• The Best Hidden-Gem Etsy Shops for Fans of Farmhouse Style

    Becky Luigart-Stayner for Country LivingCountry Living editors select each product featured. If you buy from a link, we may earn a commission. Why Trust Us?Like a well-made quilt, a classic farmhouse aesthetic comes together gradually—a little bit of this, a touch of that. Each addition is purposeful and personal—and isn’t that what home is all about, really? If this type of slowed-down style speaks to you, you're probably already well aware that Etsy is a treasure trove of finds both new and old to fit your timeless farmhouse aesthetic. But with more than eight million active sellers on its marketplace, sometimes the possibilities—vintage feed sacks! primitive pie safes! galvanized grain scoops!—can quickly go from enticing to overwhelming.To better guide your search for the finest farmhouse furnishings, we’ve gathered a go-to list of editor-and designer-beloved Etsy shops which, time and again, turn out hardworking, homespun pieces of heirloom quality. From beautiful antique bureaus to hand-block-printed table linens, the character-rich wares from these sellers will help you design the farmhouse of your dreams, piece by precious piece. Related Stories For Antique AmericanaAcorn and Alice Every good old-fashioned farmhouse could use some traditional Americana to set the tone, and this Pennsylvania salvage shop offers rustic touches loaded with authentic antique allure. Aged wooden wares abound, as well as a grab bag of cotton and burlap feed sacks, perfect for framing as sets or crafting into footstool covers or throw pillows. For French Country TextilesForest and LinenThere’s nothing quite like breezy natural fabrics to make you want to throw open all the windows and let that country air in while the pie cools. Unfussy and lightweight, the hand-crafted curtains, bedding, and table linens from these Lithuanian textile experts have a classic understated quality that would be right at home in the coziest guest room or most bustling kitchen. Warm, welcoming hues range from marigold yellow to cornflower blue, but soft gingham checkers and timeless French ticking feel especially farm-fresh. Our current favorite? These cherry-striped country cafe curtains. Becky Luigart-Stayner for Country LivingVintage red torchons feel right at home in a farmhouse kitchenFor Rustic RugsOld New HouseWhether or not you’re lucky enough to have gorgeous wide-plank floors, an antique area rug or runner can work wonders for giving a room instant character and warmth. This fifth-generation family-run retailer specializes in importing heirloom hand-knotted carpets dating back to the 1800s, with a focus on traditional designs from the masters in Turkey, India, Persia, and more. Their vast variety of sizes and styles offers something for every aesthetic, with one-of-a-kind patterns ranging from distressed neutrals to chain-stitched florals to ornate arabesques. For Pillows and ProvisionsHabitation BohemeIn true farmhouse fashion, this Indiana shop has curated an enticing blend of handcrafted and vintage homewares that work effortlessly well together. A line of cozy hand-stitched linen pillow coverssits prettily alongside a mix of found objects, from patinated brass candlesticks and etched cloisonné vases to sturdy stoneware crockery and woven wicker baskets. For Elegant Everyday DishwareConvivial ProductionSimple, yet undeniably stunning, the handcrafted dinnerware from this Missouri-based ceramist is designed with durability in mind. Produced in a single, time-tested shade of ivory white glaze, these practical stoneware cups, bowls, and plates make the perfect place settings for lively farm-to-table feasts with friends and family. Beautifully balancing softness and heft, each dish is meant to feel comfortable when being held and passed, but also to look attractive when stacked upon open shelving. For English Country Antiques1100 West Co.This Illinois antiques shop is stocked with all manner of versatile vintage vessels culled from the English countryside, from massive stoneware crocks to charming little escargot pots. Their collection of neutral containers can be adapted for nearly any provincial purpose, but we especially love their assortment of old advertising—from toothpaste pots to marmalade jars and ginger beer bottles galore—for a nice little nod to the quintessential country practice of repurposing what you’ve got. Brian Woodcock/Country LivingPretty English ironstone will always have our heart.For a Cozy GlowOlde Brick LightingConstructed by hand from cord to shade, the vintage-inspired lighting produced by this Pennsylvania retailer is a tribute to the iconic quality and character of old American fixtures. Nostalgic design elements include hand-blown glassand finishes ranging from matte black to brushed nickel and antique brass. To create an authentic farmhouse ambiance, check out their gooseneck sconces, enameled red and blue barn lights, and milky white striped schoolhouse flush mounts. For Enduring ArtifactsThrough the PortholeThe weathered, artisan-made wares curated by this California husband-and-wife duo have been hand-selected from around the globe for their time-etched character. From gorgeous gray-black terracotta vases and rust-colored Turkish clay pots to patinated brass cow bells and rustic reclaimed elm stools, each item is a testament to the lasting beauty of classic materials, with storied sun-bleaching and scratches befitting the most beloved, lived-in rooms. For Winsome Wall ArtEugenia Ciotola ArtThrough graceful brushstrokes and textural swirls of paint, Maryland-based artist Eugenia Ciotola has captured the natural joy of a life that’s simple and sweet. Her pieces celebrate quiet scenes of bucolic beauty, from billowing bouquets of peonies to stoic red barns sitting in fields of wavy green. For a parlor gallery or gathering space, we gravitate toward her original oils on canvas—an impasto still life, perhaps, or a plainly frocked maiden carrying a bountiful bowl of lemons—while her stately farm animal portraitswould look lovely in a child’s nursery.For Time-Tested Storage SolutionsMaterials DivisionFunction is forefront for this farmhouse supplier operating out of New York, whose specialized selection of vintage provisions have lived out dutiful lives of purpose. Standouts include a curated offering of trusty antique tool boxes and sturdy steel-clad trunks whose rugged patina tells the story of many-a household project. Meanwhile, a hardworking mix of industrial wire and woven wood gathering baskets sits handsomely alongside heavy-duty galvanized garbage bins and antique fireplace andirons.For Pastoral PrimitivesComfort Work RoomFull of history and heritage, the old, hand-fabricated furnishings and primitive wooden tools in this unique Ukrainian antique shop are rural remnants of simpler times gone by. Quaint kitchen staples like chippy chiseled spoons, scoops, and cutting boards make an accessible entry point for the casual collector, while scuffed up dough troughs, butter churns, washboards, and barrels are highly desirable conversation pieces for any antique enthusiast who’s dedicated to authentic detail. Becky Luigart-Stayner for Country LivingAntique washboards make for on-theme wall art in a laundry roomFor Heirloom-Quality CoverletsBluegrass QuiltsNo layered farmhouse look would be complete without the homey, tactile touch of a hand-pieced quilt or two draped intentionally about the room. From harvest-hued sawtooth stars to playful patchwork pinwheels, each exquisite blanket from this Kentucky-based artisan is slow-crafted in traditional fashion from 100% cotton materials, and can even be custom stitched from scratch to match your personal color palette and decorative purpose. For a classic country aesthetic, try a log cabin, double diamond, or star patch pattern. For Hand-Crafted GiftsSelselaFeaturing a busy barnyard’s worth of plucky chickens, cuddly sheep, and happy little Holstein cows, this Illinois woodworker’s whimsical line of farm figurines and other giftable goodiesis chock-full of hand-carved charm. Crafted from 100% recycled birch and painted in loving detail, each creature has a deliberately rough-hewn look and feel worthy of any cozy and collected home. For Open-Concept CabinetryFolkhausA hallmark of many modern farmhouses, open-concept shelving has become a stylish way to show that the practical wares you use everyday are the same ones you’re proud to put on display. With their signature line of bracketed wall shelves, Shaker-style peg shelves, and raw steel kitchen rails, the team at Folkhaus has created a range of open storage solutions that beautifully balances elevated design and rustic utility. Rounding out their collection is a selection of open-shelved accent pieces like bookcases, benches, and console tables—each crafted from character-rich kiln-dried timber and finished in your choice of stain.Related StoryFor Antique Farmhouse FurnitureCottage Treasures LVThe foundation of a well-furnished farmhouse often begins with a single prized piece. Whether it’s a slant-front desk, a primitive jelly cabinet, or a punched-tin pie safe, this established New York-based dealer has a knack for sourcing vintage treasures with the personality and presence to anchor an entire space. Distressed cupboards and cabinets may be their bread and butterbut you’ll also find a robust roundup of weathered farm tables, Windsor chairs, and blanket chests—and currently, even a rare 1500s English bench. For Lively Table LinensMoontea StudioAs any devotee of slow decorating knows, sometimes it’s the little details that really bring a look home. For a spot of cheer along with your afternoon tea, we love the hand-stamped table linens from this Washington-based printmaker, which put a peppy, modern spin on farm-fresh produce. Patterned with lush illustrations of bright red tomatoes, crisp green apples, and golden sunflowers—then neatly finished with a color-coordinated hand-stitched trim—each tea towel, placemat, and napkin pays homage to the hours we spend doting over our gardens. For Traditional TransferwarePrior TimeThere’s lots to love about this Massachusetts antiques shop, which admittedly skews slightly cottagecorebut the standout, for us, is the seller’s superior selection of dinner and serving ware. In addition to a lovely lot of mottled white ironstone platters and pitchers, you’ll find a curated mix of Ridgeway and Wedgwood transferware dishes in not only classic cobalt blue, but beautiful browns, greens, and purples, too.Becky Luigart-Stayner for Country LivingPretty brown transferware could be yours with one quick "add to cart."For Folk Art for Your FloorsKinFolk ArtworkDesigned by a West Virginia watercolor and oils artist with a penchant for painting the past, these silky chenille floor mats feature an original cast of colonial characters and folksy scenes modeled after heirloom textiles from the 18th and 19th centuries. Expect lots of early American and patriotic motifs, including old-fashioned flags, Pennsylvania Dutch fraktur, equestrian vignettes, and colonial house samplers—each made to mimic a vintage hooked rug for that cozy, homespun feeling.For Historical ReproductionsSchooner Bay Co.Even in the most painstakingly appointed interior, buying antique originals isn’t always an option. And that’s where this trusted Pennsylvania-based retailer for historical reproductions comes in. Offering a colossal collection of framed art prints, decorative trays, and brass objects, these connoisseurs of the classics have decor for every old-timey aesthetic, whether it’s fox hunt prints for your cabin, Dutch landscapes for your cottage, or primitive animal portraits for your farmstead.For General Store StaplesFarmhouse EclecticsHand-plucked from New England antique shops, estate sales, and auctions, the salvaged sundries from this Massachusetts-based supplierare the type you might spy in an old country store—wooden crates emblazoned with the names of local dairies, antique apple baskets, seed displays, signs, and scales. Whether you’re setting up your farmstand or styling your entryway, you’ll have plenty of storage options and authentic accents to pick from here. Becky Luigart-Stayner for Country LivingSo many food scales, so little time.Related StoriesJackie BuddieJackie Buddie is a freelance writer with more than a decade of editorial experience covering lifestyle topics including home decor how-tos, fashion trend deep dives, seasonal gift guides, and in-depth profiles of artists and creatives around the globe. She holds a degree in journalism from the University of North Carolina at Chapel Hill and received her M.F.A. in creative writing from Boston University. Jackie is, among other things, a collector of curiosities, Catskills land caretaker, dabbling DIYer, day hiker, and mom. She lives in the hills of Bovina, New York, with her family and her sweet-as-pie rescue dog.
    #best #hiddengem #etsy #shops #fans
    The Best Hidden-Gem Etsy Shops for Fans of Farmhouse Style
    Becky Luigart-Stayner for Country LivingCountry Living editors select each product featured. If you buy from a link, we may earn a commission. Why Trust Us?Like a well-made quilt, a classic farmhouse aesthetic comes together gradually—a little bit of this, a touch of that. Each addition is purposeful and personal—and isn’t that what home is all about, really? If this type of slowed-down style speaks to you, you're probably already well aware that Etsy is a treasure trove of finds both new and old to fit your timeless farmhouse aesthetic. But with more than eight million active sellers on its marketplace, sometimes the possibilities—vintage feed sacks! primitive pie safes! galvanized grain scoops!—can quickly go from enticing to overwhelming.To better guide your search for the finest farmhouse furnishings, we’ve gathered a go-to list of editor-and designer-beloved Etsy shops which, time and again, turn out hardworking, homespun pieces of heirloom quality. From beautiful antique bureaus to hand-block-printed table linens, the character-rich wares from these sellers will help you design the farmhouse of your dreams, piece by precious piece. Related Stories For Antique AmericanaAcorn and Alice Every good old-fashioned farmhouse could use some traditional Americana to set the tone, and this Pennsylvania salvage shop offers rustic touches loaded with authentic antique allure. Aged wooden wares abound, as well as a grab bag of cotton and burlap feed sacks, perfect for framing as sets or crafting into footstool covers or throw pillows. For French Country TextilesForest and LinenThere’s nothing quite like breezy natural fabrics to make you want to throw open all the windows and let that country air in while the pie cools. Unfussy and lightweight, the hand-crafted curtains, bedding, and table linens from these Lithuanian textile experts have a classic understated quality that would be right at home in the coziest guest room or most bustling kitchen. Warm, welcoming hues range from marigold yellow to cornflower blue, but soft gingham checkers and timeless French ticking feel especially farm-fresh. Our current favorite? These cherry-striped country cafe curtains. Becky Luigart-Stayner for Country LivingVintage red torchons feel right at home in a farmhouse kitchenFor Rustic RugsOld New HouseWhether or not you’re lucky enough to have gorgeous wide-plank floors, an antique area rug or runner can work wonders for giving a room instant character and warmth. This fifth-generation family-run retailer specializes in importing heirloom hand-knotted carpets dating back to the 1800s, with a focus on traditional designs from the masters in Turkey, India, Persia, and more. Their vast variety of sizes and styles offers something for every aesthetic, with one-of-a-kind patterns ranging from distressed neutrals to chain-stitched florals to ornate arabesques. For Pillows and ProvisionsHabitation BohemeIn true farmhouse fashion, this Indiana shop has curated an enticing blend of handcrafted and vintage homewares that work effortlessly well together. A line of cozy hand-stitched linen pillow coverssits prettily alongside a mix of found objects, from patinated brass candlesticks and etched cloisonné vases to sturdy stoneware crockery and woven wicker baskets. For Elegant Everyday DishwareConvivial ProductionSimple, yet undeniably stunning, the handcrafted dinnerware from this Missouri-based ceramist is designed with durability in mind. Produced in a single, time-tested shade of ivory white glaze, these practical stoneware cups, bowls, and plates make the perfect place settings for lively farm-to-table feasts with friends and family. Beautifully balancing softness and heft, each dish is meant to feel comfortable when being held and passed, but also to look attractive when stacked upon open shelving. For English Country Antiques1100 West Co.This Illinois antiques shop is stocked with all manner of versatile vintage vessels culled from the English countryside, from massive stoneware crocks to charming little escargot pots. Their collection of neutral containers can be adapted for nearly any provincial purpose, but we especially love their assortment of old advertising—from toothpaste pots to marmalade jars and ginger beer bottles galore—for a nice little nod to the quintessential country practice of repurposing what you’ve got. Brian Woodcock/Country LivingPretty English ironstone will always have our heart.For a Cozy GlowOlde Brick LightingConstructed by hand from cord to shade, the vintage-inspired lighting produced by this Pennsylvania retailer is a tribute to the iconic quality and character of old American fixtures. Nostalgic design elements include hand-blown glassand finishes ranging from matte black to brushed nickel and antique brass. To create an authentic farmhouse ambiance, check out their gooseneck sconces, enameled red and blue barn lights, and milky white striped schoolhouse flush mounts. For Enduring ArtifactsThrough the PortholeThe weathered, artisan-made wares curated by this California husband-and-wife duo have been hand-selected from around the globe for their time-etched character. From gorgeous gray-black terracotta vases and rust-colored Turkish clay pots to patinated brass cow bells and rustic reclaimed elm stools, each item is a testament to the lasting beauty of classic materials, with storied sun-bleaching and scratches befitting the most beloved, lived-in rooms. For Winsome Wall ArtEugenia Ciotola ArtThrough graceful brushstrokes and textural swirls of paint, Maryland-based artist Eugenia Ciotola has captured the natural joy of a life that’s simple and sweet. Her pieces celebrate quiet scenes of bucolic beauty, from billowing bouquets of peonies to stoic red barns sitting in fields of wavy green. For a parlor gallery or gathering space, we gravitate toward her original oils on canvas—an impasto still life, perhaps, or a plainly frocked maiden carrying a bountiful bowl of lemons—while her stately farm animal portraitswould look lovely in a child’s nursery.For Time-Tested Storage SolutionsMaterials DivisionFunction is forefront for this farmhouse supplier operating out of New York, whose specialized selection of vintage provisions have lived out dutiful lives of purpose. Standouts include a curated offering of trusty antique tool boxes and sturdy steel-clad trunks whose rugged patina tells the story of many-a household project. Meanwhile, a hardworking mix of industrial wire and woven wood gathering baskets sits handsomely alongside heavy-duty galvanized garbage bins and antique fireplace andirons.For Pastoral PrimitivesComfort Work RoomFull of history and heritage, the old, hand-fabricated furnishings and primitive wooden tools in this unique Ukrainian antique shop are rural remnants of simpler times gone by. Quaint kitchen staples like chippy chiseled spoons, scoops, and cutting boards make an accessible entry point for the casual collector, while scuffed up dough troughs, butter churns, washboards, and barrels are highly desirable conversation pieces for any antique enthusiast who’s dedicated to authentic detail. Becky Luigart-Stayner for Country LivingAntique washboards make for on-theme wall art in a laundry roomFor Heirloom-Quality CoverletsBluegrass QuiltsNo layered farmhouse look would be complete without the homey, tactile touch of a hand-pieced quilt or two draped intentionally about the room. From harvest-hued sawtooth stars to playful patchwork pinwheels, each exquisite blanket from this Kentucky-based artisan is slow-crafted in traditional fashion from 100% cotton materials, and can even be custom stitched from scratch to match your personal color palette and decorative purpose. For a classic country aesthetic, try a log cabin, double diamond, or star patch pattern. For Hand-Crafted GiftsSelselaFeaturing a busy barnyard’s worth of plucky chickens, cuddly sheep, and happy little Holstein cows, this Illinois woodworker’s whimsical line of farm figurines and other giftable goodiesis chock-full of hand-carved charm. Crafted from 100% recycled birch and painted in loving detail, each creature has a deliberately rough-hewn look and feel worthy of any cozy and collected home. For Open-Concept CabinetryFolkhausA hallmark of many modern farmhouses, open-concept shelving has become a stylish way to show that the practical wares you use everyday are the same ones you’re proud to put on display. With their signature line of bracketed wall shelves, Shaker-style peg shelves, and raw steel kitchen rails, the team at Folkhaus has created a range of open storage solutions that beautifully balances elevated design and rustic utility. Rounding out their collection is a selection of open-shelved accent pieces like bookcases, benches, and console tables—each crafted from character-rich kiln-dried timber and finished in your choice of stain.Related StoryFor Antique Farmhouse FurnitureCottage Treasures LVThe foundation of a well-furnished farmhouse often begins with a single prized piece. Whether it’s a slant-front desk, a primitive jelly cabinet, or a punched-tin pie safe, this established New York-based dealer has a knack for sourcing vintage treasures with the personality and presence to anchor an entire space. Distressed cupboards and cabinets may be their bread and butterbut you’ll also find a robust roundup of weathered farm tables, Windsor chairs, and blanket chests—and currently, even a rare 1500s English bench. For Lively Table LinensMoontea StudioAs any devotee of slow decorating knows, sometimes it’s the little details that really bring a look home. For a spot of cheer along with your afternoon tea, we love the hand-stamped table linens from this Washington-based printmaker, which put a peppy, modern spin on farm-fresh produce. Patterned with lush illustrations of bright red tomatoes, crisp green apples, and golden sunflowers—then neatly finished with a color-coordinated hand-stitched trim—each tea towel, placemat, and napkin pays homage to the hours we spend doting over our gardens. For Traditional TransferwarePrior TimeThere’s lots to love about this Massachusetts antiques shop, which admittedly skews slightly cottagecorebut the standout, for us, is the seller’s superior selection of dinner and serving ware. In addition to a lovely lot of mottled white ironstone platters and pitchers, you’ll find a curated mix of Ridgeway and Wedgwood transferware dishes in not only classic cobalt blue, but beautiful browns, greens, and purples, too.Becky Luigart-Stayner for Country LivingPretty brown transferware could be yours with one quick "add to cart."For Folk Art for Your FloorsKinFolk ArtworkDesigned by a West Virginia watercolor and oils artist with a penchant for painting the past, these silky chenille floor mats feature an original cast of colonial characters and folksy scenes modeled after heirloom textiles from the 18th and 19th centuries. Expect lots of early American and patriotic motifs, including old-fashioned flags, Pennsylvania Dutch fraktur, equestrian vignettes, and colonial house samplers—each made to mimic a vintage hooked rug for that cozy, homespun feeling.For Historical ReproductionsSchooner Bay Co.Even in the most painstakingly appointed interior, buying antique originals isn’t always an option. And that’s where this trusted Pennsylvania-based retailer for historical reproductions comes in. Offering a colossal collection of framed art prints, decorative trays, and brass objects, these connoisseurs of the classics have decor for every old-timey aesthetic, whether it’s fox hunt prints for your cabin, Dutch landscapes for your cottage, or primitive animal portraits for your farmstead.For General Store StaplesFarmhouse EclecticsHand-plucked from New England antique shops, estate sales, and auctions, the salvaged sundries from this Massachusetts-based supplierare the type you might spy in an old country store—wooden crates emblazoned with the names of local dairies, antique apple baskets, seed displays, signs, and scales. Whether you’re setting up your farmstand or styling your entryway, you’ll have plenty of storage options and authentic accents to pick from here. Becky Luigart-Stayner for Country LivingSo many food scales, so little time.Related StoriesJackie BuddieJackie Buddie is a freelance writer with more than a decade of editorial experience covering lifestyle topics including home decor how-tos, fashion trend deep dives, seasonal gift guides, and in-depth profiles of artists and creatives around the globe. She holds a degree in journalism from the University of North Carolina at Chapel Hill and received her M.F.A. in creative writing from Boston University. Jackie is, among other things, a collector of curiosities, Catskills land caretaker, dabbling DIYer, day hiker, and mom. She lives in the hills of Bovina, New York, with her family and her sweet-as-pie rescue dog. #best #hiddengem #etsy #shops #fans
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    The Best Hidden-Gem Etsy Shops for Fans of Farmhouse Style
    Becky Luigart-Stayner for Country LivingCountry Living editors select each product featured. If you buy from a link, we may earn a commission. Why Trust Us?Like a well-made quilt, a classic farmhouse aesthetic comes together gradually—a little bit of this, a touch of that. Each addition is purposeful and personal—and isn’t that what home is all about, really? If this type of slowed-down style speaks to you, you're probably already well aware that Etsy is a treasure trove of finds both new and old to fit your timeless farmhouse aesthetic. But with more than eight million active sellers on its marketplace, sometimes the possibilities—vintage feed sacks! primitive pie safes! galvanized grain scoops!—can quickly go from enticing to overwhelming.To better guide your search for the finest farmhouse furnishings, we’ve gathered a go-to list of editor-and designer-beloved Etsy shops which, time and again, turn out hardworking, homespun pieces of heirloom quality. From beautiful antique bureaus to hand-block-printed table linens, the character-rich wares from these sellers will help you design the farmhouse of your dreams, piece by precious piece. Related Stories For Antique AmericanaAcorn and Alice Every good old-fashioned farmhouse could use some traditional Americana to set the tone, and this Pennsylvania salvage shop offers rustic touches loaded with authentic antique allure. Aged wooden wares abound (think vintage milk crates, orchard fruit baskets, and berry boxes), as well as a grab bag of cotton and burlap feed sacks, perfect for framing as sets or crafting into footstool covers or throw pillows. For French Country TextilesForest and LinenThere’s nothing quite like breezy natural fabrics to make you want to throw open all the windows and let that country air in while the pie cools. Unfussy and lightweight, the hand-crafted curtains, bedding, and table linens from these Lithuanian textile experts have a classic understated quality that would be right at home in the coziest guest room or most bustling kitchen. Warm, welcoming hues range from marigold yellow to cornflower blue, but soft gingham checkers and timeless French ticking feel especially farm-fresh. Our current favorite? These cherry-striped country cafe curtains. Becky Luigart-Stayner for Country LivingVintage red torchons feel right at home in a farmhouse kitchenFor Rustic RugsOld New HouseWhether or not you’re lucky enough to have gorgeous wide-plank floors, an antique area rug or runner can work wonders for giving a room instant character and warmth. This fifth-generation family-run retailer specializes in importing heirloom hand-knotted carpets dating back to the 1800s, with a focus on traditional designs from the masters in Turkey, India, Persia, and more. Their vast variety of sizes and styles offers something for every aesthetic, with one-of-a-kind patterns ranging from distressed neutrals to chain-stitched florals to ornate arabesques. For Pillows and ProvisionsHabitation BohemeIn true farmhouse fashion, this Indiana shop has curated an enticing blend of handcrafted and vintage homewares that work effortlessly well together. A line of cozy hand-stitched linen pillow covers (patterned with everything from block-printed blossoms to provincial pinstripes) sits prettily alongside a mix of found objects, from patinated brass candlesticks and etched cloisonné vases to sturdy stoneware crockery and woven wicker baskets. For Elegant Everyday DishwareConvivial ProductionSimple, yet undeniably stunning, the handcrafted dinnerware from this Missouri-based ceramist is designed with durability in mind. Produced in a single, time-tested shade of ivory white glaze, these practical stoneware cups, bowls, and plates make the perfect place settings for lively farm-to-table feasts with friends and family. Beautifully balancing softness and heft, each dish is meant to feel comfortable when being held and passed, but also to look attractive when stacked upon open shelving. For English Country Antiques1100 West Co.This Illinois antiques shop is stocked with all manner of versatile vintage vessels culled from the English countryside, from massive stoneware crocks to charming little escargot pots. Their collection of neutral containers can be adapted for nearly any provincial purpose (envision white ironstone pitchers piled high with fresh-picked hyacinths, or glass canning jars holding your harvest grains), but we especially love their assortment of old advertising—from toothpaste pots to marmalade jars and ginger beer bottles galore—for a nice little nod to the quintessential country practice of repurposing what you’ve got. Brian Woodcock/Country LivingPretty English ironstone will always have our heart.For a Cozy GlowOlde Brick LightingConstructed by hand from cord to shade, the vintage-inspired lighting produced by this Pennsylvania retailer is a tribute to the iconic quality and character of old American fixtures. Nostalgic design elements include hand-blown glass (crafted using cast-iron molds from over 80 years ago) and finishes ranging from matte black to brushed nickel and antique brass. To create an authentic farmhouse ambiance, check out their gooseneck sconces, enameled red and blue barn lights, and milky white striped schoolhouse flush mounts. For Enduring ArtifactsThrough the PortholeThe weathered, artisan-made wares curated by this California husband-and-wife duo have been hand-selected from around the globe for their time-etched character. From gorgeous gray-black terracotta vases and rust-colored Turkish clay pots to patinated brass cow bells and rustic reclaimed elm stools, each item is a testament to the lasting beauty of classic materials, with storied sun-bleaching and scratches befitting the most beloved, lived-in rooms. For Winsome Wall ArtEugenia Ciotola ArtThrough graceful brushstrokes and textural swirls of paint, Maryland-based artist Eugenia Ciotola has captured the natural joy of a life that’s simple and sweet. Her pieces celebrate quiet scenes of bucolic beauty, from billowing bouquets of peonies to stoic red barns sitting in fields of wavy green. For a parlor gallery or gathering space, we gravitate toward her original oils on canvas—an impasto still life, perhaps, or a plainly frocked maiden carrying a bountiful bowl of lemons—while her stately farm animal portraits (regal roosters! ruff collared geese!) would look lovely in a child’s nursery.For Time-Tested Storage SolutionsMaterials DivisionFunction is forefront for this farmhouse supplier operating out of New York, whose specialized selection of vintage provisions have lived out dutiful lives of purpose. Standouts include a curated offering of trusty antique tool boxes and sturdy steel-clad trunks whose rugged patina tells the story of many-a household project. Meanwhile, a hardworking mix of industrial wire and woven wood gathering baskets sits handsomely alongside heavy-duty galvanized garbage bins and antique fireplace andirons.For Pastoral PrimitivesComfort Work RoomFull of history and heritage, the old, hand-fabricated furnishings and primitive wooden tools in this unique Ukrainian antique shop are rural remnants of simpler times gone by. Quaint kitchen staples like chippy chiseled spoons, scoops, and cutting boards make an accessible entry point for the casual collector, while scuffed up dough troughs, butter churns, washboards, and barrels are highly desirable conversation pieces for any antique enthusiast who’s dedicated to authentic detail. Becky Luigart-Stayner for Country LivingAntique washboards make for on-theme wall art in a laundry roomFor Heirloom-Quality CoverletsBluegrass QuiltsNo layered farmhouse look would be complete without the homey, tactile touch of a hand-pieced quilt or two draped intentionally about the room. From harvest-hued sawtooth stars to playful patchwork pinwheels, each exquisite blanket from this Kentucky-based artisan is slow-crafted in traditional fashion from 100% cotton materials, and can even be custom stitched from scratch to match your personal color palette and decorative purpose. For a classic country aesthetic, try a log cabin, double diamond, or star patch pattern. For Hand-Crafted GiftsSelselaFeaturing a busy barnyard’s worth of plucky chickens, cuddly sheep, and happy little Holstein cows, this Illinois woodworker’s whimsical line of farm figurines and other giftable goodies (think animal wine stoppers, keychains, fridge magnets, and cake toppers) is chock-full of hand-carved charm. Crafted from 100% recycled birch and painted in loving detail, each creature has a deliberately rough-hewn look and feel worthy of any cozy and collected home. For Open-Concept CabinetryFolkhausA hallmark of many modern farmhouses, open-concept shelving has become a stylish way to show that the practical wares you use everyday are the same ones you’re proud to put on display. With their signature line of bracketed wall shelves, Shaker-style peg shelves, and raw steel kitchen rails, the team at Folkhaus has created a range of open storage solutions that beautifully balances elevated design and rustic utility. Rounding out their collection is a selection of open-shelved accent pieces like bookcases, benches, and console tables—each crafted from character-rich kiln-dried timber and finished in your choice of stain.Related StoryFor Antique Farmhouse FurnitureCottage Treasures LVThe foundation of a well-furnished farmhouse often begins with a single prized piece. Whether it’s a slant-front desk, a primitive jelly cabinet, or a punched-tin pie safe, this established New York-based dealer has a knack for sourcing vintage treasures with the personality and presence to anchor an entire space. Distressed cupboards and cabinets may be their bread and butter (just look at this two-piece pine hutch!) but you’ll also find a robust roundup of weathered farm tables, Windsor chairs, and blanket chests—and currently, even a rare 1500s English bench. For Lively Table LinensMoontea StudioAs any devotee of slow decorating knows, sometimes it’s the little details that really bring a look home. For a spot of cheer along with your afternoon tea, we love the hand-stamped table linens from this Washington-based printmaker, which put a peppy, modern spin on farm-fresh produce. Patterned with lush illustrations of bright red tomatoes, crisp green apples, and golden sunflowers—then neatly finished with a color-coordinated hand-stitched trim—each tea towel, placemat, and napkin pays homage to the hours we spend doting over our gardens. For Traditional TransferwarePrior TimeThere’s lots to love about this Massachusetts antiques shop, which admittedly skews slightly cottagecore (the pink Baccarat perfume bottles! the hobnail milk glass vases! the huge primitive bread boards!) but the standout, for us, is the seller’s superior selection of dinner and serving ware. In addition to a lovely lot of mottled white ironstone platters and pitchers, you’ll find a curated mix of Ridgeway and Wedgwood transferware dishes in not only classic cobalt blue, but beautiful browns, greens, and purples, too.Becky Luigart-Stayner for Country LivingPretty brown transferware could be yours with one quick "add to cart."For Folk Art for Your FloorsKinFolk ArtworkDesigned by a West Virginia watercolor and oils artist with a penchant for painting the past, these silky chenille floor mats feature an original cast of colonial characters and folksy scenes modeled after heirloom textiles from the 18th and 19th centuries. Expect lots of early American and patriotic motifs, including old-fashioned flags, Pennsylvania Dutch fraktur, equestrian vignettes, and colonial house samplers—each made to mimic a vintage hooked rug for that cozy, homespun feeling. (We have to admit, the folk art-inspired cow and chicken is our favorite.)For Historical ReproductionsSchooner Bay Co.Even in the most painstakingly appointed interior, buying antique originals isn’t always an option (don’t ask how many times we’ve been outbid at an estate auction). And that’s where this trusted Pennsylvania-based retailer for historical reproductions comes in. Offering a colossal collection of framed art prints, decorative trays, and brass objects (think magnifying glasses, compasses, paperweights, and letter openers), these connoisseurs of the classics have decor for every old-timey aesthetic, whether it’s fox hunt prints for your cabin, Dutch landscapes for your cottage, or primitive animal portraits for your farmstead.For General Store StaplesFarmhouse EclecticsHand-plucked from New England antique shops, estate sales, and auctions, the salvaged sundries from this Massachusetts-based supplier (who grew up in an 1850s farmhouse himself) are the type you might spy in an old country store—wooden crates emblazoned with the names of local dairies, antique apple baskets, seed displays, signs, and scales. Whether you’re setting up your farmstand or styling your entryway, you’ll have plenty of storage options and authentic accents to pick from here. Becky Luigart-Stayner for Country LivingSo many food scales, so little time.Related StoriesJackie BuddieJackie Buddie is a freelance writer with more than a decade of editorial experience covering lifestyle topics including home decor how-tos, fashion trend deep dives, seasonal gift guides, and in-depth profiles of artists and creatives around the globe. She holds a degree in journalism from the University of North Carolina at Chapel Hill and received her M.F.A. in creative writing from Boston University. Jackie is, among other things, a collector of curiosities, Catskills land caretaker, dabbling DIYer, day hiker, and mom. She lives in the hills of Bovina, New York, with her family and her sweet-as-pie rescue dog.
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  • Scientists Investigate 2.2-Million-Year-Old Tooth Enamel to Unravel the Mysteries of Ancient Human Relatives

