• 48 Rustic Living Room Ideas For the Coziest Family Space

    With its comfortable, laid-back decorating vibes, no room says “come and sit awhile” or “aah, I’m home” quite like a beautifully inviting rustic and cozy living room. Whether you live in a farmhouse, cabin, cottage, a new-build in the suburbs, or even a city apartment—rustic living room ideas bring a certain homespun style that ranges from downright traditional to modern and chic.Here at Country Living, we’ve discovered that the very best classic and country rustic living room ideas begin with good ol’ tried-and-true character-rich decor. We're talking reclaimed wood, stone focal points, and a casual mix of natural textures and materials. More modern rustic living room ideas include a less-is-more approach with calming neutral color palettes and clean-lined furniture. Paint colors, fabrics, and accessories in grays, browns, and greens pulled from nature make for the just-right warmth—all simple rustic living room ideas at their finest. So relax and sink into our best country rustic living room ideas from some of our all-time favorite Country Living house tours!Here are more creative ways to make your home feel rustic and cozy:1Fill the Room With CharacterSean LitchfieldFrom floor to ceiling and wall to wall, this rustic living room packs in loads of character. Comfy leather and upholstered furniture, a vintage patterned rug, and a blue and yellow painted cupboard found on Facebook marketplace sit well together against a backdrop of rustic wood.2Source Local MaterialsLincoln BarbourIn this beautifully rustic Mississippi barn. the owners sourced local wood materials from a nearby military depot to clad the walls and ceiling, bringing maximum warmth and texture. Large windows let in loads of natural light during the day, while a chandelier and mounted sconces make for a romantic glow come nighttime.RELATED: These Wood Ceiling Ideas Bring Country Charm to Any RoomTOUR THE ENTIRE HOUSEAdvertisement - Continue Reading Below3Pick a Cozy Paint ColorAlpha Smoot for Country LivingThis cozy living room has a built-in warmth, thanks to saturated navy blue walls. Its handsomely worn floorboards, doors, mantel, and warming cabinet above the fireplace complement the dark blue beautifully. The fire and candlelight emit a magical glow.Get the Look:Wall Paint Color: Dark Navy by BehrTOUR THE ENTIRE HOUSE4Lay a Comfy RugSara Ligorria-TrampWhat's cozier than a roaring fire on a cool night? A soft, fuzzy rug in front of it! The fireplace features mantel made from a tree felled on-site and white Zellige tile. The artwork is a vintage find paired with a contemporary painting.TOUR THE ENTIRE HOUSEAdvertisement - Continue Reading Below5Embrace Log Cabin DetailsLisa FloodIn this stunning Wyoming log cabin, the family usually gathers in the wonderfully rustic great room. Its cozy factor is off the charts, thanks country decorating classics like unpainted log walls and beams, a woodburning stove, textural rugs, and a sweet swing that hangs from the ceiling. Get the Look:Swing: The Oak & Rope CompanyTOUR THE ENTIRE HOUSE6Wrap a Room in WoodMarta Xochilt PerezIn this rustic and cozy cabin, an original fieldstone fireplace creates the warmest welcome. A pair of cushy leather sofas piled with pillows blankets face off, anchoring the wood-wrapped space, and providing the perfect perches for game night. TOUR THE ENTIRE HOUSE Advertisement - Continue Reading Below7Build an Rustic Stone Accent WallMarta Xochilt Perez for Country LivingThis impressive wall of moss rock surrounds the fireplace. Chiseled stone corbels provide mantel supports. On cool nights, you can count on a roaring fire! Throughout the home, carved timbers, rough-cut stone, and walls of windows reflect a combination of the homeowners’ Scandinavian heritage and Irish roots.TOUR THE ENTIRE HOUSE8Go Big in a Small SpaceEmily FollowillThis tiny living room is packed with so much character. Designer James Farmer added decorative oomph with a large tobacco basket, an art-forward fireplace screen, and natural design elements like plants. Details like arranging the paneling on the diagonal to “point” upward enhance the vertical space. Says James, “Tall ceilings, bold plant arrangements, and large light fixtures have even more impact in a small home. Play with scale to find what feels right.” Advertisement - Continue Reading Below9Mix and Match FurnitureLincoln BarbourFor the ultimate collected-over-time vibe, forgo matching furniture. Here, a wingback chair and a spool chair look right at home in this living room. Other period-appropriate decor found in this 100-year-old home: painted paneled walls, exposed ceiling beams, and a rustic mantel wood.TOUR THE ENTIRE HOUSE 10Let There Be LightChristopher DibbleWe put this family room in the “rustic light” category. For a top-to-bottom cabin-like feel, designer Max Humphrey wrapped the space in eight-foot knotty pine planks on the ceiling and walls. A clear coat of polyurethane protects the wood while letting its natural color shine through. Colorful national park posters, globes, camp grounds signage, and a linen modern sectional create a hip yet homey living space.Advertisement - Continue Reading Below11Customize a Focal PointHomeowners Victoria and Marcus Ford’s vision of a custom wood fireplace surround included open shelves and striking floor-to-ceiling firewood nooks. “We figured go big or go home,” says Victoria. Brass sconces provide a library-like touch, and a custom frame has the TV looking picture-perfect above the mantel.Get the Look:Wall and Trim Paint: Endless Sea by Sherwin-WilliamsCeiling Paint: Oyster White by Sherwin-WilliamsTOUR THE ENTIRE SPACE12Incorporate Rustic Furniture FindsAnnie SchlechterTopped with a plaid cushion, a rustic yellow daybed nestled in the corner makes for the coziest spot to take in lake views. The 22-foot cathedral ceilings are clad in wood, warming up this lofty open-concept space designed by Amy Meier that also includes a dining area and kitchen.TOUR THE ENTIRE HOUSE Advertisement - Continue Reading Below13Paint the FloorsDane Tashima for Country LivingWhile the homeowners of this New Jersey dairy barn were able to salvage the structure’s original knotty beams, the walls and floors in the soaring 25-foot-high space needed to be replaced. Simple poplar planks painted white got the job done affordably. A new cast-iron pellet stove warms the space with a rustic, authentic look. Get the Look:Wall and Floor Paint Color: Alabaster by Sherwin-WilliamsTOUR THE ENTIRE HOUSE14Tell the BackstorySean LitchfieldWhere possible, the original Eastern Hemlock posts and beams of this 1819 Maine barn were carefully preserved when, in 1999, the structure was disassembled and then reassembled several miles down the road. Hand-split slabs of Maine graniteand brick were used to fabricate the massive woodburning fireplace. The walls and floors are lined in rough-hewn, nonuniform wood planks. The sofa table, made from an old piece of barn wood found on the farm, shows off collections of books, ceramics, and shells.Advertisement - Continue Reading Below15Use Old Materials for New BuildsBrie WilliamsIn this new build, reclaimed materials create instant patina for a warm and welcoming family room. Here’s what makes it rustic: reclaimed beams came from an 1800s mill in Massachusetts mill; log skins salvaged from old Midwest barns; North Carolina stone on the fireplace. A soft palette for the furniture and window treatments was inspired by the antique rug that covers the ottoman.TOUR THE ENTIRE HOUSE 16Balance Natural Wood with ColorNick JohnsonA pretty blue on the fireplace and in the fabrics balances the overall rustic vibe in this country house. “I wanted this room to feel rich and cozy and warm—the kind of place you’d sit by the fire to read a book,” says Erica Harrison of Detroit-based design firm Hudson and Sterling.TOUR THE ENTIRE HOUSEAdvertisement - Continue Reading Below17Make It WorkHelen NormanDespite the renovation challenges, this cozy sitting area situated just off the open kitchen works. The fireplace, which had to be rebuilt from the inside, was covered in stucco to balance all the exposed brick that was discovered underneath damaged drywall. For attic access, a ladder that was found in a barn on the property gets the job done in lieu of stairs. On the other side of the fireplace, a sturdy wooden bookshelf replaces an existing one that was crumbling.18Paint It WhiteZIO AND SONSFor the ultimate modern farmhouse vibe, start with an all-white palette, like in this home of designer Anthony D’Argenzio. This allows you to layer in character-rich architectural elements, like wide-planked wood floors and ceiling beams. A comfy sectional piled with pillows balances perfectly with hard elements, like the wood-and-iron coffee table, handmade oak stump side table, and a round iron chandelier. The hanging chair in the corner provides a wink to this serene design. RELATED: The Best Warm White Paint Colors For Every Room in Your HouseAdvertisement - Continue Reading Below19Leave Materials NaturalJames MerrellRustic meets cozy in this cabin that features walls constructed of hand-hewn logs, a stone fireplace, exposed ceiling beams, and a pair of comfy armchairs. Leaving all materials in their natural finish and unpainted contributes to the overall homespun feel.RELATED: The Best Places to Find or Buy Reclaimed Wood Near You20Choose Neutral FurnishingsSeth SmootIn this California living room, a comfortable collection of neutral furnishings complements the home’s rustic redwood walls. The solid sofa and barrel chairs that are upholstered in linen leave room for visual delights, like the wicker and fringe lamps, an antique rug, a patterned ottoman, and piles of pillows.Jennifer KopfJennifer Kopf is the Executive Editor of Country Living. She also covers antiques and collecting.Amy MitchellManaging EditorAmy Mitchell is the managing editor for VERANDA and Country Living, where she writes articles on a variety of topics—decorating and design, gardens, and holidays. Amy’s experience in the shelter magazine category spans more than 20 years, as she’s previously held positions at Coastal Living and Cottage Living. Her personal pursuits include cooking, gardening, and hunting her favorite tag sale spots for the next piece of Pyrex for her prized collection.
    #rustic #living #room #ideas #coziest
    48 Rustic Living Room Ideas For the Coziest Family Space
    With its comfortable, laid-back decorating vibes, no room says “come and sit awhile” or “aah, I’m home” quite like a beautifully inviting rustic and cozy living room. Whether you live in a farmhouse, cabin, cottage, a new-build in the suburbs, or even a city apartment—rustic living room ideas bring a certain homespun style that ranges from downright traditional to modern and chic.Here at Country Living, we’ve discovered that the very best classic and country rustic living room ideas begin with good ol’ tried-and-true character-rich decor. We're talking reclaimed wood, stone focal points, and a casual mix of natural textures and materials. More modern rustic living room ideas include a less-is-more approach with calming neutral color palettes and clean-lined furniture. Paint colors, fabrics, and accessories in grays, browns, and greens pulled from nature make for the just-right warmth—all simple rustic living room ideas at their finest. So relax and sink into our best country rustic living room ideas from some of our all-time favorite Country Living house tours!Here are more creative ways to make your home feel rustic and cozy:1Fill the Room With CharacterSean LitchfieldFrom floor to ceiling and wall to wall, this rustic living room packs in loads of character. Comfy leather and upholstered furniture, a vintage patterned rug, and a blue and yellow painted cupboard found on Facebook marketplace sit well together against a backdrop of rustic wood.2Source Local MaterialsLincoln BarbourIn this beautifully rustic Mississippi barn. the owners sourced local wood materials from a nearby military depot to clad the walls and ceiling, bringing maximum warmth and texture. Large windows let in loads of natural light during the day, while a chandelier and mounted sconces make for a romantic glow come nighttime.RELATED: These Wood Ceiling Ideas Bring Country Charm to Any RoomTOUR THE ENTIRE HOUSEAdvertisement - Continue Reading Below3Pick a Cozy Paint ColorAlpha Smoot for Country LivingThis cozy living room has a built-in warmth, thanks to saturated navy blue walls. Its handsomely worn floorboards, doors, mantel, and warming cabinet above the fireplace complement the dark blue beautifully. The fire and candlelight emit a magical glow.Get the Look:Wall Paint Color: Dark Navy by BehrTOUR THE ENTIRE HOUSE4Lay a Comfy RugSara Ligorria-TrampWhat's cozier than a roaring fire on a cool night? A soft, fuzzy rug in front of it! The fireplace features mantel made from a tree felled on-site and white Zellige tile. The artwork is a vintage find paired with a contemporary painting.TOUR THE ENTIRE HOUSEAdvertisement - Continue Reading Below5Embrace Log Cabin DetailsLisa FloodIn this stunning Wyoming log cabin, the family usually gathers in the wonderfully rustic great room. Its cozy factor is off the charts, thanks country decorating classics like unpainted log walls and beams, a woodburning stove, textural rugs, and a sweet swing that hangs from the ceiling. Get the Look:Swing: The Oak & Rope CompanyTOUR THE ENTIRE HOUSE6Wrap a Room in WoodMarta Xochilt PerezIn this rustic and cozy cabin, an original fieldstone fireplace creates the warmest welcome. A pair of cushy leather sofas piled with pillows blankets face off, anchoring the wood-wrapped space, and providing the perfect perches for game night. TOUR THE ENTIRE HOUSE Advertisement - Continue Reading Below7Build an Rustic Stone Accent WallMarta Xochilt Perez for Country LivingThis impressive wall of moss rock surrounds the fireplace. Chiseled stone corbels provide mantel supports. On cool nights, you can count on a roaring fire! Throughout the home, carved timbers, rough-cut stone, and walls of windows reflect a combination of the homeowners’ Scandinavian heritage and Irish roots.TOUR THE ENTIRE HOUSE8Go Big in a Small SpaceEmily FollowillThis tiny living room is packed with so much character. Designer James Farmer added decorative oomph with a large tobacco basket, an art-forward fireplace screen, and natural design elements like plants. Details like arranging the paneling on the diagonal to “point” upward enhance the vertical space. Says James, “Tall ceilings, bold plant arrangements, and large light fixtures have even more impact in a small home. Play with scale to find what feels right.” Advertisement - Continue Reading Below9Mix and Match FurnitureLincoln BarbourFor the ultimate collected-over-time vibe, forgo matching furniture. Here, a wingback chair and a spool chair look right at home in this living room. Other period-appropriate decor found in this 100-year-old home: painted paneled walls, exposed ceiling beams, and a rustic mantel wood.TOUR THE ENTIRE HOUSE 10Let There Be LightChristopher DibbleWe put this family room in the “rustic light” category. For a top-to-bottom cabin-like feel, designer Max Humphrey wrapped the space in eight-foot knotty pine planks on the ceiling and walls. A clear coat of polyurethane protects the wood while letting its natural color shine through. Colorful national park posters, globes, camp grounds signage, and a linen modern sectional create a hip yet homey living space.Advertisement - Continue Reading Below11Customize a Focal PointHomeowners Victoria and Marcus Ford’s vision of a custom wood fireplace surround included open shelves and striking floor-to-ceiling firewood nooks. “We figured go big or go home,” says Victoria. Brass sconces provide a library-like touch, and a custom frame has the TV looking picture-perfect above the mantel.Get the Look:Wall and Trim Paint: Endless Sea by Sherwin-WilliamsCeiling Paint: Oyster White by Sherwin-WilliamsTOUR THE ENTIRE SPACE12Incorporate Rustic Furniture FindsAnnie SchlechterTopped with a plaid cushion, a rustic yellow daybed nestled in the corner makes for the coziest spot to take in lake views. The 22-foot cathedral ceilings are clad in wood, warming up this lofty open-concept space designed by Amy Meier that also includes a dining area and kitchen.TOUR THE ENTIRE HOUSE Advertisement - Continue Reading Below13Paint the FloorsDane Tashima for Country LivingWhile the homeowners of this New Jersey dairy barn were able to salvage the structure’s original knotty beams, the walls and floors in the soaring 25-foot-high space needed to be replaced. Simple poplar planks painted white got the job done affordably. A new cast-iron pellet stove warms the space with a rustic, authentic look. Get the Look:Wall and Floor Paint Color: Alabaster by Sherwin-WilliamsTOUR THE ENTIRE HOUSE14Tell the BackstorySean LitchfieldWhere possible, the original Eastern Hemlock posts and beams of this 1819 Maine barn were carefully preserved when, in 1999, the structure was disassembled and then reassembled several miles down the road. Hand-split slabs of Maine graniteand brick were used to fabricate the massive woodburning fireplace. The walls and floors are lined in rough-hewn, nonuniform wood planks. The sofa table, made from an old piece of barn wood found on the farm, shows off collections of books, ceramics, and shells.Advertisement - Continue Reading Below15Use Old Materials for New BuildsBrie WilliamsIn this new build, reclaimed materials create instant patina for a warm and welcoming family room. Here’s what makes it rustic: reclaimed beams came from an 1800s mill in Massachusetts mill; log skins salvaged from old Midwest barns; North Carolina stone on the fireplace. A soft palette for the furniture and window treatments was inspired by the antique rug that covers the ottoman.TOUR THE ENTIRE HOUSE 16Balance Natural Wood with ColorNick JohnsonA pretty blue on the fireplace and in the fabrics balances the overall rustic vibe in this country house. “I wanted this room to feel rich and cozy and warm—the kind of place you’d sit by the fire to read a book,” says Erica Harrison of Detroit-based design firm Hudson and Sterling.TOUR THE ENTIRE HOUSEAdvertisement - Continue Reading Below17Make It WorkHelen NormanDespite the renovation challenges, this cozy sitting area situated just off the open kitchen works. The fireplace, which had to be rebuilt from the inside, was covered in stucco to balance all the exposed brick that was discovered underneath damaged drywall. For attic access, a ladder that was found in a barn on the property gets the job done in lieu of stairs. On the other side of the fireplace, a sturdy wooden bookshelf replaces an existing one that was crumbling.18Paint It WhiteZIO AND SONSFor the ultimate modern farmhouse vibe, start with an all-white palette, like in this home of designer Anthony D’Argenzio. This allows you to layer in character-rich architectural elements, like wide-planked wood floors and ceiling beams. A comfy sectional piled with pillows balances perfectly with hard elements, like the wood-and-iron coffee table, handmade oak stump side table, and a round iron chandelier. The hanging chair in the corner provides a wink to this serene design. RELATED: The Best Warm White Paint Colors For Every Room in Your HouseAdvertisement - Continue Reading Below19Leave Materials NaturalJames MerrellRustic meets cozy in this cabin that features walls constructed of hand-hewn logs, a stone fireplace, exposed ceiling beams, and a pair of comfy armchairs. Leaving all materials in their natural finish and unpainted contributes to the overall homespun feel.RELATED: The Best Places to Find or Buy Reclaimed Wood Near You20Choose Neutral FurnishingsSeth SmootIn this California living room, a comfortable collection of neutral furnishings complements the home’s rustic redwood walls. The solid sofa and barrel chairs that are upholstered in linen leave room for visual delights, like the wicker and fringe lamps, an antique rug, a patterned ottoman, and piles of pillows.Jennifer KopfJennifer Kopf is the Executive Editor of Country Living. She also covers antiques and collecting.Amy MitchellManaging EditorAmy Mitchell is the managing editor for VERANDA and Country Living, where she writes articles on a variety of topics—decorating and design, gardens, and holidays. Amy’s experience in the shelter magazine category spans more than 20 years, as she’s previously held positions at Coastal Living and Cottage Living. Her personal pursuits include cooking, gardening, and hunting her favorite tag sale spots for the next piece of Pyrex for her prized collection. #rustic #living #room #ideas #coziest
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    48 Rustic Living Room Ideas For the Coziest Family Space
    With its comfortable, laid-back decorating vibes, no room says “come and sit awhile” or “aah, I’m home” quite like a beautifully inviting rustic and cozy living room. Whether you live in a farmhouse, cabin, cottage, a new-build in the suburbs, or even a city apartment—rustic living room ideas bring a certain homespun style that ranges from downright traditional to modern and chic.Here at Country Living, we’ve discovered that the very best classic and country rustic living room ideas begin with good ol’ tried-and-true character-rich decor. We're talking reclaimed wood, stone focal points (there are so many rustic style living room ideas with cozy fireplaces!), and a casual mix of natural textures and materials (think wood and woven furniture, perfectly worn leather sofas, vintage wool rugs laid atop natural sisal). More modern rustic living room ideas include a less-is-more approach with calming neutral color palettes and clean-lined furniture. Paint colors, fabrics, and accessories in grays, browns, and greens pulled from nature make for the just-right warmth—all simple rustic living room ideas at their finest. So relax and sink into our best country rustic living room ideas from some of our all-time favorite Country Living house tours!Here are more creative ways to make your home feel rustic and cozy:1Fill the Room With CharacterSean LitchfieldFrom floor to ceiling and wall to wall, this rustic living room packs in loads of character. Comfy leather and upholstered furniture, a vintage patterned rug, and a blue and yellow painted cupboard found on Facebook marketplace sit well together against a backdrop of rustic wood.2Source Local MaterialsLincoln BarbourIn this beautifully rustic Mississippi barn. the owners sourced local wood materials from a nearby military depot to clad the walls and ceiling, bringing maximum warmth and texture. Large windows let in loads of natural light during the day, while a chandelier and mounted sconces make for a romantic glow come nighttime.RELATED: These Wood Ceiling Ideas Bring Country Charm to Any RoomTOUR THE ENTIRE HOUSEAdvertisement - Continue Reading Below3Pick a Cozy Paint ColorAlpha Smoot for Country LivingThis cozy living room has a built-in warmth, thanks to saturated navy blue walls (“It’s sort of a gentleman’s navy,” says homeowner Justin Reis). Its handsomely worn floorboards, doors, mantel, and warming cabinet above the fireplace complement the dark blue beautifully. The fire and candlelight emit a magical glow.Get the Look:Wall Paint Color: Dark Navy by BehrTOUR THE ENTIRE HOUSE4Lay a Comfy RugSara Ligorria-TrampWhat's cozier than a roaring fire on a cool night? A soft, fuzzy rug in front of it! The fireplace features mantel made from a tree felled on-site and white Zellige tile. The artwork is a vintage find paired with a contemporary painting.TOUR THE ENTIRE HOUSEAdvertisement - Continue Reading Below5Embrace Log Cabin DetailsLisa FloodIn this stunning Wyoming log cabin, the family usually gathers in the wonderfully rustic great room. Its cozy factor is off the charts, thanks country decorating classics like unpainted log walls and beams, a woodburning stove, textural rugs, and a sweet swing that hangs from the ceiling. Get the Look:Swing: The Oak & Rope CompanyTOUR THE ENTIRE HOUSE6Wrap a Room in WoodMarta Xochilt PerezIn this rustic and cozy cabin, an original fieldstone fireplace creates the warmest welcome. A pair of cushy leather sofas piled with pillows blankets face off, anchoring the wood-wrapped space, and providing the perfect perches for game night. TOUR THE ENTIRE HOUSE Advertisement - Continue Reading Below7Build an Rustic Stone Accent WallMarta Xochilt Perez for Country LivingThis impressive wall of moss rock surrounds the fireplace. Chiseled stone corbels provide mantel supports. On cool nights, you can count on a roaring fire! Throughout the home, carved timbers, rough-cut stone, and walls of windows reflect a combination of the homeowners’ Scandinavian heritage and Irish roots.TOUR THE ENTIRE HOUSE8Go Big in a Small SpaceEmily FollowillThis tiny living room is packed with so much character. Designer James Farmer added decorative oomph with a large tobacco basket, an art-forward fireplace screen, and natural design elements like plants. Details like arranging the paneling on the diagonal to “point” upward enhance the vertical space. Says James, “Tall ceilings, bold plant arrangements, and large light fixtures have even more impact in a small home. Play with scale to find what feels right.” Advertisement - Continue Reading Below9Mix and Match FurnitureLincoln BarbourFor the ultimate collected-over-time vibe, forgo matching furniture. Here, a wingback chair and a spool chair look right at home in this living room. Other period-appropriate decor found in this 100-year-old home: painted paneled walls, exposed ceiling beams, and a rustic mantel wood.TOUR THE ENTIRE HOUSE 10Let There Be Light (Wood)Christopher DibbleWe put this family room in the “rustic light” category. For a top-to-bottom cabin-like feel, designer Max Humphrey wrapped the space in eight-foot knotty pine planks on the ceiling and walls. A clear coat of polyurethane protects the wood while letting its natural color shine through (a stain would’ve darkened the room). Colorful national park posters, globes, camp grounds signage, and a linen modern sectional create a hip yet homey living space.Advertisement - Continue Reading Below11Customize a Focal PointHomeowners Victoria and Marcus Ford’s vision of a custom wood fireplace surround included open shelves and striking floor-to-ceiling firewood nooks (our favorite detail!). “We figured go big or go home,” says Victoria. Brass sconces provide a library-like touch, and a custom frame has the TV looking picture-perfect above the mantel.Get the Look:Wall and Trim Paint: Endless Sea by Sherwin-WilliamsCeiling Paint: Oyster White by Sherwin-WilliamsTOUR THE ENTIRE SPACE12Incorporate Rustic Furniture FindsAnnie SchlechterTopped with a plaid cushion, a rustic yellow daybed nestled in the corner makes for the coziest spot to take in lake views. The 22-foot cathedral ceilings are clad in wood, warming up this lofty open-concept space designed by Amy Meier that also includes a dining area and kitchen.TOUR THE ENTIRE HOUSE Advertisement - Continue Reading Below13Paint the FloorsDane Tashima for Country LivingWhile the homeowners of this New Jersey dairy barn were able to salvage the structure’s original knotty beams, the walls and floors in the soaring 25-foot-high space needed to be replaced. Simple poplar planks painted white got the job done affordably. A new cast-iron pellet stove warms the space with a rustic, authentic look. Get the Look:Wall and Floor Paint Color: Alabaster by Sherwin-WilliamsTOUR THE ENTIRE HOUSE14Tell the BackstorySean LitchfieldWhere possible, the original Eastern Hemlock posts and beams of this 1819 Maine barn were carefully preserved when, in 1999, the structure was disassembled and then reassembled several miles down the road. Hand-split slabs of Maine granite (some from the barn's original foundation) and brick were used to fabricate the massive woodburning fireplace. The walls and floors are lined in rough-hewn, nonuniform wood planks. The sofa table, made from an old piece of barn wood found on the farm, shows off collections of books, ceramics, and shells.Advertisement - Continue Reading Below15Use Old Materials for New BuildsBrie WilliamsIn this new build, reclaimed materials create instant patina for a warm and welcoming family room. Here’s what makes it rustic: reclaimed beams came from an 1800s mill in Massachusetts mill; log skins salvaged from old Midwest barns; North Carolina stone on the fireplace. A soft palette for the furniture and window treatments was inspired by the antique rug that covers the ottoman.TOUR THE ENTIRE HOUSE 16Balance Natural Wood with ColorNick JohnsonA pretty blue on the fireplace and in the fabrics balances the overall rustic vibe in this country house. “I wanted this room to feel rich and cozy and warm—the kind of place you’d sit by the fire to read a book,” says Erica Harrison of Detroit-based design firm Hudson and Sterling.TOUR THE ENTIRE HOUSEAdvertisement - Continue Reading Below17Make It WorkHelen NormanDespite the renovation challenges, this cozy sitting area situated just off the open kitchen works. The fireplace, which had to be rebuilt from the inside, was covered in stucco to balance all the exposed brick that was discovered underneath damaged drywall. For attic access, a ladder that was found in a barn on the property gets the job done in lieu of stairs. On the other side of the fireplace, a sturdy wooden bookshelf replaces an existing one that was crumbling.18Paint It WhiteZIO AND SONSFor the ultimate modern farmhouse vibe, start with an all-white palette, like in this home of designer Anthony D’Argenzio. This allows you to layer in character-rich architectural elements, like wide-planked wood floors and ceiling beams. A comfy sectional piled with pillows balances perfectly with hard elements, like the wood-and-iron coffee table, handmade oak stump side table, and a round iron chandelier. The hanging chair in the corner provides a wink to this serene design. RELATED: The Best Warm White Paint Colors For Every Room in Your HouseAdvertisement - Continue Reading Below19Leave Materials NaturalJames MerrellRustic meets cozy in this cabin that features walls constructed of hand-hewn logs, a stone fireplace, exposed ceiling beams, and a pair of comfy armchairs. Leaving all materials in their natural finish and unpainted contributes to the overall homespun feel.RELATED: The Best Places to Find or Buy Reclaimed Wood Near You20Choose Neutral FurnishingsSeth SmootIn this California living room, a comfortable collection of neutral furnishings complements the home’s rustic redwood walls. The solid sofa and barrel chairs that are upholstered in linen leave room for visual delights, like the wicker and fringe lamps, an antique rug, a patterned ottoman, and piles of pillows.Jennifer KopfJennifer Kopf is the Executive Editor of Country Living. She also covers antiques and collecting.Amy MitchellManaging EditorAmy Mitchell is the managing editor for VERANDA and Country Living, where she writes articles on a variety of topics—decorating and design, gardens, and holidays. Amy’s experience in the shelter magazine category spans more than 20 years, as she’s previously held positions at Coastal Living and Cottage Living. Her personal pursuits include cooking, gardening, and hunting her favorite tag sale spots for the next piece of Pyrex for her prized collection.
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  • Labour puts Humphrey AI to work for council admin

