Start SlideshowStart SlideshowImage: The Pokémon Company, Arrowhead Game Studios, Blizzard, The Pokémon Company, Screenshot: Capcom / Samuel Moreno / Kotaku, Bethesda / Brandon Morgan / Kotaku, Nintendo, Bethesda / Brandon Morgan / Kotaku, Capcom / Samuel Moreno / KotakuYou know what we all need sometimes? A little advice. How do I plan for a future that’s so uncertain? Will AI take my job? If I go back to school and use AI to cheat, will I graduate and work for an AI boss? We can’t help you with any of that. But what we can do is provide some tips for Helldivers 2, Monster Hunter Wilds, Oblivion Remastered, and other great games. So, read on for that stuff, and maybe ask ChatGPT about those other things.Previous SlideNext SlideList slidesDon’t Rely On Ex Pokémon In Pokémon TCG Pocket AnymoreImage: The Pokémon CompanyDuring the initial months of Pokémon TCG Pocket, ex monsters dominated the competitive landscape. These monsters are (usually) stronger than their non-ex counterparts, and they can come with game-changing abilities that determine how your entire deck plays. In the past, players could create frustratingly fearsome decks consisting of two ex Pokémon supported by trainer and item cards. However, unless you pair together very specific ex Pokémon, you’ll now find yourself losing nearly every game you play. - Timothy Monbleau Read MorePrevious SlideNext SlideList slidesPlease, For The Love Of God, Defeat All Illuminate Stingrays In Helldivers 2Image: Arrowhead Game StudiosYou know what? Screw the Illuminate. I played round after round trying to get the Stingrays, also known as an Interloper, to spawn at least once, and those damn Overseers and Harvesters kept walking up and rocking me. In the end, I was victorious. A Stingray approached the airspace with reckless abandon, swooping in with practiced ease as it unloaded a barrage of molten death beams upon my head, and you know what happened? I died. A few times. But eventually, I managed to pop a shot off and I quickly discovered how to defeat Illuminate Stingrays in Helldivers 2. - Brandon Morgan Read MorePrevious SlideNext SlideList slidesDefeating Monster Hunter Wilds’ Demi Elder Dragon Might Be The Game’s Hardest Challenge So FarScreenshot: Capcom / Samuel Moreno / KotakuAlthough Zoh Shia is the thematic boss of Monster Hunter Wilds, other beasts can put up a tougher fight. Gore Magala (and especially its Tempered version) are easily in contention for being the most deadly enemies in the game. Not much is more threatening than their high mobility, powerful attacks, and unique Frenzy ailment that forms the basis for your Corrupted Mantle. - Samuel Moreno Read MorePrevious SlideNext SlideList slidesDon’t Forget To Play ‘The Shivering Isles’ Expansion In Oblivion RemasteredScreenshot: Bethesda / Brandon Morgan / KotakuWhether you’ve played the original Oblivion or not, chances are you’ve heard tales of the oddities awaiting you in the Shivering Isles. This expansion—the largest one for the open-world RPG—features a land of madness under the unyielding control of Sheogorath. It’s a beautiful world, yet so immensely wrong. But that’s why this DLC is one of the best in the franchise, so no matter how many hours you may have already put into the main story and the main world, you don’t want to miss this expansion. - Brandon Morgan Read MorePrevious SlideNext SlideList slidesHow Long Of A Ride Is Mario Kart World?Screenshot: NintendoThe Mario Kart franchise has been entertaining us all for decades—even with sibling fights and fits of rage over losing a race from a blue shell at the last second—but Mario Kart World is the first game to go open world. There hasn’t been a truly new entry in the series since 2014's Mario Kart 8, so being stoked to dive into this exciting adventure is perfectly reasonable. Equally reasonable, especially given the game’s controversial price tag, is to wonder how long it’ll take to beat and what type of replayability it offers. Let’s talk about it. - Billy Givens Read MorePrevious SlideNext SlideList slidesMario Kart World Players Are Exploiting Free Roam To Quickly Farm CoinsGif: Nintendo / FannaWuck / KotakuMario Kart World is full of cool stunts and lots of things to unlock, like new characters, costumes, and vehicles. The last of those requires accumulating a certain number of coins during your time with the Switch 2 exclusive, and while you could do that the normal way by just playing tons of races, you can also use the latest entry’s open world to farm coins faster or even while being completely AFK. - Ethan Gach Read MorePrevious SlideNext SlideList slidesOblivion Remastered’s Best Side Quest Is A World Within A WorldScreenshot: Bethesda / Brandon Morgan / KotakuIt’s been a long time since I kept a spreadsheet for a video game, or even notes beyond what I need for work. I had one for the original Oblivion run back in my school days. Back then, I knew where to find every side quest in the game. There were over 250. Still are, but now they’re enhanced, beautified for the modern gamer. One side quest retains its crown as the best, despite the game’s age. “A Brush With Death” is Oblivion Remastered’s best side quest by far, and here’s how to find and beat it! - Brandon Morgan Read MorePrevious SlideNext SlideList slidesDiablo IV: How To Power Level Your Way To Season 8's EndgameImage: BlizzardWhether you’re running a new build, trying out a new class, or returning to Diablo IV after an extended break, (a break in which you were likely playing Path of Exile 2, right? I know I wasn’t alone in farming Exalted Orbs!) Whatever the case, learning how to level up fast in Diablo IV should help you check out everything new this season, along with hitting endgame so that your friends don’t cruelly make fun of you! - Brandon Morgan Read MorePrevious SlideNext SlideList slidesThe 5 Strongest Non-Ex Pokémon To Use In Pokémon TCG PocketImage: The Pokémon CompanyIt’s official: ex Pokémon no longer rule unchallenged Pokémon TCG Pocket. While these powerful cards are still prevalent in the competitive landscape, the rise of ex-specific counters have made many of these monsters risky to bring. It’s never been more vital to find strong Pokémon that are unburdened by the ex label, but who should you use? - Timothy Monbleau Read MorePrevious SlideNext SlideList slidesSome Of The Coolest Monster Hunter Wilds Armor Can Be Yours If You Collect Enough CoinsScreenshot: Capcom / Samuel Moreno / KotakuIt goes without saying that Monster Hunter Wilds has a lot of equipment materials to keep track of. The Title 1 Update increased the amount with the likes of Mizutsune parts and the somewhat obscurely named Pinnacle Coins. While it’s easy to know what the monster parts can be used for, the same can’t be said for a coin. Making things more complicated is that the related equipment isn’t unlocked all at once. - Samuel Moreno Read More

