You never know who you might meet on a plane. Four years ago, ELLE Decor A-List designer James Huniford, known as Ford, began chatting with the gentleman across the aisle. Both have children, and both spend time in the Hamptons, so they had a lot to talk about. The man mentioned he was hoping to buy land in the Hamptons for a vacation house. Huniford encouraged him and handed over his business card. But after landing, the designer gave no further thought to the encounter, so he was surprised when, several months later, the man’s wife called.The couple, who had rented in the Hamptons for years, had found an idyllic site on a peninsula in Sag Harbor, private but close to town. Though their city home is traditional, they chose William Reue, a New York architect known for crisp, modernist geometry, to design the house. He conceived of a three-story home with six bedrooms, large enough for the couple and a parade of guests, including their four grown children and their partners. Landscape designer Edmund Hollander, renowned for projects such as the public garden at the Kennedy Center in Washington, was brought in to envision an environment worthy of the setting. Pernille LoofEven before the foundations were poured, the couple invited Huniford to the site. They made it clear that they didn’t want either a conventional shingled beach house or a stark white box. “They told me, no trends,” he says. “They wanted a sense of playfulness. And they love color.” The man’s wife explained exactly what she wanted: “A house where I feel like I’m on vacation every time I step inside. And even when I am inside, I want to feel like I’m outside.” In some ways Huniford was an unexpected choice, since he is not often tapped for sleek, contemporary interiors. But he proved to be a wise one. He has an eclectic eye that can discern the beauty in a rusted tool or an old road sign, in rough-hewn beams or a clunky Victorian washstand. He juxtaposes these disparate elements with clean-lined furnishings, in restrained but never cold spaces. Over the past two decades he has designed apartments and country houses for a variety of people in the worlds of finance, media, and entertainment, including Broadway producers Jeffrey Seller and John Gore. “I never doubted that [Ford] was the right person,” the wife says. “I knew the house would be beautiful. Some people were surprised at our choice, saying, ‘That’s not his style.’ But so what? A good designer always has more up their sleeve than people think.”“They told me, no trends. They wanted a sense of playfulness. and they love color.” —James HunifordHuniford immediately knew water would be central to his conception. “The light is extraordinary,” he says. “The reflection off the water inspired the palette of saffron, green, and blue.” For inspiration he looked to French modernism, especially the simple, sunstruck variety in the South of France, exemplified in Eileen Gray’s 1929 house in Roquebrune-Cap-Martin, and the nearby beach cabin Le Corbusier built two decades later. To soften this home’s geometry, Huniford filled the rooms with craftsmanship, incorporating both vintage furnishings and commissioned items. The dramatic wood staircase was based on one he had spotted at an antiques dealer on the Left Bank in Paris. The den’s paneling is inset with butter-fly joints evocative of iconic designer George Nakashima’s woodworking techniques.Huniford divided the huge living area into zones, creating a sense of loft living at the beach. Wit and color are equally evident: in the dressing room’s postmodern “Queen Anne” chair by Robert Venturi and Denise Scott Brown; in the kitchen’s gold-streaked stone, which the designer dubs “Cy Twombly marble”; and in the powder room lined in Yves Klein–blue parchment.Huniford’s good fortune on this project extended beyond the initial chance encounter. These clients let him stretch into new territory, more colorful and contemporary. “They pushed me,” he says. “And they trusted me.” ◾ This story originally appeared in the Summer 2025 issue of Elle Decor. SUBSCRIBE

A Bridgehampton home that Susan Breitenbach, a Hamptons real estate agent, sold for more than $14 million in May 2025. Courtesy of Susan Breitenbach 2025-06-05T08:07:01Z Save Saved Read in app This story is available exclusively to Business Insider subscribers. Become an Insider and start reading now. Have an account? Hamptons home sales are booming despite stock market volatility and recession fears. Home sales were up about 86% in the first quarter over the same time period in 2024. Prices and sales are soaring in the beach destination despite Wall Street volatility. As Wall Street reels with every twist and turn in President Donald Trump's trade war, there's little sign of economic uncertainty in Manhattan's favorite beach destination just 100 miles east.Demand for luxury real estate in the Hamptons is only growing. Sales and home prices have surged over the last year.Rising prices in the tony enclave are nothing new. The pandemic ushered in a surge of buyers looking to escape the city. The median sales price of homes in the Hamptons in the first quarter of 2025 was more than $2 million, a 13% increase over the previous year and nearly double what it was five years ago, according to a recent Douglas Elliman report.Perhaps more notably, the pace of sales is also soaring this year. Sales were up about 86% in the first quarter over the same time period last year, according to the Douglas Elliman report. That's after home sales fell in the wake of the pandemic buying frenzy, and haven't returned to the highs of 2020."The tired story of the housing recovery coming out of the pandemic is high prices, low sales," Jonathan Miller, who leads the real estate appraisal and consulting firm Miller Samuel and authored the Douglas Elliman report, told Business Insider. "The Hamptons doesn't fit that pattern. It's high prices and high sales."Miller added that the sharp rise in sales is "unusual and counter to the prevailing trends."Susan Breitenbach, a top Hamptons real estate agent with the Corcoran Group, said she's closed more deals so far this year than in all of 2024. She's sold a slew of luxury homes, including a $17.5 million oceanfront property in Bridgehampton, an Amagansett home for $13 million, a Sag Harbor home on less than an acre for $21 million, and a Southampton house for $5.6 million. "It was really very surprising," Breitenbach, who's been selling property in the Hamptons for more than 30 years, told BI. A Southampton home Breitenbach sold for $5.6 million in May 2025. Courtesy of Susan Breitenbach While some agents like Breitenbach are closing deals at the highest end of the market, the middle of the Hamptons market — homes between $1 million and $5 million — has driven the uptick in sales. These "meat and potatoes" sales, Miller said, are way up.So-called "tangible assets," like luxury real estate in very in-demand markets, can be particularly attractive to certain investors when markets are wobbly.Global stocks plummeted following Trump's "Liberation Day" tariffs announcement, and while they've mostly rebounded since the administration walked back some of their tariffs, markets are on edge. In early June, the Organization for Economic Co-operation and Development cut its forecast for the US economic growth rate in 2025 from 2.8% to 1.6%, citing Trump's trade policies."Hamptons real estate has a long history of appreciating over time," Andrew Saunders, president of the Hamptons real estate brokerage Saunders & Associates, told BI. Some more cautious buyers "might look at what's happening in the world at large and say, 'You know what, I'm going to wait a month or two and let the world take a few spins and see what happens.' But we're not seeing that occur en masse."Miller credited big Wall Street bonuses in 2024 for some of the spike in sales and agreed that market volatility could be pushing some to diversify their investments.The Hamptons rental market might be more sensitive to economic uncertainty. Breitenbach said rental interest was much higher than usual in January but has since fallen off. Miller, who doesn't track rentals in the Hamptons, added that an increase in sales would naturally lead to a drop in rental demand.Breitenbach recently listed a home on 2.5 acres of oceanfront property in Water Mill, which sits between Southampton and Bridgehampton, for $44.5 million. "It's not about the house, it's about the land," she added. "And that's a deal." A Southampton home Breitenbach sold for nearly $12.7 million in January. Courtesy of Susan Breitenbach Hamptons buyers are from all over. Breitenbach said she's seen an uptick in California buyers this year, and she still has foreign buyers. But a large share of her clients are still Manhattanites."A lot of it is the high-end New York — Manhattan — buyers, because there aren't many places they can go on the weekends," she said.Breitenbach said Memorial Day weekend this year felt more packed than ever out east, even with cooler-than-normal weather. "It looked like Fourth of July," she said.She doesn't expect market volatility and even threats of a recession to change that."It's going to be a busy summer in the Hamptons regardless," Breitenbach said. "People keep coming out here no matter what's going on."

