Casa Sofia | © Fernando Guerra / FG+SG Located in the historic heart of Lagos, Portugal, Casa Sofia by Mário Martins Atelier is a thoughtful exercise in urban integration and contemporary reinterpretation. Occupying a site once held by a modest two-story house, the project is situated on the corner of a block facing the Church of St Sebastião. With its commanding presence, this national monument set a formidable challenge for the architects: introducing a new residence that respects the weight of history while offering a clear, contemporary expression. Casa Sofia Technical Information Architects1-4: Mário Martins Atelier Location: Lagos, Portugal Project Completion Years: 2023 Photographs: © Fernando Guerra / FG+SG It is therefore important to design a building to fit into and complete the block. A house that is quiet and solid, with rhythmic metrics, whose new design brings an identity, with the weight and scent of the times, to a city that has existed for many centuries. – Mário Martins Atelier Casa Sofia Photographs © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG Spatial Organization and Circulation The design’s ambition is anchored in reconciling modern residential needs with the dense urban fabric that defines the walled city. Rather than imposing a bold or disruptive form, the project embraces the existing rhythms and textures of the surrounding architecture. The result is a building that both defers to and elevates the neighborhood’s character. Its restrained profile and carefully modulated facade echo the massing and articulation of the original house while introducing an identity that is clearly of its time. At the core of Casa Sofia’s spatial organization is a deliberate hierarchy of spaces that transitions seamlessly between public, semi-public, and private domains. Entry from the street occurs through a modest set of steps leading to an exterior atrium. This threshold mediates the relationship between the public realm and the interior, grounding the house in its urban context. Once inside, an open hall reveals the vertical flow of the building, dominated by a staircase that appears to float, linking the house’s various levels while maintaining visual continuity throughout. The ground floor houses three bedrooms, each with an ensuite bathroom, radiating from the central hall. This level also contains a small basement for technical support, reinforcing the discreet layering of functional and domestic spaces. Midway up the staircase, the house opens onto a garage, a laundry room, and an intimate courtyard. These areas, essential for daily life, are seamlessly integrated into the overall composition, contributing to a spatial richness that is both pragmatic and sensorial. On the first floor, an open-plan arrangement accommodates the main living spaces. Around a central void, the living and dining areas, kitchen, and master suite are arranged to encourage visual interplay and shared light. This configuration enhances the spatial porosity, ensuring that despite the density of the historic center, the house retains a sense of openness and fluidity. Above, a recessed roof level recedes from the street, culminating in a panoramic terrace with a swimming pool. Here, the building dissolves into the sky, offering expansive views and light-filled leisure spaces that contrast with the more enclosed lower floors. Materiality and Craftsmanship Materiality plays a decisive role in mediating the building’s relationship with its context. White-painted plaster, a familiar element in the region, is punctuated by deep limestone moldings. These details create a play of light and shadow that emphasizes the facade’s verticality and rhythm. The generous thickness of the walls, carried over from the site’s earlier construction, lends a sense of solidity and permanence to the house, recalling the tactile traditions of the Algarve’s architecture. The interior and exterior detailing is characterized by an economy of means, where each material is selected for its ability to reinforce the house’s quiet presence. Local materials and craftsmanship ground the project in its immediate context while responding to environmental imperatives. High thermal comfort is achieved through careful orientation and passive design strategies, complemented by the integration of solar control and water conservation measures. These considerations underscore the project’s commitment to sustainability without resorting to superficial gestures. Broader Urban and Cultural Implications Beyond its immediate function as a family home, Casa Sofia engages in a broader dialogue with its urban and cultural surroundings. The project exemplifies a measured response to the question of how to build within a historical setting without resorting to nostalgia or pastiche. It demonstrates that contemporary architecture can find resonance within heritage contexts by prioritizing the values of continuity, scale, and material authenticity. In its measured dialogue with the Church of St Sebastião and the centuries-old urban landscape of Lagos, Casa Sofia illustrates the potential for architecture to enrich the experience of place through quiet, rigorous interventions. It is a project that reaffirms architecture’s capacity to negotiate between past and present, crafting spaces that are at once deeply contextual and unambiguously of their moment. Casa Sofia Plans Sketch | © Mário Martins Atelier Ground Level | © Mário Martins Atelier Level 1 | © Mário Martins Atelier Level 2 | © Mário Martins Atelier Roof Plan | © Mário Martins Atelier Section | © Mário Martins Atelier Casa Sofia Image Gallery About Mário Martins Atelier Mário Martins Atelier is a Portuguese architecture and urbanism practice founded in 2000 by architect Mário Martins, who holds a degree from the Faculty of Architecture at the Technical University of Lisbon (1988). Headquartered in Lagos with a secondary office in Lisbon, the firm operates with a dedicated multidisciplinary team. The office has developed a broad spectrum of work, from single-family homes and collective housing to public buildings and urban regeneration, distinguished by technical precision, contextual sensitivity, and sustainable strategies. Credits and Additional Notes Lead Architect: Mário Martins, arq. Project Team: Rita Rocha, Sónia Fialho, Susana Caetano, Susana Jóia, Ana Graça Engineering: Nuno Grave Engenharia Building: Marques Antunes Engenharia Lda