    Scientists Investigate 2.2-Million-Year-Old Tooth Enamel to Unravel the Mysteries of Ancient Human Relatives
    By studying proteins preserved in teeth, researchers determined the sex of four Paranthropus robustus individuals that lived in southern Africa

    This skull of a 1.8-million-year-old Paranthropus robustus individual was unearthed in South Africa, but it was not one of the fossils included in the study.
    José Braga and Didier Descouens via Wikimedia Commons under CC BY-SA 4.0

    Paranthropus robustus was a prehistoric, two-legged human relative that lived in southern Africa roughly two million years ago. Scientists have unearthed various P. robustus fossils, but because of the specimens’ age, they haven’t been able to glean much from them.
    Now, using a novel method, researchers say they’ve determined the sex of four P. robustus individuals by studying their teeth. The new analysis, published Thursday in the journal Science, also reveals insights into the genetic diversity of the broader Paranthropus genus.
    For the study, the team analyzed teeth discovered in a cave at the Swartkrans paleoanthropological site in South Africa, reports Live Science’s Kristina Killgrove. Because the fossils were so old—dating to between 1.8 million and 2.2 million years ago—researchers could not recover ancient DNA from them. So, instead, they turned to the relatively new field of paleoproteomics, or the study of preserved proteins.
    Ancient DNA degrades over time, particularly in hot places like southern Africa. So far, scientists studying hominin remains on the continent have only been able to successfully sequence DNA from material that’s less than 20,000 years old. But proteins can survive much longer than DNA, particularly in hard tooth enamel.
    When they analyzed the fossilized enamel of the P. robustus teeth, the researchers were able to identify specific protein sequences found only in males. This allowed them to determine that two of the P. robustus individuals were male and two were female.
    They were surprised to learn that one individual, named SK 835, was male. Based on the comparatively small size of that individual’s teeth, researchers had previously thought SK 835 was female, since male hominins tend to be larger than females, on average.
    This marks an important finding, as it supports the idea that dental measurements are not the most reliable way to determine the sex of ancient hominins.
    “Paleoanthropologists have long known that our use of tooth size to estimate sex was fraught with uncertainty, but it was the best we had,” says Paul Constantino, a paleoanthropologist at Saint Michael’s College who was not involved with the research, to ScienceNews’ Bruce Bower. “Being able to accurately identify the sex of fossils using proteins will be hugely impactful.”
    Further analyses of the fossils’ amino acid sequences revealed that SK 835 was less closely related to the other three individuals than they were to each other. That means it’s possible SK 835 represents a different species altogether—maybe the newly proposed Paranthropus capensis. After all, the team writes in the paper, the recent description of that species shows Paranthropus diversity “is currently underestimated and needs to be investigated further.”
    Or, perhaps the small size of SK 835’s teeth can be explained by microevolution—variations between P. robustus groups living at different sites. Scientists say they will need to get their hands on more Paranthropus fossils from multiple places to know for certain, per Science News.
    Moving forward, researchers hope they can one day use paleoproteomic methods to map the entire human family tree. Right now, however, their “ability to distinguish between different species is limited by the small number of different proteins present in enamel,” three of the study authors tell Live Science in an email.
    Scientists are also exploring other protein-sequencing techniques that are less destructive to fossil samples than the current methods. In the meantime, they’re excited about the potential of paleoproteomics to help them learn even more about humans’ ancient ancestors.
    “It opens entirely new avenues for understanding our evolutionary history,” study co-author Marc Dickinson, a chemist at the University of York in England, says in a statement.

