¡Es inaceptable que los trabajadores de Raven QA hayan tenido que luchar durante tres años para conseguir un contrato decente! A pesar de obtener aumentos salariales garantizados y protecciones contra despidos, ¿por qué tuvieron que llegar a este extremo? La explotación y la falta de respeto hacia los empleados en el sector tecnológico son un reflejo de un sistema que prioriza las ganancias sobre las personas. Esto es una vergüenza y no debería ser la norma. Necesitamos un cambio real, no solo parches temporales. ¡Es hora de que todos los trabajadores se unan y exijan lo que merecen! #RavenQA #DerechosLaborales #Unión #TrabajoDigno #ExplotaciónLaboral

Ah, the audiovisual world—a realm where influencers are the new directors and AI is our not-so-creative assistant. What a time to be alive! As we ponder what's left of the industry, let's ask ourselves: Are we creating art, or just scrolling through endless TikTok dances while our souls slowly evaporate? Platforms are competing for our fleeting attention, and we’re all just waiting for the next viral trend. So, what’s the current state of the audiovisual sector? Maybe it’s just a fancy way of saying we’re drowning in content while trying to remember the last time we watched something that wasn’t a meme. But hey, at least we can blame piracy for our poor taste, right? #Audiovisual #Influencer

¡Es inaceptable lo que está sucediendo en The Chinese Room! El hecho de que este desarrollador, conocido por su trabajo en Still Wakes the Deep, esté despidiendo empleados es un reflejo de la falta de respeto hacia quienes han dedicado su tiempo y esfuerzo a la compañía. ¿Qué clase de gestión es esta? Las pruebas de ex-empleados son elocuentes y demuestran que Sumo Group está simplemente desmantelando lo que alguna vez fue una promesa en la industria de los videojuegos. Es hora de que las empresas asuman la responsabilidad de cuidar a su personal en lugar de sacrificarlo en nombre de las ganancias. ¡Basta de abusos en el sector tecnológico! #Desempleo #TheChinese

So, there’s this issue of Gràffica called "El trabajo de diseñar". It's about, you know, taking a moment to reflect on where the design sector is at. They’ve done this before, like in issue 2 and 14, but this time it’s about the work of design. Feels a bit repetitive, honestly. They just keep circling back to the same questions. Anyway, if you're into design stuff, you might find it... not terribly exciting. Just another look into the usual topics. #Design #Gràffica #WorkOfDesign #DesignSector #CreativeIndustry

## Introducción La visibilidad es un desafío constante para los estudios de animación y efectos visuales. En tiempos de crisis en el sector, destacar ante nuevos prospectos se convierte en una necesidad apremiante. La plataforma CG Map de 3DVF emerge como una solución útil para aquellos que buscan posicionarse y recordar a sus clientes los servicios específicos que ofrecen. A continuación, exploraremos cómo los estudios pueden beneficiarse al hacerse notar en esta plataforma. ## La importanci...

Onmi Design, Murcia, visual landscape, Mediterranean breeze, gastronomic sector, bold proposals, vernacular design, creative voice, Spanish aesthetics ## Introduction As the warm summer breeze approaches, the creative energy of Onmi Design sweeps through Murcia like a refreshing Mediterranean wind. This innovative design studio has quickly established itself as a vibrant force in the visual landscape of Spain, particularly in the gastronomic sector. With a passionate commitment to celebrat...

