0/

Good News Colon cancer recurrence and deaths cut 28% by simple exercise, trial finds Any type of aerobic exercise works for the improvements, study finds. Beth Mole – Jun 2, 2025 6:05 pm | 42 Credit: Getty | Oli Kellett Credit: Getty | Oli Kellett Story text Size Small Standard Large Width * Standard Wide Links Standard Orange * Subscribers only   Learn more Exercise is generally good for you, but a new high-quality clinical trial finds that it's so good, it can even knock back colon cancer—and, in fact, rival some chemotherapy treatments. The finding comes from a phase 3, randomized clinical trial led by researchers in Canada, who studied nearly 900 people who had undergone surgery and chemotherapy for colon cancer. After those treatments, patients were evenly split into groups that either bulked up their regular exercise routines in a three-year program that included coaching and supervision or were simply given health education. The researchers found that the exercise group had a 28 percent lower risk of their colon cancer recurring, new cancers developing, or dying over eight years compared with the health education group. The benefits of exercise, published in the New England Journal of Medicine, became visible after just one year and increased over time, the researchers found. The rate of people who survived for five years and remained cancer-free was 80.3 percent among the exercise group. That's a 6.4 percentage-point survival boost over the education group, which had a 73.9 percent cancer-free survival rate. The overall survival rate (with or without cancer) during the study's eight-year follow-up was 90.3 percent in the exercise group compared with 83.2 percent in the education group—a 7.1 percentage point difference. Exercise reduced the relative risk of death by 37 percent (41 people died in the exercise group compared with 66 in the education group). "The magnitude of benefit from exercise ... was similar to that of many currently approved standard drug treatments," the researchers noted. However, the exercise routines that achieved those substantial benefits weren't heavy-duty. Participants were coached to perform any recreational aerobic exercise they enjoyed, including brisk walking. Adding 45- to 60-minute brisk walks three or four times a week, or three or four jogs lasting 25 to 30 minutes, was enough for many of the participants to improve their odds. Overall, the goal was to get the exercise group over 20 MET hours per week. METs are Metabolic Equivalents of Task, which represent the amount of energy your body is burning up compared to when you're at rest, sitting quietly. Brisk walking is about four METs, the researchers estimated, and jogging is around 10 METs. To get to 20 MET hours a week, a participant would have to do five hours of brisk walking a week (e.g., five hour-long walks a week) or jog for two hours a week (e.g., four 30-minute jogs per week). “Quite impressive” The exercise group, which had supervised exercise for the first six months of the three-year intervention, reported more exercise over the study. At the end, the exercise group was averaging over 20 MET hours per week, while the education group's average was around 15 MET hours per week. The exercise group also scored better at cardiorespiratory fitness and physical functioning. Still, with the health education, the control group also saw a boost to their exercise during the trial, with their average starting around 10 MET hours per week. These findings "raise the possibility of an even more powerful effect of exercise on cancer outcomes as compared with a completely sedentary control group," the researchers note. For now, it's not entirely clear how exercise keeps cancers at bay, but it squares with numerous other observational studies that have linked exercise to better outcomes in cancer patients. Researchers have several hypotheses, including that exercise might cause "increased fluid shear stress, enhanced immune surveillance, reduced inflammation, improved insulin sensitivity, and altered microenvironment of major sites of metastases," the authors note. In the study, exercise seemed to keep local and distant colon cancer from recurring, as well as prevent new cancers, including breast, prostate, and colorectal cancers. Outside experts hailed the study's findings. "This indicates that exercise has a similarly strong effect as previously shown for chemotherapy, which is really quite impressive," Marco Gerlinger, a gastrointestinal cancer expert at Queen Mary University of London, said in a statement. "One of the commonest questions from patients is what they can do to reduce the risk that their cancer comes back. Oncologists can now make a very clear evidence-based recommendation." "Having worked in bowel cancer research for 30 years, this is an exciting breakthrough in the step-wise improvement in cure rates," David Sebag-Montefiore, a clinical oncologist at the University of Leeds, said. "The great appeal of a structured moderate intensity exercise is that it offers the benefits without the downside of the well-known side effects of our other treatments." Beth Mole Senior Health Reporter Beth Mole Senior Health Reporter Beth is Ars Technica’s Senior Health Reporter. Beth has a Ph.D. in microbiology from the University of North Carolina at Chapel Hill and attended the Science Communication program at the University of California, Santa Cruz. She specializes in covering infectious diseases, public health, and microbes. 42 Comments

The fact that the AI cooking assistant is half-baked shouldn't stop you from using the iPhone connectivity with the otherwise excellent Brisk It Zelos-450 outdoor grill.Brisk It Zelos-450As this piece goes live, May 28, it is both national brisket day, and national hamburger day. It seems only fitting that we look at an app-connected grill on this day.Admittedly, both days are likely marketing exercises, but still. Continue Reading on AppleInsider | Discuss on our Forums

Honey Don’t! opens in theaters August 22. This review is based on a screening at the 2025 Cannes Film Festival.Ethan Coen’s desert detective comedy Honey Don’t! is a step down from what was already a disappointing departure. When older Coen brother Joel branched out from the duo’s acclaimed collaborations, it led to Shakespearean grandeur. There’s no shame in going a more playful route, as the younger Coen and co-writer Tricia Cooke did with Honey Don’t! and its predecessor, Drive-Away Dolls. But their second film in their planned “lesbian B-movie trilogy” is flimsy and insubstantial. It reads like a brisk, star-studded romp on paper: The plot concerns small-town California private eye Honey O'Donahue (Margaret Qualley), a consummate professional summoned to investigate the suspicious roadside death of a woman who had called her not 24 hours prior. Coen and Cooke zoom out to give us the lay of the land before agonizingly connecting each dot, between the deceased’s sexually exploitative church leader, Reverend Drew Devlin (Chris Evans), Honey’s fractured family life, and her advances towards alluring policewoman MG Falcone (Aubrey Plaza).Each of these subplots has its own subplots that drag Honey Don’t! further away from its mystery, including Reverend Drew’s involvement in international drug trade and Honey’s teenage niece Corrine (Talia Ryder) confiding in her about an abusive relationship. Honey occasionally follows up on leads, moving languidly between several matter-of-fact exchanges with no real emotional trajectory. The dialogue is delivered so flatly that you might struggle to differentiate the dramatic and comedic material in any given scene. Take, for instance, Honey’s many conversations with her doting, capable assistant Spider (Gabby Beans), which feel like they’re supposed to be banter between two quick-witted women, but result in awkward dead air for extended periods. The movie’s parched, dusty setting extends infinitely in establishing shots, but the characters’ interactions feel like that, too.What’s more, none of Honey’s sleuthing ever turns up useful answers. Notable discoveries and plot turns usually fall in her lap, and the story’s disparate threads end up being tied together through sheer coincidence. This might be intentional: Coen and Cooke are more concerned with the theme of feminine trauma and anger binding their storylines. However, it results in a plot-heavy film that continuously meanders on its way toward building on (or satisfying) its intrigue. There’s no single noir tradition that dictates exactly how a modern successor should operate; some of these stories focus on the mystery, while others use their underworld escapades as vehicles for charismatic characters – but that’s the main ingredient Honey Don’t! lacks. Qualley, through no fault of her own, is stuck pounding the pavement with little more than a mild scowl on her face, while Evans strains to embody a foul-mouthed douchebag with no further dimensions, much as he did in The Gray Man. The Biggest Movies Coming in 2025If Honey Don’t! has one redeeming performance, it’s that of Charlie Day as local detective Marty Metakawich. It’s a minor role made hilarious in a retrograde, tongue-in-cheek manner, since Marty keeps desperately asking Honey out on dates, no matter how many times she clarifies her sexual orientation. Unfortunately, like much of the supporting cast, Day’s role is truncated, and written first and foremost with its function in mind. His handful of scenes are all about nudging Honey’s investigation in a different direction, even though this seldom leads to interesting developments.Honey Don’t! lacks both visual pizzazz and the kind Coen-esque edge that made the brothers’ previous capers shine. Their zaniest works, like The Big Lebowski and Raising Arizona, let their sprawling ensembles loose in a fun-house-mirror reflection of reality. But this one feels far too plodding to draw your attention. It also reads too overtly like the product of a hasty first draft influenced by the window dressing of other, better noirs – the PIs, the lurid crimes, the femmes fatale – without the time or effort to examine what drew audiences to those movies in the first place.Honey Don’t! is a step down from what was already a disappointing departure.“There’s no better summary of the difference between what Honey Don’t! promises and what it delivers than the mood of the crowd at its Cannes premiere. As the logos for the festival and studio came up on screen, they were met with the kind of deafening roars typically reserved for midnight cult movies. But once Honey Don’t! was underway, the excitement slowly dissipated. Punchlines were met with scattered chuckles, and the movie’s violent bloodshed – part-cartoonish, part-viscerally upsetting – yielded befuddlement. You can’t judge a movie by an audience’s reaction, but in this case, it’s at least instructive.

Grab Dash by Polygonflow and revolutionize your Unreal workflow here: https://www.polygonflow.io/ Ever wondered how some artists are building incredibly detailed and vast environments in Unreal Engine with shocking speed? In this video, I'm revealing the "genius" new workflow powered by Dash by Polygonflow, a plugin that's truly transforming how we approach environment creation in Unreal Engine 5! Join me as we dive deep into how Dash makes complex procedural content generation (PCG) accessible and incredibly fast. We'll build a stunning road environment from scratch, showcasing Dash's core features step-by-step: Lightning-Fast Content Browser: Discover its integrated asset management, seamless Quixel integration, and awesome AI tagging for effortless organization. Intuitive Scattering Tools: Learn how to quickly populate your scenes with plants, rocks, and custom meshes, precisely controlling their placement. Powerful Masking Features: Master Dash's sophisticated proximity, height, angle, and border masks to achieve incredibly realistic and nuanced distribution of your scattered assets. Dynamic Curve-Based Generation: See how to create full roads, add detailed borders, and build complex structures along custom curves, all with instant, procedural updates. Interactive Physics Tools: Watch how "Physics Drop" and "Physics Paint" allow you to add natural-looking debris and scatter elements with real-time physical simulation. Whether you're struggling with traditional PCG, tired of manual placement, or just looking for the next big leap in your Unreal Engine workflow, Dash is a game-changer you won't want to miss. Get ready to build bigger, faster, and smarter! PolygonFlow's videos for Smart Content Browser: https://www.youtube.com/watch?v=rjTv9jWfY4s Tools & Assets Used/Mentioned: Dash by Polygonflow: https://www.polygonflow.io/ Ultra Dynamic Sky: https://www.fab.com/listings/84fda27a-c79f-49c9-8458-82401fb37cfb Conifer Trees Biome: https://www.fab.com/listings/e7de608e-94c4-4b9e-9bb2-3085604fdf5e Chapters: [0:00] Intro: The GENIUS new Unreal Engine workflow 01:24 Dash's Content Browser & AI Tagging 03:48 Easy Scattering & Proximity Masks 08:50 Advanced Feature & Border Masking 11:47 The Power of the Curve Tool & Path Creation 17:45 Building a Procedural Road Scene from Scratch 22:39 Dynamic Landscape Sculpting & Tree Placement 25:03 Detailed Road Shoulders & Barriers 27:21 Lighting with Ultra Dynamic Sky 30:00 Physics Drop & Physics Paint Showcase 31:40 Final Thoughts & Outro Music Licenses: The Life and Death of a Certain K. Zabriskie, Patriarch by Chris Zabriskie is licensed under a Creative Commons Attribution 4.0 licence. https://creativecommons.org/licenses/by/4.0/