Casa Morena | © Fernando Guerra / FG+SG In the coastal enclave of Lagos, Portugal, Mário Martins Atelier has crafted Casa Morena. This residence quietly asserts itself as an ode to the dialogue between architecture and its natural setting. Completed in 2024, this project demonstrates a considered response to its environment, where the interplay of light, material, and landscape defines a sense of place rather than architectural imposition. Casa Morena Technical Information Architects1-5: Mário Martins Atelier Location: Lagos, Portugal Project Years: 2024 Photographs: © Fernando Guerra / FG+SG A simple house, one that wishes to be discreet and to be influenced by its location, to become a house that is pleasant with thoughtful landscaping. – Mário Martins Atelier Casa Morena Photographs © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG © Fernando Guerra / FG+SG A Contextual Response to Landscape and Light The design of Casa Morena finds its genesis in the site itself, a pine-scented plot overlooking the expanse of a bay. The pine trees, longstanding witnesses to the landscape’s evolution, provide the project’s visual anchor and spatial logic. In a move that both respects and celebrates these natural elements, Mário Martins Atelier structured the house’s reticulated plan to echo the presence of the trees, creating a composition that unfolds as a series of volumes harmonizing with the vertical rhythm of the trunks. The solid base of the house, built from locally sourced schist, emerges directly from the terrain. These robust walls establish a tactile continuity with the ground, their rough textures anchoring the architecture within the landscape. In contrast, the upper volumes of the house adopt a distinctly lighter expression: horizontal planes rendered in white plaster, their smooth surfaces catching and refracting the region’s luminous sun. This duality, earthbound solidity, and aerial lightness establish an architectural narrative rooted in the elemental. Casa Morena Experiential Flow Casa Morena’s spatial arrangement articulates a clear hierarchy of public and private domains. On the ground floor, the house embraces openness and transparency. An expansive entrance hall blurs the threshold inside and out, guiding inhabitants and visitors into a luminous social heart. The lounge, kitchen, and office flow seamlessly into the garden, unified by a continuous glazed façade that invites the outside in. This deliberate porosity extends to a covered terrace, an intermediary space that dissolves the boundary between shelter and exposure. The terrace, framed by the garden’s green canopy and the swimming pool’s long line, becomes a place of repose and contemplation. The pool itself demarcates the transition from a cultivated garden to the looser, more rugged landscape beyond, its linear form echoing the horizon’s expanse. Ascending to the upper floor, the architectural language shifts towards intimacy. The bedrooms, each with direct access to terraces and patios, create secluded zones that still maintain a fluid relationship with the outdoors. A discreet rooftop terrace, accessible from these private quarters, offers a hidden sanctuary where the interplay of views and light remains uninterrupted. Material Tectonics and Environmental Strategy Casa Morena’s material palette is rooted in regional specificity and tactile sensibility. Schist, extracted from the site, is not merely a structural element but a narrative thread linking the building to its geological past. Its earthy warmth and rugged surface provide a counterpoint to the luminous white of the upper volumes, an articulation of contrast that enlivens the building’s silhouette. White, the chromatic signature of the Algarve region, is employed with restraint and nuance. Its reflective qualities intensify the play of shadow and light, a dynamic that shifts with the passing of the day. In this interplay, architecture becomes an instrument for registering the ephemeral, and the environment itself becomes a participant in the spatial drama. Environmental stewardship is also woven into the project’s DNA. Discreetly integrated systems on the roof harness solar energy and manage water resources, extending the house’s commitment to a sustainable coexistence with its setting. Casa Morena Plans Basement | © Mario Martins Atelier Ground Level | © Mario Martins Atelier Upper Level | © Mario Martins Atelier Roof Plan | © Mario Martins Atelier Elevations | © Mario Martins Atelier Casa Morena Image Gallery About Mário Martins Atelier Mário Martins Atelier is an architectural studio based in Lagos and Lisbon, Portugal, led by Mário Martins. The practice is known for its context-sensitive approach, crafting contemporary projects seamlessly integrating with their surroundings while prioritizing regional materials and environmental considerations. Credits and Additional Notes Lead Architect: Mário Martins, arq. Project Team: Nuno Colaço, Sónia Fialho, Susana Jóia, Mariana Franco, Ana Graça Engineering: Nuno Grave Engenharia Landscape: HB-Hipolito Bettencourt – Arquitectura Paisagista, Lda. Building Contractor: Marques Antunes Engenharia Lda.

