Gamers everywhere know the thrill of the Nintendo Switch—its blend of portability and modular play is the stuff of legends. But as rumors swirl around the next generation of the console, some fans have quietly wished Nintendo would take bigger risks. The current design is familiar and beloved, but what if the Switch took a wild leap into uncharted territory? That’s the question behind an eye-catching new concept design that feels like the Switch from an alternate universe. Forget the boundaries and practicalities of actual production; this modular handheld concept, dubbed the ISEKAI Deck_01, envisions a gaming device with no limits on imagination. The fun starts with visuals: bold lines, bright colors, and a sense of experimentation make it look like something plucked from a sci-fi anime. The modular approach is front and center, inviting players to tinker, tweak, and make the system their own. Designer: Braz de Pina The most striking departure from the original Switch is the radical rethinking of detachable controllers. Instead of the flat, rectangular slabs we’re used to, this concept gives us chunky, cylindrical controllers that are almost reminiscent of futuristic batons. These round grips could offer a more natural feel when held, especially if you’re playing for extended periods, although their layout does demand some rethinking of traditional button placement. A clever twist happens with the screen, literally. In this design, the console’s display isn’t fixed in place but can be rotated and tilted even when the controllers are still snapped on. This could open up a new world of ergonomic play, letting you find the perfect viewing angle for handheld sessions or desk play. Such a feature would require a total overhaul of the way controllers attach and communicate with the device, but that’s the beauty of a “no rules” concept. Of course, experimenting with form can come with trade-offs. The cylindrical controllers, while comfy to grip, lose the dual-functionality magic of the Switch’s Joy-Cons. You might find them a bit unwieldy if you want to share them for multiplayer, as holding them sideways isn’t as smooth or natural. But as a reimagining, the ISEKAI Deck_01 dares to ask: what if modular gaming were about comfort, bold shapes, and physical playfulness before anything else? This concept may never make it to shelves, but it’s a joyful reminder that gaming hardware can still surprise us. For those who daydream about the future of play, the ISEKAI Deck_01 is proof that the Switch spirit can be bent, twisted, and reimagined in dazzling new ways. If you’ve ever wanted to see what happens when you throw the rulebook away, this alternate reality console delivers the eye candy and inspiration to keep you guessing what might come next. The post This Wild Nintendo Switch Concept Turns Modular Gaming Into Sci-Fi Fantasy first appeared on Yanko Design.

You know those color LED light strips that sync with the images on your TV screen? I’m not a fan. They’re eye-catching, sure, but they’re also distracting (especially when they’re not working properly, which happens frequently), they mess with the perceived picture color, and they’re expensive.  There’s a far better and cheaper way to boost the picture on your TV, and as a bonus, you’ll be easing the eye strain that comes from watching a bright image in a dark room. This product—the Scenic Labs LX1 Bias Lighting strip—is one I’ve been using for years, and I swear by it.  Yes, it’s still a light strip, but instead of the fancy color-syncing variety, it’s a white-light LED strip that’s tuned to 6500 Kelvin, the same daylight color temperature used as a reference by TV calibrators, video professionals, and filmmakers.   Instead of putting on a dazzling light show, this “bias” light strip shines dimly but steadily, at a brightness that’s roughly 10 to 15 percent of the maximum brightness of your TV screen. With the brightness set just right, you’ll barely notice the light at all during, say, a Netflix binge-watching session. But the faint glow of the LED strip is there, and it does a few key things.   A properly calibrated 6500K LED bias strip gives off a faint glow, but offers big benefits.Ben Patterson/Foundry First, because it’s tuned to 6500K (assuming you pick a light strip that’s been properly temperature tuned), the colors on your screen will look more natural. For video pros, 6500K is considered the standard for “white,” and they use it when color-grading their creations. So with a faint 6500K glow behind your TV, the colors on your screen have a better chance of appearing the way the filmmakers intended. Conversely, the garish color shows served up by picture-syncing LED light strips will distort your perception of the picture.  Second, a properly tuned 6500K light strip can do wonders for the perceived contrast of your TV images, especially if you own a non-OLED TV. The pale halo from the strip will make dark or gray areas on the screen appear darker than they would in a pitch-black room (you can read more about this effect here), giving you a quasi HDR-type boost. The effect won’t be as dramatic on an OLED TV, which already has terrific contrast ratios. But on an older LCD TV, a LED light strip could provide an instant and inexpensive contrast upgrade.  It only takes a few minutes to attach the LED strip to the back of your TV.Ben Patterson/Foundry Finally, a white-light LED light strip can reduce the eye strain that comes with watching a bright image in a dark room for lengthy periods. By boosting the light in the room just a tad, the faint LED glow eases the contrast between your overall dark surroundings and the bright screen, thus giving your pupils a break and avoiding eye strain symptoms like soreness, watery eyes, blurred vision, and headaches.  The Scenic Labs LX1 Bias Lighting strip (which, besides being my personal choice, is also a TechHive’s Editors’ Choice) can be ordered directly from the company at prices ranging from $26.95 (for a one-meter strip) to $51.95 (for six meters). That’s a little pricier than the LED lights strips you’ll find on Amazon, but this model is known for its color accuracy, and it’s been serving me well for three years without any hiccups.  That said, there are cheaper options available on Amazon, including this 6500K light strip from Govee for about $30 (16.4 feet).   Either way, I highly recommend an LED bias light strip for any TV owner—and by the way, they work great with PC monitors, too (I have a couple in my office). 

If you’re waiting for the AI craze to just fade out and go away, we have bad news for you. If you’re ready to accept AI as an incredibly useful technology that is only going to get smarter and more prevalent with every passing day, we have great news for you: StackSocial is selling a lifetime Advanced Business Plan subscription to the powerful and intuitive 1min.AI platform for just $80, which is a massive 85% discount. However, there are even cheaper options: the Pro Plan is only $30 (87% off), and the Business Plan is available for $50 (86% off). 1min.AI is more than just an artificial intelligence app — it’s several AI models combined into one robust platform, pulling the best results and smart technology from all the leading AI models into one source to assist you with everything from scheduling, problem-solving and decision-making, to dazzling creative projects that you can use to advertise your small business or individual sales and services. See at StackSocial AI In One Bundle If you’re currently trying to navigate the rapidly changing world of AI, you may find yourself with numerous subscriptions to models like OpenAI, Meta, Stability.ai, Google, and others. Those add up quickly, and you don’t need AI to tell you that this could drain your wallet faster than you realize. The beauty of 1min.AI is that it gives you access to all of those models and many more, including Leonardo.AI, cohere, and Midjourney. You can replace all of those monthly auto-billing subscriptions with a single payment of $80 that gives you lifetime access to 1min.AI’s top-tier service, the Advanced Business Plan. All of the updates to the app and news from the 1min.AI newsletter and Public Roadmap are included in the price, and there are no recurring costs or upsells. Supercharge Your Business 1min.AI is like adding an entire staff to your small business without having to pay out salaries or benefits. Once you dive into 1min.AI and discover how easy it is to pick up and master even if you’ve never used AI before, soon you’ll be using it as a personal assistant and scheduler, keyword researcher and SEO assistant, author for ads and content for Facebook, LinkedIn, and other online platforms, image generator and editor, and PDF summarizer and translator. There’s already more it can do, and every day it gets more intelligent and useful. The Advanced Business Plan gives you 2 million credits per month and the opportunity to generate up to 450,000 more every month for free, along with the entire suite of 1min.AI’s features, plus unlimited prompts, storage, and brand voice. Your lifetime subscription can have up to 10 members who can share and collaborate, which you can manage as admin. Everything is included in the StackSocial price of just $80, 85% lower than the list price of $540. See at StackSocial

Rocky Mountain region interior designers, architects, builders, and landscape architects have a bounty of inspiration right outside their doors. Accordingly, their work reflects the beauty of the natural world. The region’s design and construction talents have the ability to bring the surrounding landscape into projects of all types, from modern mountain homes to urban apartments and town houses. If you’re ready to start a project, these AD-approved Rocky Mountain region interior designers, architects, builders, and landscape architects should be your first call.On the listInterior DesignersAshley Scheidel Design StudioAshley Scheidel Design Studio let the natural beauty of the materials take center stage in a Denver home’s tranquil bedroom. Photo by Jess Blackwell PhotographySustainability is a driving force in interiors by Ashley Scheidel Design Studio. The Denver-based interior architecture and design firm specializes in new construction and renovations. Whether they are helping clients reimagine their existing spaces or building new ones from scratch, Scheidel and her team focus on creating timeless environments that balance livability and easygoing elegance. The client’s personal style also drives the design, but natural materials such as warm woods and rugged stone feature prominently in the firm’s portfolio.Beaumier InteriorsIn a renovated midcentury brick ranch home in Denver, Beaumier Interiors balanced warmth and restraint through the use of soft textures, sculptural forms, and quiet tones. The resulting space feels both grounded and welcoming. Photo by Jess BlackwellAfter earning her stripes working for several leading firms in Chicago, designer Ashley Beaumier brought her signature organic modern style to the Denver area, where she founded her eponymous firm. Beaumier Interiors crafts polished interiors, which are layered with natural materials, including striking stone, pale linens, and warm woods. The full-service firm works with clients on projects of all sizes, including large renovations and new constructions, and guides each project from start to finish, ensuring a cohesive look throughout the entire home.Elizabeth Stanley DesignCurated vintage furnishings and lighting by Elizabeth Stanley Design softens the concrete architectural rigor of this austere Austin home. Photo by Shade DeggesFor nearly 20 years, contemporary and minimalist houses have been transformed into welcoming, character-filled homes at the hands of designer Elizabeth Stanley and her eponymous firm. The Aspen, Colorado–based studio focuses on bringing its clients’ personal style to the fore as it guides them through the design process. The resulting tranquil spaces balance functionality and aesthetics and incorporate statement furnishings, natural materials, graphic art, and rich textures.Donna Mondi Interior DesignIn a Michigan living room by Donna Mondi Interior Design, sculptural seating and a floating concrete fireplace strike a confident balance between softness and strength. Cascading fiber art adds an unexpected edge. Photo by Dustin Halleck; Styled by Darwin FitzKnown for her ability to mix traditional and modern design into soulful spaces, designer Donna Mondi has been transforming everything from city penthouses to country estates to desert retreats for almost 25 years. With offices in Denver and Chicago, Donna Mondi Interior Design works on high-end projects