Limited-time offer: Get more than 30% off a Vox Membership. Join today to support independent journalism. Federal civil servants are supposed to enjoy robust protections against being fired or demoted for political reasons. But President Donald Trump has effectively stripped them of these protections by neutralizing the federal agencies that implement these safeguards.An agency known as the Merit Systems Protection Board (MSPB) hears civil servants’ claims that a “government employer discriminated against them, retaliated against them for whistleblowing, violated protections for veterans, or otherwise subjected them to an unlawful adverse employment action or prohibited personnel practice,” as a federal appeals court explained in an opinion on Tuesday. But the three-member board currently lacks the quorum it needs to operate because Trump fired two of the members.Trump also fired Hampton Dellinger, who until recently served as the special counsel of the United States, a role that investigates alleged violations of federal civil service protections and brings related cases to the MSPB. Trump recently nominated Paul Ingrassia, a far-right podcaster and recent law school graduate to replace Dellinger.The upshot of these firings is that no one in the government is able to enforce laws and regulations protecting civil servants. As Dellinger noted in an interview, the morning before a federal appeals court determined that Trump could fire him, he’d “been able to get 6,000 newly hired federal employees back on the job,” and was working to get “all probationary employees put back on the job [after] their unlawful firing” by the Department of Government Efficiency and other Trump administration efforts to cull the federal workforce. These and other efforts to reinstate illegally fired federal workers are on hold, and may not resume until Trump leaves office.Which brings us to the US Court of Appeals for the Fourth Circuit’s decision in National Association of Immigration Judges v. Owen, which proposes an innovative solution to this problem.As the Owen opinion notes, the Supreme Court has held that the MSPB process is the only process a federal worker can use if they believe they’ve been fired in violation of federal civil service laws. So if that process is shut down, the worker is out of luck.But the Fourth Circuit’s Owen opinion argues that this “conclusion can only be true…when the statute functions as Congress intended.” That is, if the MSPB and the special counsel are unable to “fulfill their roles prescribed by” federal law, then the courts should pick up the slack and start hearing cases brought by illegally fired civil servants.For procedural reasons, the Fourth Circuit’s decision will not take effect right away — the court sent the case back down to a trial judge to “conduct a factual inquiry” into whether the MSPB continues to function. And, even after that inquiry is complete, the Trump administration is likely to appeal the Fourth Circuit’s decision to the Supreme Court if it wants to keep civil service protections on ice.If the justices agree with the circuit court, however, that will close a legal loophole that has left federal civil servants unprotected by laws that are still very much on the books. And it will cure a problem that the Supreme Court bears much of the blame for creating.The “unitary executive,” or why the Supreme Court is to blame for the loss of civil service protectionsFederal law provides that Dellinger could “be removed by the President only for inefficiency, neglect of duty, or malfeasance in office,” and members of the MSPB enjoy similar protections against being fired. Trump’s decision to fire these officials was illegal under these laws.But a federal appeals court nonetheless permitted Trump to fire Dellinger, and the Supreme Court recently backed Trump’s decision to fire the MSPB members as well. The reason is a legal theory known as the “unitary executive,” which is popular among Republican legal scholars, and especially among the six Republicans that control the Supreme Court.If you want to know all the details of this theory, I can point you to three different explainers I’ve written on the unitary executive. The short explanation is that the unitary executive theory claims that the president must have the power to fire top political appointees charged with executing federal laws – including officials who execute laws protecting civil servants from illegal firings.But the Supreme Court has never claimed that the unitary executive permits the president to fire any federal worker regardless of whether Congress has protected them or not. In a seminal opinion laying out the unitary executive theory, for example, Justice Antonin Scalia argued that the president must have the power to remove “principal officers” — high-ranking officials like Dellinger who must be nominated by the president and confirmed by the Senate. Under Scalia’s approach, lower-ranking government workers may still be given some protection.The Fourth Circuit cannot override the Supreme Court’s decision to embrace the unitary executive theory. But the Owen opinion essentially tries to police the line drawn by Scalia. The Supreme Court has given Trump the power to fire some high-ranking officials, but he shouldn’t be able to use that power as a back door to eliminate job protections for all civil servants.The Fourth Circuit suggests that the federal law which simultaneously gave the MSPB exclusive authority over civil service disputes, while also protecting MSPB members from being fired for political reasons, must be read as a package. Congress, this argument goes, would not have agreed to shunt all civil service disputes to the MSPB if it had known that the Supreme Court would strip the MSPB of its independence. And so, if the MSPB loses its independence, it must also lose its exclusive authority over civil service disputes — and federal courts must regain the power to hear those cases.It remains to be seen whether this argument persuades a Republican Supreme Court — all three of the Fourth Circuit judges who decided the Owen case are Democrats, and two are Biden appointees. But the Fourth Circuit’s reasoning closely resembles the kind of inquiry that courts frequently engage in when a federal law is struck down.When a court declares a provision of federal law unconstitutional, it often needs to ask whether other parts of the law should fall along with the unconstitutional provision, an inquiry known as “severability.” Often, this severability analysis asks which hypothetical law Congress would have enacted if it had known that the one provision is invalid.The Fourth Circuit’s decision in Owen is essentially a severability opinion. It takes as a given the Supreme Court’s conclusion that laws protecting Dellinger and the MSPB members from being fired are unconstitutional, then asks which law Congress would have enacted if it had known that it could not protect MSPB members from political reprisal. The Fourth Circuit’s conclusion is that, if Congress had known that MSPB members cannot be politically independent, then it would not have given them exclusive authority over civil service disputes.If the Supreme Court permits Trump to neutralize the MSPB, that would fundamentally change how the government functionsThe idea that civil servants should be hired based on merit and insulated from political pressure is hardly new. The first law protecting civil servants, the Pendleton Civil Service Reform Act, which President Chester A. Arthur signed into law in 1883.Laws like the Pendleton Act do more than protect civil servants who, say, resist pressure to deny government services to the president’s enemies. They also make it possible for top government officials to actually do their jobs.Before the Pendleton Act, federal jobs were typically awarded as patronage — so when a Democratic administration took office, the Republicans who occupied most federal jobs would be fired and replaced by Democrats. This was obviously quite disruptive, and it made it difficult for the government to hire highly specialized workers. Why would someone go to the trouble of earning an economics degree and becoming an expert on federal monetary policy, if they knew that their job in the Treasury Department would disappear the minute their party lost an election?Meanwhile, the task of filling all of these patronage jobs overwhelmed new presidents. As Candice Millard wrote in a 2011 biography of President James A. Garfield, the last president elected before the Pendleton Act, when Garfield took office, a line of job seekers began to form outside the White House “before he even sat down to breakfast.” By the time Garfield had eaten, this line “snaked down the front walk, out the gate, and onto Pennsylvania Avenue.” Garfield was assassinated by a disgruntled job seeker, a fact that likely helped build political support for the Pendleton Act.By neutralizing the MSPB, Trump is effectively undoing nearly 150 years worth of civil service reforms, and returning the federal government to a much more primitive state. At the very least, the Fourth Circuit’s decision in Owen is likely to force the Supreme Court to ask if it really wants a century and a half of work to unravel.See More:

We may earn a commission from links on this page.Welcome to “Cookbook of the Week.” This is a series where I highlight cookbooks that are unique, easy to use, or just special to me. While finding a particular recipe online serves a quick purpose, flipping through a truly excellent cookbook has a magic all its own. My cookbook of the week is often a hot new release, unless I decide to spotlight one that has been out for a few years. But I haven’t done a real throwback cookbook in a while. My very first cookbook of the week was Hershey’s Best-Loved Recipes, and while not quite as old, this week’s selection has been my trusted companion for quite some time. This week I chose to highlight Tate’s Bake Shop Cookbook not only because it is packed withrecipes for fabulous sweet treats, but because it always offers a nice break from the annoyances of modern internet baking.A bit about the bookTate’s Bake Shop is an actual bakery in the Hamptons on Long Island. It’s a small shop with creaky wooden floors and a warm atmosphere—at least that’s how I remember it from when I worked in Bridgehampton for a summer. I would occasionally pop in and grab some cookies, but this was long before I realized they were the Tate’s Cookies—before their green bags started popping up in every grocery store cookie aisle. You may have tried the crispy, flat cookies Tate’s is now famous for, but did you know that they make more than cookies?This cookbook is from the founder of Tate’s Bake Shop, Kathleen King. It turns out she makes a heck of a cookie...and a heck of a pie, and scone, and blueberry buckle. I love Tate's Bake Shop Cookbook because it’s filled with reliable, classic bakes. The entire Tate's brand is built on homemade, cozy, old-fashioned vibes, and that’s what you'll find in the pages of this cookbook. There’s nothing flashy about it. It’s not striving to be a part of your coffee table decor. The recipes are mostly one-pagers with short head notes and simple text, and you’ll only find pictures in the center section. This is a cookbook that’s meant to be dog-eared, annotated, used by your kids, and accidentally splattered with flour—a cookbook made to be loved.A great cookbook for a spoon and a bowlWhile I’ve owned this cookbook for nearly 15 years, I haven’t cracked it open in a while. I meandered through the recipes and marked some titles that caught my eye, or that I remembered being tasty. As I read through the short directions, I noticed some trends: most of the recipes are mixed by hand, several recipes are from family or friends, and King uses salted butter without a care in the world for anyone else's opinion. Seeing a cookbook, especially a baking cookbook, filled with short, easy to follow recipes is a breath of fresh air. Recipes that don’t require the use of an electric mixer are almost too good to be true. But here it is, each recipe is enticing in its simplicity: Sour Cream Pound Cake, Chocolate Jumbles, Sticky Toffee Date Pudding, and the recipe for the famous chocolate chip cookie that you know from the store. Reading these recipes feels almost soothing. Dramatic, I know. But I often feel like social media recipes and newer cookbooks are throwing everything at me at once to catch my attention. This cookbook seems less an attempt at impressing readers with being on trend or shocking us with new flavor combinations, and more like a collection of personal favorite recipes from your hometown baker. Baking from this cookbook feels like pastry meditation. No need to plug in an appliance or pause a YouTube video. Grab a bowl and a wooden spoon and take a moment to make something delicious. It’s great for a beginner baker, or anyone who enjoys baking in theory but hates dirtying too many bowls, or when recipes get complicated.The dish I baked this week Credit: Allie Chanthorn Reinmann I love a cookie, but we already know how good the Tate’s cookie is, so I wanted to showcase something else. Luckily, blueberry season is here, and that made my decision for me. I settled on the Blueberry Buckle. Without taking a picture of the actual recipe (which isn’t cool to do), I want to illustrate the simplicity of this buckle: The instructions for the whole cake, with a crumb topping, are completed in 12 lines. The headnote includes a three-sentence story about how it won a bake-off in Maine, and how King’s niece improved the crumb texture. If you’ve ever just wanted a recipe to cut to the chase, this is it.A buckle is a cake-like treat with a crumb topping and fresh fruit mixed into it. (Between buckles, betties, cobblers, and crisps, it’s easy to get confused.) The cake batter is easy to stir together by hand. Employing salted butter eliminates worrying about measuring yet another ingredient, and all of the other ingredients were readily available in my pantry. In roughly 15 minutes, I was ready to throw an entire cake into the oven. I don’t know that I’ve had a buckle before, but I definitely would have voted for this to win that bake-off. The cake component is utterly tender, and I don’t really know why or how—there’s no sour cream or buttermilk involved. It must just be a perfect balance of tenderizing fat and strengthening gluten. The ratio of blueberries to cake is also perfect. I know folks are always begging for more berries, but if you have too many then the berries sink or they make the cake too wet. The crumb topping is exactly as it should be—sweet, buttery, and lightly spiced. It’s good enough to eat on its own. I could see myself making this buckle for a picnic, or a friend’s summer birthday brunch. June is just around the corner, so I'll keep my copy of Tate’s Bake Shop Cookbook handy for other berry-centric bakes this summer. How to buy itDespite being an older book, it’s still available in the hardcover. However, if you’re keen to save a buck, do check out your local used bookstores. Older books like this are almost always available used for a fraction of the original retail price. If you’re more of a digital baker, you can also spend less and download the ebook.  Tate's Bake Shop Cookbook: The Best Recipes from Southampton's Favorite Bakery for Homestyle Cookies, Cakes, Pies, Muffins, and Breads $31.94 at Amazon Shop Now Shop Now $31.94 at Amazon

Even the most gracious host can be thrown off by a well-meaning—but ill-timed—gift. Just ask Ina Garten. During a recent Sunday Sitdown with TODAY’s Willie Geist, the beloved entertainer and cookbook author known by her blog name, Barefoot Contessa, shared her top two dinner party don’ts—and they’re more common than you’d think.Geist mentioned that there can be a "gift that messes with the plan of the evening," noting, "in other words, don't show up with chips and guac to a dinner party." Garten agreed and added in some other common dinner party blunders. “There are two things that I don’t think you should ever bring to a dinner party—and they’re so common—is something that the host feels like they should serve," she said, adding that Jell-O salad first comes to mind. "What are you going to do with that?" she adds. The second faux pas? Loose flowers. “Don’t ever bring flowers that aren’t in a vase,” she advised. “You're there. You're like, everyone's arriving, and then all of a sudden you’ve got these flowers and you have to figure out what to do." John M. Hall for ELLE DecorIna Garten’s lush garden in East Hampton.Garten knows a thing or two about effortless entertaining. In her hit series Be My Guest, viewers got a peek into her many gatherings at her verdant East Hampton garden, which features a kitchen garden, flower beds for miles, and an orchard with 25 crab apple trees—all thanks, in part, to landscape designer Edwina von Gal (who she was introduced to by Martha Stewart). There's also a wood-shingle farmhouse on the property that is prime for dinner party moments, which she had shared with many of her famous friends on the show, including Wendell Pierce, Julia Louis-Dreyfus, Stephen Colbert—even Geist and his wife, Christina.In 2022, Garten appeared on the TODAY show with cohosts Savannah Guthrie and Hoda Kotb, teaching them how to how to set a table for a dinner party. “The first thing about a dinner party is it can be four people," she said in the show . "It doesn’t have to be 12; it’s overwhelming, even for me,” she said on the show. Rachel SilvaAssociate Digital EditorRachel Silva is the associate digital editor at ELLE DECOR, where she covers all things design, architecture, and lifestyle. She also oversees the publication’s feature article coverage, and is, at any moment, knee-deep in an investigation on everything from the best spa gifts to the best faux florals on the internet right now. She has more than 16 years of experience in editorial, working as a photo assignment editor at Time and acting as the president of Women in Media in NYC. She went to Columbia Journalism School, and her work has been nominated for awards from ASME, the Society of Publication Designers, and World Press Photo. 

