Empathy, the ability to understand what others are feeling and emotionally connect with their experiences, can be highly advantageous for humans, as it allows them to strengthen relationships and thrive in some professional settings. The development

AGI will be embedded into humanoid robots, which makes white-collar and blue-collar jobs a target ... More for walking/talking automation.getty In today’s column, I examine the highly worrisome qualms expressed that the advent of artificial general intelligence (AGI) is likely to usurp white-collar jobs. The stated concern is that since AGI will be on par with human intellect, any job that relies principally on intellectual pursuits such as typical white-collar work will be taken over via the use of AGI. Employers will realize that rather than dealing with human white-collar workers, they can more readily get the job done via AGI. This, in turn, has led to a rising call that people should aim toward blue-collar jobs, doing so because (presumably) those forms of employment will not be undercut via AGI. Sorry to say, that misses the bigger picture, namely that AGI when combined with humanoid robots is coming not only for white-collar jobs but also blue-collar jobs too. It is a proverbial double-whammy when it comes to the attainment of AGI. Let’s talk about it. This analysis of an innovative AI breakthrough is part of my ongoing Forbes column coverage on the latest in AI, including identifying and explaining various impactful AI complexities (see the link here). Heading Toward AGI And ASI First, some fundamentals are required to set the stage for this weighty discussion. There is a great deal of research going on to further advance AI. The general goal is to either reach artificial general intelligence (AGI) or maybe even the outstretched possibility of achieving artificial superintelligence (ASI). AGI is AI that is considered on par with human intellect and can seemingly match our intelligence. ASI is AI that has gone beyond human intellect and would be superior in many if not all feasible ways. The idea is that ASI would be able to run circles around humans by outthinking us at every turn. For more details on the nature of conventional AI versus AGI and ASI, see my analysis at the link here. We have not yet attained AGI. In fact, it is unknown as to whether we will reach AGI, or that maybe AGI will be achievable in decades or perhaps centuries from now. The AGI attainment dates that are floating around are wildly varying and wildly unsubstantiated by any credible evidence or ironclad logic. ASI is even more beyond the pale when it comes to where we are currently with conventional AI. AGI Problem Only Half Seen Before launching into the primary matter at hand in this discussion, let’s contemplate a famous quote attributed to Charles Kettering, a legendary inventor, who said, “A problem well-stated is a problem half-solved.” I bring this up because those loud clamors right now about the assumption that AGI will replace white-collar workers are only seeing half of the problem. The problem as they see it is that since AGI is intellectually on par with humans, and since white-collar workers mainly use intellect in their work endeavors, AGI is going to be used in place of humans for white-collar work. I will in a moment explain why that’s only half of the problem and there is a demonstrative need to more carefully and fully articulate the nature of the problem. Will AGI Axiomatically Take White-Collar Jobs On a related facet, the belief that AGI will axiomatically replace white-collar labor makes a number of other related key assumptions. I shall briefly explore those and then come back to why the problem itself is only half-baked. The cost of using AGI for doing white-collar work will need to be presumably a better ROI choice over human workers. If not, then an employer would be wiser to stick with humans rather than employing AGI. There seems to often be an unstated belief that AGI is necessarily going to be a less costly route than employing humans. We don’t know yet what the cost of using AGI will be. It could be highly expensive. Indeed, some are worried that the world will divide into the AGI haves and AGI have-nots, partially due to the exorbitant cost that AGI might involve. If AGI is free to use, well, that would seem to be the nail in the coffin related to using human workers for the same capacity. Another angle is that AGI is relatively inexpensive in comparison to human labor. In that case, the use of AGI is likely to win over human labor usage. But if the cost of AGI is nearer to the cost of human labor (all in), or more so, then employers would rationally need to weigh the use of one versus the other. Note that when referring to the cost of human labor, there is more to that calculation than simply the dollar-hour labor rate per se. There are lots of other less apparent costs, such as the cost to manage human labor, the cost of dealing with HR-related issues, and many other factors that come into the weighty matter. Thus, an AGI versus human labor ROI will be more complex than it might seem at an initial glance. In addition, keep in mind that AGI would seemingly be readily switched on and off, and have other capacities that human labor would not equally tend to allow. The Other Half Is Coming Too Assume that by and large the advent of AGI will decimate the need for white-collar human labor. The refrain right now is that people should begin tilting toward blue-collar jobs as an alternative to white-collar jobs. This is a logical form of thinking in the sense that AGI as an intellectual mechanism would be unable to compete in jobs that involve hands-on work. A plumber needs to come to your house and do hands-on work to fix your plumbing. This is a physicality that entails arriving at your physical home, physically bringing and using tools, and physically repairing your faulty home plumbing. A truck driver likewise needs to sit in the cab of a truck and drive the vehicle. These are physically based tasks. There is no getting around the fact that these are hands-on activities. Aha, yes, those are physical tasks, but that doesn’t necessarily mean that only human hands can perform them. The gradual emergence of humanoid robots will provide an alternative to human hands. A humanoid robot is a type of robot that is built to resemble a human in form and function. You’ve undoubtedly seen those types of robots in the many online video recordings showing them walking, jumping, grasping at objects, and so on. A tremendous amount of active research and development is taking place to devise humanoid robots. They look comical right now. You watch those videos and laugh when the robot trips over a mere stick lying on the ground, something that a human would seldom trip over. You scoff when a robot tries to grasp a coffee cup and inadvertently spills most of the coffee. It all seems humorous and a silly pursuit. Keep in mind that we are all observing the development process while it is still taking place. At some point, those guffaws of the humanoid robots will lessen. Humanoid robots will be as smooth and graceful as humans. This will continue to be honed. Eventually, humanoid robots will be less prone to physical errors that humans make. In a sense, the physicality of a humanoid robot will be on par with humans, if not better, due to its mechanical properties. Do