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    News

    Labour puts Humphrey AI to work for council admin
    A tool built on the government’s Humphrey AI toolset is being piloted by 25 councils to take notes during meetings

    Published: 23 May 2025 15:45

    The UK government has announced that its artificial intelligencesuite, Humphrey, is being trialled by a number of local councils.
    Its AI tool, Minute, takes notes in meetings, and was recently used in one chaired by prime minister Keir Starmer.

    Part of Humphrey, the package of AI tools built to help civil servants deliver for ministers and the public more effectively, uses generative AI to turn meetings into notes, and provides tools for correcting summaries. The government found that early tests using Minute showed that officials saved an hour of admin per one-hour meeting.

    The Department for Science, Innovation and Technologysaid Minute can help speed up actions after planning meetings, allowing officers to focus on the task at hand, rather than paperwork, and make informed decisions to get homes built. It’s currently being trailed by 25 local councils.

    Among the ways it’s being used is to help streamline burdensome admin tasks in the planning process as part of the government’s plans to build 1.5 million homes by 2030.

    Lords minister for housing and local government Sharon Taylor said: “Local councils are on the frontline of housing delivery, and we’re backing them with cutting-edge AI technology like Minute so officers can spend less time buried in admin and more time helping to get Britain building.

    “This is alongside our landmark reforms to deliver 1.5 million homes, including the Planning and Infrastructure Bill, which will get working people and families into secure homes and boost economic growth right across the country,” she said.

    stories about public sector AI

    Humphrey AI tool powers Scottish Parliament consultation: AI-powered Consult tool has helped the Scottish Parliament to organise feedback from a public consultation into themes.
    Major obstacles facing Labour’s AI opportunity action plan: Skills, data held in legacy tech and a lack of leadership are among the areas discussed during a recent Public Accounts Committee session.

    Minute can also be used to take notes in meetings between social care workers and their supervisors, allowing workers to focus on offering more support instead of being bogged down by bureaucracy.  

    The Minute trial ties in with a broader government initiative to help local councils use technology to improve essential services they are responsible for delivering to local residents. To fulfil one of the actions in the 50-point AI Opportunities Plan of Action, which was published in January, the government has also introduced an AI Knowledge Hub for sharing examples of how local councils are using technology so others can learn from them – such as an AI assistant that speeds up the reporting of fly-tipping and graffiti in central London.
    In 2024, a Local Government Associationsurvey found that the majority of councils who took part in the pollwere using or exploring how they would use AI. The areas where most respondents had realised benefits from using AI were staff productivity, service efficienciesand cost savings.
    However, the LGA reported that the five biggest barriers to deploying AI identified by respondents were a lack of funding, a lack of staff capabilities, a lack of staff capacity, a lack of sufficient governance and a lack of clear use cases.

    The government’s own State of digital government review, published earlier this year, reported that each of the 320 local authorities in England negotiate technology contracts with big tech companies independently – when many are buying exactly the same tools – making this spending much less effective. The trials with AI-based tools built on Humphrey and the AI Knowledge Hub represent an attempt by the government to reduce the barriers to deploying AI across the public sector.

    AI and digital government minister Feryal Clark said: “From parking permits and planning permission, local councils handle some of the services that impact our daily lives most. For too long, they have been left to fend for themselves when keeping up with rapid innovations in AI and digital technology – when we know it has huge potential to help solve many of the challenges they face.

    Clark said the government was going to work with local councils to help them buy and build the technology they need to deliver Labour’s Plan for Change and support their local communities more effectively. 