We test a lot of smart home devices, most of which are meant to work indoors. But there are also plenty of great gadgets that work outside, whether it's to balance the pH content of your pool, mow your lawn, or keep an eye on your property when you're out of town.Here, we've gathered some of the best backyard-friendly gadgets we've tested. It's a diverse selection, from beach-friendly speakers to robotic pool cleaners. There's even a TV you can keep out in a thunderstorm. So, if you're looking to bring the technological comforts of home to the great outdoors, look no further. Best Floodlight Camera Eufy Floodlight Camera E340 4.5 Excellent Keep your driveway or yard fully illuminated and secure with the Eufy E340 floodlight camera. It isn't solar-powered like the S340 below it and so you'll have to wire it, but it has a 2,000-lumen floodlight and mechanical pan-and-tilt so you can cover every inch of your property in its range. Eufy Floodlight Camera E340 review Best Battery-Powered Projector Anker Nebula Mars 3 4.0 Excellent The Anker Nebula Mars 3 is a capable 1080p projector that's ideal for use in the backyard or at a vacation rental thanks to its water-resistant design and its battery that can last up to five hours (in Eco Mode, or two hours at full-blast). It features Android 11, so you can stream from plenty of services without plugging in another device. Plus, it has a useful handle so you can lug it anywhere. Anker Nebula Mars 3 review Best Budget Outdoor Security Camera TP-Link Tapo Indoor/Outdoor Home Security Wi-Fi Camera C120 4.5 Excellent If you want to monitor the outside of your home without spending much money, the TP-Link Tapo C120 Indoor/Outdoor is worth looking into. For just $40, it's loaded with features usually only found on more expensive models, including 2K resolution (2,560 by 1,440 pixels), color night vision, and local video storage. The camera records video when it detects motion and offers free intelligent alerts that differentiate between people, pets, vehicles, and other motion events, a feature many competitors charge extra for. It requires a nearby GFCI outlet for power but saves you a lot of money compared with wireless 2K alternatives. TP-Link Tapo Indoor/Outdoor Home Security Wi-Fi Camera C120 review Best Affordable Bluetooth Speaker Anker Soundcore Motion 300 4.0 Excellent The Anker Soundcore Motion 300 is a deceptively small, cheap outdoor speaker, considering the sound it can produce. It offers robust sound with high-res LDAC Bluetooth codec support and is also completely waterproof. Best of all, it's well under $100 and easy to slip into a bag. Anker Soundcore Motion 300 review Best Portable Speaker JBL Charge 5 4.0 Excellent JBL’s portable, outdoor-friendly Charge 5 Bluetooth speaker is an excellent choice for parties. It has a dust-tight build for the beach, with powerful drivers and dual passive radiators to deliver an impressive amount of sound for its size. You don't get a speakerphone function or an adjustable EQ in the companion app, but those are relatively minor drawbacks. For less than $200, you can't do much better. Best Robot Lawn Mower Husqvarna Automower 435X AWD 4.0 Excellent As with every robot lawn mower we've reviewed, the Husqvarna Automower 435X AWD doesn't come cheap, but it does an excellent job of mowing and trimming your lawn. It features both GPS and cellular radios, plus it connects to a slick companion app that enables remote controls, mowing schedules, and IFTTT integrations. Best of all (depending on your yard), it won't struggle to handle hilly terrain. Best Outdoor Smart Plug TP-Link Kasa Smart Wi-Fi Outdoor Plug EP40A 4.0 Excellent TP-Link’s dual-outlet Kasa Smart Wi-Fi Outdoor Plug EP40A ($29.99) doesn't care what smart home system(s) you use: It works with all the major platforms, including Amazon Alexa, Apple HomeKit, Google Assistant, and Samsung SmartThings. That broad compatibility and an IP64 weatherproof rating make it a good choice for bringing smart features to your backyard appliances. TP-Link Kasa Smart Wi-Fi Outdoor Plug EP40A review Best Robot Pool Cleaner Polaris Freedom Plus Cordless Robotic Pool Cleaner 4.0 Excellent Polaris robotic pool cleaners have long been among our favorites because of their sturdy build and superb cleaning performance, and the cordless Freedom Plus continues the streak. It's battery-operated, which means it can clean the pool without a cable for power. It has Bluetooth and Wi-Fi to activate it in its charging station and a light-based remote for controlling it underwater. Otherwise, you can simply let it roam around until it comes back up to charge and empty. Polaris Freedom Plus Cordless Robotic Pool Cleaner review Best Smart Sprinkler System Rachio 3 Smart Sprinkler Controller 4.5 Excellent If you love your lawn enough to install a sprinkler system, you need a good sprinkler controller. The Rachio 3 is one of the best: It supports up to eight separate sprinkler zones with automatic weather-based or custom app-controlled watering schedules. You can even control it with Alexa or Google Assistant voice commands and IFTTT applets. Best Smart Hose Timer Orbit B-Hyve Smart Hose Faucet Timer With Wi-Fi Hub 4.0 Excellent You don't need a full sprinkler system to automate watering your lawn. The Orbit B-Hyve Smart Hose Faucet Timer turns your ordinary garden hose into a smart watering system that you control from your phone, complete with programmed watering schedules and smart weather-based watering. It's a breeze to install and program, and it works with Amazon Alexa voice commands. Best Pool Water Monitor Crystal Water Monitor 4.0 Excellent The Crystal Water Monitor keeps track of your pool's health, with plenty of water analysis features beyond simple pH levels including oxidation reduction potential (ORP) and total alkalinity. It's a bit pricey and requires a subscription after the first year, but the subscription includes a continuous warranty and replacement sensors when needed. Crystal Water Monitor review Best Wireless Outdoor Security Camera Eufy SoloCam S340 4.0 Excellent The Eufy SoloCam S340 is one of the most feature-filled wireless outdoor security cameras available, starting with a built-in solar panel for keeping its battery charged. It also features dual lenses, 3K video, color night vision, mechanical pan and tilt, a built-in spotlight, and local video storage. That's a lot packed into a single camera, and it easily justifies its high price if you want to keep a close eye on your home. Eufy SoloCam S340 review Best Smart Lock Ultraloq Bolt Smart WiFi Deadbolt Fingerprint Edition 4.5 Excellent The Ultraloq Bolt Fingerprint is one of the most flexible smart locks we've seen for securing your front door. You can use an app, your fingerprint, a key, or a PIN code to unlock it. It also works with every major smart home standard except Matter. Ultraloq Bolt Smart WiFi Deadbolt Fingerprint Edition review Best Speaker for Outdoor Parties Sony ULT Field 7 4.0 Excellent If you really want to drive an outdoor party, the big and booming Sony ULT Field 7 is the speaker to get. It's a chunky, completely weatherproof cylinder with stereo woofer/tweeter pairs that can easily fill your backyard with music. It also has colored lighting effects and a mic input for karaoke. Sony ULT Field 7 review Best Smart Bird Feeder Bird Buddy Smart Feeder Pro 4.5 Excellent The Bird Buddy Smart Feeder Pro sends highly shareable snapshots and video postcards of the local bird population to your phone, while its companion app is smart enough to call out their species. Overall, the Bird Buddy is a charming piece of tech for naturalists and an Editors' Choice winner—if you're going to get a smart feeder, get this one. Bird Buddy Smart Feeder Pro review Best Video Doorbell Tapo D225 Video Doorbell 4.0 Excellent Besides a good front door lock, you probably want to be able to see who's knocking or who might be stealing your packages. The TP-Link Tapo D225 video doorbell offers sharp video, both local and cloud storage, and plenty of smart home integration options, and it's surprisingly affordable. Tapo D225 Video Doorbell review Best for Roku-Centric Households Roku Outdoor Smart Plug 4.0 Excellent Roku's Outdoor Smart Plug SE features an IP64 weatherproof build, and makes it easy to control appliances and other electronics with your phone or voice and conveniently tracks how much power