Set within the dense, biodiverse coastal landscape of Chacala in Nayarit, Mexico, Casa Chacala by Estudio AMA engages deeply with its site’s ecological and topographical conditions. Rather than imposing a... The post Casa Chacala by Estudio AMA: Contextual Architecture Rooted in Nature appeared first on ArchEyes.

WANTED, the International Contemporary Furniture Fair’s (ICFF) show-within-a-show, has grown almost exponentially since its first iteration as WantedDesign circa 2011, evolving so much so that the platform – with its iconic yellow walls nestled into the Javits Center – has become one of America’s go-to platforms to find emerging talent, tap into an intimate creative network, and discover trends ahead of the commercial industry. The 2025 showcase provided a wealth of inspiring design, we had to share a roundup all its own… Mockinbird Studio Epic in proportion, masterfully constructed, and officially record-making. The Farsala-based Mockinbird Studio showcased their most ambitious project to date: a monumental space divider. It is the largest – and arguably most beguiling – piece of contemporary marquetry artwork in existence, entirely designed and handcrafted in their Greece studio using traditional techniques. The object blends functionality with a narrative-driven, highly-aesthetic composition for the perfect piece of collectible design. Cuff Studio Cuff Studio presented their first solo exhibition, entitled “Within,” and unveiled select pieces from their Spring 2025 furniture collection of the same name. The C Back Lounge Chair – a trade exclusive – distills some of their favorite design gestures into an elegant, barely-their structural frame then paired with a sculptural waterfall seat and back cushion. Of note are the protruding curves that seemingly reach out for a handshake and the textural, pink upholstery seen here, which echoes triangular forms used across their broader portfolio. Mary Ratcliffe Studio + Anony Presenting together for their fourth ICFF, Mary Ratcliffe Studio (MRS) and Anony collaborated on a booth filled with sleek and sculptural, architecturally-inspired design objects. Their work is elementally complementary, which lent themselves to a more honest, fulsome showcase. MRS’s monumental furniture pieces are inspired by the physicality of material play, while Anony’s lighting takes inspiration from architectural gestures. Ready To Hang Mirrored surfaces are hard to resist, especially when their design makes you feel seen – figuratively speaking. Ready To Hang’s fashionable, ready-to-wear-inspired furnishings feel like fun accessories and an extension of personal style as they approach home decor through concepts found in styling for apparel. This year marked their ICFF debut with a highly curated showcase mixing classic pieces with a few concepts yet to come. UWU Studios Typically driven by a human-centered design ethos, multidisciplinary UWU Studios has expanded their scope to include the feline experience. Their UNU Cat Dreams product is equal parts pet play and collectible design, sure to please all parties. Even aesthetes without a furry friend can still appreciate its composition, blending surfaces, textures, colors, and forms for quite unique sculptural compositions. It’s an exemplary approach that elevates everyday objects to the venerable. Estudio PM Racking up multiple awards during the show – and rightfully so – Estudio PM demonstrated how fabric waste and unwanted textiles can be recontextualized within the realms of art and home furnishings. The duo behind the initiative created totems and garment-inspired side tables with the careful layering of reclaimed cloth. Noiro Studio Hand-blown glass lamps stood on various podiums in a curious display of artisanal lighting comprising colorful bases dotted with glass and stone orbs. Each globe’s curvature represented the fabric of spacetime, with precious objects are suspended within the glass shades – a steady reminder of our weight, and also insignificance, of our existence in the world. Noiro Studio plays with themes of heft and weightlessness, continuing to keep things relative. Ridezign Ridezign offers an ode to New York City. The Tesser Collection resembles skyscrapers in miniature blocks constructing cantilevered forms in multiple configurations and colors. These lamps leverage additive manufacturing making every piece made-to-order, reducing overstock, and ultimately eliminating the need for storage. The warm diffusion of the subsequent layers of material create lovely channels of light, adding to the spectacle of the city. Koba Furniture Koba Furniture is proud to create all elements for Series 02 within their Baltimore studio – except for the drawer pulls, shares designer Sam Acuff – a testament to the respect for craft that is clearly shown here. Jauntily stocky feet meet tiny tube legs, with a nicely balanced drawer set on top. Extra points for the elevated milk crate; it adds such a nice feel to the booth. 9 & 19 9 & 19 is back this year with organic shapes and cheeky details. Who doesn’t love an easter egg in design? From inlaid squiggles to handmade tiling, this collection offers a unique blend of customization and utility while remaining approachable and fun. Hannah Via Hannah Via brings some highly welcome fiber arts representation to WANTED, her tufted lamps bringing a sense of whimsy and possibility to the show. Sporting pops of scarlet, cobalt, and bronze, a light peach background acts as a pendant for a singular Edison bulb, which cases a cozy glow in an elegant connection to the warmth of the yarn it rests upon. Sawyer Made Lovingly crafted in Woodbury, Vermont, Sawyer Made is a second-generation family of woodworkers honoring the classic stance and build of a Windsor chair, but with a few modern updates. As the arm meets the back, the angle rotates 90 degrees offering a beautiful detail absent from most traditional Windsors. Like ballet, a combination of experienced craft and innate knowledge makes the hardest work look easy. Ora House Cobalt is back in a big way with Ora House, as evidenced by their removable upholstery panels that can be switched out to reflect any style or change in local decor. Playful, soft, and sturdy, the ottoman, bench, and hutch offer a fun way to sit, stay, and store. Daniel Gruetter Daniel Gruetter is a woodworker based in Toronto, Canada. Showing an elegant credenza created entirely out of the discarded offcuts from his practice, he upends what is considered valuable on a platform that inherently places value on everything. Employing wooden hinges takes the project to another level, letting a singular material do the talking through expert craftsmanship. Reces NYC With a nod to the cobalt we spotted around the show, Reces NYC wraps up our top picks for WANTED this year with a gestural upholstered piece. Elements extend in a satisfyingly solid manner to create an interesting and distinctly luxurious look users could get lost in. Check out out the rest of Design Milk’s NYCxDESIGN coverage here!

Masterplan & Sports Complex La Paz | © Jaime Navarro In La Paz, Baja California Sur, the transformation of El Cajoncito, a neglected dry riverbed central to the city’s stormwater system, marks a strategic urban intervention led by CCA | Bernardo Quinzaños. The Masterplan La Paz addresses the fragmented nature of the city’s spatial fabric by reconceiving this infrastructural void as a connective civic spine. The project is not merely about landscape or recreation; it functions as an integrated ecological, hydrological, and social framework. Masterplan & Sports Complex La Paz Technical Information Architects1-6: CCA | Bernardo Quinzaños Location: La Paz, Baja California Sur, México Gross Area: 22,727 m2 | 245,000 Sq. Ft. Completion Year: 2025 Photographs: © Jaime Navarro We envisioned the Masterplan La Paz not just as infrastructure, but as a catalyst for social integration, where public space becomes a bridge between ecological resilience and community well-being. – Bernardo Quinzaños Masterplan & Sports Complex La Paz Photographs © Jaime Navarro © Jaime Navarro © Jaime Navarro © Jaime Navarro © Jaime Navarro © Jaime Navarro © Jaime Navarro © Jaime Navarro © Jaime Navarro © Jaime Navarro © Jaime Navarro © Jaime Navarro © Jaime Navarro Reframing the Urban Void: Context and Design Intent The master plan is rooted in a clear intention: to bridge socio-spatial divides and enhance resilience in a region highly susceptible to seasonal flooding. El Cajoncito, which becomes impassable during the rainy season, historically reinforced urban disconnection. Residents of adjacent neighborhoods were required to circumvent it by traveling between four and eight kilometers despite the separation being no more than 200 meters. The master plan reconceives this gap not as a barrier but as an opportunity to integrate infrastructure and urban life. Informed by a collaborative process involving technical consultants, municipal authorities, and the local community, the project articulates infrastructure as a tool for civic repair. Public space, mobility, and water management are synthesized into a singular spatial proposal, creating a precedent for interventions in Latin American secondary cities facing similar socio-environmental challenges. Masterplan & Sports Complex La Paz Spatial Strategy At the heart of the project is a linear spatial strategy that reorients movement and redefines thresholds within the city. The Paseo Lineal, a continuous pedestrian and cycling path, forms the connective tissue of the master plan. Stretching from the city’s marina to the new sports complex, this spine is both infrastructural and ecological. It incorporates rainwater mitigation systems, shaded rest areas, and integrated bus shelters, creating a multimodal corridor that prioritizes non-motorized transport and public transit. A critical architectural gesture within this system is the bridge that spans El Cajoncito. It addresses the acute lack of connectivity by enabling direct, safe passage between neighborhoods, fundamentally altering local movement patterns. Rather than serving as an isolated object, the bridge is embedded in a network of social and ecological flows. The project avoids monofunctional zoning and instead embraces layered programming that intersperses recreational, cultural, and environmental uses. This pluralism is essential to its success as a public space. The spatial organization acknowledges the diversity of its users, from athletes and children to commuters and spectators, ensuring the infrastructure supports everyday and exceptional