PlayStation State of Play June 2025: Everything announced Marvel at a night of sick reveals from Sony. Image credit: Eurogamer News by Connor Makar Contributor Published on June 4, 2025 Another PlayStation State of Play took place tonight, giving as a peak at what's to come on the PS5 and PS5 Pro. The event was stacked with new trailers, including some reveals of entirely new games we've not seen before. Sony even remembered the PS VR2 exists! Whether you're here to double check what you've just seen, or want a catch-up on all the reveals you missed, this article will take you through everything shown off at the June State of Play event. Enjoy! Lumines Arise The show kicked off with a reveal trailer for Lumines Arive, a colourful and very musical way to start the event. It comes from the developers behind Tetris Effect, which was a banger. It's coming this Fall, and you can wishlist in now. Watch the new Lumines Arise trailer here!Watch on YouTube Pragmata Next up is Pragmata, the mysterious Capcom game that we've seen precious little of since its first reveal years ago. This time we got gameplay, loads of third person action goodness and a lovely sci-fi setting. Also, Diana is adorable. The game is set to come out at some point in 2026 to the PS5. Watch the Pragmata trailer here!Watch on YouTube Romeo is a Dead Man Next up is a grisly and cartoonish action game called Romeo is a Dead Man. It's coming from illustrious and brilliantly weird developer Grasshopper Manufacture, with both Suda 51 and Ren Yamazaki working on it. It'll be coming out in 2026... Maybe. Watch the Romeo is a Dead Man trailer here!Watch on YouTube Silent Hill f Now for something totally different with Silent Hill f, a third-person horror title that's certainly ramped the creepy factor up quite significantly. In it we see plenty of horrific mannequins with bloody knives in hand. It's set to come out on the 25th September, 2025 on the PS5. Watch the Silent Hill f trailer here!Watch on YouTube Bloodstained: The Scarlet Engagement We now go to a lush looking 2D side scroller called Bloodstained: The Scarlet Engagement, which has just been revealed. A sequel to a beloved indie and spiritual successor to classic Castlevania games, it'll be coming out in 2026 on the PS5. Check out the Bloodstained trailer here!Watch on YouTube Digimon Story Time Stranger Up next a gameplay trailer for Digimon Story Time Stranger, which looks absolutely killer. In it we see a variety of fan-favourite Digimon and a variety of characters seemingly in the thick of some nefarious medling between the physical and digital worlds. It'll be coming on the 3rd November 2025. Love me some Digimon. Watch the trailer here!Watch on YouTube Final Fantasy Tactics - The Ivalice Chronicles Now for a blast from the past with Final Fantasy Tactics: The Ivalice Chronicles. It'll include two versions of the original game, a classic version which is a faithful recreation, and an enhanced version with improved graphics and more. It'll be coming to the PS5 and PS4 on the 30th September. FF Tactics is back!Watch on YouTube Baby Steps Next up is Baby Steps, which is a fun exploration game where you've gotta control your leg movements as you climb a mountain. Now we finally have a release date! It comes to PS5 on the 8th September. This is a must-watch for those who like a chuckle.Watch on YouTube Hirogami Now for something whimsical. Hirogami allows you to transform into a variety of creatures through the power of folding. It's coming to PS5 on the 3rd September. A neat reveal! Check out the new trailerWatch on YouTube Everybody's Golf Hot Shots To the green we go with Everybody's Golf Hot Shots, with courses in 10 different regions around the world, each with weather effects and night time variants. Those who pre-order get Pacman - rad! It comes to the PS5 on the 5th September. Check out some golf right here!Watch on YouTube Ninja Gaiden Ragebound Here's a retro throwback. Ninja Gaiden Ragebound got a new gameplay trailer, and is coming on the 21st July on PS5 and PS4. A big win for lovers of the classics. Watch the trailer here!Watch on YouTube Cairn The Game Bakers are back at it again with Cairn. A new gameplay trailer just dropped, showing a perilous and scenic climb up a massive mountain. Like all Game Bakers titles, the trailer has a rad music track. It's coming to PS5 on the 5th November 2025, but you can download a demo today! A moving trailer for you to watch right here!Watch on YouTube Mortal Kombat Legacy Kollection Get over here! A reveal trailer for the Mortal Kombat Legacy Kollection just dropped, and with it a blend of retro titles you'll be able to play with this new collection as well as some lovely retro arcade footage. It contains Mortal Kombat, Mortal Kombat 2, Mortal Kombat 3, Ultimate Mortal Kombat 3, Mortal Kombat 4, and more. It's coming to the PS5 and PS4 in 2025. Moooooortal Kooooooombat Traaaaaaailer.Watch on YouTube Metal Gear Solid Delta Snake Eater Here's a big one! We got a new gameplay trailer for Metal Gear Solid Delta Snake Eater. Loads of memorable locations, gadgets, and moments on display in the stunning new engine. This isn't a dream - it's Snake Eater!Watch on YouTube Nioh 3 A rad new reveal comes via Nioh 3, which got a fantastic new gameplay trailer at the State of Play. It releases in early 2026 on the PS5. A demo is available right now too, so give it a try! If you love some challenging and bloody action, you should watch this Nioh 3 trailer!Watch on YouTube Thief VR: Legacy of Shadow Finally some PSVR love! A new reveal trailer for Thief VR: Legacy of Shadow was shown off, giving us a glimpse of loads of stealth, robbery, and action. It's coming to VR in 2025. Some VR rep at the State of Play!Watch on YouTube Tides of Tomorrow Another new game got a trailer, this time Tides of Tomorrow. A very bright first-person action game set in a flooded dystopian world. It's coming 24th February, 2026 on the PS5. Loving the look of this trailer, give it a watch!Watch on YouTube Astro Bot new update An update to Astro Bot is up next, containing five new challenge levels, new guest bots, and an announcement that the Astro Bot DualSense controller is coming back this year... With a twist! Here's a look at what's coming to Astro Bot!Watch on YouTube Sea of Remnants Pirate time! A reveal trailer for Sea of Remnants was just shown off, giving us a peak of sailing, navigating various islands, and facing the mythical creatures of the deep. It'll be coming in 2026, you can wishlist it now. Grab your hat annd cutlass sailor.Watch on YouTube Sword of the Sea Here comes something beautiful. Sword of the Sea got a new trailer, with plenty of fantastic locations presented in vibrant tones throughout. It's coming on 19th August to the PS5, available on PlayStation Plus. Now this is my kind of vibe, watch it and find out why!Watch on YouTube FBC Firebreak Love co-op? FBC Firebreak is a spin-off to Remedy's Control series, and offers plenty of PvE action for those with a taste for the paranormal. It's coming to PS5 and the PlayStation Game Catalogue on 17th June, 2025. Here's the portion of the State of Play featuring FBC: Firebreak!Watch on YouTube New PS Plus games coming this summer A bunch of new games are coming to PlayStation Plus this Summer in a variety of forms. This includes: The original Deux Ex coming to PlayStation Plus Classics Catalogue on 17th June, 2025. Twisted Metal 3 & 4 coming to PlayStation Plus Classics Catalogue on 15th July, 2025. Resident Evil 2 & 3 coming to PlayStation Plus Classics Catalogue this Summer. Myst and Riven coming later this month as part of Days of Play First Light 007 A massive reveal for the show! James Bond took the stage with First Light 007, our first look at the game. It kicks off with some introductory cinematics, but there are snippets of gameplay showing loads of spy action. It's coming in 2026 to the PS5. It's Bond, James Bond... TrailerWatch on YouTube Ghost of Yotei A short one here. Ghost of Yotei is getting a gameplay deep dive in July. Stay tuned for more info!Watch on YouTube Marvel Tokon Fighting Souls Trying not to freak out over here. Arc System Works just revealed Marvel Tokon Fighting Souls. A 3v3 fighting game featuring plenty of beloved Marvel characters. It's coming to PS5 and PC in 2026. It's 11PM at night and I'm trying not to scream. Mahvel Baby!Watch on YouTube