    Get the latest stories in your inbox every weekday.
    #scientists #investigate #22millionyearold #tooth #enamel
    Scientists Investigate 2.2-Million-Year-Old Tooth Enamel to Unravel the Mysteries of Ancient Human Relatives
    Scientists Investigate 2.2-Million-Year-Old Tooth Enamel to Unravel the Mysteries of Ancient Human Relatives By studying proteins preserved in teeth, researchers determined the sex of four Paranthropus robustus individuals that lived in southern Africa This skull of a 1.8-million-year-old Paranthropus robustus individual was unearthed in South Africa, but it was not one of the fossils included in the study. José Braga and Didier Descouens via Wikimedia Commons under CC BY-SA 4.0 Paranthropus robustus was a prehistoric, two-legged human relative that lived in southern Africa roughly two million years ago. Scientists have unearthed various P. robustus fossils, but because of the specimens’ age, they haven’t been able to glean much from them. Now, using a novel method, researchers say they’ve determined the sex of four P. robustus individuals by studying their teeth. The new analysis, published Thursday in the journal Science, also reveals insights into the genetic diversity of the broader Paranthropus genus. For the study, the team analyzed teeth discovered in a cave at the Swartkrans paleoanthropological site in South Africa, reports Live Science’s Kristina Killgrove. Because the fossils were so old—dating to between 1.8 million and 2.2 million years ago—researchers could not recover ancient DNA from them. So, instead, they turned to the relatively new field of paleoproteomics, or the study of preserved proteins. Ancient DNA degrades over time, particularly in hot places like southern Africa. So far, scientists studying hominin remains on the continent have only been able to successfully sequence DNA from material that’s less than 20,000 years old. But proteins can survive much longer than DNA, particularly in hard tooth enamel. When they analyzed the fossilized enamel of the P. robustus teeth, the researchers were able to identify specific protein sequences found only in males. This allowed them to determine that two of the P. robustus individuals were male and two were female. They were surprised to learn that one individual, named SK 835, was male. Based on the comparatively small size of that individual’s teeth, researchers had previously thought SK 835 was female, since male hominins tend to be larger than females, on average. This marks an important finding, as it supports the idea that dental measurements are not the most reliable way to determine the sex of ancient hominins. “Paleoanthropologists have long known that our use of tooth size to estimate sex was fraught with uncertainty, but it was the best we had,” says Paul Constantino, a paleoanthropologist at Saint Michael’s College who was not involved with the research, to ScienceNews’ Bruce Bower. “Being able to accurately identify the sex of fossils using proteins will be hugely impactful.” Further analyses of the fossils’ amino acid sequences revealed that SK 835 was less closely related to the other three individuals than they were to each other. That means it’s possible SK 835 represents a different species altogether—maybe the newly proposed Paranthropus capensis. After all, the team writes in the paper, the recent description of that species shows Paranthropus diversity “is currently underestimated and needs to be investigated further.” Or, perhaps the small size of SK 835’s teeth can be explained by microevolution—variations between P. robustus groups living at different sites. Scientists say they will need to get their hands on more Paranthropus fossils from multiple places to know for certain, per Science News. Moving forward, researchers hope they can one day use paleoproteomic methods to map the entire human family tree. Right now, however, their “ability to distinguish between different species is limited by the small number of different proteins present in enamel,” three of the study authors tell Live Science in an email. Scientists are also exploring other protein-sequencing techniques that are less destructive to fossil samples than the current methods. In the meantime, they’re excited about the potential of paleoproteomics to help them learn even more about humans’ ancient ancestors. “It opens entirely new avenues for understanding our evolutionary history,” study co-author Marc Dickinson, a chemist at the University of York in England, says in a statement. Get the latest stories in your inbox every weekday. #scientists #investigate #22millionyearold #tooth #enamel
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    Scientists Investigate 2.2-Million-Year-Old Tooth Enamel to Unravel the Mysteries of Ancient Human Relatives
    Scientists Investigate 2.2-Million-Year-Old Tooth Enamel to Unravel the Mysteries of Ancient Human Relatives By studying proteins preserved in teeth, researchers determined the sex of four Paranthropus robustus individuals that lived in southern Africa This skull of a 1.8-million-year-old Paranthropus robustus individual was unearthed in South Africa, but it was not one of the fossils included in the study. José Braga and Didier Descouens via Wikimedia Commons under CC BY-SA 4.0 Paranthropus robustus was a prehistoric, two-legged human relative that lived in southern Africa roughly two million years ago. Scientists have unearthed various P. robustus fossils, but because of the specimens’ age, they haven’t been able to glean much from them. Now, using a novel method, researchers say they’ve determined the sex of four P. robustus individuals by studying their teeth. The new analysis, published Thursday in the journal Science, also reveals insights into the genetic diversity of the broader Paranthropus genus. For the study, the team analyzed teeth discovered in a cave at the Swartkrans paleoanthropological site in South Africa, reports Live Science’s Kristina Killgrove. Because the fossils were so old—dating to between 1.8 million and 2.2 million years ago—researchers could not recover ancient DNA from them. So, instead, they turned to the relatively new field of paleoproteomics, or the study of preserved proteins. Ancient DNA degrades over time, particularly in hot places like southern Africa. So far, scientists studying hominin remains on the continent have only been able to successfully sequence DNA from material that’s less than 20,000 years old. But proteins can survive much longer than DNA, particularly in hard tooth enamel. When they analyzed the fossilized enamel of the P. robustus teeth, the researchers were able to identify specific protein sequences found only in males. This allowed them to determine that two of the P. robustus individuals were male and two were female. They were surprised to learn that one individual, named SK 835, was male. Based on the comparatively small size of that individual’s teeth, researchers had previously thought SK 835 was female, since male hominins tend to be larger than females, on average. This marks an important finding, as it supports the idea that dental measurements are not the most reliable way to determine the sex of ancient hominins. “Paleoanthropologists have long known that our use of tooth size to estimate sex was fraught with uncertainty, but it was the best we had,” says Paul Constantino, a paleoanthropologist at Saint Michael’s College who was not involved with the research, to ScienceNews’ Bruce Bower. “Being able to accurately identify the sex of fossils using proteins will be hugely impactful.” Further analyses of the fossils’ amino acid sequences revealed that SK 835 was less closely related to the other three individuals than they were to each other. That means it’s possible SK 835 represents a different species altogether—maybe the newly proposed Paranthropus capensis. After all, the team writes in the paper, the recent description of that species shows Paranthropus diversity “is currently underestimated and needs to be investigated further.” Or, perhaps the small size of SK 835’s teeth can be explained by microevolution—variations between P. robustus groups living at different sites. Scientists say they will need to get their hands on more Paranthropus fossils from multiple places to know for certain, per Science News. Moving forward, researchers hope they can one day use paleoproteomic methods to map the entire human family tree. Right now, however, their “ability to distinguish between different species is limited by the small number of different proteins present in enamel,” three of the study authors tell Live Science in an email. Scientists are also exploring other protein-sequencing techniques that are less destructive to fossil samples than the current methods. In the meantime, they’re excited about the potential of paleoproteomics to help them learn even more about humans’ ancient ancestors. “It opens entirely new avenues for understanding our evolutionary history [in Africa],” study co-author Marc Dickinson, a chemist at the University of York in England, says in a statement. Get the latest stories in your inbox every weekday.
    0 Yorumlar 0 hisse senetleri
  • The key to a successful egg drop experiment? Drop it on its side

    drop it like it's hot

    The key to a successful egg drop experiment? Drop it on its side

    Eggs are less likely to crack when dropped horizontally vs. vertically, contradicting conventional wisdom.

    Jennifer Ouellette



    May 26, 2025 11:05 am

    |

    7

    A physics teacher drops a package designed to protect three eggs from a fall of ten meters

    Credit:

    Ben Wildeboer/CC BY-SA 3.0

    A physics teacher drops a package designed to protect three eggs from a fall of ten meters

    Credit:

    Ben Wildeboer/CC BY-SA 3.0

    Story text

    Size

    Small
    Standard
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      Learn more

    Egg drop competitions are a staple of high school and college physics classes. The goal is for students to build a device using bubble wrap, straws, or various other materials designed to hold an egg and keep it intact after being dropped from a substantial height—say, ten meters. There's even a "naked egg" version in which a raw egg is dropped into a container below.  The competition is intended to teach students about structural mechanics and impact physics, and it is not an easy feat; most of the dropped eggs break.
    MIT engineering professor Tal Cohen decided to investigate why the failure rate was so high and reported her team's findings in a paper published in the journal Communications Physics. "The universal convention is that the egg should be in a vertical orientation when it hits the ground," Cohen told Physics Magazine. But their results from controlled trials simulating the egg drop challenge in the lab calls this conventional wisdom into question.
    It is not an unreasonable assumption to make. Another popular physics party trick is to walk on several cartons of eggs without breaking them. Typically it only takes about five and a half pounds of force to crack a single eggshell, much less than the average adult human. As I wrote for Slate back in 2012, "The key is to align the eggs so that the narrow pole is pointing upward, and step in such a way to distribute your weight over the entire surface area, to avoid overloading any one eggshell."In fact, I noted at the time a surprisingly long history of scientific studies of eggshells and how cracks propagate, particularly in the 1950s and 1960s, when they served as useful models for failure analysis when building airplanes. The toughness comes from the egg shell's structure; it is made up mostly of calcium carbonatecrystals, similar to tooth enamel or sea shells,  embedded within a protein matrix. The egg shell is strengthened further by a thin inner collagen layer. This tends to keep damage localized as cracks spread little by little rather than one clean break.

    Chef instructor demonstrates the one-handed technique for cracking an egg in 1954's Sabrina.

    Paramount Pictures

    Chef instructor demonstrates the one-handed technique for cracking an egg in 1954's Sabrina.

    Paramount Pictures

    Sabrina needs a new egg.

    Paramount Pictures

    Sabrina needs a new egg.

    Paramount Pictures

    Chef instructor demonstrates the one-handed technique for cracking an egg in 1954's Sabrina.

    Paramount Pictures

    Sabrina needs a new egg.

    Paramount Pictures

    Cohen et al. give a shoutout in their introduction to Jonathan Swift's Gulliver's Travels, specifically the longstanding quarrel between the people of Lilliput and Blefuscu on the best orientation for cracking an egg. Of course, there is the classic chef's one-handed egg-cracking technique—immortalized in the 1954 romantic comedy, Sabrina—which involves holding the egg between the fingers and thumb and rapping the edge sharply against the rim of the bowl to achieve a clean break. Alas, this usually ends in a crushed eggy mess when attempted by amateurs.MIT scientists have previously studied precisely how much force to apply to the center of an egg. Specifically, the scientists devised a mathematical formula linking the ovoid geometry of the eggshell and its rigidity—a property that, along with strength, accounts for how much force a given object can withstand before breaking. It's the narrow tip that is the most crack-resistant part of the egg, since the shell becomes more rigid the more the egg curves. That's why pressing down on both the bottom and top of an egg with your fingers won't work. But turn the egg horizontally and press right at the center, and the shell cracks easily.
    Stiffness vs. toughness
    So what's going on with these latest MIT findings? To find out, Cohen et al. bought 180 chicken eggs—Costco's Kirkland Signature brand— and conducted their own egg drop experiments in the lab. They dropped 60 eggs each from three different heightsonto a hard surface in three different orientations: horizontal, vertical on the sharp end, and vertical on the blunt end. They also subjected an additional 60 eggs to compression tests to determine the force required to break the eggs in both the vertical and horizontal orientations.

    Experimental snapshots for verticaland horizontalegg drops.

    Credit:

    A. Sutanto et al., 2025

    The results: over half of the eggs broke when dropped vertically from an 8-millimeterheight, regardless of which end of the egg was pointing downwards. Yet less than ten percent of the horiztonally-dropped eggs broke. The eggs broke when the force exceeded 45 Newtons, an impressive per-egg load bearing capacity that is independent of its orientation.

    There was a key difference, however, between how vertically and horizontally  squeezed eggs deformed in the compression experiments—namely, the former deformed less than the latter. The shell's greater rigidity along its long axis was an advantage because the heavy load was distributed over the surface.But the authors found that this advantage when under static compression proved to be a disadvantage when dropping eggs from a height, with the horizontal position emerging as the optimal orientation.  It comes down to the difference between stiffness—how much force is needed to deform the egg—and toughness, i.e., how much energy the egg can absorb before it cracks.
    Cohen et al.'s experiments showed that eggs are tougher when loaded horizontally along their equator, and stiffer when compressed vertically, suggesting that "an egg dropped on its equator can likely sustain greater drop heights without cracking," they wrote. "Even if eggs could sustain a higher force when loaded in the vertical direction, it does not necessarily imply that they are less likely to break when dropped in that orientation. In contrast to static loading, to remain intact following a dynamic impact, a body must be able to absorb all of its kinetic energy by transferring it into reversible deformation."
    "Eggs need to be tough, not stiff, in order to survive a fall," Cohen et al. concluded, pointing to our intuitive understanding that we should bend our knees rather than lock them into a straightened position when landing after a jump, for example. "Our results and analysis serve as a cautionary tale about how language can affect our understanding of a system, and improper framing of a problem can lead to misunderstanding and miseducation."
    DOI: Communications Physics, 2025. 10.1038/s42005-025-02087-0  .

    Jennifer Ouellette
    Senior Writer

    Jennifer Ouellette
    Senior Writer

    Jennifer is a senior writer at Ars Technica with a particular focus on where science meets culture, covering everything from physics and related interdisciplinary topics to her favorite films and TV series. Jennifer lives in Baltimore with her spouse, physicist Sean M. Carroll, and their two cats, Ariel and Caliban.