The perfectly manicured grass at the pitch of Munich’s Allianz Arena is ready for action thanks in part to its use of a hybrid system of natural and synthetic materials. Paris Saint-Germain and Inter Milan will have the perfect groundwork laid out for them as they face off in the UEFA Champions League Final today (Saturday, May 31, 2025). Let’s recap some team history and developments before we dive into how to watch the big game live. Key stats for Paris Saint-Germain and Inter Milan Inter has three European Champion Clubs’ Cups to their name, which makes them the second most winning Serie A team in the competition’s history. The team was victorious in 2010 and faced defeat in the final in 1967, 1972, and 2022. Paris Saint-Germain has never taken home the trophy. In 2020, the organization came close, but were ultimately defeated by Bayern München in Lisbon. They are determined to upgrade their record during their second appearance in the final. Experts have given them slightly better odds to win it all, but it truly is anyone’s game. How the two teams reached the final In the Champions League, 32 teams are divided into groups of four and face off six times against the other members of their group. The teams are ranked in a point system for wins and draws, with the top two advancing to a knockout round. The third place team is relegated to the Europa League. The remaining 16 teams battle it out for a place in the final. Paris Saint-Germain had a bumpy road to the finals. They were ranked 15th in the league phase but managed to squeak by. Their impressive 10-0 win against Brest helped turn the tide in the knockout round. They went on to beat Liverpool, Aston Villa, and Arsenal to secure their spot. Inter Milan had a smoother ride into the final. The organization finished fourth in the league phase and was only defeated once. They defeated Feyenoord, Bayern, and Barcelona to earn their place in the final. How can I watch or stream the final? For soccer fans in the United States, CBS Sports is the media outlet of the moment, offering 10 hours of Champions League coverage across various platforms. The big game takes place on Saturday, May 31, at 3 p.m. ET. Here’s how coverage breaks down: 1 p.m. ET: Pre-match coverage will begin, live from Munich, on Paramount+ and CBS Sports Golazo Network. 1:30 p.m. ET: Coverage begins on CBS. 3 p.m. ET: The game airs live on CBS and streams on Paramount+. CBS is available for traditional cable viewers and free with an over-the-air antenna. Cable subscribers can also watch CBS live through the CBS website. Cord-cutters (or anyone else) also have the option to subscribe to Paramount+, and may be eligible for a free trial. The Spanish-language channel TUDN is also an option. For football fans in the UK, tune into TNT Sports or stream on discovery+ at 8 p.m. BST.

05/28 — 2025 by abduzeedo Explore Italia Grace, a graphic novel by Keva Epale. Discover its unique illustration, branding, and character-driven story. Ever wonder how a creative project truly finds its voice? Sometimes, the initial spark leads to an entirely new direction. That's the journey of "Italia Grace," an upcoming graphic novel by Keva Epale. It's a fascinating example of how illustration, branding, and storytelling evolve. The Genesis of a Vision "Italia Grace" began as a food project. Yet, as Keva Epale started developing her first character, Fabiola, the concept expanded. Fabiola's essence demanded a richer narrative, a world of her own. This shift highlights the organic nature of creative development. It shows how characters can truly drive a project's scope. Initially, the focus leaned towards wine for an Italian theme. However, Epale, as the author and illustrator, realized this didn't align with her personal non-drinking lifestyle. The narrative needed authenticity. This led to a pivotal change: the star became hibiscus. This vibrant flower, with its natural healing properties, resonated deeply with Epale's daily life. Her personal connection to hibiscus infusions, prepared by her mother, brought a genuine touch to the story. This personal anecdote, woven into the narrative, makes the project feel incredibly human. Crafting a World Through Illustration The graphic novel centers on Fabiola's journey. She's building a world around a restaurant, a unique recipe, and a strong value proposition. This world is populated by a rich cast of characters. We meet Pearl, the best friend; Reeny, the iconic bird; Raphaël, the architect; and Sofia, "La Milanaise," a journalist and ceramic artist. Even Jinny, a violinist turned wine journalist, joins the growing support team. Each character, through Epale's illustrations, becomes a centerpiece, enjoying the food and delicacies from "Italia Grace.". The illustrations themselves are a masterclass in visual storytelling. Consider the vibrant image showcasing Fabiola with hibiscus drinks, alongside keywords like "hibiscus plays audacity." This visual instantly conveys the project's playful and bold spirit. The graphic elements, like the arrows pointing to "Paris, Milan, Dakar & More," hint at Fabiola's global journey. Branding Beyond the Obvious The branding for "Italia Grace" is subtle yet effective. The shift from wine to hibiscus is a key branding decision. It positions the project around health and natural beauty, moving away from a more common theme. This choice reflects a unique value proposition. The graphic explicitly stating "This is not Wine," reinforces this branding message. It's a clear, concise statement that sets the tone. The visual representation of the "Venue" offers a glimpse into Fabiola's restaurant. The simplistic, almost isometric illustration, with "Italia Grace" emblazoned on top, gives a clear sense of place. It's a clean, inviting design that sparks curiosity. Fabiola's Journey: A Visual Narrative The "Fabiola in 6 Objects" illustration is a clever way to introduce her character through