across the country, including renovations, new construction, and furnishings. The firm specializes in crafting architecturally driven designs that expertly balance luxury and comfort.Dream Homes Inc.In a Denver home, Dream Homes Inc. moved and redesigned the fireplace with a chevron-patterned Italian granite surround. Photo by David Patterson PhotographySpecializing in large-scale renovations, Denver-based Dream Homes Inc. has been transforming homes in the Rocky Mountain region and nationwide since 1999. Led by founder Joyce Clegg, the interior architecture and design firm is known for its expertly planned and personality-filled residences. Dream Homes oversees every aspect of the construction process, and also works on kitchen and bath remodels. Notably, accessibility and aging is at the forefront of its place design.Duet Design GroupIn a historic Denver neighborhood, Duet Design created a cozy family home in a 1937 Tudor. The original architecture’s charm is elevated with inherited art, classic and modern pieces, and vintage finds. Photo by David PattersonWhether designing an updated log cabin, a historic Tudor home, or a contemporary Mexican beach retreat, Denver-based Duet Design Group has an uncanny ability to bring the beauty of a home’s natural surroundings indoors. Led by founder and principal Devon Tobin, the firm works with clients on residential projects, including renovations and new construction, as well as commercial spaces. While the firm is known for its collaborative process, clients can also expect every logistical detail to be taken care of for a stress-free experience.Jede InteriorsBeauty and functionality meet in this polished Orem, Utah, kitchen designed by Jede Interiors. Photo by Camilia LundNeutral hues and natural materials contribute to the calming, timeless homes created by Orem, Utah–based Jede Interiors. Led by principal designer Jen Dean, the firm is known for its fresh take on traditional style, combining comfortable furnishings with vintage pieces that add patina and history. Jede Interiors works to make every space feel authentic to the clients who live in it—it services those based locally and across the country.Bowen Design StudioThe Red Rocks of Southern Utah were the inspiration for the dining area’s cabinet color, adding a playful yet sophisticated design element. Photo by Lacey Alexander PhotographyBuilding a new home can bring a daunting number of decisions, which is where Bowen Design Studio comes in. Led by designer Hailey Brodale, the Saint George, Utah–based firm specializes in helping clients make their custom homes feel truly personal. Whether it’s devising an organic desert retreat or a dramatic mountain home, Bowen Design Studio takes a hands-on approach throughout the construction process, making sure that the end result is exactly what the client envisioned.Lund Haus StudioFor a mountain home, Lund Haus Studio incorporated thoughtful organization solutions to enhance functionality and ease of living, as well as textures and materials inspired by the raw beauty of nature. Photo by Rebekah WestoverSalt Lake City, Utah–based Lund Haus Studio designs joyful homes that truly work. The firm focuses on functionality, adding creative storage solutions and crafting layouts optimized for family life. Principal designer and professional organizer Sam Lund draws on her background in psychology as she works with clients, helping them express their needs and visions for their homes, and the team boasts extensive experience with construction, allowing the firm to expertly manage projects from start to finish.Eider InteriorsA book-matched stone fireplace is a focal point in the living area of an Eider Interiors–designed contemporary home overlooking the Salt Lake City Valley. Photo by Christina Zolotaia PhotographyA clients’ story is at the heart of every space that Bluffdale, Utah–based Eider Interiors creates. Led by founder and principal designer Mallory Bouchard, the residential and commercial design studio is known for its contemporary interiors that balance modern details with elements of warmth and texture. Eider Interiors works on a wide range of projects, from a modern Miami apartment to a nature-inspired desert escape to a luxurious RV.The FlairhunterHigh on the ski runs of Park City, this custom bunk room was designed by The Flairhunter to comfortably accommodate adults and/or kids. Crafted from reclaimed barn wood, it features pops of color in the bedding and accessories to add an element of freshness and fun. Photo by Doug Burke; Styling by Jen PaulInterior design firm The Flairhunter isn’t afraid to make a statement, incorporating bold colors, unique elements, and eye-catching artwork. Founder Stephanie Hunt leads a team of ten across the firm’s outposts in Salt Lake City and Southern California, and the firm works on projects throughout the United States and globally. The Flairhunter balances custom furnishings with vintage pieces and adds energy and personality by mixing colors, patterns, and materials.DwellifyCheckered floors, butcher block countertops, and vintage finishes revived the kitchen of this 100-year-old home updated by Dwellify. Photo by Katie Griffith PhotographyDwellify streamlines the remodeling process, letting homeowners easily choose a design that fits their personal aesthetic and budget constraints. The company’s technology helps clients visualize their future spaces, and the process also includes virtual meetings with designers and Design Boxes of physical samples. The Salt Lake City–based company works remotely with clients across the country, pairing them with a remodel coordinator and a network of carefully vetted pros to help get the job done.Studio EckströmStudio Eckström revives the living room of a 1927 Spanish Colonial Revival in Omaha. Photo by Daniel Johnson PhotographyDesigners Mark and Mikal Eckstrom bring a sense of whimsy and fun to the interiors they create with their Omaha, Nebraska–based firm, Studio Eckström. Unique details abound in the firm’s projects, from fanciful ironwork to bold wall treatments to unexpected color palettes, and the team isn’t afraid to push clients out of their comfort zones. Studio Eckström relies on a trusted roster of artisans, gallerists, and dealers to help them make each home one of a kind.Trove HomesDrawing inspiration from the breathtaking lake views, Trove Home’s design for a Lake Quivira kitchen features a custom curved island leg—an homage to the natural, flowing beauty of the water. Photo by Nate Sheets PhotographyWith a portfolio full of dramatic before and afters, it’s obvious that Kansas City, Kansas–based firm Trove Homes knows how to completely reinvent a home to fit its clients’ personal styles. Co-owners Jessica and Nate White lead clients through every decision, ensuring that the finished space balances livability and sophistication. Whether tackling a renovation or starting from the ground up with a new build, the firm works in an array of aesthetics, from traditional to coastal.Emily Tucker DesignEmily Tucker Design updated a historic Denver Tudor for a young family, maintaining the history of the home while giving the furnishings a more youthful feel. Photo by David LauerBased in Boulder, Colorado, Emily Tucker Design is a full-service firm helping clients across the country create personalized and highly curated residences. Tucker and her team work in a variety of styles, from modern mountain homes to historical residences, adding unexpected touches, including bold color palettes, playful patterns, and dazzling art. The firm prides itself on designing livable spaces, so it’s no wonder it has become a go-to for families looking for stylish yet durable interiors. Emily Tucker Design works on projects of a variety of scopes, including gut renovations, full home design, and new construction.Nadia Watts Interior DesignNadia Watts Interior Design created a bold dining room in a Denver home. Katie Ridder’s Pagoda wallpaper inspired the room’s unexpected color palette. Photo by Emily Minton RedfieldDesigner Nadia Watts founded her eponymous Denver design firm in 2009, and since then she’s become known for her artful—and often colorful—approach to interiors. The great, great granddaughter of Louis Comfort Tiffany and a former assistant to a curator at The Metropolitan Museum of Art, Watts has a special appreciation for the decorative arts and is able to give her client’s collections of art and furnishings the showcase they deserve. In addition to working with clients across the country, Watts recently launched a fabric collection with Kravet and designed a jewel-inspired space for the 2024 Kips Bay Palm Beach Showhouse.Inside StoriesA custom fireplace with walnut panels is the focal point of an Aspen home by Inside Stories. A piece by artist Trevor Kiernander is on display alongside swivel chairs by A. Rudin and a leather ottoman by Lee Industries. Photo by Eric LuceroDenver’s Inside Stories combines the capabilities of a large design firm with the hands-on approach of a smaller studio, giving clients the best of both worlds. Led by designer Miranda Cullen, the company tackles projects of all scopes, from paint consultations to complete redesigns, as well as commercial and hospitality designs. For clients looking for white-glove service, Inside Stories has a Residential X team that handles luxury projects like new builds and full-home renovations. Cullen and her team aren’t afraid of making bold moves in their designs, which showcase a mix of styles from midcentury-modern to rustic.Kristin Dittmar DesignKristin Dittmar Design devised a warm and moody primary bathroom for a home in Aspen. Herringbone marble tile lines the floor, while the vanity showcases warm walnut accents. Photo courtesy of Kristin Dittmar DesignEarthy elements and streamlined details blend beautifully in the work of Aspen’s Kristin Dittmar Design. The firm brings its signature mountain modern style to homes across the country, showcasing the natural beauty of each location with rugged stonework, warm wood accents, and perfectly framed views. Whether they’re designing a retreat in the Rockies or modernizing a 19th-century Victorian, Dittmar and her team are hands-on during each phase of a project, making sure that every space shows exacting attention to detail.Susannah Holmberg StudiosFor the foyer of a Chicago carriage house, Susannah Holmberg Studios used wallpaper, art, and color to create a layered entryway. Ryan McDonald. Stylist: Kimberly SwedeliusWhether it’s in a desert retreat or a storied Tudor house, Salt Lake City’s Susannah Holmberg Studios knows how to set a mood. The firm’s stylish spaces balance beauty and livability, and showcase the client’s personality with unique color palettes, curated art, and iconic design pieces. While they specialize in full-home renovations and new construction, Holmerg and her team work on residential and commercial projects across the country, tailoring the designs to each client, as well as the geographic and architectural settings.Margarita BravoFor a whole-home project in Denver’s LoHi district, Bravo drew inspiration from her client’s adventurous spirit and love of unique design, incorporating a mix of colors, patterns, and textures to create a sophisticated and dynamic space. Photo courtesy of Margarita BravoDesigner Margarita Bravo’s projects are as far-flung as her inspirations. Her eponymous firm is headquartered in Denver and has outposts in Miami, Montecito, Aspen, and Barcelona. Bringing in influences from European and Latin American design, Bravo masterfully mixes natural elements, streamlined furnishings, metallic accents, and delightful patterns in her projects, which range from mountain homes to beachfront condos. The designer is also behind Sorella Furniture, which she created with her sister Maria, and MB Home Collection.Ashley Campbell Interior DesignAshley Campbell Interior Design turned the lower level of a new build in Denver into a party-ready space with a wet bar and a custom concrete coffee table. Photo by Meagan Larsen PhotographyDenver designer Ashley Campbell puts a contemporary twist on mountain style, contrasting natural elements with streamlined furnishings, a crisp black-and-white palette, and minimalist lighting and fireplaces. These sophisticated spaces serve as striking backdrops for her clients’ collections of art and artifacts, and Campbell balances contemporary elements with plenty of texture to bring in a sense of warmth. The firm uses the latest technology to realize its designs, giving clients the full picture of the team’s creative vision.ArchitectsCharles Cunniffe Architects & InteriorsIn the great room of an Aspen, Colorado, home, Charles Cunniffe