A home on Billy Joel’s longtime Long Island estate just changed hands for $7 million, the New York Post reports. The news of the sale comes days after the Grammy-winning musician canceled all of his scheduled concert dates to undergo physical therapy for normal pressure hydrocephalus, a brain disorder that affects hearing, vision, and balance.Spanning five acres, the parcel was part of Joel’s 26-acre Centre Island compound, dubbed Middlesea, which he began assembling in 2002. The recently sold beachfront dwelling is referred to as Middlesea’s gatehouse—though it is much more impressive than that humble name connotes. The 5,565-square-foot structure comprises a historic gatehouse and a carriage house that were combined to form the five-bedroom, four-bathroom residence that stands there today. Two kitchens, two primary suites, and a heated gunite swimming pool are among the home’s impressive amenities. A spacious pergola-shaded outdoor dining area looks out at the water, as does a screened-in patio equipped with a built-in barbecue area.Billy Joel’s Houses: Inside the Musician’s Impressive Real Estate PortfolioThe “New York State of Mind” singer recently purchased a sprawling Hamptons estateThe “Piano Man” listed his entire Middlesea estate in 2023 with a $49 million price tag. According to the Post, the remainder of the compound will drop in price to $39.9 million following the sale of the gatehouse. The property’s recently renovated main house is a 20,000-square-foot manse complete with a bowling alley, an indoor pool, a wine cellar, a spa, and a salon area. An additional guesthouse, a helipad, a floating dock, and acres of surrounding land round out the impressive compound, which boasts 2,000 feet of Oyster Bay Harbor water frontage. The property is not far from where the singer grew up in the nearby Oyster Bay hamlet of Hicksville.Join NowAD PRO members enjoy exclusive benefits. Get a year of unlimited access for $25 $20 per month.ArrowThe musician, who “hopes to be able to resume performing as his recovery progresses,” as a source told People, also owns properties in East Hampton and South Florida.

Credit: David Rogers/Getty Images TL;DR: Live stream Northampton Saints vs. Union Bordeaux-Bègles in the 2025 Champions Cup final for free on France TV, RTÉ Player, or S4C on BBC iPlayer. Access these free streaming platforms from anywhere in the world with ExpressVPN.The eyes of the rugby world will turn to the Millennium Stadium as Northampton Saints take on Union Bordeaux-Bègles in the final of the Champions Cup. The Saints stunned everyone by beating Leinster in an epic semi-final matchup, but can they go all the way and beat the talented team from Bordeaux?If you want to watch Northampton Saints vs. Union Bordeaux-Bègles in the 2025 Champions Cup for free from anywhere in the world, we have all the information you need. You May Also Like When is the 2025 Champions Cup final?Northampton Saints vs. Union Bordeaux-Bègles in the 2025 Champions Cup final kicks off at 2:45 p.m. BST on May 24. This fixture takes place at the Millennium Stadium.How to watch the 2025 Champions Cup final for freeNorthampton Saints vs. Union Bordeaux-Bègles in the 2025 Champions Cup final is available to live stream for free on a number of platforms: Mashable Top Stories Stay connected with the hottest stories of the day and the latest entertainment news. Sign up for Mashable's Top Stories newsletter By clicking Sign Me Up, you confirm you are 16+ and agree to our Terms of Use and Privacy Policy. Thanks for signing up! France — France TVIreland — RTÉ PlayerUK — S4C on BBC iPlayerThese streaming platforms are geo-restricted, but anyone can access these free live streams with a VPN. These tools can hide your real IP address (digital location) and connect you to a secure servers in other locations, meaning you can unblock free live streams of the Champions Cup final from anywhere in the world.Live stream Northampton Saints vs. Union Bordeaux-Bègles for free by following these simple steps:Subscribe to a streaming-friendly VPN (like ExpressVPN)Download the app to your device of choice (the best VPNs have apps for Windows, Mac, iOS, Android, Linux, and more)Open up the app and connect to a server in France, Ireland, or the UKVisit France TV, RTÉ Player, or S4C on BBC iPlayerWatch Northampton Saints vs. Union Bordeaux-Bègles for free from anywhere in the world Opens in a new window Credit: ExpressVPN ExpressVPN (2-Year Subscription + 4 Months Free) $139 only at ExpressVPN (with money-back guarantee) The best VPNs for streaming are not free, but leading VPNs do tend to offer free-trial periods or money-back guarantees. By leveraging these offers, you can access free live streams of the Champions Cup final without actually spending anything. This obviously isn't a long-term solution, but it does give you enough time to stream Northampton Saints vs. Union Bordeaux-Bègles before recovering your investment.If you want to retain permanent access to the best free streaming platforms from around the world, you'll need a subscription. Fortunately, the best VPN for streaming live sport is on sale for a limited time.What is the best VPN for RTÉ Player?ExpressVPN is the best choice for bypassing geo-restrictions to stream live sport, for a number of reasons:Servers in 105 countriesEasy-to-use app available on all major devices including iPhone, Android, Windows, Mac, and moreStrict no-logging policy so your data is secureFast connection speeds free from throttlingUp to eight simultaneous connections30-day money-back guaranteeA two-year subscription to ExpressVPN is on sale for $139 and includes an extra four months for free — 61% off for a limited time. This plan includes a year of free unlimited cloud backup and a generous 30-day money-back guarantee.Live stream Northampton Saints vs. Union Bordeaux-Bègles in the 2025 Champions Cup final for free with ExpressVPN. Joseph Green Global Shopping Editor Joseph Green is the Global Shopping Editor for Mashable. He covers VPNs, headphones, fitness gear, dating sites, streaming, and shopping events like Black Friday and Prime Day.Joseph is also Executive Editor of Mashable's sister site, AskMen.

