Video game prices have been an ongoing discussion for years, reaching a fever pitch when Nintendo priced Mario Kart World at $79.99. Nintendo of America VP of product and player experience Bill Trinen said it’s a question of content and value, and there are plenty of Switch 2 titles still priced at $60 to $70. Others feel a price increase is inevitable for the industry, especially with titles like Grand Theft Auto 6. Add Shuhei Yoshida, former SIE Worldwide Studios president, to the list. At Gamescom Latam, he told Critical Hit Games (transcription via GamesRadar), “When you look at life in general, other products in price have increased, you know, way more than the game price. So, I think it was almost too late for the video game companies to start looking at the pricing structure.” “I don’t believe that every game has to be priced the same. Each game has a different value or budget. I totally believe it’s up to the publisher – or developers self-publishing – to price their product to the value they believe they are bringing in.” He previously praised Sandfall Interactive’s Clair Obscur: Expedition 33 for this approach, noting its excellent quality despite the smaller team. “In terms of the actual price of $70 or $80 for really great games, I think it will still be a steal in terms of the amount of entertainment that the top games – the top quality games – bring to people compared to other forms of entertainment. As long as people choose carefully how they spend their money, I don’t think they should be complaining.” Of course, there’s plenty to say about titles demanding $70 to $80 and not providing a quality experience. You also have the likes of Call of Duty, which are chock-full of microtransactions, but still seemingly embracing the new $80 price point, at least per recent reports. Sony hasn’t confirmed whether it will begin pricing future titles for the same. Two of its biggest PS5 exclusives, Death Stranding 2: On the Beach and Ghost of Yōtei, still adhere to the $70 pricing. However, the console’s price could see an increase following tariffs.

Ignore the science!   This week we shared the opinion of an anonymous poster that computer science degrees should be ignored. The writer argued not that pursuing a computer science degree is a misguided effort; rather that it may not be necessary for the problems most companies need to solve.  It was a smash hit with the readers of CIO.com, causing much debate, some strong feelings, and posing difficult questions. And that is where Smart Answers comes in.   One question asked by many of our readers regarded the relative merits of earning a degree vs on the job training and certification. Smart Answers – channeling decades of human reporting and insights – is of the opinion that employers are increasingly valuing proven skills and experience alongside, or sometimes instead of, formal degrees for IT positions. That although executive roles may still require a degree, this is changing.   It’s a more nuanced argument than that, of course. And Smart Answers offers all sides.    Find out: Are industry certifications more valued than degrees for IT jobs?  Back from the cloud  The rapid rise of AI is forcing organizations to reconsider their infrastructure. Its need for specialized compute, from GPUs to high-bandwidth networking and massive storage, has challenged the economics that justified mass migration to the cloud. Whisper it (or write about it as we did this week): some organizations are quietly moving off the  cloud.  It’s a trend, then, but is it significant? InfoWorld readers hit Smart Anwers to find out. Our Chatbot parses human reporting and insights and says that multiple surveys indicate a significant percentage of companies plan to repatriate cloud resources. Indeed, IDC’s June 2024 survey found that approximately 80% of IT decision-makers anticipated some level of repatriation of compute and storage resources within the next year. That feels significant.  Find out: What percentage of companies expect to repatriate cloud resources?  Python vs Rust Template strings, deferred annotations, better error messages, and a new debugger interface are among the goodies in Python 3.14. Now in beta. This week we outlined for the readers of InfoWorld all of the best new features and fixes in Python 3.14.   Detailed and expert articles like this one always attract a huge audience on InfoWorld, largely due to the popularity of Python. But why is that the case? Why is Python so popular? Readers asked Smart Answers to compare Python to Rust and other compiler languages.   The answer? Python may not be the fastest, but it is the easiest to use and that goes a long way.  Find out: How does Python’s performance compare to compiled languages like Rust?  About Smart Answers  Smart Answers is an AI-based chatbot tool designed to help you discover content, answer questions, and go deep on the topics that matter to you. Each week we send you the three most popular questions asked by our readers, and the answers Smart Answers provides.   Developed in partnership with Miso.ai, Smart Answers draws only on editorial content from our network of trusted media brands—CIO, Computerworld, CSO, InfoWorld, and Network World—and was trained on questions that a savvy enterprise IT audience would ask. The result is a fast, efficient way for you to get more value from our content. 

