Mission: Impossible – The Final Reckoning Ending – Is This Really Goodbye for Ethan Hunt?
This article contains Mission: Impossible – The Final Reckoning spoilers.
Before Mission: Impossible – The Final Reckoning earned its latest title, it was previously called Mission: Impossible – Dead Reckoning Part 2. Considering Part 1’s muted box office reception in 2023, Paramount was probably wise to change it. And yet, as late as November of last year, the still untitled Mission: Impossible 8 was apparently at the center of competing marketing visions between the studio and its star/producer/living manifestation of destiny: Tom Cruise.
According to a THRFinal Reckoning moniker that came to pass, plus all the callbacks and cameos that were spoiled in the film before release.
Yet while the film put “final” in the title, and the word was dropped heavily throughout the script—including by Shea Wingham when he promised Ethan Hunt that they were going to have “a reckoning”—the creative loggerheads over whether this really was the end seems to have bedeviled M:I8 all the way to the closing sequence.
For deep in London’s busy Trafalgar Square, a retinue of familiar faces gather in the crowds beneath Nelson’s Column. Cruise’s Ethan is there, of course, as is Hayley Atwell’s Grace and Simon Pegg’s Benji. Even Pom Klementieff seems locked in as a permanent IMF fixture, which is impressive since canonically she was trying to kill all these folks only a month earlier.
In many ways it gives closure to the adventure we just watched… but only to a point. In fact, like so much else of The Final Reckoning, the ending feels like a variation of scenes we’ve already seen in this series, such as the surviving members of the team gathering for a victory drink in Mission: Impossible – Ghost Protocol, or having a celebratory stroll through the London evening streets.
Ultimately much of Final Reckoning feels like a retread of something the series has done relatively recently, and often better, including an ending that refuses to say goodbye to anyone—except maybe Ving Rhames’ fan favorite Luther, who like Rebecca Ferguson’s Ilsa in the last movie discovered that the only way for their actor to retire from the series was by being killed off by a pretty underwhelming villain named Gabriel. Otherwise though, this is the conclusion of almost any other Mission flick, and one that feels faintly tinkered with. It is easy to speculate, for instance, whether that scene was a reshoot since none of the stars are seen in the same shot together.
Even the setting beneath Nelson’s Column looks like an untied thread after we previously spied the statue of Vice Admiral Horatio Nelson at the beginning of the film right before our first shot of Ethan in London. The historical Nelson died ostensibly saving the worldat the Battle of Trafalgar where he led the Royal Navy in a rout of Napoleon Bonaparte’s ships, cementing British supremacy of the seas for the next hundred years. The subtext of beginning the movie with Nelson, therefore, would seem to be that we were about to see another great man give his life to save the world from a megalomaniac.
Instead Ethan not only survived The Final Reckoning, but pretty much went through the exact same ending he experienced in Mission: Impossible – Fallout where Cruise’s hero was forced to commandeer one flying contraptionin order to hijack another with his enemy, all so he can snap some MacGuffin into place at a great height while the rest of the team disarms the proverbial ticking bomb that is about to destroy the world.
This in no way is meant to undercut the pure spectacle thrill of The Final Reckoning’s climax. Seeing Tom Cruise cling from a biplane that is doing barrel rolls in IMAX is worth the price of admission alone. However, the repetitive nature of it suspiciously resembles a compromise. The Mission films during Christopher McQuarrie’s superb tenure as writer-director—beginning with Mission: Impossible – Rogue Nation 10 years ago—are famous for their playing the story by ear on the set. Yet despite Dead Reckoning and even the first act of Final Reckoning inserting some pretty major setups meant to confront Ethan’s pastnothing significantly is resolved.
We never learn exactly who Ethan was before the IMF, what Gabriel meant to him, or how much this film is about him living with the losses of Ilsa and Luther. Furthermore, even Shea Wigham’s threat that they would have “a reckoning” when this is all over—which comes after the limp reveal that Agent Briggs is actually Jim Phelps Jr.—culminates in nothing more than a handshake and hug.
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The ending of “the Final Reckoning” is treated like an afterthought.
In one sense, this is no dealbreaker. Even the best Mission films, which I count Cruise and McQ’s partnership on Fallout and Rogue Nation as the pinnacle of, have never been “plot movies.” With the exception of maybe the first film’s techno thriller elements, every M:I flick is about the spectacle and/or the fun of the team dynamics. They are affirmations of Cruise’s movie stardom achieving an almost religious apotheosis.