Hans Noë wore many hats—architect, sculptor, Fanelli Cafe proprietor. He was also a Holocaust survivor, and a protégé of Tony Smith, Barnett Newman, and Mies van der Rohe. Noë died in his sleep on May 11 at his home in Garrison, New York, at age 96. Alva Noë, his son, confirmed his death for The New York Times. Noë had a retrospective in 2023 at New York’s National Museum of Mathematics curated by author Lawrence Weschler, reviewed by AN. This was just one of two solo shows the indelible artist had his entire life—the first was in 2021 at the Fireplace Project in East Hampton, New York. The deceased’s retrospectives were always by invitation of someone else, he never sought them out. That’s partially from trauma he carried with him since fleeing his childhood home in Czernowitz, a city in the Bukovinian region on the edge of the Austro-Hungarian empire in what is now southwestern Ukraine. House 1, East Hampton, New York c.1963 (Hans Noë) Noë was born in 1928. He saw the magisterial central synagogue just down the street from his Jewish family’s home get torched by the fascist Romanian army not long after. He spent his remaining teenage years hiding from the Gestapo. This trauma followed Noë wherever he went; his family immigrated from Europe to New York City on Christmas Day, 1949. In the handful of interviews he later gave, like those with Weschler, Noë said any glimmer of the limelight made him panic. He later admitted he had PTSD. After immigrating, Noë enrolled at Cooper Union, where he studied under Tony Smith, the subject of a new book edited by James Voorhies and Sarah Auld. There, he also met Barnett Newman, and stretched canvasses for Mark Rothko. He was in the same orbit as Jackson Pollock, Ad Reinhardt, Theodoros Stamos, and others. Noë told Weschler in 2023: “When it came to art, Tony became my father and Barney my uncle.” Noë later enrolled at the Illinois Institute of Technology (IIT) and studied under Mies van der Rohe. At IIT, he met a ceramics student, Judy Baldwin. They got married in 1960. House 2, East Hampton, New York c.1965 (Hans Noë) House 3, East Hampton, New York c.1971 (Hans Noë) Baldwin and Noë subsequently left Chicago and moved to New York. There, between 1963 and 1971, Noë designed and built 12 houses with his partner Richard Schust. Noë detested the client-facing side of practice, so he’d often build the homes himself, mostly on Long Island, with a team of friends and apprentices, and then sell them off. “I came to realize how a successful architect has to be not one but three things: he has to be a great architect, he has to be a great self-promoter, and he has to be a great businessman. And I was only one of those three,” Noë told Weschler in conversation. It was around this time when Noë started buying up properties in Soho, and renting them to artists. Noë bought Fanelli Cafe in the early-1970s. “When you opened the door” at Fanelli, Sasha Noë said, “the wind would come in, and it would make everyone cold. So he built a little half wall out of glass to keep people warm. But he didn’t make it look like it was built in 1847. He used his Mies van der Rohe knowledge to do it. He didn’t try to fake it.” Fanelli Cafe became a New York City staple, and Noë and Baldwin eventually moved to Garrison, New York, where they raised their family. There, he produced geometric wooden maquettes imbued with subtle poetic meaning—all in relative isolation and without celebration. Study by Hans Noë (Dario Lasagni) A model by Hans Noë on display at the National Museum of Mathematics (Dario Lasagni) “I used to imagine my general distaste for self-promotion and my indifference toward fame as sort of emblematic of a certain kind of moral or at any rate aesthetic superiority,” Noë said. “With high considered self-regard, I was refusing to enter into that whole delusional rat race.” “But I’m no longer so sure,” Noë continued. “I think rather that my problem may simply have been one of fear, a prolonged PTSD, as it were, with its roots wending back to my experience of the war, when survival enforced an entire regime of perpetual hiding, since any and every calling of attention to oneself could so easily have proven fatal not only to myself but to my entire family. And maybe it’s just that I never got over that way of being in the world.” House 3, East Hampton, New York c.1971 (Hans Noë) Today, Noë’s son, Sasha, still runs Fanelli and Alva is a world-renowned philosophy professor at UC Berkeley. Judy lives in Garrison, and Noë is survived by his children and grandchildren.

to 3d or not to 3d What I learned from my first few months with a Bambu Lab A1 3D printer, part 1 One neophyte's first steps into the wide world of 3D printing. Andrew Cunningham – May 22, 2025 7:30 am | 21 The hotend on my Bambu Lab A1 3D printer. Credit: Andrew Cunningham The hotend on my Bambu Lab A1 3D printer. Credit: Andrew Cunningham Story text Size Small Standard Large Width * Standard Wide Links Standard Orange * Subscribers only   Learn more For a couple of years now, I've been trying to find an excuse to buy a decent 3D printer. Friends and fellow Ars staffers who had them would gush about them at every opportunity, talking about how useful they can be and how much can be printed once you get used to the idea of being able to create real, tangible objects with a little time and a few bucks' worth of plastic filament. But I could never quite imagine myself using one consistently enough to buy one. Then, this past Christmas, my wife forced the issue by getting me a Bambu Lab A1 as a present. Since then, I've been tinkering with the thing nearly daily, learning more about what I've gotten myself into and continuing to find fun and useful things to print. I've gathered a bunch of thoughts about my learning process here, not because I think I'm breaking new ground but to serve as a blueprint for anyone who has been on the fence about Getting Into 3D Printing. "Hyperfixating on new hobbies" is one of my go-to coping mechanisms during times of stress and anxiety, and 3D printing has turned out to be the perfect combination of fun, practical, and time-consuming. Getting to know my printer My wife settled on the Bambu A1 because it's a larger version of the A1 Mini, Wirecutter's main 3D printer pick at the time (she also noted it was "hella on sale"). Other reviews she read noted that it's beginner-friendly, easy to use, and fun to tinker with, and it has a pretty active community for answering questions, all assessments I agree with so far. Note that this research was done some months before Bambu earned bad headlines because of firmware updates that some users believe will lead to a more locked-down ecosystem. This is a controversy I understand—3D printers are still primarily the realm of DIYers and tinkerers, people who are especially sensitive to the closing of open ecosystems. But as a beginner, I'm already leaning mostly on the first-party tools and built-in functionality to get everything going, so I'm not really experiencing the sense of having "lost" features I was relying on, and any concerns I did have are mostly addressed by Bambu's update about its update. I hadn't really updated my preconceived notions of what home 3D printing was since its primordial days, something Ars has been around long enough to have covered in some depth. I was wary of getting into yet another hobby where, like building your own gaming PC, fiddling with and maintaining the equipment is part of the hobby. Bambu's printers (and those like them) are capable of turning out fairly high-quality prints with minimal fuss, and nothing will draw you into the hobby faster than a few successful prints. Basic terminology Extrusion-based 3D printers (also sometimes called "FDM," for "fused deposition modeling") work by depositing multiple thin layers of melted plastic filament on a heated bed. Credit: Andrew Cunningham First things first: The A1 is what’s called an “extrusion” printer, meaning that it functions by melting a long, slim thread of plastic (filament) and then depositing this plastic onto a build plate seated on top of a heated bed in tens, hundreds, or even thousands of thin layers. In the manufacturing world, this is also called “fused deposition modeling,” or FDM. This layer-based extrusion gives 3D-printed objects their distinct ridged look and feel and is also why a 3D printed piece of plastic is less detailed-looking and weaker than an injection-molded piece of plastic like a Lego brick. The other readily available home 3D printing technology takes liquid resin and uses UV light to harden it into a plastic structure, using a process called “stereolithography” (SLA). You can get inexpensive resin printers in the same price range as the best cheap extrusion printers, and the SLA process can create much more detailed, smooth-looking, and watertight 3D prints (it’s popular for making figurines for tabletop games). Some downsides are that the print beds in these printers are smaller, resin is a bit fussier than filament, and multi-color printing isn’t possible. There are two main types of home extrusion printers. The Bambu A1 is a Cartesian printer, or in more evocative and colloquial terms, a "bed slinger." In these, the head of the printer can move up and down on one or two rails and from side to side on another rail. But the print bed itself has to move forward and backward to "move" the print head on the Y axis. More expensive home 3D printers, including higher-end Bambu models in the P- and X-series, are "CoreXY" printers, which include