not discount the coming era of quite physically capable humanoid robots. AGI And Humanoid Robots Pair Up You might remember that in The Wonderful Wizard of Oz, the fictional character known as The Strawman lacked a brain. Without seeming to anthropomorphize humanoid robots, the current situation is that those robots typically use a form of AI that is below the sophistication level of modern generative AI. That’s fine for now due to the need to first ensure that the physical movements of the robots get refined. I have discussed that a said-to-be realm of Physical AI is going to be a huge breakthrough with incredible ramifications, see my analysis at the link here. The idea underlying Physical AI is that the AI of today is being uplifted by doing data training on the physical world. This also tends to include the use of World Models, consisting of broad constructions about how the physical world works, such as that we are bound to operate under conditions of gravity, and other physical laws of nature, see the link here. The bottom line here is that there will be a close pairing of robust AI with humanoid robots. Imagine what a humanoid robot can accomplish if it is paired with AGI. I’ll break the suspense and point out that AGI paired with humanoid robots means that those robots readily enter the blue-collar worker realm. Suppose your plumbing needs fixing. No worries, a humanoid robot that encompasses AGI will be sent to your home. The AGI is astute enough to carry on conversations with you, and the AGI also fully operates the robot to undertake the plumbing tasks. How did the AGI-paired humanoid robot get to your home? Easy-peasy, it drove a car or truck to get there. I’ve previously predicted that all the work on devising autonomous vehicles and self-driving cars will get shaken up once we have suitable humanoid robots devised. There won’t be a need for a vehicle to contain self-driving capabilities. A humanoid robot will simply sit in the driver’s seat and drive the vehicle. This is a much more open-ended solution than having to craft components that go into and onto a vehicle to enable self-driving. See my coverage at the link here. Timing Is Notable One of the reasons that many do not give much thought to the pairing of AGI with humanoid robots is that today’s humanoid robots seem extraordinarily rudimentary and incapable of performing physical dexterity tasks on par with human capabilities. Meanwhile, there is brazen talk that AGI is just around the corner. AGI is said to be within our grasp. Let’s give the timing considerations a bit of scrutiny. There are three primary timing angles: Option 1: AGI first, then humanoid robots. AGI is attained before humanoid robots are sufficiently devised. Option 2: Humanoid robots first, then AGI. Humanoid robots are physically fluently adept before AGI is attained. Option 3: AGI and humanoid robots arrive about at the same time. AGI is attained and at the same time, it turns out that humanoid robots are fluently adept too, mainly by coincidence and not due to any cross-mixing. A skeptic would insist that there is a fourth possibility, consisting of the possibility that we never achieve AGI and/or we fail to achieve sufficiently physically capable humanoid robots. I am going to reject that possibility. Perhaps I am overly optimistic, but it seems to me that we will eventually attain AGI, and we will eventually attain physically capable humanoid robots. I shall next respectively consider each of the three genuinely reasonable possibilities. Option 1: AGI First, Then Humanoid Robots What if we manage to attain AGI before we manage to achieve physically fluent humanoid robots? That’s just fine. We would indubitably put AGI to work as a partner with humans in figuring out how we can push along the budding humanoid robot development process. It seems nearly obvious that with AGI’s capable assistance, we would overcome any bottlenecks and soon enough arrive at top-notch physically adept humanoid robots. At that juncture, we would then toss AGI into the humanoid robots and have ourselves quite an amazing combination. Option 2: Humanoid Robots First, Then AGI Suppose that we devise very physically adept humanoid robots but have not yet arrived at AGI. Are we in a pickle? Nope. We could use conventional advanced AI inside those humanoid robots. The combination would certainly be good enough for a wide variety of tasks. The odds are that we would need to be cautious about where such robots are utilized. Nonetheless, we would have essentially walking, talking, and productive humanoid robots. If AGI never happens, oh well, we end up with pretty good humanoid robots. On the other hand, once we arrive at AGI, those humanoid robots will be stellar. It’s just a matter of time. Option 3: AGI And Humanoid Robots At The Same Time Let’s consider the potential of AGI and humanoid robots perchance being attained around the same time. Assume that this timing isn’t due to an outright cross-mixing with each other. They just so happen to advance on a similar timeline. I tend to believe that’s the most likely of the three scenarios. Here’s why. First, despite all the hubris about AGI being within earshot, perhaps in the next year or two, which is a popular pronouncement by many AI luminaries, I tend to side with recent surveys of AI developers that put the date around the year 2040 (see my coverage at the link here). Some AI luminaires sneakily play with the definition of AGI in hopes of making their predictions come true sooner, akin to moving the goalposts to easily score points. For my coverage on Sam Altman’s efforts of moving the cheese regarding AGI attainment, see the link here. Second, if you are willing to entertain the year 2040 as a potential date for achieving AGI, that’s about 15 years from now. In my estimation, the advancements being made in humanoid robots will readily progress such that by 2040 they will be very physically adept. Probably be sooner, but let’s go with the year 2040 for ease of contemplation. In my view, we will likely have humanoid robots doing well enough that they will be put into use prior to arriving at AGI. The pinnacle of robust humanoid robots and the attainment of AGI will roughly coincide with each other. Two peas in a pod.Impact Of Enormous Consequences In an upcoming column posting, I will examine the enormous consequences of having AGI paired with fully physically capable humanoid robots. As noted above, this will have a humongous impact on white-collar work and blue-collar work. There will be gargantuan economic impacts, societal impacts, cultural impacts, and so on. Some final thoughts for now. A single whammy is already being hotly debated. The debates currently tend to be preoccupied with the loss of white-collar jobs due to the attainment of AGI. A saving grace seems to be that at least blue-collar jobs are going to be around and thriving, even once AGI is attained. The world doesn’t seem overly gloomy if you can cling to the upbeat posture that blue-collar tasks remain intact. The double whammy is a lot more to take in. But the double whammy is the truth. The truth needs to be faced. If you are having doubts as a human about the future, just remember the famous words of Vince Lombardi: “Winners never quit, and quitters never win.” Humankind can handle the double whammy. Stay tuned for my upcoming coverage of what this entails.