they use. It's appealing if you also use Roku devices since you don't need to set up anything else to control the plug from your couch. It also works with Alexa and Google Assistant voice commands, but the TP-Link EP40A offers offers better third-party device support. Roku Outdoor Smart Plug review Best Outdoor TV SunBriteTV 55-Inch Veranda 3 Series (SB-V3-55-4KHDR-BL) 4.0 Excellent Most TVs aren’t built to survive the elements, let alone pouring rain, blowing snow, flying sand, or scorching heat, but SunBriteTV’s Veranda Series 3 is up to the task. It offers a few key advantages over previous Veranda models, including a brighter and much more colorful picture with support for Dolby Vision, as well as a full suite of Android TV features such as streaming media services, Google Assistant voice controls, and the ability to mirror your phone. Best Outdoor Party Lights Govee Lynx Dream Bluetooth & Wi-Fi Outdoor String Lights 4.0 Excellent Light strips are ideal for subtle effects, but if you want a more festive way to illuminate your patio, porch, or any other outdoor space, you're better off with smart string lights like the Govee Lynx Dream. Available in lengths of 48 or 96 feet, each string has dimmable multicolor LED bulbs that you can control with your voice or phone. They also support IFTTT applets, and you get a generous selection of preset lighting scenes and a fun Music Sync mode that's great for parties. Best Smart Door Feather River Doors Smart Glass 4.0 Excellent Smart locks and doorbell cameras might make your front door safe but don't add much to the aesthetic appeal. If you want to give your front door a real high-tech makeover, the Feather River Doors Smart Glass is a unique, expensive option. It's a door with a smart glass window that lets you flip between frosted opaque and completely transparent with the push of a button, a voice command, or an app. Feather River Doors Smart Glass review Protect Your Packages Yale Smart Delivery Box 4.0 Excellent Packages get purloined from porches pretty often, so protect those parcels with the Yale Smart Delivery Box. It's a large drop box you can secure to your porch so delivery drivers can safely set anything that will fit inside. Share an access code in the delivery details section of your orders from Amazon and other services, the driver will enter it into a keypad, the box will open, you'll get a notification, and the lid will automatically lock. Yale Smart Delivery Box review Best Smart Padlock Igloohome Smart Padlock 2 and Bridge 4.0 Excellent Smart locks are good for homes, but what about sheds and backyards? The Igloohome Smart Padlock 2 has you covered. It's a solid, waterproof padlock you can control via Bluetooth and Wi-Fi. It supports unlocking directly through the app, or you can control who can unlock it and at what times by issuing one-time or scheduled PINs and Bluetooth keys. Igloohome Smart Padlock 2 and Bridge review Best Smart Mosquito Repellent System Thermacell LIV Smart Mosquito Repellent System 4.0 Excellent Pesky mosquitoes can ruin an otherwise enjoyable evening in your backyard, but traditional bug sprays are usually unpleasant to use. The Thermacell LIV Smart Mosquito Repellent System is a high-tech alternative that relies on heat-activated repellent cartridges to create 20-foot barriers of protection. The system worked well in testing and we didn't see any vapors or smell any chemicals. You get three repellers in the basic kit, but keep in mind that the system specifically defends against mosquitoes, which means other types of bugs might continue to buzz about. Regardless, it supports both app and voice controls for maximum convenience. Best Wood-Fired Smart Grill Brisk It Origin 940 4.5 Excellent The Brisk It Origin 940 works like any other wood pellet grill, giving you the ability to roast, smoke, bake, and barbecue without having to deal with the mess of charcoal grilling or the taste of lighter fluid. Moreover, it uses generative AI to offer up countless recipes that you can send directly to the grill. In testing, its AI supplied foolproof recipes for pulled pork and whole bass and the grill delivered mouthwatering results. Brisk It Origin 940 review Best Smart Charcoal Grill and Smoker Kamado Joe Konnected Joe Digital Charcoal Grill and Smoker 4.0 Excellent The Kamado Joe Konnected Joe Digital Charcoal Grill and Smoker helps you cook charcoal-fired food to perfection every time. This tank-like kamado grill is simple to use and clean, offers precise temperature control, and works with lots of high-quality accessories. The app is intuitive and has hundreds of recipes you can follow. Kamado Joe Konnected Joe Digital Charcoal Grill and Smoker review Best Smart Gas Grill Weber Genesis EPX-335 Smart Gas Grill 4.0 Excellent The Weber Genesis EPX-335 Smart Gas Grill is built to last and has plenty of smart tech features to enhance the cooking experience. It features Wi-Fi and Bluetooth connectivity, an illuminated cooking chamber, a user-friendly mobile app, and hundreds of programmable recipes. Moreover, there’s plenty of built-in storage for utensils, cooking racks, and cleaning accessories. Weber Genesis EPX-335 Smart Gas Grill review

This article contains some Mission: Impossible – The Final reckoning spoilers. In the most recent and supposedly final Mission: Impossible film, Ethan Hunt receives his briefing on a VHS cassette tape. That is a marvelous wink to the era in whichMission: Impossible, but these films have remained consistently at the zenith of quality blockbuster cinema. And through it all remains Tom Cruise, running, gunning, and smoldering with his various, luxuriant haircuts. Indeed, the first M:I picture was also Cruise’s first as a producer, made under the banner of Cruise/Wagner productions. Perhaps for that reason, he has stayed committed to what was once viewed as simply a “television adaptation.” It might have begun as TV IP, but in Cruise’s hands it has become a cinematic magnum opus that sequel after sequel, and decade after decade, has blossomed into one of the most inventive and satisfying spectacles ever produced in the Hollywood system. The final decade of the series’ run in particular has been groundbreaking. After five movies with five very different directors, aesthetics, and sensibilities, Christopher McQuarrie stuck around—alongside stunt coordinator Wade Eastwood. Together with Cruise, they turned the series into an old-fashioned, in-camera spectacle that harkens back to the earliest days of cinema. In the process, Cruise has added another chapter to his career, that of an onscreen daredevil like Harold Lloyd or Douglas Fairbanks. It’s been an amazing run, and honestly it’s a bit arbitrary to quantify it with any sort of ranking. But if we were going to do such a thing, here is how it should go… 8. Mission: Impossible II (2000) It’s hardly controversial to put John Woo’s Mission: Impossible II dead last. From its overabundance of slow-mo action—complete with Woo’s signature flying doves—to its use of Limp Bizkit, and even that nonsensical plot about manmade viruses that still doesn’t feel timely on the other side of 2020, MI:-2 is a relic of late ‘90s Hollywood excess. On the one hand, it’s kind of marvelous that Cruise let Woo completely tear down and rebuild a successful franchise-starter in the Hong Kong