    In The Current Issue:

    UK critical systems at risk from ‘digital divide’ created by AI threats
    UK at risk of Russian cyber and physical attacks as Ukraine seeks peace deal
    Standard Chartered grounds AI ambitions in data governance

    Download Current Issue

    SAP Sapphire 2025: Developers take centre stage as AI integration deepens
    – CW Developer Network

    Microsoft entices developers to build more Windows AI apps
    – Cliff Saran's Enterprise blog

    View All Blogs
    #labour #puts #humphrey #work #council
    Labour puts Humphrey AI to work for council admin
    Flyalone - Adobe News Labour puts Humphrey AI to work for council admin A tool built on the government’s Humphrey AI toolset is being piloted by 25 councils to take notes during meetings Published: 23 May 2025 15:45 The UK government has announced that its artificial intelligencesuite, Humphrey, is being trialled by a number of local councils. Its AI tool, Minute, takes notes in meetings, and was recently used in one chaired by prime minister Keir Starmer. Part of Humphrey, the package of AI tools built to help civil servants deliver for ministers and the public more effectively, uses generative AI to turn meetings into notes, and provides tools for correcting summaries. The government found that early tests using Minute showed that officials saved an hour of admin per one-hour meeting. The Department for Science, Innovation and Technologysaid Minute can help speed up actions after planning meetings, allowing officers to focus on the task at hand, rather than paperwork, and make informed decisions to get homes built. It’s currently being trailed by 25 local councils. Among the ways it’s being used is to help streamline burdensome admin tasks in the planning process as part of the government’s plans to build 1.5 million homes by 2030. Lords minister for housing and local government Sharon Taylor said: “Local councils are on the frontline of housing delivery, and we’re backing them with cutting-edge AI technology like Minute so officers can spend less time buried in admin and more time helping to get Britain building. “This is alongside our landmark reforms to deliver 1.5 million homes, including the Planning and Infrastructure Bill, which will get working people and families into secure homes and boost economic growth right across the country,” she said. stories about public sector AI Humphrey AI tool powers Scottish Parliament consultation: AI-powered Consult tool has helped the Scottish Parliament to organise feedback from a public consultation into themes. Major obstacles facing Labour’s AI opportunity action plan: Skills, data held in legacy tech and a lack of leadership are among the areas discussed during a recent Public Accounts Committee session. Minute can also be used to take notes in meetings between social care workers and their supervisors, allowing workers to focus on offering more support instead of being bogged down by bureaucracy.   The Minute trial ties in with a broader government initiative to help local councils use technology to improve essential services they are responsible for delivering to local residents. To fulfil one of the actions in the 50-point AI Opportunities Plan of Action, which was published in January, the government has also introduced an AI Knowledge Hub for sharing examples of how local councils are using technology so others can learn from them – such as an AI assistant that speeds up the reporting of fly-tipping and graffiti in central London. In 2024, a Local Government Associationsurvey found that the majority of councils who took part in the pollwere using or exploring how they would use AI. The areas where most respondents had realised benefits from using AI were staff productivity, service efficienciesand cost savings. However, the LGA reported that the five biggest barriers to deploying AI identified by respondents were a lack of funding, a lack of staff capabilities, a lack of staff capacity, a lack of sufficient governance and a lack of clear use cases. The government’s own State of digital government review, published earlier this year, reported that each of the 320 local authorities in England negotiate technology contracts with big tech companies independently – when many are buying exactly the same tools – making this spending much less effective. The trials with AI-based tools built on Humphrey and the AI Knowledge Hub represent an attempt by the government to reduce the barriers to deploying AI across the public sector. AI and digital government minister Feryal Clark said: “From parking permits and planning permission, local councils handle some of the services that impact our daily lives most. For too long, they have been left to fend for themselves when keeping up with rapid innovations in AI and digital technology – when we know it has huge potential to help solve many of the challenges they face. Clark said the government was going to work with local councils to help them buy and build the technology they need to deliver Labour’s Plan for Change and support their local communities more effectively.  In The Current Issue: UK critical systems at risk from ‘digital divide’ created by AI threats UK at risk of Russian cyber and physical attacks as Ukraine seeks peace deal Standard Chartered grounds AI ambitions in data governance Download Current Issue SAP Sapphire 2025: Developers take centre stage as AI integration deepens – CW Developer Network Microsoft entices developers to build more Windows AI apps – Cliff Saran's Enterprise blog View All Blogs #labour #puts #humphrey #work #council
    WWW.COMPUTERWEEKLY.COM
    Labour puts Humphrey AI to work for council admin
    Flyalone - Adobe News Labour puts Humphrey AI to work for council admin A tool built on the government’s Humphrey AI toolset is being piloted by 25 councils to take notes during meetings Published: 23 May 2025 15:45 The UK government has announced that its artificial intelligence (AI) suite, Humphrey, is being trialled by a number of local councils. Its AI tool, Minute, takes notes in meetings, and was recently used in one chaired by prime minister Keir Starmer. Part of Humphrey, the package of AI tools built to help civil servants deliver for ministers and the public more effectively, uses generative AI to turn meetings into notes, and provides tools for correcting summaries. The government found that early tests using Minute showed that officials saved an hour of admin per one-hour meeting. The Department for Science, Innovation and Technology (DSIT) said Minute can help speed up actions after planning meetings, allowing officers to focus on the task at hand, rather than paperwork, and make informed decisions to get homes built. It’s currently being trailed by 25 local councils. Among the ways it’s being used is to help streamline burdensome admin tasks in the planning process as part of the government’s plans to build 1.5 million homes by 2030. Lords minister for housing and local government Sharon Taylor said: “Local councils are on the frontline of housing delivery, and we’re backing them with cutting-edge AI technology like Minute so officers can spend less time buried in admin and more time helping to get Britain building. “This is alongside our landmark reforms to deliver 1.5 million homes, including the Planning and Infrastructure Bill, which will get working people and families into secure homes and boost economic growth right across the country,” she said. Read more stories about public sector AI Humphrey AI tool powers Scottish Parliament consultation: AI-powered Consult tool has helped the Scottish Parliament to organise feedback from a public consultation into themes. Major obstacles facing Labour’s AI opportunity action plan: Skills, data held in legacy tech and a lack of leadership are among the areas discussed during a recent Public Accounts Committee session. Minute can also be used to take notes in meetings between social care workers and their supervisors, allowing workers to focus on offering more support instead of being bogged down by bureaucracy.   The Minute trial ties in with a broader government initiative to help local councils use technology to improve essential services they are responsible for delivering to local residents. To fulfil one of the actions in the 50-point AI Opportunities Plan of Action, which was published in January, the government has also introduced an AI Knowledge Hub for sharing examples of how local councils are using technology so others can learn from them – such as an AI assistant that speeds up the reporting of fly-tipping and graffiti in central London. In 2024, a Local Government Association (LGA) survey found that the majority of councils who took part in the poll (85%) were using or exploring how they would use AI. The areas where most respondents had realised benefits from using AI were staff productivity (35%), service efficiencies (32%) and cost savings (22%). However, the LGA reported that the five biggest barriers to deploying AI identified by respondents were a lack of funding (64%), a lack of staff capabilities (53%), a lack of staff capacity (50%), a lack of sufficient governance and a lack of clear use cases (41% each). The government’s own State of digital government review, published earlier this year, reported that each of the 320 local authorities in England negotiate technology contracts with big tech companies independently – when many are buying exactly the same tools – making this spending much less effective. The trials with AI-based tools built on Humphrey and the AI Knowledge Hub represent an attempt by the government to reduce the barriers to deploying AI across the public sector. AI and digital government minister Feryal Clark said: “From parking permits and planning permission, local councils handle some of the services that impact our daily lives most. For too long, they have been left to fend for themselves when keeping up with rapid innovations in AI and digital technology – when we know it has huge potential to help solve many of the challenges they face. Clark said the government was going to work with local councils to help them buy and build the technology they need to deliver Labour’s Plan for Change and support their local communities more effectively.  In The Current Issue: UK critical systems at risk from ‘digital divide’ created by AI threats UK at risk of Russian cyber and physical attacks as Ukraine seeks peace deal Standard Chartered grounds AI ambitions in data governance Download Current Issue SAP Sapphire 2025: Developers take centre stage as AI integration deepens – CW Developer Network Microsoft entices developers to build more Windows AI apps – Cliff Saran's Enterprise blog View All Blogs
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  • The Supreme Court just revealed one thing it actually fears about Trump