    7 Comments
    #key #successful #egg #drop #experiment
    The key to a successful egg drop experiment? Drop it on its side
    drop it like it's hot The key to a successful egg drop experiment? Drop it on its side Eggs are less likely to crack when dropped horizontally vs. vertically, contradicting conventional wisdom. Jennifer Ouellette – May 26, 2025 11:05 am | 7 A physics teacher drops a package designed to protect three eggs from a fall of ten meters Credit: Ben Wildeboer/CC BY-SA 3.0 A physics teacher drops a package designed to protect three eggs from a fall of ten meters Credit: Ben Wildeboer/CC BY-SA 3.0 Story text Size Small Standard Large Width * Standard Wide Links Standard Orange * Subscribers only   Learn more Egg drop competitions are a staple of high school and college physics classes. The goal is for students to build a device using bubble wrap, straws, or various other materials designed to hold an egg and keep it intact after being dropped from a substantial height—say, ten meters. There's even a "naked egg" version in which a raw egg is dropped into a container below.  The competition is intended to teach students about structural mechanics and impact physics, and it is not an easy feat; most of the dropped eggs break. MIT engineering professor Tal Cohen decided to investigate why the failure rate was so high and reported her team's findings in a paper published in the journal Communications Physics. "The universal convention is that the egg should be in a vertical orientation when it hits the ground," Cohen told Physics Magazine. But their results from controlled trials simulating the egg drop challenge in the lab calls this conventional wisdom into question. It is not an unreasonable assumption to make. Another popular physics party trick is to walk on several cartons of eggs without breaking them. Typically it only takes about five and a half pounds of force to crack a single eggshell, much less than the average adult human. As I wrote for Slate back in 2012, "The key is to align the eggs so that the narrow pole is pointing upward, and step in such a way to distribute your weight over the entire surface area, to avoid overloading any one eggshell."In fact, I noted at the time a surprisingly long history of scientific studies of eggshells and how cracks propagate, particularly in the 1950s and 1960s, when they served as useful models for failure analysis when building airplanes. The toughness comes from the egg shell's structure; it is made up mostly of calcium carbonatecrystals, similar to tooth enamel or sea shells,  embedded within a protein matrix. The egg shell is strengthened further by a thin inner collagen layer. This tends to keep damage localized as cracks spread little by little rather than one clean break. Chef instructor demonstrates the one-handed technique for cracking an egg in 1954's Sabrina. Paramount Pictures Chef instructor demonstrates the one-handed technique for cracking an egg in 1954's Sabrina. Paramount Pictures Sabrina needs a new egg. Paramount Pictures Sabrina needs a new egg. Paramount Pictures Chef instructor demonstrates the one-handed technique for cracking an egg in 1954's Sabrina. Paramount Pictures Sabrina needs a new egg. Paramount Pictures Cohen et al. give a shoutout in their introduction to Jonathan Swift's Gulliver's Travels, specifically the longstanding quarrel between the people of Lilliput and Blefuscu on the best orientation for cracking an egg. Of course, there is the classic chef's one-handed egg-cracking technique—immortalized in the 1954 romantic comedy, Sabrina—which involves holding the egg between the fingers and thumb and rapping the edge sharply against the rim of the bowl to achieve a clean break. Alas, this usually ends in a crushed eggy mess when attempted by amateurs.MIT scientists have previously studied precisely how much force to apply to the center of an egg. Specifically, the scientists devised a mathematical formula linking the ovoid geometry of the eggshell and its rigidity—a property that, along with strength, accounts for how much force a given object can withstand before breaking. It's the narrow tip that is the most crack-resistant part of the egg, since the shell becomes more rigid the more the egg curves. That's why pressing down on both the bottom and top of an egg with your fingers won't work. But turn the egg horizontally and press right at the center, and the shell cracks easily. Stiffness vs. toughness So what's going on with these latest MIT findings? To find out, Cohen et al. bought 180 chicken eggs—Costco's Kirkland Signature brand— and conducted their own egg drop experiments in the lab. They dropped 60 eggs each from three different heightsonto a hard surface in three different orientations: horizontal, vertical on the sharp end, and vertical on the blunt end. They also subjected an additional 60 eggs to compression tests to determine the force required to break the eggs in both the vertical and horizontal orientations. Experimental snapshots for verticaland horizontalegg drops. Credit: A. Sutanto et al., 2025 The results: over half of the eggs broke when dropped vertically from an 8-millimeterheight, regardless of which end of the egg was pointing downwards. Yet less than ten percent of the horiztonally-dropped eggs broke. The eggs broke when the force exceeded 45 Newtons, an impressive per-egg load bearing capacity that is independent of its orientation. There was a key difference, however, between how vertically and horizontally  squeezed eggs deformed in the compression experiments—namely, the former deformed less than the latter. The shell's greater rigidity along its long axis was an advantage because the heavy load was distributed over the surface.But the authors found that this advantage when under static compression proved to be a disadvantage when dropping eggs from a height, with the horizontal position emerging as the optimal orientation.  It comes down to the difference between stiffness—how much force is needed to deform the egg—and toughness, i.e., how much energy the egg can absorb before it cracks. Cohen et al.'s experiments showed that eggs are tougher when loaded horizontally along their equator, and stiffer when compressed vertically, suggesting that "an egg dropped on its equator can likely sustain greater drop heights without cracking," they wrote. "Even if eggs could sustain a higher force when loaded in the vertical direction, it does not necessarily imply that they are less likely to break when dropped in that orientation. In contrast to static loading, to remain intact following a dynamic impact, a body must be able to absorb all of its kinetic energy by transferring it into reversible deformation." "Eggs need to be tough, not stiff, in order to survive a fall," Cohen et al. concluded, pointing to our intuitive understanding that we should bend our knees rather than lock them into a straightened position when landing after a jump, for example. "Our results and analysis serve as a cautionary tale about how language can affect our understanding of a system, and improper framing of a problem can lead to misunderstanding and miseducation." DOI: Communications Physics, 2025. 10.1038/s42005-025-02087-0  . Jennifer Ouellette Senior Writer Jennifer Ouellette Senior Writer Jennifer is a senior writer at Ars Technica with a particular focus on where science meets culture, covering everything from physics and related interdisciplinary topics to her favorite films and TV series. Jennifer lives in Baltimore with her spouse, physicist Sean M. Carroll, and their two cats, Ariel and Caliban. 7 Comments #key #successful #egg #drop #experiment
    ARSTECHNICA.COM
    The key to a successful egg drop experiment? Drop it on its side
    drop it like it's hot The key to a successful egg drop experiment? Drop it on its side Eggs are less likely to crack when dropped horizontally vs. vertically, contradicting conventional wisdom. Jennifer Ouellette – May 26, 2025 11:05 am | 7 A physics teacher drops a package designed to protect three eggs from a fall of ten meters Credit: Ben Wildeboer/CC BY-SA 3.0 A physics teacher drops a package designed to protect three eggs from a fall of ten meters Credit: Ben Wildeboer/CC BY-SA 3.0 Story text Size Small Standard Large Width * Standard Wide Links Standard Orange * Subscribers only   Learn more Egg drop competitions are a staple of high school and college physics classes. The goal is for students to build a device using bubble wrap, straws, or various other materials designed to hold an egg and keep it intact after being dropped from a substantial height—say, ten meters (nearly 33 feet). There's even a "naked egg" version in which a raw egg is dropped into a container below.  The competition is intended to teach students about structural mechanics and impact physics, and it is not an easy feat; most of the dropped eggs break. MIT engineering professor Tal Cohen decided to investigate why the failure rate was so high and reported her team's findings in a paper published in the journal Communications Physics. "The universal convention is that the egg should be in a vertical orientation when it hits the ground," Cohen told Physics Magazine. But their results from controlled trials simulating the egg drop challenge in the lab calls this conventional wisdom into question. It is not an unreasonable assumption to make. Another popular physics party trick is to walk on several cartons of eggs without breaking them. Typically it only takes about five and a half pounds of force to crack a single eggshell, much less than the average adult human. As I wrote for Slate back in 2012, "The key is to align the eggs so that the narrow pole is pointing upward, and step in such a way to distribute your weight over the entire surface area, to avoid overloading any one eggshell." (Being barefoot also helps.) In fact, I noted at the time a surprisingly long history of scientific studies of eggshells and how cracks propagate, particularly in the 1950s and 1960s, when they served as useful models for failure analysis when building airplanes. The toughness comes from the egg shell's structure; it is made up mostly of calcium carbonate (calcite) crystals, similar to tooth enamel or sea shells,  embedded within a protein matrix. The egg shell is strengthened further by a thin inner collagen layer. This tends to keep damage localized as cracks spread little by little rather than one clean break. Chef instructor demonstrates the one-handed technique for cracking an egg in 1954's Sabrina. Paramount Pictures Chef instructor demonstrates the one-handed technique for cracking an egg in 1954's Sabrina. Paramount Pictures Sabrina needs a new egg. Paramount Pictures Sabrina needs a new egg. Paramount Pictures Chef instructor demonstrates the one-handed technique for cracking an egg in 1954's Sabrina. Paramount Pictures Sabrina needs a new egg. Paramount Pictures Cohen et al. give a shoutout in their introduction to Jonathan Swift's Gulliver's Travels, specifically the longstanding quarrel between the people of Lilliput and Blefuscu on the best orientation for cracking an egg. Of course, there is the classic chef's one-handed egg-cracking technique—immortalized in the 1954 romantic comedy, Sabrina—which involves holding the egg between the fingers and thumb and rapping the edge sharply against the rim of the bowl to achieve a clean break. Alas, this usually ends in a crushed eggy mess when attempted by amateurs. (Practicing with a golf ball can improve one's skill.) MIT scientists have previously studied precisely how much force to apply to the center of an egg. Specifically, the scientists devised a mathematical formula linking the ovoid geometry of the eggshell and its rigidity—a property that, along with strength (a related but distinct concept), accounts for how much force a given object can withstand before breaking. It's the narrow tip that is the most crack-resistant part of the egg, since the shell becomes more rigid the more the egg curves. That's why pressing down on both the bottom and top of an egg with your fingers won't work. But turn the egg horizontally and press right at the center, and the shell cracks easily. Stiffness vs. toughness So what's going on with these latest MIT findings? To find out, Cohen et al. bought 180 chicken eggs—Costco's Kirkland Signature brand— and conducted their own egg drop experiments in the lab. They dropped 60 eggs each from three different heights (8, 9, and 10 millimeters) onto a hard surface in three different orientations: horizontal, vertical on the sharp end, and vertical on the blunt end. They also subjected an additional 60 eggs to compression tests to determine the force required to break the eggs in both the vertical and horizontal orientations. Experimental snapshots for vertical (top) and horizontal (bottom) egg drops. Credit: A. Sutanto et al., 2025 The results: over half of the eggs broke when dropped vertically from an 8-millimeter (31-inch) height, regardless of which end of the egg was pointing downwards. Yet less than ten percent of the horiztonally-dropped eggs broke. The eggs broke when the force exceeded 45 Newtons, an impressive per-egg load bearing capacity that is independent of its orientation. There was a key difference, however, between how vertically and horizontally  squeezed eggs deformed in the compression experiments—namely, the former deformed less than the latter. The shell's greater rigidity along its long axis was an advantage because the heavy load was distributed over the surface. (It's why the one-handed egg-cracking technique targets the center of a horizontally held egg.) But the authors found that this advantage when under static compression proved to be a disadvantage when dropping eggs from a height, with the horizontal position emerging as the optimal orientation.  It comes down to the difference between stiffness—how much force is needed to deform the egg—and toughness, i.e., how much energy the egg can absorb before it cracks. Cohen et al.'s experiments showed that eggs are tougher when loaded horizontally along their equator, and stiffer when compressed vertically, suggesting that "an egg dropped on its equator can likely sustain greater drop heights without cracking," they wrote. "Even if eggs could sustain a higher force when loaded in the vertical direction, it does not necessarily imply that they are less likely to break when dropped in that orientation. In contrast to static loading, to remain intact following a dynamic impact, a body must be able to absorb all of its kinetic energy by transferring it into reversible deformation." "Eggs need to be tough, not stiff, in order to survive a fall," Cohen et al. concluded, pointing to our intuitive understanding that we should bend our knees rather than lock them into a straightened position when landing after a jump, for example. "Our results and analysis serve as a cautionary tale about how language can affect our understanding of a system, and improper framing of a problem can lead to misunderstanding and miseducation." DOI: Communications Physics, 2025. 10.1038/s42005-025-02087-0  (About DOIs). Jennifer Ouellette Senior Writer Jennifer Ouellette Senior Writer Jennifer is a senior writer at Ars Technica with a particular focus on where science meets culture, covering everything from physics and related interdisciplinary topics to her favorite films and TV series. Jennifer lives in Baltimore with her spouse, physicist Sean M. Carroll, and their two cats, Ariel and Caliban. 7 Comments
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  • ‘I had no clue what I was doing’: Jennifer Meyer on how pushing through uncertainty leads to creativity

    Jennifer Meyer always knew she wanted to work in fashion. It probably comes, she says, from the hours she spent in her grandmother’s Santa Monica, California, apartment, playing with art supplies, and the small kiln her grandmother kept on the kitchen counter. “She did a lot of enameling,” says Meyer, an LA-based jewelry designer. “She had all of these colors and plaques to put things on; wiring. I would design things with her for fun; I have this love of design from her.” 

    Still, as the daughter of an entertainment executive, Meyer didn’t really have a road map for a career in design. She completed her education on the East Coast, studying child and family psychology, and landed her first job in magazines, which she ultimately parlayed to PR jobs at Giorgio Armani and Ralph Lauren. “I wanted to start my own thing,” says Meyer. “I had this idea for jewelry, but I had no idea how to do it.” 

    In 2005, Meyer made some basic sketches—her first a riff on a leaf design—and began knocking on doors, armed with equal parts curiosity and tenacity. So began the launch of her line, Jennifer Meyer Jewelry. Now, 20 years later, Meyer describes herself as self-taught. She’s leveraged her love of the natural world and her instincts for a simple, unfussy aesthetic to guide a business that’s become as popular with Jennifer Aniston and Meghan Markle as millennials and suburban fortysomethings. 

    If the door said jeweler, I knocked on it. I knew nothing. It was trial and error. I had a bad sketch of a leaf on paper. I had no clue what I was doing—which, by the way, as I look back was the best way to learn. I made a few pieces, and that’s how I understood what I was doing.  

    There is a Star Wars quote, “Do or do not; there is no try.” I started in 2005. My boyfriend at the time, who became my husband, said, “What do you want to do?” I said, ”I don’t know.” He said, “That’s a lie; Everybody wants a thing and we’re embarrassed to say it. You think you’re too old, or too young. What do you want to do? Act? Write? Work for NASA? It can be anything.” He said, “You have to say it out loud.” I said, “I want to design jewelry. I don’t know how to do it.”  

    When I started, I was doing everything from designing to FedEx. I was alone, and I did it all. I have such an amazing group of people I work with now. Now it’s shorthand: We can have one quick conversation and say, “Hey do you remember the leaf with the baguette diamonds?” 

    I like when things feel organized. When I walk into a room and I know where everything is . . . organization is inspiring to me. 

    As a business owner, I’m available 24/7. I don’t care what time you text me, I don’t care what time you call or email me. If it’s 11 p.m. on a Saturday and you work with me and you said, “Jen, do you have five minutes?” I have five minutes. Unless I’m sound asleep, other than that I am available. I do, though,still think it’s important to set boundaries to make you feel good, but I don’t have a boundary with my time. 

    I love a reminder. When someone says, “Just bumping this to the top of your emails. Or, hey, making sure you did this.” You cannot bug me. It is the greatest feeling in the world. Bother me until it’s finished. 

    I always get up by 7 a.m. I always make sure my kids are fed and out the door. They drive now, which is such a weird thing. I love to work out and I go to bed thinking about my coffee. I drink decaf. I used to have really bad panic attacks. They were debilitating. If I’m drinking caffeine first thing, that’s not good for anybody.

    I always have a book with me. Everything is written down. I have to write it down and I have to take a highlighter to it. That is it for me. That’s how I do things. When people have notes on their phones, it gives me hives. 

    Being creative is throwing it all out there, making mistakes and making it your own. How many times have you looked at something and thought, “I would never wear that, what is that? No.” And then, somehow six months later you’re around it enough and you see that woman whose aesthetic you love and you’re like, “I get it now.” 

    Hard work pays off. You have got to develop those relationships; you have to sit with people and get to know their wives and children and husbands. You have to get in there and spend the time and energy and the focus and you have to develop the same aesthetic, which is really challenging. Everyone has their own idea of how things should be made. It’s a lot of working together and explaining yourself and being clear. You talk about boundaries. Those that are the boundaries that are important. Clarity is kindness.