Events Letterheads Per L'Horta: An Intimate International Meet The masses amass in Almàssera for an inspiring four days painting in the Valencian sun. Better Letters Jun 5, 2025 • 8 min read Letterheads Per L'Horta in Almàssera, Valencia, 1–4 May 2025. This time last month, over 45 guests from 11 countries were feeling the post-Letterheads blues after four days in the small town of Almàssera, just outside Valencia, Spain. Letterheads Per L'Horta was organised by Nico Barrios, and it was a wonderfully intimate experience, with a host of activities to enjoy and learn from.Something that made the event feel extra special was the involvement of people from the local community, who were just as much a part of it as those that had travelled from as far afield as Australia and Mexico to attend. This included bidding in the auction for a souvenir of the long weekend in May spent with friends, new and old.Almàssera and L'HortaAlmàssera is a small town set within a vast expanse of small-scale agricultural production. While each plot of land is known as a huerto (allotment), they are collectively referred to as horta, which doesn't really have a direct translation. The Horta Nord (North Horta) that surrounds Almàssera is the largest and best surviving example of this type of terrain.We were based in the town's Museu de l'Horta (Horta Museum), which consists of an old and a modern building with a yard between them that housed the panel jam area.A traditional alquería (farmhouse) in l'horta, a view down on the meet, and the tents protecting the panel jam area.Inside the modern building there was a selection of pieces from Juan Nava's 2022 Gráfica Urbana de Valencia (Urban Graphics of Valencia) exhibition. There was also a trip down memory lane for Valencian locals in the form of another exhibition, L'ombra de les lletres (the shadow of the letters), with photos of signs spanning the period 1880–2000.L'ombra de les lletres was originally curated by Tomàs Gorria in 2024. Pedal PowerAlmàssera, and the city of Valencia, are easily navigated by bicycle, which Nico used to facilitate a cycling tour of the old signs of l'horta. In addition to the stories of the individual companies advertised, he was also able to identify the painters responsible for some of the signs.The tour took guests into the heart of l'horta, which, as a largely agricultural area, boasts a surprising number of old and hand-painted signs.Panel JammingAfter a windy first day or so, the event was bathed in beautiful Mediterranean sunshine. The protective tents were essential, although those in the middle had to carefully manage their colour schemes in light of the red hue they cast across the easels.Getting painty in l'horta: Nathan Collis, Xis Gomes, Maria Cano, Mike Meyer, and Loughlin Brady Smith.Panels set to dry in the early evening sun.WorkshopsAcross the first three days, Thursday to Saturday, there was a series of lettering and calligraphy workshops that were also open to those outside of the Letterheads event proper.Pictured are workshops being led by Ester Gradolí, Juanjo López, and Joan Quiros.TV TimeThe meet was profiled in the local newspaper on the day before it opened, and then a TV crew turned up to cover proceedings.Local press coverage and Letterheads Per L'Horta host Nico Barrios being interviewed for the TV report. 0:00 /1:34 Letterheads Per L'Horta makes the news! If you look closely at the top of the paper that Daniel Esteve Carbonell is working on it says "Collons de rètol" (it's only a fucking sign) which clearly escaped the attention of the censors. Talks & DemosIn addition to workshops, the museum building also hosted a busy programme of talks. These were delivered by the Asociación de Diseñadores de la Comunidad Valenciana (Valencian Graphic Design Association), the errorerror.studio creative typography studio, graphic designer Juan Nava, and type designer Juanjo López.Juan Nava talking about the evolution of his Letras Recuperadas (Recovered Letters) project, previously featured here at bl.ag online.One of the highlights was hearing from veteran local sign painters Ricardo Moreno and Paco Vivó, both of whom appear in the Tipos Que Importan film that was screened. They were interviewed by Nico and brought a host of goods with them, including their sign kits, photographic portfolios, work samples, books, and other reference materials.Ricardo (in glasses) and Paco (with beard) were mobbed after talking about their lives on the brush in Valencia.Following the session, everyone moved outside to watch Paco Vivó paint one of the motifs that he produced many times in his career: the Pepsi-Cola bottle top.Paco Vivó painted his demonstration piece on a canvas which was subsequently sold in the auction.Meanwhile, over in the town square, David Vanderh had set up his screenprinting station to apply Nico's event design in a single colour to any material that the public brought to him.The live screenprinting was in just blue, while the official event t-shirt combined this with a striking orange.Panels on Show and on SaleOn the Sunday, a small exhibition was mounted with the panels that folks could bid on in the auction. This was an open invitation, with those from the neighbourhood stopping by to inspect and snag some goods.Panels getting ready for new owners in the charity auction.Panels by Veronika Skilte (Vermut), Joe Coleman (Mental on the Rental), Rachel E Millar (Rotulos, Gracias), and Victor Calligraphy.This panel (right) by Joe Coleman was inspired by the truck lettering that was a lucky incidental on the earlier cycling tour.The auction raised over 2,000€ in support of those affected by the devastating DANA floods in 2024.The assembled crowd were ready with open wallets as the auction got underway.The auction was expertly hosted by Mike Meyer and Nico Barrios, with Nil Muge logging all the winning bids and accounting for the cash payments.Thank YouAs with any event, the photos never show the challenges that must be overcome behind the scenes. Some of these were substantial but Nico took each one in his stride, maintaining a smile throughout. Thank you, Nico, for facilitating these special days that will live long in the collective memory.Letterheads Per L'Horta host Nico Barrios.Letterheads Per L'Horta was hosted by Nico Barrios with the support of the following organisations: AVV Carraixet d'Almàssera; Ajuntament d'Almàssera; BLAG; A.S. Handover; 1 Shot; ADCV; gráffica. Also check out the event's dedicated Instagram account, @letterheadsperlhorta, for even more photos and videos. More LetterheadsFuture Meets

How Will Transportation Work in the Future? A Look at the Rise of Electric Mobility in CitiesSave this picture!Boise, United States. Image via Wikipedia user: Fæ. License under CC0 1.0. Image Author: Alden SkeieFrom greenhouse gas emissions and air pollution to deforestation, one of the leading contributors to global warming today is emissions from the transportation sector. Exploring its origins and evolution, as well as the major challenges it faces, the development of electric mobility in urban environments represents a global transition that requires a coordinated mix of policies and actions to achieve cleaner and more sustainable transportation systems. Designing safe and comfortable infrastructure for walking and cycling, promoting public transit and shared mobility, and designing more efficient streets that include electric vehicles, among other actions, are part of a growing worldwide effort to reduce carbon emissions.Although electric vehicles were invented before gasoline and diesel cars in the first half of the 19th century, they have undergone significant technological advances over the past 20 years, reducing their costs and their environmental impact, and increasing their utility. Around 1834, Thomas Davenport developed the first battery-powered electric vehicle, building a small train on a circular track and inventing the first direct current (DC) electric motor. Although there were numerous innovations in the