Architects perfectly framed the mountain views in a seating area. Photo by Aaron LeitzScenic views are treated like works of art in the homes designed by Charles Cunniffe Architects & Interiors. The Aspen, Colorado–based firm has been creating residential, commercial, and institutional structures for over 40 years. They bring a dedication to sustainability and innovation to each project, incorporating innovative materials and energy-efficient systems for spaces that enhance their occupant’s well-being. A project’s context is a driving force in the creative process, and CCA expertly incorporates nature into the design.CLB ArchitectsSituated in the heart of Moonlight Basin in Big Sky, Montana, CLB Architects’ Basecamp residence rises into the dense fir and pine trees, offering a close connection to the natural environment. Photo by Kevin ScottNature isn’t just an inspiration for the work of CLB Architects, it’s an integral part of each design. The cross-disciplinary design studio, which has offices in Jackson, Wyoming, and Bozeman, Montana, takes a site-specific approach and lets the surroundings inform each detail. The firm works on projects across the country and internationally, each rooted in context, whether it’s a ski-in, ski-out mountain retreat or an Upper East Side apartment.Forum Phi Architecture and Interior DesignBlending seamlessly with its surroundings, this home by Forum Phi Architecture + Interior Design pairs rustic textures with modern lines—capturing the spirit of the landscape through thoughtful design. Photo by Dallas & Harris PhotographyForum Phi Architecture and Interior Design brings architecture, interior design, and land planning together under one roof, allowing the team to work collaboratively with clients on all aspects of a project. The resulting structures showcase the beauty of the natural world. With offices in Aspen, Denver, and Carbondale, the team works on residential, commercial, and institutional projects in a wide range of locations and styles, from rustic ranches to historic renovations to modern mountain retreats.CCY ArchitectsClad in stone, wood, steel, and glass, a home by CCY Architects nestles quietly within the natural surroundings of Aspen, Colorado, creating a rugged and durable contemporary interpretation of alpine architecture. Photo by Draper WhiteThe American West and its striking landscapes inspire CCY Architects’ regional modernism. The Colorado architecture and design firm seeks to develop a deep connection to nature and community through its work—whether its residential, commercial, or institutional—and makes sustainability a priority. Cross-disciplinary collaboration is at the heart of the firm’s process, and the team immerses itself in the site, ensuring that the final design is rooted in place.Vera Iconica ArchitectureVera Iconica Architecture was inspired by the Japanese concept of ma, or “the space between,” when designing this Shooting Star sanctuary at the base of the Jackson Hole Resort. A series of small view courtyards are carved out of the massing, giving moments for pause and reflection offset with views of woods, streams, and the majestic Tetons. Photo by Blok StudiosFor Vera Iconica Architecture, architecture and wellness go hand in hand. The firm’s evidence-based approach prioritizes the health and well-being of a client, resulting in spaces that feel restorative and connected to nature. The team finds inspiration in the landscape of the West, incorporating natural materials and sustainable building practices. With offices in Jackson, Wyoming; Denver, Colorado; and Park City, Utah, Vera Iconica Architecture designs globally, working on residential and hospitality projects from Hong Kong to South Dakota to Peru.Landscape ArchitectsStudio CampoStudio Campo devised a three-acre farm and homestead in Portland, Oregon, with stylist Emily Henderson. The property is complete with a seating area, plunge pool, raised beds, and a greenhouse workout facility. Photo by Kaitlin GreenLandscape architecture firm Studio Campo creates outdoor spaces that enhance the ecosystem and the lives of those who enjoy them. Led by founding principal Cali Pfaff, the firm has a naturalistic style and a focus on both placemaking and biodiversity, highlighting native species in its work. Based in Denver and Oregon’s Willamette Valley, Studio Campo works on a wide range of landscape projects, including gardens, public spaces, farms, and habitats.BuildersVitruvius BuiltVitruvius Built collaborated with designer Barclay Butera on a sophisticated Deer Valley mountain retreat that blends rustic charm with modern elegance. Photo by Cristina ZolotaiaFounded by Charles Ochello, Park City, Utah–based Vitruvius Built specializes in luxury construction, realizing even the most ambitious designs. The homes, located across the country, feature the highest quality materials and amenities such speakeasy-style golf suites, entertainment floors, and cozy bunk rooms. From a contemporary A-frame style residence to a mountain retreat made for entertaining, the homes in the firm’s portfolio showcase its ability to harness the latest technology to craft personal sanctuaries.Cadre General ContractorsEast Coast meets Colorado in this home constructed by Cadre General Contractors that blends traditional sophistication with a rich, Western aesthetic. Photo courtesy of Cadre General ContractorsCadre General Contractors has been building custom homes in Colorado for nearly 30 years and its decades of experience shows in its extensive portfolio. The contracting firm works in a wide range of styles from traditional to contemporary, collaborating closely with architects and designers to bring the overall vision to life. Cadre prides itself on its ability to execute ambitious designs while maintaining an exacting attention to detail and quality.The Jackson Home CompanyWithin a newly constructed home by The Jackson Home Company, the expansive great room, with its vaulted ceilings, exposed steel beams, and grand stone fireplace, is framed by floor-to-ceiling windows showcasing breathtaking views of the Teton Range. Photo by David AgnelloThe Jackson Home Company channels the rugged beauty of Jackson Hole, Wyoming, into striking mountain homes. In 2019, Brooklyn Home Company founders Bill Caleo, Lyndsay Caleo Karol, and Fitzhugh Karol expanded west to Wyoming, and since then the division has designed and built over 20 luxury single-family homes, including a 6,414-square-foot ski-in/ski-out home in Teton Village and an artful retreat nestled beside an Aspen grove. The firm prioritizes sustainability in its homes, incorporating elements like green roofs and locally sourced materials.APPLY NOWGrow your business with the AD PRO DirectoryArrowAre you looking for an interior decorator or designer to hire for your next project? Wherever you are, visit the AD PRO Directory to browse our list of AD-approved designers and find your match for a design consultation.

May 27, 2025 Ryan Williams and Jeremiah Smith Star on the College Football 26 Cover and the Deluxe Edition Honors Icons of College Football Full College Football 26 Reveal Coming Thursday & Fans Can Pre-Order the MVP Bundle Now To Get The Deluxe Editions of College Football 26 and Madden NFL 26 REDWOOD CITY, Calif.--(BUSINESS WIRE)-- Electronic Arts Inc. (NASDAQ: EA) and EA SPORTS™ today unveiled the dynamic covers of EA SPORTS™ College Football 26, ahead of the game’s full reveal this Thursday, May 29. Alabama wide receiver Ryan Williams and Ohio State wide receiver Jeremiah Smith shine on the Standard Edition cover, while the Deluxe Edition highlights college football legends alongside prominent coaches, beloved mascots, and other standout players. Fans can dive into authentic gameplay across 136 FBS schools and experience the unrivaled passion of college football when EA SPORTS College Football 26 launches worldwide on July 10 on PlayStation®5 and Xbox Series X|S.Standout sophomores Ryan Williams and Jeremiah Smith star on the EA SPORTS College Football 26 covers.“Last year, when we brought back the pride, pageantry, atmospheres and traditions of College Football, the response from fans was overwhelming,” said Evan Dexter, VP, Franchise Strategy & Marketing, EA SPORTS College Football. “With College Football 26, we’re celebrating our sophomore season with two generational sophomore wide receivers on the cover and we can’t wait for the world to experience even more heart and authenticity across athletes, stadiums, coaches and fans. Tune in this Thursday to see what makes it so special.”Williams and Smith land on the EA SPORTS College Football 26 covers after stellar starts to their careers last season. Williams, a dynamic playmaker, set freshman records at Alabama, dazzling fans with his speed and highlight-reel catches. Smith, a cornerstone of Ohio State’s offense, emerged as one of the nation’s top receivers, showcasing elite route-running and clutch performances en route to the Buckeyes capturing the National Championship. Accomplished coaches like Ohio State’s Ryan Day, Notre Dame’s Marcus Freeman, and Georgia’s Kirby Smart are featured on the Deluxe Edition cover, alongside iconic mascots and players such as Clemson QB Cade Klubnik, Notre Dame RB Jeremiyah Love, and Penn State RB Nick Singleton, embodying the culture of the sport. Past EA SPORTS cover stars Reggie Bush, Tim Tebow, and Denard Robinson also appear, paying tribute to college football’s rich history.“As a lifelong fan of EA SPORTS games, being on the cover of College Football 26 is a dream come true,” said Williams. “It was incredible to see myself in College Football 25 last year, and now to represent Alabama and share this moment with fans who’ve played EA SPORTS games for years is unreal.”“Being on the cover of EA SPORTS College Football 26 is a tremendous privilege, and I’m proud to represent Ohio State alongside Coach Day while carrying the Buckeye legacy forward, celebrating the passion of our fans and the tradition of this incredible program,” said Smith.Football fans can pre-order the EA SPORTS™ MVP Bundle now, which includes the Deluxe Editions of EA SPORTS College Football 26 and Madden NFL 26, granting 3-day early access to both games plus special bonuses.* The Standard and Deluxe Editions of College Football 26 are also available for pre-order today.More College Football 26 details will be shared this Thursday and throughout the summer leading up to launch. Fans can stay updated by visiting the official website or following along on social media (Instagram, X, Facebook, and TikTok) for all the latest announcements.*Conditions & restrictions apply. See https://www.ea.com/games/madden-nfl/madden-nfl-26/legal-disclaimers for details.For College Football 26 assets, visit: EAPressPortal.com.EA SPORTS™ College Football 26 is developed in Orlando, Florida and Madrid, Spain by EA Tiburon and will be available worldwide July 10 for PlayStation®5 and Xbox Series X|S.About Electronic ArtsElectronic Arts (NASDAQ: EA) is a global leader in digital interactive entertainment. The Company develops and delivers games, content and online services for Internet-connected consoles, mobile devices and personal computers.In fiscal year 2025, EA posted GAAP net revenue of approximately $7.5 billion. Headquartered in Redwood City, California, EA is recognized for a portfolio of critically acclaimed, high-quality brands such as EA SPORTS FC™, Battlefield™, Apex Legends™, The Sims™, EA SPORTS™ Madden NFL, EA SPORTS™ College Football, Need for Speed™, Dragon Age™, Titanfall™, Plants vs. Zombies™ and EA SPORTS F1®. More information about EA is available at www.ea.com/news.EA, EA SPORTS, EA SPORTS FC, Battlefield, Need for Speed, Apex Legends, The Sims, Dragon Age, Titanfall, and Plants vs. Zombies are trademarks of Electronic Arts Inc. John Madden, NFL, and F1 are the property of their respective owners and used with permission. Erin Exum Director, Integrated Comms [email protected] Source: Electronic Arts Inc. Multimedia Files:

May 27, 2025 Ryan Williams and Jeremiah Smith Star on the College Football 26 Cover and the Deluxe Edition Honors Icons of College Football Full College Football 26 Reveal Coming Thursday & Fans Can Pre-Order the MVP Bundle Now To Get The Deluxe Editions of College Football 26 and Madden NFL 26 REDWOOD CITY, Calif.--(BUSINESS WIRE)-- Electronic Arts Inc. (NASDAQ: EA) and EA SPORTS™ today unveiled the dynamic covers of EA SPORTS™ College Football 26, ahead of the game’s full reveal this Thursday, May 29. Alabama wide receiver Ryan Williams and Ohio State wide receiver Jeremiah Smith shine on the Standard Edition cover, while the Deluxe Edition highlights college football legends alongside prominent coaches, beloved mascots, and other standout players. Fans can dive into authentic gameplay across 136 FBS schools and experience the unrivaled passion of college football when EA SPORTS College Football 26 launches worldwide on July 10 on PlayStation®5 and Xbox Series X|S.Standout sophomores Ryan Williams and Jeremiah Smith star on the EA SPORTS College Football 26 covers.“Last year, when we brought back the pride, pageantry, atmospheres and traditions of College Football, the response from fans was overwhelming,” said Evan Dexter, VP, Franchise Strategy & Marketing, EA SPORTS College Football. “With College Football 26, we’re celebrating our sophomore season with two generational sophomore wide receivers on the cover and we can’t wait for the world to experience even more heart and authenticity across athletes, stadiums, coaches and fans. Tune in this Thursday to see what makes it so special.”Williams and Smith land on the EA SPORTS College Football 26 covers after stellar starts to their careers last season. Williams, a dynamic playmaker, set freshman records at Alabama, dazzling fans with his speed and highlight-reel catches. Smith, a cornerstone of Ohio State’s offense, emerged as one of the nation’s top receivers, showcasing elite route-running and clutch performances en route to the Buckeyes capturing the National Championship. Accomplished coaches like Ohio State’s Ryan Day, Notre Dame’s Marcus Freeman, and Georgia’s Kirby Smart are featured on the Deluxe Edition cover, alongside iconic mascots and players such as Clemson QB Cade Klubnik, Notre Dame RB Jeremiyah Love, and Penn State RB Nick Singleton, embodying the culture of the sport. Past EA SPORTS cover stars Reggie Bush, Tim Tebow, and Denard Robinson also appear, paying tribute to college football’s rich history.“As a lifelong fan of EA SPORTS games, being on the cover of College Football 26 is a dream come true,” said Williams. “It was incredible to see myself in College Football 25 last year, and now to represent Alabama and share this moment with fans who’ve played EA SPORTS games for years is unreal.”“Being on the cover of EA SPORTS College Football 26 is a tremendous privilege, and I’m proud to represent Ohio State alongside Coach Day while carrying the Buckeye legacy forward, celebrating the passion of our fans and the tradition of this incredible program,” said Smith.Football fans can pre-order the EA SPORTS™ MVP Bundle now, which includes the Deluxe Editions of EA SPORTS College Football 26 and Madden NFL 26, granting 3-day early access to both games plus special bonuses.* The Standard and Deluxe Editions of College Football 26 are also available for pre-order today.More College Football 26 details will be shared this Thursday and throughout the summer leading up to launch. Fans can stay updated by visiting the official website or following along on social media (Instagram, X, Facebook, and TikTok) for all the latest announcements.*Conditions & restrictions apply. See https://www.ea.com/games/madden-nfl/madden-nfl-26/legal-disclaimers for details.For College Football 26 assets, visit: EAPressPortal.com.EA SPORTS™ College Football 26 is developed in Orlando, Florida and Madrid, Spain by EA Tiburon and will be available worldwide July 10 for PlayStation®5 and Xbox Series X|S.About Electronic ArtsElectronic Arts (NASDAQ: EA) is a global leader in digital interactive entertainment. The Company develops and delivers games, content and online services for Internet-connected consoles, mobile devices and personal computers.In fiscal year 2025, EA posted GAAP net revenue of approximately $7.5 billion. Headquartered in Redwood City, California, EA is recognized for a portfolio of critically acclaimed, high-quality brands such as EA SPORTS FC™, Battlefield™, Apex Legends™, The Sims™, EA SPORTS™ Madden NFL, EA SPORTS™ College Football, Need for Speed™, Dragon Age™, Titanfall™, Plants vs. Zombies™ and EA SPORTS F1®. More information about EA is available at www.ea.com/news.EA, EA SPORTS, EA SPORTS FC, Battlefield, Need for Speed, Apex Legends, The Sims, Dragon Age, Titanfall, and Plants vs. Zombies are trademarks of Electronic Arts Inc. John Madden, NFL, and F1 are the property of their respective owners and used with permission. Erin Exum Director, Integrated Comms [email protected] Source: Electronic Arts Inc. Multimedia Files:

Get the Popular Science daily newsletter💡 Breakthroughs, discoveries, and DIY tips sent every weekday. Earth and space mingle in stunning ways for the 2025 Milky Way Photographer of the Year contest. From the “geological masterpiece” of Coyote Buttes, Utah to the sandstone terrain of desolate Ennedi, Chad to a lava-spewing volcano in Guatemala, this year’s entries dazzle from all corners of the globe. We even get a view of the Milky Way from off-planet with a photograph from NASA astronaut Don Pettit taken aboard the International Space Station. “The Wave”Coyote Buttes, UT, USAOne of my greatest passions is visiting stunning natural wonders and paying my personal tribute to them through night photography. This image was taken at Coyote Buttes, a geological masterpiece located in Arizona, where special access permits are required to protect it for future generations.Despite the intense cold during those days, it was incredibly exciting to visit the great sandstone wave for the first time and enjoy its spectacular shapes and colors.To capture this 360° panorama, I planned for the Milky Way and focused on creating a balanced photographic composition. It’s hard to put into words the beauty of this place, but I hope my photograph manages to convey it.Credit: Luis Cajete / 2025 Milky Way Photographer of the Year Daniel Zafra Portill The Milky Way contains an estimated 200-400 billion stars, but we can only see a fraction of the celestial bodies with our naked eyes. Photography opens up the skies to the staggering light show floating around us. (Click to enlarge images.) “Echiwile Arch” Ennedi, ChadWhen one first Googles information about visiting Chad, the results aren’t very encouraging from a safety perspective. Nevertheless, the intrepid astrophotographer in me decided to take the chance and visit this landlocked country, specifically the Ennedi Massif in the north.Sparsely populated and completely devoid of light pollution, the three-day drive from the capital, N’Djamena, was well worth the troubles and risks involved. The region is filled with numerous rock formations, shapes, and arches, offering an abundance of options for foreground elements to frame the dramatic night skies. Seen here is a small arch in the shape of a hoof in the Ennedi region.Credit: Vikas Chander / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Fortress of Light”Jujuy, ArgentinaSince I started shooting the night sky, I’ve always sought out landscapes that feel like they belong to another planet — remote, untouched, and far from light pollution. That’s exactly what I found in “The Cathedral,” a surreal rock formation in Jujuy, Argentina.Photographing at over 4,000 meters (13,000 feet) presented its challenges, but when I arrived and saw the rock formations, I was completely blown away. The landscape felt like something from a fantasy world, and the towering cliffs instantly reminded me of a giant stone fortress sculpted by nature.As twilight gave way to full darkness, the core of the Milky Way appeared high overhead, shining with incredible clarity. I patiently waited as the galactic center slowly descended toward the horizon, perfectly aligning above the cliffs.While capturing the panorama, the camera picked up bands of orange and green airglow, adding a unique glow to the horizon.This image captures everything I love about photographing the Milky Way — the silence of remote places, the peace of standing under a pristine sky, and the deep connection I feel to the moment, fully present and grateful to witness it.Credit: Mauricio Salazar / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “The Night Guardians” Easter Island, ChileEaster Island had been on my bucket list for a long time, and it once seemed almost impossible to reach. On our first night there, the weather forecast looked promising, so we decided to go ahead with the tour our group had booked 4–5 months earlier. However, Rapa Nui sits in the middle of the Pacific Ocean, where the weather is notoriously unpredictable. When we woke up at 3 a.m. in our hotel, the sky was completely covered in clouds. Still, we decided to take the risk, knowing the forecast for the next few nights was even worse.An hour later, we were frantically photographing the statues at Rano Raraku—the quarry where nearly all of the island’s 900 statues were carved—when the sky suddenly began to clear. By 5 a.m., it was completely clear, and we had less than two hours to capture all the shots we wanted. We felt incredibly lucky to be in the right place at the right time.Credit: Rositsa Dimitrova / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Blossom”Hehuan Mountain Dark Sky Park, TaiwanAfter three years of waiting, the Yushan alpine rhododendrons are finally in bloom once again on Taiwan’s 3,000-meter-high Hehuan Mountain. On this special night, distant clouds helped block city light pollution, revealing an exceptionally clear view of the Milky Way. A solar flare from active region AR3664 reached Earth that evening, intensifying the airglow and adding an otherworldly touch to the sky.Together, these rare natural events created a breathtaking scene—vivid blooms glowing softly beneath a star-filled sky.Credit: Ethan Su / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Spines and Starlight”Kanaan, NamibiaOn our second Namibia Photography Tour, we began our journey once again at one of our favorite spots in Kanaan. Last year was an incredible experience, but this time, we decided to explore more of this vast land.During a scouting trip, I stumbled upon the perfect composition—two quiver trees standing tall with a large cactus in the foreground, all beautifully aligned with the Milky Way. I had always wanted to capture the Milky Way alongside a big cactus, so in that moment, it felt like a special gift.Getting everything in focus was a bit challenging, as I had to get extremely close to the cactus without getting poked. To achieve perfect sharpness, I used focus stacking. Additionally, I shot with an astro-modified camera and a GNB Nebula filter to enhance the details of the night sky.Credit: Burak Esenbey / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Galaxy of the Stone Array” Moeraki Boulders, New ZealandThe Milky Way hangs over the sea. The night sky of the Southern Hemisphere condenses the poetry of Li Bai, a poet from China’s Tang Dynasty, into eternity. On a clear night, the Milky Way pours down over the sea like a waterfall from the sky, intertwining with the atmospheric glow on the water’s surface.Credit: Alvin Wu / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “One in a Billion ”ISS (International Space Station)I float in the Cupola, looking out the seven windows composing this faceted transparent jewel. While my mind is submerged in contemplation, my eyes gorge on the dim reflections from a nighttime Earth. There are over eight billion people that call this planet home. There are seven of us that can say the same for Space Station. What a privilege it is to be here. I used an orbital star tracker to take out the star streak motion from orbit.Credit: Don Pettit / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Winter Fairy Tale”Dobratsch Nature Park, AustriaUndoubtedly my wildest location this winter: Austria’s Dobratsch mountain! If I had to describe it in two words, it would be a “Winter Fairytale”!Despite a 5 a.m. work shift, I drove to Austria by 1 p.m., worried about my fitness and lack of sleep. After a 2-hour hike through the snow with a 22kg backpack and sled, the stunning views kept me energized.Arriving at the cabin (where I had planned my winter panorama two years ago), I was greeted by untouched snow, completely free of footprints. I spent the evening exploring compositions, and this is my favorite: a panorama of the winter Milky Way with reddish nebulae, stretching above Dobratsch Mountain.I captured the Zodiacal light and even the Gegenschein glow! The sky was magnificent, with Jupiter and Mars shining brightly. In the foreground is the cabin, where I spent 3 freezing hours (-12°C), waiting for the perfect shot of the Milky Way’s core. It turned out exactly as I envisioned—a true winter fairytale.Credit: Uroš Fink / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Valle de los Cactus” San Pedro de Atacama, ChileA panoramic shot of the Milky Way in a remote area of the Atacama Cactus Valley, known