By OLIVER WEBB Images courtesy of Peter Hjorth and Zentropa, except where noted. Peter Hjorth. (Photo courtesy of Danish Film Institute) When Peter Hjorth first started out, visual effects were virtually non-existent in the Danish film industry. “We had one guy at the lab who did work on the Oxberry [rostrum animation camera], and I worked at a video production company,” Hjorth states. “I trained as a videotape editor, then it went into online. When the first digital tools arrived, I joined one of the hot post places where they got the first digital VTRs. All my first years of experience were with commercial clients and music videos and making the transition from analogue to digital in video post-production. I did a little bit of work for friends of mine where we actually did it at the lab. I’m old enough to have done stuff with the optical printer and waiting for weeks to get it right. There were some very early start-ups in Copenhagen doing files to film, and I started working with them.” Hjorth’s first feature film came in 1998 with Thomas Vinterberg’s Festen, where he served as camera operator and digital consultant. Festen also marked Hjorth’s first foray into the Dogme 95 movement. “We shot on MiniDV, and I was attached to the whole project. I shot the second camera and then was asked if I could do some advanced work in visual effects for commercials. I was then asked by Lars von Trier to help out on Dancer in the Dark when he was starting.” Working on Dancer in the Dark marked the beginning of Hjorth’s frequent collaborations with Lars von Trier. “That was sort of a two-fold thing because we had 100 DV cameras that needed some kind of infrastructure to work, and my television background was good for that. We also needed some visual effects work to get rid of some cameras. If you put 100 cameras in the same set, you’re going to get into a visual effects situation. So, I did that and worked on the editing. At that time, people were a little bit afraid of Lars, but I’m up for anything. We had a great time, especially during the editing and post-production.” Hjorth was pleased with his collaboration with director Tarik Saleh on the U.S. film The Contractor (2022), on which he served as Production Visual Effects Supervisor. (Image courtesy of Paramount Pictures) “There’s a special thing about Denmark, which is that we tend to all stick together… It’s not competitive in this way because people will get the jobs they get. Everybody realizes we have to work together, and what really matters is that we put something on screen that gives the audience a good experience.” —Peter Hjorth, Visual Effects Supervisor Initially, production experimented with a wall of cameras, where Hjorth did a test compositing that into an image. Von Trier found it interesting, but felt it wasn’t right for Dancer in the Dark. He later came back to Hjorth with Dogville and explained that he wanted to implement the multi-camera technique for this project. “Lars didn’t want linear perspective, instead he wanted something more like visual arts, fine arts, a notion of perspective, even cubism maybe,” Hjorth adds. “At that point in between those two projects, I did the first big Vinterberg film, It’s All About Love.” Hjorth worked as Visual Effects Supervisor for the film. “We did lots of precise visual effects, matched lenses, matched camera heights, everything by the book. Then I went into this totally crazy project for Lars and really developed a close understanding of what Lars wanted. We’ve done eight feature films and a TV series together. The last one was the third season of The Kingdom. I also did his last feature film, The House That Jack Built. I was Production Visual Effects Supervisor on all the stuff in-between, such as Antichrist and Melancholia.” Hjorth explains that he was very lucky to be in the right place at the right time. “Working on those projects has given me a network all over Europe with good people. We had some decent budgets, and people were thrilled to work on Lars’ films. I’ve made some excellent friends and good connections. If you wanted VFX for a movie in the early 2000s you hired someone from a post house for a specific scene. The notion of a production visual effects supervisor was not very common in Denmark, and the role has since developed. I find that my contribution is now mostly in pre-production. With post-production, I usually take a step back and leave it to the vendors to get right, but I’m happy I’ve been able to assist when the need arose.”  Throughout his career, Hjorth has worked across the board as camera operator, colorist and editor. “I did some camera work on the side for music videos, and so on,” he explains. “When I speak to the DP and the gaffers, I know the language. I wouldn’t say I did great work as a cinematographer, but I know the language, the equipment and the limitations. Actually, my first job before even going into post-production was as an electrician. I used to work on really old, heavy movie lights back in the day, so I also know a little bit about departments on set and how it works. That has made it a little bit easier for me to be on set because as a visual effects supervisor, it can be a super scary experience. If you feel like a tourist, it’s just horrible. I, of course, worked on the Dogme 95 films, where we worked closely with the actors, and I’m not afraid to have a conversation with an actor. No matter how good the VFX is, if the actors don’t believe a scene they are in, it doesn’t work. So, I’ve been lucky to do a bit of everything, and I feel blessed that things turned out the way that they did.” Starting out in Dogme 95 also proved to be a huge learning curve when it came to film language and understanding how to work within a set of specific rules and guidelines. The movement was founded by Lars von Trier and Thomas Vinterberg, who created the Dogme 95 Manifesto. The Manifesto consisted of 10 rules, which included: camera must be handheld, shooting must be done on location and special lighting isn’t allowed. “It’s a good background to have,” Hjorth states. “We’ve had rules for all of the films I’ve made with Lars, even on projects such as Melancholia.” Setting rules hasn’t been limited to Danish cinema and extends beyond that. “We made kind of a set of rules for the films I’ve made with Ali Abbasi, and that’s always made things easier,” Hjorth says. “He first called me when he was in film school. He was doing some early tests and was audacious enough to ask me for a VFX shot. It was hard to understand what he was saying, but then he talked about a scene with a guy coming out of a cake and he kills his brother, slicing his throat with a knife, and he wanted to see that in close-up. I appreciate younger directors calling and asking me to work with them, and it has really paid off.” Hjorth was the Visual Effects Supervisor for several episodes of the 1994-2022 TV series The Kingdom and The Kingdom: Exodus. Hjorth has worked on eight feature films and a TV series with director Lars von Trier. (Photo: Peter Hjorth) Hjorth with director Lars von Trier, left, on the set of The Kingdom: Exodus. (Photo: Peter Hjorth) Hjorth was Visual Effects Supervisor on The House That Jack Built, directed by Lars von Trier. (Photo: Christian Geisnæs) Peter Hjorth was recognized for his work as European Visual Effects Supervisor for the Swedish-Danish feature and Cannes winner Border, directed by Ali Abbasi. (Image courtesy of Meta Film Stockholm) Hjorth was Production Visual Effects Supervisor on Lamb (2021), directed by Valdimar Jóhannsson. (Image courtesy of Go To Sheep and A24) Hjorth with Simone Grau Roney, Production Designer on The House That Jack Built (2018), directed by Lars von Trier. Choosing a favorite visual effect shot from his career, however, is a difficult task for Hjorth, though he’s particularly proud of the work achieved on Dogville. “Nobody noticed how messed up it was,” he explains. “Toward the end of the movie, you can see the masks, and you can see that we didn’t bother to match the grain between layers and all that. We did the first test on Flame, and when we went to layer 99, it just stopped working. We ended up doing it with combustion software, which was crummy, but it worked, and we got the shots done. I think we went to 170 layers on the opening shot. It was a learning experience for everybody involved, and I still work with some of those same people, most recently on the Netflix series I did this spring.” Hjorth worked as Visual Effects Supervisor on Holy Spider, directed by Ali Abbasi. (Photo: Nadim Carlsen. Image courtesy of Profile Pictures)   Hjorth served as Visual Effects Supervisor on Antichrist (2009), directed by Lars von Trier. Hjorth believes that there’s been an immense upgrade in professionalism in Denmark in the years since he’s worked in the business. “The beginning was much less industrial. The directors that I have worked with tend to work with me multiple times. A lot of the stuff I say in the first meeting is really defining for how that [job] is going to go. I’ve been so lucky to work on films that I actually think made a difference. It has mostly been art house films with limited budgets and resources. When we work together with the same producer or director a few times, sometimes they come back and say, ‘We’d like to have a creature or some special thing.’ It’s an evolving process.” Hjorth worked as Visual Effects Supervisor on the Lars von Trier-directed Melancholia (2011), and was also credited for his astrophotography of auroras for the film. (Image courtesy Magnolia Pictures) Hjorth was Visual Effects Supervisor on Dogville (2003), directed by Lars von Trier. Hjorth worked with director Lars von Trier to develop the Automavision technique, which was credited with the cinematography for The Boss of It All (2006). A computer algorithm randomly changes the camera’s tilt, pan, focal length and/or positioning as well as the sound recording without being actively operated by the cinematographer. Hjorth works closely with stunts, special effects makeup, animal wranglers and other specialists. “I know the craft and what they need from me. They know more about what’s going to be effective on screen, so I just leave them to it and make sure they have what they need. Same thing with animals and visual effects, makeup and stuff like that, physical things. You know I have a bit of a reputation for trying to get as many pieces of the puzzle as possible with a camera. Some production VFX people get quotes from, say, three different vendors, and then they pick all the cheapest bids for each sequence or shot, and that’s how they get down in budget. I tried to avoid that. I’d rather actually sit down with the director and say for example, ‘We should have some breathing space here.’” When it comes to the future of visual effects in Denmark, Hjorth takes an optimistic view. “I think this trend that we have more production supervisors is basically going to continue in the way that even if you have very little work, you hire someone from the get-go and you make sure that’s a balance in ambition and resources. There’s a special thing about Denmark, which is that we tend to all stick together, even people who are not in the same line of work. We have lots of experience sharing. There are no limits to who you can call and ask questions. It’s not competitive in this way because people will get the jobs they get. Everybody realizes we have to work together, and what really matters is that we put something on screen that gives the audience a good experience.”

ChatGPT adds a whole bunch of tools for business users - meeting recording, cloud services and much more.