visual metaphors. Objects like a "menu TOOLKIT," a mirror ("le passage"), and a suitcase ("La Valise") offer insights into her aspirations and journey. This visual toolkit helps readers connect with Fabiola on a deeper level. The "La Valise" illustration further emphasizes her travels, adorned with stickers from Lisbon and Los Angeles, signifying "THE DEPARTURE." "Italia Grace" is more than just a graphic novel; it's a "build-in-public experiment". Keva Epale shares the story's evolution, context, and ideas through each post. This transparency offers a unique look into the creative process. It's a testament to passion and dedication. A Journey Worth Following Keva Epale's "Italia Grace" is a compelling example of how a designer's personal experiences and evolving vision can shape a truly unique project. The vibrant illustrations and thoughtful branding create an engaging narrative. It's a reminder that the most impactful design often comes from a place of authenticity. Explore more of Keva Epale's inspiring work and the ongoing journey of "Italia Grace" on her Instagram: https://www.instagram.com/kevaepale/ Illustration artifacts Tags illustration

In this edition of SLICED, the 3D Printing Industry news digest, we compile the latest developments across the additive manufacturing (AM) sector, including equipment-sharing partnerships, market expansions in Europe and Mexico, and new standards working groups. Today’s edition features reseller appointments, research consortium launches, large-format platform integrations, dental appliance automation, and calls for conference speakers. Read on for updates from AM 4 AM, Meltio, One Click Metal, Axtra3D, Nikon SLM Solutions, Formnext 2025, and more. Emerging partnerships from AM 4 AM, and Meltio Kicking off with partnerships, Luxembourg’s materials R&D firm AM 4 AM has partnered with Stockholm aluminum powder supplier Gränges Powder Metallurgy (GPM), relocating the Swedish supplier’s materials characterization park to AM 4 AM’s facility. Under the agreement, AM 4 AM will operate GPM’s particle size analyzers, thermal testers, and mechanical-testing rigs to accelerate development cycles and strengthen quality control across both companies’ product lines. AM 4 AM Co-founder Maxime Delmée noted that access to GPM’s instrumentation will enable faster iteration and more data-driven decision-making. Highlighting benefits, GPM Managing Director Peter Vikner explained that relocating the equipment to AM 4 AM addressed both firms’ R&D requirements while leveraging AM 4 AM’s operational capabilities. Moving on, Spanish wire-laser metal 3D printer manufacturer Meltio has announced partnerships with Monterrey-based service provider Alar, and academic institution  Tecnológico de Monterrey.With this move, Alar will integrate the award-winning M600 industrial wire-laser 3D printer into its production lines, while the institution has acquired a Meltio M450 for academic training and industry collaboration.  Additionally, the Spanish manufacturer has also announced additive manufacturing integrator Sitres Latam as its official distributor. Meltio’s wire-feed deposition process, which supports stainless steel, titanium, Inconel, and copper, offers mechanical properties on par with conventionally manufactured parts while reducing waste and emissions. “This alliance with Sitres, Alar, and Tecnológico de Monterrey is fundamental to promoting real and functional metal 3D printing solutions in Mexico,” said Alar CEO Andrea Alarcón. Meltio partners with Alar, SITRES, and Tecnológico de Monterrey to expand metal 3D printing capabilities in Mexico. Photo via Meltio. One Click Metal and Axtra3D Appoint New Resellers in Iberia Turning to resellers and distribution, German metal 3D printing systems developer One Click Metal has expanded into Portugal through a collaboration with Lisbon’s industrial additive manufacturing services provider 3D Ever. The agreement gives local businesses direct access to One Click Metal’s cartridge-based powder handling systems and Lab Module for rapid material changes, alongside region-specific training and post-installation support. Founded in 2017, 3D Ever operates a multi-technology showroom—covering covering stereolithography (SLA), selective laser sintering (SLS), fused filament fabrication (FFF), and direct metal laser sintering (DMLS)—and hosts open-house events and technical workshops to integrate 3D printing into customer workflows. “Portugal is a dynamic market for additive manufacturing,” said One Click Metal’s Global Sales Director Martin Heller, “and 3D Ever’s deep industry knowledge makes them the ideal partner.” Meanwhile, Milan-based photopolymer 3D printer innovator Axtra3D has named Spain and Portugal’s Maquinser S.A. as its professional reseller for Hi-Speed SLA systems. Maquinser will showcase the Lumia X1 platform combining Hybrid PhotoSynthesis and TruLayer technologies at three major industry events through June: the International Machine-Tool Fair (EMAF) in Porto, Portugal; the Subcontratación Industrial & Addit3D expo in Bilbao, Spain; and the MindTECH manufacturing technology fair in Porto. “Axtra3D’s Hi-Speed SLA strikes the balance between surface quality, precision, and material flexibility,” said Maquinser CEO Christian Postigo. Andreas Tulaj, SVP Europe Sales at Axtra3D, added that Maquinser’s regional presence ensures localized support, rapid deployment, and customer-specific solutions across automotive, aerospace, energy, and mold-making sectors. Axtra3D appoints Maquinser S.A. as official reseller for Spain and Portugal. Image via Maquinser. 