In the heart of night, where shadows dance and whispers linger, I find myself lost in the echoes of silence. The world outside moves on, oblivious to the weight that pins me down, like a forgotten dream fading into the morning light. The release of "Lunae Veritatis (Stay)" by The Avener, with its haunting melodies crafted by Seb Caudron and his dedicated team, reminds me of the beauty found in fleeting moments — moments that slip through my fingers like grains of sand. Three months of dedicated work from a passionate crew, their sweat and tears poured into a visual symphony meant to touch souls. Yet, here I am, standing alone amidst the beauty they created, feeling the sting of isolation more profoundly than ever. The vibrant colors of the clip contrast sharply with the monochrome palette of my heart, each frame a reminder of connections that once were, now just distant memories. I long for the warmth of companionship, a hand to hold as the waves of despair crash around me. Yet, each time I reach out, the void seems to grow wider, engulfing me in its darkness. The artistry of "Stay" reflects the depths of longing and the ache of absence, resonating with a truth I can’t escape: sometimes, the hardest battles are fought in silence, where no one can see the scars that bleed within. As I listen to the music, I can’t help but feel the bittersweet joy it brings. It captures the essence of love and loss, of a yearning that stretches beyond the stars. The visual magic woven by Seb Caudron and his team stirs something deep within me, yet it also heightens my sense of loneliness. How can such beauty exist while I feel so empty? I am but a ghost in a world that keeps moving forward, a spectator in a life that feels more like a distant memory than a present reality. The art created through "Lunae Veritatis (Stay)" is a testament to resilience, yet here I am, grappling with the shadows that cling to me like a second skin. I wish I could step into the world they’ve crafted, where emotions are vibrant and love is palpable. But instead, I remain trapped in a cycle of longing, watching from afar as the colors of life swirl around me, painting pictures I can only dream of. Perhaps one day, I will find my way back to the light, where the notes of hope and joy will resonate in my heart once more. Until then, I will carry the weight of this solitude, a silent observer of the beauty that surrounds me, forever yearning for a connection that seems just out of reach. #LunaeVeritatis #TheAvener #SebCaudron #Loneliness #ArtAndEmotion

🎮✨ Hey, amazing gamers and anime lovers! 🌟 Today is a day full of excitement and inspiration, as we dive into the thrilling world of **Code Vein II**! After five long years of anticipation, Bandai Namco has truly outdone themselves! They’ve not only given us a sequel, but they’ve also woven a tapestry of captivating gameplay that promises to take us on an unforgettable journey! 🎉🔥 If you loved the first installment, you’re in for a real treat! Code Vein II is shaping up to be a stunning blend of souls-like gameplay with that anime flair we all adore. Imagine the breathtaking artwork, the dynamic combat mechanics, and that deep, immersive story that keeps us on the edge of our seats! 💖🌌 The recent gameplay reveals have shown us just how much effort and passion Bandai Namco has poured into this project. From stunning visuals that look like they jumped straight out of an anime to thrilling battles that test our skills, it’s a true feast for the senses! 🥳💪 Let’s not forget about the characters! Each one is crafted with such depth and uniqueness that we can’t help but feel connected to them. The emotional storytelling will resonate with us long after we put down the controller. Who’s ready to forge powerful bonds and face epic challenges? 🙌💔 And remember, every great adventure comes with its challenges. Just like in life, we may stumble and fall, but it’s all part of the journey! With Code Vein II, we have the chance to rise, learn, and grow stronger, both in the game and in ourselves. Every boss we defeat and every level we conquer is a testament to our resilience and determination! 🌈✨ So, let’s rally together, fellow gamers! Let’s support each other as we embark on this new quest! Share your excitement, your strategies, and your victories! Together, we can create a vibrant community that thrives on positivity and encouragement! ✨🤝 In conclusion, get ready to unleash your inner warrior in **Code Vein II**! This is our time to shine! Let’s make every moment count and enjoy every pixel of this incredible journey! 🌟❤️ #CodeVeinII #GamingCommunity #AnimeLovers #BandaiNamco #SoulsLikeAdventure

You never know who you might meet on a plane. Four years ago, ELLE Decor A-List designer James Huniford, known as Ford, began chatting with the gentleman across the aisle. Both have children, and both spend time in the Hamptons, so they had a lot to talk about. The man mentioned he was hoping to buy land in the Hamptons for a vacation house. Huniford encouraged him and handed over his business card. But after landing, the designer gave no further thought to the encounter, so he was surprised when, several months later, the man’s wife called.The couple, who had rented in the Hamptons for years, had found an idyllic site on a peninsula in Sag Harbor, private but close to town. Though their city home is traditional, they chose William Reue, a New York architect known for crisp, modernist geometry, to design the house. He conceived of a three-story home with six bedrooms, large enough for the couple and a parade of guests, including their four grown children and their partners. Landscape designer Edmund Hollander, renowned for projects such as the public garden at the Kennedy Center in Washington, was brought in to envision an environment worthy of the setting. Pernille LoofEven before the foundations were poured, the couple invited Huniford to the site. They made it clear that they didn’t want either a conventional shingled beach house or a stark white box. “They told me, no trends,” he says. “They wanted a sense of playfulness. And they love color.” The man’s wife explained exactly what she wanted: “A house where I feel like I’m on vacation every time I step inside. And even when I am inside, I want to feel like I’m outside.” In some ways Huniford was an unexpected choice, since he is not often tapped for sleek, contemporary interiors. But he proved to be a wise one. He has an eclectic eye that can discern the beauty in a rusted tool or an old road sign, in rough-hewn beams or a clunky Victorian washstand. He juxtaposes these disparate elements with clean-lined furnishings, in restrained but never cold spaces. Over the past two decades he has designed apartments and country houses for a variety of people in the worlds of finance, media, and entertainment, including Broadway producers Jeffrey Seller and John Gore. “I never doubted thatwas the right person,” the wife says. “I knew the house would be beautiful. Some people were surprised at our choice, saying, ‘That’s not his style.’ But so what? A good designer always has more up their sleeve than people think.”“They told me, no trends. They wanted a sense of playfulness. and they love color.” —James HunifordHuniford immediately knew water would be central to his conception. “The light is extraordinary,” he says. “The reflection off the water inspired the palette of saffron, green, and blue.” For inspiration he looked to French modernism, especially the simple, sunstruck variety in the South of France, exemplified in Eileen Gray’s 1929 house in Roquebrune-Cap-Martin, and the nearby beach cabin Le Corbusier built two decades later. To soften this home’s geometry, Huniford filled the rooms with craftsmanship, incorporating both vintage furnishings and commissioned items. The dramatic wood staircase was based on one he had spotted at an antiques dealer on the Left Bank in Paris. The den’s paneling is inset with butter-fly joints evocative of iconic designer George Nakashima’s woodworking techniques.Huniford divided the huge living area into zones, creating a sense of loft living at the beach. Wit and color are equally evident: in the dressing room’s postmodern “Queen Anne” chair by Robert Venturi and Denise Scott Brown; in the kitchen’s gold-streaked stone, which the designer dubs “Cy Twombly marble”; and in the powder room lined in Yves Klein–blue parchment.Huniford’s good fortune on this project extended beyond the initial chance encounter. These clients let him stretch into new territory, more colorful and contemporary. “They pushed me,” he says. “And they trusted me.” ◾ This story originally appeared in the Summer 2025 issue of Elle Decor. SUBSCRIBE #this #airy #sag #harbor #retreat