With NetherRealm Studios releasing Mortal Kombat 1: Definitive Edition, it’s all but a given that support for the fighting game has ended about 20 months after launch. The response from fans isn’t the best, especially since creator Ed Boon promised long-term support, but there’s also curiosity about what’s next. Despite WB Games announcing its focus on tentpole franchises like Mortal Kombat in 2024, a sequel to Injustice may be on the docket instead. MultiverSusie, known for MultiVersus leaks before the title’s shutdown was announced, tweeted, “MultiVersus shutting down is an injustice, then doing it all again is another injustice. Leaving me without any leaks is yet again another injustice.” They would then follow up with another tweet stating, “3.” Putting 2 and 2 – or, in this case, 2 and 1 – together seemingly points to a new Injustice. This is far from hard confirmation, and NetherRealm hasn’t officially announced plans to return to the DC-centric fighter. Considering that Injustice 2 launched in 2017 and garnered a strong critical and commercial response, a sequel wouldn’t be out of left field. Time will tell, so stay tuned for updates.

With NetherRealm Studios releasing Mortal Kombat 1: Definitive Edition, it’s all but a given that support for the fighting game has ended about 20 months after launch. The response from fans isn’t the best, especially since creator Ed Boon promised long-term support, but there’s also curiosity about what’s next. Despite WB Games announcing its focus on tentpole franchises like Mortal Kombat in 2024, a sequel to Injustice may be on the docket instead. MultiverSusie, known for MultiVersus leaks before the title’s shutdown was announced, tweeted, “MultiVersus shutting down is an injustice, then doing it all again is another injustice. Leaving me without any leaks is yet again another injustice.” They would then follow up with another tweet stating, “3.” Putting 2 and 2 – or, in this case, 2 and 1 – together seemingly points to a new Injustice. This is far from hard confirmation, and NetherRealm hasn’t officially announced plans to return to the DC-centric fighter. Considering that Injustice 2 launched in 2017 and garnered a strong critical and commercial response, a sequel wouldn’t be out of left field. Time will tell, so stay tuned for updates. multiversus shutting down is an injustice, then doing it all again is another injusticeleaving me without any leaks is yet again another injustice— MultiverSusie (@multiversusie) May 17, 2025 3— MultiverSusie (@multiversusie) May 17, 2025

RT Rainbow Six SiegeSiege X has a lot in store for new and returning players -Take a look at what's coming over the next several seasons in the Year 10 Roadmap! 🗺️ Check out the full roadmap: https://rainbow6.com/roadmap

News Physint Requires “5 or 6 Years” to Develop, Says Hideo Kojima After that, the director of Death Stranding 2 may "finally decide to make a film," especially since he's "getting on in years." Posted By Ravi Sinha | On 18th, May. 2025 Death Stranding 2: On the Beach is shaping up to be one of 2025’s biggest games and a strong follow-up to the original. However, Kojima Productions has two other projects – the horror-focused OD published by Xbox Game Studios and Physint, a new stealth action IP with Sony. Director Hideo Kojima noted how both titles faced development hurdles due to the SAG-AFTRA Strike, but he’s seemingly provided a window for Physint’s release. And it’s a ways off. On Twitter, Ayako Terashima, Kojima’s assistant, posted a short clip of him flipping through Le Film français to a recent interview. Resetera’s Red Kong XIX extracted the text from the section in question and translated it through DeepL, where Kojima discusses Physint taking “another five or six years.” When asked if he’d like to direct a film someday, Kojima responded, “Yes, I would! I had many offers after I left Konami, with serious conditions for developing games in my independent studio. Alongside Death Stranding 2, there’s Physint in development. It will take me another five or six years. “But maybe after that, I’ll finally decide to make a film. I grew up with cinema. Directing would be a kind of tribute to it. What’s more, I’m getting on in years, and I’d rather do it while I’m still young!” If Physint launches by 2030 or 2031, it could be on the PlayStation 6 (for which rumors have been circulating). Regardless, there’s plenty of time to learn more, including its final name, story, and mechanics. In the meantime, head here to learn about how Kojima considers Death Stranding 2: On the Beach an updated version of Metal Gear Solid 5: The Phantom Pain. The PS5 exclusive launches on June 26th. Tagged With: Elden Ring: Nightreign Publisher:Bandai Namco Developer:FromSoftware Platforms:PS5, Xbox Series X, PS4, Xbox One, PCView More DOOM: The Dark Ages Publisher:Bethesda Softworks Developer:id Software Platforms:Xbox Series X, PS5, PCView More Death Stranding 2: On the Beach Publisher:Sony Developer:Kojima Productions Platforms:PS5View More Amazing Articles You Might Want To Check Out! Syberia Remastered Announced, Launches in Q4 2025 The remaster of Benoît Sokal's classic point-and-click adventure features redesigned characters, revamped puz... Physint Requires “5 or 6 Years” to Develop, Says Hideo Kojima After that, the director of Death Stranding 2 may "finally decide to make a film," especially since he's "gett... Injustice 3 is NetherRealm’s Next Title – Rumor A sequel to NetherRealm's DC-focused fighting game is seemingly in development, according to teases from a Mul... Former SIE President Says $70 or $80 is a “Steal” for “Really Great Games” "As long as people choose carefully how they spend their money, I don't think they should be complaining," say... Death Stranding 2: On the Beach Feels Like an Updated Metal Gear Solid 5: The Phantom Pain, Says Kojima Visiting the DHV Magellan reminds the director of returning to Mother Base. VR Challenges also await across th... Nintendo-Developed Titles Won’t Use Game-Key Cards, Nintendo UK Confirms Franchises like Mario, The Legend of Zelda and Metroid won't utilize the format, but the jury is still out on ... View More