activities. Architectural Language and Material Intelligence The Conjunto Deportivo La Paz forms a key anchor of the master plan. Its architecture is defined by modularity, climatic responsiveness, and material economy. The baseball pavilions, arranged as four repeated units, are designed with variations in field size and complexity to accommodate a wide range of users, from young children to professional-level athletes. The modular approach streamlines construction while allowing for phased expansion. Material decisions respond directly to the site’s climatic conditions. Steel frames provide structural clarity and durability, while open facades and ridge vents enable passive cross-ventilation. Shaded seating areas and integrated benches serve spectators and athletes, offering thermal comfort in the region’s high temperatures. These elements are not ornamental but spatial devices rooted in environmental performance and user comfort. The multipurpose building further expands the programmatic scope. Two offset gabled volumes house classrooms, offices, a library, and spaces for cultural activities such as dance and music. The flexible structure supports simultaneous functions without formal separation and encourages informal overlaps and civic interaction. Its open-air double-height space is a community forum that blurs the boundary between the building and the plaza. The architectural language is intentionally restrained. The use of organic forms in certain shaded structures softens the sports complex’s visual rigidity and fosters a more approachable atmosphere without compromising programmatic clarity. Infrastructure as a Social Catalyst The project’s impact extends beyond physical infrastructure. By decentralizing public amenities, the masterplan challenges the historic concentration of civic life along La Paz’s malecón. The project redistributes access to recreation, culture, and mobility by repositioning investment in underrepresented neighborhoods. Since its opening, the sports complex has functioned as a venue and a civic platform. It accommodates various events, including tournaments and cultural festivals, activating the site throughout the day and seasons. Providing official-quality baseball fields is particularly significant in a city with a strong sporting culture but limited infrastructure. The center fosters intergenerational engagement and strengthens communal ties. The Masterplan La Paz exemplifies how architecture, when embedded in broader territorial and social strategies, can exceed form-making limits. It demonstrates that infrastructural projects, often perceived as technical or neutral, can instead serve as active instruments for equity, resilience, and civic expression. The work of CCA | Bernardo Quinzaños offers a thoughtful model for integrating architecture and landscape into the city’s life, not through spectacle but through the careful choreography of space, structure, and use. Masterplan & Sports Complex La Paz Plans Master Plan | © CCA I Bernardo Quinzaños Master Plan | © CCA I Bernardo Quinzaños Bridge Floor Plan | © CCA I Bernardo Quinzaños Master Plan | © CCA I Bernardo Quinzaños Floor Plan | © CCA I Bernardo Quinzaños Section | © CCA I Bernardo Quinzaños Elevation | © CCA I Bernardo Quinzaños Section | © CCA I Bernardo Quinzaños Masterplan & Sports Complex La Paz Image Gallery About CCA | Bernardo Quinzaños CCA | Bernardo Quinzaños is a Mexico City-based architecture studio led by architect Bernardo Quinzaños. The firm focuses on socially driven and contextually responsive design, strongly emphasizing public infrastructure, urban regeneration, and environmental resilience. Through multidisciplinary collaborations and community engagement, CCA develops projects that integrate architecture with broader cultural and ecological systems. Credits and Additional Notes Lead Architect: Bernardo Quinzaños Design Team: Santiago Vélez, Begoña Manzano, Andrés Suárez, Carlos Molina, Cristian Nieves, Miguel Izaguirre, Sara de la Cabada, André Torres, Abigaíl Zavaleta, Víctor Zúñiga, Pablo Ruiz, Scarlett Díaz Client: SEDATU (Secretaría de Desarrollo Agrario, Territorial y Urbano), Municipality of La Paz Builder: HABA, Alan Haro Photographer: Jaime Navarro Video Production: Jaime Navarro Estudio, Ricardo Esquivel, Fernanda Ventura

[Disney Dreamlight Valley PC - Console] Gestionnaire influenceurs - Influencer ManagerGameloftMontreal QC ca2 hours agoApplyJob DescriptionLe studio Gameloft Montréal a une opportunité excitante pour un gestionnaire de marketing d'influence pour rejoindre l'équipe d'experts en marketing de Gameloft travaillant sur Disney Dreamlight Valley.En tant que membre de l'équipe de marketing d'influence, vous rejoindrez une équipe d'experts en influence et en médias sociaux et, ensemble, nous construirons un écosystème de créateurs de contenu prospère qui stimule l'engagement, la croissance et la fidélité à long terme.Dans ce rôle, vous serez chargé de conduire et d'exécuter des campagnes d'influence, de l'élaboration de stratégies à la recherche de talents, en passant par la gestion des dossiers et le suivi des résultats. Nous recherchons une personne capable de rester à la pointe des tendances en matière de création et de médias sociaux, et de contribuer à l'établissement de relations durables.Nous recherchons quelqu'un qui comprend vraiment le rôle que jouent les influenceurs dans les jeux vidéo - et comment ils stimulent l'engagement, la croissance et la communauté. Idéalement, vous êtes un vrai joueur dans l'âme, avec un aperçu de première main de la façon dont les créateurs façonnent les conversations et alimentent le succès à long terme dans l'espace de jeu.Principales responsabilitésSoutenir le développement et l'exécution de stratégies de marketing d'influence en collaboration avec les cadres supérieurs, les équipes de marketing et les studios de jeux.Gérer les éléments quotidiens des campagnes d'influence, y compris la recherche de talents, la coordination des briefs, le suivi des livrables et l'établissement de rapports sur les indicateurs clés.Travailler en collaboration avec les équipes Acquisition des utilisateurs et Produits pour aider à élaborer des fonctionnalités qui permettent une intégration réussie des influenceurs.Collaborer avec les partenaires détenteurs de propriétés intellectuelles sur les livrables des campagnes, en veillant à ce que tout le contenu respecte les consignes des marques et obtienne les approbations nécessaires.Rédiger et tenir à jour la documentation relative aux campagnes, notamment les calendriers, les listes d'influenceurs et le suivi du budget.Contribuer à l'analyse des performances des campagnes en recueillant des données et en faisant émerger des idées pour améliorer les exécutions futures.Participer à la planification du budget et assurer un suivi précis des dépenses et des livrables.Nouer et maintenir des relations solides avec les créateurs de contenu et les agences d'influenceurs pour assurer une collaboration et une fidélité à long terme.Rester à l'affût des tendances dans les écosystèmes sociaux, de jeux et de créateurs afin d'alimenter la créativité et la pertinence des campagnes.***The Gameloft Montreal studio has an exciting opportunity for an Influencer Marketing Manager to join Gameloft's team of Marketing experts working on Disney Dreamlight Valley.As part of the Influencer marketing Team, you will join a team of influencer and social media experts and together we’ll build a thriving content creator ecosystem that drives engagement, growth, and long-term loyalty.In this role, you'll be tasked with driving and executing influencer campaigns—from shaping strategies to sourcing talent, managing briefs and tracking results. We’re looking for someone who can stay ahead of creator and social media trends, and help build long-lasting relationships.We’re looking for someone who truly understands the role influencers play in gaming—and how they drive engagement, growth, and community. Ideally, you are a true gamer at heart, with firsthand insight into how creators shape conversations and fuel long-term success in the gaming space.Gameloft’s Montreal studio is looking for a passionate Influencer Manager to join our team of experts working on Disney Dreamlight Valley. This is a unique opportunity to help grow a beloved title played by millions, within a creative, collaborative, and ever-evolving environment.Key ResponsibilitiesSupporting the development and execution of influencer marketing strategies in collaboration with senior managers, marketing teams, and game studios.Managing day-to-day elements of influencer campaigns, including sourcing talent, coordinating briefs, tracking deliverables, and reporting on key metrics.Liaising with User Acquisition and Product teams to help shape features that enable successful influencer integration.Collaborating with IP partners on campaign deliverables, ensuring all content meets brand guidelines and secures necessary approvals.Drafting and maintaining campaign documentation including, but not limited to, calendars, influencer lists, and budget tracking.Contributing to campaign performance analysis by collecting data and surfacing insights to improve future executions.Assisting with budget planning and ensuring accurate tracking of spending and deliverables.Building and maintaining strong relationships with content creators and influencer agencies to ensure long-term collaboration and loyalty.Staying on top of trends in social, gaming, and creator ecosystems to inform campaign creativity and relevancy.QualificationsBaccalauréat en marketing, communications, administration des affaires ou dans un domaine connexe.Au moins 2 années d'expérience en marketing d'influence, de préférence dans les industries du jeu, de la technologie ou du divertissement.Solides compétences organisationnelles et capacité à gérer plusieurs projets et parties prenantes.Expérience de travail direct avec des influenceurs et des agences de talents.Connaissance des principales plateformes de médias sociaux (YouTube, TikTok, Instagram, Twitch) et des outils de suivi des performances.À l'aise de travailler avec les données et les mesures de performances de base (engagement, portée, CPM, etc.).Excellentes aptitudes à la communication écrite et orale ; capacité à établir une relation de confiance avec les équipes internes et les partenaires et parties prenantes externes.Créativité, esprit de collaboration et désir de prendre des initiatives.Maîtrise de l'anglais requise ; le français est un atout, mais n'est pas obligatoire.