3MF Consortium and Ecosistema GO! Launch AM Research Initiatives On the research corner, the Microsoft-backed standards organization 3MF Consortium has formed a 6-Axis Toolpath Working Group to define open data structures for robotic and multi-axis AM workflows. The effort invites professionals using industrial robots and advanced CNC platforms to develop a 3MF extension that encodes non-planar toolpath data, enabling seamless interoperability across design, toolpath generation, and machine control software. Originally created to surpass STL and OBJ for complex manufacturing data, the 3MF format already supports units, materials, lattices, slice data, and metadata. This new working group will build on modules like the Beam Lattice Extension to integrate multi-axis motion paths, with open-source reference implementations available via the consortium’s GitHub repository. Elsewhere in Europe, Spain’s Centre for the Development of Industrial Technology (CDTI)-backed Ecosistema GO! Project (coordinated by Leitat with partners Aitiip, Idonial, Aimen, Addimat, HP, and Meltio) has launched to map national AM capabilities and drive industrial adoption. The initiative will publish a structured “map of capabilities” covering infrastructure, specialization areas, and R&D projects, while hosting workshops in automotive, energy, and aerospace to share success stories and define adoption strategies. “Ecosistema GO! aligns capabilities, generates synergies, and accelerates AM’s real incorporation into Spanish industry,” said IAM3DHUB General Secretary David Adrover. Open for new members through December 2025, the consortium aims to serve as Spain’s reference network for additive manufacturing. The 3MF Consortium invites participants to join its newly launched 6-Axis Toolpath Working Group. Image via 3MF Consortium. Dental Production Boosted by DMP Flex 200 Integration at DynaFlex In dental applications, U.S. orthodontic manufacturer DynaFlex has upgraded its digital workflow with the DMP Flex 200 metal 3D printer from 3D Systems, supplied and installed by their official supplier Nota3D. Featuring a 500 W laser and enlarged build platform, the system has increased DynaFlex’s production speeds by up to 80% for small custom components such as fixed appliances and bands. Matt Malabey, DynaFlex’s Director of Operations, noted that integrated software for orientation, nesting, and support generation further streamlines workflow: “Automation tools and improved onboarding allow us to scale smarter and faster.” The Flex 200 supports LaserForm CoCr, Stainless Steel 316 L, and Ti Gr23 alloys, aligning material properties with clinical performance standards. Prusa Research Opens EasyPrint to All Mobile Users Shifting to software, Czech desktop 3D printer maker Prusa Research has launched EasyPrint, a cloud-powered slicer embedded in the official PRUSA mobile app and accessible via Printables.com. It lets users prepare and send G-code directly from smartphones and tablets, automatically detecting compatible printers and applying the correct print profiles. An interactive 3D preview allows models to be moved, rotated, scaled and batch-arranged on virtual beds, while basic settings such as copy count and object size are consolidated into a one-click workflow. EasyPrint began as an invite-only beta used to collect performance metrics and optimize scalability before opening to everyone once preliminary tests proved the service smooth, according to Ondřej Drebota, Prusa’s Head of Country Development Managers & Partnerships Manager. All G-code generation runs in the cloud, enabling even low-powered devices to handle complex workflows, and users can download prepared files for offline printing. Prusa plans to extend EasyPrint compatibility to non-Prusa printers in future updates, broadening its reach across the 3D printing community. Nikon SLM Solutions and DynaFlex Upgrade Metal AM Workflow On 3D platform news, German metal 3D printer manufacturer Nikon SLM Solutions has integrated Freiburg’s automated depowdering specialist Solukon’s SFM-AT1500-S system at its Long Beach, California AM Technology Center. Paired to German manufacturer’s NXG 600E large-format 3D printer, the SPR-Pathfinder-driven unit handles parts up to 1,500 mm tall and 2,100 kg total weight, automating powder removal for industrial-scale metal components. Nikon SLM Solutions’ COO Gerhard Bierleutgeb stressed the importance of closely linking printing and automated depowdering for optimal production flow. Solukon’s CTO Andreas Hartmann added that the SFM-AT1500-S was custom-engineered to meet Nikon’s requirements for high-mass, complex geometries while maintaining a compact installation footprint. Andreas Hartmann, CEO/CTO of Solukon, and Joshua Forster, Production Manager at Nikon SLM Solutions. Photo via Solukon. Formnext 2025 Announces Call for Speakers Looking ahead to events, Germany’s trade-fair organizer Mesago Messe Frankfurt GmbH has opened its call for speakers for the upcoming Formnext 2025, to be held November 18-21 in Frankfurt. Submissions for the Industry Stage (covering sustainability, AI, standards, and talent) and the Application Stage (focusing on sectors like automotive, aerospace, and medical) remain open through June. Mesago’s Vice President Christoph Stüker explained that the multistage program is central to Formnext’s mission of disseminating AM knowledge and driving new applications. Additionally, Vice President Sascha F. Wenzler noted that the speaking slots offer an ideal platform for experts to share insights, build their profiles, and forge valuable industry connections. Adding to that, materials supplier participation at Formnext Asia Shenzhen 2025 has jumped 68% year-on-year, with booth bookings already at 70% capacity for the 26–28 August event at Shenzhen World Exhibition & Convention Center. The expanded materials segment, now covering advanced polymers, composites and specialised alloys, will feature over 30 exhibitors in metal powders (including Acc Material, JSJW New Material and Tiangong Technology), ceramics (Wuhan 3DCERAM, Nanoe France) and polymers (eSUN, SUNLU).  