for its large concentration of cactus plants. I love this place with its countless possibilities. The panorama was taken just as the galactic center began to rise, with the spectacular Gum Nebula visible on the right.It was an especially bright night with a breathtaking sky. The valley isn’t easy to navigate, but it’s always worth trying to find new compositions in such stunning locations beneath the night sky.Credit: Pablo Ruiz / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Cosmic Fire”Volcán Acatenango, GuatemalaOn the early morning of June 2, 2024, I summited Acatenango Volcano for the first time, hoping to witness the fiery beauty of the neighboring Volcan de Fuego against the Milky Way’s backdrop. That night, the volcano was incredibly active—each thunderous explosion reverberated in my chest, while glowing lava illuminated the dark slopes. Above, the Milky Way stretched diagonally across the sky, a mesmerizing band of stars contrasting with the chaos below. As the volcano erupted, the ash plume rose vertically, forming an acute angle of about 45 degrees with the galaxy’s diagonal path, creating a stunning visual contrast between Earth’s fury and the cosmos’ serenity.Capturing this required a fast, wide-angle lens (f/2.8), an ISO of 3200, and a 10-second exposure to balance the volcanic glow with the starlight. The challenge was timing the shot during a new moon and aligning the right moment for the Milky Way to cross the frame next to the volcano. I used Lightroom as the editor. This image is special for its storytelling—the raw power of Volcan de Fuego meeting the tranquil expanse of the galaxy.Credit: Sergio Montúfar / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Lake RT5” Zanskar, HimalayasLake RT5 is a pristine alpine lake nestled at 5,700 meters above sea level. My passion has always been to capture the unseen Himalayas in their rawest form. This journey led us through rugged mountains and glaciers, where we discovered several unknown alpine lakes and named them along the way.We endured multiple nights in extremely cold, unpredictable conditions. Due to the ever-changing weather and limited time, I used a blue hour blend to achieve a cleaner foreground. Since my campsite was right beside the lake, I was able to capture the tracked sky shot from the exact same position later that night.I was in awe of the incredible airglow illuminating the Himalayan skies. The raw image had even more intense colors, but I toned them down to stay true to reality. This was undoubtedly one of the most unforgettable nights I’ve ever spent in the heart of the Himalayas.Credit: Tanay Das / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “A Stellar View From The Cave” Saint Raphael, FranceFramed by the rugged mouth of a coastal cave, this image captures the heart of the Milky Way rising over the Mediterranean Sea. Taken during the peak of the Galactic Core season last May, it blends the natural beauty of the foreground with the awe-inspiring vastness of the cosmos. A winding road, illuminated by passing cars, creates a dynamic trail of light that guides the eye toward the stars above.This photo is a reminder that magic often hides in the most unexpected places. All it takes is a little patience, planning, and passion.Credit: Anthony Lopez / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Boot Arch Perseids” Alabama Hills, CA, USAThe Perseid Meteor Shower occurs every August, raining down hundreds of meteors over a few nights. In 2024, I had planned to photograph it from the Canadian Rockies, but wildfires forced me to change my plans at the last minute. After checking wildfire maps, I found a safe haven in the Eastern Sierra Nevada.After three full nights of capturing meteors, I created this image. Sitting on the rock is my friend Arne, who often joins me on these adventures, gazing up at the magnificent core of our galaxy. Each meteor is painstakingly aligned to its true location in the night sky. The final depiction shows all the meteors I captured, combined into one frame—as if the Earth hadn’t been rotating and all the meteors had fallen at once.Credit: Mike Abramyan / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Starlit Ocean: A Comet, the setting Venus, the Milky Way, and McWay Falls” – California, USACapturing this image was a race against time, light, and distance. With Comet Tsuchinshan–ATLAS (C/2023 A3) making its approach, I knew I had a rare opportunity to see it with the naked eye before it faded into the cosmos. I embarked on a five-hour round trip to McWay Falls in Big Sur, one of the few Bortle 2 locations accessible along California’s coast. My window was narrow—just six precious minutes of true darkness before the Moon rose and washed out the night sky. But those six minutes were unforgettable.In that brief span, the Milky Way arched high above the Pacific, Venus shimmered as it set over the ocean, and the comet streaked quietly across the sky—a celestial visitor gracing this iconic coastal cove. The soft cascade of McWay Falls and the stillness of the starlit ocean created a surreal harmony between Earth and sky. It was one of the most vivid and humbling naked-eye comet sightings I’ve ever experienced—an alignment of cosmic elements that felt both fleeting and eternal.Credit: Xingyang Cai / 2025 Milky Way Photographer of the Year Daniel Zafra Portill “Diamond Beach Emerald Sky”Great Ocean Road, AustraliaWith a clear night forecast and the Milky Way core returning for 2025, I set out to explore the Great Ocean Road. After a few setbacks—such as a failed composition and getting the car stuck on a sandy track—I almost gave up. However, I pushed on and found a great spot above the beach to capture the scene.The night was full of color, with Comet C/2024 G3 Atlas and a pink aurora in the early hours, followed by the Milky Way rising amid intense green airglow near dawn. Despite the challenges, the reward of this stunning image and the memory of the view made it all worthwhile.Credit: Brent Martin / 2025 Milky Way Photographer of the Year Daniel Zafra Portill

Start SlideshowStart SlideshowDisney has enchanted us for decades with its resplendent animation and fantastical stories of princesses, wicked witches, and fire-breathing dragons, but music has always been its most indelible sprinkle of pixie dust. There are songs that move us, make us dance, and help us understand the characters that have already been so lovingly drawn. With over 350 songs in the Disney canon, it’s nearly impossible to narrow them down, but we’ve chosen the 23 in honor of the year 1923, when Walt Disney founded the company. These songs are the most magical and remind us why Disney has endured for over a century.Previous SlideNext Slide2 / 25List slides23. “Whistle While You Work” from Snow White and the Seven DwarfsList slides23. “Whistle While You Work” from Snow White and the Seven DwarfsWhistle While You Work - Snow White and the Seven Dwarfs Larry Morey and Frank Churchill’s merry tune about finding the joy in the most mundane of chores is quite simple, with only nine lines, yet incredibly catchy. Adriana Caselotti’s warbling, baby voice is fitting for this old-fashioned, operetta-style number and the entire sequence that features the big-eyed, adorable forest creatures helping her out. The squirrels sweep the dust with their tails, and the raccoons wash dirty clothes in a nearby watering hole to every sprightly beat. It’s difficult not to be beguiled by this little ditty, and you’ll find yourself humming it the next time you do your spring cleaning. Previous SlideNext Slide3 / 25List slides22. “The Family Madrigal” from EncantoList slides22. “The Family Madrigal” from EncantoStephanie Beatriz, Olga Merediz, Encanto - Cast - The Family Madrigal (From “Encanto”) Lin-Manuel Miranda’s fingerprints are all over modern Disney soundtracks. He is a master at crafting clever, fast-paced, and genre-blending earworms. The biggest ones to emerge from Encanto are “We Don’t Talk About Bruno” and “Surface Pressure,” where he blends classic Broadway stylings with punchier salsa and reggaeton genres. “The Family Madrigal” may not have reached the same level of pop culture infamy as the other songs in this film, but it’s a clever and economical way to introduce the Madrigal family and their powers. Stephanie Beatriz’s bubbly voice as Mirabel suits the song’s bouncy rhythm perfectly, while the Colombian folk instruments such as an accordion, caja vallenata, and guacharaca match the colorful energy of the magical town the Madrigals call home. Previous SlideNext Slide4 / 25List slides21.“Dig a Little Deeper” from Princess and the FrogList slides21.“Dig a Little Deeper” from Princess and the FrogDig a Little Deeper (From “The Princess and the Frog”/Sing-Along) Randy Newman’s toe-tapping blend of big-band swing and gospel choir refrains perfectly captures the vibrant soul of the New Orleans setting. The feisty Jennifer Lewis leads “Dig a Little Deeper” as Mama Odie, backed by the rousing Pinnacle Gospel Choir. The song’s brassy rhythms help Tiana let loose and Naveen to realize that he’s in love with her. The lessons Mama Odie imparts through the lyrics are wise and grounded: it doesn’t matter what you have or where you come from—that doesn’t define who you are. True fulfillment doesn’t come from material wealth, status, or outward appearances—it comes from understanding what you really want on the inside. The song crescendos with Anika Noni Rose’s powerful belt and the soulful shouts of Mama Odie’s bright flamingo chorus. Previous SlideNext Slide5 / 25List slides20. “I See the Light” from TangledList slides20. “I See the Light” from Tangled“I SEE THE LIGHT” | Tangled | Disney Animated HD The dreamy melody of “I See the Light” begins with a soft guitar. Glenn Slater and Alan Menken’s composition is fairly simple, allowing the glittering visuals to take center stage. The song takes place during the lighting ceremony that Rapunzel has yearned to visit after observing it from her tower for 18 years. Flynn and Rapunzel float on a gondola, surrounded by over 45,000 glowing lanterns floating in the air, dotting the sky and reflecting off the water that surrounds them. The characters sing the verses separately in their heads before their emotions burst, then they harmonize the chorus loudly, compelled by their realization that they’re in love. It’s a unique and touching way of framing a Disney love song. Previous SlideNext Slide6 / 25List slides19. “Friend Like Me” from AladdinList slides19. “Friend Like Me” from AladdinAladdin - Friend Like Me (HD 1080p) Howard Ashman’s playful lyrics and Alan Menken’s up-tempo, syncopated, vaudevillian song was the perfect musical playground for Robin Williams to fill with the zany impressions and quirky voices he was renowned for. A trumpet warbles in between one of the clever lyrics, sights and sounds so jam-packed with hilarity that you can barely stop to catch your breath. Robin Williams was so adept at improvisation that he had nearly an entire day’s worth of material. The animation is just as bonkers as his vocal performance, where Genie morphs into countless creatures—from a train whistle to a maître d’, a boxing trainer, a bunny, and a dragon. The Broadway-style showstopper culminates with a kick line under bright spotlights with monkeys, elephants, and dancing girls in crop tops and harem pants. “Friend Like Me” is a shining showcase for one of our finest comedic talents, the great Robin Williams. Previous SlideNext Slide7 / 25List slides18. “Baby Mine” from DumboList slides18. “Baby Mine” from DumboDisney’s “Dumbo” - Baby MineSongwriters Frank Churchill and Ned Washington are responsible for childhood traumas everywhere with “Baby Mine,” which takes place when Dumbo’s mother has been jailed as a “mad elephant” for fiercely protecting her son against his bullies. She reaches her trunk through the bars to cradle Dumbo to the soft, slumbering melody accompanied by haunting strings. Betty Noyes’ has that rich, rounded tone found in vintage singing, and it conveys Mrs. Jumbo’s maternal strength. The images of all the animals—zebras, tigers, monkeys, and even the underwater hippos—nestled in the love of their mothers, except for poor Dumbo, set against the song’s soothing orchestra, is absolutely heart wrenching. “Baby Mine” is the kind of song that inspires dreams of being comforted and cared for by a loving parental figure.Previous SlideNext Slide8 / 25List slides17. ”Once Upon a Dream” from Sleeping BeautyList slides17. ”Once Upon a Dream” from Sleeping BeautyOnce Upon A Dream | Sleeping Beauty Lyric Video | DISNEY SING-ALONGS Jack Lawrence and Sammy Fain craft a solo-turned-duet with a woozy, mysterious quality