    I grew up going to art galleries with my dad. He loved going to galleries. I remember I was like 8 years old and he bought this art and it was on our wall. It was literally a green and blue triangle—nothing else. Half was blue and half was green. I remember saying to him, “What is that? I could have done that.” He looked at me and said, “But you didn’t.” It never left my head. That artist did it and thought of it and created it. It was easy for me to have a 10-minute opinion, but I didn’t do it. I was like, “He’s damn right.”
    #had #clue #what #was #doing
    ‘I had no clue what I was doing’: Jennifer Meyer on how pushing through uncertainty leads to creativity
    Jennifer Meyer always knew she wanted to work in fashion. It probably comes, she says, from the hours she spent in her grandmother’s Santa Monica, California, apartment, playing with art supplies, and the small kiln her grandmother kept on the kitchen counter. “She did a lot of enameling,” says Meyer, an LA-based jewelry designer. “She had all of these colors and plaques to put things on; wiring. I would design things with her for fun; I have this love of design from her.”  Still, as the daughter of an entertainment executive, Meyer didn’t really have a road map for a career in design. She completed her education on the East Coast, studying child and family psychology, and landed her first job in magazines, which she ultimately parlayed to PR jobs at Giorgio Armani and Ralph Lauren. “I wanted to start my own thing,” says Meyer. “I had this idea for jewelry, but I had no idea how to do it.”  In 2005, Meyer made some basic sketches—her first a riff on a leaf design—and began knocking on doors, armed with equal parts curiosity and tenacity. So began the launch of her line, Jennifer Meyer Jewelry. Now, 20 years later, Meyer describes herself as self-taught. She’s leveraged her love of the natural world and her instincts for a simple, unfussy aesthetic to guide a business that’s become as popular with Jennifer Aniston and Meghan Markle as millennials and suburban fortysomethings.  If the door said jeweler, I knocked on it. I knew nothing. It was trial and error. I had a bad sketch of a leaf on paper. I had no clue what I was doing—which, by the way, as I look back was the best way to learn. I made a few pieces, and that’s how I understood what I was doing.   There is a Star Wars quote, “Do or do not; there is no try.” I started in 2005. My boyfriend at the time, who became my husband, said, “What do you want to do?” I said, ”I don’t know.” He said, “That’s a lie; Everybody wants a thing and we’re embarrassed to say it. You think you’re too old, or too young. What do you want to do? Act? Write? Work for NASA? It can be anything.” He said, “You have to say it out loud.” I said, “I want to design jewelry. I don’t know how to do it.”   When I started, I was doing everything from designing to FedEx. I was alone, and I did it all. I have such an amazing group of people I work with now. Now it’s shorthand: We can have one quick conversation and say, “Hey do you remember the leaf with the baguette diamonds?”  I like when things feel organized. When I walk into a room and I know where everything is . . . organization is inspiring to me.  As a business owner, I’m available 24/7. I don’t care what time you text me, I don’t care what time you call or email me. If it’s 11 p.m. on a Saturday and you work with me and you said, “Jen, do you have five minutes?” I have five minutes. Unless I’m sound asleep, other than that I am available. I do, though,still think it’s important to set boundaries to make you feel good, but I don’t have a boundary with my time.  I love a reminder. When someone says, “Just bumping this to the top of your emails. Or, hey, making sure you did this.” You cannot bug me. It is the greatest feeling in the world. Bother me until it’s finished.  I always get up by 7 a.m. I always make sure my kids are fed and out the door. They drive now, which is such a weird thing. I love to work out and I go to bed thinking about my coffee. I drink decaf. I used to have really bad panic attacks. They were debilitating. If I’m drinking caffeine first thing, that’s not good for anybody. I always have a book with me. Everything is written down. I have to write it down and I have to take a highlighter to it. That is it for me. That’s how I do things. When people have notes on their phones, it gives me hives.  Being creative is throwing it all out there, making mistakes and making it your own. How many times have you looked at something and thought, “I would never wear that, what is that? No.” And then, somehow six months later you’re around it enough and you see that woman whose aesthetic you love and you’re like, “I get it now.”  Hard work pays off. You have got to develop those relationships; you have to sit with people and get to know their wives and children and husbands. You have to get in there and spend the time and energy and the focus and you have to develop the same aesthetic, which is really challenging. Everyone has their own idea of how things should be made. It’s a lot of working together and explaining yourself and being clear. You talk about boundaries. Those that are the boundaries that are important. Clarity is kindness. I grew up going to art galleries with my dad. He loved going to galleries. I remember I was like 8 years old and he bought this art and it was on our wall. It was literally a green and blue triangle—nothing else. Half was blue and half was green. I remember saying to him, “What is that? I could have done that.” He looked at me and said, “But you didn’t.” It never left my head. That artist did it and thought of it and created it. It was easy for me to have a 10-minute opinion, but I didn’t do it. I was like, “He’s damn right.” #had #clue #what #was #doing
    WWW.FASTCOMPANY.COM
    ‘I had no clue what I was doing’: Jennifer Meyer on how pushing through uncertainty leads to creativity
    Jennifer Meyer always knew she wanted to work in fashion. It probably comes, she says, from the hours she spent in her grandmother’s Santa Monica, California, apartment, playing with art supplies, and the small kiln her grandmother kept on the kitchen counter. “She did a lot of enameling,” says Meyer, an LA-based jewelry designer. “She had all of these colors and plaques to put things on; wiring. I would design things with her for fun; I have this love of design from her.”  Still, as the daughter of an entertainment executive, Meyer didn’t really have a road map for a career in design. She completed her education on the East Coast, studying child and family psychology, and landed her first job in magazines, which she ultimately parlayed to PR jobs at Giorgio Armani and Ralph Lauren. “I wanted to start my own thing,” says Meyer. “I had this idea for jewelry, but I had no idea how to do it.”  In 2005, Meyer made some basic sketches—her first a riff on a leaf design—and began knocking on doors, armed with equal parts curiosity and tenacity. So began the launch of her line, Jennifer Meyer Jewelry. Now, 20 years later, Meyer describes herself as self-taught. She’s leveraged her love of the natural world and her instincts for a simple, unfussy aesthetic to guide a business that’s become as popular with Jennifer Aniston and Meghan Markle as millennials and suburban fortysomethings.  If the door said jeweler, I knocked on it. I knew nothing. It was trial and error. I had a bad sketch of a leaf on paper. I had no clue what I was doing—which, by the way, as I look back was the best way to learn. I made a few pieces, and that’s how I understood what I was doing.   There is a Star Wars quote, “Do or do not; there is no try.” I started in 2005. My boyfriend at the time, who became my husband, said, “What do you want to do?” I said, ”I don’t know.” He said, “That’s a lie; Everybody wants a thing and we’re embarrassed to say it. You think you’re too old, or too young. What do you want to do? Act? Write? Work for NASA? It can be anything.” He said, “You have to say it out loud.” I said, “I want to design jewelry. I don’t know how to do it.”   When I started, I was doing everything from designing to FedEx. I was alone, and I did it all. I have such an amazing group of people I work with now. Now it’s shorthand: We can have one quick conversation and say, “Hey do you remember the leaf with the baguette diamonds?”  I like when things feel organized. When I walk into a room and I know where everything is . . . organization is inspiring to me.  As a business owner, I’m available 24/7. I don’t care what time you text me, I don’t care what time you call or email me. If it’s 11 p.m. on a Saturday and you work with me and you said, “Jen, do you have five minutes?” I have five minutes. Unless I’m sound asleep, other than that I am available. I do, though, [I] still think it’s important to set boundaries to make you feel good, but I don’t have a boundary with my time.  I love a reminder. When someone says, “Just bumping this to the top of your emails. Or, hey, making sure you did this.” You cannot bug me. It is the greatest feeling in the world. Bother me until it’s finished.  I always get up by 7 a.m. I always make sure my kids are fed and out the door. They drive now, which is such a weird thing. I love to work out and I go to bed thinking about my coffee. I drink decaf. I used to have really bad panic attacks. They were debilitating. If I’m drinking caffeine first thing, that’s not good for anybody. I always have a book with me. Everything is written down. I have to write it down and I have to take a highlighter to it. That is it for me. That’s how I do things. When people have notes on their phones, it gives me hives.  Being creative is throwing it all out there, making mistakes and making it your own. How many times have you looked at something and thought, “I would never wear that, what is that? No.” And then, somehow six months later you’re around it enough and you see that woman whose aesthetic you love and you’re like, “I get it now.”  Hard work pays off. You have got to develop those relationships; you have to sit with people and get to know their wives and children and husbands. You have to get in there and spend the time and energy and the focus and you have to develop the same aesthetic, which is really challenging. Everyone has their own idea of how things should be made. It’s a lot of working together and explaining yourself and being clear. You talk about boundaries. Those that are the boundaries that are important. Clarity is kindness. I grew up going to art galleries with my dad. He loved going to galleries. I remember I was like 8 years old and he bought this art and it was on our wall. It was literally a green and blue triangle—nothing else. Half was blue and half was green. I remember saying to him, “What is that? I could have done that.” He looked at me and said, “But you didn’t.” It never left my head. That artist did it and thought of it and created it. It was easy for me to have a 10-minute opinion, but I didn’t do it. I was like, “He’s damn right.”
    0 Yorumlar 0 hisse senetleri
  • The first teeth were sensory organs on the skin of ancient fish

    CT scan of the front of a skate, showing the hard, tooth-like denticleson its skinYara Haridy
    Teeth first evolved as sensory organs, not for chewing, according to a new analysis of animal fossils. The first tooth-like structures seem to have been sensitive nodules on the skin of early fish that could detect changes in the surrounding water.
    The finding supports a long-standing idea that teeth first evolved outside the mouth, says Yara Haridy at the University of Chicago.
    Advertisement
    While there was some evidence to back this up, there was an obvious question. “What good is having all these teeth on the outside?” says Haridy. One possibility was that they served as defensive armour, but Haridy thinks there was more to it. “It’s great to cover yourself in hard things, but what if those hard things could also help you sense your environment?”
    True teeth are only found in backboned vertebrates, like fish and mammals. Some invertebrates have tooth-like structures, but the underlying tissues are completely different. This means teeth originated during the evolution of the earliest vertebrates: fish.
    Haridy and her team re-examined fossils that have been claimed to be the oldest examples of fish teeth, using a synchrotron to scan them in unprecedented detail.

    Unmissable news about our planet delivered straight to your inbox every month.

    Sign up to newsletter

    They focused first on fragmentary fossils of animals called Anatolepis, which date from the later part of the Cambrian Period, which ran from 539 million to 487 million years ago, and early in the Ordovician Period, which ran from 487 million to 443 million years ago. These animals had a hard exoskeleton, dotted with tubules.
    These had been interpreted as being tubules of dentine, one of the hard tissues that make up teeth. In human teeth, dentine is the yellow layer under the hard white enamel and it performs many functions, including sensing pressure, temperature and pain.
    This led to the idea that the tubules are precursors to teeth called odontodes and that Anatolepis is an early fish.
    That isn’t what Haridy and her team found. “We saw that the internal anatomydidn’t actually look like a vertebrate at all,” she says. After examining structures from a range of animals, they found that the tubules were most similar to features called sensilla found on the exoskeletons of arthropods like insects and spiders. These look like pegs or small hairs and detect a range of phenomena. “It can be everything from taste to vibration to changes in air currents,” says Haridy.
    This means Anatolepis is an arthropod, not a fish, and its tubules aren’t the direct precursors to teeth.

    “Dentine is likely a vertebrate novelty, yet the sensory capabilities of a hardened external surface were present much earlier in invertebrates,” says Gareth Fraser at the University of Florida in Gainesville, who wasn’t involved in the study.
    With Anatolepis out of the picture, the team says, the oldest known teeth are those of Eriptychius, which is only known from the Ordovician Period. These do have true dentine – in odontodes on their skin.
    Haridy says invertebrates like Anatolepis and early vertebrates like Eriptychius independently evolved hard, sensory nodules on their skin. “These two very different animals needed to sense their way through the muck of ancient seas,” she says. In line with this, the team found that the odontodes on the skin of some modern fish still have nerves – suggesting a sensory function.
    Once some fish became active predators, they needed a way to hold onto their prey, so the hard odontodes made their way to the mouth, where they could be used to bite.
    “Based on the available data, tooth-like structures likely first evolved in the skin of early vertebrates, prior to the oral invasion of these structures that became teeth,” says Fraser.
    Journal reference:Nature DOI: 10.1038/s41586-025-08944-w
    Topics:
    #first #teeth #were #sensory #organs
    The first teeth were sensory organs on the skin of ancient fish
    CT scan of the front of a skate, showing the hard, tooth-like denticleson its skinYara Haridy Teeth first evolved as sensory organs, not for chewing, according to a new analysis of animal fossils. The first tooth-like structures seem to have been sensitive nodules on the skin of early fish that could detect changes in the surrounding water. The finding supports a long-standing idea that teeth first evolved outside the mouth, says Yara Haridy at the University of Chicago. Advertisement While there was some evidence to back this up, there was an obvious question. “What good is having all these teeth on the outside?” says Haridy. One possibility was that they served as defensive armour, but Haridy thinks there was more to it. “It’s great to cover yourself in hard things, but what if those hard things could also help you sense your environment?” True teeth are only found in backboned vertebrates, like fish and mammals. Some invertebrates have tooth-like structures, but the underlying tissues are completely different. This means teeth originated during the evolution of the earliest vertebrates: fish. Haridy and her team re-examined fossils that have been claimed to be the oldest examples of fish teeth, using a synchrotron to scan them in unprecedented detail. Unmissable news about our planet delivered straight to your inbox every month. Sign up to newsletter They focused first on fragmentary fossils of animals called Anatolepis, which date from the later part of the Cambrian Period, which ran from 539 million to 487 million years ago, and early in the Ordovician Period, which ran from 487 million to 443 million years ago. These animals had a hard exoskeleton, dotted with tubules. These had been interpreted as being tubules of dentine, one of the hard tissues that make up teeth. In human teeth, dentine is the yellow layer under the hard white enamel and it performs many functions, including sensing pressure, temperature and pain. This led to the idea that the tubules are precursors to teeth called odontodes and that Anatolepis is an early fish. That isn’t what Haridy and her team found. “We saw that the internal anatomydidn’t actually look like a vertebrate at all,” she says. After examining structures from a range of animals, they found that the tubules were most similar to features called sensilla found on the exoskeletons of arthropods like insects and spiders. These look like pegs or small hairs and detect a range of phenomena. “It can be everything from taste to vibration to changes in air currents,” says Haridy. This means Anatolepis is an arthropod, not a fish, and its tubules aren’t the direct precursors to teeth. “Dentine is likely a vertebrate novelty, yet the sensory capabilities of a hardened external surface were present much earlier in invertebrates,” says Gareth Fraser at the University of Florida in Gainesville, who wasn’t involved in the study. With Anatolepis out of the picture, the team says, the oldest known teeth are those of Eriptychius, which is only known from the Ordovician Period. These do have true dentine – in odontodes on their skin. Haridy says invertebrates like Anatolepis and early vertebrates like Eriptychius independently evolved hard, sensory nodules on their skin. “These two very different animals needed to sense their way through the muck of ancient seas,” she says. In line with this, the team found that the odontodes on the skin of some modern fish still have nerves – suggesting a sensory function. Once some fish became active predators, they needed a way to hold onto their prey, so the hard odontodes made their way to the mouth, where they could be used to bite. “Based on the available data, tooth-like structures likely first evolved in the skin of early vertebrates, prior to the oral invasion of these structures that became teeth,” says Fraser. Journal reference:Nature DOI: 10.1038/s41586-025-08944-w Topics: #first #teeth #were #sensory #organs
    WWW.NEWSCIENTIST.COM
    The first teeth were sensory organs on the skin of ancient fish
    CT scan of the front of a skate, showing the hard, tooth-like denticles (orange) on its skinYara Haridy Teeth first evolved as sensory organs, not for chewing, according to a new analysis of animal fossils. The first tooth-like structures seem to have been sensitive nodules on the skin of early fish that could detect changes in the surrounding water. The finding supports a long-standing idea that teeth first evolved outside the mouth, says Yara Haridy at the University of Chicago. Advertisement While there was some evidence to back this up, there was an obvious question. “What good is having all these teeth on the outside?” says Haridy. One possibility was that they served as defensive armour, but Haridy thinks there was more to it. “It’s great to cover yourself in hard things, but what if those hard things could also help you sense your environment?” True teeth are only found in backboned vertebrates, like fish and mammals. Some invertebrates have tooth-like structures, but the underlying tissues are completely different. This means teeth originated during the evolution of the earliest vertebrates: fish. Haridy and her team re-examined fossils that have been claimed to be the oldest examples of fish teeth, using a synchrotron to scan them in unprecedented detail. Unmissable news about our planet delivered straight to your inbox every month. Sign up to newsletter They focused first on fragmentary fossils of animals called Anatolepis, which date from the later part of the Cambrian Period, which ran from 539 million to 487 million years ago, and early in the Ordovician Period, which ran from 487 million to 443 million years ago. These animals had a hard exoskeleton, dotted with tubules. These had been interpreted as being tubules of dentine, one of the hard tissues that make up teeth. In human teeth, dentine is the yellow layer under the hard white enamel and it performs many functions, including sensing pressure, temperature and pain. This led to the idea that the tubules are precursors to teeth called odontodes and that Anatolepis is an early fish. That isn’t what Haridy and her team found. “We saw that the internal anatomy [of the tubules] didn’t actually look like a vertebrate at all,” she says. After examining structures from a range of animals, they found that the tubules were most similar to features called sensilla found on the exoskeletons of arthropods like insects and spiders. These look like pegs or small hairs and detect a range of phenomena. “It can be everything from taste to vibration to changes in air currents,” says Haridy. This means Anatolepis is an arthropod, not a fish, and its tubules aren’t the direct precursors to teeth. “Dentine is likely a vertebrate novelty, yet the sensory capabilities of a hardened external surface were present much earlier in invertebrates,” says Gareth Fraser at the University of Florida in Gainesville, who wasn’t involved in the study. With Anatolepis out of the picture, the team says, the oldest known teeth are those of Eriptychius, which is only known from the Ordovician Period. These do have true dentine – in odontodes on their skin. Haridy says invertebrates like Anatolepis and early vertebrates like Eriptychius independently evolved hard, sensory nodules on their skin. “These two very different animals needed to sense their way through the muck of ancient seas,” she says. In line with this, the team found that the odontodes on the skin of some modern fish still have nerves – suggesting a sensory function. Once some fish became active predators, they needed a way to hold onto their prey, so the hard odontodes made their way to the mouth, where they could be used to bite. “Based on the available data, tooth-like structures likely first evolved in the skin of early vertebrates, prior to the oral invasion of these structures that became teeth,” says Fraser. Journal reference:Nature DOI: 10.1038/s41586-025-08944-w Topics:
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  • RFK Jr’s plan to ban fluoride supplements will “hurt rural America,” dentists say

    Pro-tooth decay

    RFK Jr’s plan to ban fluoride supplements will “hurt rural America,” dentists say

    In areas without fluoridated water, supplements are the only way to get adequate doses.

    Beth Mole



    May 16, 2025 5:55 pm

    |

    19

    Credit:

    Getty | Flavio Coelho

    Credit:

    Getty | Flavio Coelho

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    Size

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    This week, the US health department announced a plan to ban prescription fluoride supplements for children. These ingested fluoride products are dispensed at safe doses by doctors and dentists to prevent tooth decay in children who are unable to get adequate fluoride doses from community water systems—something that may become more common as more states and cities remove or ban fluoride from their water.
    Both the American Dental Associationand the American Academy of Pediatrics recommend fluoridating community water and advise prescribing fluoride supplements for children who do not get adequate fluoride dosages through their water.
    Nevertheless, the Department of Health and Human Servicesunder anti-vaccine advocate and conspiracy theorist Robert F. Kennedy Jr states without clear evidence that fluoride supplements harm children's microbiome and pose other health risks.
    The ADA pushed back strongly, telling Ars Technica in a written statement that the scientific studies the HHS references as evidence of harms "do not in fact demonstrate any harmful effects for the concentrations of fluoride prescribed by physicians and dentists."
    To support the alleged claim that fluoride harms the gut microbiome, HHS listed two review studies in its announcement. One review, published this year, concludes, "In humans, high doses potentially may be detrimental to the microbiome, whereas ≤ 2 mg/Lhad positive effects." Community water systems are recommended to have a level of 0.7 mg/L. The other review, published in 2023, said that there wasn't enough human data to make any conclusions.
    In the announcement, FDA Commissioner Marty Makary was quoted as saying, "The best way to prevent cavities in children is by avoiding excessive sugar intake and good dental hygiene, not by altering a child’s microbiome. For the same reason that fluoride may kill bacteria on teeth, it may also kill intestinal bacteria important for a child’s health."