Louis Leung, Deputy General Manager of Guangzhou Guangya Messe Frankfurt, highlighted China’s rapid ascent as an AM leader, noting that national policy support and investment have fuelled double-digit growth in the domestic materials sector. Fringe activities include the 3D Print Farm Conference on filament supply chains and an expanded Laser & AM Forum, while related events, Formnext Asia Forum Tokyo (25-6 September) and Formnext Frankfurt round out the global network. Exhibitor registrations remain open online. A panel discussion recorded live at the Industry Stage during Formnext 2024. Photo via Formnext/Mesago Messe Frankfurt GmbH. Take the 3DPI Reader Survey — shape the future of AM reporting in under 5 minutes. Ready to discover who won the 20243D Printing Industry Awards? Subscribe to the 3D Printing Industry newsletter to stay updated with the latest news and insights. Featured image shows a panel discussion recorded live at the Industry Stage during Formnext 2024. Photo via Formnext/Mesago Messe Frankfurt GmbH. Anyer Tenorio Lara Anyer Tenorio Lara is an emerging tech journalist passionate about uncovering the latest advances in technology and innovation. With a sharp eye for detail and a talent for storytelling, Anyer has quickly made a name for himself in the tech community. Anyer's articles aim to make complex subjects accessible and engaging for a broad audience. In addition to his writing, Anyer enjoys participating in industry events and discussions, eager to learn and share knowledge in the dynamic world of technology.

Sophie Rucker had been living and working in London for five years when a trip to a yoga training school in Bali presented her with an alternative to the rat race. Despite enjoying life in London, witnessing digital nomads balance work with sun, sea, and relaxed vibes in the Indonesian island province prompted her to pursue more freelance work.  At the start of 2020, having set herself up as a communications strategist for NGOs and social impact organisations, Sophie quit her permanent role and moved to Bali. Despite the uncertainty of the progressing pandemic, she found the space she needed to grieve her mother, whom she had lost not long before. And to Sophie’s delight, the digital nomad lifestyle has fulfilled many of her expectations. She soon noticed, however, a distinct bias against her choice of location. Some potential clients wouldn’t even entertain a conversation, because she was based in Bali. “I couldn’t make sense of it — it felt so stupid,” she explains. “I’m working with organisations like Greenpeace and the UNDP to instigate positive global change, as well as being a somatic trauma counsellor, so when people assume I’m not doing ‘serious work’ out here, it grinds my gears.” Now she has greater control over the projects she pursues, Sophie tells employers she lives in Indonesia, and is transparent about exactly where once she’s secured a contract. It’s the same for many of her remote working friends in Bali, who don’t disclose their location to remote employers for fear of losing work. Getting snubbed from projects, haemorrhaging your savings on basic living costs and constantly edging on burnout are usually the hardships associated with full-time home-based working in a metropolitan centre like London, New York, or Amsterdam. Despite the dominant utopian narrative presented in the media — think bossing it at the beach, bottomless cocktails, and a perennial tan — the reality of balancing global travel with remote work has always been hard. And it’s only getting harder: surging costs, political turbulence, and fickle visa rules are pushing digital nomads in new directions. Forking out for freedom New research from the Dutch neobank Bunq has revealed the hidden financial, emotional and mental toll, with its survey of 5,000 workers across Europe who identify as digital nomads and/or living internationally. Indeed, just one in five say that working internationally has positively impacted their career, with Britons in particular (25%) saying their career has actually suffered as a result of being a digital nomad. It’s certainly not the picture that wistful salaried employees conjure when daydreaming at their desks. For experts in the field, however, the tough reality is widely known. “Many of those experimenting with the lifestyle can’t sustain it,” says David Cook, an anthropologist and researcher at University College London who specialises in remote work. “Maintaining self-discipline, staying productive, and finding the space to focus gets worse over time, not better, alongside all the other external circumstances.” Managing the finance side is an area of particular concern. Bunq found that 17% of study participants feel less financially secure, while 14% are spending more than expected. Although this cohort isn’t weighed down by a mortgage or a huge rental deposit, they do have to factor in local taxes, medical bills, nomad visa costs, insurance claims, legal assistance, and banking fees. Sophie boarding a flight from Bali to visit family in Australia. Credit: Sophie Rucker The top unforeseen expenses, according to Bunq, include medical expenses (16%) and local taxes (15%). Less common, but equally unsettling, is that 5% of nomads across Europe have had to pay for emergency evacuation costs.   