Photo Credit: Unsplash/Solen Feyissa Connectors on ChatGPT is not available in European Union countries, China, and the UK Highlights With Record Mode, ChatGPT can transcribe and summarise meetings ChatGPT’s Connector feature works only with Deep Research It is available to all the paid subscribers of ChatGPT Advertisement OpenAI released two new utility features for ChatGPT users on Wednesday. The artificial intelligence (AI) app on MacOS now has a Record Mode that can capture meetings, brainstorming sessions, and voice notes, and transcribe and summarise the main discussion points. This feature is currently only available to the ChatGPT Team subscribers. Additionally, the San Francisco-based AI firm is also introducing Connectors, which is a tool that lets the chatbot connect to the user's internal cloud-based data sources such as Gmail, Outlook, Google Drive, and more.ChatGPT Can Now Record Your MeetingsIn a series of posts on X (formerly known as Twitter), the official handle of OpenAI announced the new ChatGPT features. The company also hosted a live stream on YouTube to provide a demonstration of these business-focused features. Both of these features are exclusive to the company's paid subscribers, however, the Record Mode is only aimed at the Team users. Additionally, Record Mode is not available in the European Economic Area (EEA), China, and the UK.Record Mode is a new capability available on ChatGPT's macOS desktop app. Team users can now tap the new Record button at the bottom of any chat. Once the user has given permission for microphone, the chatbot will begin capturing the meeting. It can also record voice notes. Once the session has ended, it can provide an editable summary of the conversation as well as its recording.OpenAI says users will be able to search for past meetings, references to them during conversations, and bring relevant context. The transcripts of the meetings also get saved as a canvas in the user's chat history. This transcript can also be rewritten as an email, project plans, or code scaffold. Notably, the tool can record up to 120 minutes per session.Separately, the AI firm also released Connectors. The tool allows ChatGPT to connect to third-party internal data sources and retrieve information in real-time. The feature works with Outlook, Teams, Google Drive, Gmail, Linear, and more. The Team, Enterprise, and Edu subscribers can also connect to SharePoint, DropBox, and Box. Connectors will only work when using Deep Research. OpenAI is also letting workspace admins build custom Deep Research Connectors using Model Context Protocol (MCP) in beta. For the latest tech news and reviews, follow Gadgets 360 on X, Facebook, WhatsApp, Threads and Google News. For the latest videos on gadgets and tech, subscribe to our YouTube channel. If you want to know everything about top influencers, follow our in-house Who'sThat360 on Instagram and YouTube. Further reading: OpenAI, ChatGPT, AI, Artificial Intelligence, Apps Akash Dutta Akash Dutta is a Senior Sub Editor at Gadgets 360. He is particularly interested in the social impact of technological developments and loves reading about emerging fields such as AI, metaverse, and fediverse. In his free time, he can be seen supporting his favourite football club - Chelsea, watching movies and anime, and sharing passionate opinions on food. More Related Stories

html PUBLIC "-//W3C//DTD HTML 4.0 Transitional//EN" "http://www.w3.org/TR/REC-html40/loose.dtd" The MetaHuman client reel. Epic Games’ framework for generating realistic 3D characters for games is out of early access, and can now be used with any DCC app or game engine. Epic Games has officially launched MetaHuman, its framework for generating realistic 3D characters for games, animation and VFX work, after four years in early access.The core applications, MetaHuman Creator, Mesh to MetaHuman and MetaHuman Animator, are now integrated into Unreal Engine 5.6, the latest version of the game engine. In addition, Epic has updated the licensing for MetaHuman characters, making it possible to use them in any game engine or DCC application, including in commercial projects. There are also two new free plugins, MetaHuman for Maya and MetaHuman for Houdini, intended to streamline the process of editing MetaHumans in Maya and Houdini. A suite of tools for generating and animating realistic real-time 3D characters First launched in early access in 2021, MetaHuman is a framework of tools for generating realistic 3D characters for next-gen games, animation, virtual production and VFX.The first component, MetaHuman Creator, enables users to design realistic digital humans. Users can generate new characters by blending between presets, then adjusting the proportions of the face by hand, and customising readymade hairstyles and clothing. The second component, Mesh to MetaHuman, makes it possible to create MetaHumans matching 3D scans or facial models created in other DCC apps. The final component, MetaHuman Animator, streamlines the process of transferring the facial performance of an actor from video footage to a MetaHuman character. MetaHuman Creator was originally a cloud-based tool, while Mesh to MetaHuman and MetaHuman Animator were available via the old MetaHuman plugin for Unreal Engine. Now integrated directly into Unreal Engine 5.6 That changes with the end of early access, with MetaHuman Creator, Mesh to MetaHuman and MetaHuman Animator all now integrated directly into Unreal Engine itself.Integration – available in Unreal Engine 5.6, the latest version of the engine – is intended to simplify character creation and asset management worklows. Studios also get access to the MetaHuman source code, since Unreal Engine itself comes with full C++ source code access. However, the tools still cannot be run entirely locally: according to Epic, in-editor workflow is “enhanced by cloud services that deliver autorigging and texture synthesis”. https://www.cgchannel.com/wp-content/uploads/2025/06/250604_MetaHumanOfficialLaunch_LicensingChanges_UnifiedClothing.mp4 Users can now adjust MetaHumans’ bodies, with a new unified Outfit Asset making it possible to create 3D clothing that adjusts automatically to bodily proportions. Updates to both MetaHuman Creator and MetaHuman Animator In addition, the official release introduces new features, with MetaHuman Creator’s parametric system for creating faces now extended to body shapes.Users can