***Qualifications & SkillsBachelor's degree in marketing, communications, business administration, or a related field.At least 2 years' experience in influencer marketing; preferably within the gaming, tech, or entertainment industries.Strong organizational skills with the ability to manage multiple projects and stakeholders.Experience working directly with influencers and talent agencies.Familiarity with all major social media platforms (YouTube, TikTok, Instagram, Twitch) and performance-tracking tools.Comfortable working with data and basic performance metrics (engagement, reach, CPM, etc.).Excellent written and verbal communication skills; able to build trust with both internal teams and external partners and stakeholders.Creative, collaborative, and eager to take initiative.Fluency in English is required; French is a bonus but not mandatory.Additional InformationCe en quoi Gameloft croit :Nous jouons le jeu pour un monde meilleur. En tant que leader dans l'industrie, nous voulons utiliser le pouvoir des jeux vidéos comme une force positive au changement.En nous rejoignant, vous aurez une multitudes d'opportunités pour aider votre environnement, faire la différence et bâtir un monde plus inclusif.Nous voulons que les Gamelofteurs se concentrent sur l'essentiel: créer du fun et des jeux de haute qualité dont ils pourront être fiers de les partager avec les joueurs du monde entier.Pour vous aider dans votre rôle, nous avons mis en place les bénéfices suivants:Ce que nous offrons :Horaire flexibleVendredi après-midi de congé toute l’année!Dès votre embauche, 3 semaines de vacances et des congés mobilesCongé offert entre Noël et le jour de l'An pour bien débuter la nouvelle annéeProgramme de REER collectif avec participation de l'employeurProgramme d'assurances collectives avantageuxAccès gratuit à une clinique médicale virtuelle 24h/24, 7 jours/7Programme d'aide aux employés et à leur famille immédiateProgramme de remboursement partiel pour votre déplacement au bureau (transport en commun et/ou stationnement)Accompagnement lors de toute relocalisation pour les nouveaux collaborateurs en provenance de pays ou de régions hors QuébecProgramme de référencement avec bonusActivités et prix offerts régulièrement par le comité socialMais aussi au studio :Local à vélos sécurisé et montant offert pour encourager le transport actif (période estivale)Collations offertes quotidiennement (fruits, café, etc.)5@7 les mercredisEspaces de jeuxTerrasse sur le toitStudio à proximité du parc Jarry et des nombreux attraits du Mile-Ex et de la Petite-ItalieActivités physiques organisées à même le studio ou au parc Jarry (ex. : yoga)***What Gameloft believes in:We play the good game for a better world. As a leader in the industry, we want to use the power of video games as a force for positive change.If you join us, you’ll have plenty of opportunities to help the environment, make a difference in communities and build a more inclusive world.We want our Gamelofters to focus on what matters: creating fun and high-quality games they’ll be proud to share with our players around the world.To help you succeed in your role, we have some cool perks:What Gameloft offers:Flexible scheduleFriday afternoon off all year round!3 weeks’ vacation and mobile days off, available as of your start dateTime off between Christmas and New Year’s Day to help you start the year off on the right footGroup RRSP program with employer contributionsGreat group insurance programFree 24/7 access to a virtual medical clinicThe Employee and Family Assistance ProgramPartial reimbursement of your commuting costs (for public transit and/or parking)Support for new employees relocating from countries or regions outside QuebecReferral program with bonusesRegular activities and prizes courtesy of our Social CommitteeAnd at the studio itself:Secure bike storage room and a subsidy to encourage active transportation (during the summer)Daily snacks (fruit, coffee, etc.)Wednesday happy hoursA game roomA rooftop terraceStudio located near Jarry Park and the charming Mile-Ex and Little Italy neighbourhoodsFitness classes at the studio itself or at Jarry Park (e.g., yoga)Company DescriptionChez Gameloft nous créons des moments de joie pour nos joueurs autour du monde à travers des expériences de jeux excitantes. C'est notre mission, et cela l'a été depuis plus de 20 ans.Nous sommes les fiers créateurs d'Asphalt, Dungeon Hunter, Modern Combat et plus de 200 autres super jeux.Il y a un jeu pour tous, et nous nous élargissons maintenant avec des jeux multi-plateforme sur PC et consoles, avec des jeux tels Disney Speedstorm et Disney Dreamlight Valley, pour offrir à nos joueurs de nouvelles aventures incroyables.Avec plus de 3,400 Gamelofteurs passionnés à travers le monde, nous sommes très fiers de nos différences et nous nous appuyons sur celles-ci pour créer des jeux aussi divers que nous le sommes.Si vous cherchez un nouveau challenge, et à travailler avec une équipe passionnée et talentueuse, n'hésitez pas à rejoindre le jeu!***Here at Gameloft, we create moments of happiness for our players all over the world through exciting gaming experiences. This is our mission, and it has been the same for over 20 years. We are the proud creators of Asphalt, Dungeon Hunter, Modern Combat, and over 200 other great games.There is a game for everyone, and we are now expanding to cross-platform games on PC and consoles, with titles such as Disney Speedstorm and Disney Dreamlight Valley, to provide our players with even more amazing adventures.With more than 3,400 passionate Gamelofters across the globe, we take great pride in our differences and draw on them to create games just as diverse as we are.If you’re looking for a new challenge and want to work with a bold and talented group of people, don’t hesitate to join the game! Modifié Create Your Profile — Game companies can contact you with their relevant job openings. Apply

Building with Communities: Rural Schools That Integrate Local Techniques and Materials in Latin AmericaSave this picture!Jerusalén de Miñaro Primary School / Semillas. Image © Eleazar CuadrosIn an effort to foster a sense of belonging among its inhabitants, to value ancestral cultures, and to preserve identity, the Latin American region embraces an architecture rich in nuances and regional characteristics. The use of local materials and construction techniques, or the dialogue between modular and vernacular approaches, among other aspects, reflect the intention to promote the involvement of native communities, students and their families, Iindigenous peoples, and local builders in the design and construction processes of a wide variety of rural schools throughout Latin America.According to the World Bank report, "Indigenous Latin America in the Twenty-First Century", it is estimated that around 42 million people belonging to indigenous communities live in Latin America. Mexico, Guatemala, Peru, and Bolivia are among the countries with the largest Indigenous populations, together accounting for over 80% of the regional total. From an architectural perspective, maintaining a dialogue that understands and respects the cultural and spiritual particularities of Indigenous peoples enables projects that preserve their identity and reflect their cultural heritage. La Piedra School by Correa 3 Arquitectos in Chile, for example, is designed for the Mapuche community of Galvarino, incorporating elements such as the circle, the cardinal points, and orthogonality, along with the integration of the sun, moon, and earth, and a space dedicated to ceremonies with the sacred Canelo tree. Beyond fulfilling educational needs, the aim is to promote equality and a connection with nature and spirituality, reflected in the circular arrangement of the classrooms and the admission of the first ray of sunlight. In this way, the fundamental elements of their worldview are embedded in the project's conception. Save this picture!Continuing within the educational context, practices such as the Semillas association in the Peruvian jungle combine community engagement and participation with the implementation of bioclimatic strategies and the use of local resources, aiming to create an architecture that is connected to its natural environment and cultural history. Understanding the role of educational infrastructure as more than just school buildings, but as versatile and multifunctional spaces with a meaningful impact on community learning and development, collective collaboration practices seek to transmit concepts and knowledge about vernacular architecture while also meeting essential needs. The use of earth, wood, bamboo, brick, caña brava, and other materials reflects the diversity of construction methods and local identities found throughout Latin America’s varied geographies. Related Article Inhabited Landscapes: 20 Cultural and Community Centers in Rural Areas Save this picture!Below, discover a selection of six rural schools located in Mexico, Peru, and Brazil that have developed initiatives to involve local communities, along with their students and families, at different stages of the design and construction process. Lightweight structures, sloped roofs, flexible enclosures, and open-plan layouts are common elements shared among these six case studies, which demonstrate a broad range of community-driven responses and interventions suited to different conditions and environments. In fact, the use of wood and bamboo stands out in both interior and exterior spaces for its application in structures, furnishings, and finishes.Rural School in Oaxaca / Territorio EstudioSan Andrés Huayapam, MexicoSave this picture!After reflecting on the nature of contemporary educational spaces, the Rural School in Oaxaca uses recycled construction materials or materials sourced from within the local community in an effort to strengthen the bond between students, their environment, and the surrounding landscape. Additionally, the program becomes entirely educational by involving students in the regenerative processes taking place in the school’s open areas, such as a wetland for water treatment, a community garden, composting, and enclosures for sheep and chickens, all of which are part of the educational approach. In this way, the mostly local teaching staff aims to promote a closer social relationship between the local population and the school space.Save this picture!El Huabo Primary and Secondary School / SemillasPeruSave this picture!In the jungle of northern Peru, the primary and secondary school for the village of El Huabo was developed through a participatory design and construction