filmmaker’s own image. On the other, it’s perhaps telling of where Cruise’s ego was at that time since Woo used this opportunity to transform the original all-American Ethan Hunt into a god of celluloid marble. And make no mistake, there is something godlike to how Woo’s camera fetishizes Cruise’s sunglasses and new, luxuriant mane of jet black hair during Hunt’s big introduction where he is seen free-climbing across a rock face without rope. It would come to work as metaphor for the rest of the movie where, despite ostensibly being the leader of a team, Ethan is mostly going it alone as he does ridiculous things like have a medieval duel against his evil doppelgänger (Dougray Scott), only both men now ride motorcycles instead of horses. The onscreen team, meanwhile, stares slack-jawed as Ethan finds his inner-Arnold Schwarzenegger and massacres entire scores of faceless mercenaries in multiple shootouts. While gunplay has always been an element of modern spy thrillers, the Mission: Impossible movies work best when the characters use their wits (and the stunt team’s ingenuity) to escape elaborate, tricky situations. So there’s something banal about the way M:I-2 resembles any other late ‘90s and early ‘00s actioner that might’ve starred Nicolas Cage or Bruce Willis. Technically the plot, which involves Ethan’s reluctance to send new flame Nyah Hall (Thandiwe Newton) into the lion’s den as an informant, has classical pedigree. The movie remakes Alfred Hitchcock’s Notorious (1946) in all but name. However, the movie is so in love with its movie star deity that even the supposedly central romance is cast in ambivalent shadow. 7. Mission: Impossible – The Final Reckoning (2025) Yes, we admit to also being surprised that what is allegedly intended to be the last Mission: Impossible movie is finishing near the very bottom of this list. Which is not to say that The Final Reckoning is a bad movie. It’s just a messy one—and disappointing too. Perhaps the expectations were too high for a film with “final” in the title. Also its reportedly eye-popping $400 million only fueled the hype. But whereas the three previous Mission films directed by Christopher McQuarrie, including Dead Reckoning, had a light playfulness about them, The Final Reckoning gets lost in its own self-importance and grandiosity. Once again we have a Mission flick determined to deify Ethan Hunt with McQuarrie’s “gambler” from the last couple movies taking on the imagery of the messiah. Now the AI fate of the world lies in his literal hands. This approach leads to many long expository sequences where characters blather endlessly about the motivations of an abstract artificial intelligence. Meanwhile far too little time is spent on the sweet spot for this series: Cruise’s chemistry with co-stars when he isn’t hanging from some death-defying height. In fact, Ethan goes it pretty much alone in this one, staring down generals, submarine captains, and American presidents—fools all to think for one instance Ethan isn’t the guy sent to redeem them for their sins. The action sequences are still jaw-dropping when they finally come, and it is always good to see co-stars Simon Pegg, Hayley Atwell, and an all too briefly used Ving Rhames again, but this feels less like a finale than a breaking point. If Mission does come back, it will have to be as something wildly different (and presumably less expensive). 6. Mission: Impossible III (2006) Before he transformed Star Trek and Star Wars into remarkably similar franchises, writer-director J.J. Abrams made his big screen debut by doing much the same to the Mission: Impossible franchise. With his emphasis on extreme close-ups, heavy expository dialogue dumps, and intentionally vague motivations for his villains that seem to always have something to do with the War on Terror, Abrams remade the M:I franchise in the image of his TV shows, particularly Alias. This included turning Woo’s Übermensch from the last movie into the kind of suburban everyman who scores well with the Nielsen ratings and who has a sweet girl-next-door fiancée (Michelle Monaghan). Join our mailing list Get the best of Den of Geek delivered right to your inbox! Your mileage may vary with this approach, but personally we found M:I-3 to be too much of a piece with mid-2000s television and lacking in a certain degree of movie magic. With that said, the movie has two fantastic aces up its sleeve. The first and most significant is a deliciously boorish performance by Philip Seymour Hoffman as the franchise’s scariest villain. Abrams’ signature monologues have never been more chilling as when Hoffman cuts through Cruise’s matinee heroics like a knife and unsettles the protagonist and the audience with an unblinking declaration of ill-intent. Perhaps more impressively, during one of the franchise’s famed “mask” sequences where Ethan disguises himself as Hoffman’s baddie, the character actor subtly and convincingly mimics Cruise’s leading man charisma. That, plus introducing fan favorite Simon Pegg as Benji to the series (if in little more than a cameo), makes the movie worth a watch if not a regular revisit. According to more than a few critics in 2023, the then-newest installment in the series was also the best one. I respectfully disagree. The first half of writer-director Christopher McQuarrie and Cruise’s Dead Reckoning In terms of old school spectacle and breakneck pacing, Dead Reckoning is easily the most entertaining action movie of summer 2023’s offerings. However, when compared to the best entries in the M:I franchise, Dead Reckoning leaves something be desired. While McQuarrie’s counterintuitive instinct to script the scenes after designing the set pieces, and essentially make it up as they went along, paid off in dividends in Fallout, the narrative of Dead Reckoning’s first half is shaggy and muddled. The second act is especially disjointed when the film arrives in Venice, and the actors seem as uncertain as the script is over what exactly the film’s nefarious A.I. villain, codename: “The Entity,” wants. That this is the portion of the film which also thanklessly kills off fan favorite Ilsa Faust (Rebecca Ferguson) does the movie no favors. Elsewhere in the film, Hayley Atwell proves a fantastic addition in her own right as Grace—essentially a civilian and audience surrogate who gets wrapped up in the M:I series’ craziness long enough to stare at Cruise in incredulity—but the inference that she is here to simply interchangeably replace Ilsa gives the film a sour subtext. Still, Atwell’s Grace is great, Cruise’s Ethan is as mad as ever with his stunts, and even as the rest of the ensemble feels underutilized, seeing the team back together makes this a good time—while the unexpected return of Henry Czerny as Eugene Kittridge is downright great. 