Scandinavia’s premiere design festival 3 Days of Design began with a quartet of Danish brands—Anker & Co., Kvadrat, Erik Jørgensen, and Montana—11 years ago. In editions since, its hundreds of brands and twice as many events take over Copenhagen, spilling out of the Scandi city’s storefronts, showrooms, museums, and restaurants. This year, most events are open to the public and are set to take place June 18–20.Join NowAD PRO members enjoy exclusive benefits. Get a year of unlimited access for $25 $20 per month.ArrowNew to the event? Or thrilled to return to one of the world’s most inspiring design locations? AD PRO’s got you covered, with all the must-sees and should-do’s at 3 Days of Design 2025, as well as hot tips on where to rest and restore amidst the buzzy fair.What to know about 3 Days of DesignAll events are free, but visitors are encouraged to download the 3DD app and register via a QR ticket system for more seamless access to all the fun. Getting from event to event is also a breeze: Copenhagen is one of the world’s most bike-friendly cities—and it’s quite walkable too. (Check the fair’s Design Walks program for specially coordinated tours.) For further jaunts, the city’s metro system allows for easy transfers between districts—although taking a boat from neighborhood to neighborhood is an even better way to see the sights.Where to eat, drink, and stayThe UNESCO World Capital of Architecture is the living heart of Scandi chic, so you might as well stay at a historic MCM landmark: Arne Jacobsen’s 1956 SAS Royal, said to be the world’s first design hotel and refreshed in 2018 by Space Copenhagen as the Radisson Collection Royal Hotel, Copenhagen. Meanwhile, Swedish architect Gert Wingårdh’s Nobis Hotel is an elegant respite just off of Tivoli Gardens, and the freshly renovated Villa Copenhagen emits quintessential Danish ease within the city’s former Central Post & Telegraph Head Office.For cozier surrounds, check into Hotel Sanders, an antique-layered retreat by Brit firm Lind + Almond. Or for a bit more future-focused, try the houseboat hotel Kaj, floating just minutes from the Opera House.Foodwise, start your day with the city’s beloved bakeri culture. Brave the crowds for an early-morning cardamom bun at the landmark Juno the Bakery and the crisp kouign-amann at Andersen & Milland. Come lunchtime, score a sandwich at Lille, which slices up a revelatory rye bread fit for a picnic Smørrebrød feast on the water, or stop by Selma, where the menu changes with the season. Then top off your evening with a glass or two at natural-wine hot spot Pompette.Design happenings not to missOut and aboutMikkel Karstad, pictured, will be chefing it up in the Kvadrat showroom (Pakhus 48, Klubiensvej 22) throughout 3 Days. Photography courtesy of KvadratOne of Heather Chontos’s new rugs for Layered, which will be showcasing at Copenghagen’s Kismet Café. Photography courtesy of LayeredThe 3 Days of Design 2025 design festival celebrations will begin on June 16, at Frama’s chic Bar Vitrine aperitivo. The following evening Copenhagen-based label Louise Roe will preview new products, including a wall lamp, blown-glass vase, and stone table, at an alfresco cocktail party in its courtyard. On June 18, 3 Days of Design officially kicks off at the Vipp Garage HQ, where the studio will unveil a guesthouse installation and line of limited-edition products, both designed in collaboration with AD100 Studio KO. From there, make like a local and take a quick bicycle ride to Louis Poulsen’s showroom for a special light installation by Danish fashion designer Henrik Vibskov. That evening, Kvadrat and Vitra’s joint launch party at the former’s showroom in Nordhavn will fete new textile launches, including an attractive, high-performance acoustic curtain. Afterwards, stop by Audo House—the private residence, concept shop, restaurant, and garden, all decorated by furniture company Audo—to see it freshly renovated at the hands of local talent Norm Architects. The house is open June 18 through 20—and Audo is hosting an evening soirée there on June 19. Meanwhile, Swedish brand Svenskt Tenn’s 3 Days of Design debut at a private apartment in Christianshavn will also be a must-see, especially for Josef Frank aficionados.

Type foundry F37 has launched a new typeface inspired by one of Manchester’s last wooden street signs. And they worked with designer Craig Oldham and copywriter Ellen Ling to bring it to life on a series of billboards celebrating the city’s particular brand of pride. F37 Mancunio is based on the typeface on the sign underneath the railway in St Michael’s Place. F37 founder Rick Banks was drawn to the uneven stroke endings on the ‘C’ and the ‘S’ and designer Rodrigo Fuenzalida worked it into a full typeface with nine weights and “a width axis for flexibility.” Mancunio is named after the Roman fort that once stood in present-day Castlefield. “Rick found the reference ages ago and always wanted to turn it into a font,” says F37’s Keelin Wright. “We wanted to take something from the city, and create a font that represents the history of Manchester, but still feels quite modern as well.” The sign in St Michael’s Place that inspired F37’s Mancunio typeface Wright explains that although there are a lot grotesque sans serif fonts in the F37 library, the “quirky” letter endings and old-style numerals create “ a more human type of grotesque.” When it came to launching the typeface, Wright says they wanted to celebrate its connection to Manchester – where F37 is based – in the right way. “We thought because we’ve taken something physical from the city in terms of the sign, we want to give something physical back,” she explains. “We felt that the billboards would give something typographic to the city, especially around springtime, when Manchester is coming out of the gloom.” F37’s Mancunio typeface Banks and Oldham had worked together on several previous projects and bought in Ling to develop the copy-led campaign. She admits it was a daunting brief in some ways, given some high-profile misfires with localised campaigns in Manchester in recent years. In 2022, locals ridiculed a Magnum advert which misrepresented one of the city’s more insalubrious squares, while a recent Adidas billboard for Manchester United proclaiming that “Manneh is Red” was equally derided. Writing on LinkedIn, designer and United fan Andrew Whitehead said he had never once heard the club referred to as Manneh. “It’s not a nickname. It’s not Manchester United. It’s just… off,” he wrote. “This is what fake authenticity looks like.” “There is all this localised stuff that just bombs,” Ling says. “The pressure is on not to do something that feels tired and out of touch.” F37’s Mancunio typeface The team all felt it was important to steer away from many of the well-worn Manchester motifs, which many people feel have been co-opted by commercial interests looking to exploit the city’s creative soul. “When we were putting the brief together, we found pages and pages of reference for things that we didn’t want,” Wright says. “It was much harder to find things that showed what we actually wanted.” “A lot of this stuff feels like it was made by outsiders,” Oldham says. “History didn’t start here in the 1980s – there’s a wealth of culture and community spirit.” It was exciting, he says, to avoid cliches around Tony Wilson, the Hacienda stripes, and the city’s bee symbol and try and capture “the stoicism, the acerbic wit and the self-deprecating pride.” Some of the posters do take familiar topics – like the city’s famously bad weather or Ian Brown’s quote that Manchester has “Everything but a beach” – but Ling says they worked hard to find “a sting in the tail” and “reclaim” these tropes. Ellen Ling and Craig Oldham’s posters to launch F37’s Mancunio typeface. Photo by Tim Sinclair. Other references are extremely local and deliberately perplexing to outsiders, such as the celebration of Boombox Barry, an iconic local personality. “He’s part of our everyday experience of being in Manchester,” Ling says. “It was nice to give him his flowers in terms of the joy that he brings, and the enigma that he is.” One poster even references the Magnum-advert debacle, celebrating “alfresco tinnies on a piss-soaked Piccadilly G.” For the design, they tried several approaches, including using acid colours, but Oldham says he and Banks realised at one point they were “trying too hard.” The stark white text on black background was the perfect way to showcase the typeface, Oldham says, and stands out in the cityscape. “This dense spot of black cuts through this ocean of visual clutter,” he explains. “It confronts people, and forces them to read the words.” Ling adds that the design works perfectly to communicate the deadpan tone of her copy lines. Ellen Ling and Craig Oldham’s posters to launch F37’s Mancunio typeface. Photo by Tim Sinclair. Manchester’s creative scene has been struggling with the changes wrought by the city’s rapid growth and development in recent years. Designers have even taken to remixing the city’s famous visual language to protest against “incessant gentrification.” Oldham recognises the tension, although he thinks it’s happening in many cities. “I think as cities grow and change rapidly, you get to a crossroads,” he says. “What are we going to change into? What are we going to take with us? And what have we got to leave behind? “I think that’s a universal worry, but Manchester’s very much at that point in its life cycle right now.” Ling agrees. “It’s not that the city’s independent spirit is being crushed, it’s more like it’s being Last Of Us fungi-d,” she says, in reference to the hit HBO show. “It does feel that everything that you know in your bones makes Manchester great is being commoditised.” F37’s Mancunio typeface Ellen Ling and Craig Oldham’s posters to launch F37’s Mancunio typeface. Photo by Tim Sinclair. Ellen Ling and Craig Oldham’s posters to launch F37’s Mancunio typeface. Photo by Tim Sinclair. Ellen Ling and Craig Oldham’s posters to launch F37’s Mancunio typeface. Photo by Tim Sinclair. Ellen Ling and Craig Oldham’s posters to launch F37’s Mancunio typeface. Photo by Tim Sinclair.

