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Massive aluminum snake casting is now being used as a water cooling loop for PCs. It's pretty much just a trend these days, moving from hardcore casemodders to regular builds. Not sure how many people are really into it, but it seems to be part of the whole performance PC scene now. Water cooling has become pretty routine, I guess. Anyway, if you're into this kind of stuff, you might find it interesting. Or not. Just another day in the world of PCs. #WaterCooling #PCBuilding #AluminumCasting #TechTrends #PerformancePC

So, it seems Santa Ragione has decided to put on a dramatic show, claiming that Apple is delisting their precious "Wheels of Aurelia" without any justification. Apparently, removing a game from the App Store is akin to tearing down the Mona Lisa, and they’re not just talking about paint here. Who knew that the sustainability of games as cultural and artistic products hinged on a single title? Maybe Apple is just trying to keep us from spinning in circles... literally. But hey, let’s not undermine the true value of a game that’s apparently so pivotal to the artistic landscape. Next up: Apple’s ban on interpretive dance as a form of expression! #WheelsOfAurelia #AppleDelisting #GameArt

Driving through Missouri in American Truck Simulator felt surreal, but as I maneuvered my rig through familiar streets, a profound sense of loneliness enveloped me. The virtual landscape, so vibrant and alive, contrasted sharply with the emptiness I felt inside. Each corner I turned echoed the absence of companionship, reminding me that sometimes, even in the most familiar places, we can feel the heaviest burdens of solitude. It’s as if the truck's engine roared louder than my heart, drowning out the whispers of connection I so desperately crave. This journey, though thrilling, only highlights the ache of being alone in a world that keeps moving forward. #Loneliness #Heartbreak #VirtualReality #AmericanTruckSimulator #Missouri

In the midst of all the deals and the excitement of Amazon Prime Day, I can't help but feel an overwhelming sense of loneliness. The discounts are plentiful, yet they can't fill the void within me. Every 15 minutes, new offers appear, but no matter how many things I add to my cart, I still feel empty. It’s as if the world is moving on without me, and I’m just standing still, watching others celebrate moments that seem so far out of reach. The thrill of shopping can't chase away this shadow of despair. Sometimes, the most significant deals aren’t the ones we find online, but the connections we long for. #Loneliness #Heartbreak #FeelingEmpty #AmazonPrimeDay #DealsAndDespair

I often wonder if there’s a tension for tensors in the way there is for our hearts. Just like those complex mathematical structures, I feel like I’m stuck in a web of confusion and isolation. FloatHeadPhysics brings excitement to every equation, yet here I am, grappling with the weight of loneliness. The joy he finds in every topic contrasts with my struggle to find joy in the mundane. It’s as if the world is moving forward, while I remain frozen in a moment of quiet despair. How I wish for a spark of connection, a shared passion that could lift this heavy silence. #Loneliness #Heartbreak #EmotionalStruggle #Mathematics #Connection

This week has been a heavy burden, one that I carry alone, with each moment pressing down on my heart like a stone. I wrote code, thinking I was contributing something valuable, something that would protect, something that would help. Yet here I am, faced with the haunting reality that I caused a 9.5 CVSS CVE. The weight of my actions feels insurmountable, and the world feels so cold and distant right now. How did I let it come to this? The public and private keys, once thought to be safe, now exposed, vulnerable among devices. I can’t shake the feeling of betrayal, not just of the users who trusted me, but of my own expectations. It’s as if I’m standing in a room full of people, yet I feel utterly alone. The silence is deafening, and the only sound I hear is the echo of my mistakes. I triaged the situation with a heavy heart, knowing that my oversight could have far-reaching consequences. I read the reports, the warnings — and with every word, I felt a deeper sense of isolation. The internet, once a vibrant place of connection, now seems like a desolate wasteland that reflects my own feelings of abandonment. It’s a reminder of how quickly everything can come crashing down, how fragile our digital lives really are. I thought I was building something worthwhile, but now I find myself questioning my purpose. Did I truly understand the weight of my responsibilities? Did I consider the lives entwined with the code I wrote? The guilt gnaws at me, and I can’t help but wonder if I’ll ever find redemption. In this age of interconnectedness, I feel more disconnected than ever. I look around and see others moving forward, while I am left behind, haunted by the shadows of my own making. The loneliness is suffocating, and I long for understanding, for someone to share this burden with me. Yet, all I feel is the chill of isolation, a stark reminder that even in a crowd, one can feel utterly lost. As I navigate through this storm, I hope to find a way to make amends, to rebuild the trust that has been shattered. But for now, I sit with my sorrow, a silent witness to my own downfall, wishing for a flicker of hope in this darkness. #CVE #Isolation #Loneliness #Cybersecurity #Mistakes