All that is before budgeting for the rise in everyday living costs, which have impacted home-based and remote workers alike. Everyone is feeling the pinch, with the majority of Europeans (67%) noticing the rise in food and beverage prices in the past 12 months, as per data from the Dutch firm Innova Market Insights. Day-to-day budgeting trumps a laundry list of other anxieties too. In the first quarter of 2025, McKinsey’s ConsumerWise research found that Europeans ranked rising prices and inflation as their number one concern over issues such as job security, international conflicts, climate change, and political tension, to name a few. Geoarbitrage — decoupling life and work from a specific location to make your income go further — has long been a practice employed by digital nomads. Coined by Tim Ferriss in his 2009 book The 4-Hour Workweek, the tactic is now often being reconsidered due to increased outgoings. “Accommodation has always been the biggest challenge, but in the last few years, after COVID-19 and the war in Ukraine, it’s significantly more expensive, sometimes €200 extra a month for the same place and conditions haven’t changed,” says Anna Maria Kochanska, a strategist who advises governments on digital nomad policy, and has been nomadic since 2017. Anna Maria tends to avoid Airbnb, negotiating directly with apartment owners for midterm rentals, but even so, her rental outgoings are much higher in 2025. “I’m based in Barcelona at the moment, and of course, one solution is to go to new and emerging destinations, with fewer tourists and nomads, but my travel costs are going up too, so I’m moving around less frequently.” Popular digital nomad hubs like Barcelona, Lisbon, and Mexico City are losing their affordable edge, as available housing dries up, prices rise, and neighbourhoods are transformed to meet the needs of itinerant knowledge workers. Local residents are tiring of the impact remote workers are having, and have been protesting against the influx. The souring of once-beloved hubs is leading nomads to look elsewhere and decamp to more off-the-beaten-track destinations. According to 2025 data from Nomad List, which tracks cities, locations and remote workers through the trips booked on its platform, cities like Sarajevo, Portimao, and Varna are emerging as some of the most popular among nomad, with 46% of them staying in one city for less than seven days, and 33% staying between seven and 30 days. Fatigued by visa strategising While some digital nomads are travelling less and avoiding established hotspots to mitigate rising expenses, others are turning their backs on location independence entirely. Kach Umandap has been nomadic since 2014, originally starting as a virtual assistant, then moving into blogging and e-commerce. “For a Filipino like me, there are a ton of limitations on the places I can visit visa-free, but I was determined to visit every single country in the world,” says Kach. “I had to be really strategic about planning and already figure out where I would go afterwards, which is perhaps not the carefree image you have of digital nomad life.”  During certain weeks, Kach would spend more time arranging visas and doing travel admin than her actual job. She often had to do expensive visa runs to neighbouring countries to reset the clock. For example, when based in Vietnam, she needed to travel to Laos every 30 days, pay for transport, a hotel, and a booking agent each time. Having achieved the goal of working from all 193 UN member states and spending thousands of dollars each year on visa applications, Kach has returned to the Philippines to slowly establish her base there. Kach in Turkmenista, one of the 193 UN states she’s worked in. Credit: Kach Umandap Although new digital nomad visas are being rolled out constantly — the latest include Taiwan and the Philippines — many are launched hurriedly, so governments can have a horse in the race in the global talent tussle. Each one has wildly different eligibility criteria and often high minimum income requirements. Iceland, for example, requires a monthly salary of $7,763 (€6,868). Few digital nomads actually even engage with these visa programs. Grappling with a messy landscape and muddy definitions of “a digital nomad,” those eligible are being deterred. For nomads who do try, an application can take months to process, and putting one in only to find out you aren’t eligible due to poor signposting is hugely stressful. “We have the best lifestyle in the world, yet the worst ecosystem,” says Gonçalo Hall, CEO of NomadX, a global platform for digital nomads and president of the Digital Nomad Association Portugal. “Nomads have the numbers, energy, and economic force, but the cohesion is missing.” What’s more, nomads with ”weaker” passports, such as those from Syria, Pakistan, and Nigeria, have a hard time travelling compared to those from the EU and North America. With ongoing conflicts, political instability, and changing immigration laws, crossing the next border for a period of remote work is getting more intimidating by the day.  People drop off from full-time digital nomad lifestyles for many reasons though, from loneliness and moving too often to dealing with bureaucracy and the precarity of their careers. “It’s not for everyone, and although many people experiment with the lifestyle, they discover the real struggle a few months to a year in,” says Cook, of UCL. “It gets harder over time, so successful, long-term nomads need to be disciplined, resilient and self-motivated — in many ways, the perfect neoliberal person.” Cook is in his eighth year of collecting data in Chiang Mai, Thailand with the same group of people and estimates that 90% of the nomads in his research give up the lifestyle in the first year or two. “They tend to start hyper mobile, but end up craving place and being embedded in communities, which is not easy to sustain while living on the move,” explains Cook. “This is compounded when their income situation is precarious.” A strong pull, no matter the cost With 60 million digital nomads predicted to have joined the ranks by 2030, the lifestyle — despite, or even because of its challenges — remains alluring. For the knowledge workers who are forcibly displaced due to war, climate disaster, or fears of persecution, digital nomadism offers the chance to earn, even when on the move. For today’s remote workers, change is the only constant, and roaming patterns will continue to shift, as people adapt and find ways to thrive amid global change. They might choose to housesit through platforms like Nomador and Trusted Housesitters instead of renting, become an e-resident in a country like Estonia to maximise profit