4. Mission: Impossible – Ghost Protocol (2011) There are many fans who will tell you that the Mission: Impossible franchise as we know it really started with this Brad Bird entry at the beginning of the 2010s, and it’s easy to see why. As the first installment made with a newly chastened Cruise—who Paramount Pictures had just spent years trying to fire from the series—it’s also the installment where the movie star remade his persona as a modern day Douglas Fairbanks. Here he becomes the guy you could count on to commit the most absurdly dangerous and ridiculous stunts for our entertainment. What a mensch. And in terms of set pieces, nothing in the series may top this movie’s second act where Cruise is asked to become a real-life Spider-Man and wall-crawl—as well as swing and skip—along the tallest building in the world, the Burj Khalifa in Dubai. It’s a genuine showstopper that looms over the rest of the movie. Not that there isn’t a lot to enjoy elsewhere as Bird brings a slightly more sci-fi and cartoonish cheek to the proceedings with amusing gadgets like those aforementioned “blue means glue” Spidey gloves. Even more amusingly, the damn things never seem to work properly. This is also the first Mission: Impossible movie where the whole team feels vital to the success of the adventure, including a now proper sidekick in the returning Pegg and some solid support from Paula Patton and Jeremy Renner. For a certain breed of fan that makes this the best, but we would argue the team dynamics were fleshed out a little better down the road, and in movies that have more than one stunning set piece to their name. 3. Mission: Impossible (1996) The last four entries of the series have been so good that it’s become common for folks to overlook the movie that started it all, Brian De Palma’s endlessly stylish Mission: Impossible. That’s a shame since there’s something admirably blasphemous to this day about a movie that would take an ancient pop culture property and throw the fundamentals out the window. In this case, that meant turning the original show’s hero, Jim Phelps (played by Jon Voight here), into the villain while completely rewriting the rulebook about what the concept of “Mission: Impossible” is. It’s the bold kind of creative move studios would never dare make now, but that’s what opened up the space to transform a novelty of ‘60s spymania TV into a ‘90s action classic, complete with heavy emphasis on techno espionage babble and post-Cold War politics. The movie can at times appear dated given the emphasis on floppy disks and AOL email accounts, but it’s also got a brisk energy that never goes out of style thanks to De Palma’s ability to frame a knotty script by David Koepp and Robert Towne (the latter of whom penned Chinatown) into a breathlessly paced thriller filled with paranoia, double crosses, femme fatales, and horrifying dream sequences. In other words, it’s a De Palma special! The filmmaker and Cruise also craft a series of set pieces that would become the series’ defining trademark. The finale with a fistfight atop a speeding train beneath the English Channel is great, but the quiet as a church mouse midpoint where Cruise’s hero dangles over the pressure-sensitive floor of a CIA vault—and with a drop of sweat dripping just out of reach!—is the stuff of popcorn myth. It’s how M:I also became as much a great heist series as shoot ‘em up. Plus, this movie gave us Ving Rhames’ stealth MVP hacker, Luther Stickell. 2. Mission: Impossible – Rogue Nation (2015) In retrospect there is something faintly low-key about Rogue Nation, as ludicrous as that might be to say about a movie that begins with its star literally clinging for dear life to the outside of a plane at take off. Yet given how grand newcomer director Christopher McQuarrie would take things in the following three Mission films, his more restrained first iteration seems charmingly small scale in comparison. Even so, it remains an action marvel in its own right, as well as the most balanced and well-structured adventure in the series. It’s the one where the project of making Ethan Hunt a tangible character began. Rightly assessing Ethan to be a “gambler” based on his inconsistent yet continuously deranged earlier appearances, McQuarrie spins a web where Hunt’s dicey lifestyle comes back to haunt him when facing a villain who turns those showboat instincts in on themselves, and which pairs Ethan for the first time against the best supporting character in the series, Rebecca Ferguson as Ilsa Faust. There’s a reason Ferguson’s MI6 double (triple, quadruple?) agent was the first leading lady in the series to become a recurring character. She gives a star-making turn as a woman who is in every way Ethan’s equal while keeping him and the audience on their toes. She, alongside a returning Simon Pegg and Ving Rhames, solidify the definitive Mission team, all while McQuarrie crafts elegant set pieces with classical flair, including a night at the opera that homages and one-ups Alfred Hitchcock’s influential sequence from The Man Who Knew Too Much (1956), as well as a Casablanca chase between Ethan and Ilsa that’s the best motorcycle sequence in the series (if only they stopped by Rick’s). Also McQuarrie’s script ultimately figures out who Ethan Hunt truly is by letting all those around him realize he’s a madman. And Alec Baldwin’s Alan Hunley gets this gem of a line to sums the series up in total: “Hunt is uniquely trained and highly motivated, a specialist without equal, immune to any countermeasures. There is no secret he cannot extract, no security he cannot breach, no person he cannot become. He has most likely anticipated this very conversation and is waiting to strike in whatever direction we move. Sir, Hunt is the living manifestation of destiny—and he has made you his mission.” 1. Mission: Impossible – Fallout (2018) If one were to rank these movies simply by virtue of set pieces and stunts, pound for pound it’s impossible to top Mission: Impossible – Fallout (forgive the pun). A virtuoso showcase in action movie bliss, there are too many giddy mic drop moments to list, but among our favorites are: Tom Cruise doing a real HALO jump out of a plane at 25,000 feet and which was captured by camera operator Craig O’Brien, who had an IMAX camera strapped to his head; the extended fight sequence between Cruise, Henry Cavill, and Liam Yang in a bathroom where the music completely drops out so we can hear every punch, kick, and that surreal moment where Cavill needs to reload his biceps like they’re shotguns; and did you see Cruise’s ankle bend the wrong way in that building to building jump?! For action junkies, there was no better adrenaline kick out of Hollywood in the 2010s than this flick, and that is in large part a credit to writer-director Christopher McQuarrie. As the first filmmaker to helm more than one M:I movie, McQuarrie had the seemingly counterintuitive innovation to meticulously hammer out all of the above action sequences as well as others—such as a motorcycle chase across the cobblestones of Paris and a helicopter climax where Cruise is really flying his chopper at low altitudes—with stunt coordinator Wade Eastwood and Cruise, and then retroactively pen a surprisingly tight and satisfying screenplay that continues to deconstruct the Ethan Hunt archetype into a man of flesh and blood. McQuarrie also reunites all the best supporting players in the series—Rhames, Pegg, and his own additions of Rebecca Ferguson as the ambiguous Ilsa Faust and Sean Harris as the dastardly Solomon Lane—into a yarn that is as zippy and sharp as you might expect from the screenwriter of The Usual Suspects, but which lets each action sequence unfurl with all the pageantry of an old school Gene Kelly musical number. Many will call this the best Mission: Impossible movie, and we won’t quibble the point.