years that followed, battery limitations were a major obstacle. The zinc consumption of a battery was four times more expensive than the coal consumption of a steam engine, so at that time it competed with the electric motor. Save this picture!By 1898, the first commercially available electric vehicles were operating in London and New York. As Francisco Martín Moreno explains in "Vehículos eléctricos. Historia, estado actual y retos futuros", in the early 1900s, several electric car models emerged, primarily accessible to wealthy consumers and designed for short distances. In contrast, the early gasoline-powered cars introduced in the 1920s were noisy, emitted strong gasoline odors, and were hard to drive due to complex gear systems. However, large quantities of oil were discovered between 1920 and 1930, making gasoline-powered cars cheaper in Texas and other US states. Highways began to be built connecting cities, allowing gasoline-powered vehicles to travel from one city to another, something beyond the reach of electric vehicles due to their short range. Mass production techniques like Henry Ford's assembly line further reduced costs, making gas-powered cars affordable to the middle class. Related Article Gas Stations and Electric Cars: How Do They Change Cities Save this picture!By the late 1920s, gasoline vehicles had overtaken electric vehicles, and electric car production largely ceased in the 1930s. However, as a result of the oil crisis in the 1970s and the Gulf War in the 1990s, along with the emergence of climate change as a priority, there was a renewed interest in electric cars. This resurgence led to new models of electric vehicles—from small cars to buses and even trucks. The energy crisis led to an increase in gasoline prices, and society in advanced countries began to become aware of the effects of greenhouse gas emissions from oil combustion, the greenhouse effect, and climate change. Concern about greenhouse gas emissions and climate change increased as oil prices rose, and society began to recognize and become more aware of the impact of the current transportation model on cities and the urgency of finding more environmentally friendly transportation alternatives.Save this picture!Save this picture!In developed countries during the 20th century, the growth of cities was largely due to private car use, allowing citizens to travel miles and miles daily from home to work. Suburban expansion shifted the cost of commuting to individuals. Some residential areas are developing far from the city center and industrial zones, where a large proportion of the population relies on cars. In 2010, the global population was around 7 billion, and it's expected to reach 10 billion by 2050. The number of vehicles, meanwhile, is projected to grow from 75 million in 2010 to 2.5 billion by 2050. Will there be enough fossil fuels to power this massive fleet? What will be the future of gas stations?Save this picture!To meet the goals of the Paris Climate Agreement and reduce growing air pollution, low- and middle-income countries should join the global transition to zero-emission electric transport. According to data from the International Energy Agency and the European Alternative Fuels Observatory, China led the world in 2024 with over 7 million electric vehicles (including cars and buses) in operation—an increase of over 3 million in just one year. The U.S. ranked second, followed by Germany, which leads in Europe with about 1.3 million EVs. The UK and France round out the top five.Save this picture!To support this transition, the United Nations Environment Programme (UNEP) has launched a global initiative alongside private sector partners, academic institutions, and financial organizations, helping low- and middle-income countries shift to electric mobility. In Latin America, transportation accounts for around one-third of CO₂ emissions. In Africa, Asia, and parts of Latin America, motorcycles and three-wheelers are essential for daily mobility, often covering over 100 km per day. However, these vehicles usually rely on outdated technologies, making them highly polluting and inefficient. Electrifying two- and three-wheelers presents a significant opportunity to reduce both greenhouse gas emissions and air pollution. UNEP is assisting 17 countries in creating national strategies and running pilot projects to introduce these electric vehicles in regions like Africa, Southeast Asia, and Latin America.Save this picture!Given the rapid urbanization in many low- and middle-income countries, mass public transport remains a cornerstone of urban mobility. Cities across Africa, Asia, and Latin America are investing in better transportation systems, including high-capacity bus corridors and Bus Rapid Transit (BRT) systems. Yet, with the average bus lifespan exceeding 12 years, it's essential to avoid locking cities into outdated technologies. Developing policies to support and incentivize the adoption of zero-emission vehicles is essential to achieving the electrification of public transport. The European Commission proposes promoting investment initiatives in charging infrastructure and emissions trading, to be implemented starting in 2026, by putting a carbon price on fossil-fuel vehicles. This measure seeks to boost the use of electric vehicles and the transformation of transport systems. Now, how could charging infrastructure be developed to support a potential massive growth in the electric vehicle fleet? What upgrades and innovations are needed to handle this future demand? What would happen if all transportation suddenly depended on the power grid?Save this picture!Save this picture!The UN emphasizes that using public transportation is critical to curbing climate change. Electrifying buses and trains could cut greenhouse gas emissions by up to two-thirds per passenger per kilometer compared to private vehicles. Still, private cars hold the greatest potential for emission reduction. In 2018, light-duty vehicles were responsible for nearly half of all transport emissions—including those from rail, sea, and air travel. Several major carmakers have announced ambitious plans to release new EV models in the next five years.Save this picture!According to a study by the McKinsey Center for Future Mobility (2019), roughly 60% of global car trips are under 8 kilometers, making them ideal for micromobility solutions. Electromicromobility refers to small, lightweight, and low-speed electric transportation options for short distances, such as electric skateboards, scooters, bikes, mopeds, and quadricycles. From a user perspective, electric vehicles still face hurdles like high costs, limited range, and long charging times. However, their broader societal benefits—particularly emissions reductions—are significant. Therefore, local and national governments are encouraged to implement supportive policies, such as vehicle purchase subsidies, tax breaks, free charging stations, parking benefits, access to city centers, and special electricity rates for nighttime charging, etc.Save this picture!Save this picture!Ultimately, we should ask: What lies ahead for modern transportation? How could new forms of natural, artificial, and collective intelligence be integrated into the design of today's transportation systems to improve resilience to environmental and growth challenges? What partnerships between countries, industries, and organizations are needed to ensure a sustainable