    On Thursday evening, the Supreme Court handed down a brief order, which temporarily permits President Donald Trump to fire two federal officials who, by law, are shielded from being summarily terminated. That, in itself, is not particularly significant because, on April 9, Chief Justice John Roberts acted on his own authority to temporarily permit Trump to fire the same two officials. So the practical effect of Thursday’s order in Trump v. Wilcox is simply to maintain the status quo.That said, the Thursday order does contain some important new information from the Court’s Republican majority. While the Republican justices have signaled for quite some time that they are eager to give the president broad authority to fire officials that Congress intended to insulate from presidential control, the order includes a paragraph signaling that they will not allow Trump to fire members of the Federal Reserve.From a legal perspective, the paragraph is difficult to parse. And, as Justice Elena Kagan writes in a dissenting opinion, is not supported by the legal authority it cites. But it is likely to reassure investors that, while the Supreme Court does appear eager to expand Trump’s authority over previously independent parts of the federal government, it won’t permit him to disrupt the Fed’s ability to make technocratic decisions about interest rates. The immediate stakes in Wilcox involve a former member of the National Labor Relations Board, which enforces labor laws and adjudicates union-related disputes, along with a former member of the Merit Systems Protection Board, which hears disputes claiming that a civil servant’s employment protections were violated. Trump fired both shortly after taking office, despite the fact that federal law only permits them to be fired for some sort of neglect or malfeasance.The NLRB and the MSPB, moreover, are just two of an array of “independent” agencies led by multi-member boards, whose members all enjoy similar employment protections – agencies such as the Federal Trade Commission, the Federal Communications Commission, and the Federal Reserve.For at least 15 years, when the Court handed down Free Enterprise Fund v. Public Company Accounting Board, a majority of the justices have signaled that they are eager to strip Congress of its authority to create such independent agencies, and give the president full authority to fire these agencies’ leaders at will. Many economists and investors, meanwhile, have warned that it would be particularly dangerous to strip the Federal Reserve — which is supposed to set interest rates based on delicate economic calculations and not based on what will benefit the sitting president — of its independence, as doing so could throw the US economy into chaos.Thursday’s order is a clear signal that the Court has heard these concerns and does not intend to eliminate the Fed’s independence. It is unlikely to satisfy many constitutional scholars, as its explanation for why Federal Reserve leaders should be treated differently than the leaders of any other independent agency is so baffling that it appears contrived. Regardless of the underlying reasoning, however, the order does strongly suggest that this Court will not give Trump full control over the Fed.The “unitary executive,” briefly explainedTrump v. Wilcox is the culmination of a longstanding grudge many Republican legal elites hold against Humphrey’s Executor v. United States, the Supreme Court case establishing that Congress may create independent agencies whose members may only be fired for cause. Though the leaders of these agencies are typically nominated by the president for a term of several years, and confirmed by the Senate, Humphrey’s Executor explained that laws protecting them from being fired while in office are supposed to ensure that they “act with entire impartiality,” and “exercise the trained judgment of a body of experts.”All six of the Court’s Republicans, however, have made it clear they believe in a theory known as the “unitary executive,” which is incompatible with Humphrey’s Executor.The Constitution provides that “the executive power shall be vested in a President of the United States of America.” In a 1988 dissenting opinion, which many legal conservatives now treat as if it were a holy text, Justice Antonin Scalia argued that “this does not mean some of the executive power, but all of the executive power.” And thus, if a federal official is charged with executing federal laws in some way, they must be fully subject to presidential control.If you take this unitary executive theory seriously, then there should be no doubt that Federal Reserve governors may be fired at will by the president. The Fed’s authority over interest rates, after all, derives from federal statutes instructing it to pursue the dual goals of “maximum employment” and “stable prices.” So the Fed is charged with executing federal laws.But the consequences of stripping the Fed of its independence could be catastrophic. In 1971, President Richard Nixon pressured Fed chair Arthur Burns to lower interest rates in advance of Nixon’s reelection race — the idea was to juice the economy right while voters were weighing Nixon’s record — and Burns complied. In the short term, this worked out great for Nixon. The economy boomed in 1972, and Nixon won reelection by a historic landslide. But Burns’s action is often blamed for years of “stagflation,” slow economic growth combined with high inflation, in the 1970s.The Fed, in other words, has the power to effectively inject cocaine into the US economy – giving it a temporary boost that can be timed to benefit incumbent presidents, at the cost of much greater economic turmoil down the road. It’s not hard to see how presidents could abuse their power if they can fire members of the Federal Reserve who refuse to give the economy such a temporary and costly high.One might think that these risks would be enough to caution the justices against overruling Humphrey’s Executor. But the Republican justices appear quite committed to the unitary executive theory, and they have been that way for quite some time.And so those justices spend the bulk of Thursday’s Wilcox order laying out the process they are likely to use to formally overrule Humphrey’s Executor. The order announces that the Trump administration is “likely” to prevail in its bid to fire NLRB and MSPB officials, and it temporarily blocks lower court decisions that reinstated the two officials at issue in this case. But the Court puts off the question of whether to formally repudiate Humphrey’s Executor until after the ordinary appeals process plays out and the justices receive full briefing and oral argument on whether to do so — which could happen as soon as the Court’s next term.The Wilcox order’s language protecting the Fed is gobbledygookEmbedded within all this language laying out the process to challenge Humphrey’s Executor is the paragraph indicating that the Fed is safe. While the two fired officials “contend that arguments in this case necessarily implicate the constitutionality of for-cause removal protections for members of the Federal Reserve’s Board of Governors or other members of the Federal Open Market Committee,” the order states, “we disagree.”The justices who joined the order then offer a single sentence explaining why: “The Federal Reserve is a uniquely structured, quasi-private entity that follows in the distinct historical tradition of the First and Second Banks of the United States.”It’s certainly possible to parse the components of this sentence. The description of the Fed as a “quasi-private entity,” for example, may refer to the fact that much of the Fed’s authority is wielded through regional entities, which are themselves controlled by board members who are mostly selected by commercial banks. But it is hardly unusual for members of the private sector to be given a formal role within government — just ask Elon Musk. Indeed, the Supreme Court heard at least two cases this spring involving the role experts from the private sector may play in setting government policy.The “First and Second Banks of the United States” are 18th- and early 19th-century predecessors to the Fed. The Supreme Court upheld Congress’s power to create national banks in McCulloch v. Maryland, but the nation abandoned national banking under President Andrew Jackson, setting off a period of economic turmoil, including an economic depression shortly after Jackson left office.But it’s unclear what any of this has to do with the president’s powers as outlined in the Constitution. If the theory of the unitary executive is correct, then no entity — regardless of whether it is “quasi-private” or is part of a “distinct historical tradition” involving banks — may execute federal laws, unless that entity is controlled by people who are themselves under presidential control. As a legal matter, the Court’s explanation of why the Fed is special is nothing more than word salad.The only legal authority that the Wilcox order cites to support its claim that the Fed is special is a footnote in its pro-unitary executive decision in Seila Law v. CFPB. But nothing in that footnote provides any support for this claim.As Kagan points out in her dissent in Wilcox, the only relevant language in that footnote is a throwaway line responding to her partial dissent in Seila Law. Kagan had argued that “federal regulators” historically have enjoyed some insulation from the president. The footnote dismisses this argument, stating that even “assuming financial institutions like the Second Bank and the Federal Reserve can claim a special historical status,” the agency at issue in Seila Law does not qualify.The Court, in other words, waved away Kagan’s argument that institutions like the Fed should be shielded from presidential control in Seila Law. Now, however, the justices in the majority appear to be signaling they believe there is some merit to Kagan’s argument.If the Court does formally overrule Humphrey’s Executor in the coming months, the justices in the majority will likely elaborate on why a different rule should apply to the Fed. The best reading of the Wilcox order’s one paragraph about the Fed is that a majority of the justices have already decided that they want to protect it, and they would now like some smart lawyers to file briefs coming up with an argument for that position — one that uses terms like “quasi-private” and that refers to the early history of national banking.Of course, this is not how the law is supposed to work — judges are not supposed to start with the outcome that they want and then invite members of the bar to explain how to get there. But this also will hardly be the first time that the Roberts Court started with its intended outcome and reasoned backward to get there. It’s just being more transparent this time around.See More:
    #supreme #court #just #revealed #one
    The Supreme Court just revealed one thing it actually fears about Trump
    On Thursday evening, the Supreme Court handed down a brief order, which temporarily permits President Donald Trump to fire two federal officials who, by law, are shielded from being summarily terminated. That, in itself, is not particularly significant because, on April 9, Chief Justice John Roberts acted on his own authority to temporarily permit Trump to fire the same two officials. So the practical effect of Thursday’s order in Trump v. Wilcox is simply to maintain the status quo.That said, the Thursday order does contain some important new information from the Court’s Republican majority. While the Republican justices have signaled for quite some time that they are eager to give the president broad authority to fire officials that Congress intended to insulate from presidential control, the order includes a paragraph signaling that they will not allow Trump to fire members of the Federal Reserve.From a legal perspective, the paragraph is difficult to parse. And, as Justice Elena Kagan writes in a dissenting opinion, is not supported by the legal authority it cites. But it is likely to reassure investors that, while the Supreme Court does appear eager to expand Trump’s authority over previously independent parts of the federal government, it won’t permit him to disrupt the Fed’s ability to make technocratic decisions about interest rates. The immediate stakes in Wilcox involve a former member of the National Labor Relations Board, which enforces labor laws and adjudicates union-related disputes, along with a former member of the Merit Systems Protection Board, which hears disputes claiming that a civil servant’s employment protections were violated. Trump fired both shortly after taking office, despite the fact that federal law only permits them to be fired for some sort of neglect or malfeasance.The NLRB and the MSPB, moreover, are just two of an array of “independent” agencies led by multi-member boards, whose members all enjoy similar employment protections – agencies such as the Federal Trade Commission, the Federal Communications Commission, and the Federal Reserve.For at least 15 years, when the Court handed down Free Enterprise Fund v. Public Company Accounting Board, a majority of the justices have signaled that they are eager to strip Congress of its authority to create such independent agencies, and give the president full authority to fire these agencies’ leaders at will. Many economists and investors, meanwhile, have warned that it would be particularly dangerous to strip the Federal Reserve — which is supposed to set interest rates based on delicate economic calculations and not based on what will benefit the sitting president — of its independence, as doing so could throw the US economy into chaos.Thursday’s order is a clear signal that the Court has heard these concerns and does not intend to eliminate the Fed’s independence. It is unlikely to satisfy many constitutional scholars, as its explanation for why Federal Reserve leaders should be treated differently than the leaders of any other independent agency is so baffling that it appears contrived. Regardless of the underlying reasoning, however, the order does strongly suggest that this Court will not give Trump full control over the Fed.The “unitary executive,” briefly explainedTrump v. Wilcox is the culmination of a longstanding grudge many Republican legal elites hold against Humphrey’s Executor v. United States, the Supreme Court case establishing that Congress may create independent agencies whose members may only be fired for cause. Though the leaders of these agencies are typically nominated by the president for a term of several years, and confirmed by the Senate, Humphrey’s Executor explained that laws protecting them from being fired while in office are supposed to ensure that they “act with entire impartiality,” and “exercise the trained judgment of a body of experts.”All six of the Court’s Republicans, however, have made it clear they believe in a theory known as the “unitary executive,” which is incompatible with Humphrey’s Executor.The Constitution provides that “the executive power shall be vested in a President of the United States of America.” In a 1988 dissenting opinion, which many legal conservatives now treat as if it were a holy text, Justice Antonin Scalia argued that “this does not mean some of the executive power, but all of the executive power.” And thus, if a federal official is charged with executing federal laws in some way, they must be fully subject to presidential control.If you take this unitary executive theory seriously, then there should be no doubt that Federal Reserve governors may be fired at will by the president. The Fed’s authority over interest rates, after all, derives from federal statutes instructing it to pursue the dual goals of “maximum employment” and “stable prices.” So the Fed is charged with executing federal laws.But the consequences of stripping the Fed of its independence could be catastrophic. In 1971, President Richard Nixon pressured Fed chair Arthur Burns to lower interest rates in advance of Nixon’s reelection race — the idea was to juice the economy right while voters were weighing Nixon’s record — and Burns complied. In the short term, this worked out great for Nixon. The economy boomed in 1972, and Nixon won reelection by a historic landslide. But Burns’s action is often blamed for years of “stagflation,” slow economic growth combined with high inflation, in the 1970s.The Fed, in other words, has the power to effectively inject cocaine into the US economy – giving it a temporary boost that can be timed to benefit incumbent presidents, at the cost of much greater economic turmoil down the road. It’s not hard to see how presidents could abuse their power if they can fire members of the Federal Reserve who refuse to give the economy such a temporary and costly high.One might think that these risks would be enough to caution the justices against overruling Humphrey’s Executor. But the Republican justices appear quite committed to the unitary executive theory, and they have been that way for quite some time.And so those justices spend the bulk of Thursday’s Wilcox order laying out the process they are likely to use to formally overrule Humphrey’s Executor. The order announces that the Trump administration is “likely” to prevail in its bid to fire NLRB and MSPB officials, and it temporarily blocks lower court decisions that reinstated the two officials at issue in this case. But the Court puts off the question of whether to formally repudiate Humphrey’s Executor until after the ordinary appeals process plays out and the justices receive full briefing and oral argument on whether to do so — which could happen as soon as the Court’s next term.The Wilcox order’s language protecting the Fed is gobbledygookEmbedded within all this language laying out the process to challenge Humphrey’s Executor is the paragraph indicating that the Fed is safe. While the two fired officials “contend that arguments in this case necessarily implicate the constitutionality of for-cause removal protections for members of the Federal Reserve’s Board of Governors or other members of the Federal Open Market Committee,” the order states, “we disagree.”The justices who joined the order then offer a single sentence explaining why: “The Federal Reserve is a uniquely structured, quasi-private entity that follows in the distinct historical tradition of the First and Second Banks of the United States.”It’s certainly possible to parse the components of this sentence. The description of the Fed as a “quasi-private entity,” for example, may refer to the fact that much of the Fed’s authority is wielded through regional entities, which are themselves controlled by board members who are mostly selected by commercial banks. But it is hardly unusual for members of the private sector to be given a formal role within government — just ask Elon Musk. Indeed, the Supreme Court heard at least two cases this spring involving the role experts from the private sector may play in setting government policy.The “First and Second Banks of the United States” are 18th- and early 19th-century predecessors to the Fed. The Supreme Court upheld Congress’s power to create national banks in McCulloch v. Maryland, but the nation abandoned national banking under President Andrew Jackson, setting off a period of economic turmoil, including an economic depression shortly after Jackson left office.But it’s unclear what any of this has to do with the president’s powers as outlined in the Constitution. If the theory of the unitary executive is correct, then no entity — regardless of whether it is “quasi-private” or is part of a “distinct historical tradition” involving banks — may execute federal laws, unless that entity is controlled by people who are themselves under presidential control. As a legal matter, the Court’s explanation of why the Fed is special is nothing more than word salad.The only legal authority that the Wilcox order cites to support its claim that the Fed is special is a footnote in its pro-unitary executive decision in Seila Law v. CFPB. But nothing in that footnote provides any support for this claim.As Kagan points out in her dissent in Wilcox, the only relevant language in that footnote is a throwaway line responding to her partial dissent in Seila Law. Kagan had argued that “federal regulators” historically have enjoyed some insulation from the president. The footnote dismisses this argument, stating that even “assuming financial institutions like the Second Bank and the Federal Reserve can claim a special historical status,” the agency at issue in Seila Law does not qualify.The Court, in other words, waved away Kagan’s argument that institutions like the Fed should be shielded from presidential control in Seila Law. Now, however, the justices in the majority appear to be signaling they believe there is some merit to Kagan’s argument.If the Court does formally overrule Humphrey’s Executor in the coming months, the justices in the majority will likely elaborate on why a different rule should apply to the Fed. The best reading of the Wilcox order’s one paragraph about the Fed is that a majority of the justices have already decided that they want to protect it, and they would now like some smart lawyers to file briefs coming up with an argument for that position — one that uses terms like “quasi-private” and that refers to the early history of national banking.Of course, this is not how the law is supposed to work — judges are not supposed to start with the outcome that they want and then invite members of the bar to explain how to get there. But this also will hardly be the first time that the Roberts Court started with its intended outcome and reasoned backward to get there. It’s just being more transparent this time around.See More: #supreme #court #just #revealed #one
    WWW.VOX.COM
    The Supreme Court just revealed one thing it actually fears about Trump
    On Thursday evening, the Supreme Court handed down a brief order, which temporarily permits President Donald Trump to fire two federal officials who, by law, are shielded from being summarily terminated. That, in itself, is not particularly significant because, on April 9, Chief Justice John Roberts acted on his own authority to temporarily permit Trump to fire the same two officials. So the practical effect of Thursday’s order in Trump v. Wilcox is simply to maintain the status quo.That said, the Thursday order does contain some important new information from the Court’s Republican majority. While the Republican justices have signaled for quite some time that they are eager to give the president broad authority to fire officials that Congress intended to insulate from presidential control, the order includes a paragraph signaling that they will not allow Trump to fire members of the Federal Reserve.From a legal perspective, the paragraph is difficult to parse. And, as Justice Elena Kagan writes in a dissenting opinion, is not supported by the legal authority it cites. But it is likely to reassure investors that, while the Supreme Court does appear eager to expand Trump’s authority over previously independent parts of the federal government, it won’t permit him to disrupt the Fed’s ability to make technocratic decisions about interest rates. The immediate stakes in Wilcox involve a former member of the National Labor Relations Board (NLRB), which enforces labor laws and adjudicates union-related disputes, along with a former member of the Merit Systems Protection Board (MSPB), which hears disputes claiming that a civil servant’s employment protections were violated. Trump fired both shortly after taking office, despite the fact that federal law only permits them to be fired for some sort of neglect or malfeasance.The NLRB and the MSPB, moreover, are just two of an array of “independent” agencies led by multi-member boards, whose members all enjoy similar employment protections – agencies such as the Federal Trade Commission, the Federal Communications Commission, and the Federal Reserve.For at least 15 years, when the Court handed down Free Enterprise Fund v. Public Company Accounting Board (2010), a majority of the justices have signaled that they are eager to strip Congress of its authority to create such independent agencies, and give the president full authority to fire these agencies’ leaders at will. Many economists and investors, meanwhile, have warned that it would be particularly dangerous to strip the Federal Reserve — which is supposed to set interest rates based on delicate economic calculations and not based on what will benefit the sitting president — of its independence, as doing so could throw the US economy into chaos.Thursday’s order is a clear signal that the Court has heard these concerns and does not intend to eliminate the Fed’s independence. It is unlikely to satisfy many constitutional scholars, as its explanation for why Federal Reserve leaders should be treated differently than the leaders of any other independent agency is so baffling that it appears contrived. Regardless of the underlying reasoning, however, the order does strongly suggest that this Court will not give Trump full control over the Fed.The “unitary executive,” briefly explainedTrump v. Wilcox is the culmination of a longstanding grudge many Republican legal elites hold against Humphrey’s Executor v. United States (1935), the Supreme Court case establishing that Congress may create independent agencies whose members may only be fired for cause. Though the leaders of these agencies are typically nominated by the president for a term of several years, and confirmed by the Senate, Humphrey’s Executor explained that laws protecting them from being fired while in office are supposed to ensure that they “act with entire impartiality,” and “exercise the trained judgment of a body of experts.”All six of the Court’s Republicans, however, have made it clear they believe in a theory known as the “unitary executive,” which is incompatible with Humphrey’s Executor.The Constitution provides that “the executive power shall be vested in a President of the United States of America.” In a 1988 dissenting opinion, which many legal conservatives now treat as if it were a holy text, Justice Antonin Scalia argued that “this does not mean some of the executive power, but all of the executive power.” And thus, if a federal official is charged with executing federal laws in some way, they must be fully subject to presidential control.If you take this unitary executive theory seriously, then there should be no doubt that Federal Reserve governors may be fired at will by the president. The Fed’s authority over interest rates, after all, derives from federal statutes instructing it to pursue the dual goals of “maximum employment” and “stable prices.” So the Fed is charged with executing federal laws.But the consequences of stripping the Fed of its independence could be catastrophic. In 1971, President Richard Nixon pressured Fed chair Arthur Burns to lower interest rates in advance of Nixon’s reelection race — the idea was to juice the economy right while voters were weighing Nixon’s record — and Burns complied. In the short term, this worked out great for Nixon. The economy boomed in 1972, and Nixon won reelection by a historic landslide. But Burns’s action is often blamed for years of “stagflation,” slow economic growth combined with high inflation, in the 1970s.The Fed, in other words, has the power to effectively inject cocaine into the US economy – giving it a temporary boost that can be timed to benefit incumbent presidents, at the cost of much greater economic turmoil down the road. It’s not hard to see how presidents could abuse their power if they can fire members of the Federal Reserve who refuse to give the economy such a temporary and costly high.One might think that these risks would be enough to caution the justices against overruling Humphrey’s Executor. But the Republican justices appear quite committed to the unitary executive theory, and they have been that way for quite some time. (If you want to know more about why they feel this way, I can refer you to three separate explainers I’ve written on this subject.)And so those justices spend the bulk of Thursday’s Wilcox order laying out the process they are likely to use to formally overrule Humphrey’s Executor. The order announces that the Trump administration is “likely” to prevail in its bid to fire NLRB and MSPB officials, and it temporarily blocks lower court decisions that reinstated the two officials at issue in this case. But the Court puts off the question of whether to formally repudiate Humphrey’s Executor until after the ordinary appeals process plays out and the justices receive full briefing and oral argument on whether to do so — which could happen as soon as the Court’s next term.The Wilcox order’s language protecting the Fed is gobbledygookEmbedded within all this language laying out the process to challenge Humphrey’s Executor is the paragraph indicating that the Fed is safe. While the two fired officials “contend that arguments in this case necessarily implicate the constitutionality of for-cause removal protections for members of the Federal Reserve’s Board of Governors or other members of the Federal Open Market Committee,” the order states, “we disagree.”The justices who joined the order then offer a single sentence explaining why: “The Federal Reserve is a uniquely structured, quasi-private entity that follows in the distinct historical tradition of the First and Second Banks of the United States.”It’s certainly possible to parse the components of this sentence. The description of the Fed as a “quasi-private entity,” for example, may refer to the fact that much of the Fed’s authority is wielded through regional entities, which are themselves controlled by board members who are mostly selected by commercial banks. But it is hardly unusual for members of the private sector to be given a formal role within government — just ask Elon Musk. Indeed, the Supreme Court heard at least two cases this spring involving the role experts from the private sector may play in setting government policy.The “First and Second Banks of the United States” are 18th- and early 19th-century predecessors to the Fed. The Supreme Court upheld Congress’s power to create national banks in McCulloch v. Maryland (1819), but the nation abandoned national banking under President Andrew Jackson, setting off a period of economic turmoil, including an economic depression shortly after Jackson left office.But it’s unclear what any of this has to do with the president’s powers as outlined in the Constitution. If the theory of the unitary executive is correct, then no entity — regardless of whether it is “quasi-private” or is part of a “distinct historical tradition” involving banks — may execute federal laws, unless that entity is controlled by people who are themselves under presidential control. As a legal matter, the Court’s explanation of why the Fed is special is nothing more than word salad.The only legal authority that the Wilcox order cites to support its claim that the Fed is special is a footnote in its pro-unitary executive decision in Seila Law v. CFPB (2020). But nothing in that footnote provides any support for this claim.As Kagan points out in her dissent in Wilcox, the only relevant language in that footnote is a throwaway line responding to her partial dissent in Seila Law. Kagan had argued that “federal regulators” historically have enjoyed some insulation from the president. The footnote dismisses this argument, stating that even “assuming financial institutions like the Second Bank and the Federal Reserve can claim a special historical status,” the agency at issue in Seila Law does not qualify.The Court, in other words, waved away Kagan’s argument that institutions like the Fed should be shielded from presidential control in Seila Law. Now, however, the justices in the majority appear to be signaling they believe there is some merit to Kagan’s argument.If the Court does formally overrule Humphrey’s Executor in the coming months, the justices in the majority will likely elaborate on why a different rule should apply to the Fed. The best reading of the Wilcox order’s one paragraph about the Fed is that a majority of the justices have already decided that they want to protect it, and they would now like some smart lawyers to file briefs coming up with an argument for that position — one that uses terms like “quasi-private” and that refers to the early history of national banking.Of course, this is not how the law is supposed to work — judges are not supposed to start with the outcome that they want and then invite members of the bar to explain how to get there. But this also will hardly be the first time that the Roberts Court started with its intended outcome and reasoned backward to get there. It’s just being more transparent this time around.See More:
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  • Male hornbills are at their mates’ every beck and call

    When a mother is pregnant, it’s normal—dare we say expected—for her partner to make sure she is taken care of. Hornbills, however, take these great expectations to a whole new level.

    Hornbills are colorful birds with large beaks native to Africa and Southeast Asia. They usually mate for life, Emily Bridges, Senior Bird Care Specialist at the Jacksonville Zoo and Gardens, tells Popular Science, and have an incredibly unique nesting process. 

    Hornbill pairs start by identifying a tree cavity to their liking. They will then modify it by digging or adding material. It turns out they can be quite picky about what goes in their nests. At the Jacksonville Zoo, employees put pine shavings and tree bark in a tree cavity for hornbill mates named Humphrey and Bacall, “which they did not care for and threw most of it out,” Bridges admitted. “The preference for nesting materials varies from each pair and each species.” 

    Hornbills then start “walling,” or closing the tree cavity’s opening with materials such as soft fruit, feces, mud, and woodchips, and the female hornbill tucked inside. The birds leave a small opening in the seal through which the male can feed the female while she lays eggs and raises their chicks. Interestingly, females also poop out of the slit to keep the nest nice and clean. According to Bridges, hornbills are the only known bird species that nest in this way.Bacall is currently sealed in, and you can check on her progress through a livecam. If her eggs hatch, she will care for the chick or chicks within the nest for somewhere between 111 to 137 days. After that nesting period, the adult birds will break the seal and continue raising their young together.  

    The pairbecame mates after Humphrey arrived at Jacksonville Zoo in January. The zoo staff undertook quite the matchmaking efforts. Initially, “we introduced Humphrey and Bacall through side-by-side enclosures so that they could see and hear each other,” says Bridges. 

    When the birds started demonstrating behaviors indicating that they liked each other, such as sitting next to each other for a long time, sharing food, and dual calling, “we introduced them together in a shared space under close monitoring at increasingly longer periods of time over a few weeks,” she adds. “We are lucky that these two seemed to be compatible quickly, as hornbills can take years to bond enough to want to nest together.”