Teenage Mutant Ninja Turtles: Tactical Takedown Score Details “Teenage Mutant Ninja Turtles: Tactical Takedown makes turn-based tactics feel as fast-paced as a John Wick brawl.” Pros Very original approach to TMNT Thoughtful characterization Fast-paced tactics Compact size is a plus Cons Repetitive missions A bit anticlimactic Buggy at launch “Why you can trust Digital Trends – We have a 20-year history of testing, reviewing, and rating products, services and apps to help you make a sound buying decision. Found out more about how we test and score products.“ Please link here Teenage Mutant Ninja Turtles: Tactical Takedown is a shining example of how the way a game plays can completely change what it says about its characters. Growing up, my perception of New York’s finest reptiles was shaped by beat-em-ups. GameCube drawlers like Battle Nexus taught me that the boys were a bunch of rowdy goofballs. They were deadly, but sloppy. They aren’t the same turtles I find in the turn-based action of Tactical Takedown. There, I meet hyper efficient assassins who don’t waste a single movement. They aren’t just members of a squad who need one another to take out waves of enemies; each is a one turtle wrecking machine. I’m left to wonder just how devastating they must be as one unified band of brothers. Recommended Videos Fast-paced strategy makes Teenage Mutant Ninja Turtles: Tactical Takedown’s turn-based action feel as active as an arcade brawler. Each level offers a jolt of arcade excitement that gives each turtle their chance to shine rather than treating them as interchangeable heroes. Its small scope leaves it vulnerable to bugs and repetition, but Tactical Takedown’s best quality is how much it’s willing to break the mold and offer a new spin on a familiar TMNT power fantasy. Together alone Rather than revisiting a scenario that’s been done to death, Tactical Takedown tries its best to steer away from TMNT clichés. It pits the boys against a new Foot Clan leader who is filling a void left behind by Shredder. Rather than tackling that threat together with a carefree attitude, we’re left with four brothers who have grown distant as each comes to terms with impending adulthood. The big shock is that the four of them never appear together during their mission, as an attack on the Turtle Lair takes out their communication system. Each one sets off on their own solo objective, only interacting with their bros through interstitial dialogue between missions. A broken Turtlecom turns out to be a perfect metaphor for a more human kind of distance. That may sound a little sacrilegious at first, but it’s a purposeful swing. The physical separation drives home how much the team is growing apart through the story. It’s a little sad, like waking up one morning and realizing that you haven’t seen the cousins you used to play all night with on Christmas Eve in years. We’ve so rarely, if ever, gotten to see a version of the Turtles that feels this lonely and introspective. Absence makes the heart grow fonder, and I walked away from Tactical Takedown with a new appreciation of their dynamic. Tactical Takedown isn’t a big licensed project and shouldn’t be approached as such. That separation isn’t played as a bummer, though. Instead, developer Strange Scaffold uses it to shine a spotlight on each hero. Every level has me playing as a specific Turtle, as they all work towards the same goal using their own skills and expertise. Michelangelo attacks the problem at a street level, taking out goons with his nunchaku. Donatello sticks to the sewers, Raphael dashes over rooftops, and Leonardo sticks to the subway like a real New Yorker. In any other Turtles game, these would be locations that every turtle would explore by the end of the story. Here, each feels like one of the hero’s turf, giving them a specific home field advantage that their other brothers don’t have. That builds to a climax you can probably see coming, but not in the way you’re expecting. We’re never quite given a moment where all four heroes are playable together, sharing a pool of actions and synergizing their skills with one another. There’s a much different interpretation of their union here that undercuts their individuality. It’s functional enough, but the finale feels less like a natural conclusion and more like a concession to not mess around with the core tactics formula too much. That philosophy makes for some repetition as each of its 20 levels plays out the same with little variation aside from swapping the hero. Strange Scaffold Tactical Takedown isn’t a big licensed project and shouldn’t be approached as such. It’s a micro indie from a studio known for playing things fast and loose. Like every Strange Scaffold game I’ve ever played before launch, I encountered some form of game breaking bug that will no doubt be fixed by the time you actually play it. A broken special attack that I could spam multiple times by hammering a button, reset levels due to a glitched “end turn” button, and a loadout menu that I could not for the life of me figure out how to edit. It’s not that I hold those issues against it much, just as I didn’t mind I Am Your Beast’s few game-breaking issues that halted my progress for a few days. They’ll get fixed promptly by a nimble team, but sometimes I wonder what just a little more time in the oven could do for some of the studio’s best ideas, whether it’s polishing them to perfection or having time to build in one more creative twist that snaps everything into place. All action Though there are limits to its compact nature, Tactical Takedown’s focused scope is its greatest asset too. Each bite-sized level drops a turtle onto a small grid-based map. Every few turns, a new piece of the map forms while another goes away. It’s built to feel exactly like an old beat-em-up in that way, with the screen scroll of an arcade game stopping to frame a brawl before prompting players to move on. It’s an ingenious way to bring the feel of those games to an entirely different genre. That same philosophy extends to its brilliant spin on turn-based combat, which takes a genre known for careful decision making and makes it feel like John Wick. Each Turtle has five moves that they can use on each turn and a whopping six action points that can be spent in any way. When playing as Michaelangelo, my initial skill set is largely about leaping around enemies. I can skateboard over a foe and hit them on the way over or dash past a few enemies with my whirling nunchucks. Even my most basic attack, a simple bonk, moves me to the enemy’s square once defeated. With six whole points to spend per turn, and more if I equip moves that replenish AP, I’m able to do a whole lot of damage in one go. There’s a maturity to the boys here reflected in precise strategy rather than drunken brawling. There’s a strategy to each turtle and the brisk four hour runtime gives me just enough time to perfect each over time. With Michaelangelo, I learn to chain my way through enemies by knocking my way through one so that I can directly move to another without spending a movement point. Donatello is more about shocking enemies to keep them in place and create distance between them, allowing him to pick them off from afar or trap them in poison sewer pits. Leonardo is more about standing his ground, creating stacks of evasion that allow him to survive in tight subway car melees. And Raphael is all about yanking faraway enemies to reposition them and boot them away. Each strategy is distinct and rewards mastery. Once I got the hang of each, I couldn’t believe just how much I could do in a turn. Sometimes I’d be greeted with a screen full of ninjas and assume that I couldn’t possibly take them all out. With careful enough positioning, I’d realize that I could punt a foe off an edge here to instantly kill it, slash another weak one to finish it off and get its AP, jump over to a pizza box to heal, and still have enough actions left to take out a few more enemies. All of this happens quickly in my brain. I don’t need to think about what to do next; I reflexively fire off actions one after another, often taking out a whole screen full of enemies in seconds flat. It’s like playing a beat-em-up, but somehow faster and more precise. It’s through that ironclad combat hook that my perception of the Turtles changes. While most TMNT games hone in on the teenage part, Tactical Takedown is concerned with the anagram’s N. Each one truly feels like a ninja here, dispatching enemies in the blink of an eye. If you cut out the bits of decision making between move selection, you’d be treated to a thrilling little sequence on every single turn that plays out like Oldboy’s hallway sequence. Strange Scaffold I do wish that there were a few more ways to really drive that point home outside from the fairly static gauntlet of fights that never really changes. Some levels can feel long, throwing out waves of enemies with little pace until they just suddenly end. Perhaps some bosses or stage hazards could have given me a few more ways to think about the most efficient ways to use my moves, especially since the difficulty winds up feeling flat even in its enemy-filled finale. There’s more room to grow the great seed Strange Scaffold has planted here if the studio decides to take the team for another spin one day. Even if it’s destined to be a one-shot, Teenage Mutant Ninja Turtles: Tactical Takedown is a welcome little addition to TMNT’s storied video game canon. In just a few short hours, it gave me a new appreciation of each individual bro by deconstructing the team dynamic and showing how each part of the unit functions on its own. There’s a maturity to the boys here reflected in precise strategy rather than drunken brawling. You can break up a team, but the mark of a strong family is its ability to fight through hell and back to come together again. Teenage Mutant Ninja Turtles: Tactical Takedown was reviewed on PC and Steam Deck OLED.

The Phillipou Brothers broke onto the cinematic scene with their smash hit party horror, Talk to Me. The spooky yet decidedly fun film about kids messing around with forces they didn’t understand became an A24 horror favorite and established the twins—who already had a massive following thanks to their YouTube Channel RackaRacka—as some of the genre’s most freaky fun filmmakers. Although Bring Her Back is in some ways a spiritual sequel to Talk to Me, with both films exploring the way grief can incite drastic change, it couldn’t be more different tonally. The twins’ chilly and affecting follow-up showcases a different side of their proverbial demons, with the pair diving into the havoc and madness of grief and the surreal nightmare of being a child whose parents have unknowable agendas or violent tendencies.  The usually delightful and effervescent Sally Hawkins stars as Laura, a grieving mother and ex-child psychologist who has opened her home to a brother and sister who recently lost their father. In her first horror performance, Hawkins delivers the kind of turn that in a just world would be recognized as a strong contender come awards season. Laura is a woman of many sides: she’s the cool foster mom, a grieving mother, and eventually a terrifying monster whose sorrow has driven her mad. But while the movie is an intimate chamber drama of gore, it’s far from a one-woman show.  At the center of Bring Her Back are three heart wrenching performances from the film’s young leads: Sora Wong as Piper, Billy Barratt as her brother Andy, and Jonah Wren Phillips as Ollie. Siblings Piper and Andy are the newcomers to the outwardly gorgeous rural home, and Ollie is already an established and terrifying presence who we first meet as he grapples with an unruly cat in the echoing emptiness of the home’s drained pool. Phillips is an astonishing performer who despite his young age inhabits the evermore terrifying Ollie. His unnerving presence gives us two of the film’s most memorable and nightmare-inducing moments with a fearlessness and ferocity that pulses off the screen.  As the central siblings,  Wong and Barratt form an impressive duo, with the former making her feature debut in a performance that immediately marks her as a serious talent to watch. It’s rare to see a sight-impaired actor onscreen, let alone leading a horror film, but Wong shoulders that responsibility with a courage and humor that alongside Barratt makes the siblings painfully believable. And as the dread ratchets up, Barratt showcases raw talent while Andy faces down Laura’s constant gaslighting and psychological torture as he attempts to protect his sister from their supposed guardian—although to what purposes Laura’s schemes delve remains an unsettling mystery for most of the film.  Grotesque and often shockingly gory if you’re someone who (like me) went through a French New Extremity phase, you’ll likely warm to the horrors while being pleasantly surprised by how performance-focused the film is, only using its gore and grossness to further the journeys of our four extremely messed up leading characters. Even at a brisk hour and 39 minutes, the film manages to feel impactful, especially for those easily shaken by gnarly practical effects and movies that will give you an existential crisis. There are practical effects here that will turn your stomach in the best way, though the emotional hits will linger far after you cleanse your mind of some of the bloodier moments. In spite of all that, Bring Her Back is the kind of horror that feels like it’ll find an unexpected audience in those who don’t usually watch horror as its emotional core is so strong, and Hawkins is a revelation in such a villainous role.  In era where movies about trauma are at the center of the horror conversation (for better or worse), Bring Her Back stands as one of the best in the genre, unafraid to scare, haunt, and disturb its audience as it pushes through the pain and picks at the part of your brain that asks just how far you’d go to bring a loved one back from the dead and what you’d do to achieve it.  Bring Her Back opens in limited release in the U.S. on May 30 and wide on June 6. Learn more about Den of Geek’s review process and why you can trust our recommendations here.