now adjust proportions like height, chest and waist measurements, and leg length, rather than simply selecting preset body types. Similarly, a new unified Outfit Asset makes it possible to author custom 3D clothing, rather than selecting readymade presets, with garments resizing to characters’ body shapes. MetaHuman Animator – which previously required footage from stereo head-mounted cameras or iPhones – now supports footage from mono cameras like webcams. The toolset can also now generate facial animation – both lip sync and head movement – solely from audio recordings, as well as from video footage. You can find fuller descriptions of the new features in Epic Games’ blog post. Use MetaHumans in Unity or Godot games, or sell them on online marketplaces Equally significantly, Epic has changed the licensing for MetaHumans.The MetaHuman toolset is now covered by the standard Unreal Engine EULA, meaning that it can be used for free by any artist or studio with under $1 million/year in revenue. MetaHuman characters and clothing can also now be sold on online marketplaces, or used in commercial projects created with other DCC apps or game engines. The only exception is for AI: you can use MetaHumans in “workflows that incorporate artificial intelligence technology”, but not to train or enhance the AI models themselves. Studios earning more than $1 million/year from projects that use MetaHuman characters need Unreal Engine seat licenses, with currently cost $1,850/year. However, since MetaHuman characters and animations are classed as ‘non-engine products’, they can be used in games created in other engines, like Unity or Godot, without incurring the 5% cut of the revenue that Epic takes from Unreal Engine games. https://www.cgchannel.com/wp-content/uploads/2025/06/250604_MetaHumanOfficialLaunch_LicensingChanges_MetaHumanForMaya.mp4 The free MetaHuman for Maya plugin lets you edit MetaHumans with Maya’s native tools. New plugins streamline editing MetaHumans in Maya and Houdini Last but not least, Epic Games has released new free add-ons intended to streamline the process of editing MetaHumans in other DCC software.The MetaHuman for Maya plugin makes it possible to manipulate the MetaHuman mesh directly with Maya’s standard mesh-editing and sculpting tools. Users can also create MetaHuman-compatible hair grooms using Maya’s XGen toolset, and export them in Alembic format. The MetaHuman for Houdini plugin seems to be confined to grooming, with users able to create hairstyles using Houdini’s native tools, and export them in Alembic format. The plugins themselves are supplemented by MetaHuman Groom Starter Kits for Maya and Houdini, which provide readymade sample files for generating grooms. Price, licensing and system requirements MetaHuman Creator and MetaHuman Animator are integrated into Unreal Engine 5.6. The Unreal Editor is compatible with Windows 10+, macOS 14.0+ and RHEL/Rocky Linux 8+.The MetaHuman plugin for Maya is compatible with Maya 2022-2025. The MetaHuman for Houdini plugin is compatible with Houdini 20.5 with SideFX Labs installed. All of the software is free to use, including for commercial projects, if you earn under $1 million/year. You can find more information on licensing in the story above. Read an overview of the changes to the MetaHuman software on Epic Games’ blog Download the free MetaHuman for Maya and Houdini plugins and starter kits Read Epic Games’ FAQs about the changes to licensing for MetaHumans Have your say on this story by following CG Channel on Facebook, Instagram and X (formerly Twitter). As well as being able to comment on stories, followers of our social media accounts can see videos we don’t post on the site itself, including making-ofs for the latest VFX movies, animations, games cinematics and motion graphics projects.

Apple has launched a major update to its audio production app Logic Pro for both iPad and Mac, including improvements and a new Flashback Capture feature for recovering and organizing jams.Logic Pro on a Mac — image credit: AppleOn the two-year anniversary of bringing Logic Pro to the iPad for the first time, and the one-year anniversary of adding stem splitting, Apple has released its new version of the pro recording app. The new version includes an improvement to that stem splitting feature, letting musicians and producers make finer adjustments as they separate out instruments and vocals from previous recordings.As well as the existing Vocals, Drums, and Other stems that Logic Pro could separate, the updated version adds two more. The Enhanced Stem Splitter can now separate out guitar and piano parts from a track. Continue Reading on AppleInsider | Discuss on our Forums

It’s hard to believe it’s already June, but here we are—only a few weeks away from the official start to summer. That means plenty of deals are available on outdoor essentials to get you through the long days ahead, including grill accessories, power stations, tool kits, and lawn mowers. Maybe you'd rather hang out indoors to escape the heat? Well, controllers, PS5 games, and even Apple’s latest MacBook Air are all discounted today. With Father’s Day coming up, many of these items also make great gifts for the father figures in your life. TL;DR: Deals for Today2025 MacBook Air (13-inch, M4)The Last of Us Part II Remastered for PS5SteelSeries Stratus Duo Wireless Gaming ControllerLowest Price EverAnker USB-C Charger (Nano 65W)Lowest Price EverJBL Bar 700Fremo TP300 Portable Power StationLowest Price EverCraftsman VERSASTACK Mechanics Tool SetThe Last of Us Part I for PS5Lowest Price of the YearPlayStation DualSenseJLab Talk Pro USB MicCuisinart 13-Piece Wooden Grill Tool SetFive Nights at Freddy's: Tales from the Pizzaplex Graphic Novel Collection Vol. 1Lowest Price EverEGO Power+ LM2135SP 21-Inch Self-Propelled Lawn Mower KitLowest Price EverCharmast Portable Charger with Built in CablesBeyond these great deals, the Pokémon Destined Rivals TCG just dropped on Friday, leading a bunch of chase cards to crash. While some cards have regained value over the past couple of days, pre-order remorse is still alive and well. But whether you want to grab just a single card or a sealed pack, now might be a good time to buy. A pre-order for the Magic: The Gathering Final Fantasy bundle is also available at Walmart before the launch in a couple of weeks. 