and innovative supply of key materials? What will happen to used EV batteries and electronic components? Will be electric mobility in cities the only way to reduce carbon emissions?This article is part of the ArchDaily Topics: What Is Future Intelligence?, proudly presented by Gendo, an AI co-pilot for Architects. Our mission at Gendo is to help architects produce concept images 100X faster by focusing on the core of the design process. We have built a cutting edge AI tool in collaboration with architects from some of the most renowned firms such as Zaha Hadid, KPF and David Chipperfield.Every month we explore a topic in-depth through articles, interviews, news, and architecture projects. We invite you to learn more about our ArchDaily Topics. And, as always, at ArchDaily we welcome the contributions of our readers; if you want to submit an article or project, contact us. Image gallerySee allShow less About this authorAgustina IñiguezAuthor••• Cite: Agustina Iñiguez. "How Will Transportation Work in the Future? A Look at the Rise of Electric Mobility in Cities" 03 Jun 2025. ArchDaily. Accessed . <https://www.archdaily.com/1030500/how-will-transportation-work-in-the-future-a-look-at-the-rise-of-electric-mobility-in-cities&gt ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

Last week, we asked you to highlight expressive faces from the games you love using #PSshare #PSBlog. Here are this week’s highlights: ​​ MrioMoreno5 shares Ellie’s face lighting up in The Last of Us Part II. Couch_Gamer2k23 shares Maelle looking apprehensive in Clair Obscur: Expedition 33 EmperorHal shares Deacon grimacing while holding a weapon in Days Gone Remastered xirantics shares Cait Sith with a cheeky grin in Final Fantasy VII Rebirth. ​​ player1pov shares Raven looking fierce in Stellar Blade RhodWulfLeon shares Aloy looking wistful in the grass of Horizon Forbidden West Search #PSshare #PSBlog on Twitter or Instagram to see more entries to this week’s theme. Want to be featured in the next Share of the Week? THEME: MonochromaticSUBMIT BY: 11:59 PM PT on June 4, 2025  Next week, we’re all about color. Share monochromatic moments from the game of your choice highlighting one color using #PSshare #PSBlog for a chance to be featured.

While the base game of Monster Hunter Wilds allows you to customize your hunter, Palico, and Seikret, the game’s first Title Update also added customization for Alma. Your handler can now try on some new outfits and even swap between pairs of glasses. Unfortunately, there isn’t much explanation about how to attain these new styles, and her glasses are locked behind an optional quest that’s easy to get lost in.Suggested ReadingNintendo Switch 2 Price Is Set at $450 for Now, But Could Go Higher Share SubtitlesOffEnglishSuggested ReadingNintendo Switch 2 Price Is Set at $450 for Now, But Could Go Higher Share SubtitlesOffEnglishNintendo Switch 2 Price Is Set at $450 for Now, But Could Go HigherScreenshot: Capcom / Samuel Moreno / KotakuThere are currently three alternate outfit choices in addition to Alma’s default look. However, you can only permanently unlock Alma’s other outfits by downloading them from your platform’s store. Naturally, you can grab these from the store before jumping in for a session, but there is also a method to do it in-game as well. Simply head to a Support Deck Palico at one of the base camps or in the Grand Hub. Then, go into the Add-Ons section and keep an eye out for these options:Scrivener’s Coat: Alma’s outfit from the game’s prologue. Can be downloaded for freeNew World Commission Outfit:Gives Alma the default handler look from Monster Hunter World. This will cost you $5.99Spring Blossom Kimono: A special themed outfit Alma can freely wear during the Festival of Accord: Blossomdance event. It can also be permanently unlocked by purchasing it for $5.99Once you’ve downloaded either one, head into any tent. Scroll over to the right to access the Appearance Menu, select Change Appearance, and then select Change Alma’s Outfit. You’ll be taken to a new menu where you can choose between her default and newly downloaded outfits.Screenshot: Capcom / Samuel Moreno / KotakuAlma doesn’t have as many customization options as everyone else, but she can change out her glasses. The only catch is that you need to unlock them through a new optional quest first. Talking to Alma in the new update will start a dialogue where she exclaims that her new glasses are gone. She deduces that they might have gotten lost in the Scarlet Forest, which starts off the Apple of Her Eye side quest.Your first destination is the Wudwud Hideout in the Scarlet Forest. Head over there and talk to Thunk, a Wudwud standing near the hideout’s entrance. They’ll tell you that any lost items can usually be found down the river. A marker will appear on your map, although it might be hard to see if you’re like me and leave your map cluttered. The quickest way there is to travel to the Scarlet Forest Base Camp in Area One and then take a quick Seikret ride north.It won’t take long before you come across a marked Wudwud, who will then point you further down the river. After a quick walk, you’ll find one of his adorable fellows wearing Alma’s glasses upside-down. This new little guy will immediately run off toward the Wudwud hideout. Return there and talk to Thunk again; he’ll tell you that your best option is to ask the others when they’re having festivities. They won’t be holding their festivities until the nighttime during a season of plenty. Taking a Rest to adjust the season and time is the quickest way to set this up.Head up to the top of the hideout when the conditions are met. Talk to all the Wudwuds to receive some items, open up some trade routes, and get information on Ayejack, the one who has the glasses. Their hints will piece together that he’s asleep below. Without a quest marker to assist, this is where things get a little confusing.To find the sleeping Ayejack, you’ll have to jump back down to the main level of the Wudwud hideout. The hanging pouches made up of leaves and vines are what serve as their beds. Ayejack can be found across from the item trading Musharpeye, inside a pouch that’s close to the giant tree. A quest marker will finally pop up once you’ve gotten close to him.Unfortunately, finding and waking him up is only the penultimate part of this quest. He’ll only give up the glasses if you give him some Eastern Honey in return. These are the best ways to gather it if you need any:From capturing VigorwaspsOccasional rewards for Event QuestsRare drop from gathering HoneyTrade with Ren, located at Sild - The Keeper’s Vigil in WyveriaTrade with Gawdygog, located at the Wudwud Hideout in the Scarlet ForestTalk to him when you have some to complete the trade. The quest ends with Alma happy to have her new red spectacles and more than willing to wear them. The next time you visit a tent to change her outfit, there will be an option to change the glasses to these red ones or a bonus set of square ones.Additionally, you can also craft these two new glasses as High Rank armor for your hunter. You can find them under Strategist Spectacles and Square Glasses. They’re pretty useful for gathering with fully leveled Geologist and Botanist skills.If it’s anything like previous entries, Monster Hunter Wilds is sure to add plenty of cosmetic DLC. We’ll likely see new outfits for Alma as well, but I probably wouldn’t bet on many more freebies..