The Nintendo Switch 2 headlines a huge month of gaming releases, and we've got everything you need to know across PlayStation, Xbox, PC and Switch for June 2025Tech09:00, 31 May 2025Switch 2 is the big release this month(Image: Nintendo)June is almost here, and while game releases used to be relatively quiet in the summer, that trend has been well and truly bucked in recent years.In fact, June 2025 might be one of the biggest in recent memory, and while last month offered plenty of 'May Madness', June introduces the Nintendo Switch 2, Mario Kart World, and much, much more.‌Whether you're picking up Nintendo's latest hardware or not, we've got a rundown of the biggest games you can pick up in June across all platforms.‌Here's what you should be on the lookout for.We played the Switch 2, and now we want another goReleased: June 5‌We could have filled this list with the Switch 2 and its launch lineup, which includes Cyberpunk 2077, Civilization 7, and that all-important Mario Kart World.It's expected to be one of the biggest console launches in history, and it's just a few days into the month. If you've missed all the latest news, the Switch 2 is drastically more powerful than its predecessor while keeping the same form factor. It has a larger display with 1080p resolution, and can output 4K when docked–a first for a Nintendo console.Be sure to check back around launch for a whole host of Switch 2 coverage.‌Dune Awakening is an ambitious survival MMOReleased: June 10, Platforms: PCSurvival games are a Marmite kind of deal, but whether you love them or hate them, we'd recommend keeping an eye on Funcom's Dune Awakening.‌Players find themselves stuck on Arrakis, and will need to acquire resources, craft a base, and stay clear of Sandworms, bandits, and other players.Promising a huge, political endgame that sees players pledge allegiance to different factions, it could be a fascinating release for PC gamers.MindsEye looks impressive already(Image: Build a Rocket Boy)‌Released: June 10, Platforms: PS5, Xbox Series X and S, PCAnother June 10 launch, MindsEye comes from Build A Robot Boy–the studio helmed by GTA legend Leslie Benzies–and it's promising a near-future open-world adventure that looks gorgeous in motion.The game, which is published by Hitman devs IO Interactive, will also include a huge game creation toolkit. The idea is that players can keep building things for MindsEye, meaning there's almost no end to the fun.‌FBC Firebreak is a departure for RemedyReleased: June 17, Platforms: PS5, Xbox Series X and S, PCThe ever-impressive Remedy Entertainment is releasing a surprising new co-op shooter set in the same universe as Control.‌Players will need to tackle all kinds of monsters with friends or strangers, while also having the option to use their own supernatural abilities to stem the tide.Early previews have been positive, and Remedy hasn't steered us wrong yet.Rematch offers 5v5 football action‌Released: June 19, Platforms: PS5, Xbox Series X and S, PCYou can't beat a good football game, but we didn't expect one to come from the team that gave us martial arts adventure Sifu.Rematch is that game, and rather than giving players a birds-eye view of the action, they'll play as a single player in third-person.‌With even the keeper able to use some slick footwork, it could be the closest we get to a new FIFA Street.Is that who we think it is?(Image: Kojima/Guerrilla Games)Released: June 19, Platforms: PS5Article continues belowThere's not a lot to say about Death Stranding 2, purely because we know that whatever preconceived notions we have about the game will be shredded to bits with Hideo Kojima at the helm.The sequel to the post-apocalyptic adventure that was once a PS4 exclusive is only for PS5 players this time around, and it looks to be just as off-the-wall as its predecessor.For the latest breaking news and stories from across the globe from the Daily Star, sign up for our newsletters.‌‌‌

Remedy's surreal take on co-op with FBC: Firebreak Game director Mike Kayatta discusses Remedy's approach to multiplayer titles, and how it balances appealing to fans and appeasing casual co-op players Image credit: Remedy Entertainment Feature by Sophie McEvoy Staff Writer Published on May 29, 2025 Much like Remedy's narrative-driven single-player games, FBC: Firebreak is a step into the unknown. Not for the player, but for the developer itself. Firebreak not only marks the first time that Remedy has developed a multiplayer game, but it's also the developer's first foray into a first-person shooter. But a project focused on session-based gameplay runs the risk of alienating fans of Remedy's lore-heavy third-person games, while potentially dissuading casual players from checking out its impressive back catalogue if the game doesn't click. Mike Kayatta, Remedy Following a hands-on preview of the game, GamesIndustry.biz spoke to Firebreak's game director, Mike Kayatta, to discuss Remedy's approach to developing its first co-op FPS title. He also explained how the studio balanced appeasing longtime Remedy fans while attracting seasoned co-op players unfamiliar with Firebreak's surreal world. Firebreak is a spin-off of 2019's Control, which follows Jesse Faden – the director of a secretive government agency known as the Federal Bureau of Control (FBC). Its headquarters, known as the Oldest House, is a shifting, paranatural building that holds all sorts of otherworldly entities contained by the organisation. Control sees the Oldest House under lockdown following the invasion of a hostile force known as the Hiss. Firebreak takes place six years after the events of Control, and the lockdown is still in place. Maintaining a balance Right off the bat, there's a hurdle of not overloading players new to Remedy with so much lore that they'll feel like they need to play Control to play Firebreak. As Kattaya explains, the studio prioritised not overwhelming those unfamiliar with its universe and appeasing fans that will be on the lookout for connections to other Remedy titles. "We set the game during a lockdown, which creates a narrative bubble for the FBC that also helps us create a bubble around the world itself," Kayatta notes. "So, if you know Control, then you might be interested in seeing what was going on in the Oldest House six years after the first game. And if you don't know Control, then you can step right into this moment and get a contained experience." Firebreak may be a spin-off, but Kayatta affirms it is firmly set within Remedy's connected universe (RCU) – which links the Control and Alan Wake franchises together. "Of course, we are set firmly within the RCU timeline and canon, so there are connections," he explains. "But we're very focused on protecting Control players who might not want to switch genres to get the 'whole story', and protecting co-op players who