Embassy of the State of Kuwait / ArchitectkiddSave this picture!© Luke YeungEmbassy, Interior Design•Bandar Seri Begawan, Brunei Architects: Architectkidd Area Area of this architecture project Area:  3000 m² Year Completion year of this architecture project Year:  2024 Photographs Photographs:Luke Yeung Lead Architects: Udomsak Komonvilas, Jariyawadee Lekawatana, Luke Yeung More SpecsLess Specs Save this picture! Text description provided by the architects. The Embassy of the State of Kuwait in Brunei is located in Bandar Seri Begawan. Architectkidd was selected to design the interior spaces by the Ministry of Foreign Affairs of Kuwait along with architecture studio Arkitek RekaJaya. Architectkidd looked beyond direct symbolism and cultural representations and instead focused on how the design could incorporate virtues in more abstract and functional ways. Cooperation, openness, and engaging public spaces were considered, and these values were expressed in materials, light, and form - qualities that the building environment can communicate as a public institution and civic cultural space.Save this picture!The Foyer is the first experience upon entering the Kuwait Embassy. It features an atrium space with a skylight at its highest point. Vertical wooden louvers were installed from the ceiling to the floor and are gently tilted along a sloping curvature to filter daylight from above. Natural light integration is enhanced by the curving geometry, helping to reduce energy dependence while also imbuing the space with a sense of calm.Save this picture!Save this picture!Save this picture!Save this picture!The Reception Hall is at the heart of the building, and with this new space, the Kuwait Embassy is able to curate public events. The ceiling design in the reception hall is a crafted pattern of undulating forms that create a dynamic interplay of depth and texture. Each panel was carved from polymer in shapes that, when combined, form an acoustic-friendly, three-dimensional surface. The sculptural quality adds a sense of movement while the repetition of the modules ensures a unified formal language. Lighting is embedded within the recessed patterns and provides an ambient glow, enriching the spatial experience.Save this picture!In other public spaces of the Embassy, the fluid design approach led to the idea of subtle wayfinding. The gallery and hallways have long and rippled wood walls to guide the users' direction towards the atrium and main staircase. These wavy walls offer a fluid and organic form that contrasts with the geometry of the rectilinear spaces.Save this picture!Materials and finishes were designed to ensure longevity and practical performance, and also to enhance visual and tactile qualities. The use of textured surfaces, such as the patterning of wall panels and marble stone flooring, contributes to a multi-layered interaction with the space. The integration of natural materials such as wood and marble, along with the soft diffusion of light, creates a welcoming environment that balances necessary security measures with warmth and hospitality.Save this picture!The expansive approach continues with interior sightlines between the spaces, creating a sense of visual continuity. With unobstructed views of surrounding areas, embassy staff work mostly in natural light during the daytime hours, with artificial light reduced to a minimum.Save this picture!By softening the boundaries between formality and warmth, security and openness, the Embassy of the State of Kuwait reimagines the way a diplomatic institution can function as a cultural bridge. As embassies increasingly take on roles beyond their traditional functions, this project aims to express how design can contribute to a more engaged approach towards fostering connections among nations.Save this picture! Project gallerySee allShow less Project locationAddress:Bandar Seri Begawan, BruneiLocation to be used only as a reference. It could indicate city/country but not exact address.About this officeArchitectkiddOffice••• Published on May 19, 2025Cite: "Embassy of the State of Kuwait / Architectkidd" 18 May 2025. ArchDaily. Accessed . <https://www.archdaily.com/1030144/embassy-of-the-state-of-kuwait-architectkidd&gt ISSN 0719-8884Save世界上最受欢迎的建筑网站现已推出你的母语版本!想浏览ArchDaily中国吗?是否 You've started following your first account!Did you know?You'll now receive updates based on what you follow! Personalize your stream and start following your favorite authors, offices and users.Go to my stream

By Germain Lussier Published May 18, 2025 | Comments (0) | Pedro Pascal returns for an incredible episode of 'The Last of Us.' Image: HBO When you’re done crying your eyes out, we thought it might be a good time to talk about the latest episode of The Last of Us. The penultimate sixth episode was just released on HBO, and it was incredible. We’ll have our full, traditional recap on Monday, but we had to give everyone a place to commiserate and discuss it before that, with full spoilers unleashed. In this week’s episode, called “The Price,” we finally got to see Ellie’s birthday gift, the unforgettable flashback scene from The Last of Us Part II. And, from the watchful eye of franchise creator and episode director Neil Druckmann, it lived up to its predecessor. But building off that, the episode took things many steps further, creating scenes specifically made for the show, such as Ellie’s birthdays before and after the one at the museum. Then, eventually, things caught up to the timeline of the show, catching up with the first episode of season two and revealing that before Joel died, Ellie found out. She finally found out that Joel killed everyone at the Salt Lake City hospital in a selfish act to save her life, sacrificing the lives of, well, the world. Pedro Pascal and Bella Ramsey absolutely murdered the scene—no pun intended—as after years of tension, Joel and Ellie finally come clean and agree to forgive. Which, of course, we now know from the show, is basically the last time they ever spoke. It’s a heavy, heavy episode and that’s before you talk about the whole storyline involving Eugene, played by Joe Pantoliano, as well as that first flashback of young Joel and Tommy with their father, played by Hawkeye star Tony Dalton. So, below, feel free to discuss the episode however you see fit. Did it live up to your expectations if you played the game? If you haven’t, what did you think? Again, we’ll have a full, detailed recap and reaction Monday morning—but, for now, discuss “The Price” below. Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who. Daily Newsletter You May Also Like By AJ Dellinger Published May 14, 2025 By Germain Lussier Published May 12, 2025 By Germain Lussier Published May 9, 2025 By Cheryl Eddy Published May 5, 2025 By Germain Lussier Published May 5, 2025 James Whitbrook and Gordon Jackson Published May 5, 2025