that perfectly complements the story of Sleeping Beauty. Mary Costa has such an elegant and operatic voice, with rich tones that make her sound far more mature than a 16-year-old girl. She’s soon joined by the strong, handsome voice of Prince Phillip, who appears unexpectedly in the forest. Their romance unfolds quickly, twirling together in the woods, surrounded by beautiful medieval-inspired, Gothic-Renaissance style visuals. The lilting orchestration and the grand choral ensemble add to the old-world mystique. The lyrics—of knowing someone before you truly know them, of seeing them in your dreams—add a tinge of mysterious excitement and mystical fate to their romance. Previous SlideNext Slide9 / 25List slides16. “Hellfire” from The Hunchback of Notre DameList slides16. “Hellfire” from The Hunchback of Notre DameHellfire - The Hunchback of Notre Dame (1996) Alan Menken and Stephen Schwartz crafted one of Disney’s darkest songs. It’s hard to imagine Disney taking this type of creative risk again. “Hellfire” is sung by a corrupt priest consumed by lust for the Romani woman Esmeralda. The deep-voiced Tony Jay plays the dishonorable Frollo, who paints himself as a virtuous man—even though he killed Quasimodo’s mother and nearly killed Quasimodo. A true Catholic would have helped them. Today, Disney would never dare to show that authority figures—especially religious ones—can often be wrong and hypocritical, if not outright evil. This is one of the most provocative villain songs, in which Frollo essentially confesses his horniness. He sings of being enraptured by Esmeralda’s smoldering eyes and raven hair—a desire that burns and threatens to turn him to sin. “Hellfire” also has a spooky quality in its use of Latin and the intense religious choir that looms over Frollo in judgment, cloaked in red with faces like empty black holes. It’s a haunting song of operatic grandeur, with notes that flare and fade like the flames dancing in front of him. Previous SlideNext Slide10 / 25List slides15. “A Dream is a Wish Your Heart Makes” from CinderellaList slides15. “A Dream is a Wish Your Heart Makes” from CinderellaA Dream Is a Wish Your Heart Makes (from Cinderella) Sung with silky warmth and a shimmering, ethereal vibrato by Ilene Woods as Cinderella, “A Dream is a Wish Your Heart Makes” is soft and soothing, yet carries an undercurrent of quiet determination. She sings to her loyal companions—adorable flocks of birds and mice—who wear the tiny outfits she’s lovingly made for them. They join in during a break of the song that is more playful and buoyant while she prepares for another grueling day of chores, yet she stays positive by believing her dreams will come true. “A Dream is a Wish Your Heart Makes” has become a marketing anthem for the studio—used in various ads to evoke nostalgia, magic, and the promise that dreams really do come true, with Disney theme parks as the place where that magic can happen. Previous SlideNext Slide11 / 25List slides14. Hawaiian Roller Coaster Ride from Lilo & StitchList slides14. Hawaiian Roller Coaster Ride from Lilo & StitchHawaiian Roller Coaster Ride (From “Lilo & Stitch”) The rich voice of Mark Kealiʻi Hoʻomalu and the cheerful Kamehameha Schools Children’s Chorus come together for a song that is as sweet and breezy as a summer’s day. “Hawaiian Roller Coaster Ride” takes place during a touching moment of family bonding as Lilo, Nani, and David go surfing, gliding through the waves with ease. Stitch has been naughty, so he feels a little shy about enjoying the day with them, but he slowly begins to warm up to what it feels like to have a family. We see the adorable progression as the little thrill-seeker ends up riding the waves too. The song’s instrumentation—featuring ukulele, traditional Hawaiian fingerstyle guitar, and steel guitar—evokes the ocean waves and open skies, giving it that relaxed, beachy vibe. Both the animation and the song itself honors the film’s beautiful Hawaiian setting. Previous SlideNext Slide12 / 25List slides13. “I’ll Make a Man Out of You” from MulanList slides13. “I’ll Make a Man Out of You” from MulanMulan | I’ll Make a Man Out of You | Disney Junior UK “Let’s get down to business, to defeat the Huns” Donny Osmond sings in his perfectly crisp voice. The rousing number “I’ll Make a Man Out of You” by Matthew Wilder and David Zippel is the pump-up song for a training montage. It starts out comical as we see Mulan and her clumsy friends attempt to become the ideal Chinese soldier. The catchy chorus uses evocative nature metaphors for the type of strength and calm that Mulan needs to find, and the deep-voiced punctuation “Be a man!” at the end of each line adds to the hype. When Donny Osmond belts “Time is racing towards us, ‘till the Huns arrive,” you feel a thrilling rush of urgency and swell with courage. The final chorus plays against no instrumentation, the manly voices of the soldiers booming, allowing you to focus on Mulan and her friends now kicking ass. Previous SlideNext Slide13 / 25List slides12. “A Whole New World” from AladdinList slides12. “A Whole New World” from AladdinAladdin - A Whole New World (HD 1080p) Brad Kane’s voice carries an excited, breathy quality that draws you in as he whisks Jasmine away on a magic carpet ride. He sounds bright and earnest as he describes the shining, shimmering, and splendid world that Jasmine has never seen and he’s eager to show her. Lea Salonga, who is a Broadway legend in her own right, has an angelic innocence as Jasmine. Their voices come together in perfect harmony for this sweeping duet. “A Whole New World” is one of Disney’s most romantic love songs, with a melody that flutters and glides like the magic carpet itself. Written by Alan Menken and Tim Rice, the orchestration has lush strings that propel the adventurous animated sequence where they soar through the clouds, pass the Sphinx, and touch down near a group of horses. Previous SlideNext Slide14 / 25List slides11. “Strangers Like Me” from TarzanList slides11. “Strangers Like Me” from TarzanStrangers Like Me (1080p Full HD) - Tarzan (1999)Opening with a pulsing drum track, Strangers Like Me evokes the spinning wheels in Tarzan’s mind as he learns more about what lies beyond the jungle. The montage is gorgeously animated, featuring old-fashioned ink illustrations that Tarzan looks at through a magic lantern. He sees the city of London, a giant castle, the Sphinx, and even outer space for the first time. This flood of information drives the song’s urgent pace.The filmmakers craft the entire animated sequence as a response to the lyrics, as Tarzan watches Jane (“Every gesture, every move that she makes / Makes me feel like never before”) or shows off a pocket of the rainforest filled with parrots (“Come with me now to see my world / Where there’s beauty beyond your dreams”). Phil Collins’ bright voice captures Tarzan’s wonderment, especially in the soaring chorus, where Tarzan expresses his desire to learn more about strangers like him. You feel his hunger for the great, wide world in the song’s pounding, tribal drumbeats. Previous SlideNext Slide15 / 25List slides10. “I Won’t Say I’m in Love” from HerculesList slides10. “I Won’t Say I’m in Love” from HerculesHercules (1997) │ I Won’t Say (I’m In Love) [DPU HD 4K] The story of the ancient Greek hero Hercules has such a unique musical style, with lyricist David Zippel and composer Alan Menken blending doo-wop, Motown, and gospel soul. The muses serve as a literal Greek chorus, commenting on the action with their sassy perspective. In “I Won’t Say I’m in Love,” Megara’s velvet-voiced, sarcastic Susan Egan stands apart from other Disney heroines, who often sing fluttering arias about dreaming of a prince. Instead, Megara resists her feelings because she’s been burned too many times before, creating a comical juxtaposition with the Muses, who cheekily insist that she’s in love. They tease her with “Check the grin, you’re in love.” It’s a playful and flirtatious song that celebrates an unconventional Disney princess and musical choices. Previous SlideNext Slide16 / 25List slides9. “How Far I’ll Go” from MoanaList slides9. “How Far I’ll Go” from MoanaAuli’i Cravalho - How Far I’ll Go (from Moana/Official Video) Ever since their introduction in The Little Mermaid, Broadway-style “I Want” songs have become a hallmark of Disney princess films. They are passionate solos that reveal what each heroine desires most in the world. Whatever her heart longs for becomes the emotional engine driving the story forward. In “How Far I’ll Go,” composed by Lin-Manuel Miranda, Moana is torn between her dream of exploring what’s beyond her remote island and her duty to her family. She’s genuinely torn, even wondering if she’s wrong to yearn for what lies beyond the horizon. Auli’i Cravalho’s pure, heartfelt voice captures all the wistfulness and uncertainty of growing up. The melody swells and crashes gently like ocean tides, mirroring the push and pull of Moana’s inner conflict. Previous SlideNext Slide17 / 25List slides8. “Be Our Guest” from Beauty and the BeastList slides8. “Be Our Guest” from Beauty and the BeastBeauty and the Beast - Be Our Guest (HD) Music Video Broadway royalty Jerry Orbach helms this showstopper with music by Alan Menken and lyrics by Howard Ashman. The suave candlestick Lumière uses the number to lure Belle out of her bedroom, and show that the enchanted castle is more friendly and exciting than spooky and depressing. “Be Our Guest” has clever, fast-paced lyrics sung in a classic “patter song” style which then explodes in a lively, French can-can finale. The living castle objects just want to serve and make someone happy again, offering Belle elaborate meals and dazzling entertainment. Everything is on the plate for Belle, from soup du jour, hot hors d’oeuvres, beef ragout, cheese soufflé, and of course, the grey stuff. What’s just as exciting about the number as its giddy music is the animation, with spoons swimming in punch bowls like a Busby Berkeley number, prismatic spotlights, sumptuous, brightly-colored cakes, a glowing chandelier, and dancing flatware. Previous SlideNext Slide18 / 25List slides7. “You’ll Be in My Heart” from TarzanList slides7. “You’ll Be in My Heart” from TarzanPhil Collins - You’ll Be in My Heart /Tarzan(ターザン)Phil Collins knocked it out of the park with the entire Tarzan soundtrack. Somehow his earthy voice, drum-infused instrumentals, and heartfelt lyrics were the perfect mix for this jungle story. Rather than a traditional Disney musical, Phil Collins acts as an omnipresent narrator, commenting on the action or voicing the character’s thoughts. “You’ll Be In My Heart” rightfully earned the Academy Award for Best Original Song. Originally written as a lullaby for his own daughter, the song starts off tender, with Phil Collins almost gently whispering against soft marimbas. Its lyrics of true love and devotion are moving, especially in the scene where Kala sings it to a baby Tarzan, who, despite being a different species, experiences a bond where love and care know no bounds. The song eventually crashes into driving drums, moving toward a bridge that sees the child fly free on their own: “When destiny calls you / You must be strong / I may not be with you / But you’ve got to hold on.” This song is touching for anyone who has ever loved someone and watched them grow, no matter what type of relationship. Previous SlideNext Slide19 / 25List slides6. “Under the Sea” from The Little MermaidList slides6. “Under the Sea” from The Little MermaidThe Little Mermaid - Under the Sea (from The Little Mermaid) (Official Video) Those solo calypso opening notes of “Under the Sea” immediately get you excited, and Samuel E. Wright delivers a rollicking underwater bash. His booming voice and vivacious energy are perfect for the overdramatic crustacean and his mission to convince Ariel that living under the sea “is the bubbles” with no troubles. “Under the Sea’ buoys the rainbow-colored montage of marine life that fills Ariel’s world—fish, dolphins, and coral reefs. The scene cleverly ties the instruments to various creatures and animation — harps echo the swirling school of fish, shells mimic steel pans, and a pair of octopuses intertwine their legs like bass lines. With its infectious Caribbean beat, Howard Ashman and Alan Menken’s song is a true banger and impossible not to love, which is why it won the 1990 Oscar for Best Original Song. Previous SlideNext Slide20 / 25List slides5. “Colors of the Wind” from PocahontasList slides5. “Colors of the Wind” from PocahontasPocahontas - Colors of the Wind (Blu-ray 1080p HD) “You think the only people who are people / Are the people who look and think like you / But if