a third rail or set of rails (and more Z-axis rails) that allow the print head to travel in all three directions. The A1 is also an "open-bed" printer, which means that it ships without an enclosure. Closed-bed printers are more expensive, but they can maintain a more consistent temperature inside and help contain the fumes from the melted plastic. They can also reduce the amount of noise coming from your printer. Together, the downsides of a bed-slinger (introducing more wobble for tall prints, more opportunities for parts of your print to come loose from the plate) and an open-bed printer (worse temperature, fume, and dust control) mainly just mean that the A1 isn't well-suited for printing certain types of plastic and has more potential points of failure for large or delicate prints. My experience with the A1 has been mostly positive now that I know about those limitations, but the printer you buy could easily change based on what kinds of things you want to print with it. Setting up Overall, the setup process was reasonably simple, at least for someone who has been building PCs and repairing small electronics for years now. It's not quite the same as the "take it out of the box, remove all the plastic film, and plug it in" process of setting up a 2D printer, but the directions in the start guide are well-illustrated and clearly written; if you can put together prefab IKEA furniture, that's roughly the level of complexity we're talking about here. The fact that delicate electronics are involved might still make it more intimidating for the non-technical, but figuring out what goes where is fairly simple. The only mistake I made while setting the printer up involved the surface I initially tried to put it on. I used a spare end table, but as I discovered during the printer's calibration process, the herky-jerky movement of the bed and print head was way too much for a little table to handle. "Stable enough to put a lamp on" is not the same as "stable enough to put a constantly wobbling contraption" on—obvious in retrospect, but my being new to this is why this article exists. After some office rearrangement, I was able to move the printer to my sturdy L-desk full of cables and other doodads to serve as ballast. This surface was more than sturdy enough to let the printer complete its calibration process—and sturdy enough not to transfer the printer's every motion to our kid's room below, a boon for when I'm trying to print something after he has gone to bed. The first-party Bambu apps for sending files to the printer are Bambu Handy (for iOS/Android, with no native iPad version) and Bambu Studio (for Windows, macOS, and Linux). Handy works OK for sending ready-made models from MakerWorld (a mostly community-driven but Bambu-developer repository for 3D printable files) and for monitoring prints once they've started. But I'll mostly be relaying my experience with Bambu Studio, a much more fully featured app. Neither app requires sign-in, at least not yet, but the path of least resistance is to sign into your printer and apps with the same account to enable easy communication and syncing. Bambu Studio: A primer Bambu Studio is what's known in the hobby as a "slicer," software that takes existing 3D models output by common CAD programs (Tinkercad, FreeCAD, SolidWorks, Autodesk Fusion, others) and converts them into a set of specific movement instructions that the printer can follow. Bambu Studio allows you to do some basic modification of existing models—cloning parts, resizing them, adding supports for overhanging bits that would otherwise droop down, and a few other functions—but it's primarily there for opening files, choosing a few settings, and sending them off to the printer to become tangible objects. Bambu Studio isn't the most approachable application, but if you've made it this far, it shouldn't be totally beyond your comprehension. For first-time setup, you'll choose your model of printer (all Bambu models and a healthy selection of third-party printers are officially supported), leave the filament settings as they are, and sign in if you want to use Bambu's cloud services. These sync printer settings and keep track of the models you save and download from MakerWorld, but a non-cloud LAN mode is available for the Bambu skeptics and privacy-conscious. For any newbie, pretty much all you need to do is connect your printer, open a .3MF or .STL file you've downloaded from MakerWorld or elsewhere, select your filament from the drop-down menu, click "slice plate," and then click "print." Things like the default 0.4 mm nozzle size and Bambu's included Textured PEI Build Plate are generally already factored in, though you may need to double-check these selections when you open a file for the first time. When you slice your build plate for the first time, the app will spit a pile of numbers back at you. There are two important ones for 3D printing neophytes to track. One is the "total filament" figure, which tells you how many grams of filament the printer will use to make your model (filament typically comes in 1 kg spools, and the printer generally won't track usage for you, so if you want to avoid running out in the middle of the job, you may want to keep track of what you're using). The second is the "total time" figure, which tells you how long the entire print will take from the first calibration steps to the end of the job. Selecting your filament and/or temperature presets. If you have the Automatic Material System (AMS), this is also where you'll manage multicolor printing. Andrew Cunningham Selecting your filament and/or temperature presets. If you have the Automatic Material System (AMS), this is also where you'll manage multicolor printing. Andrew Cunningham The main way to tweak print quality is to adjust the height of the layers that the A1 lays down. Andrew Cunningham The main way to tweak print quality is to adjust the height of the layers that the A1 lays down. Andrew Cunningham Adding some additional infill can add some strength to prints, though 15 percent usually gives a decent amount of strength without overusing filament. Andrew Cunningham Adding some additional infill can add some strength to prints, though 15 percent usually gives a decent amount of strength without overusing filament. Andrew Cunningham The main way to tweak print quality is to adjust the height of the layers that the A1 lays down. Andrew Cunningham Adding some additional infill can add some strength to prints, though 15 percent usually gives a decent amount of strength without overusing filament. Andrew Cunningham For some prints, scaling them up or down a bit can make them fit your needs better. Andrew Cunningham For items that are small enough, you can print a few at once using the clone function. For filaments with a gradient, this also makes the gradient effect more pronounced. Andrew Cunningham Bambu Studio estimates the amount of filament you'll use and the amount of time a print will take. Filament usually comes in 1 kg spools. Andrew Cunningham When selecting filament, people who stick to Bambu's first-party spools will have the easiest time, since optimal settings are already programmed into the app. But I've had almost zero trouble with the "generic" presets and the spools of generic Inland-branded filament I've bought from our local Micro Center, at least when sticking to PLA (polylactic acid, the most common and generally the easiest-to-print of the different kinds of filament you can buy). But we'll dive deeper into plastics in part 2 of this series. I won't pretend I'm skilled enough to do a deep dive on every single setting that Bambu Studio gives you access to, but here are a few of the odds and ends I've found most useful: The "clone" function, accessed by right-clicking an object and clicking "clone." Useful if you'd like to fit several copies of an object on the build plate at once, especially if you're using a filament with a color gradient and you'd like to make the gradient effect more pronounced by spreading it out over a bunch of prints. The "arrange all objects" function, the fourth button from the left under the "prepare" tab. Did you just clone a bunch of objects? Did you delete an individual object from a model because you didn't need to print that part? Bambu Studio will arrange everything on your build plate to optimize the use of space. Layer height, located in the sidebar directly beneath "Process" (which is directly underneath the area where you select your filament. For many functional parts, the standard 0.2 mm layer height is fine. Going with thinner layer heights adds to the printing time but can preserve more detail on prints that have a lot of it and slightly reduce the visible layer lines that give 3D-printed objects their distinct look (for better or worse). Thicker layer heights do the opposite, slightly reducing the amount of time a model takes to print but preserving less detail. Infill percentage and wall loops, located in the Strength tab beneath the "Process" sidebar item. For most everyday prints, you don't need to worry about messing with these settings much; the infill percentage determines the amount of your print's interior that's plastic and the part that's empty space (15 percent is a good happy medium most of the time between maintaining rigidity and overusing plastic). The number of wall loops determines how many layers the printer uses for the outside surface of the print, with more walls using more plastic but also adding a bit of extra strength and rigidity to