    Here’s to hoping Bacall and Humphrey soon become parents! 
    The post Male hornbills are at their mates’ every beck and call appeared first on Popular Science.
    #male #hornbills #are #their #mates
    Male hornbills are at their mates’ every beck and call
    When a mother is pregnant, it’s normal—dare we say expected—for her partner to make sure she is taken care of. Hornbills, however, take these great expectations to a whole new level. Hornbills are colorful birds with large beaks native to Africa and Southeast Asia. They usually mate for life, Emily Bridges, Senior Bird Care Specialist at the Jacksonville Zoo and Gardens, tells Popular Science, and have an incredibly unique nesting process.  Hornbill pairs start by identifying a tree cavity to their liking. They will then modify it by digging or adding material. It turns out they can be quite picky about what goes in their nests. At the Jacksonville Zoo, employees put pine shavings and tree bark in a tree cavity for hornbill mates named Humphrey and Bacall, “which they did not care for and threw most of it out,” Bridges admitted. “The preference for nesting materials varies from each pair and each species.”  Hornbills then start “walling,” or closing the tree cavity’s opening with materials such as soft fruit, feces, mud, and woodchips, and the female hornbill tucked inside. The birds leave a small opening in the seal through which the male can feed the female while she lays eggs and raises their chicks. Interestingly, females also poop out of the slit to keep the nest nice and clean. According to Bridges, hornbills are the only known bird species that nest in this way.Bacall is currently sealed in, and you can check on her progress through a livecam. If her eggs hatch, she will care for the chick or chicks within the nest for somewhere between 111 to 137 days. After that nesting period, the adult birds will break the seal and continue raising their young together.   The pairbecame mates after Humphrey arrived at Jacksonville Zoo in January. The zoo staff undertook quite the matchmaking efforts. Initially, “we introduced Humphrey and Bacall through side-by-side enclosures so that they could see and hear each other,” says Bridges.  When the birds started demonstrating behaviors indicating that they liked each other, such as sitting next to each other for a long time, sharing food, and dual calling, “we introduced them together in a shared space under close monitoring at increasingly longer periods of time over a few weeks,” she adds. “We are lucky that these two seemed to be compatible quickly, as hornbills can take years to bond enough to want to nest together.” Here’s to hoping Bacall and Humphrey soon become parents!  The post Male hornbills are at their mates’ every beck and call appeared first on Popular Science. #male #hornbills #are #their #mates
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    Male hornbills are at their mates’ every beck and call
    When a mother is pregnant, it’s normal—dare we say expected—for her partner to make sure she is taken care of. Hornbills, however, take these great expectations to a whole new level. Hornbills are colorful birds with large beaks native to Africa and Southeast Asia. They usually mate for life, Emily Bridges, Senior Bird Care Specialist at the Jacksonville Zoo and Gardens, tells Popular Science, and have an incredibly unique nesting process.  Hornbill pairs start by identifying a tree cavity to their liking. They will then modify it by digging or adding material. It turns out they can be quite picky about what goes in their nests. At the Jacksonville Zoo, employees put pine shavings and tree bark in a tree cavity for hornbill mates named Humphrey and Bacall, “which they did not care for and threw most of it out,” Bridges admitted. “The preference for nesting materials varies from each pair and each species.”  Hornbills then start “walling,” or closing the tree cavity’s opening with materials such as soft fruit, feces, mud, and woodchips, and the female hornbill tucked inside. The birds leave a small opening in the seal through which the male can feed the female while she lays eggs and raises their chicks. Interestingly, females also poop out of the slit to keep the nest nice and clean. According to Bridges, hornbills are the only known bird species that nest in this way. [ Related: Bittersweet fledge watch begins for bald eagles Sunny and Gizmo. ] Bacall is currently sealed in, and you can check on her progress through a livecam. If her eggs hatch, she will care for the chick or chicks within the nest for somewhere between 111 to 137 days. After that nesting period, the adult birds will break the seal and continue raising their young together.   The pair (whose names are a call back to one of old Hollywood’s most prolific couples) became mates after Humphrey arrived at Jacksonville Zoo in January. The zoo staff undertook quite the matchmaking efforts. Initially, “we introduced Humphrey and Bacall through side-by-side enclosures so that they could see and hear each other,” says Bridges.  When the birds started demonstrating behaviors indicating that they liked each other, such as sitting next to each other for a long time, sharing food, and dual calling, “we introduced them together in a shared space under close monitoring at increasingly longer periods of time over a few weeks,” she adds. “We are lucky that these two seemed to be compatible quickly, as hornbills can take years to bond enough to want to nest together.” Here’s to hoping Bacall and Humphrey soon become parents!  The post Male hornbills are at their mates’ every beck and call appeared first on Popular Science.
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  • How the Grand Ole Opry Put Uniquely American Music at Center Stage

    How the Grand Ole Opry Put Uniquely American Music at Center Stage
    Through daring business decisions and an eye for talent, the vaunted country radio program still stands as a tastemaker for the fastest-growing genre in popular music

    Lindsay Kusiak

    June 2025

    The Grand Ole Opry’s famous six-foot circle of wood was carefully carved from the previous stage at the Ryman Auditorium.
    The Grand Ole Opry

    On December 10, 1927, radio host George D. Hay announced the end of an hourlong opera program on Nashville’s WSM radio. Next up was the much more down-home Barn Dance. “For the past hour, we have been listening to the music taken largely from the Grand Opera,” Hay ad-libbed, “but from now on we will present the Grand Ole Opry.”
    It was an inadvertent and fateful christening for what would become a cultural institution and eventually the longest-running radio program in the country, introducing tens of millions of listeners to a distinctly American-born genre of music. As Hay playfully commented, the Opry offered a stark contrast to other highbrow programs populating the airwaves, swapping symphonies and arias for jaunty renditions of old Anglo-Celtic, European and African-American ballads played on the fiddle, banjo and guitar. It was hoedown music, or, as Hay lovingly called it, “hillbilly music,” and with a radio boom well underway, Hay had chosen an exceptionally propitious time to share it.
    Commercial radio fever swept the nation beginning in 1920, with more than 600 new stations emerging by the time the Opry premiered. But it was not the only barn dance on air, and Hay sought a way to make the show unique. He was known for his theatrical on-air persona, a mordant prude called “the Solemn Old Judge,” and he encouraged each new Opry band to adopt a comical homespun identity that would charm working-class listeners. In the process, he transformed bands like Dr. Humphrey Bate’s Augmented String Orchestra into the

    overall-clad Possum Hunters, and other groups into old-timey miners or clumsy farmhands. As the Great Depression began, Hay’s salt-of-the-earth approach charmed the audience, while WSM made several ingenious business decisions that shaped popular music forever. First, WSM did the unthinkable amid a hemorrhaging economy, investing a quarter of a million dollars—million today—to build a new radio tower. It was the tallest in the country and one of only three 50,000-watt clear-channel towers in the United States. It allowed WSM’s broadcast to reach the whole nation. To bolster musicians, whose record sales were plummeting, WSM began sending bands on regional tours during the week, creating one of the country’s first talent agencies, the Artists Service Bureau. Soon, Opry stars were performing for as many as 12,000 people a day at schools or picnics Sunday through Friday, before hustling back to the Opry for their Saturday night radio gig. 
    In 1939, the Grand Ole Opry joined NBC’s radio network, transmitting the show to 125 stations. It wasn’t long before the Opry’s successes gained a big-time sponsor, R.J. Reynolds Tobacco Company, maker of Camel cigarettes, which sponsored a USO-style tour starring several Opry stars. Called the Grand Ole Opry Camel Caravan, the troupe appeared exclusively for military members at bases throughout the U.S. and Central America during the summer of 1941, charming soldiers with toe-tapping hillbilly music and comedy from Minnie Pearl. A few months later, following Japan’s attack on Pearl Harbor, millions of those same soldiers were now crooning the Opry’s songs on troopships and in overseas barracks as they deployed in World War II. 

    Dolly Parton, a member of the Grand Ole Opry for 56 years, first performed on its legendary stage at age 10.

    Courtesy of Grand Ole Opry Archives

    The show’s new popularity among soldiers spurred the Armed Forces Radio Serviceto add the Grand Ole Opry to its overseas broadcast in 1943, transmitting the Opry’s weekly show to 306 outlets in 47 countries. By 1945, an AFRS station in Munich reported that Opry superstar Roy Acuff was more popular among its listeners than Frank Sinatra. The show even triumphed in the Pacific Theater, where famed war correspondent Ernie Pyle reported that during the Battle of Okinawa, Japanese troops were chanting, “To hell with Roosevelt, to hell with Babe Ruth, and to hell with Roy Acuff!” 
    In 1943, the Opry moved into the Ryman Auditorium, the city’s largest venue at the time. And still, the Saturday night showcase—featuring up-and-coming stars like Hank Williams and, later, Patsy Cline, Willie Nelson and Loretta Lynn—sold out each week. It wasn’t until 1974 that the Opry finally moved into its current home, the 4,440-seat Grand Ole Opry House. 
    Today, the Grand Ole Opry has spent nearly 100 years as a country tastemaker, elevating stars like George Jones, Garth Brooks, Johnny Cash and hundreds more. Thanks to this hardy institution, and contributions by crossover artists like Beyoncé, country music continues to dominate the streaming charts and in 2023 was declared the fastest-growing genre in popular music. As country singer and Opry member Brad Paisley put it, “Pilgrims travel to Jerusalem to see the Holy Land and the foundations of their faith. People go to Washington, D.C. to see the workings of government and the foundation of our country. And fans flock to Nashville to see the foundation of country music, the Grand Ole Opry.”

    Subscribe to Smithsonian magazine now for just This article is a selection from the June 2025 issue of Smithsonian magazine

    A Family Affair
    The Opry thrives on a network of stars invited to join its ranks. Here are four of the longest-serving members
    By Teddy BrokawBill Monroe — Member for 56 years

    Courtesy of Grand Ole Opry Archives

    It’s often been said that if there were a Mount Rushmore of the Opry, Bill Monroe’s face would be featured. In 1938, the mandolinist formed the Blue Grass Boys, a group so essential in the development of the style that it would ultimately give the genre its name. So popular was the group’s music on the weekly radio program that the show’s manager once told Monroe, “If you ever leave the Opry, you’ll have to fire yourself!” Monroe, who died in 1996, helped launch the careers of other Opry legends like Flatt and Scruggs, and also inspired trailblazers far beyond the country music world: Elvis covered his “Blue Moon of Kentucky”; and Jerry Garcia traveled with Monroe’s tour before forming the Grateful Dead.
    Jeannie Seely — Member for 57 years

    Courtesy of Grand Ole Opry Archives

    From the time she was tall enough to reach the dial of the family radio, Jeannie Seely had dreams of the Grand Ole Opry. After a series of hits in her signature “country soul” style, Seely was inducted into the Opry at age 27. She pushed its boundaries from the outset, helping to bring down the “gingham curtain”—the show’s requirement that female performers wear long dresses—by refusing to comply unless the rules were enforced on the audience as well. Seely repaid the Opry with a devotion that persists today, holding the record for appearances with over 5,000. When the Opry House flooded and waters destroyed Seely’s home in 2010, she still performed—in borrowed clothes.
    Loretta Lynn — Member for 60 years

    Courtesy of Grand Ole Opry Archives

    For six decades, Loretta Lynn, the “Coal Miner’s Daughter,” constantly propelled the genre forward. Her hardscrabble upbringing in Kentucky, immortalized in her autobiography and its film version, seemed to drive her unapologetic approach to music. Hits like “The Pill,” which in 1975 stood as one of the first songs to tackle the use of birth control, nearly caused her to be banned from the Opry. A defiant Lynn played “The Pill” three times during one Opry show and told media, “If they hadn’t let me sing the song, I’d have told them to shove the Grand Ole Opry!” Lynn died in 2022.
    Bill Anderson — Member for 63 years

    Courtesy of Grand Ole Opry Archives

    The longest-tenured member of the Opry, “Whispering Bill” Anderson began his adult life on an entirely different path, turning down an offer to attend the Chicago Cubs training camp as a pitching prospect to attend the University of Georgia. As a journalism student there, Anderson availed himself of a half-built college television studio to record “City Lights,” which quickly became a smash hit for country star Ray Price in 1958. Anderson followed that success with tracks of his own. Now in his seventh decade with the show, he still performs at the Opry and continues to release music. Lately, his biggest hits have come from collaborations with other artists, as with “Whiskey Lullaby,” a 2003 double-platinum hit co-written with Jon Randall for Brad Paisley and Alison Krauss. 

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    #how #grand #ole #opry #put
    How the Grand Ole Opry Put Uniquely American Music at Center Stage
    How the Grand Ole Opry Put Uniquely American Music at Center Stage Through daring business decisions and an eye for talent, the vaunted country radio program still stands as a tastemaker for the fastest-growing genre in popular music Lindsay Kusiak June 2025 The Grand Ole Opry’s famous six-foot circle of wood was carefully carved from the previous stage at the Ryman Auditorium. The Grand Ole Opry On December 10, 1927, radio host George D. Hay announced the end of an hourlong opera program on Nashville’s WSM radio. Next up was the much more down-home Barn Dance. “For the past hour, we have been listening to the music taken largely from the Grand Opera,” Hay ad-libbed, “but from now on we will present the Grand Ole Opry.” It was an inadvertent and fateful christening for what would become a cultural institution and eventually the longest-running radio program in the country, introducing tens of millions of listeners to a distinctly American-born genre of music. As Hay playfully commented, the Opry offered a stark contrast to other highbrow programs populating the airwaves, swapping symphonies and arias for jaunty renditions of old Anglo-Celtic, European and African-American ballads played on the fiddle, banjo and guitar. It was hoedown music, or, as Hay lovingly called it, “hillbilly music,” and with a radio boom well underway, Hay had chosen an exceptionally propitious time to share it. Commercial radio fever swept the nation beginning in 1920, with more than 600 new stations emerging by the time the Opry premiered. But it was not the only barn dance on air, and Hay sought a way to make the show unique. He was known for his theatrical on-air persona, a mordant prude called “the Solemn Old Judge,” and he encouraged each new Opry band to adopt a comical homespun identity that would charm working-class listeners. In the process, he transformed bands like Dr. Humphrey Bate’s Augmented String Orchestra into the overall-clad Possum Hunters, and other groups into old-timey miners or clumsy farmhands. As the Great Depression began, Hay’s salt-of-the-earth approach charmed the audience, while WSM made several ingenious business decisions that shaped popular music forever. First, WSM did the unthinkable amid a hemorrhaging economy, investing a quarter of a million dollars—million today—to build a new radio tower. It was the tallest in the country and one of only three 50,000-watt clear-channel towers in the United States. It allowed WSM’s broadcast to reach the whole nation. To bolster musicians, whose record sales were plummeting, WSM began sending bands on regional tours during the week, creating one of the country’s first talent agencies, the Artists Service Bureau. Soon, Opry stars were performing for as many as 12,000 people a day at schools or picnics Sunday through Friday, before hustling back to the Opry for their Saturday night radio gig.  In 1939, the Grand Ole Opry joined NBC’s radio network, transmitting the show to 125 stations. It wasn’t long before the Opry’s successes gained a big-time sponsor, R.J. Reynolds Tobacco Company, maker of Camel cigarettes, which sponsored a USO-style tour starring several Opry stars. Called the Grand Ole Opry Camel Caravan, the troupe appeared exclusively for military members at bases throughout the U.S. and Central America during the summer of 1941, charming soldiers with toe-tapping hillbilly music and comedy from Minnie Pearl. A few months later, following Japan’s attack on Pearl Harbor, millions of those same soldiers were now crooning the Opry’s songs on troopships and in overseas barracks as they deployed in World War II.  Dolly Parton, a member of the Grand Ole Opry for 56 years, first performed on its legendary stage at age 10. Courtesy of Grand Ole Opry Archives The show’s new popularity among soldiers spurred the Armed Forces Radio Serviceto add the Grand Ole Opry to its overseas broadcast in 1943, transmitting the Opry’s weekly show to 306 outlets in 47 countries. By 1945, an AFRS station in Munich reported that Opry superstar Roy Acuff was more popular among its listeners than Frank Sinatra. The show even triumphed in the Pacific Theater, where famed war correspondent Ernie Pyle reported that during the Battle of Okinawa, Japanese troops were chanting, “To hell with Roosevelt, to hell with Babe Ruth, and to hell with Roy Acuff!”  In 1943, the Opry moved into the Ryman Auditorium, the city’s largest venue at the time. And still, the Saturday night showcase—featuring up-and-coming stars like Hank Williams and, later, Patsy Cline, Willie Nelson and Loretta Lynn—sold out each week. It wasn’t until 1974 that the Opry finally moved into its current home, the 4,440-seat Grand Ole Opry House.  Today, the Grand Ole Opry has spent nearly 100 years as a country tastemaker, elevating stars like George Jones, Garth Brooks, Johnny Cash and hundreds more. Thanks to this hardy institution, and contributions by crossover artists like Beyoncé, country music continues to dominate the streaming charts and in 2023 was declared the fastest-growing genre in popular music. As country singer and Opry member Brad Paisley put it, “Pilgrims travel to Jerusalem to see the Holy Land and the foundations of their faith. People go to Washington, D.C. to see the workings of government and the foundation of our country. And fans flock to Nashville to see the foundation of country music, the Grand Ole Opry.” Subscribe to Smithsonian magazine now for just This article is a selection from the June 2025 issue of Smithsonian magazine A Family Affair The Opry thrives on a network of stars invited to join its ranks. Here are four of the longest-serving members By Teddy BrokawBill Monroe — Member for 56 years Courtesy of Grand Ole Opry Archives It’s often been said that if there were a Mount Rushmore of the Opry, Bill Monroe’s face would be featured. In 1938, the mandolinist formed the Blue Grass Boys, a group so essential in the development of the style that it would ultimately give the genre its name. So popular was the group’s music on the weekly radio program that the show’s manager once told Monroe, “If you ever leave the Opry, you’ll have to fire yourself!” Monroe, who died in 1996, helped launch the careers of other Opry legends like Flatt and Scruggs, and also inspired trailblazers far beyond the country music world: Elvis covered his “Blue Moon of Kentucky”; and Jerry Garcia traveled with Monroe’s tour before forming the Grateful Dead. Jeannie Seely — Member for 57 years Courtesy of Grand Ole Opry Archives From the time she was tall enough to reach the dial of the family radio, Jeannie Seely had dreams of the Grand Ole Opry. After a series of hits in her signature “country soul” style, Seely was inducted into the Opry at age 27. She pushed its boundaries from the outset, helping to bring down the “gingham curtain”—the show’s requirement that female performers wear long dresses—by refusing to comply unless the rules were enforced on the audience as well. Seely repaid the Opry with a devotion that persists today, holding the record for appearances with over 5,000. When the Opry House flooded and waters destroyed Seely’s home in 2010, she still performed—in borrowed clothes. Loretta Lynn — Member for 60 years Courtesy of Grand Ole Opry Archives For six decades, Loretta Lynn, the “Coal Miner’s Daughter,” constantly propelled the genre forward. Her hardscrabble upbringing in Kentucky, immortalized in her autobiography and its film version, seemed to drive her unapologetic approach to music. Hits like “The Pill,” which in 1975 stood as one of the first songs to tackle the use of birth control, nearly caused her to be banned from the Opry. A defiant Lynn played “The Pill” three times during one Opry show and told media, “If they hadn’t let me sing the song, I’d have told them to shove the Grand Ole Opry!” Lynn died in 2022. Bill Anderson — Member for 63 years Courtesy of Grand Ole Opry Archives The longest-tenured member of the Opry, “Whispering Bill” Anderson began his adult life on an entirely different path, turning down an offer to attend the Chicago Cubs training camp as a pitching prospect to attend the University of Georgia. As a journalism student there, Anderson availed himself of a half-built college television studio to record “City Lights,” which quickly became a smash hit for country star Ray Price in 1958. Anderson followed that success with tracks of his own. Now in his seventh decade with the show, he still performs at the Opry and continues to release music. Lately, his biggest hits have come from collaborations with other artists, as with “Whiskey Lullaby,” a 2003 double-platinum hit co-written with Jon Randall for Brad Paisley and Alison Krauss.  Get the latest Travel & Culture stories in your inbox. #how #grand #ole #opry #put
    WWW.SMITHSONIANMAG.COM
    How the Grand Ole Opry Put Uniquely American Music at Center Stage
    How the Grand Ole Opry Put Uniquely American Music at Center Stage Through daring business decisions and an eye for talent, the vaunted country radio program still stands as a tastemaker for the fastest-growing genre in popular music Lindsay Kusiak June 2025 The Grand Ole Opry’s famous six-foot circle of wood was carefully carved from the previous stage at the Ryman Auditorium. The Grand Ole Opry On December 10, 1927, radio host George D. Hay announced the end of an hourlong opera program on Nashville’s WSM radio. Next up was the much more down-home Barn Dance. “For the past hour, we have been listening to the music taken largely from the Grand Opera,” Hay ad-libbed, “but from now on we will present the Grand Ole Opry.” It was an inadvertent and fateful christening for what would become a cultural institution and eventually the longest-running radio program in the country, introducing tens of millions of listeners to a distinctly American-born genre of music. As Hay playfully commented, the Opry offered a stark contrast to other highbrow programs populating the airwaves, swapping symphonies and arias for jaunty renditions of old Anglo-Celtic, European and African-American ballads played on the fiddle, banjo and guitar. It was hoedown music, or, as Hay lovingly called it, “hillbilly music,” and with a radio boom well underway, Hay had chosen an exceptionally propitious time to share it. Commercial radio fever swept the nation beginning in 1920, with more than 600 new stations emerging by the time the Opry premiered. But it was not the only barn dance on air, and Hay sought a way to make the show unique. He was known for his theatrical on-air persona, a mordant prude called “the Solemn Old Judge,” and he encouraged each new Opry band to adopt a comical homespun identity that would charm working-class listeners. In the process, he transformed bands like Dr. Humphrey Bate’s Augmented String Orchestra into the overall-clad Possum Hunters, and other groups into old-timey miners or clumsy farmhands. As the Great Depression began, Hay’s salt-of-the-earth approach charmed the audience, while WSM made several ingenious business decisions that shaped popular music forever. First, WSM did the unthinkable amid a hemorrhaging economy, investing a quarter of a million dollars—$5.8 million today—to build a new radio tower. It was the tallest in the country and one of only three 50,000-watt clear-channel towers in the United States. It allowed WSM’s broadcast to reach the whole nation. To bolster musicians, whose record sales were plummeting (down from $100 million in 1927 to a meager $6 million in 1932), WSM began sending bands on regional tours during the week, creating one of the country’s first talent agencies, the Artists Service Bureau. Soon, Opry stars were performing for as many as 12,000 people a day at schools or picnics Sunday through Friday, before hustling back to the Opry for their Saturday night radio gig.  In 1939, the Grand Ole Opry joined NBC’s radio network, transmitting the show to 125 stations. It wasn’t long before the Opry’s successes gained a big-time sponsor, R.J. Reynolds Tobacco Company, maker of Camel cigarettes, which sponsored a USO-style tour starring several Opry stars. Called the Grand Ole Opry Camel Caravan, the troupe appeared exclusively for military members at bases throughout the U.S. and Central America during the summer of 1941, charming soldiers with toe-tapping hillbilly music and comedy from Minnie Pearl. A few months later, following Japan’s attack on Pearl Harbor, millions of those same soldiers were now crooning the Opry’s songs on troopships and in overseas barracks as they deployed in World War II.  Dolly Parton, a member of the Grand Ole Opry for 56 years, first performed on its legendary stage at age 10. Courtesy of Grand Ole Opry Archives The show’s new popularity among soldiers spurred the Armed Forces Radio Service (AFRS) to add the Grand Ole Opry to its overseas broadcast in 1943, transmitting the Opry’s weekly show to 306 outlets in 47 countries. By 1945, an AFRS station in Munich reported that Opry superstar Roy Acuff was more popular among its listeners than Frank Sinatra. The show even triumphed in the Pacific Theater, where famed war correspondent Ernie Pyle reported that during the Battle of Okinawa, Japanese troops were chanting, “To hell with Roosevelt, to hell with Babe Ruth, and to hell with Roy Acuff!”  In 1943, the Opry moved into the Ryman Auditorium, the city’s largest venue at the time. And still, the Saturday night showcase—featuring up-and-coming stars like Hank Williams and, later, Patsy Cline, Willie Nelson and Loretta Lynn—sold out each week. It wasn’t until 1974 that the Opry finally moved into its current home, the 4,440-seat Grand Ole Opry House.  Today, the Grand Ole Opry has spent nearly 100 years as a country tastemaker, elevating stars like George Jones, Garth Brooks, Johnny Cash and hundreds more. Thanks to this hardy institution, and contributions by crossover artists like Beyoncé, country music continues to dominate the streaming charts and in 2023 was declared the fastest-growing genre in popular music. As country singer and Opry member Brad Paisley put it, “Pilgrims travel to Jerusalem to see the Holy Land and the foundations of their faith. People go to Washington, D.C. to see the workings of government and the foundation of our country. And fans flock to Nashville to see the foundation of country music, the Grand Ole Opry.” Subscribe to Smithsonian magazine now for just $19.99 This article is a selection from the June 2025 issue of Smithsonian magazine A Family Affair The Opry thrives on a network of stars invited to join its ranks. Here are four of the longest-serving members By Teddy BrokawBill Monroe — Member for 56 years Courtesy of Grand Ole Opry Archives It’s often been said that if there were a Mount Rushmore of the Opry, Bill Monroe’s face would be featured. In 1938, the mandolinist formed the Blue Grass Boys, a group so essential in the development of the style that it would ultimately give the genre its name. So popular was the group’s music on the weekly radio program that the show’s manager once told Monroe, “If you ever leave the Opry, you’ll have to fire yourself!” Monroe, who died in 1996, helped launch the careers of other Opry legends like Flatt and Scruggs, and also inspired trailblazers far beyond the country music world: Elvis covered his “Blue Moon of Kentucky”; and Jerry Garcia traveled with Monroe’s tour before forming the Grateful Dead. Jeannie Seely — Member for 57 years Courtesy of Grand Ole Opry Archives From the time she was tall enough to reach the dial of the family radio, Jeannie Seely had dreams of the Grand Ole Opry. After a series of hits in her signature “country soul” style, Seely was inducted into the Opry at age 27. She pushed its boundaries from the outset, helping to bring down the “gingham curtain”—the show’s requirement that female performers wear long dresses—by refusing to comply unless the rules were enforced on the audience as well. Seely repaid the Opry with a devotion that persists today, holding the record for appearances with over 5,000. When the Opry House flooded and waters destroyed Seely’s home in 2010, she still performed—in borrowed clothes. Loretta Lynn — Member for 60 years Courtesy of Grand Ole Opry Archives For six decades, Loretta Lynn, the “Coal Miner’s Daughter,” constantly propelled the genre forward. Her hardscrabble upbringing in Kentucky, immortalized in her autobiography and its film version (starring Sissy Spacek as Lynn in an Oscar-winning role), seemed to drive her unapologetic approach to music. Hits like “The Pill,” which in 1975 stood as one of the first songs to tackle the use of birth control, nearly caused her to be banned from the Opry. A defiant Lynn played “The Pill” three times during one Opry show and told media, “If they hadn’t let me sing the song, I’d have told them to shove the Grand Ole Opry!” Lynn died in 2022. Bill Anderson — Member for 63 years Courtesy of Grand Ole Opry Archives The longest-tenured member of the Opry, “Whispering Bill” Anderson began his adult life on an entirely different path, turning down an offer to attend the Chicago Cubs training camp as a pitching prospect to attend the University of Georgia. As a journalism student there, Anderson availed himself of a half-built college television studio to record “City Lights,” which quickly became a smash hit for country star Ray Price in 1958. Anderson followed that success with tracks of his own. Now in his seventh decade with the show, he still performs at the Opry and continues to release music. Lately, his biggest hits have come from collaborations with other artists, as with “Whiskey Lullaby,” a 2003 double-platinum hit co-written with Jon Randall for Brad Paisley and Alison Krauss.  Get the latest Travel & Culture stories in your inbox.
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  • AI tool speeds up government feedback, experts urge caution

    An AI tool aims to wade through mountains of government feedback and understand what the public is trying to say.UK Technology Secretary Peter Kyle said: “No one should be wasting time on something AI can do quicker and better, let alone wasting millions of taxpayer pounds on outsourcing such work to contractors.This digital assistant, aptly named ‘Consult’, just aced its first big test with the Scottish Government.The Scottish Gov threw Consult in at the deep end, asking it to make sense of public opinion on regulating non-surgical cosmetic procedures such as lip fillers and laser hair removal. Consult came back with findings almost identical to what human officials had pieced together.Now, the plan is to roll this tech out across various government departments. The current way of doing things is expensive and slow. Millions of pounds often go to outside contractors just to analyse what the public thinks.Consult is part of a bigger push to build a leaner, more responsive UK government—one that can deliver on its ‘Plan for Change’ without breaking the bank or taking an age to do it.So, how did it fare in Scotland? Consult chewed through responses from over 2,000 people. Using generative AI, it picked out the main themes and concerns bubbling up from the feedback across six key questions.Of course, Consult wasn’t left completely to its own devices. Experts in the Scottish Government double-checked and fine-tuned these initial themes. Then, the AI got back to work to sort individual responses into these categories. Officials ended up with more precious time to consider what people were saying and what it meant for policy.Because this was Consult’s first live outing, the Scottish Government went through every single response by hand too—just to be sure. Figuring out exactly what someone means in a written comment and then deciding which ‘theme’ it fits under can be a bit subjective. Even humans don’t always agree.When the government compared Consult’s handiwork to human analysis, the AI was right most of the time. Where there were differences, they were so minor they didn’t change the overall picture of what mattered most to people.Consult is part of a bigger AI toolkit called ‘Humphrey’—a suite of digital helpers designed to free up civil servants from admin and cut down on those contractor bills. It’s all part of a grander vision to use technology to sharpen up public services, aiming to find £45 billion in productivity savings. The goal is a more nimble government that is better at delivering that ‘Plan for Change’ we keep hearing about.“After demonstrating such promising results, Humphrey will help us cut the costs of governing and make it easier to collect and comprehensively review what experts and the public are telling us on a range of crucial issues,” added Kyle.“The Scottish Government has taken a bold first step. Very soon, I’ll be using Consult, within Humphrey, in my own department and others in Whitehall will be using it too – speeding up our work to deliver the Plan for Change.”Over in Scotland, Public Health Minister Jenni Minto said: “Using the tool was very beneficial in helping the Scottish Government understand more quickly what people wanted us to hear and our respondents’ range of views.“Using this tool has allowed the Scottish Government to move more quickly to a focus on the policy questions and dive into the detail of the evidence we’ve been presented with, while remaining confident that we have heard the strong views expressed by respondents.”Of course, like many AI deployments in government, it’s still early days, and Consult is officially still in the trial phase. More number-crunching and testing are on the cards to make sure it’s working just as it should before any big decisions about a full rollout are made.But the potential here is huge. The government runs about 500 consultations every year. If Consult lives up to its promise, it could save officials a staggering 75,000 days of analysis annually.And what did the civil servants who first worked with Consult think? They were reportedly “pleasantly surprised,” finding the AI’s initial analysis a “useful starting point.” Others raved that it “saveda heck of a lot of time” and let them “get to the analysis and draw out what’s needed next” much faster.Interestingly, they also felt Consult brought a new level of fairness to the table. As one official put it, its use “takes away the bias and makes it more consistent,” preventing individual analysts from, perhaps unconsciously, letting their “own preconceived ideas” colour the findings.Some consultations receive tens, even hundreds of thousands of responses. Given how well Consult has performed in these early tests, it won’t be long before it’s used on these massive consultations.It’s worth noting that humans aren’t being kicked out of the loop. Consult has been built to keep the experts involved every step of the way. Officials will always review the themes the AI suggests and how it sorts the responses. They’ll have an interactive dashboard to play with, letting them filter and search for specific insights. It’s about AI doing the heavy lifting, so the humans can do the smart thinking.This move towards AI in government isn’t happening in a vacuum, and experts are watching closely.Stuart Harvey, CEO of Datactics, commented: “Using AI to speed up public consultations is a great example of how technology can improve efficiency and save money. But AI is only as good as the data behind it. For tools like this to work well and fairly, government departments need to make sure their data is accurate, up-to-date, and properly managed.“People need to trust the decisions made with AI. That means making sure the process is clear, well-governed, and ethical. If the data is messy or poorly handled, it can lead to biased or unreliable outcomes.“As the government expands its use of AI in public services, it’s vital to invest in strong data practices. That includes building clear and consistent data systems, making data accessible for review, and keeping humans involved in key decisions—especially when it comes to hearing from the public.”This sentiment is echoed by academics. Professor Michael Rovatsos from the University of Edinburgh, for instance, acknowledges the benefits but also wisely cautions about the risks of AI biases and even the potential for these tools to be manipulated. He’s calling for tough safeguards and ongoing investment to make sure any AI tool used by the government remains reliable and fair.Stuart Munton, Chief for Group Operations at AND Digital, added: “The government’s use of AI to speed up public consultations is a welcome step toward smarter, more efficient public services. However, as AI adoption grows, we must ensure that people – not just technology – are at the heart of this transformation.”“Tools like this will only reach their full potential if we invest in equipping public sector teams with the right skills and training. Empowering diverse talent to work with AI will not only improve how these tools perform but also ensure that innovation is inclusive to real-world needs.”If done right, with these expert caveats in mind, AI tools like Consult have the potential to improve how governments listen, learn, and make policy based on public opinion. The UK government isn’t hanging about; the plan is to get Consult working across various departments by the end of 2025.Want to learn more about AI and big data from industry leaders? Check out AI & Big Data Expo taking place in Amsterdam, California, and London. The comprehensive event is co-located with other leading events including Intelligent Automation Conference, BlockX, Digital Transformation Week, and Cyber Security & Cloud Expo.Explore other upcoming enterprise technology events and webinars powered by TechForge here.
    #tool #speeds #government #feedback #experts
    AI tool speeds up government feedback, experts urge caution
    An AI tool aims to wade through mountains of government feedback and understand what the public is trying to say.UK Technology Secretary Peter Kyle said: “No one should be wasting time on something AI can do quicker and better, let alone wasting millions of taxpayer pounds on outsourcing such work to contractors.This digital assistant, aptly named ‘Consult’, just aced its first big test with the Scottish Government.The Scottish Gov threw Consult in at the deep end, asking it to make sense of public opinion on regulating non-surgical cosmetic procedures such as lip fillers and laser hair removal. Consult came back with findings almost identical to what human officials had pieced together.Now, the plan is to roll this tech out across various government departments. The current way of doing things is expensive and slow. Millions of pounds often go to outside contractors just to analyse what the public thinks.Consult is part of a bigger push to build a leaner, more responsive UK government—one that can deliver on its ‘Plan for Change’ without breaking the bank or taking an age to do it.So, how did it fare in Scotland? Consult chewed through responses from over 2,000 people. Using generative AI, it picked out the main themes and concerns bubbling up from the feedback across six key questions.Of course, Consult wasn’t left completely to its own devices. Experts in the Scottish Government double-checked and fine-tuned these initial themes. Then, the AI got back to work to sort individual responses into these categories. Officials ended up with more precious time to consider what people were saying and what it meant for policy.Because this was Consult’s first live outing, the Scottish Government went through every single response by hand too—just to be sure. Figuring out exactly what someone means in a written comment and then deciding which ‘theme’ it fits under can be a bit subjective. Even humans don’t always agree.When the government compared Consult’s handiwork to human analysis, the AI was right most of the time. Where there were differences, they were so minor they didn’t change the overall picture of what mattered most to people.Consult is part of a bigger AI toolkit called ‘Humphrey’—a suite of digital helpers designed to free up civil servants from admin and cut down on those contractor bills. It’s all part of a grander vision to use technology to sharpen up public services, aiming to find £45 billion in productivity savings. The goal is a more nimble government that is better at delivering that ‘Plan for Change’ we keep hearing about.“After demonstrating such promising results, Humphrey will help us cut the costs of governing and make it easier to collect and comprehensively review what experts and the public are telling us on a range of crucial issues,” added Kyle.“The Scottish Government has taken a bold first step. Very soon, I’ll be using Consult, within Humphrey, in my own department and others in Whitehall will be using it too – speeding up our work to deliver the Plan for Change.”Over in Scotland, Public Health Minister Jenni Minto said: “Using the tool was very beneficial in helping the Scottish Government understand more quickly what people wanted us to hear and our respondents’ range of views.“Using this tool has allowed the Scottish Government to move more quickly to a focus on the policy questions and dive into the detail of the evidence we’ve been presented with, while remaining confident that we have heard the strong views expressed by respondents.”Of course, like many AI deployments in government, it’s still early days, and Consult is officially still in the trial phase. More number-crunching and testing are on the cards to make sure it’s working just as it should before any big decisions about a full rollout are made.But the potential here is huge. The government runs about 500 consultations every year. If Consult lives up to its promise, it could save officials a staggering 75,000 days of analysis annually.And what did the civil servants who first worked with Consult think? They were reportedly “pleasantly surprised,” finding the AI’s initial analysis a “useful starting point.” Others raved that it “saveda heck of a lot of time” and let them “get to the analysis and draw out what’s needed next” much faster.Interestingly, they also felt Consult brought a new level of fairness to the table. As one official put it, its use “takes away the bias and makes it more consistent,” preventing individual analysts from, perhaps unconsciously, letting their “own preconceived ideas” colour the findings.Some consultations receive tens, even hundreds of thousands of responses. Given how well Consult has performed in these early tests, it won’t be long before it’s used on these massive consultations.It’s worth noting that humans aren’t being kicked out of the loop. Consult has been built to keep the experts involved every step of the way. Officials will always review the themes the AI suggests and how it sorts the responses. They’ll have an interactive dashboard to play with, letting them filter and search for specific insights. It’s about AI doing the heavy lifting, so the humans can do the smart thinking.This move towards AI in government isn’t happening in a vacuum, and experts are watching closely.Stuart Harvey, CEO of Datactics, commented: “Using AI to speed up public consultations is a great example of how technology can improve efficiency and save money. But AI is only as good as the data behind it. For tools like this to work well and fairly, government departments need to make sure their data is accurate, up-to-date, and properly managed.“People need to trust the decisions made with AI. That means making sure the process is clear, well-governed, and ethical. If the data is messy or poorly handled, it can lead to biased or unreliable outcomes.“As the government expands its use of AI in public services, it’s vital to invest in strong data practices. That includes building clear and consistent data systems, making data accessible for review, and keeping humans involved in key decisions—especially when it comes to hearing from the public.”This sentiment is echoed by academics. Professor Michael Rovatsos from the University of Edinburgh, for instance, acknowledges the benefits but also wisely cautions about the risks of AI biases and even the potential for these tools to be manipulated. He’s calling for tough safeguards and ongoing investment to make sure any AI tool used by the government remains reliable and fair.Stuart Munton, Chief for Group Operations at AND Digital, added: “The government’s use of AI to speed up public consultations is a welcome step toward smarter, more efficient public services. However, as AI adoption grows, we must ensure that people – not just technology – are at the heart of this transformation.”“Tools like this will only reach their full potential if we invest in equipping public sector teams with the right skills and training. Empowering diverse talent to work with AI will not only improve how these tools perform but also ensure that innovation is inclusive to real-world needs.”If done right, with these expert caveats in mind, AI tools like Consult have the potential to improve how governments listen, learn, and make policy based on public opinion. The UK government isn’t hanging about; the plan is to get Consult working across various departments by the end of 2025.Want to learn more about AI and big data from industry leaders? Check out AI & Big Data Expo taking place in Amsterdam, California, and London. The comprehensive event is co-located with other leading events including Intelligent Automation Conference, BlockX, Digital Transformation Week, and Cyber Security & Cloud Expo.Explore other upcoming enterprise technology events and webinars powered by TechForge here. #tool #speeds #government #feedback #experts
    WWW.ARTIFICIALINTELLIGENCE-NEWS.COM
    AI tool speeds up government feedback, experts urge caution
    An AI tool aims to wade through mountains of government feedback and understand what the public is trying to say.UK Technology Secretary Peter Kyle said: “No one should be wasting time on something AI can do quicker and better, let alone wasting millions of taxpayer pounds on outsourcing such work to contractors.This digital assistant, aptly named ‘Consult’, just aced its first big test with the Scottish Government.The Scottish Gov threw Consult in at the deep end, asking it to make sense of public opinion on regulating non-surgical cosmetic procedures such as lip fillers and laser hair removal. Consult came back with findings almost identical to what human officials had pieced together.Now, the plan is to roll this tech out across various government departments. The current way of doing things is expensive and slow. Millions of pounds often go to outside contractors just to analyse what the public thinks.Consult is part of a bigger push to build a leaner, more responsive UK government—one that can deliver on its ‘Plan for Change’ without breaking the bank or taking an age to do it.So, how did it fare in Scotland? Consult chewed through responses from over 2,000 people. Using generative AI, it picked out the main themes and concerns bubbling up from the feedback across six key questions.Of course, Consult wasn’t left completely to its own devices. Experts in the Scottish Government double-checked and fine-tuned these initial themes. Then, the AI got back to work to sort individual responses into these categories. Officials ended up with more precious time to consider what people were saying and what it meant for policy.Because this was Consult’s first live outing, the Scottish Government went through every single response by hand too—just to be sure. Figuring out exactly what someone means in a written comment and then deciding which ‘theme’ it fits under can be a bit subjective. Even humans don’t always agree.When the government compared Consult’s handiwork to human analysis, the AI was right most of the time. Where there were differences, they were so minor they didn’t change the overall picture of what mattered most to people.Consult is part of a bigger AI toolkit called ‘Humphrey’—a suite of digital helpers designed to free up civil servants from admin and cut down on those contractor bills. It’s all part of a grander vision to use technology to sharpen up public services, aiming to find £45 billion in productivity savings. The goal is a more nimble government that is better at delivering that ‘Plan for Change’ we keep hearing about.“After demonstrating such promising results, Humphrey will help us cut the costs of governing and make it easier to collect and comprehensively review what experts and the public are telling us on a range of crucial issues,” added Kyle.“The Scottish Government has taken a bold first step. Very soon, I’ll be using Consult, within Humphrey, in my own department and others in Whitehall will be using it too – speeding up our work to deliver the Plan for Change.”Over in Scotland, Public Health Minister Jenni Minto said: “Using the tool was very beneficial in helping the Scottish Government understand more quickly what people wanted us to hear and our respondents’ range of views.“Using this tool has allowed the Scottish Government to move more quickly to a focus on the policy questions and dive into the detail of the evidence we’ve been presented with, while remaining confident that we have heard the strong views expressed by respondents.”Of course, like many AI deployments in government, it’s still early days, and Consult is officially still in the trial phase. More number-crunching and testing are on the cards to make sure it’s working just as it should before any big decisions about a full rollout are made.But the potential here is huge. The government runs about 500 consultations every year. If Consult lives up to its promise, it could save officials a staggering 75,000 days of analysis annually.And what did the civil servants who first worked with Consult think? They were reportedly “pleasantly surprised,” finding the AI’s initial analysis a “useful starting point.” Others raved that it “saved [them] a heck of a lot of time” and let them “get to the analysis and draw out what’s needed next” much faster.Interestingly, they also felt Consult brought a new level of fairness to the table. As one official put it, its use “takes away the bias and makes it more consistent,” preventing individual analysts from, perhaps unconsciously, letting their “own preconceived ideas” colour the findings.Some consultations receive tens, even hundreds of thousands of responses. Given how well Consult has performed in these early tests, it won’t be long before it’s used on these massive consultations.It’s worth noting that humans aren’t being kicked out of the loop. Consult has been built to keep the experts involved every step of the way. Officials will always review the themes the AI suggests and how it sorts the responses. They’ll have an interactive dashboard to play with, letting them filter and search for specific insights. It’s about AI doing the heavy lifting, so the humans can do the smart thinking.This move towards AI in government isn’t happening in a vacuum, and experts are watching closely.Stuart Harvey, CEO of Datactics, commented: “Using AI to speed up public consultations is a great example of how technology can improve efficiency and save money. But AI is only as good as the data behind it. For tools like this to work well and fairly, government departments need to make sure their data is accurate, up-to-date, and properly managed.“People need to trust the decisions made with AI. That means making sure the process is clear, well-governed, and ethical. If the data is messy or poorly handled, it can lead to biased or unreliable outcomes.“As the government expands its use of AI in public services, it’s vital to invest in strong data practices. That includes building clear and consistent data systems, making data accessible for review, and keeping humans involved in key decisions—especially when it comes to hearing from the public.”This sentiment is echoed by academics. Professor Michael Rovatsos from the University of Edinburgh, for instance, acknowledges the benefits but also wisely cautions about the risks of AI biases and even the potential for these tools to be manipulated. He’s calling for tough safeguards and ongoing investment to make sure any AI tool used by the government remains reliable and fair.Stuart Munton, Chief for Group Operations at AND Digital, added: “The government’s use of AI to speed up public consultations is a welcome step toward smarter, more efficient public services. However, as AI adoption grows, we must ensure that people – not just technology – are at the heart of this transformation.”“Tools like this will only reach their full potential if we invest in equipping public sector teams with the right skills and training. Empowering diverse talent to work with AI will not only improve how these tools perform but also ensure that innovation is inclusive to real-world needs.”If done right, with these expert caveats in mind, AI tools like Consult have the potential to improve how governments listen, learn, and make policy based on public opinion. The UK government isn’t hanging about; the plan is to get Consult working across various departments by the end of 2025.(Photo by Scott Rodgerson)Want to learn more about AI and big data from industry leaders? Check out AI & Big Data Expo taking place in Amsterdam, California, and London. The comprehensive event is co-located with other leading events including Intelligent Automation Conference, BlockX, Digital Transformation Week, and Cyber Security & Cloud Expo.Explore other upcoming enterprise technology events and webinars powered by TechForge here.
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  • Humphrey AI tool powers Scottish Parliament consultation

    Flyalone - Adobe
    News
    Humphrey AI tool powers Scottish Parliament consultation
    AI-powered Consult tool has helped the Scottish Parliament to organise feedback from a public consultation into themes
    By
    Cliff Saran,
    Managing Editor
    Published: 14 May 2025 10:15

    The government has said a new tool called Consult, based on its artificial intelligence (AI)-based suite Humphrey, has been used to analyse a recent consultation from the Scottish Parliament looking at regulation for non-surgical cosmetic procedures.
    The trial has the potential to save the government a significant amount of admin time and cost in the analysis of feedback from experts and members of the general public in response to policy proposals.
    The trial used the AI tool for analysing comments from experts and the public.
    According to the Department of Science, Innovation and Technology (DSIT), using AI to process consultation responses has the potential to save officials 75,000 days of manual analysis every year, which costs £20m in staffing costs.DSIT said Consult was able to summarise what the public had told the government in response to a consultation for the first time – providing nearly identical results to the manual work officials tasked with analysing public consultations.
    Reviewing comments from more than 2,000 consultation responses using generative AI, Consult identified key themes from the feedback across each of six qualitative questions.
    The themes were checked and refined by experts in the Scottish government, then Consult was used to categories individual responses by theme.
    DSIT said this gave officials more time to examine the details of the responses and evaluate the policy implications of feedback received.
    As this was the first time Consult was used on a live consultation, experts at the Scottish government manually reviewed every response.
    The trial found that when looking to the work of a human reviewing the consultation feedback responses manually compared to Consult, differences in reviewers’ interpretation of the comments received had a negligible impact on how themes were ranked overall.
    Commenting on the trial, technology secretary Peter Kyle said: “After demonstrating such promising results, Humphrey will help us cut the costs of governing and make it easier to collect and comprehensively review what experts and the public are telling us on a range of crucial issues.
    “The Scottish government has taken a bold first step.
    Very soon, I’ll be using Consult, within Humphrey, in my own department and others in Whitehall will be using it too – speeding up our work to deliver the Plan for Change.”
    Consult is part of the Humphrey bundle of AI tools designed to speed up the work of civil servants and cut back time spent on admin, and money spent on contractors and forms part of the government’s plan to make better use of technology across public services, in a bid to target the £45bn in productivity savings.
    Feedback from officials who worked with Consult from the Scottish government on this first live test included comments such as “pleasantly surprised”, while others said it provided a “useful starting point” in the initial analysis.
    According to DSIT, the feedback from the people who worked on the trial consultation suggests that Consult can reduce human biases, which makes the analysis of feedback more consistent.
    The government plans to use Consult on major consultations without officials manually reviewing every response individually.
    However, DSIT said officials will always review the themes and how responses are sorted into them through an interactive dashboard that will allow them to filter and search for insights.
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    Source: https://www.computerweekly.com/news/366623956/Humphrey-AI-tool-powers-Scottish-Parliament-consultation">https://www.computerweekly.com/news/366623956/Humphrey-AI-tool-powers-Scottish-Parliament-consultation">https://www.computerweekly.com/news/366623956/Humphrey-AI-tool-powers-Scottish-Parliament-consultation
    #humphrey #tool #powers #scottish #parliament #consultation
    Humphrey AI tool powers Scottish Parliament consultation
    Flyalone - Adobe News Humphrey AI tool powers Scottish Parliament consultation AI-powered Consult tool has helped the Scottish Parliament to organise feedback from a public consultation into themes By Cliff Saran, Managing Editor Published: 14 May 2025 10:15 The government has said a new tool called Consult, based on its artificial intelligence (AI)-based suite Humphrey, has been used to analyse a recent consultation from the Scottish Parliament looking at regulation for non-surgical cosmetic procedures. The trial has the potential to save the government a significant amount of admin time and cost in the analysis of feedback from experts and members of the general public in response to policy proposals. The trial used the AI tool for analysing comments from experts and the public. According to the Department of Science, Innovation and Technology (DSIT), using AI to process consultation responses has the potential to save officials 75,000 days of manual analysis every year, which costs £20m in staffing costs.DSIT said Consult was able to summarise what the public had told the government in response to a consultation for the first time – providing nearly identical results to the manual work officials tasked with analysing public consultations. Reviewing comments from more than 2,000 consultation responses using generative AI, Consult identified key themes from the feedback across each of six qualitative questions. The themes were checked and refined by experts in the Scottish government, then Consult was used to categories individual responses by theme. DSIT said this gave officials more time to examine the details of the responses and evaluate the policy implications of feedback received. As this was the first time Consult was used on a live consultation, experts at the Scottish government manually reviewed every response. The trial found that when looking to the work of a human reviewing the consultation feedback responses manually compared to Consult, differences in reviewers’ interpretation of the comments received had a negligible impact on how themes were ranked overall. Commenting on the trial, technology secretary Peter Kyle said: “After demonstrating such promising results, Humphrey will help us cut the costs of governing and make it easier to collect and comprehensively review what experts and the public are telling us on a range of crucial issues. “The Scottish government has taken a bold first step. Very soon, I’ll be using Consult, within Humphrey, in my own department and others in Whitehall will be using it too – speeding up our work to deliver the Plan for Change.” Consult is part of the Humphrey bundle of AI tools designed to speed up the work of civil servants and cut back time spent on admin, and money spent on contractors and forms part of the government’s plan to make better use of technology across public services, in a bid to target the £45bn in productivity savings. Feedback from officials who worked with Consult from the Scottish government on this first live test included comments such as “pleasantly surprised”, while others said it provided a “useful starting point” in the initial analysis. According to DSIT, the feedback from the people who worked on the trial consultation suggests that Consult can reduce human biases, which makes the analysis of feedback more consistent. The government plans to use Consult on major consultations without officials manually reviewing every response individually. However, DSIT said officials will always review the themes and how responses are sorted into them through an interactive dashboard that will allow them to filter and search for insights. Read more stories about government AI Interview – Feryal Clark, AI and digital government minister, DSIT: Computer Weekly talks to the parliamentary under-secretary about digital identity, the importance of trust and utilising the power of artificial intelligence. Goverment overhauls AI funding to drive agility: A startup mindset is at the heart of a Labour’s approach to how it wants to speed up AI innovation in the public sector. In The Current Issue: UK MoJ crime prediction algorithms raise serious concerns Interview: Markus Schümmelfeder, CIO, Boehringer Ingelheim Download Current Issue NordVPN goes full GUI on Linux – Open Source Insider The ongoing AI-automation convergence, and what this means for the enterprise – Data Matters View All Blogs Source: https://www.computerweekly.com/news/366623956/Humphrey-AI-tool-powers-Scottish-Parliament-consultation #humphrey #tool #powers #scottish #parliament #consultation
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    Humphrey AI tool powers Scottish Parliament consultation
    Flyalone - Adobe News Humphrey AI tool powers Scottish Parliament consultation AI-powered Consult tool has helped the Scottish Parliament to organise feedback from a public consultation into themes By Cliff Saran, Managing Editor Published: 14 May 2025 10:15 The government has said a new tool called Consult, based on its artificial intelligence (AI)-based suite Humphrey, has been used to analyse a recent consultation from the Scottish Parliament looking at regulation for non-surgical cosmetic procedures. The trial has the potential to save the government a significant amount of admin time and cost in the analysis of feedback from experts and members of the general public in response to policy proposals. The trial used the AI tool for analysing comments from experts and the public. According to the Department of Science, Innovation and Technology (DSIT), using AI to process consultation responses has the potential to save officials 75,000 days of manual analysis every year, which costs £20m in staffing costs.DSIT said Consult was able to summarise what the public had told the government in response to a consultation for the first time – providing nearly identical results to the manual work officials tasked with analysing public consultations. Reviewing comments from more than 2,000 consultation responses using generative AI, Consult identified key themes from the feedback across each of six qualitative questions. The themes were checked and refined by experts in the Scottish government, then Consult was used to categories individual responses by theme. DSIT said this gave officials more time to examine the details of the responses and evaluate the policy implications of feedback received. As this was the first time Consult was used on a live consultation, experts at the Scottish government manually reviewed every response. The trial found that when looking to the work of a human reviewing the consultation feedback responses manually compared to Consult, differences in reviewers’ interpretation of the comments received had a negligible impact on how themes were ranked overall. Commenting on the trial, technology secretary Peter Kyle said: “After demonstrating such promising results, Humphrey will help us cut the costs of governing and make it easier to collect and comprehensively review what experts and the public are telling us on a range of crucial issues. “The Scottish government has taken a bold first step. Very soon, I’ll be using Consult, within Humphrey, in my own department and others in Whitehall will be using it too – speeding up our work to deliver the Plan for Change.” Consult is part of the Humphrey bundle of AI tools designed to speed up the work of civil servants and cut back time spent on admin, and money spent on contractors and forms part of the government’s plan to make better use of technology across public services, in a bid to target the £45bn in productivity savings. Feedback from officials who worked with Consult from the Scottish government on this first live test included comments such as “pleasantly surprised”, while others said it provided a “useful starting point” in the initial analysis. According to DSIT, the feedback from the people who worked on the trial consultation suggests that Consult can reduce human biases, which makes the analysis of feedback more consistent. The government plans to use Consult on major consultations without officials manually reviewing every response individually. However, DSIT said officials will always review the themes and how responses are sorted into them through an interactive dashboard that will allow them to filter and search for insights. Read more stories about government AI Interview – Feryal Clark, AI and digital government minister, DSIT: Computer Weekly talks to the parliamentary under-secretary about digital identity, the importance of trust and utilising the power of artificial intelligence. Goverment overhauls AI funding to drive agility: A startup mindset is at the heart of a Labour’s approach to how it wants to speed up AI innovation in the public sector. In The Current Issue: UK MoJ crime prediction algorithms raise serious concerns Interview: Markus Schümmelfeder, CIO, Boehringer Ingelheim Download Current Issue NordVPN goes full GUI on Linux – Open Source Insider The ongoing AI-automation convergence, and what this means for the enterprise – Data Matters View All Blogs
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  • Spider-Noir Teaser Retains the Spirit of the Marvel Comics