might not want to fire up an old game to get the full experience out of Firebreak." By maintaining this balance, Remedy has made a game that potentially encourages fans to step out of their comfort zone while also enticing less familiar players to dive into Remedy's back catalogue if the world intrigues them. Internally, Remedy also faced the task of producing a game in a genre it's not developed for before. Still, it has over two decades of experience in developing narrative-driven, immersive single-player titles, which offered the studio some advantages. "Even though games like Alan Wake and Control aren't all that similar to Firebreak in terms of genre and gameplay, they do all share a focus on immersive worlds and impactful narrative space," Kayatta says. "That sort of thing comes through lighting, audio, world design, and more somewhat direct crossovers. "When we look at what's different [about Firebreak], it's the perspective, the social nature of the game, and driving gameplay through systems. It's a combination of previous work experience outside of Remedy, personal experience as gamers or solo projects, and transference of other practical design skills into a new vision." Kayatta continues: "We do have a lot to learn and definitely face the task and players with a lot of humility, but there wasn't really a point where we felt like we didn't know how to go about something fun." Overcoming development obstacles Remedy also had to contend with approaching the game from a different perspective during the development process. Kayatta says the making of Firebreak differed in "so many ways" compared to Alan Wake 2 or Control, but that overall, every Remedy game release "is a miracle and Firebreak is no exception." "Even things as simple as playing the game suddenly takes three times the number of people," he emphasises. "Lots of typical production processes remain the same, but the rest has been a lot of adaptation and learning on the fly." This included playtests. Remedy has conducted a lot during Firebreak's development, even as recently as a couple weeks ago to test various game mechanics and matchmaking. The game is constantly changing – I'll have a totally different experience playing with friends post-release than I did during my playtest, and the devs were busy polishing things then, too. "Sometimes making games feels like nothing but overcoming obstacles," Kayatta laughs. "Honestly, it's been [like that] every single day. Sometimes it's about absorbing the pain, learning lessons, and pushing through to the next milestone. Other times, it's about seeking help from experts across the studio. Every single game released is a miracle and Firebreak is no exception. "Then, creatively, a lot has been shifting the mindset of what's the most valuable [aspects] to players and learning to let go of the control you have over players when making a single-player experience." Image credit: Remedy Entertainment Unlike Alan Wake 2 and Control, Remedy aren't guiding players through narrative cues. There are suggestions and hints of what needs to be done in a given situation, but players are given much more agency and control over how they approach obstacles with the arsenal they're given. As for the FPS aspect – there are plenty of guns to fire in Firebreak, but it's the 'crisis kits' that are the focal point. "Every single game released is a miracle and Firebreak is no exception" These three loadouts are tailored to a specific skill – one is electricity-focused for field control, another is impact-focused for problem solving, and one is water-focused for manipulating conditions like controlling flames and cooling down team members. Players aren't limited to what they use, either. All three players in a session can use the same kit, or they can plan who will use which kit to maximise the effects of teamwork during a session. The kits are also where Remedy's kookiness shines. Each kit has a tool related to its theme, whether that's a massive wrench or a hydro-cannon. Paranatural items known as 'Altered Augments' can be attached to these weapons, which provide bizarre – and at times chaotic – effects to give players the upper hand against enemies. For example, a paranatural teapot can be attached to the hydro cannon to super heat water globules into molten lava. Experimentation is key Giving players a varied loadout of guns and tools enabled Remedy to make Firebreak something newcomers to the FPS co-op genre could enjoy. This was achieved by providing the ability to adjust components to meet players needs and a progression system that doesn't focus on "power ramping." "Like most games, we front load a lot of the extremely impactful long-term progress, such as unlocking critical gear and abilities," Kayatta says. "And the 'mid-game' (if you want to call it that) is about getting your power up and upgrading what you like to use." Kayatta also clarifies they didn't want newer players to be locked out of the experience when playing with those who are familiar with how multiplayer FPS games work. "[Firebreak] doesn't dwell too long in the 'power ramping' phase and quickly shifts into promoting experimentation and forming playstyles," Kayatta notes. "We've also added things like the resonance system which can let players with access to strong builds actually share those abilities to anyone (so long as they stay close)." Speaking of progress, Kayatta notes that Remedy made it a priority for Firebreak to "feel like a fair experience for everyone" – whether you're playing for long or short periods of time. "For this, we made sure that the longer-term progression focuses more on unlocking options rather than raw power," he explains. "That players can create their own end-game challenges by adjusting threat, clearance, and corruption [levels] to meet their capabilities." Threat, clearance, and corruption control the difficulty of a job, with rewards scaling up accordingly based on the level of challenge. These aspects also enhance replayability – particularly corruption, which enables 'corrupted items' that modify the environment and enemy behaviours. Remedy's approach to microtransactions There's also a perk system that provides unique gameplay effects, which are achieved by levelling up or using in-game currency known as 'lost assets'. Players can also use in-game currency to purchase 'requisitions' – cosmetic items including armor sets, sprays, and weapon skins that have no effect on gameplay. Some requisitions are 'classified' meaning that players will need to spend real-money to unlock them. "We tried to think of ourselves as gamers and what we would want out of a game" When asked why Remedy went down the route of locking only cosmetics behind a paywall as opposed to a pay-to-win system like some other multiplayer titles, Kayatta says the team thought of what they would want out of Firebreak as players. "[This approach] is not a direct response to any particular mechanic or game, but it is different from many that you see in the multiplayer space," Kayatta explains. "Mostly, we tried to think of ourselves as gamers and what we would want out of a game. "Maybe it's a bit of a nostalgia, old man, 'kids-these-days' sort of thing to say, but dang. I miss games like Left 4 Dead 2 where you could just buy the game and play it when you feel like playing it. It felt easier to get friends on board and easier to kick back and enjoy things." Kayatta continued: "I don't like the stigma that comes with multiplayers today. I don't like how guarded I feel when I hear something is going to be supported after release. Support after release should be