functional prints that need it (think hooks, hangers, shelves and brackets, and other things that will be asked to bear some weight). My first prints A humble start: My very first print was a wall bracket for the remote for my office's ceiling fan. Credit: Andrew Cunningham When given the opportunity to use a 3D printer, my mind went first to aggressively practical stuff—prints for organizing the odds and ends that eternally float around my office or desk. When we moved into our current house, only one of the bedrooms had a ceiling fan installed. I put up remote-controlled ceiling fans in all the other bedrooms myself. And all those fans, except one, came with a wall-mounted caddy to hold the remote control. The first thing I decided to print was a wall-mounted holder for that remote control. MakerWorld is just one of several resources for ready-made 3D-printable files, but the ease with which I found a Hampton Bay Ceiling Fan Remote Wall Mount is pretty representative of my experience so far. At this point in the life cycle of home 3D printing, if you can think about it and it's not a terrible idea, you can usually find someone out there who has made something close to what you're looking for. I loaded up my black roll of PLA plastic—generally the cheapest, easiest-to-buy, easiest-to-work-with kind of 3D printer filament, though not always the best for prints that need more structural integrity—into the basic roll-holder that comes with the A1, downloaded that 3MF file, opened it in Bambu Studio, sliced the file, and hit print. It felt like there should have been extra steps in there somewhere. But that's all it took to kick the printer into action. After a few minutes of warmup—by default, the A1 has a thorough pre-print setup process where it checks the levelness of the bed and tests the flow rate of your filament for a few minutes before it begins printing anything—the nozzle started laying plastic down on my build plate, and inside of an hour or so, I had my first 3D-printed object. Print No. 2 was another wall bracket, this time for my gaming PC's gamepad and headset. Credit: Andrew Cunningham It wears off a bit after you successfully execute a print, but I still haven't quite lost the feeling of magic of printing out a fully 3D object that comes off the plate and then just exists in space along with me and all the store-bought objects in my office. The remote holder was, as I'd learn, a fairly simple print made under near-ideal conditions. But it was an easy success to start off with, and that success can help embolden you and draw you in, inviting more printing and more experimentation. And the more you experiment, the more you inevitably learn. This time, I talked about what I learned about basic terminology and the different kinds of plastics most commonly used by home 3D printers. Next time, I'll talk about some of the pitfalls I ran into after my initial successes, what I learned about using Bambu Studio, what I've learned about fine-tuning settings to get good results, and a whole bunch of 3D-printable upgrades and mods available for the A1. Andrew Cunningham Senior Technology Reporter Andrew Cunningham Senior Technology Reporter Andrew is a Senior Technology Reporter at Ars Technica, with a focus on consumer tech including computer hardware and in-depth reviews of operating systems like Windows and macOS. Andrew lives in Philadelphia and co-hosts a weekly book podcast called Overdue. 21 Comments

As the most famous residence in the country, the White House’s interiors are given the utmost attention, and they tend to change with every new administration. So, we’re taking a look back at how the property’s design has evolved over the years. From the famed Sister Parish designs of the Kennedy era to Michael S. Smith’s vision for the Obamas, the house has seen impressive transformations and, more recently, some unexpected style choices. The White House’s OriginsBefore we explore the White House’s most prominent interiors, let’s take a look back at the famed home’s history. The White House was designed by Irish architect James Hoban in the Neoclassical style of architecture and built over the course of eight years (from 1792 to 1800). The edifice itself is made of Aquia Creek sandstone that was painted white because of the risk posed by the permeability of the stone, which could crack in colder months. Before the White House was built, the President’s House in Philadelphia served as home to two presidents: George Washington and John Adams. The construction of the White House was completed just a few months before Adams’s presidency ended, so he was able to move into the People’s House before his term concluded.Until 1901, what we know as the White House was actually called the Executive Mansion, which then-President Theodore Roosevelt didn’t find ideal—given that many U.S. states had a governor’s residence that was also called the Executive Mansion. Roosevelt subsequently coined the term "White House" that we know and still use to this day—the new name could also be seen atop copies of his stationery.Related StoryThe Early Years When President John Adams and his wife, First Lady Abigail Adams, moved into the White House, the residence was lacking in decor, given that it was only recently completed. The East Room of the White House—which is now used for events such as press conferences, ceremonies, and banquets—was then used by Abigail Adams as a laundry room.Thomas Jefferson was the first president of the United States to spend his entire time in office living in the White House. He set the precedent for the home’s opulent but still livable interiors by having furnishings and wallpaper imported from France.The Late 1800s and Early 1900sIn 1882, President Chester Arthur enlisted Louis Comfort Tiffany to reimagine the Red Room, the Blue Room, the East Room, and the Entrance Hall, the latter of which soon welcomed the addition of a stained glass screen, in true Tiffany style. Library of CongressLouis Comfort Tiffany’s design of the White House Red Room, circa 1884-1885.whitehousehistory.orgPeter Waddell’s The Grand Illumination, an 1891 oil painting that showcases Louis Comfort Tiffany’s stained glass screen in the White House Entrance Hall.Much to our dismay, President Theodore Roosevelt had Tiffany’s creations removed 20 years later, because the designs were seen as dated at this point. Roosevelt already had a construction crew at work in the White House to make more room for his sizable family (hence the addition of the East Wing and the West Wing). While there are no colorized photos of these rooms under Tiffany’s direction, there are black and white photographs and a colorful oil painting of what the stained glass screen likely looked like—so we can only imagine how magical it appeared in real life. It’s believed that after the screen was removed, it was sold at auction and later installed at Maryland’s Belvedere Hotel, which was destroyed in a fire in 1923. Shortly after the removal of Tiffany’s designs, Theodore Roosevelt hired celebrated architectural firm McKim, Mead & White to restore the White House to its Neoclassical glory. Related StoryThe Early-to-Mid-1900sIt wasn’t until 1909—over a century after the White House’s completion—that the Oval Office was created. Then-President William Howard Taft added this room and had it painted in an army green shade, which has since been changed, as every president likes to make the space their own.Given the numerous state dinners at the White House and accompanying serveware required for them, First Lady Edith Wilson (wife to Woodrow Wilson) oversaw the completion of the White House China Room in 1917. Since then, the room has displayed state service china, silverware, and glassware chosen and used by each administration (a selection traditionally made by the First Lady). The White House Historical AssociationThe White House China Room in 1975.The majority of the presidential china depicts some variation of the Great Seal, which features a bald eagle and a shield that resembles the United States flag, but most administrations have come up with their own unique designs. Many of these are produced by Pennsylvania-based porcelain manufacturer Lenox. One of our personal favorites? James Polk’s charming floral dessert plate, featuring a mint green hue, is a refreshing change from the usually neutral color palette of other presidential china. (Heads up: You can buy reproductions of this plate and others on eBay!)Many may not know that the White House was once home to an indoor pool. (Yes, really!) In 1933, an indoor pool was installed in the People’s House at the request of President Franklin Delano Roosevelt, who used swimming as a form of therapy to help with his polio. On the walls overlooking the pool was a mural by artist Bernard Lammotte, who painted the Christiansted Harbor from the island of Saint Croix, U.S. Virgin Islands. Thirty-six years later, Richard Nixon nixed the underground pool and turned the space above it into a press briefing room to host televised broadcasts.Abbie Rowe/National Park Service/Harry S. Truman Library & MuseumThe White House Reconstruction under President Harry S. Truman, circa 1950.Following the Great Depression and World War II, the White House was in desperate need of repair, so much so that it was deemed unsafe for occupancy in 1948, after architectural and engineering investigations. Harry S. Truman, his family, and the White House staff had to live elsewhere during a three-year-long reconstruction project in which the