process involving the community and students. Through a carpentry workshop, students built school furniture during “Education for Work” classes (a course in the national curriculum), while landscaping workshops were held to improve the school gardens in cooperation with the La Agencia Agraria de San Ignacio. Moreover, an educational coffee farm was established thanks to collaboration with the company Volcafe. All these actions enabled multiple educational projects to run in parallel with the school’s construction, resulting in what the project team calls a “living school,” where the beneficiaries are also the creators.Save this picture!Ecoara Waldorf School / Shieh Arquitetos AssociadosValinhos, BrazilSave this picture!The Waldorf Ecoara School is an associative school where parents play an active role. As a result, a construction activity was created to foster a sense of belonging within the group. The walls were built using the traditional taipa de mão technique, which involves weaving vertical and horizontal wooden slats into the main structure to form large panels that are then filled with compacted clay. This activity, carried out by both parents and children, was both playful and symbolic. In addition, specialists in rammed earth provided hands-on training for the Ecoara community and construction workers. The idea was to promote the use of this technique, largely forgotten in its traditional form and still rarely used in its modern variant, while incorporating appropriate technological controls for the material mix.Save this picture!Jerusalén de Miñaro Primary School / SemillasSan Martín de Pangoa, PeruSave this picture!In the district of Pangoa, the project proposes an integrated work methodology involving cooperation among various national and international institutions and the community’s participation in every phase. During the diagnostic and design stages, workshops were held with students, parents, and teachers to identify the community’s needs, daily dynamics, and aspirations for the future school. Construction was guided by master builders and local workers, enabling the transfer of knowledge through on-site experience as well as training workshops throughout the process. In this way, the project initiates processes that foster knowledge exchange, revalue local material and human resources, and promote flexible spaces aligned with new educational approaches.Save this picture!Grow your School / Lucila Aguilar ArquitectosTuzantán, Chiapas, MexicoSave this picture!Aiming to improve the conditions of a school in the Unión Mexicana community in Tuzantán, Chiapas, the project combined pre-existing elements with new additions. Community volunteer participation was fundamental, as many of the construction tasks were carried out by locals. Children also took part in the rehabilitation activities by painting a mural on one of the facades. The goal was to nurture the children’s potential while fostering a sense of unity among community members, who were actively involved from the planning phase through to construction.Save this picture!Children Village / Rosenbaum + Aleph ZeroFormoso do Araguaia, BrazilSave this picture!The Children Village project advances efforts toward transformation, cultural preservation, the promotion of local building techniques, Indigenous beauty and knowledge, and the construction of a sense of belonging, vital for the development of the children at the Canuanã School. Interactive spaces such as a TV room, reading areas, balconies, patios, and hammocks make up the complementary facilities co-designed with the students to enhance quality of life and strengthen their connection to the school. In addition to housing more children, the new “villages” aim to boost the children’s self-esteem through the use of local techniques, building a bridge between vernacular methods and a new model of sustainable living.Save this picture! This article is part of an ArchDaily curated series that focuses on built projects from our database grouped under specific themes related to cities, typologies, materials, or programs. Every month, we will highlight a collection of structures that find a common thread between previously uncommon contexts, unpacking the depths of influence on our built environments. As always, at ArchDaily, we highly appreciate the input of our readers. If you think we should mention specific ideas, please submit your suggestions. Image gallerySee allShow less About this authorAgustina IñiguezAuthor••• Cite: Iñiguez, Agustina. "Building with Communities: Rural Schools That Integrate Local Techniques and Materials in Latin America" [Construir con las comunidades: escuelas rurales que integran técnicas y materiales locales en Latinoamérica] 24 May 2025. ArchDaily. (Trans. Piñeiro, Antonia ) Accessed . <https://www.archdaily.com/1030260/building-with-communities-rural-schools-that-integrate-local-techniques-and-materials-in-latin-america&gt ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Casa SA207 | © Diego Vázquez Mellado Casa SA207 by Vázquez Mellado is situated in the historic city of Querétaro, Mexico, on a narrow site measuring 8.70 meters in width and extending 37 meters in depth. The lot’s proportions posed a particular challenge, which the architects addressed by drawing inspiration from the traditional courtyard houses in Querétaro’s historic center. In these historic residences, the courtyard, or patio, serves as a passive climate moderator and a spatial and social nucleus. Casa SA207 revisits this typology through a contemporary lens, offering a nuanced response to privacy, density, and domesticity in the urban fabric. Casa SA207 Technical Information Architects1-3: Vázquez Mellado Location: Querétaro, Mexico Area: 362.47 m2 | 3,900 Sq. Ft. Completion Year: 2025 Photographs: © Diego Vázquez Mellado The patio is not just a spatial element but the heart of the home. It welcomes, shelters, and connects, offering a sense of peace and belonging within the density of the city. – Diego Vázquez Mellado Casa SA207 Photographs © Diego Vázquez Mellado © Diego Vázquez Mellado © Diego Vázquez Mellado © Diego Vázquez Mellado © Diego Vázquez Mellado © Diego Vázquez Mellado © Diego Vázquez Mellado © Diego Vázquez Mellado © Diego Vázquez Mellado © Diego Vázquez Mellado © Diego Vázquez Mellado Spatial Organization and Domestic Hierarchies The project’s street-facing façade is entirely closed off, with no visible windows or apertures. This gesture reinforces privacy and anonymity within the city while turning the house inward. At the rear of the property, the architects introduced a direct connection to a neighboring public park, anchoring the residence within both private and communal realms. The courtyard, centrally within the linear plan, acts as a fulcrum that mediates light, views, and circulation. It is both the spatial heart and the conceptual axis of the home. The house is organized into a two-level scheme, with the ground floor dedicated to shared family life and the upper floor reserved for private functions. The spatial strategy intentionally encourages daily activity and interaction on the ground level. The living and dining rooms are placed at the far end of the house, adjacent to the public park. These areas are balanced by a kitchen and TV room positioned toward the front of the lot. Both rooms are oriented toward the central courtyard, promoting visual connectivity and natural ventilation. On the upper level, bedrooms and a modest study are distributed linearly. These spaces are compact by design, reinforcing their function as retreats for rest and contemplation rather than prolonged daytime activity. The reduced footprint of the upper floor emphasizes the hierarchy of domestic life envisioned by the architects: a house where familial engagement and collective routines unfold at ground level and where privacy is quiet and unobtrusive. The courtyard acts as the project’s spatial and psychological anchor. Its tall enclosing walls and dense vegetation cultivate a sense of introspection, calm, and disconnection from the surrounding city. It is not merely a source of daylight or ventilation but a place of stillness, where time slows, and attention turns inward. Materiality and Constructive Logic The project is defined materially by the use of clay brick, chosen for its durability, thermal properties, and ability to age gracefully over time. This decision reflects a clear commitment to low-maintenance living and constructive honesty. The brick’s modularity also provides flexibility for future adaptations without disrupting the architectural language of the house. One of the project’s defining features is the 6-meter-high wall that borders the courtyard. This vertical surface acts as a visual barrier while allowing the interior spaces to remain open to the patio without compromising privacy. The wall also contributes to a sense of enclosure and sanctuary within the house, allowing residents to draw their curtains or leave them open without concern for external views. Throughout the project, the material palette is restrained, composed primarily of exposed brick, wood, and concrete. This simplicity reinforces the architectural clarity of the design and allows spatial relationships to take precedence over decorative elements. The detailing is modest and measured, aligning with the overall ethos of the project. Reflections on Typology and Contemporary Living Casa SA207 thoughtfully explores the courtyard as an enduring architectural typology. By foregrounding the patio not just as a design feature but as the organizing principle of the entire house, the architects offer a model for contemporary living that prioritizes inwardness, serenity, and slow rhythms. The house precisely negotiates the tension between urban density and domestic refuge, creating a spatial narrative grounded in tradition and responsive to present-day needs. The project demonstrates how compact urban living does not necessitate compromise in spatial quality. Through careful program, form, and material orchestration, Casa SA207 invites reconsidering how architecture can shape the conditions for a more deliberate and connected way of living. In its restraint, the house resists spectacle and offers a quiet, rigorous architecture rooted in site, culture, and human experience. Casa SA207 Plans Ground Level | © Vázquez Mellado Upper Level | © Vázquez Mellado Roof Level | © Vázquez Mellado Section | © Vázquez Mellado Elevation | © Vázquez Mellado Casa SA207 Image Gallery About Vázquez Mellado Vázquez Mellado is a Mexican architectural design studio based in Querétaro. They are known for their thoughtful reinterpretation of traditional typologies through contemporary forms and materials. Led by Jorge and Diego Vázquez Mellado, the firm explores spatial intimacy, privacy, and material honesty across residential and cultural projects. Credits and Additional Notes Lead Architects: Jorge Vázquez Mellado, Diego Vázquez Mellado Collaborators: Elvia Torres, Adelfo Pérez, Norma Velázco, Jorge Uribe Landscape Design: Matorral Estudio