Water coolers are truly social areas. Places of gossip, leisure, and just decompressing from a long bout of working. So why is it that these coolers then look so utilitarian, so non-social? Designer Moreno Schweikle decided to give the humble cooler a visual upgrade, taking hints from popular cultural spots and hubs, dipping into Baroque and Neoclassical themes. The result? Water coolers that look like legitimate landmarks. Styled to resemble gorgeous fountains seen in city squares. Created as a part of Balenciaga’s ‘Art In Stores’ initiative, these coolers can be found in select Balenciaga outlets scattered across the world. The Art In Stores project sees the fashion brand partnering with a variety of artists like Anna-Sophie Berger, Cayetano Ferrer, Nicole Wermers, Harry Nuriev, and Tobias Spichtig to name a few. Designer: Moreno Schweikle Morena’s pieces reimagine the water cooler entirely. The cooler’s blockish form gets turned into a Roman pillar with fountains on the side, as well as on top along with a crowning Cupid-esque statuette. The water circulates between these multiple fountains (as well as the standard taps on the front). The beauty in Morena’s sculptures lies in the fact that they still utilize color schemes similar to those of a water cooler. Opaque white blocks or sheet metal blocks, with tinted blue transparent elements on top, resembling the same plastic found in water cans that mount vertically onto traditional coolers. There’s immense attention to detail, as well as a brilliant balance between industrial and cultural themes. You look at Morena’s Spring Coolers and they look just like coolers, however, they’re different enough to wow you, and enchanting with the way they treat detail and water flow. Here, the sculpture has multiple water streams on top, shooting inside a bowl that feels rather fountain-like. The water then travels down the upper bowl, and out through a series of statuettes tipping over water pots. The fountains have layers seen in the kind you’d find dotted across European cities and cultural hubs. Even in being traditional, like the simple three-tiered fountain below, Morena finds ways to make details shine. The supports below the blue fountain elements have neoclassical stylings, looking enchantingly antique while still being your mundane, contemporary water cooler. Notably though, these coolers aren’t meant to drink out of. They’re purely statement pieces, designed to work as art sculptures that circulate water through a closed loop. The tinted blue sculptures are made from PLA and PU resin, which aren’t food grade. They’re likely 3D printed and then finished in an acetone bath to give them the glossy marble-like texture seen on most actual fountains. That means the water is likely not suited for consumption – it does, however, make for a great statement piece – that’s if you’re rich (or confident) enough to step into a Balenciaga showroom! The post Balenciaga’s Water Coolers Look Like Roman Fountains Designed For Palaces, Not Offices first appeared on Yanko Design.

Jump ToThe general gameplay loop of Monster Hunter Wilds is using cool weapons to fight strong monsters—and then using their parts to make even cooler weapons to fight even stronger monsters. That cycle likely doesn’t have many hitches until you have to wrestle with Zoh Shia. While their debut hunt can be a strong wall, the High-Rank version is an absolute gauntlet. Whether it’s your first time or your tenth time, here’s how to farm and beat Zoh Shia.Suggested ReadingThe 3 Best And 3 Worst Korok Challenges In Tears Of The Kingdom Share SubtitlesOffEnglishview videoSuggested ReadingThe 3 Best And 3 Worst Korok Challenges In Tears Of The Kingdom Share SubtitlesOffEnglishScreenshot: Capcom / Samuel Moreno / KotakuYour first fight against this constructed creature takes place at the end of chapter three, effectively acting as your last Low Rank hunt. The opportunity to fight Zoh Shia a second time comes once you’ve reached Hunter Rank 50. Talking to Werner will start a new story quest called “An Unexpected Summons” that revolves around it returning. However, unlike other monsters, there isn’t any related optional quest added afterward for you to easily replay.That doesn’t mean you can’t farm the monster and gather more of its parts to make cool-looking armor and weapons. Here are your options for how to hunt Zoh Shia again:Wait until it randomly appears in Wyveria during an Inclemency season. You can keep resting to increase the chances of it appearingSave it as an investigation to fight it up to three times. This will require it to show up in Wyveria firstFilter for it through SOS Quests and help other hunters take one downI do want to point out that Zoh Shia won’t physically appear in Wyveria like other monsters. Just like Jin Dahaad, you’ll have to wait until a notification pops up in the Environment Overview to challenge them. The ensuing hunt takes place on a separate map, which is the Dragontorch Shrine in this case.Screenshot: Zoh Shia’s suggested strategy screen, showing which body parts are breakable.You’re always in for a challenging endeavor with Zoh Shia. It uses multiple elements and has some of the biggest attacks in the game. Thankfully, you can give yourself an edge by exploiting the following weaknesses:Elemental Weaknesses – DragonWeapon Type Weaknesses – Cut, BluntBreakable Parts – Head, Foreleg x2, Tail (can also be severed), Wings x2Susceptible Status Ailments – Blastblight, Paralysis, Poison, Sleep, Stun (less effective rate)Screenshot: Capcom / Samuel Moreno / KotakuThis hunt has a distinct mechanic that you might recognize from a few spots on the Wyveria map. Some of Zoh Shia’s attacks will create crystals, which it can then charge with Fire or Thunder attacks. They explode soon after, dealing the associated elemental damage to any nearby hunters and possibly causing a chain reaction with nearby crystals.The good news is that you can make them work in your favor. Using your slinger to shoot the crystals with Dragon and Thunder pods will cause them to explode and inflict the corresponding elemental damage to Zoh Shia. Considering how often its attacks generate crystals, you can quickly create your own elemental chain reaction and dish out some big hits to the monster. Fortunately, both of these slinger ammo types are easily crafted with the Wyrmsbane and Thundercryst that spawn in the arena.Screenshot: Capcom / Samuel Moreno / KotakuBring gear with high resistance to Fire and Thunder. Blight Resistance is an especially helpful skill if you have pieces of the Guardian Arkveld armor set or the Blight Charm talisman. Staying underneath this behemoth and near its back legs is one of the safest spots for the entire hunt, although your damage output will be limited. Their evolving set of attacks will eventually start flushing you out from that position as well, so don’t rely on it too often.Zoh Shia cycles