and minimise cost, or travel less and embed themselves deeper in a community. After all, the same autonomy and flexibility that draws people to this lifestyle also enables them to overcome the hurdles that come their way. Back in Bali, the housing and rental market is booming — and the clamour about overtourism is getting louder. To slow its development and ease local worries, the Balinese officials have floated the idea of a tourist tax, set to cost around $100 (€88) per day. In the current climate, Sophie is paying £750 (€881) a month for her cabin in Bali — just £70 (€82) shy of the room she rented in London — so she cannot save and is feeling the pressure to maintain her earnings. “The only thing that means I can make it work is the culture and lifestyle — for example, I work when my clients are sleeping, because of the different time zones,” she explains. “It eases my anxiety and enables me to solve problems more creatively.”  As many of her friends return home due to rocketing costs, Sophie is committed to staying put. “I’m in a privileged position to be working on some big projects, and am paying taxes in the UK and contributing to the local economy here,” she says. “I have to keep checking in on myself, but I’ve come to a very conscious decision: loving Bali and this life as much as I do, why should it be any cheaper than where I started?”  Story by Megan Carnegie Megan Carnegie is a London-based independent journalist who specialises in writing features about the world of technology, work, and busines (show all) Megan Carnegie is a London-based independent journalist who specialises in writing features about the world of technology, work, and business for publications like WIRED, Business Insider, Digital Frontier and BBC. Her work is underpinned by a desire to investigate what's not working in the working world, and how more equitable conditions can be secured for workers — whatever their industry. Get the TNW newsletter Get the most important tech news in your inbox each week. Also tagged with

Andreas Rocha, a Portuguese artist based in Lisbon, has been painting digitally for over 20 years. After his college degree in architecture, he slowly realized that his passion was not designing buildings but creating imaginary fantasy worlds. This love grew early during his 80s childhood when fantasy culture was booming.As the technology evolved, Andreas understood that he could embrace the digital painting world, even though it was still in its infancy, to pursue his dreams.After years of painting, experimentation, and reading many books on traditional painting, he realized that what he loves creating the most are landscape fantasy paintings with a painterly look, and that is also what many of his clients, including LEGO, Wizards of the Coast, Epic Games, Axis Animation, Framestore and Activision seek him out for.

Submitted by WA Contents Yasmeen Lari is awarded the 2025 Lisbon Triennale Millennium Achievement Award Pakistan Architecture News - May 19, 2025 - 04:22   html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd" Pakistani architect Yasmeen Lari has been awarded the 2025 Achievement Award by the Lisbon Architecture Triennale. Her more than 60-year career is a potent example of how design may be used to uplift people's quality of life, combat inequality, prevent ecological collapse, and create a more equitable future."Architecture has to change if it wants to remain relevant. Our work is not something only for the rich; poor communities all over the world need good design, because it is of even greater value to them," said Yasmeen Lari."That’s why I think my job is to rebuild lives: to create ‘poverty escape-ladders’ by losing control of the process through co-building and co-creation. We do this by sharing knowledge and mobilising villages – one village at a time."Image courtesy of Al Jazeera websiteLari, who was born in Pakistan in 1941, attended Oxford to study architecture. She became the first female architect in Pakistan when she went home after graduation and opened her own practice. Yasmeen Lari retired from her architectural practice in 2000 after a prosperous career in Karachi. She then concentrated on the Heritage Foundation of Pakistan, which is committed to conserving and advancing regional, sustainable, and vernacular architecture. Lari once again broadened her profession following a disastrous earthquake in 2005, adopting what she calls a bottom-up, "humanistic humanitarian action" and redefining the function of modern architecture, particularly in regions severely impacted by socioeconomic and climate-related issues. Women's Centre in Darya Khan, Pakistan, in 2011Following her "four zeros" philosophy—zero carbon, zero waste, zero donations, and zero poverty—Yasmeen Lari promised to assist in the construction of over a million homes in response to the devastating floods that hit Pakistan in 2022. Lari's subsequent career is genuinely remarkable because it accomplished this goal without the need for outside financial aid, philanthropy, or patrons. Yasmeen Lari and Nayeem Shah look at the roof of the Disaster Risk Reduction Centre. Image courtesy of Heritage Foundation of PakistanAt the Triennale 2025 opening days on October 02–04, Yasmeen Lari will give a public talk and accept the Lisbon Triennale Millennium bcp Awards trophy, which was created by Álvaro Siza from leftover marble from Estremoz, Portugal.The jury of the Début and Achievement Awards is comprised by architects Inês Lobo, Lígia Nobre, Samia Henni, Sandi Hilal, and Yuma Shinohara. The three Lisbon Triennale Millennium bcp Awards – Achievement, Début and Universities – aim to promote groundbreaking world architecture by recognising those who make it. From transdisciplinary research developed in an academic setting, to emerging talent and established practices.The top image in the article © Yasmeen Lari © Heritage Foundation of Pakistan. > via Lisbon Triennale