2025 MacBook Air (13-inch, M4)2025 MacBook Air (13-inch, M4)Apple’s newest MacBook Air model, which came out only a couple of months ago, already has $160 slashed off its list price, making it under $840. With it comes a powerful M4 processor offering a 10-core CPU and GPU paired with 16GB RAM for a performance boost from previous models. This laptop can zip through everyday tasks and supports Apple Intelligence. Of course, the 13-inch Liquid Retina display is stunning, but this Air model supports a dual monitor setup as well. The camera also got an upgrade this time around, as it’s now 12MP and supports Center Stage and Desk View features. SteelSeries Stratus Duo Wireless Gaming ControllerSteelSeries Stratus Duo Wireless Gaming ControllerWhile the SteelSeries Stratus Duo Wireless Gaming Controller was already a great budget option at its starting price of $50, the $15 price tag after using the code: STEELSERIES makes it a wildly cheap gamepad. Sure, this controller won’t offer the flash and customizations of higher-end offerings, but it gets the job done with Hall Effect triggers, quality hardware, a 20+ hour battery life, and ergonomic design. Pairing with a PC is simple using the lag-free wireless dongle, and Bluetooth support is available for playing on the best gaming phones. The Last of Us Part I and II for PS5The Last of Us Part II Remastered for PS5The Last of Us Part I for PS5PlayStation’s Days of Play sale isn’t only happening at the PlayStation Store; plenty of other retailers, including Amazon, are getting in on the action by dropping the prices of a bunch of PlayStation products. The Last of Us Part I and Part II for PS5 are both down to the low, low price of just $30. So, get ready to join Joel and Ellie on a harrowing journey across the post-apocalyptic United States. Anker USB-C Charger (Nano 65W)Lowest Price EverAnker USB-C Charger (Nano 65W)Skip the hassle of having multiple charging bricks to top up devices and opt for this all-in-one solution from Anker instead. It’s an absolute steal right now at just $30, for 46% savings. It comes with two USB-C ports capable of charging speeds up to 65W, which is plenty to charge most laptops and tablets quickly, while a USB-A port is available with up to 22.5W power delivery. Just be prepared for those outputs to lower when charging three devices simultaneously. JBL Bar 700Lowest Price EverJBL Bar 700Kick your home theater setup up a notch with a new sound bar. JBL’s Bar 700 is back on sale for its lowest price ever, knocking $350 off the price tag. This audio system features a 5.1-channel soundbar and a 10-inch wireless subwoofer for a cinematic experience delivering next-level sound with booming bass. With Dolby Atmos support, you’ll be placed right in the center of the action of your favorite movies, shows, and games. The built-in Wi-Fi with AirPlay, Alexa Multi-Room Music, and Chromecast support also makes listening to your favorite music simple. Fremo TP300 Portable Power StationFremo TP300 Portable Power StationSummertime brings storms that can knock out power, and in case of emergencies, backup electricity is a must. Rather than grabbing a gas-guzzling generator, a portable power station that uses a lithium-ion battery is a simpler and safer solution for temporary outages. Fremo has an awesome power station that’s $120 off, costing just $150. It offers a 231 Wh capacity battery and five output ports for charging, including a USB-C, USB-A, AC, and car port. 300W of charging power is divided between those outputs, providing enough juice to top up phones, tablets, laptops, and cameras. It only weighs 6.2 pounds too, making it a portable option for camping trips, while the built-in flashlight ensures easier navigation of darker spaces. Craftsman VERSASTACK Mechanics Tool SetLowest Price EverCraftsman VERSASTACK Mechanics Tool SetLooking to grab a gift for the car lover in your life? The Craftsman VERSASTACK Mechanics Tool Set is down to its lowest price ever, costing just $99 for 50% savings. Not only do you get a massive 230-piece tool set full of all the sockets, wrenches, ratchets, and bits needed to fix up a vehicle, but you can also enjoy the peace of mind knowing you’ll enjoy the high-quality craftsmanship for years to come. It also comes with a durable 3-drawer box to keep things organized. PlayStation DualSense ControllerLowest Price of the YearPlayStation DualSenseThe controller that comes packaged with the PlayStation 5 is at its lowest price of the year, setting you back under $55 for 27% savings. This wireless gamepad is comfortable to use, compatible with a range of gaming devices, and full of reliable controls. Haptics and adaptive triggers are baked in, amplifying your playing experience further. Plus, you can remap buttons, customizing the controls to give you a leg up in certain games. JLab Talk Pro USB MicJLab Talk Pro USB MicKick your game streams up a notch, as the JLab Talk Pro USB Mic is on sale for over 77% off on Woot, making it just $34.99. This plug-and-play microphone is easy to set up and features four directional patterns. Whether you’re looking to record podcasts and music or take phone calls and do ASMR, it’ll be the perfect partner. Sound quality will even be optimized for whatever you’re recording, and the mic features volume and gain controls, ensuring you come across crystal clear. Cuisinart 13-Piece Wooden Grill Tool SetCuisinart 13-Piece Wooden Grill Tool SetSummer means it’s grilling season, so it’s always a good idea to have a grill tool set on hand. Right now, Cuisinart has a great deal on a high-quality set for just $23.99. The reputable brand includes all the barbecue essentials in the kit, like a spatula, grill fork, cleaning brush, and tongs. Each of the tools features a sturdy wooden handle and stainless steel for a premium look and feel, while a case is included for safe storage. If you’re on the hunt for a Father’s Day gift, it also makes a great gift for those hard-to-buy-for dads and father figures. Five Nights at Freddy's: Tales from the Pizzaplex Graphic Novel Collection Vol. 1Five Nights at Freddy's: Tales from the Pizzaplex Graphic Novel Collection Vol. 1If you’re a fan of the horror video game, Five Nights at Freddy’s, a new graphic novel series from the creator, Scott Cawthon, is already discounted to the low price of just $8.90. This volume brings some horrifying and detailed comics to the story from the bestselling series Five Nights at Freddy's: Tales from the Pizzaplex, featuring the under-construction