through multiple phases as it takes more damage. The monster is completely covered in white crystal armor during its first phase. Your attacks will be more effective if you manage to break the armor, but it will eventually regenerate. Time your dodges well and try mounting if you can. I’ve always been able to open four wounds along its back with plenty of time to spare.The second phase begins with the armor on its head breaking off to reveal a black head that can now use fire attacks. You’ll need to watch out for deceptively quick fireballs and an attack that sets everything underneath it ablaze. From this point on, it can trigger crystals to create some large explosions. Trigger them first to destroy the armor quicker!You’ll know the third phase starts when Zoh Shia flies to the front of the arena and lands with a huge tremor. Gigantic crystals will rise out of the ground as it sheds its wing armor. Your experiences against Jin Dahaad might convince you to hide behind one of them, but these won’t offer you protection. The heated creature will set them all on fire, which then spreads out to nearly the whole arena. You can easily avoid this attack by making them prematurely explode with your slinger. Each destroyed crystal leaves behind an area safe from the fire.Not only are there more burning attacks in the third phase, but fiery pieces of debris will also begin falling. Don’t be surprised if you’re dodging more exploding crystals than triggering them. You might have to contend with a slightly smaller version of the attack that started this phase as well. The best ways to avoid that are to move as far away as possible, or to get right behind the monster.All of this leads to the final phase, with Zoh Shia’s entire black body being revealed. On top of the relentless fire attacks and fiery debris, you’ll also have to deal with a sideways lightning blast and random lightning bolts. Any one of these can set off crystals and potentially ruin the hunt. Do your best to trigger them first and avoid every intended or random attack that comes your way. This is a particularly great time to bring down the two hanging shrine fragment pieces on the sides of the arena. Since this is the last and most dangerous phase, you want to end it as quickly as possible.Tackling this with a coordinated link party of friends will make the hunt far less difficult. I’ve been able to win plenty of times with random hunters, although I’ve typically felt like the only person aware of the crystal mechanic.Screenshot: Capcom / Samuel Moreno / KotakuBeating this tough monster is plenty worth it for the awesome armor and weapons you can make from its parts. I highly recommend leafing through Zoh Shia’s monster information tabs to determine how to best earn any needed parts. If you want a simplified list of each Zoh Shia drop, I’ve included one below that’s sorted by most to least frequent.Zoh Shia Stakeclaw (100% chance for breaking either Foreleg)Blackember Mass (100% chance for breaking either Wingarm)Zoh Shia Crystalhorn (100% chance for breaking the Head)Zoh Shia CrystaltailGuardian Blood +Zoh Shia CrystalscaleZoh Shia LayershellZoh Shia Certificate SFaux Whitegleam OrbDefeating Zoh Shia is a huge accomplishment that you should be proud of. The Tempered Mizutsune fight can admittedly be just as intense, but nothing so far feels as epic as a Zoh Shia hunt. .

Explorations in material take on a deeper meaning in the work of these four talented makers, whose collectible objects are as functional as they are covetable. We sat down with Chuma Maweni, Osanna Visconti, Simone Bodmer-Turner, and Ombia Studio Founder Cristina Moreno to talk about unexpected sources of inspiration, pivotal career moments, and experiences that shaped who they are and how they create today. Chuma Maweni The South Africa–based ceramist has put his stamp on traditional Zulu and Xhosa techniques.Gerheardt CoetzeeChuma Maweni in his Cape Town studio.When did you first think of yourself as a creator?CM: There wasn’t a defining moment that I remember, more a realization a few years ago that people, from curators to collectors to family, had started to take notice of my work and wanted to know more about it. That was a very affirming shift for me, particularly in terms of how my parents saw me.Lea CraffordChuma Maweni’s Zoliswa (Qavashe), a rounded mirror with a frame made of clay tiles.What would surprise people most about your process?CM: People are surprised when they realize that my works are made from clay. They often think they’re made of wood. When people think about ceramics, they tend to think of sculpture and vessels, not furniture.Delaire GraffiSibane (Maweni) in glazed stoneware, glass, and steel.What was the last trip you took that sparked your creative output?CM: Going home to Mthatha is always inspiring for me and my work. When I’m there I can practice smoke-firing using cow dung. I can literally watch the cows in the field while I work! There’s something very interesting about this idea of going back to the source.Hayden Phipps and Southern GuildThe installation iMvelaphi, on view at Southern Guild in Cape Town in 2024.Who is your dream collaborator?CM: Within the stable of my gallery, Southern Guild, I would love to collaborate with Adam Birch and Zanele Muholi. Osanna ViscontiThe Milanese metalworker is well known for her elegant pieces made with the lost-wax casting technique.Federico VillaVisconti in her Milan studio. When did you first think of yourself as a creator?OV: Ever since I was a child. At school I would take pliers, thin golden thread, and beads into the classroom and produce pieces to share with my classmates.Osanna ViscontiOsanna Visconti’s Bambù bookshelf in natural bronze.What would surprise people most about your process?OV: My eclecticism, just like the matter I shape. I am an artisan and an artist, and my practice spans art and technique, beauty and function. I am not a sculptor nor an industrial designer, even though I share my approach and quest for meaning with design.Osanna ViscontiVisconti’s cast bronze Campanula floor lamp.What was the last trip you took that inspired your creative output?OV: It was in a weekend house, looking at a magnolia tree of considerable size, with branches touching the windows. I grasped the life cycle of a flower, nature’s most exquisite creation, and it inspired my Magnolia collection of furniture in natural bronze.Osanna ViscontiVisconti’s cast bronze Bambu armchair. What music do you listen to while you work?OV: All piano concertos by Sergei Rachmaninoff. Simone Bodmer-TurnerWorking in rural Massachusetts, Bodmer-Turner’s studio practice manages to span mediums and meanings.NEIGE THEBAULTBodmer-Turner applying a glaze to one of her chairs.When did you first think of yourself as a creator?SBT: I’ve always known one of my skills was being creative, but saying it out loud to my family, with the intention of doing creative work