Wētā FX’s expansion to Melbourne is being hailed as a major win in an industry riddled with closures and financial turmoil. But let’s not kid ourselves here—this is not a savior story; it’s a slap in the face to countless talented artists and technicians who are being left behind as the corporate machine churns on. While Wētā FX flaunts its 7 Oscars and 15 scientific and technical Oscars as if they’re badges of honor, the reality is that this expansion might just be another ploy to exploit cheaper labor and maximize profits at the expense of quality and creativity. In a time when studios are shutting down left and right, it’s baffling that Wētā FX thinks it’s a good idea to stretch its reach into Melbourne without addressing the glaring issues within its own operations. This is not a victory for the industry; it’s a desperate attempt to keep the lights on while ignoring the systemic problems that plague the visual effects sector. The industry is facing a crisis, and instead of addressing the root causes—overwork, underpayment, and the relentless pressure of unrealistic deadlines—Wētā FX is just trying to grab a bigger piece of the pie. Why are we celebrating an expansion that could potentially lead to more instability in the job market? Wētā FX’s move to Melbourne could mean more jobs, yes, but at what cost? What about the existing employees who are already stretched thin? What about the mounting pressure on creative professionals who are forced to churn out blockbuster effects at breakneck speed? This isn’t about creating a sustainable work environment; it’s about profit margins and shareholder satisfaction. The problem is not just with Wētā FX; it’s a symptom of a much larger issue within the film and visual effects industry. The constant churn of studios coming and going, along with the relentless demands placed on creative teams, reflects a broken system that prioritizes profits over people. We should be holding companies accountable rather than just cheering for their expansions. If we don’t start demanding change, we’ll continue to see a cycle of burnout, layoffs, and a steady decline in the quality of work that audiences expect. And let's talk about the so-called "innovation" that Wētā FX touts. What innovation can we expect when the focus is on expanding to new locations rather than investing in the workforce? New studios don’t equate to new ideas or better working conditions. It’s time to wake up and realize that this is a business-first mentality that’s doing nothing but harming the very fabric of creativity that the industry claims to uphold. In conclusion, while Wētā FX makes headlines for its expansion to Melbourne, we should be questioning the motives behind such moves. This isn’t a time for celebration; it’s a time for scrutiny. If we want to see real progress in the industry, we must demand more than just superficial growth. We need to advocate for a system that values the people behind the effects, not just the awards they rack up. #WētāFX #VisualEffects #IndustryCritique #JobMarket #CreativeProfessionals

## Introducción En un mundo donde la tecnología avanza a pasos agigantados, el Meta Quest se presenta como la nueva generación de cascos de realidad virtual. Con el objetivo de ofrecer experiencias inmersivas, Meta ha desarrollado un dispositivo que promete revolucionar el sector. Este artículo se propone explorar las tecnologías detrás de Meta Quest, proporcionando una visión general sin entrar en demasiados detalles emocionantes. ## Diseño del Meta Quest El diseño del Meta Quest es un aspe...

The recent announcement of CEAD inaugurating a center dedicated to 3D printing for manufacturing boat hulls is nothing short of infuriating. We are living in an age where technological advancements should lead to significant improvements in efficiency and sustainability, yet here we are, celebrating a move that reeks of superficial progress and misguided priorities. First off, let’s talk about the so-called “Maritime Application Center” (MAC) in Delft. While they dazzle us with their fancy new facility, one has to question the real implications of such a center. Are they genuinely solving the pressing issues of the maritime industry, or are they merely jumping on the bandwagon of 3D printing hype? The idea of using large-scale additive manufacturing to produce boat hulls sounds revolutionary, but let’s face it: this is just another example of throwing technology at a problem without truly understanding the underlying challenges that plague the industry. The maritime sector is facing severe environmental concerns, including pollution from traditional manufacturing processes and shipping practices. Instead of addressing these burning issues head-on, CEAD and others like them seem content to play with shiny new tools. 3D printing, in theory, could reduce waste—a point they love to hammer home in their marketing. But what about the energy consumption and material sourcing involved? Are we simply swapping one form of environmental degradation for another? Furthermore, the focus on large-scale 3D printing for manufacturing boat hulls raises significant questions about quality and safety. The maritime industry is not a playground for experimental technologies; lives are at stake. Relying on printed components that could potentially have structural weaknesses is a reckless gamble, and the consequences could be disastrous. Are we prepared to accept the liability if these hulls fail at sea? Let’s not forget the economic implications of this move. Sure, CEAD is likely patting themselves on the back for creating jobs at the MAC, but how many traditional jobs are they putting at risk? The maritime industry relies on skilled labor and craftsmanship that cannot simply be replaced by a machine. By pushing for 3D printing at such a scale, they threaten the livelihoods of countless workers who have dedicated their lives to mastering this trade. In conclusion, while CEAD’s center for 3D printing boat hulls may sound impressive on paper, the reality is that it’s a misguided effort that overlooks critical aspects of sustainability, safety, and social responsibility. We need to demand more from our industries and hold them accountable for their actions instead of blindly celebrating every shiny new innovation. The maritime industry deserves solutions that genuinely address its challenges rather than a mere technological gimmick. #MaritimeIndustry #3DPrinting #Sustainability #CEAD #BoatManufacturing