People’s House was completely gutted, enlarged, and reconstructed. The Trumans spent this time living at Blair House—also known as the President’s Guest House—which is located across the street from the White House. (Two members of the Puerto Rican Nationalist Party attempted and failed to assassinate Truman while he was living in this house.) The Kennedy YearsFirst Lady Jacqueline Kennedy was very passionate about historic preservation, and it was her efforts that led to the formation of the White House Historical Association, a nonprofit organization that still exists today, aiming to preserve the White House’s history and make the home more publicly accessible. She was also the reason the White House was declared a museum, thereby ensuring its preservation for decades to come.View full post on YoutubeDuring Jackie Kennedy’s first year as First Lady, she oversaw a $2 million renovation of the White House. Following the completion of the project, Jacqueline Kennedy gave a televised tour of the White House, which aired on NBC and CBS to over 80 million viewers on Valentine’s Day of 1962. This was the second televised tour of the White House (Harry S. Truman was the first to give a tour in 1952), and the first time it was led by a First Lady. The broadcast went on to win both an Emmy Award and a Peabody Award.Mrs. Kennedy's renovation focused on reincorporating historic furniture and decor. “It just seemed to me such a shame when we came here to find hardly anything of the past in the house, hardly anything before 1902,” she explained in the broadcast. She cited Colombia’s Presidential Palace as a site where “every piece of furniture in it has some link with the past. I thought the White House should be like that.” Kennedy was so passionate about allowing the public to access the People’s House that, following the suspension of tours after her husband's assassination in 1963, she requested that the tours resume just one week later.The John F. Kennedy LibraryFirst Lady Jacqueline Kennedy’s dressing room at the White House, designed by Stéphane Boudin.The Kennedy-era White House restoration would not have been complete without the interior decorators who helped make it possible: Sister Parish, and later, Stéphane Boudin. Parish designed the Yellow Oval Room and the Kennedy’s private quarters, but was later replaced by Boudin (reportedly following an occurrence in which Parish advised a young Caroline Kennedy to keep her feet off of the furniture; in Parish’s own writing, she revealed that someone told Mrs. Kennedy that Parish kicked Caroline—but this was never confirmed). Parish’s granddaughter, Susan Bartlett Crater, once told the New York Times that the rift was sparked mainly by “a problem over money.” Regardless, Parish’s influence on the interior design world remains indisputable to this day, and much of the popularity of her style can be traced to this high-profile project.Boudin was soon hired to decorate the Blue Room, the Treaty Room, the Red Room, and the Lincoln Sitting Room. He would later add his own touch to the private rooms of the White House as well, with more French-style decor than was previously in place.Getty ImagesThe White House Rose Garden as Bunny Mellon designed it during the Kennedy administration. Jackie Kennedy also famously oversaw the completion of the White House Rose Garden, at the behest of her husband. She tapped socialite, philanthropist, and horticulturalist Rachel Lambert "Bunny" Mellon to design the project. Related StoryThe Late 20th Century to Present DayThe White House interiors have been reinvented numerous times over the 220-year history of the building, and the decor tends to perfectly encapsulate both the time period and the First Family living there. Dorothy Draper protégé Carleton Varney served as Jimmy and Rosalynn Carter's "design consultant," styling state dinners and overseeing Christmas decor. Famed American decorator Mark Hampton also contributed Christmas decorations in 1977. The Ronald Reagan Library Ronald and Nancy Reagan enjoying a meal on silver TV trays in the White House.In the 1980s, the Reagans hired Ted Graber, a decorator from Beverly Hills, to bring their vision to life. In the process, many antique furnishings were replaced with 20th-century decor, straying from typical White House decorating traditions. At the beginning of the next decade, George H.W. Bush tapped Hampton to revive the Oval Office and Executive Residence during his tenure. By the time Bill Clinton moved in, the hand-painted 18th-century-style bird wallpaper that was installed by the Reagans in the master bedroom was still in place. The Clintons’ interior decorator, Kaki Hockersmith, removed and replaced the wallpaper, telling The Washington Post that the room “had lots of all kinds of birds flying and sweeping around. It was not a calming atmosphere.”As First Lady, Hillary Clinton helped raise the White House Endowment Trust’s funds to $35 million, so that more restoration work could be done to White House. During her time spent living at the People’s House, Mrs. Clinton had five rooms restored: the State Dining Room (which Mark Hampton oversaw), the East Room, Cross Hall, the Red Room, and the Blue Room. The Ronald Reagan Library The Reagans’ bird wallpaper (pictured) was later replaced by the Clintons.George W. Bush hired Kenneth Blasingame, a fellow Texan, to decorate the White House interiors during his administration. And this wasn’t their first time working together—Blasingame also decorated the Bush family’s ranch house in Crawford, Texas. Then-First Lady Laura Bush told Architectural Digest about her plans for the Oval Office’s redesign, saying, “We knew he wanted it to be a sunny office that showed an optimist worked there.” One of the pieces that she and Blasingame collaborated on was a rug that featured the iconic presidential seal, along with a cheery addition: sun rays above the emblem, which echoed Mrs. Bush’s hopes for a “sunny office.” The rug also includes a depiction of a garland made of laurel leaves, a tie-in to the First Lady’s first name, Laura.Architectural DigestThe Queens’ Bedroom as it appeared during the George W. Bush years, where various queens throughout history have stayed. The drapery, bed hanging, and armchair are by Scalamandré.When President Barack Obama took office, he replaced the aforementioned rug with one that paid tribute to four prior presidents and a civil rights icon. The following quotes from Abraham Lincoln, Theodore Roosevelt, Franklin Delano Roosevelt, John F. Kennedy, and Martin Luther King Jr. outline the perimeter of the historical rug:"Government of the people, by the people, for the people.” —Abraham Lincoln"The welfare of each of us is dependent fundamentally upon the welfare of all of us.” —Theodore Roosevelt"The only thing we have to fear is fear itself.” —Franklin Delano Roosevelt"No problem of human destiny is beyond human beings.” —John F. Kennedy"The arc of the moral universe is long, but it bends towards justice.” —Martin Luther King Jr.Michael Mundy/Rizzoli Michael S. Smith’s design for the Obama-era Yellow Oval Room.Barack and Michelle Obama worked with decorator Michael S. Smith to make extensive updates to the residence, creating spaces that merged formality and comfort—and incorporating plenty of modern and contemporary art by American talents. With the help of decorator Tham Kannalikham, President Donald Trump replaced the Obama-era beige striped wallpaper in the Oval Office with a light grey damask option during his first term. In the years Trump first took office, at least $3.4 million was spent to revamp the White House to better suit his aesthetic—including a highly controversial revamp of the Rose Garden.During Joe Biden’s term as president, First Lady Jill Biden notably chose interior designer Mark D. Sikes—known for his expertise in fresh, all-American style—to reimagine her East Wing office. Sikes was the first design expert the Bidens selected to transform a White House space, according to The Washington Post. When the couple was living in the vice president’s residence, they enlisted designer Victoria Hagan.View full post on InstagramSikes later updated Blair House, the President’s Guest House, with more than 100 rooms. He spent a year and a half revamping the place with his team to make it feel comfortable and homey for visitors while preserving the historic interiors, which hadn’t been updated since Mario Buatta and Mark Hampton refreshed the house in the 1980s. “We wanted to continue the story that was already told by Mark and Mario,” Sikes told AD in October 2024. “They’re both idols of mine, so we didn’t want to completely reimagine what they did, but continue the story and update it and make it feel like the best representation of American traditional design there is.”Sikes reupholstered existing furniture, designed custom pieces, and even commissioned a brighter take on the Clarence House damask wallpaper Buatta and Hampton installed in the hallways and staircases. The designer also applied the refreshed Blair House logo to everything from linens to china.Related StoryAnna Moneymaker//Getty ImagesIn Trump’s second term as president so far, he’s made evident changes to the Oval Office—giving the room a more ornate, gold-heavy look. Among the new accessories are a row of historic gold objects on the mantel, gold medallions on the walls and fireplace, gilded Rococo mirrors on the walls, gold eagles on side tables, and even gold cherubs above the doors.Follow House Beautiful on Instagram and TikTok.