    “Harmful”
    While fluoride can kill bacteria, particularly at high levels, it's used in oral health to inhibit the demineralization of tooth enamel while enhancing the remineralization of tooth surfaces, the ADA clarifies.
    The best way to get fluoride is through drinking water, the ADA says. But supplements are a safe alternative if a child lives in an area without fluoridated water or if they mostly drink bottled water. Given rampant false and controversial claims about fluoride, more communities are now abandoning it. This week, Florida became the second state after Utah to ban fluoridation state-wide.
    "Yes, use fluoride for your teeth, that’s fine," Florida Gov. Ron DeSantis said at a news conference after signing the ban into law. "But forcing it in the water supply is basically forced medication on people. They don’t have a choice."
    ADA President Brett Kessler worries what children in places such as Utah and Florida will do to get adequate fluoride if the ban on supplements goes through. “In non-fluoridated communities, especially rural areas, fluoride supplements are the only chance for individuals to get the appropriate amount of fluoride to prevent tooth decay," Kessler said in the statement. The move will be "particularly harmful to the most vulnerable and those who lack access to care," he added.
    While Makary said that the FDA will conduct a safety review of  fluoride supplements, the conclusion seems to be foregone, with the HHS writing that it is already "initiating action to remove" the products.
    The ADA noted that places that have removed fluoride from drinking water, such as Calgary, Canada, and Juneau, Alaska, have seen increases in dental decay, particularly among children and low-income populations.
    "Proposals like this stand to hurt rural America, not make them healthier," Kessler said.

    Beth Mole
    Senior Health Reporter

    Beth Mole
    Senior Health Reporter

    Beth is Ars Technica’s Senior Health Reporter. Beth has a Ph.D. in microbiology from the University of North Carolina at Chapel Hill and attended the Science Communication program at the University of California, Santa Cruz. She specializes in covering infectious diseases, public health, and microbes.

    19 Comments
    #rfk #jrs #plan #ban #fluoride
    RFK Jr’s plan to ban fluoride supplements will “hurt rural America,” dentists say
    Pro-tooth decay RFK Jr’s plan to ban fluoride supplements will “hurt rural America,” dentists say In areas without fluoridated water, supplements are the only way to get adequate doses. Beth Mole – May 16, 2025 5:55 pm | 19 Credit: Getty | Flavio Coelho Credit: Getty | Flavio Coelho Story text Size Small Standard Large Width * Standard Wide Links Standard Orange * Subscribers only   Learn more This week, the US health department announced a plan to ban prescription fluoride supplements for children. These ingested fluoride products are dispensed at safe doses by doctors and dentists to prevent tooth decay in children who are unable to get adequate fluoride doses from community water systems—something that may become more common as more states and cities remove or ban fluoride from their water. Both the American Dental Associationand the American Academy of Pediatrics recommend fluoridating community water and advise prescribing fluoride supplements for children who do not get adequate fluoride dosages through their water. Nevertheless, the Department of Health and Human Servicesunder anti-vaccine advocate and conspiracy theorist Robert F. Kennedy Jr states without clear evidence that fluoride supplements harm children's microbiome and pose other health risks. The ADA pushed back strongly, telling Ars Technica in a written statement that the scientific studies the HHS references as evidence of harms "do not in fact demonstrate any harmful effects for the concentrations of fluoride prescribed by physicians and dentists." To support the alleged claim that fluoride harms the gut microbiome, HHS listed two review studies in its announcement. One review, published this year, concludes, "In humans, high doses potentially may be detrimental to the microbiome, whereas ≤ 2 mg/Lhad positive effects." Community water systems are recommended to have a level of 0.7 mg/L. The other review, published in 2023, said that there wasn't enough human data to make any conclusions. In the announcement, FDA Commissioner Marty Makary was quoted as saying, "The best way to prevent cavities in children is by avoiding excessive sugar intake and good dental hygiene, not by altering a child’s microbiome. For the same reason that fluoride may kill bacteria on teeth, it may also kill intestinal bacteria important for a child’s health." “Harmful” While fluoride can kill bacteria, particularly at high levels, it's used in oral health to inhibit the demineralization of tooth enamel while enhancing the remineralization of tooth surfaces, the ADA clarifies. The best way to get fluoride is through drinking water, the ADA says. But supplements are a safe alternative if a child lives in an area without fluoridated water or if they mostly drink bottled water. Given rampant false and controversial claims about fluoride, more communities are now abandoning it. This week, Florida became the second state after Utah to ban fluoridation state-wide. "Yes, use fluoride for your teeth, that’s fine," Florida Gov. Ron DeSantis said at a news conference after signing the ban into law. "But forcing it in the water supply is basically forced medication on people. They don’t have a choice." ADA President Brett Kessler worries what children in places such as Utah and Florida will do to get adequate fluoride if the ban on supplements goes through. “In non-fluoridated communities, especially rural areas, fluoride supplements are the only chance for individuals to get the appropriate amount of fluoride to prevent tooth decay," Kessler said in the statement. The move will be "particularly harmful to the most vulnerable and those who lack access to care," he added. While Makary said that the FDA will conduct a safety review of  fluoride supplements, the conclusion seems to be foregone, with the HHS writing that it is already "initiating action to remove" the products. The ADA noted that places that have removed fluoride from drinking water, such as Calgary, Canada, and Juneau, Alaska, have seen increases in dental decay, particularly among children and low-income populations. "Proposals like this stand to hurt rural America, not make them healthier," Kessler said. Beth Mole Senior Health Reporter Beth Mole Senior Health Reporter Beth is Ars Technica’s Senior Health Reporter. Beth has a Ph.D. in microbiology from the University of North Carolina at Chapel Hill and attended the Science Communication program at the University of California, Santa Cruz. She specializes in covering infectious diseases, public health, and microbes. 19 Comments #rfk #jrs #plan #ban #fluoride
    ARSTECHNICA.COM
    RFK Jr’s plan to ban fluoride supplements will “hurt rural America,” dentists say
    Pro-tooth decay RFK Jr’s plan to ban fluoride supplements will “hurt rural America,” dentists say In areas without fluoridated water, supplements are the only way to get adequate doses. Beth Mole – May 16, 2025 5:55 pm | 19 Credit: Getty | Flavio Coelho Credit: Getty | Flavio Coelho Story text Size Small Standard Large Width * Standard Wide Links Standard Orange * Subscribers only   Learn more This week, the US health department announced a plan to ban prescription fluoride supplements for children. These ingested fluoride products are dispensed at safe doses by doctors and dentists to prevent tooth decay in children who are unable to get adequate fluoride doses from community water systems—something that may become more common as more states and cities remove or ban fluoride from their water. Both the American Dental Association (ADA) and the American Academy of Pediatrics recommend fluoridating community water and advise prescribing fluoride supplements for children who do not get adequate fluoride dosages through their water. Nevertheless, the Department of Health and Human Services (HHS) under anti-vaccine advocate and conspiracy theorist Robert F. Kennedy Jr states without clear evidence that fluoride supplements harm children's microbiome and pose other health risks. The ADA pushed back strongly, telling Ars Technica in a written statement that the scientific studies the HHS references as evidence of harms "do not in fact demonstrate any harmful effects for the concentrations of fluoride prescribed by physicians and dentists." To support the alleged claim that fluoride harms the gut microbiome, HHS listed two review studies in its announcement. One review, published this year, concludes, "In humans, high doses potentially may be detrimental to the microbiome, whereas ≤ 2 mg/L [sodium fluoride] had positive effects." Community water systems are recommended to have a level of 0.7 mg/L. The other review, published in 2023, said that there wasn't enough human data to make any conclusions. In the announcement, FDA Commissioner Marty Makary was quoted as saying, "The best way to prevent cavities in children is by avoiding excessive sugar intake and good dental hygiene, not by altering a child’s microbiome. For the same reason that fluoride may kill bacteria on teeth, it may also kill intestinal bacteria important for a child’s health." “Harmful” While fluoride can kill bacteria, particularly at high levels, it's used in oral health to inhibit the demineralization of tooth enamel while enhancing the remineralization of tooth surfaces, the ADA clarifies. The best way to get fluoride is through drinking water, the ADA says. But supplements are a safe alternative if a child lives in an area without fluoridated water or if they mostly drink bottled water. Given rampant false and controversial claims about fluoride, more communities are now abandoning it. This week, Florida became the second state after Utah to ban fluoridation state-wide. "Yes, use fluoride for your teeth, that’s fine," Florida Gov. Ron DeSantis said at a news conference after signing the ban into law. "But forcing it in the water supply is basically forced medication on people. They don’t have a choice." ADA President Brett Kessler worries what children in places such as Utah and Florida will do to get adequate fluoride if the ban on supplements goes through. “In non-fluoridated communities, especially rural areas, fluoride supplements are the only chance for individuals to get the appropriate amount of fluoride to prevent tooth decay," Kessler said in the statement. The move will be "particularly harmful to the most vulnerable and those who lack access to care," he added. While Makary said that the FDA will conduct a safety review of  fluoride supplements, the conclusion seems to be foregone, with the HHS writing that it is already "initiating action to remove" the products. The ADA noted that places that have removed fluoride from drinking water, such as Calgary, Canada, and Juneau, Alaska, have seen increases in dental decay, particularly among children and low-income populations. "Proposals like this stand to hurt rural America, not make them healthier," Kessler said. Beth Mole Senior Health Reporter Beth Mole Senior Health Reporter Beth is Ars Technica’s Senior Health Reporter. Beth has a Ph.D. in microbiology from the University of North Carolina at Chapel Hill and attended the Science Communication program at the University of California, Santa Cruz. She specializes in covering infectious diseases, public health, and microbes. 19 Comments
    0 Yorumlar 0 hisse senetleri
  • The Canopy Pavilion by the Canal / AESEU Architectural Technology and Art studio

    The Canopy Pavilion by the Canal / AESEU Architectural Technology and Art studioSave this picture!© Timeraw StudioCommunity Center•Tai Xing Shi, China

    Architects:
    AESEU Architectural Technology and Art studio
    Area
    Area of this architecture project

    Area: 
    2400 m²

    Year
    Completion year of this architecture project

    Year: 

    2024

    Photographs

    Photographs:Timeraw Studio More SpecsLess Specs
    this picture!
    Urban Regeneration by the Canal - Taixing, situated in the south-central region of Jiangsu Province, stands as the convergence of Huai and Wu cultures. Established in the first year of Shengyuan during the Southern Tang Dynasty, it is a millennium-old city with a rich history. Historically, Taixing County was characterized by an intricate network of waterways, thriving alongside and in harmony with the water, and its fortified walls were constructed in the shape of a turtle's shell. Encircling the city were two moats, both inside and outside the walls, with several winding watercourses resembling snakes in between, forming a pattern reminiscent of the Black Tortoise and White Snake, commonly known as the " City laid out in the shape of a turtle and snake." In recent times, with the city's growth, a new urban layout gradually emerged to the north and east of the old city, intersected by the Rutai Canal and Qiangxi River. Notably, the Rutai Canal, linking the Yangtze River in the west and the Yellow Sea in the east, has served as a pivotal regional waterway spanning Rugao and Taixing since ancient times.this picture!In 2023, Taixing City embarked on the "Double Water Nourishing City" supporting facilities project, utilizing the Rutai Canal and Qiangxi River as the foundation. The project involves renovating the disorganized factories, wharves, and shacks along the rivers to create a riverside scenic zone for leisure activities. This scenic zone encompasses numerous cultural squares, parks, and small ancillary garden buildings. The question arises: how can these unused buildings be put to good use? On the one hand, they can enhance services for citizens' riverside leisure activities; on the other hand, the operational revenue generated can alleviate the maintenance costs of public green spaces. This represents the trend towards operational management of urban assets against the backdrop of urban renewal. Consequently, Taixing City has decided to revamp and repurpose six idle ancillary buildings scattered along the parks by the two rivers, endowing them with commercial attributes to leverage their footfall-drawing potential and infuse more vitality into the riverside scenic zone.this picture!The value of architectural assets and waterside living - In the northwest direction of the north gate of the old county town, there lies a junction formed by the Rutai Canal and other waterways. Following partial rerouting of the canal in modern times, the construction of urban highway bridges in the vicinity and the development of high-rise residential areas have enclosed this area, transforming it into a relatively spacious waterfront spot within the community. The site features a children's playground beloved by residents, making it a must-visit destination for citizens taking strolls and engaging in fitness activities along the Rutai Canal.this picture!The site originally housed two independent two-story buildings with concrete frame structures. One building features a V-shaped floor plan, while the other boasts a zigzag floor plan. Together, these two buildings, along with the river channel, enclose an approximately triangular plot of land. To address the elevation differences within the site, stairs and flower beds have been incorporated into the current design.this picture!At the onset of designing this project, the owner's requirement was to impart operational capabilities to these idle urban assets. Often, this is mistakenly interpreted in isolation as necessitating a "tailor-made" design based solely on operational demands. The business needs appear to be prioritized in the design brief, with a tendency to conflate building renovation and interior refurbishment, which represents an all-too-common shortcut in urban renewal. Building renewal constitutes a vital component of urban revitalization: it aids in realigning the site's traffic and spatial connections with the city through renovation and reconstruction, and employs functional integration to reintegrate the building into the city's fabric. Additionally, renovation extends the lifecycle of buildings and enhances their adaptability to a broader range of business types. Furthermore, it delves deeper into the site's unique attributes and leverages them to boost the building's appeal.this picture!To capture the cultural and geographical essence of a site, one must revert to the perspective of the city. In this water-laden town, water serves not merely as a geographical feature but also as a cultural emblem deeply ingrained in the fabric of daily life. The teahouses lining the canal bustle with activity, offering a pot of tea, a plate of steamed silken tofu, a basket of steamed pork buns, and a bowl of fish noodle soup. Old tea enthusiasts wander over to the riverside teahouses with their enamel mugs, where the aroma of steaming Xuanbao small wontons blends with the sesame fragrance of Huangqiao sesame cakes, wafting towards the river's heart. They sip on "Langli tea" brewed with canal water while watching barges glide by, leaving ripples in their wake. These are taste memories nurtured by the canal.The clanging of washing sticks at the riverbank, the tapping of chess pieces under the eaves of riverside houses; children leaning over railings to count passing sandboats, morning joggers' silhouettes mirrored in the shimmering waves, elderly couples taking a stroll and pausing at the flood embankment, pointing to the newly erected buildings across the river and reminiscing about the ferry pier of yesteryears. These scenes and people collectively paint a unique and vibrant picture of life along the waterfront in Taixing.Hence, the primary objective of renovating this site is to honor and perpetuate this vibrant atmosphere, providing a comfortable and inviting environment for people to linger and gather. By fostering conditions conducive to meeting the diverse needs of citizens, the potential value of the architecture can be fully realized.this picture!Revitalization strategy - With these considerations in mind, let's revisit the original site and buildings. Serving as administrative offices, each building boasts a modest area and features just one staircase inside. The elaborate decoration of the building facades actually obstructs the indoor view of the canal. The outdoor area between the two buildings, segmented by varying heights, struggles to serve as an effective venue for events. These are the aspects of the buildings that necessitate renovation and upgrading.this picture!this picture!this picture!More crucially, the site requires a powerful spatial configuration to redefine and distinguish this area, establishing it as a significant destination along the riverside scenic corridor. We define this spatial configuration as a prominent, large-scale open area, aimed at strengthening the connectivity between the site and the public spaces of adjacent blocks. By analyzing the types of traditional public spaces along the canal, we discovered that the awning form exhibits strong applicability. Both the boat awning and the market awning on the shore exhibit a form that is both sheltered and open. This convenient and easily maintainable semi-outdoor public space can effectively adapt to the complex surrounding environment, while encouraging the emergence of temporary and diverse public activities. It is a common spatial outcome nurtured by canal culture. Furthermore, utilizing the roofs of existing buildings to create more platforms that offer both accessibility and river views is undoubtedly a morphological projection of the site's characteristics onto the architectural form, and also facilitates the creation of favorable conditions for shaping outdoor commercial spaces.this picture!The final design employs a large canopy to complement the originally fragmented site. This canopy extends over the triangular site and portions of the V-shaped building's rooftop, creating a flat and expansive area between the two structures, akin to a waterfront urban stage. The height difference of the site is seamlessly integrated into the surrounding stepped seating areas. The V-shaped building's rooftop achieves a more direct connection to the ground through the addition of stairs and setback terraces. Likewise, the newly added columnar staircase adjacent to the building on the northern side of the site becomes a dynamic element in the space, directing individuals to the rooftop platform of the L-shaped building. Besides providing a vast shaded area for activities, the canopy alleviates the oppressive feeling imparted by the surrounding dense high-rise residential buildings. As people move under the canopy, their gaze is directed towards the canal and the ships navigating through it, restoring the appropriate scale of waterside life. The concave shape in the middle of the canopy collects rainwater from the rooftop and directs it to a reserved oval drain below through a cantilevered stainless steel spout, creating a "dragon spitting water" landscape.this picture!Technical measures - After assessing the concrete frame structure of the existing building, structural reinforcement was carried out on the foundation, beams, slabs, and columns. Transparent peripheral protective structures, such as glass curtain walls, were reintroduced. The horizontally extended white aluminum panels suggest a layered, accessible roof that steps back progressively. For the large canopy spanning approximately 1,000 square meters, a combination of curved grid glued bamboo-steel structure and membrane structure was selected through technical comparison. The basic configuration of the roof consists of several full-length square steel beams and V-shaped columns. The grid units composed of engineered bamboo members facilitate the creation of a gradual curved surface.this picture!this picture!The curved mesh glued bamboo-steel structure imbues this enclosed space with structural expression and illumination, emphasizing the openness and airiness of the structure to foster a relaxed and joyful atmosphere. This stands in contrast to the confined interior of buildings, suggesting the equitable use of public spaces and leveraging technical expression to promote community interaction and sharing.this picture!Community space - Benefiting from the maturity of the commercial and residential districts surrounding the project, as well as its strategic location adjacent to water, we defined the building as Taixing Teahouse—a venue that embodies the local morning tea culture of Taixing during the initial project planning stage. This decision was made after a comprehensive assessment of various factors, including project scale, surrounding traffic conditions, and potential impacts on nearby residents. Leveraging the separation of two buildings, we designated separate areas for the morning tea hall and private dining rooms. In the morning tea area, the middle section of the V-shaped layout serves as an open kitchen, showcasing the production of morning tea as an intangible cultural heritage.Upon completion, this revitalized venue has garnered immense popularity among Taixing residents. The riverside morning tea hall is often fully booked, while private dining rooms offering a panoramic view of the canal have become a favorite gathering spot for families and friends. The small plaza underneath the canopy is utilized by residents at various times of the day and has also hosted numerous cultural events in Taixing. Additionally, the semi-outdoor terrace on the second floor and the rooftop terrace on the third floor under the canopy have transformed into outdoor spaces for leisure bars. Evidently, the transformed space has transcended its original singular function, and its aesthetic appeal has been acknowledged through daily use by residents. It has emerged as a neighborhood hub in the contemporary waterfront living environment, seamlessly integrating culture, nature, and even spiritual and emotional sustenance.this picture!Conclusion - In the process of renewing urban idle buildings and neglected spaces leftover from the incremental development era, the approach of merely pursuing commercial value by forcibly integrating untimely commercial format often proves unsustainable. The crucial solution lies in reverting to the essence of the site, by examining the relationship between the architecture and the urban fabric, deeply exploring the site's potential, and reestablishing its public character. Only when the space genuinely transforms into a delightful venue for public interaction and fosters an organic connection with the city can commercial vitality naturally emerge. This incremental renewal strategy, which prioritizes public use over commercial gain, not only respects the natural evolution of urban spaces but also achieves a harmonious coexistence between public and commercial values. It stands to become a pivotal approach in urban renewal.this picture!