as my profession rather than as an extracurricular, set me on the path I am now on.What would surprise people most about your process?SBT: I do absolutely nothing with a computer or any technology—except email. Marco GallowayLamps from the Tulip series.What was the last trip you took that inspired your creative output?SBT: My partner and I have been learning to sail. Being on a boat in the middle of the ocean brings clarity, and the multipurposeness and collapsibility of spaces within a boat is so inspiring.What advice would you have for your younger self?SBT: Don’t tell yourself you can’t create something you’re passionate about just because you haven’t seen someone structure a practice that way before. Your gut will always know what’s right for you. Ombia StudioFrom her studio in Los Angeles, Cristina Moreno makes sculptural furniture in clay and wood.Courtesy of OmbiaOmbia Studio founder Cristina Morenoin her L.A. studio. When did you first think of yourself as a creator?CM: I started painting when I was two years old and have known ever since that creativity would forever be a part of me.David William BaumOmbia Studio’s Arena side table in ceramic.What would surprise people most about your process?CM: The technicality and how physically difficult it is to make these tables. When I have friends come by the studio, they’re always amazed—they never thought each piece could take so many steps and require so much muscle.David William BaumCleo, a five-legged ceramic side table.What was the last trip you took that impacted your creative output?CM: Production trips to Mexico City are always fruitful. Places that have a deep artisanal ancestry remind me that there is so much to learn, and beauty in the handmade. I’m still thinking about my trip to the gold museum in Bogotá, Colombia.David William BaumMusica, a sculptural dining chair.What was the last work of art you saw that inspired your output, and how?CM: I wouldn’t say art directly inspires my output. At least not consciously. I usually find that ancient functional objects are what really inspire me. This story originally appeared in the May 2025 issue of Elle Decor. SUBSCRIBE

Buildner Announces Winners of the 5th Annual Last Nuclear Bomb Memorial CompetitionSponsored ContentSave this picture!Courtesy of BuildnerBuildner has announced the results of its competition, the In recognition of this treaty, Buildner invites conceptual designs for a memorial to be located on any known decommissioned nuclear weapon testing site. The conceptual memorial is intended to reflect the history and ongoing threat of nuclear weapons, aiming to promote public awareness of nuclear disarmament. The challenge is intended to bring attention to the history and dangers of nuclear weapons. Participants are tasked with designing a space that commemorates nuclear warfare victims and conveys the need for a nuclear-free future. As a 'silent' competition, submissions are not allowed to include any text, titles, or annotations.The next edition of this competition, the , has been launched with an early bird registration deadline of June 12, 2025.The briefThis competition invites designers to conceive a memorial that meaningfully engages the public with the critical issue of nuclear disarmament. Memorials play a crucial role in capturing history and facilitating collective reflection, shaping how future generations understand and respond to global challenges. The proposed memorial will specifically address the legacy of nuclear warfare, emphasizing the urgency of diplomatic solutions and international solidarity in preventing nuclear conflict.Design proposals are encouraged to consider the following core principles: Vision of Peace: Proposals should embody the aspiration for a world free of nuclear threats, incorporating symbolic or abstract representations that inspire unity and harmony. Reflection and Remembrance: Designs must foster a thoughtful and enduring dialogue, offering visitors a contemplative environment where they can reflect upon the consequences of nuclear weaponry. Educational Impact: The memorial should provide visitors with accessible insights into the historical realities and ongoing dangers of nuclear arms, actively promoting public knowledge and awareness. Emotional Engagement: Successful memorials will create a powerful emotional connection, provoking personal and collective introspection on peace, responsibility, and the human cost of nuclear conflict. Sustainable Stewardship: Designs must embrace environmental sustainability, reinforcing the memorial's overarching message of responsible stewardship and enduring peace. Save this picture!Jury PanelThis year's submissions were reviewed by a distinguished jury panel featuring experts from architecture, urbanism, and the arts:  Olha Kleytman, founder of Ukraine-based SBM Studio, brings expertise in architecture and urban design, alongside her humanitarian work through the NGO "Through the War."  Flora Lee, Associate Partner at MAD Architects, has contributed to major international projects including the Lucas Museum of Narrative Art.  Peter Newman, a London-based artist, explores humanity's relationship with space and modernity, with exhibitions spanning Trafalgar Square, the Hayward Gallery, and the Guggenheim Museum in Venice.  Vincent Panhuysen, co-founder of KAAN Architecten, integrates contextual sensitivity into large-scale projects, such as the Netherlands American Cemetery Visitor Center.  James Whitaker, founder of Whitaker Studio, is an architect known for his widely published Joshua Tree Residence.  Wu Ziye, co-founder of China's Mix Architecture, has received international acclaim for his studio's exploration of spatial consciousness, materiality, and integration with nature. Buildner's other ongoing competitions include: the 10th edition of MICROHOME competition, in collaboration with Kingspan and Hapi Homes; the Mujassam Watan Urban Sculpture Challenge aimed at finding innovative sculptures reflecting Saudi Arabia's heritage, modern achievements, and future ambitions; and the Howard Waterfall Retreatcompetition, which invites architects to propose designs for a multi-generational family retreat at the scenic and historically significant Howard Falls in Pennsylvania, USA. Each of these competitions aims to build the winning designs.Projects:First Prize Winner + Buildner Student AwardProject title: Urbs AeternaAuthors: Alessia Angela Sanchez, Erminia Cirillo and Adele Maria Saita, from ItalyThe project presents a memorial using sand and metal to depict a post-apocalyptic vision of what appears to be Rome reduced to an archaeological remnant. The design evokes the destruction and preservation paradox, allowing viewers to observe the site from above or navigate its fractured streets leading to a central void. A ghostly wireframe reconstruction of a vanished temple stands as the focal point, symbolizing loss and memory. The