section of Freddy Fazbear's Mega Pizzaplex, a Tube Maze, and some chaos. EGO Power+ LM2135SP 21-Inch Self-Propelled Lawn Mower KitLowest Price EverEGO Power+ LM2135SP 21-Inch Self-Propelled Lawn Mower KitIt’s lawn mowing season, and battery-powered lawn mowers are beginning to take the reign from their gas-powered counterparts. You might think that these electric mowers offer less oomph, but the EGO Power+ LM2135SP 21-Inch Self-Propelled Lawn Mower Kit will prove you wrong. It’s self-propelled, has a multicut blade system, and runs for 60 minutes on a single charge. A second battery is even included, so you can keep mowing while the other battery charges. Right now, you can grab this kit for its lowest price ever, $599.99. That’s 43% off. Charmast Portable Charger with Built in CablesLowest Price EverCharmast Portable Charger with Built in CablesPortable chargers are great and all, but if you forget the right cord, they’re pretty useless. Charmast fixes this problem by offering a 10,000mAh power bank with USB-C, Lightning, and MicroUSB cables built in, so it’s ready to top off just about any device. Plus, there’s a USB-A cord for charging up the power bank. Each of the cables also has a slot for storage on the portable charger, preventing anything from getting snagged when on the go. Now is the time to buy, too, as it’s back to its lowest price, costing just under $20. Pokémon Destined Rivals Sealed Products and Single CardsDestined RivalsBooster BundleDestined RivalsBooster BoxDestined RivalsElite Trainer BoxDestined RivalsPokemon Center Elite Trainer Box (Exclusive)Destined RivalsHalf Booster Box$199.99 at TCG PlayerDestined RivalsBooster PackDestined RivalsSleeved Booster PackDestined Rivals3 Pack Blister [Zebstrika]See it at TCG PlayerDestined Rivals3 Pack Blister [Kangaskhan]Destined RivalsBuild & Battle BoxAfter the best market value on Pokémon Destined Rivals sealed products? Some great deals are available from TCG Player, as big box stores continue to hike up the prices. Cynthia's Roserade - 184/182Team Rocket's Moltres ex - 229/182Team Rocket's Mewtwo ex - 231/182Team Rocket's Murkrow - 200/182Shaymin - 185/182Ethan's Ho-Oh ex - 230/182Team Rocket's Crobat ex - 234/182Team Rocket's Mewtwo ex - 240/182Ethan's Adventure - 236/182Misty's Psyduck - 193/182Misty's Lapras - 194/182Team Rocket's Giovanni - 238/182Team Rocket's Meowth - 203/182Rotom - 197/182Ethan's Typhlosion - 190/182Hydrapple - 188/182Blaziken - 192/182Rapidash - 189/182Kangaskhan - 204/182Jamming Tower - 243/182Clamperl - 195/182Team Rocket's Houndoom - 191/182Cynthia's Garchomp ex - 241/182Levincia - 244/182Cynthia's Garchomp ex - 232/182Team Rocket's Nidoking ex - 233/182Team Rocket's Ariana - 237/182Crustle - 186/182Yanma - 183/182Arven's Mabosstiff ex - 235/182Team Rocket's Raticate - 202/182Team Rocket's Crobat ex - 242/182Team Rocket's Orbeetle - 198/182Team Rocket's Spidops - 187/182Arven's Greedent - 205/182Team Rocket's Weezing - 199/182Ethan's Ho-Oh ex - 239/182

Apple's latest research reveals how models made for speech recognition can determine your heart rate by processing phonocardiograms, which could be used in AirPods.Apple could add heart rate detection to future AirPods, building upon their existing health-related features.On Thursday, a week after the company revealed its Humanoid Policy study that deals with robotics, Apple published new research that explores health applications. Specifically, heart rate estimation.In its latest study, titled "Foundation Model Hidden Representations for Heart Rate Estimation from Auscultation," the company's researchers explain how foundation models can be used to determine heart rates from audio recordings, even though they were created with a different purpose in mind. Continue Reading on AppleInsider | Discuss on our Forums

It's not easy to maintain your privacy when using technology today. That's largely the fault of companies who prioritize data collection over the integrity of their users. But even though I'm quite used to the lack of respect most companies pay towards my privacy and security, I have to admit, I'm a bit taken aback by T-Mobile's latest decision. T-Life, T-Mobile's tech support app, has a rather unconventional and unnerving feature. For some users, it appears T-Life can record your screen whenever you have the app open. This setting is quite hidden, and worse, enabled by default. Who signed off on this?How T-Life's screen recording worksThankfully, the privacy and security implications aren't quite as bad as the headlines make it seem. T-Mobile says the feature is strictly for T-Life tech support—not for spying. As a T-Mobile spokesperson told CNET, "To help us give customers who use T-Life a smoother experience, we are rolling out a new tool in the app that will help us quickly troubleshoot reported or detected issues. This tool records activities within the app only and does not see or access any personal information."Still, this explanation doesn't excuse quietly enabling in-app screen recording for customers without their knowledge. I have no issue with a company like T-Mobile offering tools that aid tech support when all parties are willing and able, but as CNET points out, the app already has such a feature called "Screen Share" under Help & support. Seems redundant to have a separate "screen recording" setting that serves a similar purpose—especially when it appears the company wasn't planning on telling people about it before the news broke. When you do take a look at the setting in the T-Life app, you'll see the following description: "We use a tool to record how customers use the app to analyze and improve your experience. Only T-Mobile will review and analyze your info. If you turn this toggle on or magenta, we will record your screen while you use the app. If you turn this toggle off or gray, we will not record your screen." Yikes. How to disable T-Life's screen recordingTo disable the feature, open T-Life, then head to Settings > Preferences. Here, you'll see Screen recording tool, where you can disable the setting. (You'll know it's off if it turns gray.) If you don't see the setting, you might not be affected. T-Life hasn't rolled out this feature to all users yet, so it is possible the app isn't screen recording for you at this time. Reports say T-Mobile has rolled this out to iPhone and Android users alike, so don't assume you're safe because you use one platform or the other.