Yet by marketing the eighth film as the last one, Final Reckoning set expectations its star clearly had no intention of meeting. In retrospect, we should have believed Cruise back in 2023 when he said “I hope to keep making Mission: Impossible movies until I’mage.” So the end of Final Reckoning is no ending at all for the franchise, which which becomes a problem when it fitfully attempts to emulate the gravity of franchise closers like The Dark Knight Rises, No Time to Die, and Avengers: Endgame.
There are no real goodbyes in Final Reckoning, but the movie is still almost certainly a farewell of sorts—to this iteration of the franchise which began a decade ago. McQuarrie is, again, the greatest collaborator Cruise has ever found on this series. They created the platonic ideal of what a Mission film should be in Rogue Nation and then elevated it to rarified, god tier levels within the action genre in Fallout. But it would seem McQuarrie has pushed his messianic interpretation of Ethan to a breaking point. That becomes more pronounced, too, when considering the latest entry began production during COVID and ended it on the other side of the labor strikes of 2023, causing its budget to reach a reported million zenith. That is a record no studio
Still, I suspect if anyone can convince a studio to invest in a franchise even after that kind of budget explosion, it’s Cruise. And until relatively recently he has kept the Mission films healthy and exciting by bringing in new directors who radically reinvent it in terms of tone, aesthetics, and even interpretations of the central character. Cruise’s all-American farmboy turned spy in Brian De Palma’s original film is not the Kung fu-kicking rebel in John Woo’s M:I2, and neither are convincingly J.J. Abrams’ familiar schtick of a suburban everymanwho has an espionage secret in the closet.
McQuarrie’s version of Ethan is my favorite: the reckless gambler with a heart so big that it will redeem all mankind of its sins one insane stunt at a time. But between the 63-year-old movie star getting older and Final Reckoning arguably missing the highs of Fallout in spite its bigger budget, it is likely time to soft reboot the series again.
Which might explain the non-ending of Ethan Hunt drifting into the crowd, heading toward his next reinvention.
#mission #impossible #final #reckoning #ending
Mission: Impossible – The Final Reckoning Ending – Is This Really Goodbye for Ethan Hunt?
This article contains Mission: Impossible – The Final Reckoning spoilers.
Before Mission: Impossible – The Final Reckoning earned its latest title, it was previously called Mission: Impossible – Dead Reckoning Part 2. Considering Part 1’s muted box office reception in 2023, Paramount was probably wise to change it. And yet, as late as November of last year, the still untitled Mission: Impossible 8 was apparently at the center of competing marketing visions between the studio and its star/producer/living manifestation of destiny: Tom Cruise.
According to a THRFinal Reckoning moniker that came to pass, plus all the callbacks and cameos that were spoiled in the film before release.
Yet while the film put “final” in the title, and the word was dropped heavily throughout the script—including by Shea Wingham when he promised Ethan Hunt that they were going to have “a reckoning”—the creative loggerheads over whether this really was the end seems to have bedeviled M:I8 all the way to the closing sequence.
For deep in London’s busy Trafalgar Square, a retinue of familiar faces gather in the crowds beneath Nelson’s Column. Cruise’s Ethan is there, of course, as is Hayley Atwell’s Grace and Simon Pegg’s Benji. Even Pom Klementieff seems locked in as a permanent IMF fixture, which is impressive since canonically she was trying to kill all these folks only a month earlier.
In many ways it gives closure to the adventure we just watched… but only to a point. In fact, like so much else of The Final Reckoning, the ending feels like a variation of scenes we’ve already seen in this series, such as the surviving members of the team gathering for a victory drink in Mission: Impossible – Ghost Protocol, or having a celebratory stroll through the London evening streets.
Ultimately much of Final Reckoning feels like a retread of something the series has done relatively recently, and often better, including an ending that refuses to say goodbye to anyone—except maybe Ving Rhames’ fan favorite Luther, who like Rebecca Ferguson’s Ilsa in the last movie discovered that the only way for their actor to retire from the series was by being killed off by a pretty underwhelming villain named Gabriel. Otherwise though, this is the conclusion of almost any other Mission flick, and one that feels faintly tinkered with. It is easy to speculate, for instance, whether that scene was a reshoot since none of the stars are seen in the same shot together.