Gironda Residence | © Simone Bossi Located just steps from Piazza del Popolo in Ravenna, the Renaissance-era Casa Guaccimanni holds centuries of architectural and historical weight. Constructed in the fifteenth century for the Venetian podestà Nicolò Giustinian, the building evolved through noble ownership and later became home to Vittorio and Alessandro Guaccimanni, sons of Risorgimento figure Luigi Guaccimanni. Architecturally, the structure is characterized by a tripartite plan with a central corridor flanked by large rooms, an interior courtyard with a double loggia, and decorative elements spanning Renaissance to Neoclassical periods. Once concealed beneath plaster, its frescoed veranda and exposed wooden ceilings speak to a layered history of intervention, concealment, and rediscovery. Gironda Residence in Casa Guaccimanni Technical Information Architects1-13: Giovanni Mecozzi Architetti Location: Casa Guaccimanni, Via Armando Diaz, Ravenna, Italy Client: Emanuela Docimo Project Years: 2022 – 2024 Original Structure: 15th Century Photographs: © Andrea Sestito, © Simone Bossi, © Omar Sartor The new and the old never touch, but gently brush against each other, maintaining a distance capable of generating tension. – Giovanni Mecozzi Gironda Residence in Casa Guaccimanni Photographs © Omar Sartor © Andrea Sestito © Andrea Sestito © Andrea Sestito © Omar Sartor © Simone Bossi © Simone Bossi © Simone Bossi © Omar Sartor © Omar Sartor © Omar Sartor © Andrea Sestito © Omar Sartor Design Intent: Reversibility and Temporal Tension The recent architectural project by Giovanni Mecozzi Architetti centers on the noble floor of the palazzo, reinterpreted as a contemporary residence named Gironda. Rather than imposing a new visual regime onto the historic shell, the intervention operates with restraint, foregrounding the building’s original character while establishing new spatial and material conditions. At the core of the project lies a design philosophy rooted in reversibility. Mecozzi’s intervention resists permanence. The furnishings and spatial devices introduced into the historic rooms are self-supporting and detached from the structure. No new element makes physical contact with the floors, ceilings, or walls, preserving the integrity of the original surfaces. This strategy avoids irreversible alterations and allows the architecture to remain temporally flexible. Architect Giovanni Mecozzi articulates this approach succinctly: “The new and the old never touch, but gently brush against each other, maintaining a distance capable of generating tension.” This spatial tension is not decorative but conceptual, prompting occupants to consider the relationship between historical continuity and contemporary transformation. The design does not attempt to erase time but rather exposes its layers through careful juxtaposition. The project draws conceptual and chromatic inspiration from Ravenna’s early Christian and Byzantine mosaics. Rather than replicate ornamental motifs, Mecozzi extracts abstract qualities such as color, luminosity, and surface texture, integrating them as subtle spatial references throughout the residence. Gironda Residence Material Strategy Access to the residence is organized through a longitudinal hallway that bisects the plan, connecting a balcony on the north façade with a loggia overlooking the garden to the south. This corridor becomes a spine for circulation and orientation, punctuated by entries into five main rooms: the kitchen, veranda, and three independent suites. Each suite functions as a self-contained spatial environment. The original large rooms have been reimagined with integrated volumes housing diverse domestic functions: bathrooms, saunas, walk-in closets, reading nooks, and home cinemas. These new programmatic layers are embedded within freestanding furniture structures, which operate more as inhabitable objects than architectural partitions. Color becomes an operative tool for spatial differentiation. The three principal suites, the Gold Room, the Blue Room, and the Green Room, are introduced chromatically through thresholds that face the main corridor. This prelude of color sets the tone for each room’s unique interior experience. Within, glossy glass tiles, gilded surfaces, and a reduced palette of materials establish a scenographic yet restrained environment. The flooring, a Venetian terrazzo installed during earlier restoration work in the 2000s, has been retained. Its beveled borders and rounded corners respond to the proportions of each room, reinforcing a visual continuity that binds the new interventions with the inherited context. In contrast to the historical envelope, the furniture and spatial devices employ a language of monochromatic forms and minimal detailing, occasionally verging on neoplastic abstraction. This tension between old ornament and new abstraction is one of the project’s defining features. Furnishings curated by Atelier Biagetti, known for their theatrical and ironic sensibility, further enrich the atmosphere. These pieces do not mimic the historical setting but create moments of visual friction and playful ambiguity, enhancing the multi-temporal character of the interiors. Architectural Significance and Cultural Dialogue The Gironda residence exemplifies a growing discourse in contemporary architecture around adaptive reuse that neither mimics nor erases the past. Rather than treating heritage as a constraint or an aesthetic to be curated, Mecozzi engages it as an active agent in spatial transformation. The project is a case study in reversible architecture, where temporality is embedded in the design, not just its historical references. This intervention prompts broader questions about the role of preservation in contemporary practice. Can architectural interventions occupy historic contexts without becoming parasitic or nostalgic? Mecozzi’s project suggests that they can adopt a posture of critical distance and conceptual clarity. Gironda does not attempt to restore Casa Guaccimanni to a previous state or impose a singular vision of modernity. Instead, it crafts a dialogue between past and present, structured through spatial strategies, material choices, and chromatic cues. In doing so, it opens a new chapter in the building’s ongoing life, one that is fully contemporary yet deeply rooted in architectural memory. Gironda Residence in Casa Guaccimanni Plans Floor Plan | © Giovanni Mecozzi Architetti Golden Room Layout | © Giovanni Mecozzi Architetti Door Detail | © Giovanni Mecozzi Architetti Gironda Residence in Casa Guaccimanni Image Gallery About Giovanni Mecozzi Giovanni Mecozzi is an Italian architect based in Ravenna, Italy, and the founder of Giovanni Mecozzi Architetti (GMA), a multidisciplinary studio specializing in architecture, interior design, and landscape projects. After graduating from the University of Ferrara with an architecture degree, Mecozzi gained international experience working in Spain, including collaborating with Mendaro Arquitectos in Madrid. Upon returning to Italy, he co-founded GMA, focusing on projects emphasizing the relationship between architecture, the client, and the context, with a particular interest in renovating and transforming historical buildings.  Credits and Additional Notes Design Team: Giovanni Mecozzi, Cecilia Verdini, Filippo Minghetti Construction: Edilcostruzioni (Leoni Andrea) Electrical Systems: Elektra Service (Andrea Baiardi) Mechanical and Hydraulic Systems: Nuova OLP Structural Alterations: Not applicable (intervention is fully reversible) Custom Furniture: Idea Legno (Paolo Berdondini) Curtains and Fabrics: Selezione Arredamenti, Ravenna Lighting: Viabizzuno (via Tutto Luce, Cesena) Resin Coatings and Flooring: Kerakoll Rugs and Carpeting: Centro Moquette, Rimini Bathroom Furnishings: Salaroli, Ravenna Furniture, Artwork, and Design Objects Selected by: Atelier Biagetti (Milan) Furniture Designers: Alberto Biagetti and Laura Baldassarri

In today’s homes, the boundaries between indoors and outdoors are becoming beautifully blurred, and courtyard design plays a key role in that transformation. No longer just decorative pockets of greenery, modern courtyards are fully integrated living spaces that bring natural light, fresh air, and a sense of calm right into the heart of the home. Whether you live in a city apartment or a suburban retreat, a well-designed courtyard can create flow, function, and serenity. It becomes more than an outdoor space, it becomes a natural extension of your daily life. In this guide, we’ll explore practical, creative courtyard design ideas that help you connect your interior with the outdoors. From lush garden rooms to cozy side patios, each idea is crafted to inspire a home that feels open, grounded, and alive. 1. Open-Plan Layouts That Frame the Courtyard Image Source: The Architect Diary An open-plan layout that wraps around a courtyard transforms the entire home experience. By strategically positioning living areas,like the kitchen, living room, or dining space,around an open-air courtyard, the outdoors becomes an organic extension of your indoor life. Floor-to-ceiling windows or sliding doors allow natural light and garden views to flow freely. This setup not only maximizes the courtyard’s visibility but also encourages daily use, blurring the lines between inside and outside. It’s especially effective in warmer climates, where fresh air and sunlight can be enjoyed year-round. This courtyard design creates a social hub and a serene retreat in one integrated space. 2. Use Vertical Space for Planting Image Source: HomesandGardens When square footage is limited, think upward. Using vertical space in your courtyard lets you enjoy lush greenery without compromising walkability or functionality. Wall-mounted planters, trellises, living green walls, and tiered shelves can host herbs, flowers, or trailing vines. This strategy not only maximizes planting room but also adds visual depth and texture. It’s ideal for urban courtyards or narrow side patios, where ground planting space is scarce. Vertical gardening also draws the eye upward, creating a sense of openness and scale. With thoughtful positioning, these green walls can mirror or complement interior design features, further connecting your indoor and outdoor worlds.  3. Water Features to Add Tranquility Image Source: Houzz A water feature, whether a bubbling fountain, koi pond, or minimalist wall cascade,adds peace and movement to your courtyard design. The gentle sound of flowing water soothes the mind and masks urban noise, turning the space into a true sanctuary. Water also reflects light and greenery, adding a dynamic visual layer. Compact courtyards benefit especially from wall-mounted or vertical designs, which save floor space while enhancing ambiance. Water features pair well with lush plants and stone elements for a naturalistic setting. Plus, they bring an added cooling effect in warmer climates. It’s a small feature with big sensory benefits. 4. French-Style Courtyard Image Source: The Spruce A French-style courtyard adds classic romance and timeless charm to your home. These courtyards often feature symmetrical layouts, gravel pathways, wrought iron furniture, climbing vines, and a central focal point like a fountain or statue. Boxwood hedges and potted lavender or citrus trees evoke the ambiance of a Parisian garden café. Ideal for homes with European-inspired architecture, this courtyard design feels elegant yet grounded. French-style courtyards blend effortlessly with interiors that favor neutral palettes, antiques, and organic materials. Even in modern homes, this style offers a sophisticated counterpoint to sleek lines. It’s a refined yet welcoming space that makes every day feel like a getaway. 5. Don’t Overcomplicate Your Space Image Source: HomesandGardens When it comes to courtyard design, simplicity often wins. Trying to incorporate too many features, like oversized furniture, mixed themes, or excessive décor,can make even a spacious courtyard feel cramped or chaotic. Instead, focus on clear, functional zones: a place to sit, a patch of green, perhaps one focal point like a water feature or tree. Neutral tones and natural textures help create a calm, cohesive atmosphere. Minimalism doesn’t mean boring, it means intentional. By keeping the design clean and uncluttered, your courtyard becomes a restful extension of your home, not an overstimulating departure from it. Simplicity creates harmony and usability. 