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    Project locationAddress:Tai Xing Shi, ChinaLocation to be used only as a reference. It could indicate city/country but not exact address.About this office
    MaterialsMaterials and TagsPublished on May 16, 2025Cite: "The Canopy Pavilion by the Canal / AESEU Architectural Technology and Art studio" 16 May 2025. ArchDaily. Accessed . < ISSN 0719-8884
    #canopy #pavilion #canal #aeseu #architectural
    The Canopy Pavilion by the Canal / AESEU Architectural Technology and Art studio
    The Canopy Pavilion by the Canal / AESEU Architectural Technology and Art studioSave this picture!© Timeraw StudioCommunity Center•Tai Xing Shi, China Architects: AESEU Architectural Technology and Art studio Area Area of this architecture project Area:  2400 m² Year Completion year of this architecture project Year:  2024 Photographs Photographs:Timeraw Studio More SpecsLess Specs this picture! Urban Regeneration by the Canal - Taixing, situated in the south-central region of Jiangsu Province, stands as the convergence of Huai and Wu cultures. Established in the first year of Shengyuan during the Southern Tang Dynasty, it is a millennium-old city with a rich history. Historically, Taixing County was characterized by an intricate network of waterways, thriving alongside and in harmony with the water, and its fortified walls were constructed in the shape of a turtle's shell. Encircling the city were two moats, both inside and outside the walls, with several winding watercourses resembling snakes in between, forming a pattern reminiscent of the Black Tortoise and White Snake, commonly known as the " City laid out in the shape of a turtle and snake." In recent times, with the city's growth, a new urban layout gradually emerged to the north and east of the old city, intersected by the Rutai Canal and Qiangxi River. Notably, the Rutai Canal, linking the Yangtze River in the west and the Yellow Sea in the east, has served as a pivotal regional waterway spanning Rugao and Taixing since ancient times.this picture!In 2023, Taixing City embarked on the "Double Water Nourishing City" supporting facilities project, utilizing the Rutai Canal and Qiangxi River as the foundation. The project involves renovating the disorganized factories, wharves, and shacks along the rivers to create a riverside scenic zone for leisure activities. This scenic zone encompasses numerous cultural squares, parks, and small ancillary garden buildings. The question arises: how can these unused buildings be put to good use? On the one hand, they can enhance services for citizens' riverside leisure activities; on the other hand, the operational revenue generated can alleviate the maintenance costs of public green spaces. This represents the trend towards operational management of urban assets against the backdrop of urban renewal. Consequently, Taixing City has decided to revamp and repurpose six idle ancillary buildings scattered along the parks by the two rivers, endowing them with commercial attributes to leverage their footfall-drawing potential and infuse more vitality into the riverside scenic zone.this picture!The value of architectural assets and waterside living - In the northwest direction of the north gate of the old county town, there lies a junction formed by the Rutai Canal and other waterways. Following partial rerouting of the canal in modern times, the construction of urban highway bridges in the vicinity and the development of high-rise residential areas have enclosed this area, transforming it into a relatively spacious waterfront spot within the community. The site features a children's playground beloved by residents, making it a must-visit destination for citizens taking strolls and engaging in fitness activities along the Rutai Canal.this picture!The site originally housed two independent two-story buildings with concrete frame structures. One building features a V-shaped floor plan, while the other boasts a zigzag floor plan. Together, these two buildings, along with the river channel, enclose an approximately triangular plot of land. To address the elevation differences within the site, stairs and flower beds have been incorporated into the current design.this picture!At the onset of designing this project, the owner's requirement was to impart operational capabilities to these idle urban assets. Often, this is mistakenly interpreted in isolation as necessitating a "tailor-made" design based solely on operational demands. The business needs appear to be prioritized in the design brief, with a tendency to conflate building renovation and interior refurbishment, which represents an all-too-common shortcut in urban renewal. Building renewal constitutes a vital component of urban revitalization: it aids in realigning the site's traffic and spatial connections with the city through renovation and reconstruction, and employs functional integration to reintegrate the building into the city's fabric. Additionally, renovation extends the lifecycle of buildings and enhances their adaptability to a broader range of business types. Furthermore, it delves deeper into the site's unique attributes and leverages them to boost the building's appeal.this picture!To capture the cultural and geographical essence of a site, one must revert to the perspective of the city. In this water-laden town, water serves not merely as a geographical feature but also as a cultural emblem deeply ingrained in the fabric of daily life. The teahouses lining the canal bustle with activity, offering a pot of tea, a plate of steamed silken tofu, a basket of steamed pork buns, and a bowl of fish noodle soup. Old tea enthusiasts wander over to the riverside teahouses with their enamel mugs, where the aroma of steaming Xuanbao small wontons blends with the sesame fragrance of Huangqiao sesame cakes, wafting towards the river's heart. They sip on "Langli tea" brewed with canal water while watching barges glide by, leaving ripples in their wake. These are taste memories nurtured by the canal.The clanging of washing sticks at the riverbank, the tapping of chess pieces under the eaves of riverside houses; children leaning over railings to count passing sandboats, morning joggers' silhouettes mirrored in the shimmering waves, elderly couples taking a stroll and pausing at the flood embankment, pointing to the newly erected buildings across the river and reminiscing about the ferry pier of yesteryears. These scenes and people collectively paint a unique and vibrant picture of life along the waterfront in Taixing.Hence, the primary objective of renovating this site is to honor and perpetuate this vibrant atmosphere, providing a comfortable and inviting environment for people to linger and gather. By fostering conditions conducive to meeting the diverse needs of citizens, the potential value of the architecture can be fully realized.this picture!Revitalization strategy - With these considerations in mind, let's revisit the original site and buildings. Serving as administrative offices, each building boasts a modest area and features just one staircase inside. The elaborate decoration of the building facades actually obstructs the indoor view of the canal. The outdoor area between the two buildings, segmented by varying heights, struggles to serve as an effective venue for events. These are the aspects of the buildings that necessitate renovation and upgrading.this picture!this picture!this picture!More crucially, the site requires a powerful spatial configuration to redefine and distinguish this area, establishing it as a significant destination along the riverside scenic corridor. We define this spatial configuration as a prominent, large-scale open area, aimed at strengthening the connectivity between the site and the public spaces of adjacent blocks. By analyzing the types of traditional public spaces along the canal, we discovered that the awning form exhibits strong applicability. Both the boat awning and the market awning on the shore exhibit a form that is both sheltered and open. This convenient and easily maintainable semi-outdoor public space can effectively adapt to the complex surrounding environment, while encouraging the emergence of temporary and diverse public activities. It is a common spatial outcome nurtured by canal culture. Furthermore, utilizing the roofs of existing buildings to create more platforms that offer both accessibility and river views is undoubtedly a morphological projection of the site's characteristics onto the architectural form, and also facilitates the creation of favorable conditions for shaping outdoor commercial spaces.this picture!The final design employs a large canopy to complement the originally fragmented site. This canopy extends over the triangular site and portions of the V-shaped building's rooftop, creating a flat and expansive area between the two structures, akin to a waterfront urban stage. The height difference of the site is seamlessly integrated into the surrounding stepped seating areas. The V-shaped building's rooftop achieves a more direct connection to the ground through the addition of stairs and setback terraces. Likewise, the newly added columnar staircase adjacent to the building on the northern side of the site becomes a dynamic element in the space, directing individuals to the rooftop platform of the L-shaped building. Besides providing a vast shaded area for activities, the canopy alleviates the oppressive feeling imparted by the surrounding dense high-rise residential buildings. As people move under the canopy, their gaze is directed towards the canal and the ships navigating through it, restoring the appropriate scale of waterside life. The concave shape in the middle of the canopy collects rainwater from the rooftop and directs it to a reserved oval drain below through a cantilevered stainless steel spout, creating a "dragon spitting water" landscape.this picture!Technical measures - After assessing the concrete frame structure of the existing building, structural reinforcement was carried out on the foundation, beams, slabs, and columns. Transparent peripheral protective structures, such as glass curtain walls, were reintroduced. The horizontally extended white aluminum panels suggest a layered, accessible roof that steps back progressively. For the large canopy spanning approximately 1,000 square meters, a combination of curved grid glued bamboo-steel structure and membrane structure was selected through technical comparison. The basic configuration of the roof consists of several full-length square steel beams and V-shaped columns. The grid units composed of engineered bamboo members facilitate the creation of a gradual curved surface.this picture!this picture!The curved mesh glued bamboo-steel structure imbues this enclosed space with structural expression and illumination, emphasizing the openness and airiness of the structure to foster a relaxed and joyful atmosphere. This stands in contrast to the confined interior of buildings, suggesting the equitable use of public spaces and leveraging technical expression to promote community interaction and sharing.this picture!Community space - Benefiting from the maturity of the commercial and residential districts surrounding the project, as well as its strategic location adjacent to water, we defined the building as Taixing Teahouse—a venue that embodies the local morning tea culture of Taixing during the initial project planning stage. This decision was made after a comprehensive assessment of various factors, including project scale, surrounding traffic conditions, and potential impacts on nearby residents. Leveraging the separation of two buildings, we designated separate areas for the morning tea hall and private dining rooms. In the morning tea area, the middle section of the V-shaped layout serves as an open kitchen, showcasing the production of morning tea as an intangible cultural heritage.Upon completion, this revitalized venue has garnered immense popularity among Taixing residents. The riverside morning tea hall is often fully booked, while private dining rooms offering a panoramic view of the canal have become a favorite gathering spot for families and friends. The small plaza underneath the canopy is utilized by residents at various times of the day and has also hosted numerous cultural events in Taixing. Additionally, the semi-outdoor terrace on the second floor and the rooftop terrace on the third floor under the canopy have transformed into outdoor spaces for leisure bars. Evidently, the transformed space has transcended its original singular function, and its aesthetic appeal has been acknowledged through daily use by residents. It has emerged as a neighborhood hub in the contemporary waterfront living environment, seamlessly integrating culture, nature, and even spiritual and emotional sustenance.this picture!Conclusion - In the process of renewing urban idle buildings and neglected spaces leftover from the incremental development era, the approach of merely pursuing commercial value by forcibly integrating untimely commercial format often proves unsustainable. The crucial solution lies in reverting to the essence of the site, by examining the relationship between the architecture and the urban fabric, deeply exploring the site's potential, and reestablishing its public character. Only when the space genuinely transforms into a delightful venue for public interaction and fosters an organic connection with the city can commercial vitality naturally emerge. This incremental renewal strategy, which prioritizes public use over commercial gain, not only respects the natural evolution of urban spaces but also achieves a harmonious coexistence between public and commercial values. It stands to become a pivotal approach in urban renewal.this picture! Project gallerySee allShow less Project locationAddress:Tai Xing Shi, ChinaLocation to be used only as a reference. It could indicate city/country but not exact address.About this office MaterialsMaterials and TagsPublished on May 16, 2025Cite: "The Canopy Pavilion by the Canal / AESEU Architectural Technology and Art studio" 16 May 2025. ArchDaily. Accessed . < ISSN 0719-8884 #canopy #pavilion #canal #aeseu #architectural
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    The Canopy Pavilion by the Canal / AESEU Architectural Technology and Art studio
    The Canopy Pavilion by the Canal / AESEU Architectural Technology and Art studioSave this picture!© Timeraw StudioCommunity Center•Tai Xing Shi, China Architects: AESEU Architectural Technology and Art studio Area Area of this architecture project Area:  2400 m² Year Completion year of this architecture project Year:  2024 Photographs Photographs:Timeraw Studio More SpecsLess Specs Save this picture! Urban Regeneration by the Canal - Taixing, situated in the south-central region of Jiangsu Province, stands as the convergence of Huai and Wu cultures. Established in the first year of Shengyuan during the Southern Tang Dynasty, it is a millennium-old city with a rich history. Historically, Taixing County was characterized by an intricate network of waterways, thriving alongside and in harmony with the water, and its fortified walls were constructed in the shape of a turtle's shell. Encircling the city were two moats, both inside and outside the walls, with several winding watercourses resembling snakes in between, forming a pattern reminiscent of the Black Tortoise and White Snake, commonly known as the " City laid out in the shape of a turtle and snake." In recent times, with the city's growth, a new urban layout gradually emerged to the north and east of the old city, intersected by the Rutai Canal and Qiangxi River. Notably, the Rutai Canal, linking the Yangtze River in the west and the Yellow Sea in the east, has served as a pivotal regional waterway spanning Rugao and Taixing since ancient times.Save this picture!In 2023, Taixing City embarked on the "Double Water Nourishing City" supporting facilities project, utilizing the Rutai Canal and Qiangxi River as the foundation. The project involves renovating the disorganized factories, wharves, and shacks along the rivers to create a riverside scenic zone for leisure activities. This scenic zone encompasses numerous cultural squares, parks, and small ancillary garden buildings. The question arises: how can these unused buildings be put to good use? On the one hand, they can enhance services for citizens' riverside leisure activities; on the other hand, the operational revenue generated can alleviate the maintenance costs of public green spaces. This represents the trend towards operational management of urban assets against the backdrop of urban renewal. Consequently, Taixing City has decided to revamp and repurpose six idle ancillary buildings scattered along the parks by the two rivers, endowing them with commercial attributes to leverage their footfall-drawing potential and infuse more vitality into the riverside scenic zone.Save this picture!The value of architectural assets and waterside living - In the northwest direction of the north gate of the old county town, there lies a junction formed by the Rutai Canal and other waterways. Following partial rerouting of the canal in modern times, the construction of urban highway bridges in the vicinity and the development of high-rise residential areas have enclosed this area, transforming it into a relatively spacious waterfront spot within the community. The site features a children's playground beloved by residents, making it a must-visit destination for citizens taking strolls and engaging in fitness activities along the Rutai Canal.Save this picture!The site originally housed two independent two-story buildings with concrete frame structures. One building features a V-shaped floor plan, while the other boasts a zigzag floor plan. Together, these two buildings, along with the river channel, enclose an approximately triangular plot of land. To address the elevation differences within the site, stairs and flower beds have been incorporated into the current design.Save this picture!At the onset of designing this project, the owner's requirement was to impart operational capabilities to these idle urban assets. Often, this is mistakenly interpreted in isolation as necessitating a "tailor-made" design based solely on operational demands. The business needs appear to be prioritized in the design brief, with a tendency to conflate building renovation and interior refurbishment, which represents an all-too-common shortcut in urban renewal. Building renewal constitutes a vital component of urban revitalization: it aids in realigning the site's traffic and spatial connections with the city through renovation and reconstruction, and employs functional integration to reintegrate the building into the city's fabric. Additionally, renovation extends the lifecycle of buildings and enhances their adaptability to a broader range of business types. Furthermore, it delves deeper into the site's unique attributes and leverages them to boost the building's appeal.Save this picture!To capture the cultural and geographical essence of a site, one must revert to the perspective of the city. In this water-laden town, water serves not merely as a geographical feature but also as a cultural emblem deeply ingrained in the fabric of daily life. The teahouses lining the canal bustle with activity, offering a pot of tea, a plate of steamed silken tofu, a basket of steamed pork buns, and a bowl of fish noodle soup. Old tea enthusiasts wander over to the riverside teahouses with their enamel mugs, where the aroma of steaming Xuanbao small wontons blends with the sesame fragrance of Huangqiao sesame cakes, wafting towards the river's heart. They sip on "Langli tea" brewed with canal water while watching barges glide by, leaving ripples in their wake. These are taste memories nurtured by the canal.The clanging of washing sticks at the riverbank, the tapping of chess pieces under the eaves of riverside houses; children leaning over railings to count passing sandboats, morning joggers' silhouettes mirrored in the shimmering waves, elderly couples taking a stroll and pausing at the flood embankment, pointing to the newly erected buildings across the river and reminiscing about the ferry pier of yesteryears. These scenes and people collectively paint a unique and vibrant picture of life along the waterfront in Taixing.Hence, the primary objective of renovating this site is to honor and perpetuate this vibrant atmosphere, providing a comfortable and inviting environment for people to linger and gather. By fostering conditions conducive to meeting the diverse needs of citizens, the potential value of the architecture can be fully realized.Save this picture!Revitalization strategy - With these considerations in mind, let's revisit the original site and buildings. Serving as administrative offices, each building boasts a modest area and features just one staircase inside. The elaborate decoration of the building facades actually obstructs the indoor view of the canal. The outdoor area between the two buildings, segmented by varying heights, struggles to serve as an effective venue for events. These are the aspects of the buildings that necessitate renovation and upgrading.Save this picture!Save this picture!Save this picture!More crucially, the site requires a powerful spatial configuration to redefine and distinguish this area, establishing it as a significant destination along the riverside scenic corridor. We define this spatial configuration as a prominent, large-scale open area, aimed at strengthening the connectivity between the site and the public spaces of adjacent blocks. By analyzing the types of traditional public spaces along the canal, we discovered that the awning form exhibits strong applicability. Both the boat awning and the market awning on the shore exhibit a form that is both sheltered and open. This convenient and easily maintainable semi-outdoor public space can effectively adapt to the complex surrounding environment, while encouraging the emergence of temporary and diverse public activities. It is a common spatial outcome nurtured by canal culture. Furthermore, utilizing the roofs of existing buildings to create more platforms that offer both accessibility and river views is undoubtedly a morphological projection of the site's characteristics onto the architectural form, and also facilitates the creation of favorable conditions for shaping outdoor commercial spaces.Save this picture!The final design employs a large canopy to complement the originally fragmented site. This canopy extends over the triangular site and portions of the V-shaped building's rooftop, creating a flat and expansive area between the two structures, akin to a waterfront urban stage. The height difference of the site is seamlessly integrated into the surrounding stepped seating areas. The V-shaped building's rooftop achieves a more direct connection to the ground through the addition of stairs and setback terraces. Likewise, the newly added columnar staircase adjacent to the building on the northern side of the site becomes a dynamic element in the space, directing individuals to the rooftop platform of the L-shaped building. Besides providing a vast shaded area for activities, the canopy alleviates the oppressive feeling imparted by the surrounding dense high-rise residential buildings. As people move under the canopy, their gaze is directed towards the canal and the ships navigating through it, restoring the appropriate scale of waterside life. The concave shape in the middle of the canopy collects rainwater from the rooftop and directs it to a reserved oval drain below through a cantilevered stainless steel spout, creating a "dragon spitting water" landscape.Save this picture!Technical measures - After assessing the concrete frame structure of the existing building, structural reinforcement was carried out on the foundation, beams, slabs, and columns. Transparent peripheral protective structures, such as glass curtain walls, were reintroduced. The horizontally extended white aluminum panels suggest a layered, accessible roof that steps back progressively. For the large canopy spanning approximately 1,000 square meters, a combination of curved grid glued bamboo-steel structure and membrane structure was selected through technical comparison. The basic configuration of the roof consists of several full-length square steel beams and V-shaped columns. The grid units composed of engineered bamboo members facilitate the creation of a gradual curved surface.Save this picture!Save this picture!The curved mesh glued bamboo-steel structure imbues this enclosed space with structural expression and illumination, emphasizing the openness and airiness of the structure to foster a relaxed and joyful atmosphere. This stands in contrast to the confined interior of buildings, suggesting the equitable use of public spaces and leveraging technical expression to promote community interaction and sharing.Save this picture!Community space - Benefiting from the maturity of the commercial and residential districts surrounding the project, as well as its strategic location adjacent to water, we defined the building as Taixing Teahouse—a venue that embodies the local morning tea culture of Taixing during the initial project planning stage. This decision was made after a comprehensive assessment of various factors, including project scale, surrounding traffic conditions, and potential impacts on nearby residents. Leveraging the separation of two buildings, we designated separate areas for the morning tea hall and private dining rooms. In the morning tea area, the middle section of the V-shaped layout serves as an open kitchen, showcasing the production of morning tea as an intangible cultural heritage.Upon completion, this revitalized venue has garnered immense popularity among Taixing residents. The riverside morning tea hall is often fully booked, while private dining rooms offering a panoramic view of the canal have become a favorite gathering spot for families and friends. The small plaza underneath the canopy is utilized by residents at various times of the day and has also hosted numerous cultural events in Taixing. Additionally, the semi-outdoor terrace on the second floor and the rooftop terrace on the third floor under the canopy have transformed into outdoor spaces for leisure bars. Evidently, the transformed space has transcended its original singular function, and its aesthetic appeal has been acknowledged through daily use by residents. It has emerged as a neighborhood hub in the contemporary waterfront living environment, seamlessly integrating culture, nature, and even spiritual and emotional sustenance.Save this picture!Conclusion - In the process of renewing urban idle buildings and neglected spaces leftover from the incremental development era, the approach of merely pursuing commercial value by forcibly integrating untimely commercial format often proves unsustainable. The crucial solution lies in reverting to the essence of the site, by examining the relationship between the architecture and the urban fabric, deeply exploring the site's potential, and reestablishing its public character. Only when the space genuinely transforms into a delightful venue for public interaction and fosters an organic connection with the city can commercial vitality naturally emerge. This incremental renewal strategy, which prioritizes public use over commercial gain, not only respects the natural evolution of urban spaces but also achieves a harmonious coexistence between public and commercial values. It stands to become a pivotal approach in urban renewal.Save this picture! Project gallerySee allShow less Project locationAddress:Tai Xing Shi, ChinaLocation to be used only as a reference. It could indicate city/country but not exact address.About this office MaterialsMaterials and TagsPublished on May 16, 2025Cite: "The Canopy Pavilion by the Canal / AESEU Architectural Technology and Art studio" 16 May 2025. ArchDaily. Accessed . <https://www.archdaily.com/1030080/the-canopy-pavilion-by-the-canal-aeseu-architectural-technology-and-art-studio&gt ISSN 0719-8884
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  • The Czech Factory Where Oskar Schindler Saved 1,200 Jews Is Now a Museum in Their Honor