Office P&L / Studio TngtetshiuSave this picture!© Studio MillspaceOffices, Renovation•Tainan, Taiwan Architects: Studio Tngtetshiu Year Completion year of this architecture project Year:  2024 Photographs Photographs:Studio MillspaceMore SpecsLess Specs Save this picture! Text description provided by the architects. This project begins with a priority on economy—working with, rather than against, the existing spatial typologies and structural conditions. By minimizing design intervention, the intent was to underscore and reveal the latent character of the original architecture while introducing new office functions. As the new program overlays the old structural order, the original spatial qualities are not erased but reawakened.Save this picture!Save this picture!Save this picture!Save this picture!Save this picture!The site comprises two warehouse buildings flanking a transitional space. Each structure employs distinct systems—timber trusses, reinforced concrete, and steel framing—coexisting in close proximity. This juxtaposition of temporal and spatial languages creates a compelling heterogeneity. This layered composition quietly echoes the city's complex and multifaceted history.Save this picture!Save this picture!Save this picture!The in-between space, with its semi-exterior qualities, connects the two primary volumes and offers a layered experience where interior and exterior perceptions intertwine. A raised floor unifies the interior levels, while portions of the original concrete surface —once exterior— are deliberately preserved, forming an indoor courtyard that retains an outdoor sensibility. This courtyard acts as an intermediary between the workspace and the pantry, blurring the thresholds of function and atmosphere.Save this picture!Save this picture!Approaching from the entrance steps, the eye is drawn by an 18-meter-long serpentine pendant light, which leads through a narrow, irregular corridor. This meandering path resists a single glance, unfolding gradually through the courtyard and into the main working area. Here, work tables and display shelving run along the longitudinal axis, emphasizing spatial depth. Adjustable curtains define zones and modulate openness, guiding the eye naturally toward the meeting room at the far end—a light-filled space framed by windows on three sides.Save this picture!Rather than pursuing a singular, unified aesthetic, the design embraces strategies of bricolage. Fragmentary architectural elements and ambiguous objects—hovering between old and new—are arranged in overlapping layers. Through movement and occupation, users are invited to participate in an ongoing narrative of time, memory, and place.Save this picture! Project gallerySee allShow less Project locationAddress:Tainan, TaiwanLocation to be used only as a reference. It could indicate city/country but not exact address.About this officeStudio TngtetshiuOffice••• Published on May 23, 2025Cite: "Office P&L / Studio Tngtetshiu" 23 May 2025. ArchDaily. Accessed . <https://www.archdaily.com/1030346/office-p-and-l-studio-tngtetshiu&gt ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Latin America at the 2025 Venice Biennale: Exploring Territory, Memory, and Ancestral Knowledge to Build the PresentSave this picture!Andamio Vivo - Perú. Image © Gonzalo Vera Tudela De MontreuilThe 19th edition of the Venice Architecture Biennale officially opened to the public on May 10, becoming a significant international platform for exploring the current state of global architecture and sparking conversations about the challenges the discipline faces today—both shared and specific to each territory. This year’s theme, "Intelligens. Natural. Artificial. Collective," proposed by general curator and Italian architect Carlo Ratti, invites reflection on architecture’s interconnection with other fields—such as art, artificial intelligence, and technology—while also emphasizing the importance of territories, landscapes, and, above all, the people who collectively shape our built environment.In this context, the national participations of Latin American countries have enriched the international exhibition with contributions deeply rooted in their local cultures and identities. Argentina, Brazil, Chile, Mexico, Peru, and Uruguay represented Central and South America in Venice. Across their proposals, several shared themes emerged—most notably, the idea that contemporary architecture must consciously reconnect with its territory and draw from its history in order to build more thoughtfully today. Along these lines, the installations explored the re-signification of local elements and ancestral knowledge, adapting them to contemporary challenges and contexts.Brazil and Mexico centered their exhibitions on an in-depth investigation of land recording and mapping, addressing the use of ancestral construction technologies in relation to agriculture and the natural landscape. Both explored how these traditional techniques can be adapted to contemporary contexts. Uruguay, recognizing that over half of its territory is composed of water, emphasized the importance of considering this resource as an integral part of the country’s history, culture, and development. Peru and Argentina, meanwhile, focused on the re-signification of unique local elements—the silobag, emblematic of the Argentine countryside, and totora, a plant traditionally used in various forms of construction in Peru. In both pavilions, these materials were prominently featured, evoking the cultural and symbolic significance they carry. Finally, Chile’s participation presented a reflective and thought-provoking working table that examined recent debates around artificial intelligence policies established in the country. Related Article Between Algorithms and Ancestral Knowledge: Expanding the Concept of Architectural Intelligence Siestario - Argentina Save this picture!Save this picture!Upon entering Siestario, the Argentine Pavilion located in the Arsenale of Venice, visitors are immersed in a space of soft light and evocative soundscapes. At the center, serving as the undisputed focal point, is a large pink inflatable bag that instinctively invites repose. This is a silobag—a storage element commonly used in the Argentine countryside for preserving grain, especially soy, and emblematic of the country’s export-driven economy. In this context, the silobag functions not only as a spatial gesture but also as a temporal one: an invitation to pause and reflect amid the pace of the Biennale.In this way, architects Marco Zampieron and Juan Manuel Pachué succeed in decontextualizing this characteristic element—deeply rooted in national identity—by re-signifying its function and placing it within a space of critique and questioning. The result is effective: visitors are drawn to the installation, climb onto it, rest, and surrender to the experience, surrounded by images and sounds that induce a dreamlike drowsiness.(re) invenção - BrazilSave this picture!Save this picture!Brazil’s exhibition, curated by Luciana Saboia, Eder Alencar, and Matheus Seco—members of Plano Coletivo—is divided into two rooms, presenting research on the knowledge drawn from the lands of the Amazon. The installation establishes a dialogue between ancestral wisdom and contemporary urban infrastructure through exhibition elements that also serve as the structural system of the display.In the first room, lined with biodegradable wooden panels, maps and documents are spread across the floor, evoking the direct relationship that Indigenous peoples of the Amazon have with their land. In the second, a curated selection of architectural and urban infrastructure projects illustrates how these traditional forms of knowledge—deeply connected to Brazilian territory—are transformed into collective knowledge, capable of adapting to contemporary projects while preserving this cultural heritage.This balance between local culture, territory, and contemporary challenges is expressed almost literally through a minimalist and precise installation, composed of vertical panels and a suspended table made of reforested wood, both connected by tensioned steel cables. The balance is achieved through stone counterweights and a central metal tube that distributes the forces, turning the table into a structural element that redefines the spatial experience of the room.Reflective Intelligences - ChileSave this picture!Save this picture!The Chilean Pavilion presents a powerful proposal: upon entering the room, a central table—the main exhibition element—reflects a series of videos, essays, and images on its water surface. These works focus on archival research exploring the country’s growing role in the development of artificial intelligence, data center buildings, and the impact this has on the territory and, above all, its inhabitants.Serena Dambrosio, Nicolás Díaz Bejarano, and Linda Schilling Cuellar, the architects behind the pavilion, conceive the table not only as a physical support but also as a reference to the political tool of the "roundtable" used by the Chilean government to introduce policies and regulations around AI. In this case, the use of the water’s reflection invites visitors to reflect on what this technological development truly entails, questioning the exclusion of communities and environmental factors in these decision-making spaces. In this way, the table within the pavilion becomes a fertile ground for fostering collective dialogue among all key stakeholders: architects, researchers, communities, and policymakers.Chinampa Veneta - MéxicoSave this picture!Save this picture!The experience of entering the Mexican Pavilion, located in the Arsenale at the Biennale, is completely immersive. Visitors are welcomed by a recreation of a chinampa—an ancient cultivation system that involves creating platforms of earth over water to form small agricultural islands—which immediately captures attention through its lush vegetation, the scent of damp soil, and the sounds of water. The rest of the room, where vegetables, flowers, and medicinal herbs planted in the central chinampa are also