you walk the footsteps of a stranger / You’ll learn things you never knew, you never knew.” In this increasingly polarized world, that message has never been more relevant. Pocahontas is not immediately smitten with John Smith; instead, she condemns his entire culture, which prioritizes gold and hatred over acceptance and the beauty of nature. Stephen Schwartz’s lyrics paint gorgeous pictures of the American wilderness, questioning why the white men who have invaded these lands cannot appreciate the world around them — from the grinning bobcats to the sweet berries to the trees that stretch toward the sky, if only we let them grow. Alan Menken’s surrounding score is rapturous, carried by Judy Kuhn’s passionate vocals. More than just the profound lyrics, it’s the visuals that make this musical number so unforgettable — particularly John Smith and Pocahontas dancing in a pastel-colored wind. It’s no surprise that “Colors of the Wind” won an Academy Award for Best Original Song. Previous SlideNext Slide21 / 25List slides4. “When You Wish Upon a Star” from PinnochioList slides4. “When You Wish Upon a Star” from PinnochioPocahontas - Colors of the Wind (Blu-ray 1080p HD)Written by Leigh Harline and Ned Washington, “When You Wish Upon a Star” has come to define Disney itself, typically playing over the castle logo that opens every movie. The ethereal ballad is sung by Cliff Edwards as Jiminy Cricket, whose resonant yet quirky voice feels like someone sharing a story by a crackling fire. “When you wish upon a star / Makes no difference who you are / Anything your heart desires / Will come to you,” he tenderly sings over the opening credits. The gentle melody wraps you in a warm embrace of possibility. People often make fun of Disney adults, but perhaps one reason we hold on to Disney films long after growing up is that they offer hope in an increasingly grim world. This aspirational song reminds us there is more to life than the ordinary—if we just dare to imagine.Previous SlideNext Slide22 / 25List slides3. “Beauty and the Beast” from Beauty and the BeastList slides3. “Beauty and the Beast” from Beauty and the BeastBeauty and the Beast Tale As Old As Time HD As Mrs. Potts, Angela Lansbury’s warm, cheery English voice adds a rosiness to this powerful love ballad, backed by an orchestra of sumptuous strings. The lyrics aren’t the pure romanticism of past Disney love stories; there is no love at first sight here. Instead, Mrs. Potts gently reflects on how true love can take time to blossom, and how relationships sometimes require change, admitting your faults and working hard to set aside your vices and worst qualities. It’s a surprisingly mature outlook for a Disney love song. The accompanying animation is one of the most exquisite sequences in Disney history: Belle’s golden dress glides delicately across the floor as she and the Beast dance in the grand ballroom, the camera swirling to reveal the sparkling chandelier and Michelangelo-esque ceiling of painted cherubs above them. That Howard Ashman wrote this song while dying from complications of AIDS makes it all the more poignant. Previous SlideNext Slide23 / 25List slides2. “Part of Your World” from The Little MermaidList slides2. “Part of Your World” from The Little MermaidJodi Benson - Part of Your World (From “The Little Mermaid”)Before The Little Mermaid kicked off the Disney Renaissance (a period of more sophisticated storytelling and box office success) princess songs were mostly focused on their prince charmings. They had very few aspirations outside of dreaming about their prince or wishing for their prince. But the introduction of the songwriting team Alan Menken and Howard Ashman, who had worked on the off-Broadway show Little Shop of Horrors, helped develop a Disney princess that had greater ambitions. Ariel wanted to see the human world, and she would express that within a Broadway-style solo called the “I Want” song, where the protagonist sings about, well, what they want. “Part of Your World” has a flowing melody and a sweet yearning in Jodi Benson’s voice (and given a more soulful power in the live-action version from Halle Bailey). We see her comical misunderstanding of what her treasures are, all whozits and whatzits galore. “Wouldn’t I love to explore that shore up above?” her voice soars while reaching out through the top of her grotto towards the sun. In that moment, with her big eyes and aching voice, you completely understand how much the human world means to her.Previous SlideNext Slide24 / 25List slides1. “Circle of Life” from The Lion KingList slides1. “Circle of Life” from The Lion KingCarmen Twillie, Lebo M. - Circle of Life (From “The Lion King”) No Disney song is quite as epic as Elton John’s “Circle of Life.” The image of the rising sun, paired with the opening lines sung passionately in Zulu by Lebo M., without any instrumentals, immediately hooks you into this sweeping story of the African savannah. The title, “Circle of Life,” is fitting for this tale of birth, death, and everything in between. The lyrics somehow encompass everything about our big, beautiful world — how finite life is, and the experiences, both good and bad, that give us balance. There’s despair and there’s hope. There’s faith and there’s love. The lyrics are poetic and make you think about the wonder and mystery of existence. The song reaches a powerful peak at the end when the chorus rises together. It’s impossible not to get full-body chills on that final soaring note, “It’s the circle, the circle of life,” punctuated by the thunderous drumbeat, where the sight of Rafiki lifting Simba on Pride Rock cuts to black. “Circle of Life” is a beautiful song with a grand vision, especially for a film geared towards children.

May 21, 202510 min readWhy Some Experts Call Trump’s ‘Golden Dome’ Missile Shield a Dangerous FantasyThe White House’s $175-billion plan to protect the U.S. from nuclear annihilation will probably cost much more—and deliver far less—than has been claimed, says nuclear arms expert Jeffrey LewisBy Lee Billings U.S. President Donald Trump speaks in the Oval Office of the White House on May 20, 2025, during a briefing announcing his administration’s plan for the “Golden Dome” missile defense shield. Jim Watson/AFP via Getty ImagesDuring a briefing from the Oval Office this week, President Donald Trump revealed his administration’s plan for “Golden Dome”—an ambitious high-tech system meant to shield the U.S. from ballistic, cruise and hypersonic missile attacks launched by foreign adversaries. Flanked by senior officials, including Secretary of Defense Pete Hegseth and the project’s newly selected leader, Gen. Michael Guetlein of the U.S. Space Force, Trump announced that Golden Dome will be completed within three years at a cost of $175 billion.The program, which was among Trump’s campaign promises, derives its name from the Iron Dome missile defense system of Israel—a nation that’s geographically 400 times smaller than the U.S. Protecting the vastness of the U.S. demands very different capabilities than those of Iron Dome, which has successfully shot down rockets and missiles using ground-based interceptors. Most notably, Trump’s Golden Dome would need to expand into space—making it a successor to the Strategic Defense Initiative (SDI) pursued by the Reagan administration in the 1980s. Better known by the mocking nickname “Star Wars,” SDI sought to neutralize the threat from the Soviet Union’s nuclear-warhead-tipped intercontinental ballistic missiles by using space-based interceptors that could shoot them down midflight. But fearsome technical challenges kept SDI from getting anywhere close to that goal, despite tens of billions of dollars of federal expenditures.“We will truly be completing the job that President Reagan started 40 years ago, forever ending the missile threat to the American homeland,” Trump said during the briefing. Although the announcement was short on technical details, Trump also said Golden Dome “will deploy next-generation technologies across the land, sea and space, including space-based sensors and interceptors.” The program, which Guetlein has compared to the scale of the Manhattan Project in past remarks, has been allotted $25 billion in a Republican spending bill that has yet to pass in Congress. But Golden Dome may ultimately cost much more than Trump’s staggering $175-billion sum. An independent assessment by the Congressional Budget Office estimates its price tag could be as high as $542 billion, and the program has drawn domestic and international outcries that it risks sparking a new, globe-destabilizing arms race and weaponizing Earth’s fragile orbital environment.On supporting science journalismIf you're enjoying this article, consider supporting our award-winning journalism by subscribing. By purchasing a subscription you are helping to ensure the future of impactful stories about the discoveries and ideas shaping our world today.To get a better sense of what’s at stake—and whether Golden Dome has a better chance of success than its failed forebears—Scientific American spoke with Jeffrey Lewis, an expert on the geopolitics of nuclear weaponry at the James Martin Center for Nonproliferation Studies at the Middlebury Institute of International Studies.[An edited transcript of the interview follows.]It’s been a while, but when last I checked, most experts considered this sort of plan a nonstarter because the U.S. is simply too big of a target. Has something changed?Well, yes and no. The killer argument against space-based interceptors in the 1980s was that it would take thousands of them, and there was just no way to put up that many satellites. Today that’s no longer true. SpaceX alone has put up more than 7,000 Starlink satellites. Launch costs are much cheaper now, and there are more launch vehicles available. So, for the first time, you can say, “Oh, well, I could have a 7,000-satellite constellation. Do I want to do that?” Whereas, when the Reagan administration was talking about this, it was just la-la land.But let’s be clear: this does not solve all the other problems with the general idea—or the Golden Dome version in particular.What are some of those other problems?Just talking about space-based interceptors, there are a couple [of issues that] my colleagues and I have pointed out. We ran some numbers using the old SDI-era calculation from [SDI physicists] Ed Teller and Greg Canavan—so we couldn’t be accused of using some hippie version of the calculation, right? And what this and other independent assessments show is that the number of interceptors you need is super-duper sensitive to lots of things. For instance, it’s not like this is a “one satellite to one missile” situation—because the physics demands that these satellites ... have to be in low-Earth orbit, and that means they’re going to be constantly moving over different parts of the planet.So if you want to defend against just one missile, you still need a whole constellation. And if you want to defend against two missiles, then you basically need twice as many interceptors, and so on.You probably have to shoot down missiles during the boost phase, when the warheads are still attached. For SDI, the U.S. was dealing with Soviet liquid-fueled missiles that would boost, or burn, for about four minutes. Well, modern ones burn for less than three—that’s a whole minute that you no longer have. This is actually much worse than it sounds because you’re probably unable to shoot for the first minute or so. Even with modern detectors [that are] much better than [those] we had in the 1980s, you may not see the missile until it rises above the clouds. And once it does, your sensors, your computers, still have to say, “Aha! That is a missile!” And then you have to ensure that you’re not shooting down some ordinary space launch—so the system says, “I see a missile. May I shoot at it, please?” And someone or something has to give the go-ahead. So let’s just say you’ll have a good minute to shoot it down; this means your space-based interceptor has to be right there, ready to go, right? But by the time you’re getting permission to shoot, the satellite that was overhead to do that is now too far away, and so the next satellite has to be coming there. This scales up really, really fast.Presumably artificial intelligence and other technologies could be leveraged to make that sort of command and control more agile and responsive. But clearly there are still limits here—AI can’t be some sort of panacea.Sure, that’s right. But technological progress overall hasn’t made the threat environment better. Instead it’s gotten much worse.Let’s get back to the sheer physics-induced numbers for a moment, which