    The Czech Factory Where Oskar Schindler Saved 1,200 Jews Is Now a Museum in Their Honor
    Under the stewardship of the Jewish family that owned the factory before World War II, the museum is reclaiming the dilapidated site and its dark history

    The Museum of Survivors is dedicated to the testimonies of the 1,200 Eastern European Jews who lived through the Holocaust with the help of German industrialist Oskar Schindler.
    The Arks Foundation

    The former textile factory where German industrialist Oskar Schindler employed and protected 1,200 Jews during the last years of World War II opened this past weekend as a museum dedicated to the stories and memories of survivors of the Holocaust in Eastern Europe.
    Located in the Czech town of Brnenec, nearly 100 miles southeast of Prague, the Museum of Survivors held its grand opening on May 10, just after the 80th anniversary of World War II’s end in Europe on May 8, 1945.
    Nearly a century before the factory came under Schindler’s ownership in the 1940s, it was a thriving textile mill owned by the Löw-Beers, a Jewish family from the region. As the Nazis encroached on Czechoslovakia in 1938, the Löw-Beers fled. The Nazis seized the factory, converting it into a munitions plant and later a branch of the Gross-Rosen concentration camp.
    Daniel Löw-Beer, the grandson of the factory’s last Jewish owner, set up the Arks Foundation in 2019 and spearheaded the effort to purchase the building and turn it into a site of memory.

    Making a Museum
    Watch on

    “We had to flee for our lives, lost a bit of our history, so putting a little bit of history back to a place and hopefully bringing out as well the history of Oskar Schindler and the village is what we’re doing today,” Löw-Beer tells the Associated Press’ Karel Janicek.
    At the opening weekend, Löw-Beer was joined by hundreds of guests, including descendants of Jews whom Schindler is credited with saving. “This is a place for education, to learn about our parents and how they lived,” Hadassa Bau, the daughter of survivor Joseph Bau, tells TVP World’s Alex Webber.
    While Schindler was born in Svitavy, a town just north of Brnenec, he spent much of the war running an enamel factory in Krakow, Poland, which employed Polish Jews who lived in the Krakow Ghetto and were later imprisoned in the Krakow-Plaszow concentration camp.
    As the Soviet Red Army collapsed the Nazi’s Eastern Front in 1944, Schindler’s clout as a member of the Nazi Party and an agent of the Abwehr, the German military-intelligence service, allowed him to shift his operations—along with a list of 1,000 Jewish prisoners he employed—to Brnenec. His list of names likely saved those Jews from mass murder at Auschwitz-Birkenau.
    After the Soviets liberated Brnenec, the Jewish survivors presented Schindler with a golden ring created out of melted-down gold from their teeth. It bore an inscription paraphrased from the Talmud: “Whoever saves one life saves the world entire.”
    Schindler’s actions earned him Yad Vashem’s Righteous Among the Nations medal and formed the basis of Thomas Keneally’s 1982 historical novel Schindler’s Ark, which in turn inspired Steven Spielberg’s 1993 movie Schindler’s List.

    Before it was purchased by Daniel Löw-Beer and his Arks Foundation in 2019, the factory had fallen into disrepair after decades of neglect.

    The Arks Foundation

    Margaret Keneally, the author’s daughter, was in attendance at the recent ceremony, and on behalf of her father, she delivered three documents for inclusion in the museum’s collections: original transcripts of interviews her father conducted with survivors; documents relating to the trial and execution of Krakow-Plaszow commandant Amon Göth; and portions of the original, hand-typed manuscript of her father’s book.
    “Part of the story he told will be here, and this place is an important part of continuing to tell that story,” she said, per Radio Prague International’s Danny Bate and Barbora Soukupová.
    Despite the ceremony, the Museum of Survivors is still a work in progress, and it doesn’t yet have regular visitation hours. Awaiting renovation are key sites like Schindler’s office; the barracks where SS troops lived; and the so-called Schindler’s Ark building, where the Jewish prisoners worked and lived, per the AP.
    For now, a transparent glass wall separates the ruins from the completed portions of the museum—a thin barrier that invites viewer’s contemplation about the ruins of history and the promises of the future.
    “It’s a universal place of survivors,” Löw-Beer tells the AP. “We want those stories to be told and people to make their own opinions.”

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    #czech #factory #where #oskar #schindler
    The Czech Factory Where Oskar Schindler Saved 1,200 Jews Is Now a Museum in Their Honor
    The Czech Factory Where Oskar Schindler Saved 1,200 Jews Is Now a Museum in Their Honor Under the stewardship of the Jewish family that owned the factory before World War II, the museum is reclaiming the dilapidated site and its dark history The Museum of Survivors is dedicated to the testimonies of the 1,200 Eastern European Jews who lived through the Holocaust with the help of German industrialist Oskar Schindler. The Arks Foundation The former textile factory where German industrialist Oskar Schindler employed and protected 1,200 Jews during the last years of World War II opened this past weekend as a museum dedicated to the stories and memories of survivors of the Holocaust in Eastern Europe. Located in the Czech town of Brnenec, nearly 100 miles southeast of Prague, the Museum of Survivors held its grand opening on May 10, just after the 80th anniversary of World War II’s end in Europe on May 8, 1945. Nearly a century before the factory came under Schindler’s ownership in the 1940s, it was a thriving textile mill owned by the Löw-Beers, a Jewish family from the region. As the Nazis encroached on Czechoslovakia in 1938, the Löw-Beers fled. The Nazis seized the factory, converting it into a munitions plant and later a branch of the Gross-Rosen concentration camp. Daniel Löw-Beer, the grandson of the factory’s last Jewish owner, set up the Arks Foundation in 2019 and spearheaded the effort to purchase the building and turn it into a site of memory. Making a Museum Watch on “We had to flee for our lives, lost a bit of our history, so putting a little bit of history back to a place and hopefully bringing out as well the history of Oskar Schindler and the village is what we’re doing today,” Löw-Beer tells the Associated Press’ Karel Janicek. At the opening weekend, Löw-Beer was joined by hundreds of guests, including descendants of Jews whom Schindler is credited with saving. “This is a place for education, to learn about our parents and how they lived,” Hadassa Bau, the daughter of survivor Joseph Bau, tells TVP World’s Alex Webber. While Schindler was born in Svitavy, a town just north of Brnenec, he spent much of the war running an enamel factory in Krakow, Poland, which employed Polish Jews who lived in the Krakow Ghetto and were later imprisoned in the Krakow-Plaszow concentration camp. As the Soviet Red Army collapsed the Nazi’s Eastern Front in 1944, Schindler’s clout as a member of the Nazi Party and an agent of the Abwehr, the German military-intelligence service, allowed him to shift his operations—along with a list of 1,000 Jewish prisoners he employed—to Brnenec. His list of names likely saved those Jews from mass murder at Auschwitz-Birkenau. After the Soviets liberated Brnenec, the Jewish survivors presented Schindler with a golden ring created out of melted-down gold from their teeth. It bore an inscription paraphrased from the Talmud: “Whoever saves one life saves the world entire.” Schindler’s actions earned him Yad Vashem’s Righteous Among the Nations medal and formed the basis of Thomas Keneally’s 1982 historical novel Schindler’s Ark, which in turn inspired Steven Spielberg’s 1993 movie Schindler’s List. Before it was purchased by Daniel Löw-Beer and his Arks Foundation in 2019, the factory had fallen into disrepair after decades of neglect. The Arks Foundation Margaret Keneally, the author’s daughter, was in attendance at the recent ceremony, and on behalf of her father, she delivered three documents for inclusion in the museum’s collections: original transcripts of interviews her father conducted with survivors; documents relating to the trial and execution of Krakow-Plaszow commandant Amon Göth; and portions of the original, hand-typed manuscript of her father’s book. “Part of the story he told will be here, and this place is an important part of continuing to tell that story,” she said, per Radio Prague International’s Danny Bate and Barbora Soukupová. Despite the ceremony, the Museum of Survivors is still a work in progress, and it doesn’t yet have regular visitation hours. Awaiting renovation are key sites like Schindler’s office; the barracks where SS troops lived; and the so-called Schindler’s Ark building, where the Jewish prisoners worked and lived, per the AP. For now, a transparent glass wall separates the ruins from the completed portions of the museum—a thin barrier that invites viewer’s contemplation about the ruins of history and the promises of the future. “It’s a universal place of survivors,” Löw-Beer tells the AP. “We want those stories to be told and people to make their own opinions.” Get the latest stories in your inbox every weekday. #czech #factory #where #oskar #schindler
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    The Czech Factory Where Oskar Schindler Saved 1,200 Jews Is Now a Museum in Their Honor
    The Czech Factory Where Oskar Schindler Saved 1,200 Jews Is Now a Museum in Their Honor Under the stewardship of the Jewish family that owned the factory before World War II, the museum is reclaiming the dilapidated site and its dark history The Museum of Survivors is dedicated to the testimonies of the 1,200 Eastern European Jews who lived through the Holocaust with the help of German industrialist Oskar Schindler. The Arks Foundation The former textile factory where German industrialist Oskar Schindler employed and protected 1,200 Jews during the last years of World War II opened this past weekend as a museum dedicated to the stories and memories of survivors of the Holocaust in Eastern Europe. Located in the Czech town of Brnenec, nearly 100 miles southeast of Prague, the Museum of Survivors held its grand opening on May 10, just after the 80th anniversary of World War II’s end in Europe on May 8, 1945. Nearly a century before the factory came under Schindler’s ownership in the 1940s, it was a thriving textile mill owned by the Löw-Beers, a Jewish family from the region. As the Nazis encroached on Czechoslovakia in 1938, the Löw-Beers fled. The Nazis seized the factory, converting it into a munitions plant and later a branch of the Gross-Rosen concentration camp. Daniel Löw-Beer, the grandson of the factory’s last Jewish owner, set up the Arks Foundation in 2019 and spearheaded the effort to purchase the building and turn it into a site of memory. Making a Museum Watch on “We had to flee for our lives, lost a bit of our history, so putting a little bit of history back to a place and hopefully bringing out as well the history of Oskar Schindler and the village is what we’re doing today,” Löw-Beer tells the Associated Press’ Karel Janicek. At the opening weekend, Löw-Beer was joined by hundreds of guests, including descendants of Jews whom Schindler is credited with saving. “This is a place for education, to learn about our parents and how they lived,” Hadassa Bau, the daughter of survivor Joseph Bau, tells TVP World’s Alex Webber. While Schindler was born in Svitavy, a town just north of Brnenec, he spent much of the war running an enamel factory in Krakow, Poland, which employed Polish Jews who lived in the Krakow Ghetto and were later imprisoned in the Krakow-Plaszow concentration camp. As the Soviet Red Army collapsed the Nazi’s Eastern Front in 1944, Schindler’s clout as a member of the Nazi Party and an agent of the Abwehr, the German military-intelligence service, allowed him to shift his operations—along with a list of 1,000 Jewish prisoners he employed—to Brnenec. His list of names likely saved those Jews from mass murder at Auschwitz-Birkenau. After the Soviets liberated Brnenec, the Jewish survivors presented Schindler with a golden ring created out of melted-down gold from their teeth. It bore an inscription paraphrased from the Talmud: “Whoever saves one life saves the world entire.” Schindler’s actions earned him Yad Vashem’s Righteous Among the Nations medal and formed the basis of Thomas Keneally’s 1982 historical novel Schindler’s Ark, which in turn inspired Steven Spielberg’s 1993 movie Schindler’s List. Before it was purchased by Daniel Löw-Beer and his Arks Foundation in 2019, the factory had fallen into disrepair after decades of neglect. The Arks Foundation Margaret Keneally, the author’s daughter, was in attendance at the recent ceremony, and on behalf of her father, she delivered three documents for inclusion in the museum’s collections: original transcripts of interviews her father conducted with survivors; documents relating to the trial and execution of Krakow-Plaszow commandant Amon Göth; and portions of the original, hand-typed manuscript of her father’s book. “Part of the story he told will be here, and this place is an important part of continuing to tell that story,” she said, per Radio Prague International’s Danny Bate and Barbora Soukupová. Despite the ceremony, the Museum of Survivors is still a work in progress, and it doesn’t yet have regular visitation hours. Awaiting renovation are key sites like Schindler’s office; the barracks where SS troops lived; and the so-called Schindler’s Ark building, where the Jewish prisoners worked and lived, per the AP. For now, a transparent glass wall separates the ruins from the completed portions of the museum—a thin barrier that invites viewer’s contemplation about the ruins of history and the promises of the future. “It’s a universal place of survivors,” Löw-Beer tells the AP. “We want those stories to be told and people to make their own opinions.” Get the latest stories in your inbox every weekday.
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