    “Wherever I go, the wind follows.
    And the wind smells like rain.” If those words came from the mouth of Humphrey Bogart or Edward G.
    Robinson in a crime flick from the 1930s or ’40s, they would sound like the cry of a tortured soul, living in the dregs of society.
    But because they come from the mouth of Nicolas Cage in the movie Spider-Man: Into the Spider-Verse, they sound like melodramatic jokes, just as silly as anything said by the Looney Tunes-esque Spider-Ham, voiced by John Mulaney.
    And Cage is now reprising his role as Spider-Man Noir for the upcoming series Spider-Noir.
    But as the show’s first teaser reveals, the live-action Amazon MGM series has done away with the goofy tone of the movie that preceded it.
    Presented in black and white, the show is all moody visuals and implications of violence, in which a morally conflicted Spider-Man, still in his fedora and trench coat, does battle with the 1930s criminal underworld.
    As surprising as this shift may be to those who love the Spider-Verse movies, Spider-Noir is drawing its inspiration from the comics, and that’s a good thing.
    Marvel’s Great Depression
    The first issue of the 2008-2009 miniseries Spider-Man: Noir, written by David Hine and Fabrice Sapolsky and illustrated by Carmine Di Giandomenico, sees the police busting into the offices of Daily Bugle editor J.
    Jonah Jameson, only to find Spider-Man standing over him.
    Images such as this are well-known to fans of the wallcrawler, but this one is different.
    It’s not just that this scene takes place in 1933, nearly 30 full years before Spider-Man makes his first appearance in Amazing Fantasy #15.
    It’s also that Jameson has been shot to death and Spider-Man, dressed in a black trench coat (no fedora here), is holding the gun.
    Of course Spidey didn’t do it, and the series follows his investigation into Jameson’s murder.
    But the very shock of the image does underscore the tone of Spider-Man: Noir.
    Gone is the quippy Spidey, with his relationship problems and lovable hard-luck.
    In its place is a Spidey who dwells on the edges of society.
    He’s still Peter Parker, but he now lives among the downtrodden who lost everything in the Great Depression, listening to the socialist speeches delivered by his Aunt May, reimagined here as an Emma Goldman-type figure.
    Surprising as that description sounds, it follows the original appeal of Marvel Comics, described by Stan Lee as taking place in “the world outside your window.” 1933 was a period of great social change, with the excesses of the Roaring ’20s still enjoyed by some while others were consumed by the ravages of the stock market crash.
    Hitler has just become the German Chancellor, but a mistrust of the institutions that had failed them and a general nativism and xenophobia kept most Americans from seeing yet another world war on the horizon.
    Instead most Americans turned their attention to more immediate enemies, which include the upper classes who wanted to cling to Gilded Age power (and the institutions who supported them), as well as immigrants who continue to make their way to the U.S.
    All of those tensions inform Spider-Man: Noir, making for a more morally complex story than one would expect.
    The teenage Peter Parker is still the pure-hearted kid we know and love, but the general cynicism of the world gives him no clear moral standing as he fights Norman Osborn, aka the Goblin, and his thugs.
    Seriously Dark
    The Spider-Man Noir of Into the Spider-Verse played more like a parody of a film noir, which literally translates to “black film,” as coined by French critics analyzing moody American crime pictures of the 1940s and ’50s made in the wake of this era.
    In those films, the hero was a a hardboiled cynic, a la the detectives in The Big Heat or The Maltese Falcon.
    But in Spider-Verse, he’s a buffoon to be laughed at for his melodrama and inability to understand color.
    It’s a good joke, but not the sort of thing that can sustain an entire television series.
    So it’s a good thing that Spider-Noir seems to be taking its cues from the comics instead of the movie.
    Granted, though, that some things need to be changed.
    Even if Spidey remains masked, Cage sounds every bit like the 61-year-old he is, and no amount of digital de-aging will make him into the young teen from the comics.
    Thus he can’t quite be the same innocent he was in the comics, nor can he have a firebrand Aunt May.
    She and Ben would be long gone by the time sexagenarian Spidey is working.
    However, she could still have been a leftist, perhaps a union organizer or suffragist.
    More than a matter of political preference, though, the depiction of Spider-Noir’s Aunt May matters because the series cannot be a bunch of winking nods at movies and literature of the ’30s and ’40s.
    That worked for maybe 10 minutes of screen time in Spider-Verse, but it won’t hold a series—in part because modern audiences don’t know enough about film noir to get the reference.
    Instead it needs to be a story grounded in a type of reality, especially because it has a fantasy character at the center.
    Spider-Man: Noir and its sequel miniseries The Eye of the Beholder are a great model for the show and, if this first teaser is any indication, the model that Spider-Noir intends to follow.
    Spider-Noir will stream on MGM+ in 2026.


    Source: https://www.denofgeek.com/tv/spider-noir-teaser-retains-the-spirit-of-the-marvel-comics/" style="color: #0066cc;">https://www.denofgeek.com/tv/spider-noir-teaser-retains-the-spirit-of-the-marvel-comics/
    #spidernoir #teaser #retains #the #spirit #marvel #comics
    Spider-Noir Teaser Retains the Spirit of the Marvel Comics
    “Wherever I go, the wind follows. And the wind smells like rain.” If those words came from the mouth of Humphrey Bogart or Edward G. Robinson in a crime flick from the 1930s or ’40s, they would sound like the cry of a tortured soul, living in the dregs of society. But because they come from the mouth of Nicolas Cage in the movie Spider-Man: Into the Spider-Verse, they sound like melodramatic jokes, just as silly as anything said by the Looney Tunes-esque Spider-Ham, voiced by John Mulaney. And Cage is now reprising his role as Spider-Man Noir for the upcoming series Spider-Noir. But as the show’s first teaser reveals, the live-action Amazon MGM series has done away with the goofy tone of the movie that preceded it. Presented in black and white, the show is all moody visuals and implications of violence, in which a morally conflicted Spider-Man, still in his fedora and trench coat, does battle with the 1930s criminal underworld. As surprising as this shift may be to those who love the Spider-Verse movies, Spider-Noir is drawing its inspiration from the comics, and that’s a good thing. Marvel’s Great Depression The first issue of the 2008-2009 miniseries Spider-Man: Noir, written by David Hine and Fabrice Sapolsky and illustrated by Carmine Di Giandomenico, sees the police busting into the offices of Daily Bugle editor J. Jonah Jameson, only to find Spider-Man standing over him. Images such as this are well-known to fans of the wallcrawler, but this one is different. It’s not just that this scene takes place in 1933, nearly 30 full years before Spider-Man makes his first appearance in Amazing Fantasy #15. It’s also that Jameson has been shot to death and Spider-Man, dressed in a black trench coat (no fedora here), is holding the gun. Of course Spidey didn’t do it, and the series follows his investigation into Jameson’s murder. But the very shock of the image does underscore the tone of Spider-Man: Noir. Gone is the quippy Spidey, with his relationship problems and lovable hard-luck. In its place is a Spidey who dwells on the edges of society. He’s still Peter Parker, but he now lives among the downtrodden who lost everything in the Great Depression, listening to the socialist speeches delivered by his Aunt May, reimagined here as an Emma Goldman-type figure. Surprising as that description sounds, it follows the original appeal of Marvel Comics, described by Stan Lee as taking place in “the world outside your window.” 1933 was a period of great social change, with the excesses of the Roaring ’20s still enjoyed by some while others were consumed by the ravages of the stock market crash. Hitler has just become the German Chancellor, but a mistrust of the institutions that had failed them and a general nativism and xenophobia kept most Americans from seeing yet another world war on the horizon. Instead most Americans turned their attention to more immediate enemies, which include the upper classes who wanted to cling to Gilded Age power (and the institutions who supported them), as well as immigrants who continue to make their way to the U.S. All of those tensions inform Spider-Man: Noir, making for a more morally complex story than one would expect. The teenage Peter Parker is still the pure-hearted kid we know and love, but the general cynicism of the world gives him no clear moral standing as he fights Norman Osborn, aka the Goblin, and his thugs. Seriously Dark The Spider-Man Noir of Into the Spider-Verse played more like a parody of a film noir, which literally translates to “black film,” as coined by French critics analyzing moody American crime pictures of the 1940s and ’50s made in the wake of this era. In those films, the hero was a a hardboiled cynic, a la the detectives in The Big Heat or The Maltese Falcon. But in Spider-Verse, he’s a buffoon to be laughed at for his melodrama and inability to understand color. It’s a good joke, but not the sort of thing that can sustain an entire television series. So it’s a good thing that Spider-Noir seems to be taking its cues from the comics instead of the movie. Granted, though, that some things need to be changed. Even if Spidey remains masked, Cage sounds every bit like the 61-year-old he is, and no amount of digital de-aging will make him into the young teen from the comics. Thus he can’t quite be the same innocent he was in the comics, nor can he have a firebrand Aunt May. She and Ben would be long gone by the time sexagenarian Spidey is working. However, she could still have been a leftist, perhaps a union organizer or suffragist. More than a matter of political preference, though, the depiction of Spider-Noir’s Aunt May matters because the series cannot be a bunch of winking nods at movies and literature of the ’30s and ’40s. That worked for maybe 10 minutes of screen time in Spider-Verse, but it won’t hold a series—in part because modern audiences don’t know enough about film noir to get the reference. Instead it needs to be a story grounded in a type of reality, especially because it has a fantasy character at the center. Spider-Man: Noir and its sequel miniseries The Eye of the Beholder are a great model for the show and, if this first teaser is any indication, the model that Spider-Noir intends to follow. Spider-Noir will stream on MGM+ in 2026. Source: https://www.denofgeek.com/tv/spider-noir-teaser-retains-the-spirit-of-the-marvel-comics/ #spidernoir #teaser #retains #the #spirit #marvel #comics
    WWW.DENOFGEEK.COM
    Spider-Noir Teaser Retains the Spirit of the Marvel Comics
    “Wherever I go, the wind follows. And the wind smells like rain.” If those words came from the mouth of Humphrey Bogart or Edward G. Robinson in a crime flick from the 1930s or ’40s, they would sound like the cry of a tortured soul, living in the dregs of society. But because they come from the mouth of Nicolas Cage in the movie Spider-Man: Into the Spider-Verse, they sound like melodramatic jokes, just as silly as anything said by the Looney Tunes-esque Spider-Ham, voiced by John Mulaney. And Cage is now reprising his role as Spider-Man Noir for the upcoming series Spider-Noir. But as the show’s first teaser reveals, the live-action Amazon MGM series has done away with the goofy tone of the movie that preceded it. Presented in black and white, the show is all moody visuals and implications of violence, in which a morally conflicted Spider-Man, still in his fedora and trench coat, does battle with the 1930s criminal underworld. As surprising as this shift may be to those who love the Spider-Verse movies, Spider-Noir is drawing its inspiration from the comics, and that’s a good thing. Marvel’s Great Depression The first issue of the 2008-2009 miniseries Spider-Man: Noir, written by David Hine and Fabrice Sapolsky and illustrated by Carmine Di Giandomenico, sees the police busting into the offices of Daily Bugle editor J. Jonah Jameson, only to find Spider-Man standing over him. Images such as this are well-known to fans of the wallcrawler, but this one is different. It’s not just that this scene takes place in 1933, nearly 30 full years before Spider-Man makes his first appearance in Amazing Fantasy #15. It’s also that Jameson has been shot to death and Spider-Man, dressed in a black trench coat (no fedora here), is holding the gun. Of course Spidey didn’t do it, and the series follows his investigation into Jameson’s murder. But the very shock of the image does underscore the tone of Spider-Man: Noir. Gone is the quippy Spidey, with his relationship problems and lovable hard-luck. In its place is a Spidey who dwells on the edges of society. He’s still Peter Parker, but he now lives among the downtrodden who lost everything in the Great Depression, listening to the socialist speeches delivered by his Aunt May, reimagined here as an Emma Goldman-type figure. Surprising as that description sounds, it follows the original appeal of Marvel Comics, described by Stan Lee as taking place in “the world outside your window.” 1933 was a period of great social change, with the excesses of the Roaring ’20s still enjoyed by some while others were consumed by the ravages of the stock market crash. Hitler has just become the German Chancellor, but a mistrust of the institutions that had failed them and a general nativism and xenophobia kept most Americans from seeing yet another world war on the horizon. Instead most Americans turned their attention to more immediate enemies, which include the upper classes who wanted to cling to Gilded Age power (and the institutions who supported them), as well as immigrants who continue to make their way to the U.S. All of those tensions inform Spider-Man: Noir, making for a more morally complex story than one would expect. The teenage Peter Parker is still the pure-hearted kid we know and love, but the general cynicism of the world gives him no clear moral standing as he fights Norman Osborn, aka the Goblin, and his thugs. Seriously Dark The Spider-Man Noir of Into the Spider-Verse played more like a parody of a film noir, which literally translates to “black film,” as coined by French critics analyzing moody American crime pictures of the 1940s and ’50s made in the wake of this era. In those films, the hero was a a hardboiled cynic, a la the detectives in The Big Heat or The Maltese Falcon. But in Spider-Verse, he’s a buffoon to be laughed at for his melodrama and inability to understand color. It’s a good joke, but not the sort of thing that can sustain an entire television series. So it’s a good thing that Spider-Noir seems to be taking its cues from the comics instead of the movie. Granted, though, that some things need to be changed. Even if Spidey remains masked, Cage sounds every bit like the 61-year-old he is, and no amount of digital de-aging will make him into the young teen from the comics. Thus he can’t quite be the same innocent he was in the comics, nor can he have a firebrand Aunt May. She and Ben would be long gone by the time sexagenarian Spidey is working. However, she could still have been a leftist, perhaps a union organizer or suffragist. More than a matter of political preference, though, the depiction of Spider-Noir’s Aunt May matters because the series cannot be a bunch of winking nods at movies and literature of the ’30s and ’40s. That worked for maybe 10 minutes of screen time in Spider-Verse, but it won’t hold a series—in part because modern audiences don’t know enough about film noir to get the reference. Instead it needs to be a story grounded in a type of reality, especially because it has a fantasy character at the center. Spider-Man: Noir and its sequel miniseries The Eye of the Beholder are a great model for the show and, if this first teaser is any indication, the model that Spider-Noir intends to follow. Spider-Noir will stream on MGM+ in 2026.
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