expected to grow, is arranged to mimic the canals of Xochimilco, drawing a parallel with Venice itself, famously built over water.With this installation, the curatorial team—comprising Estudio Ignacio Urquiza and Ana Paula de Alba, Estudio María Marín de Buen, ILWT, Locus, Lucio Usobiaga Hegewisch & Nathalia Muguet, and Pedro&Juana—proposes revisiting these traditional chinampa agricultural systems to reflect on their adaptation in the present as a sustainable response, thanks to their self-irrigation system, within the context of droughts and global climate crisis. It also stands as evidence of a collective system bridging the natural and the built environment, as well as sustained care over time.Living Scaffolding - PerúSave this picture!Save this picture!The Peruvian Pavilion, with Alex Hudtwalcker as chief curator and Sebastián Cillóniz, José Ignacio Beteta, and Gianfranco Morales as associate curators, is presented at the Biennale’s Arsenale with Living Scaffolding, a proposal centered around a monumental structure built from totora reed wood. This installation brings to Venice the ancestral knowledge of the Uros and Aymara peoples of Lake Titicaca, who for centuries have used totora to construct floating habitable islands, homes, boats, and other essential elements for life on the lake.Over time, the refinement of this ancient technique incorporated other essential components—such as ropes and logs—that contribute to the stability and buoyancy of the structures. All this knowledge is materialized in an installation that can be fully experienced: visitors enter and walk through the scaffolding, exploring its construction system from within.Living Scaffolding highlights the technical precision and enduring relevance of this tradition, which in the contemporary context takes on a new meaning connected to collectivity, material memory, and the possibility of reactivating ancestral techniques as a response to today’s challenges. 53,86% Uruguay Land of Water - Uruguay Save this picture!Save this picture!Curated by architects Ken Sei Fong and Katia Sei Fong, alongside visual artist Luis Sei Fong, the Uruguayan Pavilion explores the country’s relationship with its maritime territory, which accounts for just over half of its total surface area. Located in its own building within the Biennale’s Giardini, the pavilion features a poetic and musical installation: a wavy ceiling from which amethyst stones hang, dripping water that strikes metal containers on the floor. This sensory and sonic experience invites visitors to contemplate water as a thread that weaves together the country’s memory, identity, and development.The installation presents a critique of the global water management model, emphasizing that, as a finite and increasingly scarce resource, it is essential to establish policies and regulations for its preservation. In this context, architecture plays a key role: it can not only offer innovative solutions but also promote conscious planning around water in cities and territories, acting as a bridge between the way we inhabit and the way we collectively manage this vital resource.Save this picture!Latin America’s participation in the 2025 Venice Biennale reveals that architecture is not only a design discipline but also a powerful critical and cultural tool. Each pavilion, rooted in its specific territorial context and local cultural identity, enacts a form of resistance by exploring ancestral knowledge, natural resources, and contemporary technologies as collective ways of knowing—learning from the past to build better today. In a global context marked by environmental crises, inequalities, and technological transformations, these architectural and deeply reflective endeavors construct new and reimagined narratives, where the local is no longer intrinsic to a fixed context but rather knowledge that expands, connects, and adapts to shared new realities.Save this picture! Image gallerySee allShow less About this authorPaula PintosAuthor••• Cite: Pintos, Paula. "Latin America at the 2025 Venice Biennale: Exploring Territory, Memory, and Ancestral Knowledge to Build the Present" [Latinoamérica en la Bienal de Venecia 2025: territorio, memoria y saberes ancestrales para construir el presente] 23 May 2025. ArchDaily. Accessed . <https://www.archdaily.com/1030213/latin-america-at-the-2025-venice-biennale-exploring-territory-memory-and-ancestral-knowledge-to-build-the-present&gt ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

The Holy See Pavilion Presents a Living Practice of Restoration at the Venice Architecture Biennale 2025Save this picture!Vatican Pavilion. Image © Jose HeviaAt the 19th International Architecture Exhibition, La Biennale di Venezia, the Dicastery for Culture and Education presents "Opera Aperta", a project that positions architecture as a practice of collective care and responsibility. Curated by Marina Otero Verzier and Giovanna Zabotti, Opera Aperta is set within the Santa Maria Ausiliatrice Complex in Venice's Castello district. Designed by Tatiana Bilbao ESTUDIO and MAIO Architects, the project transforms the 500-square-meter site into a space for collaborative restoration and public engagement. Conceived as a work in progress rather than a finished installation, Opera Aperta functions as a platform for ongoing exchange, participation, and engagement rooted in the local context. This open and process-oriented approach was recognized during the opening events, where the Holy See Pavilion received the Golden Lion's Special Mention for National Participation. Save this picture!For six months, the project activates the Santa Maria Ausiliatrice Complex in Venice's Castello district, occupying approximately 500 square meters. The site, rich in historical and cultural layers, was originally established in 1171 as a hospice for pilgrims. Over the centuries, it evolved into the city's oldest hospital and, by the 18th century, served as a nursery, school, and boarding facility. Designated for cultural use by the City of Venice in 2001, the complex is now under the management of the Dicastery for Culture and Education of the Holy See, which is overseeing its restoration as part of a long-term commitment to preserving its significance within the urban fabric.Save this picture!Within this context, Opera Aperta proposes an architectural approach centered on repair, continuity, and reinterpretation. Rather than replacing existing elements, the project focuses on enhancing the built environment through restoration. Cracks and imperfections are treated not as defects, but as spaces for new meaning and engagement. During the exhibition, the Holy See Pavilion becomes a site of ongoing transformation, an open framework that accommodates the work of architectural studios, local associations, and civic organizations. This collaborative structure invites contributions from across the community, positioning the project as a model for inclusive, adaptive, and context-sensitive architectural practice. Related Article Bahrain Wins the Golden Lion for Best National Participation at the 2025 Venice Architecture Biennale Save this picture!Save this picture! Opera Aperta is a collaborative process involving an international team and local collectives together, claiming repair as a creative and radical practice that transcends architectural form to nourish communities, ecosystems and the fragile bonds between them. By revitalising an existing structure, we value its cracks and losses not as flaws to be hidden, but as openings to new possibilities. These thresholds invite us to reimagine the relationship between past and future, growth and decay, rupture and regeneration. Opera Aperta honours the layered histories embedded in this specific place while creating space for those who will come after us. - Marina Otero Verzier, Curator of the Holy See Pavilion Save this picture!Restoration work at the Santa Maria Ausiliatrice Complex is carried out by local artisans and specialized conservators, with expertise spanning stone, marble, terracotta, stucco, mural and canvas painting, wood, and metal. The interior of the complex supports this ongoing work through adaptive spatial strategies. Fabrics suspended from the walls partially veil the surfaces, while maintaining visibility of the interventions. Mobile scaffolding serves a dual purpose, supporting the restoration and functioning as modular furniture that defines flexible zones within the space. Complementing these efforts, Opera Aperta includes platforms for cultural exchange and community participation. A communal table, organized by the cooperative nonsoloverde, invites residents and visitors to engage in shared dialogue during the same weekly intervals.Save this picture!The Venice Architecture Biennale 2025 will run from May 10 to November 23, hosting a total of 65 National Pavilions. Among them, four countries, Azerbaijan, Oman, Qatar, and Togo, will be participating for the first time. The Azerbaijan national pavilion will present Equilibrium. Patterns of Azerbaijan and the Republic of Togo will present the exhibition titled Considering Togo's Architectural Heritage. This year the Kingdom of Bahrain's national pavilion was awarded Golden Lion for Best National Participation. Titled Heatwave, the exhibition was curated by architect Andrea Faraguna and located in the historic Artiglierie of the Arsenale. Golden Lion for Best Participant in the exhibition Intelligens. Natural. Artificial. Collective is awarded to Canal Café by Diller Scofidio + Renfro, Natural Systems Utilities, SODAI, Aaron Betsky, Davide Oldani, and two special mentions were awarded to Opera Aperta of Holy See Pavilion and the Pavilion of Great Britain: GBR: Geology of Britannic Repair, commissioned by Sevra Davis of the British Council and curated by Owen Hopkins, Kathryn Yusoff, Kabage Karanja, Stella Mutegi. Image gallerySee allShow less About this authorReyyan DoganAuthor••• Cite: Reyyan Dogan. "The Holy See Pavilion Presents a Living Practice of Restoration at the Venice Architecture Biennale 2025" 23 May 2025. ArchDaily. Accessed . <https://www.archdaily.com/1030449/the-holy-see-pavilion-presents-a-living-practice-of-restoration-opera-aperta-at-the-venice-architecture-biennale-2025&gt ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

texhnolyze Shinra Employee Member Oct 25, 2017 26,475 Indonesia About This GameDeveloper: Questline Publisher: Awaken Realms Genre: RPG / Action / Open World Platforms: PC (Steam), PS5, XBS Price: $44.99/43,99€ (Pricing varies by region and platform.) Release Date: May 23rd, 2025 Game Length: 50-70 hours 10/10 https://gamerant.com/tainted-grail-fall-of-avalon-review/ What makes The Fall of Avalon worth playing isn't just its reverence for classic RPGs, but how it reinterprets their ideas through a much darker lens. Questline's take on Arthurian myth is an intense and mature narrative, pulling players through a crumbling world where every choice feels like it might be the wrong one. There are lessons here, but more than anything, there's a story that feels like it was made for players who still crave consequence, immersion, and discovery in their RPGs. And while it might stumble in execution at times, it rarely loses sight of what it's trying to be. Click to expand... Click to shrink... 8/10 https://www.dualshockers.com/tainted-grail-the-fall-of-avalon-review/ Tainted Grail: The Fall of Avalon is an adventure to behold, especially for those who are fans of Oblivion and Skyrim. With endless build variety, a beautiful dark fantasy world, an interesting story, and satisfying combat that feels weighty, this game is a great choice for RPG enthusiasts. While the game can feel like it's still in early access in some ways, specifically with its enemy AI, outdated character models, and a world that can feel too empty in parts, none of these issues take away from what makes Tainted Grail: The Fall of Avalon so special. It's a project where passion is on full display and I can't wait to see what Questline does next. Click to expand... Click to shrink... 7/10 Tainted Grail: The Fall Of Avalon - Flawed In The Stone (Review) Tainted Grail: The Fall of AvalonReleased: May 23rd, 2025Developer: Awaken Realms, QuestlinePublisher: Awaken RealmsSystems: PC, PS5 (reviewed), Xbox Series Copy provided by publisherJohn Carpenter’s The Thing is one of my favorite movies, not least for the fascinating concept behind its titular... www.thejimquisition.com Perhaps it will be given the same grace (some early reviews have been quite positive). It's got less of a budget but a lot more heart than its "AAA" templates. It seems to be rooted in the archaic out of genuine love for the style as opposed to rote complacency, which counts for something. Given the size of the game relative to the size of the developer, it deserves to be called ambitious. As a result, I'm far more inclined toward leniency than I have been elsewhere. Plus, y'know, I had fun with it. Tainted Grail: The Fall of Avalon is doing its little best, and if Skyrim is a hallmark of roleplaying quality, then Tainted Grail's best has to be good enough. Click to expand... Click to shrink... 8.5/10 Tainted Grail: The Fall of Avalon | Recensione Ci siamo tuffati nelle leggende arturiane con la versione 1.0 di Tainted Grail: The Fall of Avalon: nella recensione vi raccontiamo com'è andata. www.spaziogames.it If it is true that Tainted Grail: The Fall of Avalon does not shine in its technical sector and is a bit of a set of successful ideas sewn in a new way, it is also true that succeeding in this operation was anything but trivial. The developers have never hidden their (illustrious) sources of inspiration, and have thus created a love letter for open-world role-playing games, declined in a successful and engaging dark fantasy atmosphere - capable of stealing the hearts of lovers of the genre and, why not, of approaching new ones. It took some time in early access to get to this result, but it was certainly worth it. Click to expand... Click to shrink... 8.5/10 Tainted Grail: The Fall of Avalon | Recensione | The Games Machine Tainted Grail: The Fall of Avalon è un RPG open world con combattimenti intensi, progressione libera e riscrittura cruda del mito di Re Artù. www.thegamesmachine.it The developers of Tainted Grail: The Fall of Avalon call it a love letter to open-world RPGs as if the game were just a tribute to the cornerstones of the genre such as Skyrim or Oblivion, when in reality we are faced with a production with great personality, spectacular from an artistic point of view and with a plot intricate enough to glue us to the monitor for a long time. The gameplay does not aim to revolutionize the genre, but offers everything you could want from a modern RPG, reinterpreting the story of King Arthur in a dark key full of exciting combat. Click to expand... Click to shrink... Tainted Grail: The Fall of Avalon Review in Progress - IGN So far this is a fun but familiar open-world RPG that reimagines Arthurian myth. www.ign.com Otherwise, a lot of the 5 hours I've played of Fall of Avalon so far has been spent exploring, accidentally picking up smut, talking to people, and so on. This is a pick up everything, speak to everybody, the world exists to be your playground kind of game, and if you've played The Elder Scrolls, you'll probably be right at home Click to expand... Click to shrink... 8/10 View: https://www.youtube.com/watch?v=o03nU7pRdgY View: https://www.youtube.com/watch?v=MpoOeihKoZo View: https://www.youtube.com/watch?v=UeASWY7m05I View: https://www.youtube.com/watch?v=d6ViWUExbDY I will add more when posted.  Last edited: 16 minutes ago MacheteSquadSteve Member Jan 6, 2025 285 there's a story that feels like it was made for players who still crave consequence, immersion, and discovery in their RPGs. Click to expand... Click to shrink... That's encouraging. I enjoyed the demo and already planned on checking this out at some point. I just don't have it in me to start another lengthy RPG.   TripleBee Prophet of Truth Member Oct 30, 2017 7,510 Canada Good reviews. Just wondering about performance on console really. I assume I should go PS5 pro over Series X, but also there's a bunch of visual sliders for quality - would be nice to have an idea of how stable it is in the bigger world.   Niosai One Winged Slayer Member Oct 28, 2017 5,235 This game's a ton of fun. I have a review in the works but I can say that if you have an Elder Scrolls itch, this game does a GREAT job scratching it.   ClayModel Member Oct 29, 2017 2,241 Decent reviews, the demo convinced me well enough to get to it one day.   Nameless Member Oct 25, 2017 17,262 I've been looking forward to this but I think I'll give them some patch time as post Early Access areas sound prone to broken side quests and such. Plus I'm still working my way through Oblivion + Clair Obscur, so it's probably not the best idea to bring a 60+ hour game into the mix.  Rhaknar Member Oct 26, 2017 51,799 do we know how much this is on console yet?   OP OP texhnolyze Shinra Employee Member Oct 25, 2017 26,475 Indonesia Review in progress. https://www.mmorpg.com/previews/the-rpg-files-tainted-grail-the-fall-of-avalon-review-in-progress-2000135010?amp=true Between the combat, enemy design, story, and draw to explore one more area, Tainted Grail: The Fall of Avalon has been a great early game experience. I do have two concerns that I will explore more in the final review. Something about the gameplay is missing polish in specific aspects; I can't quite put my finger on it yet. I don't know if it's just some of the timings for combat or a combination of minor things. Also, while the character skills look quite varied, I don't know how much depth they actually have or how engaging specializing in a particular weapon or magic will be. Click to expand... Click to shrink...   chainlinkspiral Member Oct 25, 2017 12,502 Pretty swell reviews! The board game is an all timer.   Buckle Member Oct 27, 2017 44,645 Niosai said: This game's a ton of fun. I have a review in the works but I can say that if you have an Elder Scrolls itch, this game does a GREAT job scratching it. Click to expand... Click to shrink... Is magic as fun to use as it was in Skyrim? I had a blast going double barreled flame throwers and necromancy. Thats all I need to know.  Oliver James Avenger Oct 25, 2017 9,832 Damn, I didn't know about this game. I will try and get this.   Gavalanche Prophet of Regret Member Oct 21, 2021 25,954 The reviews kind of remind me of Drova, which was my GOTY last year. This game feels right up my alley!! Too much shit to play but I will grab it anyway. Great year for RPG's.  skeezx Member Oct 27, 2017 23,777 enjoyed my time with it in early access awhile back. it undoubtedly felt early access though so i didn't invest too much time in it would like to fire it up but on the heels of Oblivion I'll probably burn out. maybe in a month or three  OP OP texhnolyze Shinra Employee Member Oct 25, 2017 26,475 Indonesia BassForever One Winged Slayer Member Oct 25, 2017 31,634 CT So is this a faithful adaptation of the board game or a game inspired by it's story/world?   FF Seraphim Member Oct 26, 2017 16,599 Tokyo Guys if you really love these types of games(oblivion, etc), pick this up. Incredible game. There is jank but it doesn't get in the way of the fun.   wasylycia Member Jan 11, 2024 65 character creator?   OP OP texhnolyze Shinra Employee Member Oct 25, 2017 26,475 Indonesia wasylycia said: character creator? Click to expand... Click to shrink... Yes, you create a custom character with their own backgrounds at the beginning. It's not very complex but it's there. View: https://www.youtube.com/watch?v=fYEXo62eR0Q   Miracle Ache Member Oct 25, 2017 1,590 Enjoyed the demo so it's nice to see the game reviewing well.   carlsojo Shinra Employee Member Oct 28, 2017 37,589 San Francisco where the fuck did this game come from why are there so many games ;'(  Cyanity Member Oct 25, 2017 10,061 What is in the water this year??? I can't play all these games!!!   dreamfall Member Oct 25, 2017 7,366 I need it badly! I can not wait for the 1.0 release, it's going to be so good!   OP OP texhnolyze Shinra Employee Member Oct 25, 2017 26,475 Indonesia https://screenrant.com/tainted-grail-the-fall-of-avalon-review-in-progress/ For those who love dungeon-diving and grow weary of the cut-and-paste approach in these types of games, worry not, as all the interiors here have a noticeable maker's mark. The massive legacy dungeons like Sagremor's Keep are ostentatious centerpiece adventures, but even the many smaller caves and outposts bear their own quirks, surprises, and unique characters. Playing a massive open-world RPG that values its players' time investment is gratifying. I never roll my eyes at a cliché in Tainted Grail: The Fall of Avalon because it so frequently subverts them outright, nor do I ever fret over some daft resource-gathering distraction or unnecessary spot of padding. Even 40 hours in, it's been primarily killer over filler, so let's see what's yet to come in its endgame. Click to expand... Click to shrink... 7.5/10 Tainted Grail: The Fall of Avalon – Análise – Vale a Pena – Review Desenvolvido pela Awaken Realms, um estúdio polonês conhecido pelo trabalho com jogos de tabuleiro, Tainted Grail: The Fall of Avalon é uma adaptação criticalhits.com.br Tainted Grail: The Fall of Avalon is an open-world RPG inspired by Arthurian legends and influenced by games like The Elder Scrolls, bringing an engaging and original narrative. Despite the dated graphics and significant technical issues, such as frequent FPS drops and serious bugs at launch, the game stands out for immersive exploration, full of secrets and intriguing locations. With a well-constructed dark atmosphere and deep mechanics, it's a rewarding experience for fans of the genre who are willing to overlook these initial technical limitations. Click to expand... Click to shrink... 7.2/10 Tainted Grail: Fall of Avalon Review | A Worthy Alternative｜Game8 2025.05.22 Tainted Grail: Fall of Avalon is a new indie open-world RPG where you explore Avalon and shape its future in this dark reimagination. Read our review to see what it did well, what it didn't do well, and if it's worth buying. game8.co Tainted Grail: Fall of Avalon is an RPG to look out for. For $44.99, it's a steal for how much content there is in the game. The devs have spent the time and effort to make it as good as it is now, which is evident in the quality and quantity of the first two acts. However, it may take a bit more time for the third act to be polished, as the first two acts were available in early access and were tested for a longer time. Nevertheless, it's a game that we recommend if you're looking for an alternative to play besides Skyrim, Avowed, and Oblivion, as this game is a clear competitor in the same genre. Click to expand... Click to shrink...   Last edited: Today at 12:12 AM wasylycia Member Jan 11, 2024 65 texhnolyze said: Yes, you create a custom character with their own backgrounds at the beginning. It's not very complex but it's there. View: https://www.youtube.com/watch?v=fYEXo62eR0Q Click to expand... Click to shrink... appreciate it! this is the most "what is this game" to "i want this day 1" feeling ive had in a long time lol. anyone able to get this on ps5 yet/know the release time? just seeing the demo  Elfgore Member Mar 2, 2020 5,221 Damn, those reviews are pretty solid. Looking forward to it!   OP OP texhnolyze Shinra Employee Member Oct 25, 2017 26,475 Indonesia wasylycia said: appreciate it! this is the most "what is this game" to "i want this day 1" feeling ive had in a long time lol. anyone able to get this on ps5 yet/know the release time? just seeing the demo Click to expand... Click to shrink... I think it will release at the same time everywhere, later today at 5pm CET.   Gavalanche Prophet of Regret Member Oct 21, 2021 25,954 This is where my boycott of xbox is paying off! I was really really wanting to play Oblivion, so now a weirder maybe more janky version has come out and I am not burnt out on Oblivion? Perfect.   SpellSwordFoxx Member Feb 27, 2025 446 yup, reviews convinced me. gonna jump in as a spellsword, as usual. maybe also try unarmed for the fun.  Puffins Member Nov 1, 2024 325 This sounds great. Liking the comparison to Elder Scrolls - did not expect that at all.   Yam's Member Oct 27, 2017 4,583 It seems like it may be worth waiting for a bit to give them time to polish it more, and maybe add a bit more content to the last area (even if the game is already quite long).   OP OP texhnolyze Shinra Employee Member Oct 25, 2017 26,475 Indonesia Tainted Grail: The Fall of Avalon Review – A Broken Masterpiece? When Tainted Grail: The Fall of Avalon first entered the conversation, it looked like just another attempt to ride Skyrim’s coattails. But beneath its rough edges lies a game that delivers a uniquely intense and atmospheric experience. It doesn’t pretend to be triple-A, nor does it need to. From... www.gamer.org Tainted Grail: The Fall of Avalon is not polished to perfection. Animations falter, systems sometimes clash, and bugs are part of the ride. But what it lacks in refinement, it makes up for in heart. This is a rare open-world RPG where discovery feels meaningful, combat feels dangerous, and the world itself tells a story through its decay. It's a rough gem—one that clearly comes from a smaller team with big ideas. If you can accept its quirks, you'll find something genuinely memorable beneath the jank. And for under $50, it delivers more than many full-priced RPGs released this year. Click to expand... Click to shrink... 7.8/10 Tainted Grail: The Fall of Avalon Review - GamersRD.com Aquellos jugadores que como yo, les gusta la fórmula The Elder Scrolls, o lo que es lo mismo, RPG de mundo abierto, tendrán en Tainted Grail: The Fall of Avalon un buen candidato. Es un título basado en un juego de mesa, desarrollado por el estudio con sede en Polonia, Awaken Realms, en el que […] gamersrd.com Tainted Grail: The Fall of Avalon is a title heavily inspired by the open worlds of The Elder Scrolls. It doesn't intend to reinvent the formula, but its setting inspired by the Arthurian legend and its freedom to build the character to our liking give it its own identity. The game shines more for its atmosphere, narrative and classic role-playing mechanics than for its graphic innovation, as some technical and visual aspects betray its modest origins. The leisurely progression, challenging combat and free exploration are its calling card, and it does not disappoint. It's not without its flaws, but these don't overshadow a rewarding experience for fans looking for something similar to TES/Fallout. If you're willing to forgive certain graphical limitations and a slower pace, Tainted Grail: The Fall of Avalon offers a dark, deep, and immersive journey. Click to expand... Click to shrink... 8.2/10 Análisis Tainted Grail: The Fall of Avalon, el ambicioso sucesor espiritual de Oblivion creado por un equipo independiente Análisis y opinión de Tainted Grail: The Fall of Avalon, un juego que rinde homenaje a clásicos como Skyrim con una aventura de proporciones épicas. www.hobbyconsolas.com In many fantasy RPGs, the story is a backdrop, a mere formality that serves to start the game. This is not the case with Tainted Grail: The Fall of Avalon, which articulates its plot with the suggestive universe created by Awaken Realms in its original board game. The "Indie Oblivion" is everything we can hope for, and even more. With nearly 100 hours of content, a variety of activities, a versatile combat system, and superb freedom, The Fall of Avalon is a must-have in the genre of RPGs in the style of The Elder Scrolls. Click to expand... Click to shrink... View: https://www.youtube.com/watch?v=d6ViWUExbDY   ProdigyZA Member Jun 9, 2024 1,523 Reviews are great, really seems like the main issue was the bugs, but the actual game is really well done and content rich and a must play for Elder Scrolls fans.   LifeInTheFactory Member Jun 3, 2018 591 London BassForever said: So is this a faithful adaptation of the board game or a game inspired by it's story/world? Click to expand... Click to shrink... It's a first person RPG similar to Elder Scrolls, so it's not an adaption of the board game. But I'm a little puzzled as well. Is there any review out that talks about how this exactly relates to the board game, aside from name and scenario? I haven't read all of them, but couldn't find anything about it by skimming through a few reviews.  Kalentan Member Oct 25, 2017 50,673 LifeInTheFactory said: It's a first person RPG similar to Elder Scrolls, so it's not an adaption of the board game. But I'm a little puzzled as well. Is there any review out that talks about how this exactly relates to the board game, aside from name and scenario? I haven't read all of them, but couldn't find anything about it by skimming through a few reviews. Click to expand... Click to shrink... Correct me if I'm wrong, but the previous game before this was Tainted Grail: Conquest in 2021 which was a Rogue-lite Deckbuilder that came out into Early Access 1 year after the board game released. This seems to be a follow up in some kind to that game? A google search indicates the creator of the board game did work with the studio on these, or at least on Conquest.  OP OP texhnolyze Shinra Employee Member Oct 25, 2017 26,475 Indonesia LifeInTheFactory said: It's a first person RPG similar to Elder Scrolls, so it's not an adaption of the board game. But I'm a little puzzled as well. Is there any review out that talks about how this exactly relates to the board game, aside from name and scenario? I haven't read all of them, but couldn't find anything about it by skimming through a few reviews. Click to expand... Click to shrink... Here's some bits from the hobbyconsolas review. Seems like a retelling of the same story with its own twist or some sort. If you're a fan of tabletop role-playing, you'll have recognized the history. It is the same plot as the board game created by Marcin Świerkot and Krzysztof Piskorski; in fact, much of the art of it, and even some cinematics, are extracted from that title. In many fantasy RPGs, the story is a backdrop, a mere formality that serves to start the game. This is not the case with Tainted Grail: The Fall of Avalon, which articulates its plot with the suggestive universe created by Awaken Realms in its original board game. Click to expand... Click to shrink...   Euler Member Oct 27, 2017 5,824 I really enjoy the vibes in the board game. Once I get some time I'll check this out.   Risev "This guy are sick" Member Oct 27, 2017 3,906 When does this release? Anyone got a timesheet for release hours?   weblaus Member Oct 27, 2017 1,062 TripleBee said: Good reviews. Just wondering about performance on console really. I assume I should go PS5 pro over Series X, but also there's a bunch of visual sliders for quality - would be nice to have an idea of how stable it is in the bigger world. Click to expand... Click to shrink... I haven't checked if they already have the planned updates out on consoles in the last few days, but in the original review copy state on both PS5 Pro and Series X the framerate had huge drops once you reach the first open world area and curiously especially in the first city (I stopped playing there for now) - really hope they can get that fixed as anyone who is somewhat sesitive to unstable framerates likely wouldn't much enjoy that.  Ganepark32 Member Nov 21, 2021 2,688 Risev said: When does this release? Anyone got a timesheet for release hours? Click to expand... Click to shrink... I believe it's releasing at 9am PST/12pm EST/5pm BST/6pm CEST. 8 hours, 11 minutes