an awesome, exciting thing. So why, so often, does it make me feel worried somehow?" The future of Firebreak With that in mind, Remedy has implemented a solid roadmap to support Firebreak post-release. It launches with five jobs, with two additional jobs planned for this year and more to come in 2026. "It's always hard to predict the future, especially before we've released the game and gotten the chance to hear from players," says Kayatta. "We know we are going to support the game, we know we want to make it bigger this year, at least. "And going into next year, we want to know what's going to add value for players and do that. Is it more jobs? Could be, in which case that will be the plan. Is it something else? Let's see and then try to do that if it makes sense." "We're a small team with limited resources. We're trying to be super careful about where we put our attention" Remedy is steadfast on putting the players' needs first. All post-launch content will be free, and will be catered to what fans want out of the game they're spending their money and time on. "Ultimately, we're a small team with limited resources," he adds. "We're trying to be super careful about where we put our attention." As for the future of co-op games at Remedy, Firebreak sets a precedent for potential games set around its other franchises. So has the experience of developing Firebreak inspired the devs for similar games in the future? "Oh boy," Kayatta laughs. "The only future on my mind right now is getting Firebreak to players on June 17, then supporting them as best I can. As for anything else, to quote the wise Magic 8-Ball: 'Ask again later'."

Macworld At a glance Pros Creepy setting and storyline Enjoyable and varied combat system Runs on M1 or later Cons Shooter action might require a game controller No support for Intel Macs Annoying auto-save system Our Verdict The auto-save system can be irksome, but Control is a great action game with an atmospheric inter-dimensional setting and an enjoyable combination of shoot-‘em-up action and psychic super powers. Price When Reviewed This value will show the geolocated pricing text for product undefined Best Pricing Today We all know that most A-List games are never released on the Mac at all, and even if there is a Mac version then it will often take many months to arrive, long after the release of the PC version. However, there aren’t many games that take quite as long to reach the Mac as Control, which was first released back in 2019. It’s definitely better late than never, though, especially as Control really is one of a kind – a super-powered shoot-‘em-up action game with some seriously weird X-Files vibes. And, hopefully, the developers at Remedy Games will now think about bringing some of their other weirdly wonderful games to the Mac as well, such as the acclaimed Alan Wake series. The X-Files comparisons are inevitable, as the game opens with Jesse Faden arriving at the headquarters of the Federal Bureau Of Control, a government agency that investigates paranormal Altered World Events – known as AWEs. Jesse’s younger brother vanished during an AWE, and since then she has been guided by a mysterious voice in her head that leads her to the headquarters of the FBC. Known as the Oldest House, the FBC office is strangely silent when Jesse arrives, with only a mysterious – and rather creepy – janitor to give her directions to the office of the FBC’s Director. This opening section acts as a tutorial that gives you some time to get the hang of the main controls, but also provides background to the story as Jesse conducts a helpful dialogue with her inner voice as she wanders the halls of the FBC. When she finds the Director’s office it turns out that he is already dead, having apparently killed himself, with his hand gun lying on the floor beside him. This is no ordinary gun though. Known as the Service Weapon, it proceeds to whisper instructions to Jesse, effectively recruiting her into the FBC and assigning missions that she must complete. Jesse’s first mission reveals that the Oldest House is somehow linked to another dimension, where she encounters some shambling alien figures and gets her first taste of combat. It turns out that the Service Weapon has some other tricks up its sleeve too, as it can magically reload whenever Jesse gets low on ammo. That comes in handy as I’ve never been very good at shoot-‘em-up games, and most of my shots miss by miles. However, Jesse also discovers that she has some magic powers of her own, beginning with a kind of psychokinetic punch that allows her to knock back enemies that get too close. This helps to make up for my lousy shooting skills, as I find that I can let the creepy creatures get quite close and then knock them down before pumping bullets into them at close range. Foundry Jesse can further enhance her psychokinetic powers as the game progresses, learning how to hurl objects at enemies, and also upgrading the Service Weapon and other weapons that she finds along the way. The game does have some rough edges – most notably an irritating auto-save feature that only saves the game at specific points. This means that getting killed by a particularly tough enemy often forces you to go back and replay the previous section a few times, retracing your steps through the Oldest House repeatedly as you try yet again to defeat that enemy. That’s one of the few annoying features, though, and the game’s combination of shooter action and psychic powers ensures that the combat is fun and varied, even for someone with my limited shooting skills. The way that the action keeps switching locations between the FBC and the astral plane also keeps things interesting as you try to unravel the mysteries of the Oldest House. Foundry The age of the game also means that you don’t need a powerful Mac to run it properly. The notes on the App Store say that Control requires an M1 processor or later running Sonoma (although there’s no support for Intel Macs, unfortunately). I played the game on a MacBook Pro with an M2 Pro and was able to get a playable 34 frames per second when running at 2560×1440 resolution with Medium graphics settings, so you should be able to get decent performance even with an M1 if you don’t mind lowering the resolution and graphics settings a little. It’s a shame, though, that there’s no demo version available so that you can check it out first. And, yet again, the Mac version of Control is only available on the Mac App Store, so people who already own the PC version on Epic or Steam will have to buy the Mac version separately. Remedy did tell us that they were hoping to make the Mac version available on Steam at some point, but weren’t able to provide a definite release date at the time of this review. Control is a little more expensive than we expected for a game that is a few years old, costing $39.99/£34.99 on the Mac App Store. But that is similar to the price of the PC version, and this Ultimate Edition includes two expansion packs with additional missions and stories for you to uncover. Should you buy Control? The emphasis on shoot-‘em-up action may not appeal to everyone, but the additional psychic powers that Jesse can learn during the game does help to keep things varied and interesting. And, of course, the conspiracies and mysteries of the Federal Bureau Of Control will appeal to fans of the X-Files as well, making it a good option for anyone who enjoys challenging and atmospheric action games. Want to play some games on the Mac? We’ve tried out loads and our favorites can be found here: Best Games for Mac: A-list Mac games to play.

The biggest tech events in May and June may be software focused, but there's plenty of hardware going through the wringer here at Engadget. Over the last two weeks alone, we've put a drone, gaming display, headphones and a gaming tablet through their paces. If you missed any of that, or our latest game analysis and EV test drive, keeping scrolling to catch up on our latest reviews.  DJI Mavic 4 Pro Reporter Steve Dent reviews a lot of drones at Engadget. So when he uses descriptors like "a new standard," "the most technologically advanced drone I've seen" and "the best video quality," everyone needs to take note. After his tests, Steve argued that the Mavic 4 Pro is further proof of how DJI continues to outpace its rivals. "It’s an improvement over the Mavic 3 Pro in nearly every area, and as mentioned, it doesn’t really have any competition in the consumer space," he said. "The closest alternative in price and capability is Autel’s Evo II Pro 6K, but that drone has a single-camera system with a smaller sensor, less endurance and shorter range." Sony WH-1000XM6 Sony's latest flagship headphones were hardly a secret by the time they officially arrived last week, but thankfully, the three-year wait for the upgrade was well worth it. The company managed to improve its already great over-ear headphones yet again, with updates to sound quality, noise cancellation and overall comfort. "The only real downside is the price continues to go up: the M6 is $50 more than the M5 was at launch," I wrote. "When you combine their performance with Sony’s ever-growing list of features, the 1000XM6 are the best headphones you can buy right now." ASUS ROG Flow Z13 (2025) If you're looking for a gaming tablet to replace your laptop, there are some perks to the ROG Flow Z13. However, there are also some drawbacks, mainly the flimsy keyboard that makes typing on anything other than a table or desk quite cumbersome. "It's got a funky build and unapologetically aggressive styling," senior reviews reporter Sam Rutherford explained. "But unless you have a very particular set of requirements, it doesn't fit neatly into most people's lives as an equivalent laptop." LG 27 UltraGear OLED It may have taken writing a review to get senior reviews reporter Devindra Hardwar to understand the hype around 480Hz gaming displays, but I'd argue the sacrifice was well worth it. The LG 27 UltraGear is a powerhouse, right down to the future-proof DisplayPort 2.1 connection. It's expensive though, and besides the OLED panel, it's not much of a looker. But that performance, it'll make you forget where you are. "The real world melted away — I was fully inside Rocket League's absurd soccer arena," he described. "When the match ended, it took me a few minutes to reacclimatize to reality." Driving the Hyundai Ioniq 9 and FBC: Firebreak  Contributor Tim Stevens spent some time behind the wheel of Hyundai's three-row Ioniq 9 EV SUV. Pricing for the more premium trims ventures into Rivian territory, but Tim argues the Ioniq 9 is the more practical choice for the rigors of daily life over the R1S. "The Ioniq 9 has a stance more like a Volvo station wagon than a gigantic family hauler, but make no mistake, it's the latter," he said. "That's immediately evident as soon as you climb into the third row." Senior gaming editor Jessica Conditt took Remedy's co-op shooter FBC: Firebreak for a spin. While the game enticed her to keep playing after almost three hours with two strangers, it could still use some polish before next month's launch. "All of the issues I have with Firebreak can be fine-tuned before the game launches this summer, and I have faith in Remedy to do so," she observed. "Firebreak is poised to be a thoughtful and focused entry in the co-op shooter genre, and it’s already an inviting extension of Remedy’s darkest and silliest sensibilities.This article originally appeared on Engadget at https://www.engadget.com/engadget-review-recap-dji-mavic-4-pro-sony-wh-1000xm6-asus-rog-flow-z13-and-more-130033686.html?src=rss

There’s a fresh wave of co-operative action-slash-shooters on the horizon, all vying for your squad’s attention and all looking decent, for the most part: ARC Raiders, FBC: Firebreak, Marathon, amongst others. It feels like we’re on the cusp of a new golden age in online co-op, so to pitch Elden Ring Nightreign as the cream of the crop, as one of 2025’s biggest games, we must be confident it has both the magic to entice players into its world and the power to make them stay.  We’ve between now and Nightreign’s worldwide release on 30th May to convince you this is the one to plump for if you’re on the fence as to which of 2025’s upcoming blockbuster co-ops to funnel your hours into. Straight off the bat, first thing to state with Elden Ring Nightreign is this is a standalone adventure. Not only do players require zero prior knowledge of Elden Ring’s expansive narrative and lore to get the best out of Nightreign but, unlike last year’s Shadow of the Erdtree expansion, players don’t even need to own the original title. This is a one-time purchase, not live service, no seasons, or battle passes – at least, there’s nothing officially announced at time of this feature’s creation. Instead, squads of three can jump right in and start battling away in a reimagined version of Elden Ring starting area Limgrave, rebranded here as Limveld. The premise is straightforward enough: Elden Ring Nightreign is an action survival adventure with roguelike structure. Three warriors find themselves castaway in a hostile realm, an environment lulling them in with its lush pastures and golden canopies, yet bandits, soldiers, and monsters – some cameoing out of Elden Ring, some brand-new creations cooked up by FromSoftware – stalk the landscape. The task is to kill and pillage, to scavenge the loot of your slain foe to level up during each run. Runs last three days, and this scavenging phase takes place during daytime. An ever-shrinking battle royale-style perimeter – confusingly dubbed the Night Rain, as in rain shower – channels players to the map’s centre where an end-of-day boss awaits. The clock is ticking, and as a result exploration is much less cerebral than FromSoft’s usual Souls style. Exploration is still critical mind, just done at a ramped-up pace. Supporting all the bandit slaying are subterranean caves dotted with treasure, guarded bastions harbouring documents, short environmental puzzles, and middling bosses. Should squads survive two nights in Lemveld then they’ll be transported to an arena known as the Spirit Shelter where they can put all their skills and upgrades to the test and take on one of eight pre-chosen mega bosses, known as Nightlords. If Elden Ring’s boss battles are anything to go by, these climactic showdowns at the end of a couple of days’ toil are sure to be a spectacle. Each run begins with players at level one but Nightreign’s upgrades, via discoverable runes, come quickly. In fact, levelling up in this Elden Ring spin-off is extremely fast, and to demonstrate Nightreign’s pick-up-and-play ethos adding XP to your character isn’t as arduous a task as it is in FromSoftware’s other titles. Spending runes here levels up your character whilst boosting their overall stats. There’s no time to labour over which ability to upgrade. Furthermore, each of the game’s playable heroes can wield just about every weapon; it’s their unique skills and abilities which distinguish them from each other. So, build customisation is a shade more limited compared to traditional RPG levelling up, but it is possible in the form of randomised loot which, of course, is dropped by downed enemies. Some of this loot functions passively – weapon stat buffs, elemental and physical affinities, and numerous other effects – and some is housed in breakable chests that usually contain some sort of consumable to upgrade weapon damage or similar. Progression outside of the action exists too in the form of advancing character stories. See, in between runs players return to an alternative version of the Roundtable Hold from Elden Ring and here, alongside affixing permanent runic upgrades, they’ll be able to experience a form of narrative progression for each of the game’s eight hero characters. Before we get into describing these characters in-depth, it’s worth pointing out that FromSoftware have stated that as each character’s story advances then the world of Limveld will re-shape and react in tandem. It’s incarnation upon starting the game is a mix of fixed structures and landmarks, but – to alleviate any staleness – there’ll be elements of variation in where enemies spawn and the like. As an aside, dramatic, unexpected changes can occur too: crashing meteorites, boss ambushes, and… uhm, sudden volcanoes. So, onto Elden Ring Nightreign’s cast of heroes and, yes, we’re calling them heroes as FromSoftware have clearly gone down the route that’s well established by Apex Legends and Overwatch, et cetera. Each hero in Elden Ring Nightreign is uniquely skilled, with their own abilities and combat style. Together with collectable loot and upgrades, this blend of skills across three-player teams is sure to create innumerably powerful synergies. Unlike FromSoft’s usual fayre, there isn’t ability to create or customise these characters beyond permanent upgrades and collectable outfits. As you’d expect, there’s breadth to the cast though. All info on their uniqueness is available on Bandai Namco’s website, but just know that each playable hero possesses distinct passive ability, character skill, and ultimate art, the latter being a powerful signature move. Wylder is an easy to learn tough to master hero who’s attacking and defensive capabilities are evenly balanced. Their passive ability – Sixth Sense – allows them one free respawn, presumably retaining runes that’d be dropped in any other death. Raider is tough as old boots, a powerful, armour-clad sea farer who wields humungous weapons. Ironeye is an archer with pinpoint accuracy, Recluse is the mage able to conjure powerful spells and cursed magic. Guardian is defensive, with a solid shield that can withstand the most ferocious attacks. Finally, Duchess is like the spy, nimble, swift, and evasive, with an ultimate art capable of making herself and the rest of the squad invisible. At face value, without considering any runic powerups, there’re clear strategies that Nightreign players can pursue. For example: Ironeye’s character skill marks enemy weakpoints, Raider’s retaliate skill pummels the marked enemy until they recoil, before Wylder unleashes their powerful character art onslaught stake to finish the stunned foe off. The fact that these situations will occur at breakneck speed is enticing. FromSoftware, as per reports of early demo players, haven’t reinvented the wheel when it comes to Elden Ring’s combat. Veterans of The Lands Between will feel right at home when the skirmishes commence. With scalable difficulties – another first in FromSoftware’s Souls canon – there’s the hope here that players with less finely-tuned reflexes will finally be able to enjoy the ravishing combat upon which FromSoft have made their name. Players cannot expect this to perform like a multi-player Soulslike though, no. Elden Ring Nightreign is very much its own thing, taking the macabre universe already established in its single player guises and translating it into an experience more akin to Apex Predators or – sacrilegiously perhaps – Fortnite. It’s a sure-fire winning combination, and one that has potential to elevate Elden Ring Nightreign above the pile of co-op games coming out before the end of the year.  Note: The views expressed in this article are those of the author and do not necessarily represent the views of, and should not be attributed to, GamingBolt as an organization.

News Anno 117: Pax Romana Details City Building, Trade, Diplomacy, and More in New Gameplay Venture to Latium to construct a city on behalf of the Roman Empire, establish trade, battle pirates, and discover the Celts in Albion. Posted By Ravi Sinha | On 19th, May. 2025 As promised, Ubisoft Mainz unveiled extensive gameplay for Anno 117: Pax Romana, where players control a provincial Roman governor. They’re tasked with building a bustling metropolis in service to the Emperor in Latium, which is easier said than done. It all starts with laying out facilities to gather resources, including lumber, and creating homes for workers. You need to ensure buildings like the market are available to meet your citizens’ needs while keeping their hygiene in mind (read: Don’t set up a pig farm nearby). Players can also establish their own villa to watch over the city. Trade with neighboring cities opens up, and so too does diplomacy. Building a strong military is necessary when reinforcing ports and dealing with pirates. Eventually, you can venture to Albion, where the Celts reside, and either establish the Roman Empire’s rule or respect their customs. Anno 117: Pax Romana will launch later this year for Xbox Series X/S, PS5, and PC. A livestream is scheduled for May 21st, with the developer revealing more information, so stay tuned. Tagged With: Elden Ring: Nightreign Publisher:Bandai Namco Developer:FromSoftware Platforms:PS5, Xbox Series X, PS4, Xbox One, PCView More Borderlands 4 Publisher:2K Developer:Gearbox Entertainment Platforms:PS5, Xbox Series X, PCView More Death Stranding 2: On the Beach Publisher:Sony Developer:Kojima Productions Platforms:PS5View More Amazing Articles You Might Want To Check Out! Anno 117: Pax Romana Details City Building, Trade, Diplomacy, and More in New Gameplay Venture to Latium to construct a city on behalf of the Roman Empire, establish trade, battle pirates, and disc... Overwatch 2 x Street Fighter 6 Trailer Showcases Upcoming Cosmetics and Emotes The collaboration begins on May 20th and includes skins based on Ryu, Cammy, Chun-Li, Juri, M. Bison, and more... Death Stranding 2: On the Beach – Director Says Upcoming Sequel is Like Aliens was to Alien Hideo Kojima said that now that players are familiar with the world of Death Stranding, he can up the ante wit... Wuchang: Fallen Feathers Receives Short New Gameplay Trailer, DLSS 4 Support Confirmed PC players can also expect DLSS Frame Generation, Super Resolution and Reflex support when Leenzee's title lau... Nintendo Will Attend Gamescom 2025 After having skipped last year's Gamescom, Nintendo has now confirmed through social media that it will be att... FBC: Firebreak Trailer Showcases Path Tracing and DLSS 4 Performance on PC Remedy's co-op shooter will support both features when it launches on June 17th for PC (alongside Xbox Series ... View More

News Wuchang: Fallen Feathers Receives Short New Gameplay Trailer, DLSS 4 Support Confirmed PC players can also expect DLSS Frame Generation, Super Resolution and Reflex support when Leenzee's title launches in July. Posted By Ravi Sinha | On 19th, May. 2025 Nvidia recently announced DLSS 4 Multi Frame Generation support for various PC titles, including DOOM: The Dark Ages. Add Leenzee Games’ upcoming hack-and-slash title, Wuchang: Fallen Feathers, to the list. Check out the latest gameplay trailer to see how it looks on a GeForce RTX 5090 at 4K and Max settings while DLSS 4 is enabled. Other notable features available at launch include DLSS Frame Generation, Super Resolution and Reflex. They’re all fairly standard, though the developer has yet to confirm support for upscalers like AMD FSR and Intel XeSS. The system requirements also remain a mystery. Wuchang: Fallen Feathers launches on July 24th for $49.99 on Xbox Series X/S, PS5, and PC, and promises 40 to 60 hours on average to complete. Players can fight the game’s many bosses in any order and unlock different endings. Check out another gameplay trailer here, highlighting some of the threats that protagonist Wuchang goes up against, or head here for more extensive gameplay. Tagged With: Elden Ring: Nightreign Publisher:Bandai Namco Developer:FromSoftware Platforms:PS5, Xbox Series X, PS4, Xbox One, PCView More Borderlands 4 Publisher:2K Developer:Gearbox Entertainment Platforms:PS5, Xbox Series X, PCView More Death Stranding 2: On the Beach Publisher:Sony Developer:Kojima Productions Platforms:PS5View More Amazing Articles You Might Want To Check Out! Wuchang: Fallen Feathers Receives Short New Gameplay Trailer, DLSS 4 Support Confirmed PC players can also expect DLSS Frame Generation, Super Resolution and Reflex support when Leenzee's title lau... Nintendo Will Attend Gamescom 2025 After having skipped last year's Gamescom, Nintendo has now confirmed through social media that it will be att... FBC: Firebreak Trailer Showcases Path Tracing and DLSS 4 Performance on PC Remedy's co-op shooter will support both features when it launches on June 17th for PC (alongside Xbox Series ... Nintendo Switch 2 Will Bring Back Feature That Uses HD Rumble to Find Lost Controllers As long as the Switch 2 can connect to a controller, it can use its HD Rumble to make it vibrate loudly enough... DOOM: The Dark Ages Adds Path Tracing and DLSS Ray Reconstruction in June on PC id Software's acclaimed first-person shooter will also support DLSS Multi Frame Generation on Nvidia's RTX 50 ... Grand Theft Auto 6 – Take-Two Believes Long Gap Between Games is Fine Because of GTA Online Content Strauss Zelnick believes that Rockstar technically puts out Grand Theft Auto Online content equivalent to full... View More

Control is still the GOAT when it comes to uncanny beauty in video games Unhomely alonely. Image credit: Remedy Entertainment Feature by Christian Donlan Contributing Editor Published on May 18, 2025 Stop me if you've heard this before. We say "uncanny", but in Germany it's "unheimlich". The unheimlich was a big deal for people like Freud, and it's hard not to love the term, just a little bit. Unheimlich means, well, it means uncanny - weird, eerie, unsettling. But more specifically, it translates as "unhomely." Unhomely. Now that is a word that carries a chill, a creep of the flesh, a word that registers an arachnid skittering in the corner of your vision. When something is familiar and unfamiliar all at once! You should feel like you're at home, but... Testify! Rotary telephones with no dials. Bodies suspended in the air with a kind of ballerina poise and elegance. Staff portraits, but they're, like, full-blown oil paintings, dark eyes and unknowable aspects. When it comes to the uncanny, there's one big budget game that really delivers on it for me. It's Control. It's a shooter, I guess, a third-person action game inspired by everything from The X-Files to House of Leaves to tropical Brutalism. There's a splinter of Psi-Ops: The Mindgate Conspiracy and even Stranglehold in there too. But it's also pure, delicious, slow-dripping uncanniness. It's familiar and unfamiliar. It's... Well... Control is set within a building known as the Oldest House, and here, already, things are getting weird. Lots of games are perfectly house-sized. Edith Finch. Maniac Mansion. But a special few are set within houses that feel much bigger than the game they contain - much bigger than a single imagination could ever understand. Jet Set Willy. Impossible Mission. Control. The Oldest House contains Control, then, but it also feels like it contains so many other things, so many other implausible, improbable, impossible things. This week, for example, Remedy gave us a taste of FBC: Firebreak, a hectic multiplayer action game. Yes, it's set in the world of Control, but more specifically it's set within the Oldest House. Why not? There's plenty of room. Here's Aoife's take on Control from back in the day.Watch on YouTube In Control's fiction, the Oldest House is the headquarters of the Federal Bureau of Control. This is a government agency that deals with extremely bizarre stuff. But the Bureau's surfaces are beautiful and often quietly elegant. The face the Oldest House presents to the world is one of tastefully curated mid-century modernism. Wood looks like wood. Tile looks like tile. Concrete looks like concrete, and there's lots of it, along with indoor bays for tropical plants and wide staircases and bright overhead lighting that's perfect for giving ghostly shape to cigarette smoke. Players come to the Oldest House as Jesse, a woman searching for her kidnapped brother. That's a straightforward set up, and a game as unmoored as Control needs it, just as it needs the surprisingly strict confines of its third-person combat. Shoot stuff with a gun that can change form. Throw stuff around with your mind. Explore and clear out monsters as you dig for the truth. There's this unexpected core of extreme orderliness at the center of Control, in terms of what you do most of the time and why you've been told you're doing it. In retrospect, I guess the name of the game was a hint. This orderliness allows the designers to then bolt on all kinds of antic zaniness with no danger of the whole thing collapsing into fripperies, and it reminds me a little of the way that even the most extravagant skyscraper begins with the fixed core of its elevator shafts. (In Control, it's the central elevator that often sends you off on missions. It all works!) Control. | Image credit: Remedy Entertainment The plot is really just there to direct you back and forth through the Oldest House itself, though, and like all uncanny things, transformation is always in the air. Sometimes the Oldest House is doing the transforming. Sometimes you're more directly in charge. Both these approaches are brilliant. When it comes to the Oldest House's own tricks, it tends to start with subtlety. Places will take slightly too long to reach. The signage looks weird and announces unusual departments. The technology is of the wrong era - green-screen computers? Bakelite phones? Radio equipment that looked like it may have been of use during the space race? This is all just the prelude, the aura before the migraine. But soon the Old House is revealing itself in full. Rooms telescope or twist, like the architect behind the place was willing to bust out a Spirograph. Smooth surfaces give way to jumbled blocks. In one area, chill infects the corridors and the glass freezes over, and are those tree trunks in the distance? In another, a furnace radiates the full heat of the sun. This is where that splinter of internal order really helps. It helps to orient. Because you know what you're doing and why you're doing it, the building can transform around you in quite wild ways without becoming frustrating. But the Oldest House also has a lovely sense of pace. It will go wild for a few moments and completely transform itself, but then it turns quiet again. Safe? Ah, but now you're left questioning the simplest things - the background hum, the volume of a room. Did I walk this way before? Was this hallway pointed in the same direction? Control. | Image credit: Remedy Entertainment Further on things get really, really weird, but in a way the Oldest House is at its best before it drops too far into sci-fi. It's at its best when it's got something tricksy, something of the funfair to it. There's an incredible sequence towards the end of the adventure when the Oldest House flings everything at you and you're racing through an environment that warps and twists and strobes, an environment that truly contains multitudes. This is fantastic, and feels like the middle-eight in a song, changing things up and leaving them elevated. But it's not the moment people mention the most in my experience when they talk about Control. That moment is an office that is simply overrun with Post-its. Post-its belong in offices, of course, but here they cover absolutely everything. Familiar and unfamiliar. And kind of funny, too. And here's a thing I really admire about Control. It's willing to be very funny, but not in the way that games about hellish offices normally try to be funny. It doesn't take the top-down approach, so often lifted wholesale from Portal's precision wit and cruelty, in which humans are sane lab-rats in an insane hierarchy of faux camaraderie and corporate double-speak, a world in which there are a million euphemisms for dying at work and there's a slice of cake promised if you can survive. Control. | Image credit: Remedy Entertainment No. Control is funny because it looks at the way all offices affect the people who work within them - how the creeping of weird rules and weird ways of being is slow and measured and often hard to spot. The comedy here comes from how that quietly insane hierarchy in turn warps ordinary people. The fact that it relies on the supernatural, in a way, only makes it more relatable. It's the comedy - and horror - of a room in which someone's really busted out the Post-its. It's the comedy of lamping someone with a photocopier. Here's a trailer for FBC: Firebreak. Are you ready to go back in?Watch on YouTube And with that image, we've the other kind of transformation in Control. It's the transformation brought about by the player, as they encounter the Oldest House's many enemies and use gunfire and numerous supernatural abilities to fight back. The gun you're given is pretty great, but Control's really about telekinesis - about picking stuff up with your brain, watching it sway woozily in the air, and then lobbing it somewhere in order to really hurt something. It's the transformation of impact, of violence and splatter. All that concrete is so eager to come apart in gritty chunks. All those office supplies are ready for a second life as a projectile or cudgel. You can take the Oldest House apart just as quickly as it tries to build itself into something monstrous. When I first played Control I would often end action sequences realising I was just firing wildly into the walls. They seemed, I guess, like a viable target. And while Control's mid-century vibes are very pleasant to engage with, it's the violence - this is a very weird thing to say - that's truly beautiful. When I first played the game, I remember chucking stuff at a filing cabinet for hours, just to enjoy the rippling of its drawers caused by the impact. In the moment of connection, it was briefly alive. And after a particularly fraught battle I remember staring at a crater on the wall, made by the impact of some kind of white foam or powder - maybe the aftermath of a fire extinguisher? This crater, this moon landing on a wall, struck me as being one of the most beautiful things I'd ever seen in a game. Not least because I suspect if I'd played that encounter slightly differently, I would not have seen it. There's so much more to Control than this, but the uncanny takes strange shapes when it lives in the mind, and this is the shape Control has taken for me. It's not the shape of the Oldest House, because who ever could map such a thing? But it's a shape that clearly fits inside the Oldest House. Deep inside, where it works its strange, dark, endlessly charming magic.