Even the setting beneath Nelson’s Column looks like an untied thread after we previously spied the statue of Vice Admiral Horatio Nelson at the beginning of the film right before our first shot of Ethan in London. The historical Nelson died ostensibly saving the worldat the Battle of Trafalgar where he led the Royal Navy in a rout of Napoleon Bonaparte’s ships, cementing British supremacy of the seas for the next hundred years. The subtext of beginning the movie with Nelson, therefore, would seem to be that we were about to see another great man give his life to save the world from a megalomaniac.
Instead Ethan not only survived The Final Reckoning, but pretty much went through the exact same ending he experienced in Mission: Impossible – Fallout where Cruise’s hero was forced to commandeer one flying contraptionin order to hijack another with his enemy, all so he can snap some MacGuffin into place at a great height while the rest of the team disarms the proverbial ticking bomb that is about to destroy the world.
This in no way is meant to undercut the pure spectacle thrill of The Final Reckoning’s climax. Seeing Tom Cruise cling from a biplane that is doing barrel rolls in IMAX is worth the price of admission alone. However, the repetitive nature of it suspiciously resembles a compromise. The Mission films during Christopher McQuarrie’s superb tenure as writer-director—beginning with Mission: Impossible – Rogue Nation 10 years ago—are famous for their playing the story by ear on the set. Yet despite Dead Reckoning and even the first act of Final Reckoning inserting some pretty major setups meant to confront Ethan’s pastnothing significantly is resolved.
We never learn exactly who Ethan was before the IMF, what Gabriel meant to him, or how much this film is about him living with the losses of Ilsa and Luther. Furthermore, even Shea Wigham’s threat that they would have “a reckoning” when this is all over—which comes after the limp reveal that Agent Briggs is actually Jim Phelps Jr.—culminates in nothing more than a handshake and hug.
Join our mailing list
Get the best of Den of Geek delivered right to your inbox!
The ending of “the Final Reckoning” is treated like an afterthought.
In one sense, this is no dealbreaker. Even the best Mission films, which I count Cruise and McQ’s partnership on Fallout and Rogue Nation as the pinnacle of, have never been “plot movies.” With the exception of maybe the first film’s techno thriller elements, every M:I flick is about the spectacle and/or the fun of the team dynamics. They are affirmations of Cruise’s movie stardom achieving an almost religious apotheosis.
Yet by marketing the eighth film as the last one, Final Reckoning set expectations its star clearly had no intention of meeting. In retrospect, we should have believed Cruise back in 2023 when he said “I hope to keep making Mission: Impossible movies until I’mage.” So the end of Final Reckoning is no ending at all for the franchise, which which becomes a problem when it fitfully attempts to emulate the gravity of franchise closers like The Dark Knight Rises, No Time to Die, and Avengers: Endgame.
There are no real goodbyes in Final Reckoning, but the movie is still almost certainly a farewell of sorts—to this iteration of the franchise which began a decade ago. McQuarrie is, again, the greatest collaborator Cruise has ever found on this series. They created the platonic ideal of what a Mission film should be in Rogue Nation and then elevated it to rarified, god tier levels within the action genre in Fallout. But it would seem McQuarrie has pushed his messianic interpretation of Ethan to a breaking point. That becomes more pronounced, too, when considering the latest entry began production during COVID and ended it on the other side of the labor strikes of 2023, causing its budget to reach a reported million zenith. That is a record no studio
Still, I suspect if anyone can convince a studio to invest in a franchise even after that kind of budget explosion, it’s Cruise. And until relatively recently he has kept the Mission films healthy and exciting by bringing in new directors who radically reinvent it in terms of tone, aesthetics, and even interpretations of the central character. Cruise’s all-American farmboy turned spy in Brian De Palma’s original film is not the Kung fu-kicking rebel in John Woo’s M:I2, and neither are convincingly J.J. Abrams’ familiar schtick of a suburban everymanwho has an espionage secret in the closet.
McQuarrie’s version of Ethan is my favorite: the reckless gambler with a heart so big that it will redeem all mankind of its sins one insane stunt at a time. But between the 63-year-old movie star getting older and Final Reckoning arguably missing the highs of Fallout in spite its bigger budget, it is likely time to soft reboot the series again.
Which might explain the non-ending of Ethan Hunt drifting into the crowd, heading toward his next reinvention.
#mission #impossible #final #reckoning #ending
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