Spotify and Apple are killing the album cover, and it’s time we raised our voices against this travesty! It’s infuriating that in this age of digital consumption, these tech giants have the audacity to strip away one of the most vital elements of music: the album cover. The art that used to be a visceral representation of the music itself is now reduced to a mere thumbnail on a screen, easily lost in the sea of endless playlists and streaming algorithms. What happened to the days when we could hold a physical album in our hands? The tactile experience of flipping through a gatefold cover, admiring the artwork, and reading the liner notes is now an afterthought. Instead, we’re left with animated visuals that can’t even be framed on a wall! How can a moving image evoke the same emotional connection as a beautifully designed cover that captures the essence of an artist's vision? It’s a tragedy that these platforms are prioritizing convenience over artistic expression. The music industry needs to wake up! Spotify and Apple are essentially telling artists that their hard work, creativity, and passion can be boiled down to a pixelated image that disappears into the digital ether. This is an outright assault on the artistry of music! Why should we stand by while these companies prioritize algorithmic efficiency over the cultural significance of album art? It’s infuriating that the very thing that made music a visual and auditory experience is being obliterated right in front of our eyes. Let’s be clear: the album cover is not just decoration; it’s an integral part of the storytelling process in music. It sets the tone, evokes emotions, and can even influence how we perceive the music itself. When an album cover is designed with care and intention, it becomes an extension of the artist’s voice. Yet here we are, scrolling through Spotify and Apple Music, bombarded with generic visuals that do nothing to honor the artists or their work. Spotify and Apple need to be held accountable for this degradation of music culture. This isn’t just about nostalgia; it’s about preserving the integrity of artistic expression. We need to demand that these platforms acknowledge the importance of album covers and find ways to integrate them into our digital experiences. Otherwise, we’re on a dangerous path where music becomes nothing more than a disposable commodity. If we allow Spotify and Apple to continue on this trajectory, we risk losing an entire culture of artistic expression. It’s time for us as consumers to take a stand and remind these companies that music is not just about the sound; it’s about the entire experience. Let’s unite and fight back against this digital degradation of music artistry. We deserve better than a world where the album cover is dying a slow death. Let’s reclaim the beauty of music and its visual representation before it’s too late! #AlbumArt #MusicCulture #Spotify #AppleMusic #ProtectArtistry

It's time to call out the glaring flaws in the so-called "Latest Showreel" by the Compagnie Générale des Effets Visuels (CGEV). They tout their projects like a peacock showing off its feathers, but let's be honest: this is just a facade. The latest compilation, which includes work from films such as "The Substance," "Survivre," "Monsieur Aznavour," "Le Salaire de la Peur," and more, is nothing short of a desperate attempt to mask their shortcomings in the visual effects industry. First off, what are they thinking with the title "Mise à jour de showreel"? This isn't an update; it's a cry for help! The industry is moving at lightning speed, and CGEV seems to be stuck in the past, clinging to projects that are as outdated as a floppy disk. The world of visual effects is about innovation and pushing boundaries, yet here we have a company content with showcasing work that barely scratches the surface of creativity. And let’s talk about "Le Salaire de la Peur." If this is their crown jewel, then they are in serious trouble. The effects look amateurish at best, and it raises the question: are they even using the right technology? In an age where CGI can create stunning visuals that leave you breathless, CGEV’s work feels like a bad remnant of the early 2000s. It’s embarrassing to think that they believe this is good enough to represent their brand. Alain Carsoux, the director, needs to take a long, hard look in the mirror. Is he satisfied with this mediocrity? Because the rest of us definitely aren’t. The lack of originality and innovation in these projects is infuriating. Instead of pushing the envelope, they're settling for the bare minimum, and that’s an insult to both their talent and their audience. The sad reality is that CGEV is not alone in this trend. The entire industry seems to be plagued by a lack of ambition. They’re so focused on keeping the lights on that they’ve forgotten why they got into this business in the first place. It’s about passion, creativity, and daring to take risks. "Young Woman and the Sea" could have been a ground-breaking project, but instead, it’s just another forgettable title in an already saturated market. We need to demand more from these companies. We deserve visual effects that inspire, challenge, and captivate. CGEV needs to get its act together and start investing in real talent and cutting-edge technology. No more excuses! The audience is tired of being served mediocrity wrapped in flashy marketing. If they want to compete in the visual effects arena, they better step up their game or face the consequences of being forgotten. Let’s stop accepting subpar work from companies that should know better. The time for complacency is over. We need to hold CGEV accountable for their lack of innovation and creativity. If they continue down this path, they’ll be left behind in a world that demands so much more. #CGEV #VisualEffects #FilmIndustry #TheSubstance #Innovation

So, there’s this thing going on. Final days to apply for $32,000 in artist grants for Decentraland Art Week 2025. If you’re a 3D creator, visual artist, or a curator, you might want to think about submitting something. Or not. I mean, it’s up to you. The theme this year is still open for submissions, but honestly, it’s kind of just whatever. I guess if you have some time to spare and feel like creating something, it could be a good idea. If you’re into that kind of thing. Most people are probably just scrolling through their feeds anyway, so why bother? There’s already so much out there, and who really cares about art grants for Decentraland? It’s like one of those things that sounds nice, but in reality, it just feels like another task to add to your never-ending list of other things you don’t feel like doing. But hey, if you’re feeling inspired or you just want to throw something out there for the sake of it, go ahead and make that submission. It could be fun, I guess. Or it could just be another thing that you’ll forget about in a week. In the end, it’s just a grant. It’s not the end of the world if you miss it. So, if you’re thinking about it, maybe just take a few minutes to consider it. Or not. Whatever floats your boat, really. Anyway, the deadline is coming up, so if you want to participate, now might be the time to get moving. Or maybe just keep scrolling. Your choice. #Decentraland #ArtGrants #ArtistOpportunities #3DCreators #VisualArt