6. Introduce Outdoor Lighting Image Source: HomesandGardens Outdoor lighting is essential for enjoying your courtyard after dark and for enhancing safety, mood, and aesthetics. Use layered lighting: overhead string lights or sconces for ambient glow, path lights for navigation, and accent lights to highlight plants or architectural details. Solar-powered options make installation easy and eco-friendly. Smart lighting systems let you control brightness or color temperature from your phone. Choose fixtures that echo your home’s interior style,modern, rustic, or industrial,for cohesion. Well-designed lighting doesn’t just extend courtyard use into the night,it also turns the space into a visual feature from inside, contributing to a seamless indoor-outdoor design. 7. Use Exaggerated Verticals to Maximize Space Image Source: Living get In courtyards with limited square footage, exaggerating vertical elements can dramatically expand the visual experience. Tall hedges, statement sculptures, narrow water walls, or climbing plants draw the eye upward, giving a sense of height and airiness. This is particularly useful in enclosed or urban settings where lateral space is tight. Pair vertical lines with mirrored surfaces or slim lighting fixtures for added effect. Inside, echo this verticality with tall windows or vertically stacked shelves that overlook the courtyard. These upward design cues establish continuity and give the entire area a modern, architectural flair while making it feel larger and more open. 8. Side Patio Courtyard Image Source: The Spruce A side patio courtyard is a smart solution for homes with narrow or awkwardly shaped outdoor areas. Tucked alongside the house, this type of courtyard can become a cozy, private retreat or a secondary dining and lounge zone. Maximize the space with slim furniture, vertical planting, and clean lines. Use glass doors or large windows to open interior rooms,like a kitchen or hallway,directly onto the courtyard, improving light flow and visibility. Even modest side courtyards can feel spacious when thoughtfully designed. With the right layout and materials, they become stylish outdoor rooms that serve as peaceful escapes or vibrant entertaining spots. 9. Built-In Benches or Daybeds Image Source: BetterHomes&gGardens Built-in benches or daybeds are functional and beautiful additions to any courtyard. These features maximize space and invite relaxation without cluttering the area with bulky furniture. Often integrated into low walls or along garden beds, they offer a clean, minimalist look while providing ample seating. Top them with weather-resistant cushions and fabrics in colors that echo your interior for design harmony. A daybed turns your courtyard into a sunlit lounge, ideal for reading or napping. Built-ins also make cleaning and maintenance easier and can be customized to fit awkward corners. Their permanence gives your courtyard design a polished, intentional finish. 10. Backyard Turned Courtyard Image Source: Living get If your backyard feels underused or too open, consider transforming a portion of it into a courtyard. You can define the space by adding partial walls, fencing, or tall plantings like bamboo or hedges to create a sense of enclosure. Incorporate a central feature such as a tree, water fountain, or fire pit to anchor the space. Add comfortable seating, outdoor rugs, and potted plants to bring warmth and purpose. This approach turns a generic backyard into a functional, intimate zone,perfect for reading, relaxing, or hosting. A backyard courtyard offers structure while preserving openness, giving your outdoor area new life. 11. Bring the Inside Out Image Source: HomesandGardens To achieve true indoor-outdoor harmony, replicate the feel of your interior design in the courtyard. Choose outdoor furnishings that mirror your indoor color palette, materials, and style. For example, use similar wood tones, textiles, and decorative elements like lanterns or throw pillows. Outdoor rugs, weatherproof sofas, and even coffee tables can make your courtyard feel like a living room under the sky. Add art, mirrors, or bookshelves with planters to soften the transition. This strategy helps the courtyard feel like a true continuation of your home rather than a separate zone. It enhances comfort, flow, and everyday livability. 12. Indoor Courtyard Turned Private Garden Image Source: Architectural design An indoor courtyard can become a hidden garden sanctuary with the right design approach. Enclosed or semi-enclosed by glass or open ceilings, these courtyards are perfect for curated greenery, from ferns and moss to small trees or flowering vines. Add gravel paths, benches, or a water feature to create a peaceful retreat visible from multiple rooms. This setup is especially useful in dense urban homes, where privacy is valued. The garden becomes a quiet core for reflection and relaxation, away from the outside world. It not only improves aesthetics but also enhances indoor air quality and emotional wellness. 16. Multipurpose Courtyard Space Image Source: Architectural design Why settle for just one use? Design your courtyard to serve multiple functions,such as a morning coffee nook, a kids’ play zone, or an evening yoga space. Use movable furniture, foldable tables, or modular seating that can be reconfigured as needed. Zone the area with rugs or planters to subtly divide uses without crowding the space. This flexible approach makes the courtyard dynamic and relevant to all members of the household. It’s especially useful in smaller homes where every square meter matters. A multipurpose courtyard adapts with your day, making it not just beautiful, but deeply practical. 17. Courtyard with Kitchen Access Image Source: Decorpad One of the most functional courtyard design ideas is positioning it directly off the kitchen. This setup makes alfresco dining a breeze and encourages more frequent use of the outdoor space. Add a BBQ grill, outdoor sink, or even a full mini kitchen with countertop space. For seamless service, consider installing a pass-through window or fold-up bar. It’s perfect for entertaining or simply enjoying a quiet breakfast outside. This courtyard becomes a social hub and culinary extension, combining practicality with pleasure. With the right setup, your kitchen and courtyard will work in tandem to elevate daily life. 18. Rustic Mediterranean Courtyard Image Source: Houzz Create the warm, welcoming feel of a Mediterranean escape by combining textured walls, clay pots, terracotta tiles, and flowering plants like bougainvillea or rosemary. Wrought-iron furniture, mosaic tables, and rustic wooden beams bring that sun-soaked, timeless atmosphere to life. Use soft, earthy tones, like sand, stone, and rust, to match your interior and make the courtyard feel grounded. This style blends perfectly with both traditional and bohemian interiors. With some soft lighting and olive trees, your courtyard becomes a rustic retreat that feels far away, even when it’s just a step from your living room. 19. Create a Spa-Like Feel With a Bathroom Courtyard Image Source: Living get Transform your daily routine into a wellness ritual by connecting your bathroom to a serene courtyard. A small, private outdoor space just off the bath or shower instantly adds a spa-like vibe. Think smooth stone pathways, tropical plants, soft lighting, and perhaps a water feature to enhance tranquility. Frosted glass doors or large windows maintain privacy while allowing natural light to pour in. Even a compact courtyard can elevate a bathroom into a peaceful retreat that feels worlds away from daily stress. This seamless connection between your indoor sanctuary and outdoor calm fosters relaxation, mindfulness, and luxurious everyday living Wrap Up  Great home design isn’t just about what happens inside four walls, it’s about how your living spaces connect, flow, and breathe together. Whether it’s a peaceful garden retreat, an alfresco dining space, or a flexible zone for work and play, the right courtyard design creates harmony between indoors and out. At Home Designing , we believe the best homes are the ones that reflect how you live, and how you want to feel. These courtyard ideas are just one way to craft spaces that are not only functional, but deeply personal and inspiring.

On the right bank of the Naviglio Grande, a canal that runs through Italy’s Lombardy region some 20 miles from Milan, the landscape alternates between industrial warehouses and cultivated fields. Along the historic waterway system which dates from the 12th century, there are a series of patrician residences, pleasure villas, and elegant rural farmhouses that still stand, along with what remains of their parks and gardens, side-by-side with more recent houses.The entrance gate of Villa Clari-Monzini, the oldest and largest of the villas on the right bank of the Naviglio canal, to which it was once connected via a tree-lined avenue that continued on the opposite side of the waterway to the nearby Piazza del Teatro. Arriving in Cassinetta di Lugagnano after traveling along the Naviglio bike path, one finds one of the richest towns in the region in terms of its architectural legacy. When the Barlaam family made that same journey, they couldn’t help but notice the Villa Clari-Monzini: “It was in very bad condition, but it was still beautiful and shortly thereafter it was renovated and divided into apartments. We decided to move there, to the main floor of the villa, far from the stress and hassles of the big city,” says Riccardo, Simone’s father. The younger Barlaam is a Paralympic swimming champion who won four gold medals between the recent games in Tokyo and Paris.Cosmos coffee table by Jeffrey Bernett (B&B Italia). Logo lamp, a Chinese checkers board by Joe, and Lawrence ottoman (all Armani/Casa). Simone Barlaam leans against a handcrafted crystal table in the living room of his home. Clothes by Armani. “I grew up here, among the frescoed walls and coffered ceilings of the large ballroom that has become our living room, and ever since I was a child I’ve always felt this house was welcoming. When we lived in Milan I might have dared to scribble on the walls—I was a creative kid—but here I was never tempted to do so,” says Simone, who returns here on weekends to recharge.In the living room, LC4 chaise longue by Le Corbusier (Cassina), handcrafted crystal table, Plywood chairs by Charles and Ray Eames (Vitra). Taraxacum 88 chandelier by Achille Castiglioni (Flos). “When the world shuts down, I find some quiet time to draw. It’s something I do for myself, which makes me feel similar to how I do when I’m in the water.”—Simone BarlaamLate at night, Barlaam invents his alternative heroes inspired by the art he is surrounded by and the Italian comic books by his side during childhood, from Diabolik to Zerocalcare. “When the world shuts down, I find some quiet time to draw. It’s something I do for myself, which makes me feel similar to how I do when I’m in the water when I’m training. It’s an isolation that makes me focus on my body, on lightness, on harmony; I always feel a bit awkward on dry land but in the water I become agile and graceful,” Barlaam says.Dozens and dozens of sheets of paper can be found in the family’s home, essential material for this self-taught drawing talent. Illustrations from the Italian children’s story “Road to Cortina” can also be found in the flat. “In high school I reproduced one of the frescoes in the villa. I recreated it in color, although I usually prefer to work in black and white.” It’s part of his effort to engage an ever-growing audience, and to recount his journey to the 2026 Winter Olympics.Snow, the family’s Samoyed. The kitchen is by Binova, with Corian countertop. Venetian terrazzo floor. In one of the rooms, a reclaimed wood door. Rondò armchair (Armani/Casa). Beside the fireplace, double Parentesi lamp by Achille Castiglioni and Pio Manzù (Flos). Outside, evening descends over the Lombardy countryside and the beautiful back garden. The floors inside of the 17th-century villa are now a light, uniform Venetian terrazzo that highlights the thresholds of doors with a slightly darker hue. (The villa once operated as a spinning mill which irreparably damaged its original floors.) The doors themselves were recovered from the middle of fields where they had been discarded, covered with several layers of varnish. They have now been cleaned and left unfinished, beyond a light wax treatment, giving them their original appearance.

Whether you’re heading to this year’s Biennale, planning a future visit, or simply daydreaming about Venice, this guide—contributed by Hamilton-based architect Bill Curran—offers insights and ideas for exploring the canal-crossed city. Venice is like eating an entire box of chocolate liqueurs in one go. – Truman Capote Venice is my mystical addiction and I soon will make my 26th trip there, always for about 10 days or more. I keep getting asked why, and asked by other architects to share what to do and what to see. Only Italo Calvino could have reimagined (in ‘Invisible Cities’) such a magical, unique place, a water-born gem forged from 120 islands linked by 400 bridges and beset by a crazy-quilt medieval street and canal pattern. Abstract, dancing light forms dappling off water, the distinct automobile-less quiet. La Serenissima, The Most Serene One. Most buildings along the Grand Canal were warehouses with the family home above on the piano nobile floor above, and servant apartments above that in the attics, in a sea-faring nation state of global traders and merchants like Marco Polo. Uniquely built on a foundation of 1,000-year-old wood pilings, its uneven, wonky buildings have forged a rich place in history, literature and movies: Joseph Brodsky’s Watermark, Hemingway’s Across the River and into the Trees, Don’t Look Now starring Donald Sutherland, Mann’s Death in Venice, The Comfort of Strangers with Christopher Walken, Henry James’ The Wings of the Dove and The Aspern Papers, Kate Hepburn’s ‘Summertime. Yes, yes, Ruskin’s Stones of Venice is an option, as are Merchant of Venice and Casanova. Palazzo Querini Stampalia (Venice): Photo via Wikipedia THE MODERN ARCHITECTURE OF VENICE Much of Venetian life is lived in centuries-old buildings, with a crushing post-war recession leaving it preserved in amber for decades until the mass tourists found it. Now somewhat relieved of at least the cruise ship daytrippers, it is a reasonable place again, except maybe in peak summer. The weight of history, a conservatism for preservation and post-war anti-Americanism led to architectural stagnation. So there are few new, modern buildings, mostly on the edges, and some fine interior interventions, mostly invisible. For modern architecture enthusiasts Venice is a challenge. Carlo Scarpa (Giardini, Venise) – Photo via Wikipedia, licensed under the Creative Commons Attribution 2.0 Generic license Here is what modern architects should see: Carlo Scarpa‘s Must-See Works: Go see any of Scarpa’s interventions, demonstrating his mastery of detailing, materials, joinery and his approach to blending with existing fabric. He is Italy’s organicist, their Frank Lloyd Wright, and they even worked together (on the Masieri Foundation). Negozio Olivetti: The tiny former Olivetti typewriter showroom enfronting Piazza San Marco is perhaps the most wonderful of his works. It is open now to visit as a heritage museum. ”God is in the details”; Scarpa carefully considered every detail, material and connection. Le magasin Olivetti de Carlo Scarpa (Venise). Photo via Wikipedia. This file is licensed under the Creative Commons Attribution 2.0 Generic license The Fondazione Querini Stampalia is a must see, a renovated palazzo with ground floor exhibit spaces with tidewater allowed to rise up inside in one area you bridge across. The former entrance bridge is a lovely gem of exquisite detailing, rendered obsolete by a meh renovation by Mario Botta. A MUST is to have a coffee or prosecco in Scarpa’s garden and see the craft and detail of its amazing water feature. The original palazzo rooms are a lovely semi-public library inhabited by uni students; sign up as a member on-line for free. Walk up the spiral stair. The entry gate to the UIAV Architecture School in Campo Tolentini  is an unexpected wonder. A brutalist yet crisply detailed sliding concrete and steel gate, a sculpted concrete lychgate, then an ancient doorway placed on the lawn as a basin. Main Gate of the Tolentini building headquarters of Iuav university of Venice designed by Carlo Scarpa. Photo via Wikipedia, licensed under the Creative Commons Attribution 2.0 Generic license OTHER MODERN ARCHITECTURE TO SEE: Minimalist Dave Chipperfield expanded an area of suede-like concrete columbariums on the St. Michele cemetery island. Sublime. Extra points if you can find the tomb Scarpa designed nearby. The Ponte della Costituzione (English: Constitution Bridge) is the fourth bridge over the Grand Canal in Venice, Italy. It was designed by Santiago Calatrava. (Image via: Wikipedia) Calatrava’s Ponte della Constituzione bridge is an elegant, springing gazelle over the entrance to the Grand Central. But the glass steps are slippery and are being replaced soon, and the City is suing Calatrava, oops. The barrier-free lift pod died soon after opening. It is lovely though.   Le Canal della Giudecca, la Punta della Dogana, la basilique Santa Maria della Salute de Venise et le Canal Grande à Venise (Italie). Photo via Wikipedia Tadao Ando’s Punte Della Dognana museum is large, with sublime, super-minimalist, steel and glass and velvety exposed concrete interventions, while his Palazzo Grassi Museum was more restoration. A little known fact is that Ando used Scarpa’s lovely woven basketweave metal gate design in homage. An important hidden gem is the Teatrino Grassi behind the Museum, a small but fabulous, spatially dramatic theatre that often has events, a must-see! Fondaco dei Tedeschi: At the foot of Rialto Bridge and renovated by Rem Koolhaas, this former German trading post had been transformed into a luxury shopping mall but closed last month, a financial failure. Graced with a stunning atrium and a not well know fabulous rooftop viewing terrace, its future is now uncertain. The atrium bar is by Phillipe Starck and is cool. Try it just in case. Fondaco dei Tedeschi. Photo via Wikipedia Procuratie Vecchie: This iconic 16th storey building is one of Piazza San Marco’s defining buildings, and David Chipperfield’s restoration and renovation of this building, which defines Piazza San Marco, is all about preservation with a few modern, minimalist interventions. It operates as a Biennale exhibit space. Infill housing on former industrial sites on Guidecca Island includes several interesting new developments called the Fregnans, IACP and Junghans sites (look for fine small apartments such as by Cino Zucchi that reinterpret traditional Venetian apartment language). A small site called Campo di Marte includes side-by-sides by Alvaro Siza (disappointing), Aldo Rossi and Carlo Aymonino (ho hum); some day there will be a Rafael Moneo on the empty lot.     View this post on Instagram   A post shared by Denton Corker Marshall (@dentoncorkermarshall) AT THE BIENNALE: At the Biennale grounds there is much to see, with the only recent project the Australia Pavilion by Denton Corker, a black granite box hovering along a canal. Famous buildings include the Nordic Pavilion (Sven Ferre), Venezuela Pavilion (Carlo Scarpa), Finland Pavilion (Alvar Aalto), former Ticket Booth (Carlo Scarpa), Giardino dell Sculture (Carlo Scarpa), Bookstore (James Stirling) and there are some fab modern interiors inside the old boat factory buildings. Canada’s Pavilion by the Milan firm BBPR (don’t ask why) from 1956 is awkward, weird and much loathed by artists and curators. Le pavillon des pays nordiques (Giardini, Venise). Photo via Wikipedia, licensed under the Creative Commons Attribution 2.0 Generic license. Just outside the Biennale on the Zattere waterfront is a stirring Monument to the Women Partisans of WWII, laid in the water by Augusto Maurer over a simple stepped-base designed by Scarpa. Venezia – Complesso monastico di San Giorgio Maggiore. Photo via Wikipedia,  licensed under the Creative Commons Attribution-Share Alike 4.0 International license. BEYOND THE BIENNALE The Vatican Chapels: In 2018 the Vatican decided to participate in the Biennale for the first time for some reason and commissioned ten architects to design chapels that are located in a wooded area on the Venetian island of San Giorgio Maggiore, behind Palladio’s church. The architects include Norman Foster, Eduardo Souto de Moura, and Smiljan Radic, and includes The Asplund Pavilion, like the Woodland Chapel  that inspired it. It is intended as a “place of orientation, encounter, meditation, and salutation.” The 10 chapels each symbolize one of the Ten Commandments, and offer 10 unique interpretations of the original Woodland Chapel; many are open air. These are fab and make you think! Chiese San Giorgio Maggiore was designed by Palladio and is fine. But its bell tower offers magnificent city views and avoids the long lines, crowds and costs of Piazza San Marco’s Campanile. Next to San Giorgio you should tour the Cini Foundation, with an amazing stair by Longhera, the modern Monica Lunga Library (Michele De Lucchi) and a lovely Borges-inspired labyrinth garden. Behind San Giorgio en route to the Chapels is the Museo del Vetro (Glass Museum) and the fabulous Le Stanze della Fotografia (contemporary photography gallery) featuring a Mapplethorpe retrospective this year. (If you’re visiting this year, join me in Piazza San Marco on July 7, 2025, for his ex Patti Smith’s concert.) An unknown MUST DO is a concert in the stunning Auditorium Lo Squero (Cattaruzza Millosevich), with but 200 comfy seats in an adapted boat workshop with a stage wall of glass onto the lagoon and the Venitian cityscape. La Fenice Opera House in Venice, Italy. Image via: Wikipedia La Fenice Opera House: after burning down in 1996, Aldo Rossi supervised the rebuilding, more or less ‘as it was, as it is’, the Italian heritage cop-out. There is no Rossi to see here, but it is a lovely grand hall. Book a concert with private box seats. Venice Marco Polo Airport is definitely Aldo Rossi-inspired in its language, materials and colours. The ‘Gateway Terminal’ boat bus and taxi dock is a true grand gateway (see note about Gehry having designed an unbuilt option below). Venice Marco Polo airport. Photo via Wikipedia HIDDEN GEMS Fondazione Vendova by Renzo Piano features automated displays of huge paintings by a local abstract modernist moving about a wonderful huge open warehouse and around viewers. Bizarre and fascinating. Massimo Scolari was a colleague or Rossi’s and is a brilliant, Rationalist visionary and painter, renown to those of us devotees of the Scarpa/Rossi/Scolari cult in the 1980’s. His ‘Wings’ sculpture is a large scale artwork motif from his drawings now perched on the roof of the UIAV School of Architecture, and from the 1991 Biennale. Do yourself a favour, dear reader, look up his work. Krier, Duany and the New Urbanists took note. He reminds me of the 1920s Italian Futurists. You can tour all the fine old churches you want, but only one matters to me: Santa Maria dei Miracoli, a barrel-vaulted, marble and wood-roofed confection. San Nicolo dei Mendicoli is admittedly pretty fab, and featured in ‘Don’t Look Now’.  And the Basilica of Santa Maria Assunta on Torcello has an amazing mosaic floor, very unusual stone slab window shutters (and is near Locanda Cipriani for a wonderful garden lunch, where Hemingway sat and wrote). For the Scarpiani: There is a courtroom, the Manilo Capitolo, inside the Venice Civic Tribunale building in the Rialto Market that was renovated by Scarpa, and is amazing in its detail, including furniture and furnishings. You have to pass security to get in, and wait until court ends if on. It is worth it! The Aula Mario Baratto is a large classroom in a Palazzo overlooking the Grand Canal designed by Carlo Scarpa with amazing wood details and furniture. The room has stunning frescoes also. You can book a tour through Universite Ca’ Foscari. The view at a bend in the Grand Canal is stunning, and you can see the Fondazione Masieri (Scarpa renovation) building off to the left across the side canal (see Missed Opportunities). Within the Accademia Galleries and Correr Museum are a number of small renovations, stairs and art stands designed by Scarpa. Next to the Chiesa di San Sebastino decorated by Veronese is the Scarpa entrance to a linguistics library for the Universita Ca’ Foscari. Fondation W – Wilmotte & Associés: A French architect who is not shy and presumably rather wealthy runs his own exhibition space focused on architecture; ‘…it is both a laboratory and shop window…’,  so one of those. Worth a look. There is a recent Courthouse that is sleek, long, narrow, black and compelling on the north side of Piazzalle Roma, but I have not yet wandered in.   FOOD AND DRINKS FOR ARCHITECTS Philippe Starck’s lobby bar at the Palazzina Grassi hotel is the only cool, mod bar in town. Wow! Ask the barman to see the secret Krug Room and use the PG bar’s unique selfie washroom. I love this bar: old, new, electic. Also, Starck has a house on Burano, next to the pescheria (sorry, useless ephemera). He wants you to drop by. Restaurant Algiubagiò is the only cool, modern restaurant and it has fab food. It also has a great terrace over the water. Go! Zanze XVI is a nice clean mod interior and Michelin food. Worth it. Ristorante Lineadombra: A lovely, crisp modern interior and crisp modern Venetian food. A great terrace on the water also. Local Venice is a newer, clean, crisp resto with ‘interesting’ prices. Your call. Osteria Alla Bifora, while in a traditional workshop space, is a clean open loft, adorned modernly with a lovely array of industrial and historic relics. It is a lovely bar with charcuterie and a patio on the buzzy campo for students. Great for late night. Cicchetti are Venetian tapas, a standard lunch you must try. All’ Arco near Rialto has excellent nouveau food and 50m away is the lovely old school Do Mori. Osteria Al Squero in Dorsoduro overlooks one of the last working gondola workshops, and 100m away is the great Cantino del Vino già Schiavi. Basegò has creative, nouveau cichetti. Drinks on a patio along the Grand Canal can only be had economically at Taverna al Remer, or in Campo Erberia at Nanzaria, Bancogira, Al Pesador or Osteria Al Cichetteria. Avoid any place around Rialto Bridge except these. El Sbarlefo San Pantalon has a Scarpa vibe and a hip, young crowd. There is a Banksy 50’ away. Ristorante Venissa is a short bridge from Burano to Mazzorbo island, a Michelin-starred delight set in its own vineyard.   Since restaurant design cannot tie you up here, try some fab local joints: Trattoria Anzolo Raffaele : The owner’s wife is from Montreal, which is something. A favorite! Pietra Rossa: A fab, smart place with a hidden garden run by a hip, fun young restauranteur, Andrea. Ask for the Canadian architect discount. Oste Mauro Lorenzon : An entertaining wine and charcuterie bar run by the hip young restauranteur’s larger than life father, and nearby. Mauro is a true iconoclast. Only open evenings and I dare you to hang there late. Anice Stellato: A great family run spot, especially for fish. Excellent food always. La Colonna Ristorante: A nice, neighbourhood joint hidden in a small campo. Il Paradiso Perduto: A very lively joint with good food and, rarely in Venice, music. Buzzy and fun. Busa da Lele: Great neighbourhood joint on Murano in a lovely Campo. Trattoria Da Romano: Best local joint on Burano. Starck hangs here, as did Bourdain.   Cafes: Bacaro aea Pescaria is at the corner by Campo de la Becarie. Tiny, but run by lovely guys who cater to pescaria staff. Stand outside with a prosecco and watch the market street theatre. Extra points if you come by for a late night drink. Bar ai Artisti is my second fav café, in Campo S. Barnaba facing where Kate Hepburn splashed into the canal. Real, fab pastries, great terrace in Campo too. Café at Querini Stampalia: get a free visit to Scarpa’s garden and wander it with a coffee or prosecco. Make sure to see the bookstore also (and the Scarpa exhibition hall adjacent). Carlo Scarpa à la Fondation Querini Stampalia (Venise). Photo via Wikipedia, A lesser known place is the nice café in the Biennale Office next to Hotel Monaco, called Ombra del Leone. The café in the Galleria Internationale d’Arte Moderna Ca’ Pesaro is great with a terrace on the Grand Canal.   Cocktail bars: Retro Venezia: Cool, retro vibe. The owner’s wife dated a Canadian hockey player. You must know him. Il Mercante: A fabulous cocktail bar. Go. Time Social Bar:  Another cool cocktail bar. Vero Vino: A fab wine bar where you can sit along a canal. Many good restaurants nearby! Arts Bar Venice: If you must have a cocktail with a compelling story, and are ok with a $45 pricetag. Claims Scarpa design influence, I say no. But read the cocktail stories, they are smart and are named for artists including Scarpa. Bar Longhi in in the Gritti Hotel is a classic, although cheesey to me. Hemingway liked it. It has a Grand Canal terrace. The Hilton Stucky Hotel is a fabulous former flour factory from when they built plants to look like castles, but now has a bland, soulless Hilton interior like you are in Dayton. But it has a rooftop bar and terrace with amazing sunset views! While traditional, the stunning, ornate lobby, atrium and main stair of the Hotel Danieli are a must-see. Have a drink in the lobby bar by the piano player some evening.   STAYING MODERN Palazzina Grassi is the only modern hotel in Venice, with a really lovely, unique lobby/bar/restaurant all done by Philippe Starck. At least see the fab bar! Johnny Depp’s favourite. Generator Hostel: A hip new-age ‘design-focused’ hostel well worth a look. Not like any hostel I ever patronized, no kegs on the porch. Go visit the lobby for the design. A Euro chain. DD724 is a small boutique hotel by an Italian architect with thoughtful detailing and colours, near the Peggy Guggenheim Museum (the infamous Unfinished Palazzo), and they have a small remote outpost with fabulous apartment called iQS that is lovely. The owner’s brother is the architect. My fave! Avogaria: Not just a 5 room hotel, it is ‘a concept’, which is great, right?  But very cool. An architect is one of the owners. German minimalist architect Matteo Thun’s JW Mariott Venice Resort Hotel and Spa is an expensive convent renovation on its own lagoon island that shows how blandness is yawningly close to minimalism. The Hotel Bauer Palazzo has a really lovely mid-century modern section facing Campo San Moise, but it is shrouded in construction scaffolding for now.   SHOPPING MODERN FOR ARCHITECTS It is hard to find cool modern shopping options, but here is where you can: Libreria Acqua Alta: Used books and a lovely, unexpected, fab, alt experience. You must see and wander this experience! It has cats too. Giovanna Zanella: Shoes that are absolute works of art! At least look in her window. Bancolotto N10: Stunning women’s clothing made in the women’ prison as a job skill training program. Impeccable clothes; save a moll from a life of crime. Designs188: Giorgio Nason makes fabulous glass jewellery around the corner from the Peggy Guggenheim Museum. Davide Penso: Artisan made glass jewellery on Murano. Ferrovetro Murano: Artisan made jewellery, bags, scarfs. (on Murano). Madera: All the cool designer housewares and jewellery. DECLARE: Cool, modern leathergoods in a very sweet modern shop with exquisite metal detailing. A must see! Ottica Urbani: Cool Italian eyewear and sunglasses. Paperowl: Handmade paper, products, classes. Feeling Venice: Cool design and tourist bling can be found only here. No shot glasses.   MISSED OPPORTUNITIES, MEMORIES AND B-SIDES The Masieri Foundation: Look up the tragic story of this project, a lovely, small memorial to a young architect who died in a car accident on his honeymoon en route to visit Fallingwater in 1952. Yep. His widow commissioned Frank Lloyd Wright to design a small student residence and study centre, but it was stopped by anti-American and anti-Modernism sentiments. (Models and renderings are on-line). This may be Venice’s saddest architectural loss ever. The consolation prize is a very, very lovely Scarpa interior reno. Try to get in, ring the bell (it is used as offices by the university)! (Read Troy M. Ainsworth’s thesis on the Masieri project history). Also cancelled: Lou Kahn’s Palace of Congress set for the Arsenale, Corbusier’s New Venice Hospital which would have been sitting over the Lagoon in Cannaregio near the rail viaduct, Gehry’s Venice Gateway (the airport’s ferry/water taxi dock area). Also lost was Rossi’s temporary Teatro del Mondo, a barged small theatre that tooted around Venice and was featured in a similar installation in 1988 at the R.C. Harris Water Treatment Plant. All available on-line. Teatro del Mondo di Aldo Rossi, Venezia 1980. Photo via Wikipedia, CC BY-SA 4.0 Itches to scratch: Exercise your design skills to finish the perennial favorite ‘Unfinished Palazzo’ of the Peggy Guggenheim Museum, design a new Masieri Foundation, design the 11th Vatican Chapel or infill the derelict gasometer site next to Palladio’s Chiese San Francisco della Vigna.   FURTHER AFIELD Within an hour’s drive, you can see the simply amazing Tombe Brion in San Vito Altivole and the tiny, stunning Giptotecha Canova in Possagna (both by Scarpa), the Nardini Grappa Distillery in Bassano del Grappa by Maximillio Fuksas, and a ferry and taxi will get you to Richard Meier’s Jesolo Lido Condos on the beach. A longer drive of two hours into the mountains near Cortina will bring you to Scarpa’s lovely and little known Nostra Signore di Cadora Church. It is sublime! Check out the floor! Zaha Hadid’s stunning Messner Mountain Museum floats above Cortina, accessible by cable car. The recent M-09 Museum on mainland Mestre, a quick 10 minute train ride from Venice, by Sauerbruch + Hutton is a lovely urban museum with dynamic cladding. Castelvecchio Museum. Photo via Wikipedia The Veneto region is home to many cool things, and fab train service gets you quickly to Verona (Scarpa’s Castelvecchio Museum and Banco Populare), Vicenza (Palladio’s Villa Rotonda and Basillicata). There are Palladio villas scattered about the Veneto, and you can daytrip by canal boat from Venice to them. Go stand where Hemingway was wounded in WWI near Fossalta Di Piave (there is a plaque), which led to his famous novel, ‘A Farewell to Arms’. He never got to visit Venice until 1948, then fell in love with the city, leading to ‘Across the River and into the Trees’. He also threatened to burn down FLW’s Masieri Foundation if built (and they both came from Oak Park, Illinois. So not very neighborly).   OTHER GOOD ARCHITECTURAL REFERENCES Venice Modern Architecture Map The only guidebook to Modern Architecture in Venice   These architectural guide folks do tours geared to architects: Architecture Tour Venice – Guiding Architects Venice Architecture City Guide: 15 Historical and Contemporary Attractions to Discover in Italy’s City of Canals | ArchDaily Venice architecture, what to see: buildings by Scarpa, Chipperfield and other great architects The post An Architect’s Guide to Venice and its Modern Architecture    appeared first on Canadian Architect.

All products featured on Architectural Digest are independently selected by our editors. However, we may receive compensation from retailers and/or from purchases of products through these links.Overwater bungalows are now deeply embedded in our collective consciousness, but are still a relatively newer phenomenon in the world of hospitality characterized by sublime seascapes on all sides, water glittering like gemstones beneath your bed, and steps leading directly into the ocean.There was a time when cruise ships, yachts, and other sailing vessels were your primary options for housing right on the sea, when comfort was subject to swells and storms, not to mention space constraints. Now, as planes—both the standard and float version—descend into destinations such as the Maldives and French Polynesia, passengers can spot long, often gracefully arching lineups of bungalows that cut across famously crystalline cerulean waters. This type of villa has become so prolific it’s now found from Saudi Arabia to Indonesia, Belize to Switzerland.It all started in 1967, on the island of Raiatea—which, without a sandy beach, was proving a challenging sell for tourists. A trio of Californians known as the Bali Hai Boys conceived of a new type of accommodation: the overwater bungalow. At the time they assured the government that, like traditional Tahitians’ fishing huts, they would not harm the coral with their pandanus-leaf-thatched-roof structures, and that edict still holds true. Their trio of bungalows at Bali Hai Hotel became a craze that spread to Bora Bora and beyond; after all, the charming stilted cottages offered immersion into the magic of the sea, sans snorkel mask or air tank. Now nearly 60 years old, the iconic honeymoon hideaways, sought-after spots for not just romance but easy access to throngs of Technicolor sea creatures below, are looking better than ever.Over more than a half century, but especially in the last decade, the overwater villa has gone from strikingly simple to, in some cases, over-the-top opulent—though there are still plenty of affordable, modest versions around the world. Its homeland, French Polynesia, lays claim to somewhere around 1,000 properties, from Moorea to Rangiroa and Bora Bora. Of any destination, overwater villas are most abundant in the Maldives, with more than 170 resorts in the same category.Wherever they stand, overwater accommodations often feature similar elements, such as thatched roofs made of natural, indigenous materials. Bungalows are usually attached to a wooden pontoon walkway unless we’re talking about one very special overwater villa in the Maldives that floats, can be moved to different locations, and (thanks to state-of-the-art engineering) doesn’t rock and roll with the ocean’s swell. As interiors go, barefoot island rustic with lots of wood is a popular aesthetic, while some spots, like JOALI MALDIVES and Nujuma, a Ritz-Carlton Reserve, are incredibly glamorous. Panoramic views of the countless shades of blue outside are requisite, while overwater pools, jacuzzis, and suspended hammocks have become popular amenities, too.Because these revolutionary structures make for fun daydream fodder, here we look at some of the most heavenly modern overwater bungalows from around the world.Photo: Courtesy of Nujuma, a Ritz-Carlton Reserve1/30Nujuma, a Ritz-Carlton Reserve, Saudi ArabiaPerks: Private beach with cabanas, spa, watercraft rental, kids’ club, Bang & Olufson speakers, stargazing experiences, nature walksThe birds soaring above have perhaps the best view of Nujuma, Saudi Arabia’s solar-powered Red Sea villas which debuted in 2024—20 of which are of the overwater persuasion. The walkway connecting them is circular, evoking a string of pearls, while each of the dwellings is vaguely seashell-esque, with sculpted, shapely rounded roofs. Inside, those graceful curves are intact, arching over the bedrooms and bathrooms tinted in sandy hues and embellished with locally made artifacts. Even the swimming pools are devoid of any sharp edges or corners, which is all in keeping with the soft, sweeping lines that are so pleasing to the eye. From $1,999 per night.Book NowPhoto: Courtesy of Joali Being2/30JOALI Being, Bodufushi Island Raa Atoll, MaldivesPerks: Hydrotherapy hall, herbarium, yoga and fitness classes, wine cellar, multi-generational play zone, sound pathThere’s a heavy emphasis on wellbeing at this Maldives private island resort, and that ethos extends to its strikingly-hued villas, each of which has its own pool and comes with bicycles for guests, plus meditative musical instruments and mindful games. Curvy, arcing, and spiraling, like nature herself, the biophilic overwater villas reference seashells and waves and take their palette from the island’s foliage and sand. With soaring ceilings and tubs you’d want to spend all evening in, there would be seemingly no reason to leave, yet among the resort’s extra-comprehensive spa and hydrotherapy hall are two sanctuary-like watsu (water massage) pools and an inspiring yoga pavilion, not to mention Edenic open-air restaurants and an ocean-view tea bar. From $1,851 per night.BOOK NOWPhoto: Gili Lankanfushi3/30Gili Lankanfushi, North Malé Atoll, MaldivesPerks: The world’s largest standalone overwater villa, Mr/Mrs Friday private butler service, sunset cruises, Coral Lines project and coral nurseryIt’s not only the overwater bungalows but the attitude on Gili Lankanfushi that makes it a unique proposition. Shoes go in a bag at the outset of the boat ride to the resort and are literally not worn again until departure, and it even exists in its own special time zone to maximize sunshine hours. A Robinson Crusoe vibe pervades the 45 villas that fan out around a North Male Atoll private island, operated ultrasustainably down to an extensive plant-based menu featuring island-grown ingredients. The overwater bungalows have rooftop terraces, al fresco bathrooms, and water hammocks, with the world’s largest overwater villa, dubbed the Private Reserve, also featuring a gym, cinema, steam and sauna, and a water slide that delivers guests directly into the sparkling sea. From $1,796 per night.Book NowPhoto: Le Taha’a by Pearl Resorts4/30Le Taha’a by Pearl Resorts, Leeward Islands, French PolynesiaPerks: Local art, tennis, swimming pool, spa, three restaurants and two bars, wedding coordinator, vanilla plantation visits, Tahitian pearl jewelry shopTraditional Polynesian architecture and its natural materiality—see thatch, mother of pearl, wood, bamboo, pandanus leaves, coconut fiber, coral, and stone—feature heavily in this lush resort within view of Bora Bora but peacefully set apart from it. The panoramas are what differentiate the bungalows; guests can choose to gaze at Taha’a, Bora Bora or the west for the sunset, however the Taha’a Overwater Suite has perhaps the best perspective toward the first, known also as Vanilla Island. From $1,352 per night.Book NowPhoto: Patina Maldives, Fari Island5/30Patina Maldives, Fari Islands, MaldivesPerks: 13 culinary concepts, including plant-based and Nordic-Japanese fusion, spa, art and creative workshops, visiting practitioners, marina, beach clubAt this Maldives resort, modernist architecture by Marcio Kogan of Studio MK27—think clean lines; low, flat roofs that hold solar panels; expanses of glass that open fully on three sides; and concrete infinity pools that bleed into the seascape—contrasts the majority of overwater bungalows beautifully. The serene one- and two-bedroom hideaways were built with sustainably sourced materials and are outfitted with custom millwork, free-standing double bathtubs, earthly palettes of rattan, linen, and fiber, as well as furniture by the likes of Vitra, Bassam Fellows and Paola Lenti. Beyond showcasing the natural resources surrounding it, the resort’s ethos embraces wellness, responsible and innovative dining, and art from global names as well as the artist-in-residence program. From $2,630 per night.Book NowPhoto: Courtesy of Anantara Mina Al Arab Ras Al Khaimah Resort6/30Anantara Mina Al Arab Ras Al Khaimah Resort, Emirate of Ras Al KhaimahPerks: Mangrove lagoon sanctuary, six F&B outlets, curated experiences, cruising, padel, kids’ and teens’ clubs, spa with seen treatment roomsWhen it debuted in early 2024, Anantara’s new Emirate of Ras Al Khaimah resort became the first in the Emirates with overwater villas, and they’re as decadent as one would imagine for the deluxe destination. The Maldives’ dhoni-shaped thatched roofs inspired these, which feature vaulted ceilings, large decks, Arabesque flourishes, mashrabiya motifs and infinity swimming pools, naturally, across layouts that sprawl from 880 to 2,200 square feet. Free-standing bathtubs plus dual rain showers in the indoor-outdoor shower maximize enjoyment of the turquoise Persian Gulf and might even result in guests watching sea turtles swim in the protected mangrove lagoon while bathing. From $240 per night.Book NowPhoto: Courtesy of Bawah Reserve7/30Bawah Reserve, IndonesiaPerks: Seaplane arrival, plastic free, private overwater dinners, included activities, 13 beaches and two lagoons across six private islandsAn Earth-first attitude pervades Bawah Reserve, where among treehouse lodges, beaches, suites, and pool villas, the 11 overwater suites give guests the most intimacy with the Indian Ocean. Refined wood-shingled roofs, rustic timber railings, warm recycled teak walls, recycled copper bathrooms and tables and chairs made from flotsam with mural walls—designed by Sim Boon Yang—provide a new fresh feeling take on the concept, in Indonesia’s Anambas Islands in the Riau Archipelago. The private island escape is all-inclusive, so although the suites are a paradisiacal world in and of themselves, there are many activities as well as 13 beaches and two lagoons to explore. From $1,628 per night.Book NowPhoto: Stevie Mann for Soneva8/30Soneva Secret, Makunudhoo Atoll, MaldivesPerks: Remote, dedicated team for each villa of Barefoot Guardian, Barefoot Assistant and private chef, in-house marine biologist, astronomical dinner cruise, retractable roofsThirty years of experience went into the creation of Soneva’s new-in-2024 ultra-luxe, uber-bespoke, super-secluded concept in the remote Haa Dhaalu atoll. It has just 14 total villas across beach and water, with some on a lagoon that can only reached by boat, and each comes with three dedicated staff including a private chef and a Barefoot Guardian butler who can plan astronomical dinner cruises, snorkeling with manta rays or “secret day” options for surprise personalized itineraries. The villas themselves—built of FSC-certified wood with open-air bathrooms—are an exercise in thinking of everything: bedroom roofs that retract with a touch for sleeping under the stars, adventurous roof deck slides for splashing into the crystalline lagoon, and massage beds for private therapies. Coming online in 2025 is a perhaps even more immersive accommodation than the overwater villa: the Maldives’ first floating villa, a two-story wonder designed to eradicate movement from waves, as well as three floating solar farms. From $3,300 per night.Book NowPhoto: Courtesy of TA’AKTANA9/30Ta’aktana, a Luxury Collection Resort & Spa, Labuan Bajo, Flores, IndonesiaPerks: Spa and salon, water sports, overland and water-based explorations (including to Komodo dragons), cocktail masterclasses, high tea, lap poolThe emerging destination of Labuan Bajo—gateway to Komodo National Park—on Flores had never seen overwater villas until seven of them opened in 2024 with Ta’aktana, a luxurious resort that draws from the region’s unique culture as much as it does its land- and seascapes. Still, the genre isn’t totally unknown. The seven circular bungalows with rounded interiors reference Labuan Bajo’s historical sea nomads who once lived in stilt houses, and they include fossil wood from antique phinisi sailing ships, upcycled stingray leather detailing, hand-carved patterns inspired by Flores’ lingko cancar rice field, and local macrame. From $431 per night.Book NowPhoto: Courtesy of Nayara10/30Nayara Bocas del Toro, PanamaPerks: Solar-powered treehouses, 70-foot freshwater pool, 100-year-old Elephant House restaurant, elevated oversea sandy beach on stilts, 100% off-gridSixteen overwater villas at this sustainable adults-only resort in Panama’s Bocas del Toro province hug the mangrove-thronged coastline of a lush private island that also includes a collection of solar-powered treehouses designed by IBUKU. Highlighting traditional materials such as thatched roofs, timber walls, and glass floor panels, they invite intimacy between guests and the aquamarine water, which is easily accessible via stairs for kayaking, SUP, or snorkeling excursions. The resort also boasts the world’s first overwater beach, a 90-by-20-foot tray of creamy sand with steps descending into the sea. From $1,077 per night.Book NowPhoto: Moeava de Rosemont11/30Four Seasons Bora Bora, French PolynesiaPerks: Private islet, tennis courts, sunset cruises, beach bar, spa with signature rituals, ATV excursions, kids’ club, vegan and vegetarian menusWhile all the overwater bungalows at this impeccable property epitomize the genius of the genre with their celebration of the gorgeous environs, the four Otemanu Overwater Bungalow Suites are truly awe-inspiring. Whether you're in the airy living room, noshing at the dining table, bathing in the sculptural tub, lounging in the palapa, or swimming at the edge of the infinity pool, the lagoon’s beautiful blues are staring back, truly the star of the scene. From $1,967 per night.Book NowPhoto: Courtesy of Song Saa Private Island12/30Song Saa Private Island, CambodiaPerks: Open-air spa, diving and snorkeling, scenic boat trips, meditation sessions, sea kayaking, spa and wellness programs, private beachCambodia might not be the last place you’d expect a breathtaking resort of overwater bungalows, but it’s probably surprising. In 2012, the Koh Rong Archipelago became home to this sustainable Robinson Crusoe–chic property with, among other layouts, a two-bedroom overwater Royal Villa of rough-hewn timber, with a vast glass floor in the living room (alongside driftwood furnishings), a half-moon infinity pool with an expansive terrace, dual oversize sunken bathtubs, a personal chef, and a private jetty complete with a boat for the guests’ exclusive use. From $1,338 per night.Book NowPhoto: Laucala Island Photographer13/30COMO Laucala Island, FijiPerks: 240-acre organic farm, glass-sided infinity pool, hilltop spa and yoga pavilion, three bars, private 18-hole, par-72 championship golf course, horseback riding, surfingThe Overwater Villa on this private island property is more like an overwater estate. It’s distinctive not just for its split-level design, but its dramatic outdoor spaces—massive terraces and a large pool carved directly into the rocks on the shore. Guests of the two-bedroom stunner are transported to and from the main resort facilities by private yacht (or they can walk on a wooden pathway), but with 3,000 square feet of flawlessly curated luxury and the emerald lagoon at their feet, there’s not much reason to go anywhere at all, except maybe to the signature COMO Shambhala Spa. From $6,500 per night.Book NowPhoto: Mel Yates14/30One&Only Reethi Rah, North Malé Atoll, MaldivesPerks: beach club, treehouse, beach cruisers, wellness activities and spa, adults-only pool, outdoor movie theater, kids’ clubThere are hundreds of overwater bungalows in the Maldives, but these have the distinction of being some of the most private, since only a couple connect to each pontoon, each facing a different direction in the unbelievably turquoise Indian Ocean for an edge-of-the-earth feel. Lofty wood-beam ceilings keep things light and airy in the Grand Water Villa, but understandably extras like the long infinity pool (complete with built-in submerged chaise), separate jacuzzi, draped outdoor daybed and lounge areas minimize time spent inside. (It’s also worth booking a visit to one of the spa’s overwater couples'-treatment suites.) From $2,680 per night.Book NowPhoto: Courtesy of Cayo Espanto15/30Cayo Espanto, BelizePerks: Personal butler, private dock, just seven villas, customized meals by private chef, scuba diving, yacht, helipad, fly fishingAs island paradises go, this one—featuring the first overwater bungalow in Belize—is up there. While all the recently refreshed villas are luxe, Casa Ventanas, at 1,100 square feet and more than 150 feet of privacy, goes above and beyond with custom-crafted furnishings, a glass floor featuring a light that can be switched to different colors to filter the sea-creature-filled waters below and new glass shower walls for taking in ocean panoramas while bathing. From $2,295 per night.Book NowPhoto: Courtesy of Hotel Palafitte16/30Hôtel Palafitte, Neuchâtel, SwitzerlandPerks: Lakeview restaurant, bar with live music, cycling adventures, seasonal outdoor terrace lounge, Sunday brunchThe overwater craze is not confined to tropical climes. This Swiss bolthole became the first and only hotel in Europe built on stilts when it was constructed as part of the National Expo 2002 as a “surprising work” by architect Kurt Hoffmann with a group of students. Actually, the stilts reference ancient Swiss construction techniques, but also give guests of the 26 over-lake bungalows (each with a private terrace) the sense of being on a remote island, complete with access to stand-up paddling, boating, and waterskiing to make up for the lack of tropical fish. From $382 per night.Book NowPhoto: Courtesy of St. Regis Hotels & Resorts17/30The St. Regis Bora Bora Resort, French PolynesiaPerks: Lagoonarium sanctuary, spa and fitness center, 24/7 butler service, sailing and diving, swim-up bar, complimentary non-motorized watersportsAt a low-season rate of more than $4,500 per night, the Overwater Royal Otemanu Villa with Pool—it’s worth noting the 20-by-16-foot infinity edge pond is the largest suspended pool in the South Pacific—is one of the more extravagant ways to vacation at this St. Regis resort. Crafted of exotic noble woods with vibrant accents, the nearly 3,000-square-foot bungalow is a prime place to watch neon lagoon fish either behind glass portholes or in the flesh via private ladder access. From $2,013 per night.Book NowPhoto: Courtesy of Six Senses18/30Six Senses, Ninh Van Bay, VietnamPerks: Six Senses Spa and Alchemy Bar, yoga pavilion, kids club, Earth Lab sustainability center, outdoor cinema, private beachOne of the beautiful things about overwater bungalows is that, to a large degree, they allow nature meld with the indoors, and tend to act as frames for their postcard-perfect surrounds. An ideal example is this destination on the bucolic coast of Vietnam, where excessively private 1,600-square-foot Water Pool Villas overlook the bay’s coral formations and give way to flawless sunset vistas, not to mention boasting plunge pools, outdoor showers, handcrafted wooden bathtubs, and steps into the water for snorkeling. From $770 per night.Book NowPhoto: Courtesy of Conrad Hotels19/30Conrad Bora Bora Nui, French PolynesiaPerks: Private beach, infinity pool with swim-up bar; gratis snorkeling equipment, paddleboards and kayaks; private island for picnics and dining, spa and hammam, floating helipadThe former Hilton Bora Bora Nui, fully and beautifully reimagined to become a more sumptuous Conrad is set on arguably the most spectacular part of Bora Bora, and is home to the only two-story overwater bungalow in French Polynesia. With a palette that reflects their azure surroundings, the Presidential Villas (there are two)—outfitted with a well-being room with sauna, three bedrooms, a private sundeck, a pool, and a bar—are like the ultimate playgrounds in one of the planet’s prettiest neighborhoods. From $1,588 per night.Book NowPhoto: Courtesy of Six Senses20/30Six Senses Laamu, Laamu Atoll, MaldivesPerks: A well-known surf wave, wellness programs, spa and salon, two restaurants, ice cream parlor, sandbank dining, scuba diving, library, volleyballThe over-ocean villas at Six Senses Laamu have at least one thing most don’t: a sunken glass bathtub over the turquoise saltwater. A soak there is one time to skip the bubbles for an experience akin to an ocean bath. The timber-clad bungalows with signature pops of color also have their own treetop deck for appreciating the sun-soaked seascape or vibrant sunset. Other signature hallmarks of the genre are present here, too: net overwater hammocks, wide timber terraces, sun loungers, and outdoor showers. There are also offerings with personal swimming pools. From $1,056 per night.Book Now

Baldur’s Gate 3 may have the worst video game merchandise ever made GameCentral Published May 20, 2025 5:05pm Updated May 20, 2025 5:05pm At least they’re offering a refund (WizKids) A set of figurines depicting the main characters from Baldur’s Gate 3 has been upsetting and amusing fans in equal measure, as a refund is offered by the manufacturer. Most people like to own a physical memento of their favourite games, whether it’s a T-shirt, key ring, or some kind of action figure or statute. You can get all that and more for most big name video games, although there has perhaps been less for smash hit Baldur’s Gate 3 than you might expect. Board game maker WizKids has attempted to fill that gap in the market with a range of miniatures recreating the game’s lead characters, but the end result has, to put things mildly, been something of a disappointment. The Dungeons & Dragons: Icons Of The Realms – Baldur’s Gate 3 is a set of seven figurines that costs £49.99 in the UK. That’s relatively cheap for this sort of thing, which is already a red flag, although no one was prepared for just how bad the final product has turned out. Although the official promotional images all seem quite impressive, the actual toys don’t look anything like them. As one fan on Reddit pointed out, the underlying miniatures are perfectly fine but the paint seems to have been applied by someone that’s either partially sighted, drunk, or both. Other fans on Reddit compared it, unfavourably, to the work of Picasso and the infamous ‘Potato Jesus’ restoration of a 19th century fresco in Spain. The characters are Astarion, Karlach, Gale, Shadowheart, Wyll, Lae’zel, and Withers; they’re all awful but Shadowheart seems to have come off the worst, at least in terms of the photos that have been posted online – but it’s very likely the quality varies greatly. To be fair, the figurines are quite small (WizKids) To their credit, WizKids has admitted the set is awful and is offering a full refund. ‘Unfortunately, we missed the mark on this goal with the D&D Icons of the Realms: Baldur’s Gate 3 Character Boxed Set,’ says a statement on their website. More Trending ‘We’re aware of the recent reports and complaints and are taking them seriously. Our team is currently investigating these issues and taking action to make this right for those whose purchases were negatively affected and to ensure these issues do not recur in future products and reprints. ‘Please accept our sincerest apologies for the frustration and disappointment these quality issues caused our customers. We, too, feel the same as the final product did not meet our expectations or that of our Wizards of the Coast partner.’ After a quick google we found the set being sold at Zatu Games for a reduced price of £43.19. There’s also what looks to be blind box versions of the same characters plus additional enemies and monsters at Forbidden Planet. There don’t seem to be any specific reports about the quality of those, but for obvious reasons you might want to think twice before giving them a try. This is what they’re supposed to look like (WizKids) Email gamecentral@metro.co.uk, leave a comment below, follow us on Twitter, and sign-up to our newsletter. To submit Inbox letters and Reader’s Features more easily, without the need to send an email, just use our Submit Stuff page here. For more stories like this, check our Gaming page. GameCentral Sign up for exclusive analysis, latest releases, and bonus community content. This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply. Your information will be used in line with our Privacy Policy

Baldur's Gate 3's terrible miniatures "missed the mark" so much, WizKids is offering refunds Company is taking complaints "seriously." Image credit: Eurogamer/WizKids News by Matt Wales News Reporter Published on May 19, 2025 Board game company WizKids has apologised for its recent line of Baldur's Gate 3 miniatures, acknowledging the melty faced monstrosities "missed the mark" and offering full refunds. WizKids announced the range - officially known as Dungeons & Dragons: Icons Of The Realms: Baldur's Gate 3 - at the end of last year, and US customers began receiving their £50/$49.99, seven-character sets earlier this month. However, rather than the crisply detailed renditions of Astarion, Karlach, Gale, Shadowheart, Wyll, Lae'zel and Withers featured in WizKids' promotional material, customers instead received pre-painted miniatures that wouldn't have looked out of place in a Borja church fresco - and complaints were swift. And now, with more and more images of the squishy faced disappointments being shared online, WizKids has been forced to concede that, yes, its Baldur's Gate 3 miniatures are in fact rubbish. "As a company, WizKids seeks to create products that enhance and add to the enjoyment of game play," it wrote on its website. "We want our customers to build long-lasting, fond memories around game nights with friends and family using our products." Uncanny. | Image credit: Eurogamer/WizKids "Unfortunately, we missed the mark on this goal with the D&D Icons of the Realms: Baldur's Gate 3 Character Boxed Set," it continued. "If you purchased this set through our online stores, we will be offering a full refund to those who are unsatisfied with their set... We're aware of the recent reports and complaints and are taking them seriously. Our team is currently investigating these issues and taking action to make this right for those whose purchases were negatively affected and to ensure these issues do not recur in future products and reprints." WizKids notes anyone who purchased the box set from a third-party retailer should contact them directly for a refund, while those wishing for a replacement - one that "meets the standards expected" - can do so via its website. "Please accept our sincerest apologies for the frustration and disappointment these quality issues caused our customers," WizKids concluded. "We, too, feel the same as the final product did not meet our expectations or that of our Wizards of the Coast partner. Our teams are working to find the best solutions to resolve this for all involved and to work with you, our customers, to fix this. We appreciate your patience as we focus on getting back to those affected and helping them with their refunds in a timely manner." It's hardly a fitting celebration of developer Larian's acclaimed 2023 RPG, but with the studio's work on the game now largely at an end following April's massive Patch 8, Astarion, Karlach, and friends are now entirely at Dungeons & Dragons owner Hasbro's mercy. And if that means licensing them out to be turned into unrecgonsisable bits of plastic, then so be. Hasbro has, of course, already confirmed it's keen to find a studio to make Baldur's Gate 4, but with Larian now working on its own mysterious projects, it's unclear how far off that may be.