AI can’t really do much about. That daunting scaling I mentioned also depends on the quality of your interceptors, your kill vehicles—which, by the way, are still going to be grotesquely expensive even if launch costs are low. If your interceptors can rapidly accelerate to eight or 10 kilometers per second (km/s), your constellation can be smaller. If they only reach 4 km/s, your constellation has to be huge.The point is: any claim that you can do this with relatively low numbers—let’s say 2,000 interceptors—assumes a series of improbable miracles occurring in quick succession to deliver the very best outcome that could possibly happen. So it’s not going to happen that way, even if, in principle, it could.So you’re telling me there’s a chance! No, seriously, I see what you mean. The arguments in favor of this working seem rather contrived. No system is perfect, and just one missile getting through can still have catastrophic results. And we haven’t even talked about adversarial countermeasures yet.There’s a joke that’s sometimes made about this: “We play chess, and they don’t move their pieces.” That seems to be the operative assumption here: that other nations will sit idly by as we build a complex, vulnerable system to nullify any strategic nuclear capability they have. And of course, it’s not valid at all. Why do you think the Chinese are building massive fields of missile silos? It’s to counteract or overwhelm this sort of thing. Why do you think the Russians are making moves to put a nuclear weapon in orbit? It’s to mass kill any satellite constellation that would shoot down their missiles.Golden Dome proponents may say, “Oh, we’ll shoot that down, too, before it goes off.” Well, good luck. You put a high-yield nuclear weapon on a booster, and the split second it gets above the clouds, sure, you might see it—but now it sees you, too, before you can shoot. All it has to do at that point is detonate to blow a giant hole in your defenses, and that’s game over. And by the way, this rosy scenario assumes your adversaries don’t interfere with all your satellites passing over their territory in peacetime. We know that won’t be the case—they’ll light them up with sensor-dazzling lasers, at minimum!You’ve compared any feasible space-based system to Starlink and noted that, similar to Starlink, these interceptors will need to be in low-Earth orbit. That means their orbits will rapidly decay from atmospheric drag, so just like Starlink’s satellites, they’d need to be constantly replaced, too, right?Ha, yes, that’s right. With Starlink, you’re looking at a three-to-five-year life cycle, which means annually replacing one third to one fifth of a constellation.So let’s say Golden Dome is 10,000 satellites; this would mean the best-case scenario is that you’re replacing 2,000 per year. Now, let’s just go along with what the Trump administration is saying, that they can get these things really cheap. I’m going to guess a “really cheap” mass-produced kill vehicle would still run you $20 million a pop, easily. Just multiply $20 million by 2,000, and your answer is $40 billion. So under these assumptions, we’d be spending $40 billion per year just to maintain the constellation. That’s not even factoring in operations.And that’s not to mention associated indirect costs from potentially nasty effects on the upper atmosphere and the orbital environment from all the launches and reentries.That, yes—among many other costly things.I have to ask: If fundamental physics makes this extremely expensive idea blatantly incapable of delivering on its promises, what’s really going on when the U.S. president and the secretary of defense announce their intention to pump $175 billion into it for a three-year crash program? Some critics claim this kind of thing is really about transferring taxpayer dollars to a few big aerospace companies and other defense contractors.Well, I wouldn’t say it’s quite that simple.Ballistic missile defense is incredibly appealing to some people for reasons besides money. In technical terms, it’s an elegant solution to the problem of nuclear annihilation—even though it’s not really feasible. For some people, it’s just cool, right? And at a deeper level, many people just don’t like the concept of deterrence—mutual assured destruction and all that—because, remember, the status quo is this: If Russia launches 1,000 nuclear weapons at us—or 100 or 10 or even just one—then we are going to murder every single person in Russia with an immediate nuclear counterattack. That’s how deterrence works. We’re not going to wait for those missiles to land so we can count up our dead to calibrate a more nuanced response. That’s official U.S. policy, and I don’t think anyone wants it to be this way forever. But it’s arguably what’s prevented any nuclear exchange from occurring to date.But not everyone believes in the power of deterrence, and so they’re looking for some kind of technological escape. I don’t think this fantasy is that different from Elon Musk thinking he’s going to go live on Mars when climate change ruins Earth: In both cases, instead of doing the really hard things that seem necessary to actually make this planet better, we’re talking about people who think they can just buy their way out of the problem. A lot of people—a lot of men, especially—really hate vulnerability, and this idea that you can just tech your way out of it is very appealing to them. You know, “Oh, what vulnerability? Yeah, there’s an app for that.”You’re saying this isn’t about money?Well, I imagine this is going to be good for at least a couple of SpaceX Falcon Heavy or Starship launches per year for Elon Musk. And you don’t have to do too many of those launches for the value proposition to work out: You build and run Starlink, you put up another constellation of space-based missile defense interceptors, and suddenly you’ve got a viable business model for these fancy huge rockets that can also take you to Mars, right?Given your knowledge of science history—of how dispassionate physics keeps showing space-based ballistic missile defense is essentially unworkable, yet the idea just keeps coming back—how does this latest resurgence make you feel?When I was younger, I would have been frustrated, but now I just accept human beings don’t learn. We make the same mistakes over and over again. You have to laugh at human folly because I do think most of these people are sincere, you know. They’re trying to get rich, sure, but they’re also trying to protect the country, and they’re doing it through ways they think about the world—which admittedly are stupid. But, hey, they’re trying. It’s very disappointing, but if you just laugh at them, they’re quite amusing.I think most people would have trouble laughing about something as devastating as nuclear war—or about an ultraexpensive plan to protect against it that’s doomed to failure and could spark a new arms race.I guess if you’re looking for a hopeful thought, it’s that we’ve tried this before, and it didn’t really work, and that’s likely to happen again.So how do you think it will actually play out this time around?I think this will be a gigantic waste of money that collapses under its own weight.They’ll put up a couple of interceptors, and they’ll test those against a boosting ballistic missile, and they’ll eventually get a hit. And they’ll use that to justify putting up more, and they’ll probably even manage to make a thin constellation—with the downside, of course, being that the Russians and the Chinese and the North Koreans and everybody else will make corresponding investments in ways to kill this system.And then it will start to really feel expensive, in part because it will be complicating and compromising things like Starlink and other commercial satellite constellations—which, I’d like to point out, are almost certainly uninsured in orbit because you can’t insure against acts of war. So think about that: if the Russians or anyone else detonate a nuclear weapon in orbit because of something like Golden Dome, Elon Musk’s entire constellation is dead, and he’s probably just out the cash.The fact is: these days we rely on space-based assets much more than most people realize, yet Earth orbit is such a fragile environment that we could muck it up in many different ways that carry really nasty long-term consequences. I worry about that a lot. Space used to be a benign environment, even throughout the entire cold war, but having an arms race there will make it malign. So Golden Dome is probably going to make everyone’s life a little bit more dangerous—at least until we, hopefully, come to our senses and decide to try something different.

“Metamorphosis of Consciousness” (2025), mixed media, dimensions variable. All images courtesy of Red Brick Art Museum Through Fairy Lights and Butterflies, Chiharu Shiota Tethers Presence and Absence May 22, 2025 Art Grace Ebert In one of the foundational texts of Taoism, Chinese philosopher Zhuang Zhou recalls a dream in which he was a butterfly, soaring through the sky with no recollection of his human form. Upon waking, though, he finds himself firmly in a bipedal body, prompting an important question: is he a butterfly dreaming he’s Zhuang Zhou or a man dreaming he’s a butterfly? This ancient story of transformation and the thin line between states of mind informs a dazzling new installation by Chiharu Shiota (previously). “Metamorphosis of Consciousness” suspends glimmering lights and faint butterfly wings above an iron-framed twin bed topped with a white blanket and pillow. Rejecting the strict separation between body and mind, Shiota references her belief in the spirit’s ability to endure long after one’s final breath. “While each time we slip into sleep, it is a rehearsal for death—a journey beyond the body,” she says. “Metamorphosis of Consciousness” (2025), mixed media, dimensions variable Exemplary of the artist’s interest in memory and knowledge, “Metamorphosis of Consciousness” is just one of the immersive works in the monumental exhibition Silent Emptiness at Red Brick Art Museum in Beijing. On view through August 31, the show revolves around Shiota’s ongoing explorations into the “presence in absence,” this time extending such inquiries into ideas of emptiness as it relates to Eastern philosophy and enlightenment. Included in the exhibtion is an antique Tibetan Buddhist doorway that anchors “Gateway to Silence,” an explosive installation that entwines the elaborately carved wood structure in a dense, criss-crossing labyrinth of string. Red thread, one of the artist’s favored materials, symbolizes relationships. And in this case, it’s an invitation to introspection and finding an awareness of the present moment. Metaphorically interlacing art, memory, and faith, Shiota very literally visualizes the intextricable web in which we’re all bound, regardless of geography or era. Pieces like “Echoes of Time” and “Rooted Memories” incorporate materials like soil and large stones, presenting the passage of time as cyclical and the past as always shaping the present. Detail of “Gateway to Silence” (2025), antique porch and red wool, dimensions variable Born in Osaka, the artist has lived in Berlin for much of her life, and Silent Emptiness also tethers her roots to more global experiences. Shiota likened her understanding of herself to the way salt molecules appear as crystals only after water evaporates. “I was not visible as an individual in Japan,” she says. “Whereas I did not know who I was, what I wanted to do, and what was necessary in the water, I feel that I became an individual and crystal, and understood those things for the first time by coming to Germany.” Another example of finding presence in absence, Shiota’s migration and experience of discovery provides an important touchstone for her thinking and practice. She adds, “Absence does not signify disappearance but rather an integration into a vaster universe, re-entering the flow of time and forming new connections with all things.” (via designboom) “Gateway to Silence” (2025, antique porch and red wool, dimensions variable Detail of “Gateway to Silence” (2025, antique porch and red wool, dimensions variable Detail of “Metamorphosis of Consciousness” (2025), mixed media, dimensions variable “Rooted Memories” (2025), red rope, boat, and earth, dimensions variable “Rooted Memories” (2025), red rope, boat, and earth, dimensions variable Detail of “Rooted Memories” (2025), red rope, boat, and earth, dimensions variable “Multiple Realities” (2025), mixed media, dimensions variable “Echoes of Time” (2025), black yarn and rock, dimensions variable “Echoes of Time” (2025), black yarn and rock, dimensions variable Next article