restrained material palette reinforces themes of impermanence and time. While conceptually strong and visually compelling, its cost and environmental impact raise questions. The experience unfolds gradually, inviting contemplation.Save this picture!Save this picture!Second Prize WinnerProject title: The Rainbow Of RenewalAuthors: Chen Yang, Ruijing Sun and Chao Li, from the United StatesThe project envisions a memorial for the last nuclear bomb through a landscape intervention that transforms destruction into renewal. A circular water installation generates mist, evoking the image of an explosion while simultaneously creating rainbows, symbolizing hope. The design's ephemeral quality enhances its poetic impact, making it a striking presence on the horizon. The intervention integrates with the natural environment, fostering an evolving atmospheric experience.Save this picture!Save this picture!3rd Prize Winner + Buildner Student AwardProject title: Projected DestructionAuthors: Marco Moreno Donohoe of Washington University in St. Louis , WUSTL, the United StatesThis project envisions a memorial set within a cratered landscape. A striking linear structure cuts through the void, acting as both a bridge and a viewing platform, inviting visitors to experience the vastness of destruction. The interplay of light and shadow within the perforated walls creates dynamic spatial effects, offering different perspectives from above and within. The scale and placement evoke a sense of isolation and reflection.Save this picture!Save this picture!Highlighted ProjectsProject title: Mycelial Rebirth: Fungi Restoring Nuclear Wounds Authors: Shengfeng Gao, Zhuohan Zhou and Shengnan Gao from the United StatesThis project envisions a memorial landscape where fungi serve as agents of ecological healing in a post-nuclear context. A dense forest setting is activated by a grid of ultraviolet lights that stimulate mycelial growth, enhancing the fungi's capacity to absorb and break down radioactive contaminants. As the soil regenerates, the design allows for gradual ecological succession, beginning with mushrooms and pioneering vegetation. The illuminated ground plane forms a quiet, immersive field that marks both decay and recovery. Over time, the site transforms into a living testament to resilience, where nature's unseen networks remediate and renew.Save this picture!Save this picture!Project title: Nuclear Living ForceAuthors: Luis Manuel Carcamo Cura of company LUIS CARCAMO ARQUITECTOS, from MexicoThis project responds to the atomic age by offering a message of harmony over despair, using the human eye as a central metaphor for awareness and reflection. A series of monumental, petal-like structures rise from a crater-shaped void, recalling both the iris and the bomb site in Santa Fe. Surrounding this core, the Flower of Life geometry guides the masterplan, symbolizing universal patterns and organic regeneration. The design emphasizes nature's resilience, referencing ecosystems like Chernobyl where life has returned unaided. Rather than mourning destruction, the project celebrates life, order, and the potential for collective transformation.Save this picture!Project title: The Illusion of ChoicesAuthors: Ruiqi Yao, University of Edinburgh from the United KingdomThis project explores the illusion of choice within the existential tension between nuclear war and peace. Set inside a vast crater, visitors begin their journey in a monumental spherical chamber, where a singular path ends abruptly, symbolizing unreachable goals and the false promise of nuclear power. Descending into a subterranean network, seven red-lit paths depict ruin and inevitability, while one blue-lit path offers a narrow route toward peace and introspection. The final space contrasts confinement with openness, guiding visitors through mirrored walls toward a hopeful exit. Through spatial transitions and stark lighting contrasts, the project stages a powerful moral journey.Save this picture!Save this picture!Project title: Möbius Elegy: Red Warning and Green ReturnAuthors: Daii Shimada, Mai Nakano and Midori Watanabe, from JapanThis project imagines a regenerative forest emerging from the scars of nuclear devastation. Set within a vast desert crater, a radial pattern of multicolored vegetation radiates outward, suggesting seasonal cycles and ecological diversity. The planting strategy appears gradual and deliberate, with craters used as microclimates for reforestation—each acting as a node in a larger ecological system. A lone figure stands before the transformed landscape, underscoring the scale and ambition of the intervention. Through time-lapse-like sequences, the imagery suggests the forest's steady expansion, turning the desert into a sanctuary of life. The memorial becomes a living archive of resilience and renewal.Save this picture!Project title: Soft FalloutAuthors: Louis Bourdages and Cedric Harvey, from the Université Laval School of Architecture, CanadaThis project proposes an immersive memorial defined by a luminous, amorphous structure suspended over a crater. From the outside, the glowing yellow form evokes a captured sun or lingering explosion, radiating both warmth and unease. Inside, visitors enter a soft, undulating landscape of quilted fabric that molds to the human body, allowing for stillness, reflection, or playful interaction. Light filters through the translucent skin, creating a surreal atmosphere suspended between comfort and disquiet. The form's biomorphic geometry contrasts the rationality of war, transforming the site into a sensorial space of pause and presence.Save this picture!Project title: "Used to be there"Authors: Hữu Nhân Hoàng, Hoàng Kỳ Lê and Anh Khoa Huỳnh, VietnamThis project constructs a memorial as a collective reflection on memory, identity, and everyday life disrupted by nuclear war. Set in a radial formation across a barren landscape, semi-transparent glass panels display ghosted historical photographs—scenes of people, architecture, and ordinary moments—layered over the present. Visitors navigate between these life-sized images, encountering echoes of the past embedded in space. The transparent surfaces blend time periods and dissolve boundaries, inviting viewers to see themselves within the continuity of human experience. Rather than focusing on devastation, the project quietly honors what stands to be lost: ordinary lives, familiar places, and shared memories.Save this picture!Visit the website for the recently launched , to take part and learn more, before the early bird registration deadline of June 12, 2025. Image gallerySee allShow less Cite: "Buildner Announces Winners of the 5th Annual Last Nuclear Bomb Memorial Competition" 21 May 2025. ArchDaily. Accessed . <https://www.archdaily.com/1030195/buildner-announces-winners-of-the-5th-annual-last-nuclear-bomb-memorial-competition&gt ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream